Jordan Schnitzer Museum of Art annual report 2008–09

1223 University of Oregon Eugene, OR 97403–1223

Street address:1430 Johnson Lane, Eugene, OR 97403 On the University of Oregon Campus

Phone: (541) 346-3027Fax: (541) 346-0976Website: http://jsma.uoregon.edu/

Kang, Ik-Joong, Korean, b. 1960. Happy Buddha, 2007. Crayon and tempera on pine board with Envirotex Lite polymer coating, 30 x 30 x 2 inches. From the James and Haya Wallace Purchase Fund. 2008:13.1. Courtesy of the artist and the Kang Collection

Front cover: Iwami Reika, Japanese, b. 1927. Song of the Sea C. 1983. Woodblock print, 27 ½ x 27 ¼ inches. Gift of Yoko McClain. 2008:21.32. © Iwami Reika

Jordan Schnitzer Museum of Art ANNUAL REPORT 2008 – 2009

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Elsa Mora, Cuban, b. 1971. Perda do Sentido (Loss of Reason), 2000. Ink pigment print, ed. 8/25, 12 x 13 ¼ inches. Gift of Dr. and Mrs. Irwin R. Berman. 2008:11.5. © Elsa Mora

Previous Page: Yang Yongliang, Chinese, b. 1971. Heavenly City, #1, 2008. Inkjet print on Epson paper, ed. 1/7, 50 x 30 inches. Acquisition Fund Purchase. 2008:28.2. Courtesy of the artist and LIMN Gallery, San Francisco

China. Decorated Jar, Majiayao Culture, Banshan Phase, Neolithic period, ca. 3rd millennium BCE. Painted earthenware, 14 ½ inches high. Gift of James and Barbara Walker in Honor of the Museum’s 75th Anniversary. 2008:27.1. Photo by Richard Gehrke

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There is always an element of uncertainty when a museum chooses a new director and a new director chooses a museum. Qualifications aside, is it a good match? Are the museum’s challenges, the director’s interests, and the community’s values in alignment? For an art museum at a major research university, are the expectations of the academy attainable? Is there a proper balance between that academic mission and service to the community, from K-12 education and lifelong learning to cultural and civic partnerships?

For those of us who have chosen a career in univer-sity museum administration, the opportunity to bridge communities and cultures and enhance learning through the visual arts is a passion. Leading such a major univer-sity art museum—major in terms of both its physical size and the importance of its collections—is both rewarding and challenging. The search for faculty members—even beyond the usual suspects in the arts—whose research and teaching can be enriched and expanded through a museum interface is invigorating, and the resulting collaborations can, at their best, transform our understanding of our world. For University of Oregon students, our first constit-uency, we have the charge to train future generations, not just in art appreciation, but in world citizenship. Finding new ways to keep the museum relevant and inspiring is at the heart of all we do.

The past year has been exciting and invigorating for all of us associated with the Jordan Schnitzer Museum of Art. It has been a year of assessment: Why are we doing what we’re doing and how do we judge success? At the same time as we’ve been refining and revising our course, we’ve also been laying the groundwork for our re-accreditation application to the American Association of Museums, due in August 2010.

For me, this year has focused first on learning about the museum’s history, staff, and collections, the university’s goals and strengths, and our community of supporters. From our distinguished founder, Gertrude Bass Warner, we inherited an obligation to acquire and present the finest examples of art from around the world and to make those objects matter to people on- and off-campus. Warner saw

art as a bridge between cultures for the purpose of build-ing understanding and peace. It was a noble vision and remains an enduring commitment.

This museum has stood the test of time. With hundreds of steadfast and new friends we celebrated our 75th anni-versary this year! The timing was, indeed, fortuitous for me. Preparing for the birthday celebration, which included a special exhibition drawn from the collection, a new collections highlights publication, and celebratory events offered me a crash course in the museum, from its history to its generous and hard-working supporters.

Setting Goals: Mission, Planning, and RestructuringSince reopening the museum in 2005—at double its previ-ous size—the museum staff has dedicated itself to operating at the highest standards despite little growth in its numbers. The lack of an experienced museum director for more than two years meant that much of 2008–09 was spent defining baseline operations and staff expertise and then determin-

The Year in Review

Leadership Council President Lee Michels speaks with a student in a Japanese print class held in the JSMA’s Gilkey Center. Photo by Debbie

Williamson-Smith.

ing what might be possible. It became apparent that with the re-accreditation deadline looming, priorities and strate-gies had to be identified and pursued quickly.

Fortunately, prior to my arrival, the university’s leader-ship, interim director Robert Melnick, and the museum’s previous advisory board created a new Leadership Council for the JSMA that reflects our on- and off-campus constit-uencies. This year the Council’s Long-range Planning Committee, under the able leadership of Greg Fitz-Gerald and Kurt Neugebauer, the museum’s associate director of administration and exhibitions, worked closely with the staff to draft a new mission and long-range plan, drawing input from faculty, students, UO administrators, and community members at numerous stages throughout the process. Our new mission, values, and strategies are presented on page 14 of this report.

The strategy sections form the headings of the long-range plan, which covers a five-year period and begins with the projects necessary for re-accreditation. The plan also details who is responsible for completing the assignment (in many cases the tasks are ongoing), others involved, resources needed, deadlines, and criteria for judging success. Progress will be evaluated monthly at senior staff meetings and quar-terly with the Long-range Planning Committee, which will also help manage the re-accreditation process.

Prior to my arrival, President Frohnmayer moved the museum’s reporting line from that of the Senior Vice President and Provost to the Vice President of Advancement, a move that concerned many faculty members who worried that the museum would no longer meet its academic obli-gations. Reporting first to Allan Price and then to Michael Redding in the restructured University Relations area, I and the museum have benefited from their strong support and advocacy. In fact, our collaborations with departments, faculty, and students have never been stronger. It is likely that a joint reporting system, reflecting the museum’s new mission of serving both academic and public audiences, will be implemented soon.

Planning for Re-AccreditationTen years ago, when the museum was last accredited, the reviewers identified two areas of concern—our facility and the level of curatorial staffing. With the recent renovation and expansion, made possible with the great generosity of the state of Oregon, numerous private donors, and the university, the museum has become a state-of-the-art facil-

JSMA Welcomes Planned Gifts

The Legacy of William Mitchell“Bill Mitchell frequently gathered people from finance,

business and the arts to his home with no particular

agenda beyond sharing fine wines and friendships,”

recalls Larry Fong, Curator of Regional and American Art

at the JSMA. “His approach to collecting was similar, with

a determination to develop relationships with artists and

gallerists. Since Bill planned for his art collection to be

donated to the JSMA, whenever he saw an appealing

piece at the Karin Clarke or White Lotus galleries in

Eugene he would call or arrange for the gallery to

contact us about his most recent discovery to determine

if the artwork was also fitting for our collection. It’s not

surprising to view one of his artworks in the Schnitzer

Gallery of American and Regional Art.”

“The JSMA is deeply grateful to William Mitchell

(1925–2006) for his lifetime participation and planned

giving commitment to the museum,” says Executive

Director Jill Hartz. “We are also deeply appreciative of

his financial bequest, which provides essential operating

support for the Museum’s exhibitions and public

programs.”

Carl Hall, American, 1924–1996. Eight Eggs, 1959. Oil on masonite, 52 1/8 x 49 inches. Gift of the Estate of William Mitchell. 2009:2.1. Photo by Richard Gehrke

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the collection and the university, his research into artists of the Pacific Northwest, including Carl Morris and Morris Graves, his mentoring of students, and his fresh ideas for exhibitions and re-installations of the collection are garner-ing welcome attention and support.

Charles Lachman, the museum’s former part-time curator of Asian art, made the decision this year to return to full-time teaching in the Department of Art History, and his presence is sorely missed. Recognizing the impor-tance of having a full-time curator of its Asian collec-tions—approximately three-quarters of our holdings—the university will provide three years of start-up financing for the new position. A national search has ensued and we anticipate filling this most senior-level position (in addition to curating the Asian art collection, the position manages the curatorial department and serves as the direc-tor of academic programs) in spring 2010; an endowment campaign for the curatorship will soon be underway.

ity for the exhibition, storage, and interpretation of its collections and exhibitions. From our loading dock and freight elevator to our expanded storage and new design, photography, mount-making, and shop areas, we are well equipped to support the care and presentation of art. Our 20,000 square feet of galleries, new children’s interactive gallery, art studio, reception and lecture spaces, café and shop are the envy of many university museums and allow us to provide a full range of experiences to an increasingly diverse audience. With the reworking of our driveway to accommodate large trucks and a few maintenance renova-tions, we will meet, if not exceed, accreditation standards.

As noted earlier, the last accreditation report directed its concern also to our curatorial staffing level, urging the museum to add two full-time curators in addition to its director. Since that time, Larry Fong, then registrar and associate director, has assumed the full-time position of curator of American and regional art. Larry’s knowledge of

Korea. Tiger Skin Screen, 19th century. Ink and slight color, six-panel folding screen, each panel 70 x 25 ¼ inches. Gift of Robert and Sandra Mattielli in Honor of Kyung Sook Cho Gregor. 2008:20.1. Photo by Richard Gehrke

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Also strengthening the curatorial program will be a two-to-three year assistant curator position, directed primarily toward work on the McCosh collection, made possible by the David John McCosh and Anne Kutka McCosh Memorial Museum Endowment Fund. Internships and practicums (independent study) by undergraduate and graduate students further enrich our collections and exhi-bitions activities.

A few other key staff changes occurred during 2008-09. Deidre Sandvick joined the museum during the summer as our new director of development. She has spent the year meeting many of the museum’s past and present support-ers and making new friends. Assisting her fund-raising efforts is Peg Renkert, on loan from the central develop-ment office, who has managed our newly activated grants program. With Peg’s assistance we have submitted propos-als to governmental and private foundations in Salem and across the country. Erick Hoffman, who completed his first year as director of communications, was recognized as one of only a handful of UO staff members to receive an Outstanding Officer of Administration Recognition Award. Gretchen Ranger, who worked in the museum’s collections area while a student, became our associate registrar for loans and has made significant advances in the planning of our ambitious exhibitions. Two interim positions—Kurt Neugebauer’s as associate director and Richard Gehrke’s as chief preparator—were finalized.

Collections The museum welcomed 172 works through gift and purchase in 2008–09 (a complete list begins on page 15). Among the most significant is a collection of Japanese prints, given by Yoko McClain, including works by Sekino Jun’ichiro. Yoko, and her late husband, Robert, have been instrumental in advancing the study of Japanese art at the museum. We closed the year with a very special exhibition—On The Road: Two Visions of the Tokaido—which presented, side by side, the traditional series by Hiroshige and the creative prints by Sekino. The McClains had championed Sekino’s work and acquired his Tokaido series, created over a fourteen-year period. Nearly thirty-five years ago, they mounted the first exhibition comparing these works and wrote essays and entries in catalogues that continues to enhance our understanding of these artists, Japan, and Japanese printmaking. We are honored that Yoko and her son, Robert, have continued to support the museum.

While director at the University of Virginia Art Museum, I had developed an interest in contemporary Cuban art (following two trips to Cuba), as had one of my advisory board members. Dr. Irwin Berman and his wife, Linda, donated six pieces by major Cuban artists to the museum upon my arrival, and I am deeply grate-ful for their ongoing interest and support. These works, in addition to photographs by Manuel Bravo and a new

Gifts by Yoko McClain Continue Tradition of Giving

“I have enjoyed a long-standing

relationship with the art museum,

starting in 1953 when I worked there as a

student receptionist,” says Yoko McClain.

“It was the most natural choice for me

to give my collection of Japanese prints

to the JSMA, where people from all over

would be able to experience these fine

works of art for many years to come.”

Thank you, Yoko!

Takagi Shiro, Japanese, 1934–1998. Utamaro and I – 783, 1978. Woodblock print, 20 ½ x 17 ¾ inches. Gift of Yoko McClain. 2008:21.62. © Estate of Takagi Shiro.

Photo by Richard Gehrke

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work that I purchased at Art Basel Miami Beach in 2008 by noted Mexican photographer Tatiana Parcero launch the museum in a new direction of collecting Latin American art. This expansion in our collecting philosophy responds to a new major in Latin American studies at the univer-sity and a growing Latin American presence in Eugene/Springfield.

Complementing our Asian art holdings are signifi-cant works by Pacific Northwest artists. Local collec-tors Robert Canaga and his wife, Linda Lawrence, and Portland collectors Brian and Gwyneth Booth extended our representation in this area with works by Alan Cox and Charles Heaney, respectively. Our photography collection welcomed new work by Binh Danh, Yu Hang, Elsa Mora, George Tice and Yang Yongliang, among others. Works on paper by Rembrandt, Franz Klein, Helen Hyde, Mark Clarke, and Salvador Dali further enhanced our western holdings. In recognition of the museum’s anniversary and the significant role President Dave Frohnmayer and his wife, Lynn, have played in assuring the museum’s future, Jordan Schnitzer announced the promised gift of the major print Purple/Red/Gray/Orange by Ellsworth Kelly. Leadership Council board member James Walker and his wife, Barbara, donated a magnificent Neolithic Chinese pot to the museum, also in honor of the museum’s 75th.

Collections care and management are central concerns of the museum. A grant from the Oregon Cultural Trust

Linda Lawrence and Robert Canaga Give Art Today and Plan for TomorrowRobert Canaga and his wife, Linda Lawrence, gave the museum a major work by Allen Cox (pictured) and facilitated the gift of a second painting from the artist. “The art of the Pacific Northwest is, and will always be, a central interest of the museum,” says Executive Director Jill Hartz. “We are thrilled to accession these major works by a living Western artist into our collection.”

