J.S. BACH: THE CIRCLE OF CREATION …...Sonata bwv 1005 arranged by Christopher Verrette. JOHANN...

JAN25AT VANCOUVER PLAYHOUSE

TAFELMUSIK BAROQUE ORCHESTRAJ.S. BACH: THE CIRCLE OF CREATION

AT CHRIST CHURCH CATHEDRAL

FEB22+23A collaboration with the Vancouver Chopin Society February 23 concert is generously supported by Chris Guzy & Mari Csemi

THE KING’S SINGERSROYAL BLOOD: MUSIC FOR HENRY VIII

AT THE CHAN CENTRE

FEB09This concert is generously supported by Janette McMillan & Douglas Graves, Birgit Westergaard & Norman Gladstone

“The superlative vocal sextet.” The Times (London)

This concert is generously supported by the Nemetz FoundationTickets from $36 | earlymusic.bc.ca | 604.822.2697

9

Alison Mackay creation, script, programElisa Citterio music director Kevin Bundy actor/narrator

|

TOBIAS KOCH

THE POLISH ROMANTICS FEB23

CHOPIN – THE LAST CONCERT FEB22

creation, script, programme

2 | EMV Masterworks Series 2018/19 [email protected] J.S. Bach: The Circle of Creation

Early Music Vancouver PARTNERS

We also gratefully acknowledge the generosity of our many donors and volunteers.

THANK YOU!

We acknowledge the support ofthe Province of British Columbia

THE DRANCE FAMILYEARLY MUSIC VANCOUVER FUND

board of directors

Chris Guzy president

Fran Watters vice president

Spencer Corrigal cpa,catreasurer

Tony Knoxpast president

Ilia Korkhsecretary

Sherrill GraceMelody Mason

Jesse ReadTim Rendell cpa,ca

Ingrid SöchtingVincent Tan

÷

José Verstappen cmartistic director emeritus

÷

staff

Matthew Whiteexecutive & artistic director

Nathan Lorchbusiness manager

Jocelyn Peircedevelopment coordinator

Laina Tanaharamarketing & volunteer coordinator

Jonathan Evansproduction coordinator

Jan Gatesevent photographer

Murray PattersonMarketing Group

marketing & media relations

Trevor Mangionand

The Chan Centre Box Office Staffemv ticket office: 604.822.2697

EMV’s performances at the Chan Centre are presented in partnership with the Chan Centre for the Performing Arts, with the support of the Chan Endowment Fund at the University of British Columbia.

pacificbaroque

orchestraalexander weimann

MUSIC director

THE BRENNAN SPANO FAMILY FOUNDATION

Early Music Vancouver gratefully acknowledges the assistance and support of:

GOVERNMENT SUPPORT

FOUNDATIONS

2018-19 PRODUCTION PARTNERS

production partners in victoria bc:

CORPORATE SUPPORT

Rosedale on RobsonSuite Hotel

VANCOUVER, BC Tony Knox Barrister & Solicitor, Arbitrator

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Knox & Co. denotes D.A.Knox Law Corporation

Tel: 604 263 5766Cell: 604 374 7916Fax: 604 261 1868Email: [email protected]

Season Calendar panels 2018-19.indd 36 16/06/2018 12:13:31 PM

partners

You can be in good company too!The corporate sponsors of Early Music Vancouver give back to their community through the support of our performances and education & outreach programmes. Their efforts make a meaningful difference for concertgoers and musicians alike.

Our wide range of activities offers unique sponsorship opportunities for both large and small companies to support us while also reaching their corporate goals. A range of sponsorship advantages is available, including logo recognition, complimentary tickets for your clients, employee discounts, and many other benefits tailored to your specific needs.

