Chelsea Clark, Erica Garnett, Brett McKnight, & Erin Sullivan.
Joy Garnett: Art & Its Sources
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Transcript of Joy Garnett: Art & Its Sources
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Art + Its Sources
Art
&
Remix Culture
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My Source Material
• Science + technoscience photography• US Government + military archives• News photos; photojournalism• Other art works; the history of art…
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Declassified government files
"Trinity" July 16, 1945the first nuclear test
Alamogordo Test Range Jornada del Muerte Desert
(“Journey of Death”) New Mexico
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The Rapatronic is a Camera made by the EG&G Co. in the 1950's to photograph atomic explosions at the rate of 1/1,000,000 of a second.
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"Dog“, November 1, 1951Operation Buster-Jangle, Nevada Test Site, Area 7
1417 Foot Airdrop from B-50
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“Castle Bravo”High yield thermonuclear weapons test (H-bomb) detonated on an artificial
island at Bikini Atoll February 28, 1954 (GMT)
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“Buster-Jangle”
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Public military documents
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Television: Night vision / Tracer fire : The First Gulf War (CNN)
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Kosovo: Gun camera imagery (Mpeg)
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“Rocket Science”
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The Media Narrative
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Joy Garnett: News Anchor (Kabul) (2002) 26 x 32 inches. Oil on canvas
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Joy Garnett: Night Vision, Baghdad (2006) 38 x 44 inches, Oil/canvas
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Joy Garnett: Road. (2007) 35 x 38 inches. oil on canvas
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Joy Garnett: Jog. 2003. 26 x 46 inches. Oil/canvas
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Joy Garnett: Paris Riots (6) 2005. 15 x 20 inches. Oil on canvas.
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Joy Garnett: Plume 2 (2005) 26 x 46 inches. Oil on canvas
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Joy Garnett: Flood 2 (2005) 26 x 46 inches. Oil on canvas.
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Joy Garnett: Flood 5 (2006) 54 x 60 inches. oil/canvas.
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Joy Garnett: Dusk (2007). 30 x 38 inches. Oil on canvas.
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Joy Garnett: Noon. (2007) 56 x 60 inches. Oil on canvas.
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Joy Garnett: Yellow Smoke. (2009). Oil on canvas. 26 x 30 inches.
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Joy Garnett: Explosion, Yellow & White (2009)Oil on canvas. 32 x 26 inches
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Joy Garnett: Crash. (2009) 38 x 48 inches. Oil on canvas
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“Riot”
a solo show in the spring of 2004…
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Joy Garnett: Riot. (2004) 35 x 30 inches. Oil on canvas.
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Joy Garnett: Leap. (2003) 54 x 60 inches. Oil on canvas.
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Joy Garnett: Stones. (2003) 60 x 78 inches. Oil on canvas.
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Joy Garnett: Air Strip. (2003) 44 x 84 inches. Oil on canvas.
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Joy Garnett: Guardian Angel. (2003) 30 x 35 inches. Oil on canvas.
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Joy Garnett: Emo. (2003) 78 x 60 inches. Oil on canvas.
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“Joywar” (c. 2004)
Revisited, 2010
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“Cease & Desist”
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In the meantime, online, in a discussion with net artists, coders and
musicians…
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“Cease & Desist”
Am I a Pirate?!
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Susan Meiselas: NICARAGUA, Esteli (1979).
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• Borrowing
• Copying
• Reference
• Resemblance
• Riffs• Development of ideas
History of Painting
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Internet Culture
speeds up:
• Borrowing
• Copying
• Reference
• Resemblance
• Riffs• Development of ideas
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Artist Tim Whidden mirrored the image on his own site…
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Artist Mark River created a “derivative” work based on Molotov:
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Artist Ryan Griffis declares “Joywar”( a reference to “Toywar” c. 1999)
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Jess Loseby
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Joseph + Donna McElroyhttp://electrichands.com/shanghai-pepsi.jpg
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Michael Szpakowski : Solidarity webpage
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Ottokin.com:
Date: Wed, 10 Mar 2004 16:33:22 +0100Re: tshirt
Produce this shirt an fuck the Pepsi!