The JSMA also thanks Linda and Robert for their planned gift. “Linda and I decided that one of the most sustaining and important venues that we could invest in, that would continue long after we are gone, would be the Jordan Schnitzer Museum of Art,” says Robert Canaga. “Being a small part of something that will last—giving pleasure, entertainment, and education to many generations to come—gives us a true feeling of satisfaction.”

Allen Cox, American, b. 1950. Willendorf, 2007. Wax, oil, and alkyd on linen, 64 x 70 inches. Gift of Linda Lawrence and Robert Canaga. 2008:17.1. © Allen Cox 2008. Photo by Richard Gehrke

Tatiana Parcero, Mexican, b. 1967, Re-Invento #16, 2006. Acetate and lambda print (edition of 5), 43 x 45 inches. Acquisition Fund Purchase. 2008:29.1. Courtesy of the artist and Bernice Steinbaum Gallery

Robert Canaga (right) and Allen Cox.

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will give our collections management database a much needed upgrade and a searchable engine on our new, improved website. Unpacking of decorative objects since the move back into the building, inventory, photographic documentation, and conservation—all are being addressed in a systematic way that also offers students in art history, arts administration, and museum studies valuable collec-tions experience. While works in the Schnitzer Gallery of American and Pacific Northwest Art are changed regularly, we await the arrival of our new curator for fresh installa-tions in our Asian art galleries.

One gallery that did change this year was the A. Dean and Lucille I. McKenzie Gallery of Russian icons. Originally designed as a central triangle within our Focus Gallery, we reconfigured the space to better support the academic curriculum. By locating it to the west end of the gallery, we were able to design the Focus Gallery to show works from the collection and on loan as requested by faculty in support of their research and teaching.

Generous LoansMany of the museum’s galleries benefited from short- and long-term loans throughout the year. Significant works by Yue Minjun, Alice Neel, J.M.W. Turner, Maillot, Nevelson, Rothko, and Warhol, among many others, were enjoyed by visitors and incorporated into the curriculum. These loans are only possible because we have space and a facility that meets the highest professional standards and lenders who recognize the value of sharing their treasures with the public. We are deeply grateful to all of them. In the case of Turner’s Pope’s Villa at Twickenham we were especially fortunate to have on hand the expertise of Kate Nicholson, a professor in the Department of Art History, who is renowned internationally as a Turner scholar.

Special ExhibitionsOur handsome Coeta and Donald Barker Gallery hosted an exciting and unusual series of exhibitions this year. Three during the summer were planned in conjunction with the Olympic track and field trials, including The Thinking Body, organized by Art faculty Kate Wagle and Anya Kivarkis, which traveled to the San Francisco Museum of Craft + Design. Interim director of the museum and former Architecture and Allied Arts Dean Robert Melnick booked the fall 2009 exhibition Cuba Avant-Garde: Contemporary Cuban Art from The Farber Collection. The exhibition was not only well matched to my own interest and knowl-edge of the field, but the growing Latino community on- and off-campus warmed to the show and its accom-panying programs, setting opening attendance records. Inspired by the shows bilingual catalog, the museum provided bilingual wall text, audio tours, and press materials. Working with leaders in the Latin American

Joseph Mallord William Turner, English, 1775–1851. Pope’s Villa at Twickenham, ca. 1808. Oil on canvas, 36 x 47 ½ inches. Private Collection. Photo by Richard Gehrke

MFA 2009: Damon Harris, American, b. 1980. Untitled, 2009, conduit and fluorescent tubes, 180 x 259 x 189 inches. Photo by Richard Gehrke

Cuba Avant-Garde: Contemporary Art from The Farber Collection. Photo by Richard Gehrke

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communities at the university and in Springfield and Eugene, we also planned and presented well-received programs for families and adults. This process has now become an ongoing practice for the museum with staff members working closely with constituency representa-tives to select, design, promote and present activities that strengthen cross-cultural appreciation.

Our 75th anniversary became the subject of the Lasting Legacies: The First 75 Years, as we identified significant works throughout our collections and displayed both well-known objects as well as new and recent additions. With the generous support of the David John McCosh and Anne Kutka McCosh Memorial Museum Endowment Fund and annual gifts, we published a beautiful handbook of the collection, detailing the museum’s history, and highlight-ing more than one hundred works. Volunteers from our Leadership Council and the Gourmet Groups worked closely with museum staff and Vanessa Papé of Cocoa Belle Events, a professional party planner, to transform the museum into a magical site for a memorable birthday party. So many of those who were instrumental in the museum’s capital campaign and who have continued to support its collections, programs, and stability enjoyed the celebration.

The spring MFA exhibition followed, with work that explored sculpture, photography, painting, installation, and mixed media, and we concluded the fiscal year with the exhibition noted earlier on the Tokaido Road. Our Focus Gallery also accommodated changing shows, including a selection of remarkable metalwork designed by architects from the collection of UO alumna Margo Grant Walsh, the exhibition Paterson by the photographer George Tice, and Binh Danh’s In the Eclipse of Angkor. NewArt Northwest Kids graced our Ford Lecture Hall.

Academic and Public ProgramsThe museum’s extensive outreach programs for both the university and the larger community are made possi-ble thanks to the commitment of time, expertise, and resources of volunteers, faculty, students, and staff. We are especially grateful to Cheryl Ramberg Ford and Allyn Ford for creating an endowment to assure the health of our outreach programs to youth and families. JSMA Exhibition Interpreters provided tours to thousands of schoolchil-dren, many of them combining gallery presentations with hands-on art making. Courses in art, art history, arts administration, museum studies, history, Latin American studies, Asian studies, languages, law, and education drew on the museum’s collections and exhibitions. A full list of these can be found in the Public Programs section of this report. In addition, staff members throughout the museum gave lectures, presented tours, and provided individual learning opportunities to UO students as well as others in area community colleges, middle schools and high schools. Wednesday evening programs enhanced visitors’ apprecia-tion of our exhibitions and collections, bringing in artists and curators as well as scholars on campus and elsewhere.

The museum has long served as a significant partner in K-12 education, providing on-site tours and other programs that support curricula, visual literacy and art appreciation, and offering many off-site programs, including after-school activities, art kits, and student internships. Recognizing the difficulty many schools are having in the current economy, in the spring the museum initiated a “Fill Up the Bus” campaign, aimed at raising $15,000 that would help offset the cost of field trips for schools throughout the region. Subsidies will be offered throughout the 2009-10 school year.

Family Days and our new Saturday Celebrations explored Latin American and Asian cultures and drew partnerships

University President Richard Lariviere, JSMA Executive Director Jill Hartz, and Hirofumi Murabayashi, Acting Consul General of the Consulate General of Japan in Portland, at the On The Road: Two Visions of the Tokaido donor reception. Photo by Erick Hoffman.

On The Road: Two Visions of the Tokaido. Photo by Richard Gehrke

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with organizations on- and off-campus, including the student group MEChA and Adelante Sí, Fiesta Latina, Centro Latino Americano, Eugene-Springfield Asian Council, Japanese American Association of Lane County, Oregon Asian Celebration, DisOrient Film Festival, Chinese American Benevolent Association, Eugene-Springfield Obon Dancers, Eugene Taiko, Yujin Gakuen Japanese Immersion School, UO Museum of Natural and Cultural History, Oregon Bach Festival, and UO Center for Asian Pacific Studies, among others. Programs for preschoolers and summer camps were filled to capacity, and workshops teaching specific art making skills were popular.

Looking AheadThis report has offered an overview of the progress we’ve made during 2008-09 on so many fronts. Our accomplish-ments—made possible with literally hundreds of volun-teers within the university and in our larger community, including alumni around the world—have positioned us

firmly for the challenges ahead. An expanded, experienced staff will address priorities in collections management, security, evaluation, exhibition planning, publications, museum studies, diversity, governance, and fund raising and complete the self-study for reaccreditation. New initia-tives that support diversity, curriculum development, exhibitions, and staffing will add breadth and depth to our programs and services. We look forward to sharing our goals, challenges, and successes with you.

Jill Hartz, Executive Director

The JSMA’s special exhibition Lasting Legacies highlighted important works in the collection. Photo by Richard Gehrke

Celebrating our 75th anniversary are (from left) Greg Fitz-Gerald, Vice President, Leadership Council, Susie Papé, and Jeff and Connie Huling.

Jordan Schnitzer announces his planned gift of the Ellsworth Kelly print in honor of President Dave Frohnmayer.

Right: Cheryl and Allyn Ford enjoyed the 75th celebration.

The April 2009 Saturday Celebration featured a Chinese brush demonstration in the museum’s art studio. Photo by

Erick Hoffman.

Photos by Debbie

Williamson-Smith

except where noted.

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Gourmet Groups I and IISandi South and Nancy McMahon,

Co-chairs, Gourmet Group I

Leanne Wong, Melanie MacKinnon and Kelli Bell, Co-chairs, Gourmet Group II

JSMA’s long-standing volunteer corps, Gourmet Group I and Gourmet Group II, joined forces this year and made a major impact on two important projects. In celebration of the museum’s 75th anniversary, members of both groups helped to plan and execute the vibrant Champagne and Diamonds event held on April 3, 2009. More than 200 attendees enjoyed an elegant and imaginative evening and shared their pride in this cultural milestone.

The Gourmet Groups also responded quickly to support the Fill Up the Bus campaign. Upon hearing that many of the local school districts needed to cancel field trips for budgetary reasons, the museum and its Exhibition Interpreters launched the campaign to provide schools with funds to cover the cost of transportation and tour-related activities. Thanks to the early efforts of the E.I.s and the Gourmet Groups, the JSMA was ready at the start of the 2009 school year to provide funds to any school that needed help bringing children to the museum. Our thanks go to all of the members of the Gourmet Groups and partic-ularly the co-chairs of each group.

Exhibition InterpretersDee Carlson, Chair

Linda Schaefers and Nancy Fletcher, Vice Chairs

The museum is deeply grateful to our Exhibition Interpreters, who give countless hours of their time to provide dynamic tours for our visitors. They are an important frontline to the public and inspire thousands of visitors of all ages each year with their enthusiasm and understanding of art.

During 2008-09, ten new volunteers were selected to join the E.I. program, bringing the total number of volunteer tour guides to fifty. Shirley McNaught and Dorothy Frear became Emeritus Exhibition Interpreters. Each E.I. gave an

Volunteers

average of 250 hours of their time, providing four tours each month for the public. In addition to providing tours at the museum for 4,000 school children, the volunteers increased the museum’s visibility by providing programs offsite at schools in Eugene, Oakridge, Springfield, and Veneta.

Thanks to ongoing support from the Cheryl and Allyn Ford Educational Outreach Endowment Fund the E.I.s were able to lead tours and post-tour art activities for schools in the region with the highest numbers of children receiving free and reduced lunch. Bus subsidies provided transporta-tion for museum field trips to school children who would normally not be able to attend due to financial hardships. The Fill Up the Bus campaign will assure that school chil-dren continue to visit the museum in the coming year.

Among other highlights of the year, the E.I.s added an art sale to the annual holiday luncheon and dedicated ten percent of the sales to the Exhibition Interpreter Fund for Education Programs. E.I. Camille Ronzio served as the leader of the new “Hattie Mae Nixon Project” with the goal of meeting frequently with Nixon to document her oral history of the museum and research projects on our collection for the benefit of current and future E.I.s. The Exhibition Interpreters also visited Seattle for a two-day tour in the spring, led by JSMA Director of Education Lisa Abia-Smith. The group enjoyed specialized tours at the Seattle Asian Art Museum, Seattle Art Museum, and Olympic Sculpture Park and met with area museum educa-tors, docents and arts educators to discuss tour strategies.

Hattie Mae Nixon: First Gertrude Bass Warner AwardeeOn February 18, 2009, Hattie Mae Nixon became the first recipient of the Gertrude Bass Warner Award, given in recognition of her long,

Photo by Debbie Williamson-Smith

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dedicated, and selfless commitment to advancing the mission and goals of the Jordan Schnitzer Museum of Art. Since 1973, she has served as a docent, Exhibition Interpreter, and volun-teer curator at the museum.

Born in Ohio in the early 1920s, Nixon attended Miami University of Ohio where she earned her degree in Home Economics Education. While working as a Home Economics County Extension Agent in Butler County, Ohio, she was selected as one of four national 4-H interns to work at the U.S. Department of Agriculture. Through her internship and graduate work at George Washington University, she was encouraged to move to Oregon by a staff member of the Oregon State University Extension Service.

In Oregon, Nixon worked as a Recreation Arts and Crafts Program Developer and Teacher for the City of Eugene Park Department, taught Home Furnishing and Textiles and Home Economics at the University of Oregon, and was Assistant Professor of Textiles and Home Furnishings at Oregon State University. She was also the first director, exhibition developer and coordinator for the Maude Kerns Art Center in Eugene.

“It is only fitting that the first person to receive this award be a woman with such a strong interest in world cultures and a deep desire to share her knowledge with everyone she knows. We are all fortunate to have been touched by the bright spirit and enthusiasm of this amazing person,” said Jill Hartz, JSMA Executive Director, at the award ceremony.

A New JSMA Leadership Council Lee Michels, President

Greg Fitz-Gerald, Vice President

In 2008, the museum, under the interim leadership of Robert Melnick, worked closely with members of the university administration to reorganize the JSMA’s major support group into a Leadership Council. Outgoing presi-dent of the former advisory board, Connie Huling, passed the reins to incoming chair Lee Michels.