Call Jocelyn Peirce to discuss how our audience profile may fit with your company’s objectives: 604 732 1610.

board of directorsChris Guzy

president

Fran Watters vice president

Spencer Corrigal cpa,catreasurer

Tony Knoxpast president

Ilia Korkhsecretary

Sherrill GraceMelody Mason

Tim Rendell cpa,caIngrid Söchting

Vincent Tan÷

José Verstappen cmartistic director emeritus

÷

staffMatthew White

executive & artistic director

Nathan Lorchbusiness manager

Jocelyn Peircedevelopment coordinator

Laina Tanaharamarketing & volunteer coordinator

Jonathan Evansproduction coordinator

Jan Gatesevent photographer

Murray Paterson Marketing Group

marketing & media relations

Trevor Mangionand

The Chan Centre Box Office Staffemv ticket office: 604.822.2697

1254 West 7th Avenue, Vancouver BC, V6H 1B6

tel: 604.732.1610 fax: 604.732.1602

[email protected]

J.S. Bach: The Circle of Creationearlymusic.bc.ca EMV Masterworks Series 2018/19 | 3

j.s. bach: the circle of creationthe artists

Tafelmusik Baroque Orchestra

Alison Mackay creator, writer, programmer

Elisa Citterio director

Kevin Bundy narrator

Marshall Pynkoski stage director

Glenn Davidson production designer

Raha Javanfar projections designer

Jane MacRae film editor

with the support of

and

THE UNAUTHORISED USE OF ANY VIDEO OR AUDIO RECORDING

DEVICE IS STRICTLY PROHIBITED

tafelmusik’s western canada tour 2019 is generously supported by

Movements from Cantatas 249a, 202, 208, 42, & 11, and Goldberg Variations #18 & 22 transcribed & arranged by Alison Mackay.

Sonata bwv 1005 arranged by Christopher Verrette.

JOHANN SEBASTIAN BACH(1685-1750)

Sinfonia to Cantata 249a

Sonata for 3 violins in C Major, after bwv 1005: I. Adagio

Orchestral suite no. 1 in C Major, bwv 1066: Ouverture

Chorale tune “Gloria laus et honor”

Orchestral suite no. 1 in C Major, bwv 1066: Bourrée & Forlane

Sinfonia in G Minor, bwv 797, for solo harpsichord

Prelude in C Major, bwv 933, for solo harpsichord

Suite no. 3 for violoncello in C Major, bwv 1009: Sarabande

Brandenburg Concerto no. 3 in G Major, bwv 1048: I. Allegro

Adagio, after Cantata 202/1: “Weichet nur, betrubte Schatten” (Depart, melancholy shadows)

Brandenburg Concerto no. 3 in G Major, bwv 1048: II. Allegro

intervalAndante, after Cantata 208/9:

“Schafe können sicher weiden” (Sheep may safely graze)

Partita for violin in D Minor, bwv 1004: Allemande

Tish Nign (18th-century Klezmer tune)

Cantata 140: Chorale “Wachet auf, ruft uns die Stimme” (Awake, calls the voice to us)

Orchestral suite no. 3 in D Major, bwv 1068: Gavotte

Sonata for 2 violins and continuo in G Major, bwv 1039: Adagio & Allegro ma non presto

Canons on the first 8 notes of Goldberg Variations, bwv 1087 Simplex – Duplex a 4 – Duplex a 5

Excerpts from Goldberg Variations, bwv 988 Air – Variation #18: Canone alla sexta – Variation #22: Alla breve

Canon triplex on the first 8 notes of Goldberg Variations, bwv 1087/13

Adagio, after Cantata 42/3: “Wo zwei und drei versammlet sind” (Where two and three are gathered together)

Sinfonia, after Cantata 11/1: “Lobet Gott in seinen Reichen” (Praise the Lord in his riches)

Pre-concert introduction at 7 pm with host Matthew White:

Alison Mackay and Elisa Citterio


Suggested donation $20 at the door | earlymusic.bc.ca

BUXTEHUDE – MEMBRA JESU NOSTRI

Friday March 8, 2019 at 7:30pm (Pre-concert talk at 6:45pm) | Christ Church Cathedral

This concert features one of the greatest masterworks of 17th-century music, Dieterich Buxtehude’s Membra Jesu Nostri, and other early baroque works from Germany for choir, soloists, and instruments.

The Keio University Ensemble from Tokyo, directed by Nozomi Sato, joins local soloists, members of EMV and UBC’s Baroque Mentorship Orchestra, Cappella Borealis, and conductor Alexander Weimann for a rich and varied programme of music from the German Baroque.