Bye from ItalyPaolo
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“Spook” site
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Quicktime movie: “Art not Crime”
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Kate Southworth: Pirates of Penzancehttp://www.gloriousninth.com/piratesofpenzance.html
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Molotov Remix - consists od a jpg of Joy Garnett's painting "Molotov" sliced into 121 43px X 52px images. Each sliced image is randomly loaded via java script into one of 121 cells of an html table.
Users may click on the "Recompose" link to achieve a new randomly generated recomposition each time. The chances of users hitting upon a perfect realignment of image slices is less than winning the lottery, but just in case I have a "fair use" argument ready.
http://art-design.smsu.edu/cooley/molotov/
mark cooley
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Edward Tang: “Molotov Landscapes” created using a custom software in Windows C++ using Visual C++ .NET and OpenGL for graphics.http://antiexperience.com
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Pau Waelder: http://www.sicplacitum.com/arte/molotov.htm
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Creativity
Versus
Property
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Kinds of Property
Tangible goods
apples
houses
Intellectual Property
expression
ideas
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Not protected by copyright:
Ideas, facts
Protected by copyright:
Expression
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Legal Limits on Copyright:
“fair use”
“transformative use”
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[traditional Art?
Art-making has always been
remix
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• Borrowing
• Copying
• Reference
• Resemblance
• Riffs• Development of ideas
History of Painting
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Internet Culture
speeds up:
• Borrowing
• Copying
• Reference
• Resemblance
• Riffs• Development of ideas
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Painting + Photography:
conscious and unconscious “borrowing”
between different mediums between painters and photographers
across centuries
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Che Guevera’s corpse (ca. 1967)
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Rembrandt : The Anatomy Lesson of Dr NicholaesTulp (1632)
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Freddy Alborta, Che Guevera’s Death, 1967
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Giovanni Antonio Bazzi “il Sodoma”: Lamentation Over the Dead Christ (1503)
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The Lamentation over the Dead Christ by Andrea Mantegna (c.1490)
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Painting directly from Photographs
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Painters have been using photographs
and cameras ever since modern photography
came to into existence, and earlier…
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"Officer & a Laughing Girl"Vermeer(1657-1659)Frick Collection, NY
Vermeer and other Dutch and Flemish painters of the period used the camera obscura...
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"Bathers, Dieppe" 1902Walter Richard Sickert (1860 - 1942) Walker Art Gallery, Liverpool, UK
The English Impressionist painter Walter Sickert developed a method of painting scenes of modern life from photographs.
This off-center composition, which features no horizon line, is an immediate, "snap-shot" moment, much like a photograph..
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A few contemporary examples…
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Andy Warhol:
Red Race Riot (1963)
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Interview, Greater Boston Arts TV series and website: Artists & Violence (2002)
“I’m nuts on images. I cut them out of books and newspapers, mostly books and magazines. And this is absolutely crucial to me, because this is one of the ways I tap into the world.
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“I see the world because it comes to me through media. Through film, through newspapers. Through TV.”
-- Leon Golub
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Gerhard Richter:RaketeRocket 1966 93 cm X 73 cm Oil on canvas Catalogue Raisonné: 110-2
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L: Confrontation 1 (Gegenüberstellung 1) (1988) R: Gudrun Ensslin from “October 18, 1977,” based on “ubiquitous photographs” of the Baader-Meinhof.
Gerhard Richter
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Thomas Ruff: jpeg ny02 (2004) 8 ft. 10 in. x 11 ft. 11 3/8 in
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“Culture is made of objects, expressions, stories, gestures, etc. that MUST be repeatable (and repeated) in various situations - precisely to create an identity to be held in common. …it is through this process of repetition that a group's consensus of history and identity is created.…
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“….Culture is composed of copies that we as a society share and subsequently hold in common - and that fundamentally bind us together. (We ALL copy without authorization all the time - that is called memory. Technology extends its perception and there is no 'self' without it.)”
-- David Clarkson, artist, NYC (2009)
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the end