A new charter for the organization confirmed its role “as the primary advisory body with a goal of ensuring the artistic quality, educational integrity, and financial strength of the Museum, and serving as one of the custodians of a public trust of the Museum and its functions that promote excellence and sustainability.” Composed of faculty, staff, students and community members, the Leadership Council

offers advice and assistance on a broad range of subjects and supports the museum in a variety of ways.

The Council met five times during the fiscal year and its six committees—Executive, Nominating, Development, Collections, Long-range Planning, and Public Programs—met frequently to identify and advance specific goals, including the adoption of a new mission and long-range plan. Future plans will focus on extending Council member-ship to friends and alumni throughout the country and abroad, fund-raising strategies, adding a student advisory committee, and evaluating and recommending programs.

The Legacy of Randy PapéThe museum and university lost one of its most beloved friends, Randy Papé, in November. As chair of the recent Campaign Oregon, he was instrumental in raising a record $853 million.

Papé was the third in a family succession at The Papé Group, Inc. After receiving his finance degree from the University of Oregon in 1972, he joined the parts department of the company and by the time he became president and CEO in 1983 he had diversified its products and expanded the company into a seven-state conglomerate. Randy and Susie’s three sons—Ryan, Christian, and Jordan—joined him in the family business.

Papé’s civic-mindedness led him to positions as state transportation commissioner, head of the United Way of Lane County campaign, and as a UO Foundation Board of Trustee member. “He was the most positive person,” said his wife, Susie Papé, a long-time member of the museum’s advisory board. “I want everyone to know how wonderful he was and how much he cared about this community,” she added.

The museum will remember him most for his surprise fiftieth birthday gift to his wife: the naming of the Susie Papé Reception Hall in the museum.

Photo by Michael McDermott

Jordan Schnitzer Museum of Art

Programs, Collections and Honor Roll

2008 – 2009

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Vision We will become one of the finest university art museums in the world.

BeliefWe believe that knowledge of art enriches eople’s lives.

MissionThe Jordan Schnitzer Museum of Art enhances the University of Oregon’s academic mission and furthers the appreciation and enjoyment of the visual arts for the general public.

Our ConstituentsThe Museum’s primary constituents are the University of Oregon’s students, faculty and staff as well as regional residents and visitors. Our varied activities extend our service to an even wider audience of scholars, artists, collectors, critics, and museum professionals.

Guiding Principles• Themuseumexperienceenrichespeople’s

lives.

• Wecontributetotheeducationofuniversitystudents and help them become culturally competent global citizens.

• Werecognizeourvisitors’differentlearningstyles and the needs of a multigenerational and diverse audience.

• Ourvisitorshaveenjoyablemuseumexperiences that make them want to return.

• Ourcollections,programs,andresearchareofthe highest quality.

• Wefollowthehighestethical,academicandprofessional standards.

• Wefindcollaborativeopportunitieson-andoff-campusthatmaketheMuseumcentraltolearning and build diverse audiences.

sTRATeGiC oBJeCTiVes ProgramsThe Museum presents stimulating, innovative and inclusive programs and exhibitions that enhance the academic curriculum, emphasize cross-culturalunderstanding,providebroadeducation experiences, and support collaborative andinterdisciplinaryopportunitieson-andoff-campus.Ongoingevaluationmeasureshoweffectively the Museum’s program goals are being realized.

CollectionsThe Museum collects, preserves, studies, exhibits, and interprets works of the art for the benefit of the University of Oregon curriculum and for the enrichment of the general public. The JSMA is dedicated to strengthening its Chinese, Japanese, Korean, American and Pacific Northwest art collections and to acquiring fine examples from the history of art, from earliest times to the present, representing cultures throughout the world.

Research and PublicationsTheMuseumsupportshigh-qualityresearchon its collections and programs by its staff, University of Oregon faculty, students and others who use its resources. Research is made accessible through teaching, exhibitions, programs, publications, and online.

Funding and DevelopmentThe University allocates funds for staff, operations, security, and facility maintenance to the greatest extent possible.

The Museum raises revenue for all programs not covered by the university’s general fund from diverse sources, including earned income, individuals, foundations, corporations, and local, state, and federal grants agencies. The Museum is committed to a balanced budget model.

The Leadership Council is a key support group, raising money and advocating for the Museum.

Communications & MarketingInternal communications are proactive, direct, and honest, aiming for transparency and inclusivity by and among all University of Oregon staff and volunteers. External communications represent the full range of Museum functions and services and are proactive, direct and engaging, while delivering a clear consistent message.

Visitor ExperienceTheMuseumaimstoprovideconsistentlyhigh-quality programs and customer service that enhancevisitors’on-siteandonlineexperiences,leading to ongoing engagement with the Museum.

FacilitiesThe Museum performs effective and efficient maintenance for the overall care of the Museum facilities, including following preventive maintenance schedules, conducting timely HVAC/mechanical and equipment inspections, and other related work. The Museum ensures that exhibition and work areas are clean and maintained at the highest standard possible and that detailed condition reviews and reports are completed on a regular basis.

Risk ManagementThe Museum develops, implements, and monitors preventative measures and intervention plans and maintains a comprehensive security program for minimizing risk to the collections, human life, and the Museum facility at all times, during regular operations and from unexpected threats and emergencies.

Management & GovernanceThe Museum employs strong, competent leadership that is financially prudent, encourages achievement, and measures performance against standards of excellence. The university’s administration and the Museum’s Leadership Council are supportive and informed advocates of the Museum.

The Executive Director and senior staff are responsible for developing, implementing, reviewingandrevisingthelong-rangeplanwithinput from the Museum’s constituents, including the Leadership Council.

Human ResourcesThe JSMA employs and trains competent staff and volunteers who strive for excellence. The Museum supports diversity, training and professional advancement opportunities for its staff and volunteers and provides training opportunities for students interested in the museum profession. The Museum follows the university’s human resources procedures, including annual evaluations.

Ethics, Academic & Professional StandardsThe Museum, its employees, and volunteers adhere to the highest academic, ethical and professional standards of the university and the American Association of Museums in all that they do on behalf of the Museum. This commitment is realized in the Museum’s commitment to maintaining its accreditation from the American Association of Museums.

Leadership Council & Support GroupsThe Leadership Council serves as the Museum’s primaryadvisoryandfund-raisingbodyofvolunteers and helps to ensure the Museum’s artistic quality, educational integrity, and financial strength. Museum members, Exhibition Interpreters, and other support groups are integral to the Museum’s ability to fulfill its mission.

Our Vision for the JSMA

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John Piper: Through the Lens April 23 – July 13, 2008

Supported by Photography at Oregon

Faster, Higher, Farther: The Spirit of Track and Field Sports June 14 – August 31, 2008

Organized by Contact Press Images in conjunc-tion with the Olympic Track & Field Trials at UO

Supported in part by the Office of the President, UO

August 9: Free Family Day, Art Olympics

Edward Burtynsky: The China Series June 26 – September 7, 2008

Organized by the Southeastern Center for Contemporary Art, Winston Salem, North Carolina

Cosponsored at the UO by the Coeta and Donald Barker Foundation and Photography at Oregon

July 30: Lecture, “Looking at China, Seeing Our Global Economy” by Richard Kraus, Professor Emeritus of Political Science, UO

August 20: Film Screening, Manufactured Landscapes

The Thinking Body June 26 – September 7, 2008

Funded by the Office of the President, UO

Catalog sponsored by the Rotasa Foundation

August 16: Curators’ Talk by Kate Wagle, chair, UO Department of Art, and Anya Kivarkis, UO visiting assistant professor

Traveling Venue: San Francisco Museum of Craft + Design October 17, 2008 – January 4, 2009

Designed by Architects: Metalwork from the Margo Grant Walsh Collection September 23, 2008 – January 25, 2009

Organized by the Museum of Fine Arts, Houston

Supported in part by UO School of Architecture and Allied Arts

October 21: Exhibition lecture by Margo Grant Walsh (’60, UO School of Architecture and Allied Arts), director of interior design, Gensler and Associates

January 25: Gallery Talk by Margo Grant Walsh

Exhibitions & Public ProgramsCuba Avant-Garde: Contemporary Cuban Art from The Farber Collection October 4, 2008 – January 4, 2009

Organized by the Samuel P. Harn Museum, University of Florida; toured by Curatorial Assistance Traveling Exhibition (CATE), Pasadena, California.

Cosponsored at the UO by the Coeta and Donald Barker Foundation with major funding from Connie and Jeff Huling

October 3: Opening Reception, featuring the music of Jessie Marquez

October10:TeacherIn-ServiceDay,organizedbyJSMAstaffLisaAbia-Smith,DirectorofEducation,and Sharon Kaplan, Museum Educator, and Lane Community College professor of education Merrill Watrous

October15:Lecture,“Self-PortraitoftheArtistas an Organic Intellectual” by Tonel, artist and art critic

October 18 and November 22: Saturday Celebrations

October 29: Lecture, “What’s Political?” by Rachel Weiss, Professor of Arts Administration and Policy, School of Art Institute of Chicago

November 5 and December 3: Chamber Music on Campus

November 7: Music at the Museum: Jessie Marquez Concert

November12:Lecture,“Re-writingtheRevolution: The Special Period in the Cuban Imagination” by Dr, Tania Triana, Assistant Professor of Spanish, Department of Romance Languages

November 19: Latin Dance Workshop with Linda Staver of StaverDanceSport

December 13: Holiday Family Day and Open House: Celebrate the Holidays, Cuban Style

NewArt Northwest Kids November 22, 2008 – February 22, 2009

Sponsored by an anonymous donor

December 7: Opening Reception

Ellis Lawrence: Architectural Renderings of the University of Oregon Museum of Art January 9 – April 12, 2009

Organized by the JSMA; works on loan from the Knight Library

Lasting Legacies: The First 75 Years January 24 – April 12, 2009

Organized by the JSMA

Major support from the Coeta and Donald Barker Foundation and the William A. Haseltine Endowment Fund; additional support from the Max and Hattie Mae Nixon Endowed Fund

Donors to the Catalog: Major support from the David John McCosh and Anne Kutka McCosh Memorial Museum Endowment Fund; additional support from the Malott Family Foundation and Christine and Chris A. Smith.

Annual giving support from Gerald Alexanderson, Frank W. and Dorothy D. Anderson, Phoebe S. Atwood, Donald R. and Arline M. Bahret, Virginia and Chandler Barkelew, Daniel and Kelli Bell, Marcia Berman, Mary K. Bovelle, Bill Brandt, Margaret Crisler Byrne, Julie Collis, Martha C. Crist, Charlie and Marilyn Deaton, Robert and Delyn Dunham, James W. Earl, Essex General Construction, Inc., Colleen Fitzgibbons, Donald F. Ford , Dr. Rhea Forum, Jo-MaeandJosephGonyeaII,DavidandLoisHagen, Mary Ann Holser, Geraldine T. Leiman, Joe and Phyllis Lewis, Phyllis J. Lichenstein, Dr. Michael Liebling, Rita and Bob Litin, James and Nicola Maxwell, Nancy McFadden, H. Glenn Meares, Robert and Christie Newland, Natalie and Robin Newlove, Hattie Mae Nixon, Michael and Carol Olsen, James H. Peterson, Lee Pettigrew, Dorothy Porter, Otto and Sharon Poticha, David and Paula Pottinger, Hope Hughes Pressman, Rennie’s Landing, Steve Rhodes, Dr. Dwayne and Bette Rice, Keith and Carol Richard, Linda and Tom Roe, Joyce H. Sanders, Lynette Saul, Sally and Everett Smith, Charles and Yvonne Stephens, Stephen Stone, RobertandRuthSylwester,EstherJacobsen-Tepfer and Gary Tepfer and Jim and Sally Weston

75th Anniversary Celebration Honorary Committee: Cheryl Ramberg Ford, Yongsoo Huh, Susie Papé, Hope Hughes Pressman, Ginevra Ralph and Jordan Schnitzer

75th Anniversary Celebration Committee: Lisa Clevenger, Cheryl Ramberg Ford, Connie Huling, Lee Michels, Sandi South, and Leanne Wong

January 23: Opening Reception, featuring music of Halie Loren and Matt Treder

January 28: Gallery Talk by Larry Fong, Curator of American and Regional Art, and Charles Lachman, Curator of Asian Art

February 18: A Tribute to Gertrude Bass Warner, with original play and presentations by Jean Dorl, Marge Ramey, Hattie Mae Nixon

March 11: Lecture, “Contemplating the Buddha” by Venerable Lobsang Thubten

March 21 and April 11: Saturday Celebrations

April 1: Chamber Music on Campus, “Music of the Eras,” performed by students and faculty from UO School of Music and Dance

April 3: Champagne and Diamonds 75th Anniversary Celebration hosted by President Dave Frohnmayer and Lynn Frohnmayer

April 23: Panel Discussion, “Museum Design and the Practice of Planning,” with Tom Hacker, Tom Hacker Architects in Portland; Randy Gragg, editor, Portland Spaces; and Larry Fong, Curator of American and Regional Art

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George Tice: Paterson February 17 – April 5, 2009

Organized by the JSMA; sponsored in part by Photography at Oregon

February 28: Artist Lecture: “Fifty Years of Photography,” by George Tice

Binh Danh: In the Eclipse of Angkor: Tuol Sleng, Choeung Ek, and Khmer Temples April 11 – June 28, 2009

Organized by Haines Gallery, San Francisco; supported at the UO by the Farwest Steel Endowment Fund.