This concert is generously supported by Keio University, Design the Future Fund

and Hakuju Institute for Health Science, Co. Ltd. and Maurice & Tama Copithorne

8pm Fri, April 19, 2019 | The OrpheumVancouver Chamber Choir and Orchestra

Pacifica Singers | Jon Washburn, conductor

Choirs, soloists, alumni and orchestra are drawn together for aresplendent evening celebrating Jon Washburn’s 48 years leadingthe Vancouver Chamber Choir. Hear J.S. Bach’s marvellous Missabrevis in G minor, Tarik O’Regan’s mystic and evocative SolitudeTrilogy and a celebratory massed performance of Ralph Vaughan

Williams’ glorious Five Mystical Songs.

1.855.985.ARTS (2787)vancouverchamberchoir.com


tafelmusik baroque orchestra

directed by

elisa citterio

violin

Elisa CitterioPatricia Ahern

Thomas GeorgiValerie Gordon

Christopher VerretteCristina Zacharias

viola

Patrick G. JordanBrandon Chui

violoncello

Keiran Campbell Allen Whear

vouble bass

Alison Mackayoboe

John AbbergerMarco Cera

bassoon

Clay Zeller-Townsonharpsichord

Stefano Demicheli

— * —

technical director

Glenn Davidsonlighting associate

Kaitlin Hickeyvideo operator

Patrick Lavendertour & stage manager

Beth Anderson

— * —

tafelmusik baroque orchestra

tafelmusik.org

Renowned for its dynamic, engaging, and soulful performances, Tafelmusik is one of the world’s leading period-instrument ensembles, performing on instruments and in styles appropriate for the era of the music. Last season we welcomed new Music Director Eli-sa Citterio: only the second Music Director in Tafelmusik’s history, she took over from Music Director Emerita Jeanne Lamon. We are Canada’s most toured orchestra, having performed in over 350 cities in 32 countries, and are proud to call Toronto our home. There we perform some 80 concerts each year for a loyal and enthusiastic audience in diverse venues across the city. The orchestra is joined in performances by the critically acclaimed Tafelmusik Chamber Choir and its director Ivars Taurins.

Tafelmusik seeks to transport audiences to the baroque and classical periods through adventurous cross-cultural collaborations, on stage with Toronto’s Opera Atelier, and underground at our Haus Musik series. Our musicians share their knowledge and expe-rience through artist-training initiatives such as the Tafelmusik Baroque Summer and Winter Institutes. Tafelmusik has released over 90 recordings, and are honoured to have received nine JUNOs and numerous international recording prizes.

We have toured J.S. Bach: A Circle of Creation to Ontario, Quebec, the Martimes, the US, Puerto Rico, China, South Korea, and Australia, and are thrilled to be bringing it to British Columbia, Alberta, and Manitoba this season. tafelmusik.org

Elisa CitterioThe brilliant violinist Elisa Citterio joined Tafelmusik as Music Director last season. She moved to Toronto from her native Italy, where she divided her artistic life between orches-tral work and an intense schedule as a chamber musician. She has recorded and toured, often as leader, with such ensembles as Dolce & Tempesta, Europa Galante, Accademia Bizantina, Accordone, Zefiro, la Venexiana, La Risonanza, Ensemble 415, Concerto Italia-no, Orquestra del Monsalvat, Il Giardino Armonico, and Orchestra Academia 1750. From 2004 she was a member of the Orchestra del Teatro della Scala di Milano. Elisa studied violin and viola at the L. Marenzio Conservatory in her hometown of Brescia. Post-graduate work included baroque violin studies with Enrico Onofri, Luigi Mangiocavallo, and Chiara Banchini. Her discography includes more than 35 recordings of Vivaldi, Bach, Handel, Corelli, Monteverdi, and Haydn.

Alison MackayAlison Mackay, who has played the violone and double bass with Tafelmusik since 1979, is active in the creation of cross-cultural and multi-disciplinary programmes for the orchestra. A number of her projects, which include The Four Seasons, a Cycle of the Sun; The Galileo Project; House of Dreams; and Tales of Two Cities: The Leipzig Damascus Coffee House have been made into feature documentary films and have toured extensively around the world. Her musical tale of adventure, The Quest for Arundo Donax, was awarded the 2006 JUNO Award for Children’s Recording of the Year, and she is the recipient of the 2013 Betty Webster Award for her contribution to orchestral life in Canada.

