Joseph EULO Visual Storytelling Midterm
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Transcript of Joseph EULO Visual Storytelling Midterm
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VISUAL STORY TELLINGM I D T E R M P R O J E C T , F A L L 2 0 1 5
J O S E P H
E U L O
THE NEW SCHOOL
VISUAL STORYTELLING.A.FA15.ONLINE
PROF. SHARI KESSLER
OCTOBER 21, 2015
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ALLISONSTANCIL
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What caught my attention in Allison’s photo-
graph was the color of the “magic hour”
sky. It has a very hopeful “new beginning”
feel to it, This is a photo of an early morn-
ing peaceful moment of a town before the
day begins. Or it can be the photo of a
town after a disaster (kind of reminds me ofthe what my town looked like after Hurri-
cane Sandy hit. Abandoned, Isolate, but
beautiful within its tranquility. My eye is
drawn to the GLOBE sign with its bright
Red and white letters glowing. It screams
look at me. The composition of the photo is
balanced and the lines and lead my eye to
explore the photograph. All of Allison’s pho-tographs have a American hometown aes-
thetic to them. I could see her work in a gal-
lery somewhere.
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What drew my attention in
Christopher’s photograph was the
dark aboding cloudy sky. This is a
photo of road perhaps the Autobahn
in Germany, and the dark cloudy
skies above it. Christopher’s photo is
also about a journey, one where dark
skies loom and the “road” is long,
and treacherous.
CHRISTOPHERHANEKAMP
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CASEYGRAYSON
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It was the point of view this photo that caught my attention. Every-
thing is in focus, and permits me to explore each level of it. in detail.
The photo is a “Gods” view of a city.I like the way the light illuminates
each level. The patterns, lines, frame with in a frame on each level
tells its own story.
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I chose this particular photograph of Humberto because of darkaboding theme of something hiding and then discovered. I really
like they way the light and shadows revel and conceal.
This is a photo of the inside of the trailer looking outward. Could
be a trafficking victims point-of-view of the world from the back of
a shipping container. Very suggestive and dark in an aesthetic
sense.
The light (and shadow) had a direct contribution tot the meaningof this photograph. Themes of Dark and Light, Bad and good,
play across this photo.
The composition of this shot, uses the the lines of this space to
lead us to the light at the end of the “tunnel/trailer” so to speak. A
possible hope for the person whos POV this is...
HUMBERTOGOMEZ
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CHR!STA
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I picked this photo because I liked the re-
peated shapes, the patterns of light and
shadow across the wall, the contrast and
colors. I think this is photo a reflection of a
lamp and its shafts of patterned light. But
its much more than that. Its a photo of an
altered state of reality. Symbolically Itsabout what we perceive to be real and
what we imagined, a visual chaotic repre-
sentation of human thought. The blurred
soft focus of the light and the lamp gives it
a “dream/ or mind altered”aesthetic.
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The reason why I picked this photograph was because of thefluffy clouded sky ad the Liberty Tower. This is a photograph of
the Liberty Tower, a symbol of tenacity and hope for New York
city and the world. The natural daylight, allows us to see the
blues and whites clearly, the reflection off the sides of liberty tow-
ers provides us with a sense of tranquility and serenity. For a mo-
ment I am transported back to that day, when the worlds seemed
uncertain, and I felt powerless, but angry, then I look at this photo
and I am inspired.
SEANFINNEGAN
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JUSTINEHUNTER
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What I love about this photograph is the
repeated frame within a frame elements,
the lines that form the railings, the texture
of the wooden planks on the bench,the
hopeful cloudless blue sky, and the liberty
tower in the center of it all.
I admire the way Justine uses diagonal
lines to draw us closer to the center of the
frame.
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This photo caught my attention because it reminded me aboutthe many different persona’s we put on like masks on a daily ba-
sis. Its only when we see our reflections that we become aware of
how others perceive us.
I admire Rokiatou’s framing and composition. They way the light
highlights the woman’s face and her reflection. The separations of
the right and left side by the window itself. This is one of my fa-
vorite photos this semester.
ROKIATOUCOULIBALY
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MIKEELROD
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I was drawn to this photo because of the
warm golden orange and yellow colors of
the sun setting on the horizon.
The light plays a significant role in this pho-
tos composition and framing, Mike has
demonstrated that he as an eye for such
visual spectacle as can be seen in his
other photographs.
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I chose this photograph because of its emotional impact. Twinbeams of light illuminate the night sky in place where the twin tow-
ers once stood. Reminding us of the lives lost that day, and the
solidarity of the American People.
Simply this is a photo graph of lights beamed up into the night
sky. or God shining his holy light onto the earth below. The light-
ing is the subject of this photo. It framing and composition flaw-
less. One of my favorites photographs.
URIFARKA
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NANZHANG
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Nan’s Photo, reminds me of a time with I
felt defeated. Those emotions rush back to
me when I look at this photo. Makes me
want to give this boy a hug and tell him eve-
rything is going to be ok. The shallow focus
forces us to feel this boys emotional state.
The dominant shades of blue, solidify our
emotional reaction.
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I chose this image because of it is neo-noir feel. Thelight from the lantern dunks the man in and out of
darkness giving the noir mood.This photo makes me
ask a lot of questions. Is he waiting for someone? is
he injured? how did he get here. Are there other men
next to the lights in the background?I love Paula’s
composition, and the carefully shot background ele-
ments that fuels my imagination.
PAULASUTER
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I chose this photo because I like the way
the liquid in the jar distorted the space
behind it. This is a photo of a soapy
water filled jar on a window sill. It could
be a laboratory experiment gone wrong.
Or a home brew.
CHRISTINESANG
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The look of sadness in the eyes
of the drum-less boy on the right.
grabbed my attention. Its like he
is telling me something. It is a
photograph of two boys on the
street in New Orleans, playing for
tips.The lighting fully illuminates
the scene here. Opening the ex-
posure to the mishmash of colors.
Blue, Green white, Brown, Reds.
RICHARDHUFF
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