May 16: Talk and Reading, “The Beautiful Uncut Hair of Graves: Art, Poetry, Memory and Vietnam,” and workshop, “Poetry & Photographs: the Illuminated Moment,” by Robert Schultz, Professor of English, Roanoke College, Salem, Virginia

June 5: Artist’s Lecture, “The Leaves of Grace,” by Binh Danh

June6:Artist’sWorkshop,“MakingBecquerel-Developed Daguerreotypes,” with Binh Danh

MFA 2009 May 3 – June 14, 2009

Sponsored by the Coeta and Donald Barker Foundation, the Duck Store, Gamblin Artists Colors, Mrs. Susan T. Ballinger in Memory of Court Ballinger and Mrs. Geraldine Leiman

May 2: Opening Reception with special event “Rock The Quad, Art For Students By Students”

May 6 and 20: Gallery Talks by MFA candidates

On the Road: Two Visions of the Tokaido June 25 – September 13, 2009

Organized by the JMSA; supported by the Coeta and Donald Barker Foundation

June 25: Opening Reception with performances bytheONEnsemble,EugeneTaikoandEugene-Springfield Obon Dancers in conjunction with World Harmony Project

June27:GalleryTalkbyDickEasley,co-owner,White Lotus Gallery

June 28: World Harmony Project supported by the Oregon Arts Commission Cultural Tourism Grant and Lane County Tourism Special Projects Grant. Performances by Gamelan Sari Pandhawa, David Hopkins, Mitzuki Dazai, and Yujin Gakuen (Japanese Immersion School)

Permanent Collections Galleries: Special ExhibitionsA Gaze of Her Own: Japanese Women in Art May 7, 2008 – October 10, 2009

September 24: Lecture by curators Miwako Okigami and Patrick Terry, graduate students in Japanese Literature, Department of East Asian Languages and Literatures.

14 Views of Mt. Fuji October 14, 2008 – August 30, 2009

Iconicity Ongoing

Elizabeth Keith in Korea Ongoing

Other ProgramsAugust 12: Chamber Music on Campus Students and faculty from the UO School of Music and Dance

November 7: Faculty and Staff Open House

January 14: Concert, “Columns and Cones: Music for Flute and Horn,” UO School of Music students of professors Molly Barth and Lydia Van Dreel

February 7: Simplify Shibori, Easy Indigo Workshop Barbara Setsu Pickett and Michael Tadao Pickett, Mihara Shibori Studio

March 7: Gallery Talk on Russian Icons by UO Emeritus Professor A. Dean McKenzie

March 14: Happy Birthday JSMA! Family Day Sponsored by Lisa and Tim Clevenger

May 29: Lecture, “Transcending Intentions: Early Japanese Photographs at the Intersection of Science and Souvenir” by David Odo, Lecturer in Anthropology, Harvard University Cosponsored by Architecture and Allied Arts

June 10: JSMA Meeting of the Members

Academic SupportDuring the past year close to 100 classes, and approximately 3,500 university students used the JSMA as an academic and cultural resource. The title of the course, its name and professor are listed on the first line, followed by the date and topic.

ARH 349 (History of Prints) Joby Patterson July 7, presentation of prints from the collection and loaned by Patterson from which students selected a work to research for the term

ARTO 349 (Alternative Photographic Process) Camilla Dussinger July 30, registrar presented selected works from collection

UO Psychology Department SAIL Summer Camp August 14 – 15, guided museum tour

Osher Lifelong Learning Institute August 22, guided museum tour

LCC photography class Susie Morrill August28,instructor-guidedclassvisitofgalleries

Vivian Olum Child Development Center August 28, 2008 & March 6, 2009, guided museum tour

American English Institute/Rachel Sardel August29,instructor-guidedtourofgalleries

Life of the Mind Insight Seminars October 4, 11, 18, and 25, “The Story of King David,” Jim Earl (English)

November 1, 8, 15, and 22, “Marcus Aurelius’s Meditations,” Jim Earl (English)

January 10, 17, 24, and 31, Machiavelli’s Prince, Deborah Baumgold (Political Science)

February 7, 14, 21, and 28, “Thomas More’s Utopia,” Jim Earl (English)

April 4, 11, 18, and 25, “Shakespeare’s Henry V,” Jim Earl (English)

ES 399 (Caribbean Migrations in the Literary Imagination) IrmaryReyes-Santos October 13, instructor and museum educator led tour of Cuba Avant-Garde.

October 15, visiting artist and critic Tonel presentedatalkinReyes-Santos’class,attendedby faculty and students in Latin American Studies and Romance Languages.

ARTR 449 (Lithography) Oran Miller October 16, registrar presented selected works from the collection

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Computer Science Department Lecture October 17

BA 199 (Business, Art, and Human Values Freshman Interest Group) Michele Henney October 21, guided museum tour

PD 484 Studio (Product Design) John Arndt November 6, tea ceremony November 7, curator Larry Fong presented selected works of Japanese decorative art from collection.

History (“Nomads and Empires” Freshman Interest Group) Lisa Wolverton November 6, guided museum tour

High School Equivalency Program Teodoro Reyes Ramirez November 7, guided museum tour

ANTH 199 (“Digging Up History” Freshman Interest Group) Jon Erlandson November 17, guided tour of Asian collection

Oregon Humanities Center November 21, reception

“Introduction to US Hispanic Literatures” and “Survey of Spanish American Lit,” PedroGarcia-Caro December 4, guided tour of Cuba Avant-Garde

AAD 430/530 (Youth Art Curriculum Methods) LisaAbia-Smith Winter 2009, met weekly in art museum

ARH 488/588 (Japanese Prints) Ann Wetherell January 15, January 29, February 12, February 26, and March 12, registrar presented selected works from the collection.

College of Education January 21, reception

Center for Study of Women and Society January 22, reception

ARTR 449 (Lithography) Oran Miller January 26, registrar presented selected works from collection in Gilkey Research Center

HC 431H (18th Century Things) Dan Rosenberg February 18, curator Charles Lachman and registrar Jean Nattinger presented session on 18th material culture.

JPN 607 (Seminar Lit New Media/Pub) Alisa Freedman February 19, registrar Jean Nattinger led a

sessiononJapaneseprintsandabehind-the-scenes museum tour for a seminar on Japanese literature.

Western Environmental Law Conference February 27

AAD 252 (Art and Gender) Janice Rutherford April4,JSMADirectorofEducationLisaAbia-Smith and Executive Director Jill Hartz led class session.

ARTR (Japanese woodblock printing) Margaret Prentice April14,instructor-guidedtourofJapaneseprintgallery

English (Cultures of the U.S. Empire) Cynthia Tolentino April 15, guided tour of Asian collection

Art Law Dom Vetri April 20, Executive Director Jill Hartz led session on bequests.

Art History Symposium April 24 and 25

ARTO 352 (Large Format Photography) Camilla Dussinger April 28, registrar presented selected works from the collection

ARTR 448 (Screen Printing) Oran Miller April 28, registrar presented selected works from the collection.

Campaigns Class April 29, May 13, May 27, class sessions with Director of Communications Erick Hoffman

University of Oregon Alumni Association May 1, guided museum tour for 50th reunion

Life of the Mind Insight Seminars Matthew Dennis (History) May 2, 9, 16, and 30, “The Bill of Rights”

ARH 399/ (Sp. St. Ausp Imag China) Ann Wetherell May 7 and June 4, registrar Jean Nattinger provided a session.

European Studies Symposium May 7 and 8

UNESCO Peace Project Display and Panel Discussion, Reception and Tour May 9 and 10

UO Center for International Dialogue May 10, guided museum tour

UO Creative Writing Program May 15, visiting poet Robert Schultz met in the

Binh Danh exhibition with students and faculty in the creative writing program.

AAD Master’s Research Presentations May 15

Arts Administration Doug Blandy May 21, curator Larry Fong presents a lecture for AAD program on public art and the U.S. Federal Courthouse project.

DANC 271 (Dance Improvisation) Valerie Ifill May 26, museum educator Sharon Kaplan led a gallery tour focusing on using visual art to inspire movement.Studentsperformedtheirart-inspiredpiecesaspartoftheirend-of-termdanceconcert.

Political Science Department May 29, reception

UO Photography Department June 5, visiting artist Binh Danh participated in a critique with MFA photography candidates.

Art History Department June 12, graduation ceremony

ARH 399 (History of Prints) Joby Patterson June 23, registrar presented selected works from collection

UO Continuing Education Elderhostel June 28, guided museum tour

PSY 201 (Mind and Brain) JagdeepKaur-Bala Visual perception assignment required all students in this introductory psychology class to use the museum.

Art History Curator Larry Fong serves as advisor to Danielle Knapp for her art history graduate thesis and an advisor of undergraduate and graduate internships in art history.

Art Department Chief Preparator Rick Gehrke and Curator Larry Fong served as coordinators and advisors for the Master of Fine Arts exhibition

Education Foundations Jeanne Hall Spring term, four College of Education students conducted their field service by teaching elemen-tary students in museum education programs.

ARH 609/AAD 609 Graduate students worked as Laurel interns conducting research and providing support to the education and curatorial departments.

Special Note: Curator Charles Lachman and Registrar Jean Nattinger served as thesis advisors to Heather Hanson, Master’s candidate, art history, for her research on objects in JSMA collection.

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AttendanceJuly 4,790August 3,521September 1,756October 4,692November 4,361December 3,364January 4,998February 5,885March 5,459April 5,457May 6,408June 4,408

Total onsite 55,099 (counted)

Offsite: 31,000 (estimated; the JSMA offered educational programs at these community events: Art in the Vineyard Fiesta Latina, Dia de los Muertos, Oregon Asian Celebration, DisOrient Asian American Film Festival of Oregon, Rotary groups, OSHER Lifelong Learning Institute, Lane County Chapter of Military Officers Association of America and schools in the region).

Campus and Community EngagementThefollowingon-andoff-campusbusinesses,departments, and individuals partnered with the museum on events or used the museum for their own programs. We thank them for their participation.

Off-campus businesses, organizations and individuals: Adelante Sí, Paul Biondi (jazz musician), Centro Latino Americano, Chinese American Benevolent Society, Comcast, Mitzuki Dazai (Koto musician), DisOrient Film Festival, EnterpriseRent-a-Car,EugeneChamberofCommerce, Eugene/Springfield Asian Council, Fiesta Latina, Gamalan Sari Pandhawa, Gourmet Group II, Holt International, David Hopkins (Shakuhachi musician), Japanese American Association of Lane County, Junior League of Eugene, Jessie Marquez (vocalist), McKenzie River Broadcasting, Oakhill School, Oregon Asian Celebration, Oregon Medical Group, Oregon Public Broadcasting, Springfield Chamber of Commerce, Western Environmental Law Center, and Yujin Gakuen Japanese Immersion School

On-campus departments and programs: Academic Affairs, Arts and Administration Department, Alumni Association, Art History Association, Art History Department, College of Education, Center for Study of Women and Society, Computer Science, Corporate Relations, European Studies, Human Resources, Life of the Mind, MEChA, Museum of Natural and Cultural History, Oregon Bach Festival, Oregon Humanities Center, Oregon Planning Institute, Political Science, Department of Romance Languages, University of Oregon Foundation, and UNESCO Peace Project.

Acquisitions: Western Art

PAINTINGS

Charles Heaney, American, 1897–1981. Columbia River – Gray Evening, n.d. Oil on board, triptych, 18 x 75 inches. Gift of Brian and Gwyneth Booth. 2008:10.1.

Allen Cox, American, b. 1950. Willendorf, 2007. Wax, oil, and alkyd on linen, 64 x 70 inches. Gift of Linda Lawrence and Robert Canaga. 2008:17.1.

Allen Cox, American, b. 1950, Jane’s Meadow, 2008. Wax, oil, and alkyd on linen, 36 x 24 inches. Gift of the Artist. 2008:18.1.

AmbrosePatterson,American,b.Australia,1877-1967. Untitled [colorful abstract/floral scene], n.d. Oil on canvas, 27 3/4 x 20 inches. Gift of Joan Wahlman. 2008:22.17.

Viola Patterson, American, 1898–1984. Sails, n.d. Oil on canvas, 27 1/2 x 32 inches. Gift of Joan Wahlman. 2008:22.18.

Viola Patterson, American, 1898–1984. Untitled [abstract scene with patches of color], n.d. Oil on canvas, 25 x 37 inches. Gift of Joan Wahlman. 2008:22.19.

Margaret Coe, American, b. 1941. La Plage Bonaparte, 2008. Acrylic and oil on canvas, 15 3/4 x 31 1/2 inches. Acquisition Fund Purchase. 2008:30.1.

Margaret Coe, American, b. 1941. La Plage Bonaparte #1, 2008. Oil on canvas, 40 x 70 inches. Acquisition Fund Purchase. 2008:30.2.

Carl Hall, American, 1924–1996. Eight Eggs, 1959. Oil on masonite, 52 1/8 x 49 inches. Gift of the Estate of William Mitchell. 2009:2.1.

WORKS ON PAPER: PRINTS

Agustín Bejarano Caballero, Cuban, b. 1964. La Coqueta VII (Mujer Embarazada), 1998. Etching, 41 3/4 x 28 1/16 inches. Gift of Dr. and Mrs. Irwin R. Berman. 2008:11.1.

Helen Hyde, American, 1868–1919. Hide and Seek, 1897.Hand-coloredetching,5 7/8 x 7 15/16 inches. Gift of Dr. Don E. and Carol Steichen Dumond. 2008:14.1.

Helen Hyde, American, 1868–1919. Spring Blossoms,1898.Hand-coloredetching, 6 7/8 x 4 15/16 inches. Gift of Dr. Don E. and Carol Steichen Dumond. 2008:14.2.