Kevin Bundy Kevin is thrilled to have been asked to be a part of Tafelmusik’s Western Canada tour. A professional actor since 1986, Kevin has performed in many if the major theatre across Canada. He was a member of the Shaw Festival’s Acting Company for seven seasons, and of the Stratford Festival for five. He has performed in dozens of Soulpepper Theatre Company productions since 2005. His most recent credits include The Wars and Chari-ots of Fire at The Grand Theatre, London, and Confederacy Parts 1 & 2 with Video Cabaret, which garnered a 2018 Best Ensemble Performance Dora Nomination in Toronto. He will soon be appearing in Edmonton at the Citadel Theatre in Kat Sandler’s new play, directed by Artistic Director Daryl Clorran. Kevin is a graduate of The National Theatre School of Canada.

the artists


PACIFIC BAROQUE FESTIVAL 2019

SPECIAL 15TH ANNIVERSARY CELEBRATIOn

COMING UP FROM FEBRUARY 7-10 IN VICTORIA BC

The 2018-19 Pacific Baroque Series in Victoria culminates in the Pacific Baroque Festival’s 15th anniversary celebration running from Thursday February 7th to Sunday February 10, 2019. Led by long-time Artistic Director, Marc Destrubé, the festival features five lively events held at the Victoria Conservatory of Music’s Alix Goolden Hall and at Christ Church Cathedral. This anniversary programme will reflect 15 years of entertaining audiences with an annual tapestry of musical performances, this year featuring rarely performed music by brilliant but under-represented composers.

A COLLABORATION WITH CHRIST CHURCH CATHEDRAL VICTORIA & EMV

The Pacific Baroque Festival is co-presented by the Victoria Conservatory of Music and Christ Church Cathedral Victoria

FOR DETAILS VISIT PACBAROQUE.COM/FESTIVAL

Interested in joining our volunteer corps?Phone 604.732.1610 for details.

Our activities are made possible through the generous assistance of many volunteers

who offer their time. We would like to thank the following:

Pam Atnikov, Richard Cameron, Alexandra Charlton, Ron Costanzo, Donna Cohen, Catherine Crouch, Bill Dovhey, Sandy Dowling, David Dyck, Helen Elfert, Bev Ferguson, Elizabeth Ferguson, Jean-Pierre Fougeres, Gail Franko, Maureen Girvan, Stanley Greenspoon, Satoko Hashigasako, Delma Hemming, Margaret Hendren, Michiko Higgins-Kato, Maggie Holland, Richard Huber, Gigi Huxley, Gretchen Ingram, Ron Jobe, Gerald Joe, Susan Kaufman, Barb Knox, John Lawson, Adèle Lafleur, Susan Larkin, Marlene LeGates, Pat Lim, Christina MacLeod, Wanda Madokoro, Dolina McLay, Kathryn McMullen, Vania Mello, Fran Moore, Carole Nakonechny, Veronika Ong, Gina Page, Betty Lou Phillips, Selma Savage, Traudi Schneider, Jill Schroder, Alison Stockbrocks, Eleanor Third.

THANK YOU TO OUR VOLUNTEERS!

FOR SALE IN THE LOBBY:TAFELMUSIK RECORDINGS


programme notesby alison mackay

J.S. Bach: The Circle of Creation is a celebration of the genius of Johann Sebastian Bach, with an emphasis on the instrumental music which he created for his family, his students and his colleagues. Using words and images, the performance also honours the artisans and tradespeople whose labour and expertise made the performances of Bach’s music possible, both in his own time and in the 21st century.

The concert begins and ends with poetry about the honorary patrons of Bach’s city of Leipzig — the Roman god of music, Apollo, and his brother Mercury, who made a glorious musical instrument from the shell of a tortoise and seven strings of sheep gut.

Two millennia later, the instrument makers of the eighteenth century still used materials from the natural world — bird feathers for the quills that pluck harpsichord strings, maple and spruce for the bodies of stringed instruments, and boxwood for oboes. Sheep intestines were still used to create strings for Bach’s instruments, and brass strings were made by hand for his harpsichords.

Centuries-old methods are still used today for the making of historical strings for period instruments. Because the guild members of early modern Europe were obliged to guard their trade secrets, modern makers have had to be detectives, using forensic evidence from scraps of old strings and sources such as Diderot’s eighteen-century encyclopædias to determine the materials and techniques that would have been used for Bach’s instruments.