Helen Hyde, American, 1868–1919. Imps of Chinatown,1898.Hand-coloredetching, 7 1/2 x 6 inches. Gift of Dr. Don E. and Carol Steichen Dumond. 2008:14.3.

Salvador, Dalí, Spanish, 1904–1989. La Vache Sacrée (The Sacred Cow), from the suite Les Hippies (The Hippies), 1969. Drypoint, ed. 31/100 on Japon paper, 26 x 20 inches. Gift of Barry Raber. 2008:16.1.

Collections ActivityAmbrose Patterson, American, b. Australia, 1877–1967. Coconut Palms, Hawaii, n.d. Woodblock print, 14 1/8 x 9 5/8 inches. Gift of Joan Wahlman. 2008:22.4.

Ambrose Patterson, American, b. Australia, 1877–1967. Untitled [two dinosaurs], n.d. Woodblock print, 17 x 10 5/8 inches. Gift of Joan Wahlman. 2008:22.6.

Ambrose Patterson, American, b. Australia, 1877–1967. Cagnes, South of France, n.d. Woodblock print, 14 7/8 x 10 5/8 inches. Gift of Joan Wahlman. 2008:22.7.

Ambrose Patterson, American, b. Australia, 1877–1967. Luau, Hawaii, n.d. Woodblock print, 16 1/2 x 10 1/2 inches. Gift of Joan Wahlman. 2008:22.8.

Rembrandt van Rijn, Dutch, 1606–1669. Rembrandt Drawing at a Window, 1648. Etching, drypoint, and engraving, 6 3/16 x 5 1/16 inches. Gift of Mary Corrigan Solari. 2008:25.1.

Joseph Albers, American, b. Germany, 1889–1976. Homage to the Square, 1962. Silkscreen, ed. 152/250, 10 prints, each 16 3/8 x 17 inches. Gift of theEstateofHenryAlexander.2009:3.1-10.

WORKS ON PAPER: PAINTINGS

FranzKline,American,1910-1962.Untitled, ca. 1961. Oil, 8 1/4 x 11 1/2 inches. Gift of Ruth Alexander from the Estate of Henry Alexander. 2008:26.1.

Mark Clarke, American, b. 1935. Rock Study, ca. 1980s. Acrylic, 13 1/2 x 21 3/4 inches. Gift of the Estate of Richard Paulin. 2009:1.1.

WORKS ON PAPER: DRAWINGS

Ambrose Patterson, American, b. Australia, 1877–1967. Gary, n.d. Pencil and charcoal, 18 x 12 inches. Gift of Joan Wahlman. 2008:22.1.

Ambrose Patterson, American, b. Australia, 1877–1967. Wrestlers, 1961. Ink, 19 x 13 1/2 inches. Gift of Joan Wahlman. 2008:22.2.

Ambrose Patterson, American, b. Australia, 1877–1967. Grand Canal, Venice, n.d. Ink and watercolor, 10 1/2 x 8 inches. Gift of Joan Wahlman. 2008:22.3.

Ambrose Patterson, American, b. Australia, 1877–1967. Untitled [man in bowler hat], 1899. Ink, 13 1/2 x 9 inches. Gift of Joan Wahlman. 2008:22.5.

Ambrose Patterson, American, b. Australia, 1877–1967. Untitled [figures with wine glasses], 1905. Pencil, 12 x 9 inches. Gift of Joan Wahlman. 2008:22.9.

Ambrose Patterson, American, b. Australia, 1877–1967. Seattle, 1922. Ink, 12 1/2 x 9 1/2 inches. Gift of Joan Wahlman. 2008:22.10.

Ambrose Patterson, American, b. Australia, 1877–1967. Untitled [dog, 1 of 4], n.d. Pencil, 7 x 5 3/8 inches. Gift of Joan Wahlman. 2008:22.11.

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Ambrose Patterson, American, b. Australia, 1877–1967. Untitled [dog, 2 of 4], n.d. Pencil, 9 x 7 1/8 inches. Gift of Joan Wahlman. 2008:22.12.

Ambrose Patterson, American, b. Australia, 1877–1967. Untitled [dog, 3 of 4], n.d. Pencil and marker, 10 1/4 x 7 1/8 inches. Gift of Joan Wahlman. 2008:22.13.

Ambrose Patterson, American, b. Australia, 1877–1967. Untitled [dog, 4 of 4], n.d. Pencil, 10 x 8 3/8 inches. Gift of Joan Wahlman. 2008:22.14.

Ambrose Patterson, American, b. Australia, 1877–1967. Untitled [woman in hat], 1925. Pencil, 19 1/8 x 15 3/4 inches. Gift of Joan Wahlman. 2008:22.15.

Ambrose Patterson, American, b. Australia, 1877–1967. Reclining Nude, n.d. Conté crayon, 29 1/8 x 25 1/8 inches. Gift of Joan Wahlman. 2008:22.16.

MIxED MEDIA

José Manuel Fors, Cuban, b. 1958. Parasol, 2003. Mixed media, color emulsion film on celluloid, metal umbrella frame, 10 x 45 x 45 inches. Gift of Dr. and Mrs. Irwin R. Berman. 2008:11.3.

Ken Shores, American, b. 1928. Fetish Bowl, No. 8, n.d. Mixed media, ceramic, feathers, mirror, Plexiglas, 6 1/2 x 6 1/2 x 6 1/2 inches. Gift of Marilyn Easly. 2009:6.1.

PHOTOGRAPHY

Juan Carlos Alom, Cuban, b. 1964. Curando la Tierra, from El Libro Oscuro, 2002. Gelatin silver print on stainless steel, 23 x 30 inches. Gift of Dr. and Mrs. Irwin R. Berman. 2008:11.2.

Elsa Mora, Cuban, b. 1971. Perda do Sentido (Loss of Reason), 2000. Ink pigment print, ed. 8/25, 12 x 13 1/4 inches. Gift of Dr. and Mrs. Irwin R. Berman. 2008:11.5.

Elsa Mora, Cuban, b. 1971. Perda do Sentido (Loss of Reason), 2000. Ink pigment print, ed. 8/25, 11 1/2 x 13 1/4 inches. Gift of Dr. and Mrs. Irwin R. Berman. 2008:11.6.

Tatiana Parcero, Mexican, b. 1967, Re-Invento #16, 2006. Acetate and lambda print (edition of 5), 43 x 45 inches. Acquisition Fund Purchase. 2008:29.1.

George Tice, American, b. 1938. The Passaic Falls, Paterson, New Jersey, July, 1968, printed 1988. Gelatin silver print, 11 x 14 inches. Acquisition Fund Purchase. 2009:4.1.

George Tice, American, b. 1938. Sammy’s Bar, Main Street, Paterson, New Jersey, September, 2005, 2005. Gelatin silver print, 11 x 14 inches. Acquisition Fund Purchase. 2009:4.2.

George Tice, American, b. 1938. Café Avellino, Cianci Street, Paterson, New Jersey, September, 2003, printed 2005. Gelatin silver print, 16 x 20 inches. Gift of Jennifer Tice Spagnoli. 2009:5.1.

Peter Goin, American, b. 1951. Shell Station,

Gerlach, 2004. Chromogenic development print, 16 x 20 inches. Gift of the Artist. 2009:7.1.

Peter Goin, American, b. 1951. Fly Geyser, 2002, printed 2008. Chromogenic development print, 16 x 20 inches Photography at Oregon Acquisition Fund Purchase. 2009:8.1.

CERAMICS

Ken Standhardt, American, b. 1961. Squash Vessel, 2008. Red stoneware clay with red iron oxide wash in recesses, 5 1/2 x 10 x 10 inches. Gift of the Artist. 2008:31.1.

METALWORK

Max Nixon, American, 1915–2000. Jam Pot with Lid,ca.1949–50.Sterlingsilverandsemi-preciousstone, 6 1/2 x 4 x 4 inches. Gift of Max and Hattie Mae Nixon. 2008:23.1ab.

Max Nixon, American, 1915–2000. Martini Stirrer with Lid and Spoon, ca. 1955. Sterling silver, stirrer, 12 x 3 1/4 x 3 1/4 inches; spoon, 14 3/4 inches long. Gift of Max and Hattie Mae Nixon. 2008:23.2abc.

TExTILES

Ibrahim Miranda Ramos, Cuban, b. 1969. Sin Título (Untitled), 1998. Textile, 54 x 56 inches. Gift of Dr. and Mrs. Irwin R. Berman. 2008:14.1.

Acquisitions: Asian Art

WORKS ON PAPER: PRINTS

ShikiteiSanba,Japanese,1776-1822(author),and Utagawa Toyokuni (Toyokuni I), Japanese, 1769-1825(illustrator).Ehon Imayô Sugata, one of two volumes, 1802. Woodblock print book, 8 x 6 inches (closed). Gift of Ellen Johnston Laing. 2008:24.10.

Group of Japanese woodblock prints, various artists as noted below. Gift of Yoko McClain. 2008:21.1-96.

Sekino Jun’ichirô, 1914–1988. Nakamura Kichiemon [kabuki actor], 1947. 24 1/2 x 20 1/2 inches.Miyazawa Kenji [poet-writer], 1953. 26 1/4 x 20 1/4 inches.Ayuko in Japanese Kimono, 1964. 37 1/2 x 25 5/8 inches.Black Boy, n.d. 28 5/8 x 14 1/2 inches.Clock Tower (Italy), 1966. 25 x 30 inches.Hill of Kyoto, 1980. 21 3/4 x 28 3/4 inches.Toledo, n.d. 25 x 30 inches.Untitled [waves and lighthouse],1977. 21 3/4 x 29 1/2 inches.Ze’ve B. Orzech [Oregon State University professor], n.d. 21 1/2 x 16 inches.

Untitled [roof of Japanese house with fishermen’s flags in background], n.d. 28 x 22 inches.Shimabarasumiya, 1980. Woodblock print, 22 x 29 1/4 inches.

Yoshida Ayomi, b. 1958. Linear Composition L19-RUC, 1983. 25 7/8 x 25 3/4 inches.Linear Composition L10-EGLI, 1981. 26 x 26 inches.Linear Composition L2-RSG, 1981. 25 7/8 x 25 3/4 inches.Linear Composition L5-MPK, 1981. 25 7/8 x 25 3/4 inches.

Kitaoka Fumio, b. 1918. Stone-fenced Fisherman’s House, 1976. 14 1/2 x 18 3/8 inches.

Mt. Houki Fuji, 1977. 14 1/2 x 18 3/8 inches.

Matsuo Gyoko (Bay of Matsuo), 1976. 18 3/4 x 25 1/8 inches.

Atsuta Beach, 1975. 19 x 25 inches.Fishing Village of Hokuriku, 1971. 18 3/4 x 25 inches.Ishizuchi Field, 1976. Woodblock print, 18 3/4 x 25 inches.Windy Day, 1975. 18 7/8 x 25 inches.

Kurosaki Akira, b. 1937. Lost Paradise 9 W-137, 1972. 26 1/8 x 18 1/4 inches.Lost Paradise 8 W-136, 1972. 26 1/4 x 18 1/4 inches.Flame Traces W-302, 1982. 26 1/2 x 19 inches.Between Moments A W-328, 1984. 26 1/2 x 19 1/4 inches.Between Moments B W-329, 1984. 19 x 26 1/4 inches.Out of Sleep W-320, 1974. 26 1/2 x 19 inches. Traces in the Wind W-303, 1982. 26 1/2 x 19 inches.

Iwami Reika, b. 1927. Water Fantasy A, 1983. 20 1/2 x 27 1/4 inches.Water Fantasy B, 1983. 20 1/2 x 27 1/4 inches.Song of the Sea C, 1983. 27 1/2 x 20 1/4 inches. Shimoyama Tsutomu, b. 1945. Early Morning on Hekura Island, 1976. 17 x 22 1/4 inches.

Oyamatsu Takashi, b. 1945. Dance-1, n.d. 17 3/8 x 23 3/8 inches.Dance-2, n.d. 17 3/8 x 23 1/4 inches.“HIP!”-2, n.d. 18 1/4 x 18 inches.

Saito Kiyoshi, 1907–1997.Sacred Mt. Fuji (1), 1980. 20 1/2 x 27 1/4 inches.Sacred Mt. Fuji (2), 1980. 20 1/2 x 27 1/4 inches.Sacred Mt. Fuji (4) Meadow (B), 1980. 27 1/4 x 20 1/2 inchesSacred Mt. Fuji (5), 1980. 20 1/2 x 27 1/4 inches.Sacred Mt. Fuji (6), 1980. 20 1/2 x 27 1/4 inches.

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Sacred Mt. Fuji (7), 1980. 20 1/2 x 27 1/4 inches.Sacred Mt. Fuji (8), 1980. 20 1/2 x 27 1/4 inches.Sacred Mt. Fuji (9), 1980. 20 1/2 x 27 1/4 inches.Sacred Mt. Fuji (10), 1980. 20 1/2 x 27 1/4 inches.Sacred Mt. Fuji (11), 1980. 20 1/2 x 27 1/4 inches.Sacred Mt. Fuji (12) Autumn (C), 1980. 20 1/2 x 27 1/4 inches.Sacred Mt. Fuji (14) Larch [tree], 1980. 20 1/2 x 27 1/4 inches.Sacred Mt. Fuji (15) Fine Weather, 1980. 20 1/2 x 27 1/4 inches.Sacred Mt. Fuji (17) Autumn (A), 1980. 20 1/2 x 27 1/4 inches.Sacred Mt. Fuji (18) Autumn (B), 1980. 20 1/2 x 27 1/4 inches.Sacred Mt. Fuji (19) Buddha of Field, 1980. 27 1/4 x 20 1/2 inches. Nishijima Katsuyuki, b. 1945. Shin Oumihakkei (Eight Views of New Oumi), n.d. 14 3/4 x 20 5/8 inches. Hexagonal Store, n.d. 13 1/2 x 18 1/4 inches.Kyo Horiya (Wood Carving Shop of Kyoto), n.d. 13 5/8 x 18 1/2 inches.Teahouse of Kusatsu, n.d. 13 1/2 x 18 1/8 inches.