The images seen in the concert portray artisans from Bach’s time as well as modern instrument builders who use historical techniques to create instruments for the Tafelmusik Orchestra. Film footage and still photographs created especially for this performance feature Toronto builder and restorer Quentin Playfair, who made a cello inspired by an instrument from the Stradivarius workshop in 1726; English harpsichord and string maker

Malcolm Rose; American oboe maker Harry vas Dias; German bassoon maker Peter Wolf; Toronto bow maker Stephen Marvin; and the artisans of the Aquila String factory in Italy.

Much of the music on the programme is typical of the works which would have been performed at Zimmerman’s Coffeehouse in the centre of Leipzig. In 1695, the merchants’ guild of Leipzig had petitioned the town council for “street lanterns that would, as in Vienna and Berlin, burn all night to prevent incessant nocturnal crime.” On Christmas Eve of 1701, 700 oil-fuelled streetlights were installed in the city, making it safe for the first time for all citizens to walk freely at night, transforming coffeehouses into venues for recreation and music.

Bach directed an ensemble which performed on Friday nights at the cafe for which the owner, Gottfried Zimmerman, acquired a set of musical instruments. The orchestral suites BWV 1066 and 1068, the third Brandenburg concerto, the Trio Sonata BWV 1039, the Goldberg Variations, and the shorter solos for harpsichord, violin, or cello are typical of music which Bach would have performed with members of his family, university students, and amateur players of the ensemble known as the Collegium Musicum. Professional players from the Leipzig town band also participated in these performances.

These municipal musicians had responsibilities for outdoor performances from balconies at City Hall or one of the church steeples in town. Gloria laus

Photo credit: Sian Richards


et honour and Wachet auf, ruft uns die Stimme are well-known hymn tunes which would have been played instrumentally by these performers. They were given salaries, clothing, music, instruments, and housing for themselves and their families in the Stadtpfeiffer Gässchen (City Pipers’ Lane), which was also the traditional street for the city’s midwives.

In 1746, the Dresden official court painter Elias Gottlob Haussmann painted a portrait of the 61-year-old Bach holding, as was customary, an emblem of his art. Rather than being pictured with a keyboard, the famous virtuoso chose instead to hold a small piece of paper with three short lines of music — the first eight notes of the bass line of the Goldberg Variations with a six-part canon written in code. It was a powerful symbol of Bach’s roles as composer, performer, and teacher. Like the instrument makers who made his violins and harpsichords, Bach regarded himself as a craftsman who had inherited much from the guild musicians who were his forebears.

In June of 2014, the members of Tafelmusik were invited to live in the city of Leipzig for two weeks as orchestra-in-residence at the annual festival which celebrates his legacy. Immersed in the atmosphere of Bach’s hometown, we were able to explore the craft of Bach’s own artisans, guided by our generous partners and advisors at the Bach Museum, who have provided many of the images for this project. The concert ends with a reflection on human hands and the thousands of hours it takes to master the use of a violin bow or a chisel. In the long hours of labor, musicians, and artisans are sustained by the beauty of materials, the artistry of their tools, the guidance of inspiring mentors, and the exhilaration of exploring the art of a great genius. We share with our audiences around the world an abiding love for the music of J.S. Bach, and it is a privilege to be able to perform it in celebration of his art and in recognition of the artisans, scholar, tradespeople, and music lovers who have made our performing lives possible.

SPECIAL THANKS TO:

Jean-Marc St. Pierre of maj productions in Montreal for permission to use his footage of the Aquila factory.Timothy Barrett, Director of the Iowa Centre of the Book, and filmmaker Avi Michael, creator of the film Chancery Papermaking, for the footage of paper being made as in the time of Bach.Dr. Daniel Geiger of the Museum of Natural History, Santa Barbara, California for his magnified images of materials from Bach’s world.The Bach Museum, Leipzig for permission to use images from the museum.Production designer Glenn Davidson for creating the photo sequences of hands and Saxon sheep.

The Gallo Chamber Players are a newly-formed, Vancouver-based ensemble of early music performers.

On January 27, they will present their debut concert, the culmination of many years of study through the Baroque Orchestra Mentorship Programme at UBC and the Early Music Vancouver Scholarship Programme. The recital will feature 17th- and 18th-century violin repertoire from across Europe, as well as a brief discussion with the players about how they made the switch to historical instruments and performance practices.

Sunday January 27 at 4:00 pm | St. Philip’s Anglican Church Admission by donation 3737 West 27th Ave., Vancouver

Gallo Chamber Players


1. Apollo with lyre. Photo credit: Depositphotos [phil bird]. 2. Mercury with metal wheel. Photo credit: Dreamstime images,

©Slayerspb. 3. Apollo and Mercury plaques. Image credit: Raha Javanfar. 4. Elias Gottlieb Haussmann, Portrait of Johann Sebastian Bach,

Stadtgeschichtliches Museum, Leipzig. Photo credit: Erich Lessing/Art Resource NY.

5. Overview of Hyades Star Cluster. Photo credit: NASA, ESA, ST Scl.

6. Cyprus Grove at Dawn / Cyprus Ridge in Arcadia. Photo credit: Elizabeth Ganiatsos.

7. Tortoise Shell Lyre, © The Trustees of the British Museum.

Richard Earlom, after Claude Lorrain, by kind permission of Harvard Art Museums:

8. A Landscape, with Buildings, and Mercury Stealing Admetus’s Cattle from Apollo

9. A Landscape, with Cattle 10. A Landscape, with Cattle, and with Mercury and Battus

11. Abraham Ortelius, Map of Europe, c.1570. Photo credit: Depositphoto (cascoly).

12. Paul de Wit, Map of Leipzig, by kind permission of Olaf Simons.

Photos of Leipzig. Photo credit: Gert Mothes. 13. Statues of Apollo and Mercury on the Stock Exchange 14. Towers of St. Nicholas and St. Thomas Church 15. City Hall

16. Leipzig film footage of baroque Stock Exchange, St. Nicholas Church, St. Thomas Church, City Hall, and White Elster River. Filmed by Alex Foster.

17. Photos of rastrum and ingredients of Bach’s ink taken with kind permission of the Bach Museum, Leipzig. Photo credit: Gert Mothes.

18. Image of Leipzig Stadpfeiffergasse, by kind permission of Martin Geisler.

19. Joachim Ernst Scheffler, Leipzig Stock Market, 1749; images of watermarks used by Bach; page of continuo part from J.S. Bach Cantata 14. By kind permission of the Bach Museum, Leipzig.

20. Microscopic views of feather, woods, bow hair, gut strings, and rosin by Daniel Geiger, Santa Barbara Museum of Natural History. Wood shavings provided by Olivia Pelling (Finestrings, Ottawa). Feather material provided by Dr. Krista Fahy, Curator of Ornithology at the Santa Barbara Museum of Natural History.

21. Photos of indoor Apollo and Mercury statues, town councillors, and eighteenth-century trade fair catalogue taken with kind permission of the Leipzig City Museum. Photo credit: Gert Mothes.

22. Images of millwheel stampers, rag sorters, papermakers, and candlemakers from Denis Diderot, Encyclopédie des sciences, des arts, et des métiers, 1750–1765, by kind permission of the Thomas Fisher Rare Book Library, University of Toronto.

23. Bernard Picart, Outdoor concert, 1709. Rijksmuseum, Amsterdam. 24. Vincent Laurensz van der Vinne, Gold Shop, 1714. Rijksmuseum,

Amsterdam. 25. Photo of Doubrava used by kind permission of Petr Kečkeš. 26. Photo of Gruen paper mill, by kind permission of the AS/

Doubrava Museum. Many thanks to Jitka Klimova, Consulate General of the Czech Republic in Toronto.

27. Film footage from Chancery Papermaking created by Avi Michael used by kind permission of Timothy Barrett, Director of the University of Iowa Centre of the Book

28. Film footage of wire drawing and harpsichord making at the workshop of Malcolm Rose, Lewes, U.K. Filmed by Mike Grippo for Tafelmusik.

29. Workshop of luthier Quentin Playfair, Toronto. Photo credits: Sue Dickin & Quentin Playfair.

30. Oboe and bassoon making at the Guntram Wolf family workshop, Kronach, Germany. Photo credit: Anna Marsh.

31. Workshop of Harry vas Dias, Atlanta, GA. ©Hastings Huggins. 32. Saxon Merino Sheep. Photo credit: Glenn Davidson. 33. Film footage of the Aquila String Factory created for How It’s

Made by Productions MAJ, Montreal. 34. Workshop of Stephen Marvin. Photos kindly provided by Stephen

Marvin. 35. Anonymous gouache, Collegium musicum concert in a tavern,

c.1740, by kind permission of Germanisches Nationalmuseum, Nurnberg.