Ikezumi Kiyoshi, b. 1913. Miso Store, n.d. 16 1/2 x 13 inches.

Nagai Kiyoshi, 1911–1984. The White and Blue, 1971. 17 1/4 x 12 1/4 inches.Untitled [yellow gatehouse of temple in forest], n.d. 12 1/2 x 19 inches.Summer Leaves, n.d. 12 1/2 x 19 inches.

Fujita Fumio, b. 1933. Red Leaves (Fall Colors), 1978. 10 1/2 x 8 3/4 inches.

Takagi Shiro, 1934–1998. Utamaro and I – 783, 1978. 20 1/2 x 17 3/4 inches.

Sano Takao, dates unknown. Ojima Island (Moon), 1974. 12 3/8 x 10 5/8 inches.

Mabuchi Toru, 1920–1994. Shiroumadake, n.d. 9 x 12 1/4 inches.

Sakamoto Koichi, b. 1932.Sekirei (Wagtail), 1978. 11 1/4 x 15 inches.Stand Still 2 (Dove), 1976. 10 3/4 x 14 1/2 inches.Kitsutsuki (Woodpecker), 1978. 15 x 11 1/4 inches.Distant View 1, 1979. 13 1/4 x 19 1/4 inches.

Unno Mitsuhiro, b. 1939. Close to Autumn, 1976. 12 1/2 x 15 1/2 inches.Mid-Summer Sun, 1977. 12 x 15 1/2 inches.

Tsuchiya Koitsu, 1879–1949. Nara Horyuji, 1938. 17 x 111/2 inches.

Nara Kofukuji (Kofuku Temple in Nara), 1937. 16 3/4 x 11 3/8 inches.Asakusa Niomon, 1938. 17 x 111/4 inches.

Okuyama Gihachiro, 1907–1981. Waterwheel Yagiri Paddies, 1980. 19 x 9 3/4 inches.Old Time Hearth, 1978. 19 x 9 3/4 inches.Honjoji (Honjo Temple), 1975. 10 x 19 1/8 inches.Himejijyo (Himeji Castle), 1979. 9 3/4 x 19 1/4 inches.Morning at Miyajima, 1949. 19 x 16 1/2 inches.Noto Shin Nanao Hakkei, 1943. 10 x 15 inches.Lake in Summer, n.d. 10 3/8 x 15 1/2 inches.Viewing the Edo River from the Pier under Ichikawa Bridge, n.d. 11 x 15 3/4 inches.Nikko Ryuhon Kannon no Akiiro, 1949. 10 1/4 x 15 5/8 inches.New Snow on Nikkoshinbashi, 1949. 10 1/4 x 16 1/2 inches.

Yoshida Toshi, 1911–1995.Rice Field in Suizu, 1951. 10 7/8 x 15 5/8 inches.Benkei Bridge, 1941. 10 1/2 x 7 3/4 inches.Okaramon, 1940. 10 1/2 x 8 inches.Matsumoto, 1940. 7 7/8 x 10 3/8 inches.Nikko, 1940. 8 x 10 1/2 inches.Umbrella, 1940. 10 1/2 x 7 3/4 inches.Stone Garden, 1963. 14 x 9 3/4 inches.Ginkakuji Garden, 1963. 9 1/2 x 14 inches.Cherry Blossoms by the Gate, 1951. 15 5/8 x 10 1/2 inches.Morinji in Spring, 1951. 10 3/4 x 15 7/8 inches.Seahorses, 1952. 16 x 10 3/4 inches.

Yoshida Fujio, 1887–1987. Garden, 1954. 16 x 10 5/8 inches.

Yoshida Hiroshi, 1876–1950. Nigatsudo Temple, 1925. 15 3/4 x 11 inches.

WORKS ON PAPER: PAINTINGS

Korea. Tiger Skin Screen, 19th century. Ink and slightcolor,six-panelfoldingscreen,eachpanel70 x 25 1/4 inches. Gift of Robert and Sandra Mattielli in Honor of Kyung Sook Cho Gregor. 2008:20.1.

Attributed to Luo Ping, Chinese, 1733–1799. Plum Branch, inscription signed by artist, copy dated 1740 or 1800. Hanging scroll, ink, 73 1/2 x 17 1/4 inches. Gift of Ellen Johnston Laing. 2008:24.1.

Attributed to Ding Yunpeng, Chinese, active 1584–1638. Pot of Calamus Grass on a Rock, inscription signed by artist, early 17th century. Hanging scroll, ink, 74 x 24 1/4 inches. Gift of Ellen Johnston Laing. 2008:24.8.

Attributed to Songxi Li Jun, Chinese, dates unknown. Seven-leaf Album of Landscapes, 19th century. Ink, 14 x 9 inches (closed). Gift of Ellen Johnston Laing. 2008:24.11.

MIxED MEDIA

Kang,Ik-Joong,Korean,b.1960.Happy Buddha, 2007. Crayon and tempera on pine board with Envirotex Lite polymer coating, 30 x 30 x 2 inches. From the James and Haya Wallace Purchase Fund. 2008:13.1.

PHOTOGRAPHY

Binh Danh, American, b. Vietnam, 1977. Ancestral Altar #16, 2006. Chlorophyll print and resin, 27 1/2 x 13 1/2 x 1 3/8 inches. From the James and Haya Wallace Purchase Fund. 2008:12.1.

Yu Hang, Chinese, b. 1981. Glory Age 1, 2008. Digital print, ed. 3/4, 43 x 45 inches. Acquisition Fund Purchase. 2008:28.1.

Yang Yongliang, Chinese, b. 1971. Heavenly City, #1, 2008. Inkjet print on Epson paper, ed. 1/7, 50 x 30 inches. Acquisition Fund Purchase. 2008:28.2.

CERAMICS

Japan. Satsuma Stamp Box with Lohan/Lohan and Buddhas on Interior, ca. 1920. Ceramic, diam-eter 4 1/2 inches, signed. James M. Kidd Asian Collection. 2008:19.4.

China. Ding Ware Shallow Bowl with Incised Design, Northern Song dynasty, 960–1126. Porcelain, diameter 8 inches. Gift of Ellen Johnston Laing. 2008:24.3.

China. Small Lobed Bowl with Incised Design, NorthernSongdynasty,960-1126.Porcelainwithpale celadon glaze (qingbai), diameter 5 inches. Gift of Ellen Johnston Laing. 2008:24.4.

China. Decorated Jar, Majiayao Culture, Banshan Phase, Neolithic period, ca. 3rd millennium BCE. Painted earthenware, 14 1/2 inches high. Gift of James and Barbara Walker in Honor of the Museum’s 75th Anniversary. 2008:27.1.

METALWORK

Japan. Cigarette Case with Mt. Fuji, n.d. Metals with enamel overlay, 6 1/8 x 3 1/8 x 3/8 inches. James M. Kidd Asian Collection. 2008:19.5.

Japan. Cigarette Case, Kômei era, 1846–1867. 24K gold inlaid into iron with silver, 6 3/8 x 3 1/8 x 1/2 inches. James M. Kidd Asian Collection. 2008:19.6.

China. Horse Trapping, Warring States period, probably Ordos Culture, 5th–3rd century BCE. Openwork bronze with stippling, 2 x 4 inches. Gift of Ellen Johnston Laing. 2008:24.2.

China. Group of Three Small Buddhist Figures from an Altarpiece [Guardian figure, Standing Buddha in the Abhaya Vara Mudra, Guanyin], Tang dynasty, 618–906. Gilt bronze, tallest, 3 inches high. Gift of EllenJohnstonLaing.2008:24.5.1-3.

China. Mirror with Interlace Design, Warring States period, 5th–3rd century BCE. Bronze with turquoise patina, diameter 4 inches. Gift of Ellen Johnston Laing. 2008:24.6.

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TExTILES

Japan. Set of Two Small Stencils with Fisherman’s Coat Motifs [related to textiles in the Murray Warner Collection of Oriental Art], 15 1/8 x 13 3/8 inches. Gift of Susanna Campbell Kuo. 2008:15.1ab.

Japan. Set of Two Large Stencils with Fisherman’s Coat Motifs [related to textiles in the Murray Warner Collection of Oriental Art], 27 3/4 x 15 1/2 inches. Gift of Susanna Campbell Kuo. 2008:15.2ab.

STONE

India. Hindu Tantric Fragment Depicting Karittikeya, 12th–16th century. Carved gray stone, 5 inches high. Gift of Ellen Johnston Laing. 2008:24.7.

RUBBING

China. Rubbing of a 6th-century Buddhist Stele, 20th century. Ink on paper, mounted as a hanging scroll, 61 x 29 1/2 inches. Gift of Ellen Johnston Laing. 2008:24.9.

IVORY

Japan. Oval Jar with Dancing Monkeys Motif, n.d. Carved ivory, jade bead on lid, 5 inches high, signed. James M. Kidd Asian Collection. 2008:19.1.

LACqUER

Japan. Six-case Inrô with Horse and Cockerel Motifs, n.d. Lacquer with moriage and inlay, 3 1/2 inches high. James M. Kidd Asian Collection. 2008:19.2.

Japan. Six-case Inrô, n.d. Lacquer with moriage, 3 3/4 inches high. James M. Kidd Asian Collection. 2008:19.3.

Outgoing LoansLent to the Yokohama Doll Museum for Friendship Doll traveling exhibition, November 10, 2000 – July 31, 2002, with extension for other exhibitions through December 2010.

Japan. Miss Fukuoka, Japanese Friendship Doll, 32 1/2 inches tall, her accessories, and Miss Kanagawa letters.

Lent to the National Gallery of Art for the exhi-bition George de Forest Brush: The Indian Paintings, September 14, 2008 – January 4, 2009; and the Seattle Art Museum, February 26 – May 25, 2009.

George de Forest Brush, American, 1855–1941. Indians Hunting Cranes in Florida, 1887. Oil on canvas, 22 x 27 inches. Gift of Mr. and Mrs. Harold F. Wendel.

Lent to the Hallie Ford Museum of Art for a new installation in the Sponenburgh Gallery from February 2009 through January 2011.

Gandhara. Maitreya Stele, 4th–5th century. Stone, 18 x 12 inches. Gift of the Junior Service League.

India. Standing Shiva, early 17th century. Bronze, 25 inches high. Gift of the Friends of the Museum.

China. Ceremonial Wine Jar, 4th–2nd century BCE. Bronze, 12 1/2 inches high. Murray Warner Collection of Oriental Art.

China. Head of Guanyin, Qianlong period, 1736–1795. Ivory, 12 inches high. Murray Warner Collection of Oriental Art.

Japan. Amida with Lotus Throne, 18th century. Wood covered in gold lacquer, 14 inches high. Murray Warner Collection of Oriental Art.

Incoming LoansEllsworth Kelly, American, b. 1923. Purple/Red/Gray/Orange, 1988. Lithograph, ed. 16/18, 51 3/4 x 225 1/2 inches. Collection of the Jordan Schnitzer Family Foundation/Promised gift of Jordan Schnitzer on the occasion of the 75th Anniversary of the Jordan Schnitzer Museum of Art and in honor of Lynn Frohnmayer and David Frohnmayer, the 15th president of the University of Oregon from 1994–2009.

James Rosenquist, American, b. 1933. Space Dust, 1989, from the Welcome to the Water Planet series. Pressed paper pulp, acrylic, dye, lithograph and collage on paper, ed. 56/56, 66 1/2 x 105 1/4 inches. Collection of Jordan D. Schnitzer.

Mark Sponenburgh, American, b. 1916. Perpetua, 1995-96.Bronze,16x16x121/2 inches. On loan from the Artist.

Marsden Hartley, American, 1877–1943. Black Duck No. 1, 1941. Oil on canvas, 28 x 22 inches. Loan from the Detroit Institute of Arts, Gift of Robert H. Tannahill, 49:512.

Clayton S. Price, American, 1874–1950. The Fisherman, late 19th–20th century. Oil on canvas, 34 x 42 inches. Loan from the Detroit Institute of Arts, Founders Society Purchase, General Membership Fund, 43:432.

Clayton S. Price, American, 1874–1950. Wolves, 1944. Oil on paperboard panel, 26 x 30 inches. Brooklyn Museum, Gift of the Edith and Milton Lowenthal Foundation, Inc., 76.71.

China. Jade in the Form of a Scholar’s Rock, 18th century. Green nephrite, 4 1/2 x 6 x 3 inches. On loan from the collection of George Romero.

China. “Buddha’s Hand” Citron (Foshou), 18th century. White nephrite, 6 x 9 x 4 inches. On loan from the collection of George Romero.

China. Jade in the Form of a Ginseng Root, 18th century. White nephrite, 3 1/2 x 9 x 2 inches. On loan from the collection of George Romero.

China. Jade Boulder with Figures in a Boat, 18th century. Green nephrite, 5 1/2 x 3 1/2 x 1 1/4 inches. On loan from the collection of George Romero.

China. Vase with Mille Fleurs (“Thousand Flowers”) Pattern,Qingdynasty-earlyRepublicanperiod,late 19th–early 20th century. Enamel on porce-lain, 14 x 6 x 6 inches. On loan from the collec-tion of Diane Widler Wenzel.

China. Bowl with Floral Overlay, 18th century. Carved glass, 3 1/4 x 8 1/2 x 8 1/2 inches. On loan from Mr. Erick Schiess.

Japan. Tea Bowl, 1600–1630. Stoneware, Hizen, 2 3/8 x 5 1/8 x 5 1/8 inches. On loan from the Peabody Essex Museum, Salem, Massachusetts, E29767.

Japan. Tea Bowl, 1700–1800. Earthenware, Musashi, 2 15/16 x 4 3/4 x 4 3/4 inches. On loan from the Peabody Essex Museum, Salem, Massachusetts, E18588.

Japan. Tea Bowl, 1700–1800. Stoneware, Tsushima, 4 1/2 x 5 1/8 x 5 1/8 inches. On loan from the Peabody Essex Museum, Salem, Massachusetts, E23998.

Japan. Tea Bowl, 1750–1850. Stoneware, Omi/Shiga, 3 x 4 3/16 x 4 3/16 inches. On loan from Peabody Essex Museum, Salem, Massachusetts, E29868.

Japan. Tea Bowl, 1800–1900. Stoneware, Nagato/Yamaguchi, 7 1/16 x 7 7/8 x 7 7/8 inches. On loan from the Peabody Essex Museum, Salem, Massachusetts, E29932.

Japan. Tea Bowl, 1760–1840. Stoneware, Nagato/Yamaguchi, 2 3/8 x 6 1/16 x 6 1/16 inches. On loan from the Peabody Essex Museum, Salem, Massachusetts, E30288.

Japan. Tea Caddy, 1570–1650. Stoneware and ivory, Bizen, 3 3/8 x 2 3/4 x 2 3/4 inches. On loan from the Peabody Essex Museum, Salem, Massachusetts, E29749.

Guy Anderson, American, 1906–1998. Totemic Image, n.d. Oil on paper, 118 3/4 x 66 3/4. Collection of Jordan D. Schnitzer.

China. Wrist Rest, n.d. Jade, 2 3/4 x 8 1/2 inches. Kindly loaned by the Spirit of the Stone Collection.

China. Brush Washer, n.d. Jade, 1 7/8 x 5 1/16 inches. Kindly loaned by the Spirit of the Stone Collection.

China. Inkstone, n.d. Jade, 6 1/4 x 4 1/2 inches. Kindly loaned by the Spirit of the Stone Collection.

China. Lingbi Rock, n.d. Jade, 9 3/4 x 5 3/4 x 3 inches. Kindly loaned by the Spirit of the Stone Collection.

China. Square Seal, n.d. Jade, 2 3/8 x 2 3/8 x 2 3/8 inches. Kindly loaned by the Spirit of the Stone Collection.

China. Pair of Scroll Weights, n.d. Jade, each, 7 1/4 x 1 1/4 inches. Kindly loaned by the Spirit of the Stone Collection.

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China. Brush Pot, n.d. Jade, 2 7/8 x 2 7/8 x 4 5/8 inches. Kindly loaned by the Spirit of the Stone Collection.

China. Brush Pot with Poem, n.d. Jade, 4 1/2 x 4 1/2 x 5 7/8 inches. Kindly loaned by the Spirit of the Stone Collection.

China. Water Pot, n.d. Jade, 1 3/8 x 2 1/2 x 2 inches. Kindly loaned by the Spirit of the Stone Collection.

China. Small Lion, n.d. Jade, 1 1/2 x 3 inches. Kindly loaned by the Spirit of the Stone Collection.

China. Brush Rest in the Shape of Scholar’s Rock, n.d. Jade, 2 1/2 x 6 1/8 x 2 1/4 inches. Kindly loaned by the Spirit of the Stone Collection.

China. Table Screen, n.d. Ivory, 6 3/4 x 5 1/4 x 2 3/4 inches. Kindly loaned by the Spirit of the Stone Collection.

China. Scholar’s Table, n.d. Wood, 5 x 20 5/8 x 12 inches. Kindly loaned by the Spirit of the Stone Collection.

Attributed to Jan Steen, Dutch, 1626–1679. The Doctor’s Visit, n.d. Oil on canvas, 15 1/2 x 13 inches. Gift of Roger Abbott, on loan from the University of Oregon Foundation.

James Lavadour, American (b. 1951). Interior #2, 1999. Oil on wood, 31 x 31 inches. On loan from the collection of Ernest C. Swigert and Nate Overmeyer.

China. Scholar Visiting a Pavilion in the Mountains in Summer, Qing dynasty, 1644–1912. Fan paint-ing, ink on paper, 9 1/2 x 9 1/2 inches. Kindly loaned by the Spirit of the Stone Collection.

Henry Bisbing, American, 1849–1933. Cows Nooning, 1893. Oil on canvas, 52 1/2 x 87 inches. Gift of Ann and William Swindells Jr., on loan from the University of Oregon College of Education.

Morris Graves, American, 1910–2001. Chalice Missing Pure Water Libation, 1939. Tempera and beeswax on paper, 13 x 19 inches. On loan from the Morris Graves Foundation.

George Nakashima, American, 1905–1990. “Mira” chair, ca. 1970s. Hardwood, 32 x 19 1/2 x 16 1/2 inches. On loan from the Morris Graves Foundation.

Alice Neel, American, 1900–1984. Carol Brand with Cat, 1953. Oil on canvas, 38 x 28 inches. On loan from the collection of Jonathan and Monika Brand.

Alice Neel, American, 1900–1984. Side of Building, 1965. Oil on canvas, 50 x 29 inches. On loan from the collection of Jonathan and Monika Brand.

China. Theatre Costume for Jingju, Beijing Opera Performance: Mang, Man’s Court Robe with dragons, waves, and clouds, for an emperor, 21st century. Embroidered yellow silk, 58 inches long. On loan from the collection of Alexandra B. Bonds

China. Theatre Costume for Jingju, Beijing Opera Performance: Nümang, Woman’s Court Robe with

phoenixes, waves, and peonies, for younger higher-ranking women connected with the emperor as wives, princesses, or concubines, 21st century. Embroidered red and blue silk, 40 inches long. On loan from the collection of Alexandra B. Bonds

Brice Marden, American (b. 1938). Bear, 1996–97. Oil on linen, 84 x 60 inches. Private Collection.

Yue Minjun, Chinese, b. 1962. Untitled, 2003. Oil on canvas, 86 3/4 x 86 3/4 inches. Loan courtesy of Yongsoo Huh.

Banksy, British. Untitled (Laugh now, but one day we’ll be in charge), 1998. Spray paint stenciled on acrylic on board, 24 x 28 inches. Private Collection.

Louise Nevelson, American, 1900–1988. Dark Presence III, 1971. Wood painted black, 97 x 140 1/4 x 10 inches. Private Collection.

Mark Rothko, American, born in Russia, 1903–1970. Composition, 1958. Oil on paper laid down on board, 29 x 22 1/2 inches. Private Collection.

Russia. Christ’s Entry into Jerusalem (Palm Sunday), late 19th century. Tempera on wood panel, 15 1/2 x 11 5/8 inches. On loan from Phil and Shannon Evonuk.

Romania. Christ’s Entry into Jerusalem (Palm Sunday), 20th century. Icon, oil paint on glass, 10 x 13 inches. Private Collection.

Russia. St. Nicholas, ca. 1500. Icon, Moscow School, Tempera on wood panel, 12 1/4 x 10 1/4 inches. Private Collection.

Russia. Cudo Svetogo Georgiya o Zmii (St. George and the Dragon), 17th century. Icon, tempera on wood panel, 17 x 14 inches. Private Collection.

Russia. Bogomater Neopalimaya Kupina (Burning Bush Mother of God), ca. 1800. Icon, bronze and blue enamel, 4 x 3 1/2 inches. Private Collection.

Andrei Rublev, Russian, 1360s–ca. 1430. Old Testament Trinity. Icon, modern reproduction of 15th-centuryoriginal,271/2 x 22 1/8 inches. Private Collection.

Russia. Uspenie Bogomateri (Dormition of the Virgin). Icon, copy by Byron Birdsall (American, b. 1937)ofa15th-centuryMoscowicon,watercoloron poster board with gold leaf, 19 x 15 inches. Private Collection.

Max Pechstein, German, 1881–1955. Gladiolen (Gladioli), 1918. Oil on canvas, 46 1/2 x 35 3/8 inches. Private Collection.

Joseph Mallord William Turner, English, 1775–1851. Pope’s Villa at Twickenham, ca. 1808. Oil on canvas, 36 x 47 1/2 inches. Private Collection.

Aristide Maillol, French, 1861–1944. Flore Nue (Nude Flora), executed 1911, cast later. Bronze, 65 3/4 inches high. Private Collection.

Chuck Close, American, b.1940. Self-Portrait, 2002.43-colorwoodcut,ed.26/60,31x25inches. Collection of Jordan D. Schnitzer.

Keith Haring, American, 1958–1990. Pop Shop V, 1989. Screen print, ed. 153/200, 13 1/2 x 16 1/2 inches. Collection of the Jordan Schnitzer Family Foundation.

Keith Haring, American, 1958–1990. Pop Shop VI, 1989. Screen print, ed. 9/200, 13 1/2 x 16 1/2 inches. Collection of the Jordan Schnitzer Family Foundation.

Andy Warhol, American, 1928–1987. Campbell’s Soup II: New England Clam Chowder (II.57), 1969. Screen print, ed. 160/250, 35 x 23 inches. Collection of the Jordan Schnitzer Family Foundation.

Andy Warhol, American, 1928–1987. Campbell’s Soup II: Oyster Stew (II.60), 1969. Screen print, unpublished trial proof, 35 x 23 inches. Collection of the Jordan Schnitzer Family Foundation.

Andy Warhol, American, 1928–1987. Electric Chair, 1971. Screen print, unpublished trial proof [green], 35 1/2 x 47 7/8 inches. Collection of the Jordan Schnitzer Family Foundation.

Andy Warhol, American, 1928–1987. Electric Chair, 1971. Screen print, unpublished trial proof [yellow], 35 1/2 x 47 7/8 inches. Collection of the Jordan Schnitzer Family Foundation.

Andy Warhol, American, 1928–1987. Electric Chair, 1971. Screen print, unpublished trial proof [orange and blue], 35 1/2 x 47 7/8 inches. Collection of the Jordan Schnitzer Family Foundation.

William Wylie, American, b. 1957. #01–59, Carrera, 2001, printed in 2008. Archival digital pigment print, ed. 2/15, 29 1/2 x 37 inches. Promised gift of Jeanne and Richard S. Press.

William Wylie, American, b. 1957. #01–83, Carrera, 2001, printed in 2008. Archival digital pigment print, ed. 4/15, 29 1/2 x 37 inches. Promised gift of Jeanne and Richard S. Press.

William Wylie, American, b. 1957. #06–25, Carrera, 2006, printed in 2008. Archival digital pigment print, ed. 4/15, 29 1/2 x 37 inches. Promised gift of Jeanne and Richard S. Press.

William Wylie, American, b. 1957. #06–07, Carrera, 2006, printed in 2008. Archival digital pigment print, ed. 4/15, 23 3/4 x 19 inches. Promised gift of Jeanne and Richard S. Press.

William Wylie, American, b. 1957. #06–17, Carrera, 2006, printed in 2008. Archival digital pigment print, ed. 4/15, 23 3/4 x 19 inches. Promised gift of Jeanne and Richard S. Press.

William Wylie, American, b. 1957. #06–20, Carrera, 2006, printed in 2008. Archival digital pigment print, ed. 4/15, 23 3/4 x 19 inches. Promised gift of Jeanne and Richard S. Press.

Mark Rothko, American,borninRussia,1903-1970. Landscape (View of Portland, OR), ca. 1928. Oil on canvas, 26 x 22 1/4 inches. On loan from the Michael Rosenfeld Gallery, LLC and Mr. Jeffrey Schaper.