36. Three versions of the first eight notes of the bass line of Bach Goldberg Variations, drawn by Ivars Taurins.

37. Leonardo da Vinci, Drawing of the anatomy of the hand. Photo credit: Depositphotos (lollok).

38. Hand montage photo credits: Glenn Davidson, Mike Grippo, Avi Michael, Sue Dickin, and Sian Richards.

j.s. bach: the circle of creation

IMAGE CREDITS

Pick up our colourful calendar/brochure in the lobby today – it includes full details about the 2018-2019 concert season.

earlymusic.bc.ca


EARLY MUSIC VANCOUVER

Leave a Legacy

Help us give the gift of Early Music to future generations

You can ensure the continued health and vibrancy of Early Music in Vancouver through one of the most powerful tools in your possession – your estate plan. Legacy gifts are an expression of your values, wishes and hopes for the future.

There are different ways in which you can make a legacy gift. Each type has different benefits for you and your family.

Examples:

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If you have already included Early Music Vancouver in your estate plan or would like more information on possibilities for legacy gifts, please contact our Business Manager Nathan Lorch at 604.732.1610 or [email protected] for more information.

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Planned gifts can create excellent tax advantages; ask your financial advisor to help determine the most advantageous plan for you.

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Full Legal name: Vancouver Society for Early MusicCharitable Number: 10816 7776 RR0001

Early Music Vancouver1254 West 7th Avenue, Vancouver BC, V6H 1B6

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edit

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Gat

es

BRING EMV HOME!

Host an EMV Guest MusicianDo you have a guest room that often sits empty?

Do you enjoy well-educated, articulate houseguests from across the country and the world?

Do you like Classical music?

Would you like to get the ‘inside scoop’ about performing from a professional musician?

If your answer to any of these questions is ‘yes’, then I invite you to consider joining the growing number of EMV supporters who house visiting guest musicians.

Get to know some of the wonderful musicians that come to Vancouver to bring you great music.

Host only when it is convenient for you; all you need to provide is a private room.

For more information please contact Jonathan Evans, Production Manager,

Early Music Vancouver:[email protected] or 604.732.1610, extension 2004

Special thanks to the following for hosting our guest musicians:

Jill Davidson, Tony Dawson, Bing Dai & Eric Wong, Delma Hemming, Michiko Higgins-Kato, Barry Honda & Valerie Weeks, Judy Killam, Tony & Margie Knox, Evan & Janice Kreider, Marlene LeGates & Al Dreher, Deborah Roitberg & Jack Amar, Judy Storr, Nick & Olivia Swindale, John Tulip, Alex Waterhouse-Hayward, Alexander Weimann & Chloe Meyers, Marc White & Joey Schibild, Penny Williams, Jane & Michael Woolnoughs.

JAN25AT VANCOUVER PLAYHOUSE

TAFELMUSIK BAROQUE ORCHESTRAJ.S. BACH: THE CIRCLE OF CREATION

AT CHRIST CHURCH CATHEDRAL

FEB22+23A collaboration with the Vancouver Chopin Society February 23 concert is generously supported by Chris Guzy & Mari Csemi

THE KING’S SINGERSROYAL BLOOD: MUSIC FOR HENRY VIII

AT THE CHAN CENTRE

FEB09This concert is generously supported by Janette McMillan & Douglas Graves, Birgit Westergaard & Norman Gladstone

“The superlative vocal sextet.” The Times (London)

This concert is generously supported by the Nemetz FoundationTickets from $36 | earlymusic.bc.ca | 604.822.2697

9

Alison Mackay creation, script, programElisa Citterio music director Kevin Bundy actor/narrator

|

TOBIAS KOCH

THE POLISH ROMANTICS FEB23

CHOPIN – THE LAST CONCERT FEB22

J.S. BACH: THE CIRCLE OF CREATION …...Sonata bwv 1005 arranged by Christopher Verrette. JOHANN...

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Transcript of J.S. BACH: THE CIRCLE OF CREATION …...Sonata bwv 1005 arranged by Christopher Verrette. JOHANN...