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$10,000+Lane County Public WorksOregon Arts CommissionOregon Cultural Trust

$5,000 – $9,999Anonymous (2)Lisa ’87 and Timothy Clevenger ’86SusanCoxandF.GregoryFitz-GeraldGourmet Groups I & IIMalott Family Foundation Lee and Mary Jean Michels

$2,500 – $4,999Anonymous (2)Joy & Jerry Monkarsh

Family FoundationHope Hughes Pressman ’42Carol ’75 and Keith Richard ’64Kenda Hills ’74 and Kenneth SingerKimberly A. and

William R. Swindells ’78Sharon Margolin Ungerleider ’70

$1,000 – $2,499Carol AngleSarah and Thomas BascomKaren and William BoydAnne and Terrence CarterDow Chemical FoundationDelyn Dark ’72 and

Robert Dunham ’73Margaret Fisher ’70 and

Clifford FisherColleen and James FitzgibbonsCheryl ’66 and Allyn FordMarcia and David HiltonAnn G. Lyman ’55 and

Ronald G. Lyman ’54Estate of Gladys McCreadyMerrill Lynch & Company FoundationEmma Pettigrew ’76Rennie’s LandingNancy ’68 and Michael Rose ’62Barbara and Jon SchleuningThelma SeufertCatherine Tribe Siegmund ’54Mary and Leslie SmoluchSandra ’92 and Jerry SouthStephen Stone ’49Karen and Charles Warren ’62

Honor Roll 2008-2009

$500 – $999Dorothy and Frank AndersonLindaLawrence-Canagaand

Robert Canaga ’90Charles SchwabDouglas DeWittMargaret and Peter GontrumJanine and Joseph Gonyea IIIElizabeth ’89 and Mark HoldenMichael LieblingYoko Matsuoka McClain ’56Patricia Harris NoyesPacific Women’s CenterJames PetersonDorothy Porter ’45Marjory Allingham Ramey ’47Stephen Rhodes ’69Lynette Johnson Saul ’65Mary and Everett SmithTamara Stenshoel ’77Yvonne and Charles Stephens ’72Nathaniel TeichDominick VetriMargaret and Wali ViaMargo Grant Walsh ’60Yvonne and James Wildish ’54

$250 – $499Susana and Edward Anderson ’49Phoebe Smith Atwood ’45Ruth ’51 and Owen Bentley, Jr. ’50LynneMumaw-BlackandJohnBlackGwyneth and Brian Booth ’58Thomas Boyatt ’97W. H. BrandtJacqueline and Robert Bryson ’82Julie CollisComcast CableRuth CrossFrances and Michael Curtis ’67Marilyn ’94 and De Wayne Ditto ’64Margot FetzJill Hartz and Richard HerskowitzJerrlyn ’80 and Kip HeneryJudith JohnsonJames Kitterman ’73Deborah ’48 and

Charles Larson, Jr. ’44Anne Leavitt ’84 and William LeavittGeraldine Tripp Leiman ’41Melinda Grier ’88 and Jerome Lidz ’77Marc LipsonAnn ’86 and Erik Muller ’65

Natalie and Robin NewloveHattie Mae Nixon ’61Eiko PolitzIvy ’76 and Mark PruettBette and Dwayne Rice ’70Victor Richenstein ’77Pamela Whyte ’77 and

Ronald Saylor ’70Eric SchabtachC. Randall ToshSarah and James WestonAltabelle Hoadley Wildish ’49

$100 - $299Hal Abrams and Jennifer LowerySandra Adams ’74Gregory Ahlijian ’71Gerald Alexanderson ’55Jean Crakes ’72 and

F. Burnell AmbroseTerri and Jon AndersonJoyce Ford ’67 and Richard AndersonAndrea Arlington ’67 and

David Arlington ’69Ina AsimArline and Donald BahretKathryn Thomas and

Bobby Baldwin ’91Judith and Stanley BaldwinVirginia and Chandler BarkelewPatti ’82 and Thomas BarkinPhilip ’68 and Florence Barnhart ’75Kelli Bell and Daniel Bell ’90Carol and Marvin BerkmanMarcia BermanFrancine and Scot BerrymanJanice Jurisich ’85 and Bill BishopCristen ’71 and Frederick Braatz IIIAudrey Allen ’59 and

Ray Bradshaw ’86Thomas BrasePatricia and William BrommelsiekBarbara Bryan ’58Julia and Hamilton Budge, Jr.Margaret Crisler ByrneSophia Snyder ’04 and Thomas

Cardwell ’04Barbara Cargill ’62Kenar Charkoudian ’57Norman Chun ’72Judith Fleisig and Steven Collier ’75Katherine ’81 and

Michael Coughlin ’79

Martha and Robert CristJohn CrockerCrocker Corporate DesignEllen and Lawrence CrumbMarilyn and Charles Deaton, Jr.Diane and Jerome DiethelmLoimae ’66 and Bertrand Dotson ’51Dotson’s Coburg AntiquesElaine Svigel ’84 and Stefan DundaMaryAlice DwyerFrances Jordan ’86 and Thomas DykeLouise Bishop and James EarlNancy and Thomas English ’65EnterpriseAnne ’83 and Gregory Erwin ’83Kimberly and David EsrigSusanne EttingerAngela and Kristian FerryAnn Cahill ’77 and David FidanqueMichael Foster ’65Don Fox ’48Jessie FrenchCarolyn GlasierRhoda GloverMarcia Cameron ’72 and

Dallas GrahamKyungsook ’61 and John Gregor ’56Dawn and David GuentherKarli French ’05 and John Gundry ’88Lois O’Connor ’87 and David HagenJames HarperRuth Miller ’76 and Richard HaywardAndrea ’71 and Edward Heid ’73Olivia Lindberg ’96 and James

Helmers ’57Helen ’56 and Gordon Howard ’53Dawne Harris ’71 and

Gregory Howard ’74Corinne Coleman Hunt ’75Thomas IngCorinne Andersson ’88 and

David Jacobs ’88Janet Baker ’74 and John JacobsenLaura ’78 and Kent JenningsD. Joe Jenson, DMDKathleen and Darrel Jenson ’76Katharine Smith Joyce ’72Emiko and John Kageyama ’58Lisa ’92 and Steven Korth ’92McDonald Kranzler Joint TrustCornelia and Michael LaffertyKelly ’84 and James Lanzarotta ’84Zoe and Norman LeCompte, Jr. ’76Hope Lewis

The JSMA greatly values its members and donors without whose support our public

programs, exhibitions, publications, and other special projects would not be possible. The

following are supporters who gave a gift to the JSMA between July 1, 2008, and June 30,

2009. Every effort was made to compile a comprehensive list. Any omissions are inadvertent.

Please call us at (541) 346-0960 with any updated information. Thank you for your support!

24

Jennifer ’82 and Thomas LindseyNorma Latimer Lockyear ’53Melanie and Malcolm MacKinnon ’79Robin Manela ’65Laura ’75 and James MarshallNancy and Ralph MartinSandra and Robert MattielliNicola Laird ’86 and James Maxwell ’67Hally McCabe ’90Jacqueline and Joel McClure, Jr.Shaun McCrea ’79Carolyn Kranzler ’80 and

David McDonaldNancy Morris McFadden ’68Susan Polchert and Stephen McGirrJ. Douglas McKay ’59Nancy and Thomas McMahon ’74H. Glenn MearesAndrea MessengerJudy ’98 and Jamie MoffettElizabeth and James MohrJoan ’50 and Richard Moll ’50Connie and Dale Mueller ’68Patricia and J. William Neuner ’63Christie ’73 and Robert Newland ’71Sharane and Sidney NorrisCarol and Michael OlsenLinda and R Gail OvergardJill ’03 and Jack OverleyChristina Svarverud ’94 and

Mark PangbornGeorgann PasnickPhyllis and Edgar PearaEmaly and Hugh PerrineSharon and Michael PosnerAlbert Poston ’69Susan Poston*Sharon and Otto PotichaDavid PottingerPaula PottingerCamilla PrattKlaus PutjenterSonja Foss ’72 and

Anthony Radich ’71Raven Frame Works, Inc.Severena Johnston ’88 and

Michael Rear ’89Robert Reeves ’97Linda and Thomas Roe ’61Gary RondeauJohn Roupe ’04Janice Williams Rutherford ’63Deidre and Clinton Sandvick ’08Elaine Bernat ’78 and

Roger Saydack ’80Linda Schaefers ’69Dorothy SchuchardtNancy and Gerald SchweckeBeverly Holmes ’76 and

Richard Sept ’74Joan and John ShipleyMary Silver

Judith and Curtis SimicAlice Callicott ’83 and

W. Sherwin SimmonsEllen SingerDana ’76 and Paul Skillern ’72Karen ’78 and Glenn Smeed, Jr. ’76Marilyn ’50 and Calvin Smith ’50Maureen and Craig Smith ’76Catherine and John SmithAdriana Huyer and Robert Smith ’59Joan SoderstedtMcKay and Olof SohlbergMary StephanSheila and Richard Stokes, Jr. ’58Tris O’Shaughnessy and

Gregory Stripp ’85Richard Stumpf ’87Janell Sorensen ’79 and

William Sullivan ’79Merrily and Martin Sutton ’78Ruth Maier ’70 and

Robert Sylwester ’53Ingeborg ’00 and Leonard TarantolaEstherJacobson-Tepferand

Gary Tepfer ’75Roxi ThorenHildur Casey ’90 and Todd TritchBarbara Eckton ’68 and Donald TruaxAllison Fisher ’76 and Richard WalkerTerri WarpinskiFrances Watzek Warren ’37Anne Korn ’87 and Terry Way ’85Michael WebbMargaret and Daniel WeillBarbara West ’75Patricia WestAnita Griggs ’75 and John White ’74Pamela Perryman ’74 and

Robert WhitmanKaren Downes Wilts ’73Patricia and William Wiswall ’56Leanne and John WongJoan Wozniak ’70Cynthia Wenks ’03 and

Michal Young ’83

$1 – $99Martha Abbott ’71Larry AbelKeith AchepohlJanice Addi ’76Patricia Reese Adlum ’51Anna Alden ’88Darwin Allison ’54Lucille Schmidt ’69 and

Thomas Allsen ’69Susan AndersonBlake AndrewsCecilia and Robert Armour ’67Vernon Arne ’71Harriet and John Attig

Ruth and Charles BaderGwendolyn Gaetjen ’87 and

Dennis Bailey ’70Patricia Baker ’78Sally BakerWill BaldwinMary Battin ’75John BauguessMary Ann BeauchampJane and Alec BentleyElizabeth ’68 and Richard Berg Jr. ’77Anne DeLaney ’89 and Rudy Berg ’89Carolyn Knox ’87 and John BerglandPatricia ’60 and Noel Berkeley ’61Linda and Irwin BermanLaura and Daniel BettyLori and Richard BeyerleinMargaret BidartMary BirminghamCarol Gillingham Blackwell ’69Margaret BlaineJune and Lee Boles ’56Melva Edrington and Shawn BolesAdrienne BorgMary BovelleMary and Chester BowersGeorge BraddockDonald BradshawMary and Bruce BranchaudKaren and Peter BrandtSally Larson ’58 and

Richard Briggs ’56Linda ’71 and Donald BrodieGesell Brook ’70Patrisha ’90 and Michael BrownDiana and Gary Budd ’81Patricia Stahr and Ronald BuddAnne BurkeLynn ’71 and Bill Buskirk ’71Colleen Bell and Eric BylundKarrin Olson ’80 and

Theodore CalhounNancy CallaghanJanet and Leonard Calvert ’55John CampTom CaplesJean Vicksell CarleyAmy and Mark CarsonKatharine CashmanJessica Greene and Hubert Chang ’08Janis ChecchiaTess ChedseyCraig CherrySandra and Craig Cheshire ’58Karen French and Robin ChitwoodLinda ’76 and Gary Christensen ’74Catherine ClarkJoan and Craig Clark II ’63Karin Clarke ’92Nancy and George Classen ’71Josephine ’52 and Allen Cohen ’52Joyce Sanders and James Conklin

Paula ’78 and Dennis ConnLisa CorriganApril Cosgrove ’01Dorothy and Paul CossaboonLaurie Cracraft ’69Ann Craig ’00Kathleen and Gary Craven ’68Priscilla and David CroftLinda and John CummensJean-PaulCunninghamCarole and Jim DalyJanet DanowskiLinda DawnRebecca Sofge ’87 and Mark DelavanBrigitte and John DelayBarbara Novorolsky DeRobertis ’79Elizabeth Brinton DeShetler ’48Caroline DeVorss ’94Kirsten Diechmann ’82Frederick Dodge ’51Eliel Fionn and Mark DonahueMary Hudson Douda ’55May Steele ’64 and John DowneyDowney Family TrustMartha Murray and Kent Duffy ’71Sharon and James DuncanLou Ann and James DunnMaryJane DunphyRogena Degge ’75 and

Douglas DuPriest ’77Ryan DwyerArthur Edelmann ’82Barbara Wright and William EdwardsAnn ’75 and Gerald EichelbergRina and Lee Eide ’69Jesse Elliott ’05Judith and Dennis EllisonSheila and Frank ElsenerJosephineDestefano-Eltingand

Donald EltingSusan Engbretson ’85Joann and Benjamin EpsteinEssex General Construction, Inc.Norma EtterEugene Foot Health CenterSusan Martin ’68 and

Thomas Fagan ’70Sherilyn and Michael FarrisGloria and Edward FeinsteinCathleen ’85 and

Robert Fenstermacher ’72Patricia FlakeDonald FordWalter ForsiakRhea ’74 and Donald ForumDorothy ’56 and Samuel Frear ’56JenniferFrenzer-Knowltonand

Peter FrenzerShirley FroydJohn FuerthLee Fuerth*Betty and Del Funk ’64

25

Margaret and James Funkhouser ’67Joyce GardnerElizabeth and Michael GarfinkelKatjaKohler-Gauseand

Marshall GauseBill GilbertJohn Gilbert ’69Barbara GleasmanVirginia and Vernon Gleaves ’51Hannah and Daniel GoldrichJo Mae and Joseph Gonyea IIElizabeth and Edward GordonPatricia ’71 and Dennis Gory ’71Annie GouldDonna Walters Gould ’62Nancy and Joseph GrahamDenise and Joseph GrannanRiley GrannanDavid GreenDenise GudgerKathryn and Herbert HahnSue HamiltonDrew Harrington ’76Jane Sanford Harrison ’62Carol Watt ’83 and Richard HarrisonDebbi HartelBonnie and Michael HartleyAntoinette ’50 and Mark HatfieldRosaria P. Haugland FoundationCarole Kabot ’78 and

Robert HausmannBecki LaBarre and Kenneth Hawk ’67Kathryn and Mark HeeremaEleanor HeinJohn HeintzJohn HeinzkillLynne ’79 and Dennis Hellesvig ’60Wanda Roush ’67 and James HensonDavid Herman ’83Camille and Robert HewlettAnne and Chris HohenemserMarie Hammerquist Holm ’50Mary Harris Holser ’90Diane and Jeremiah HorganShekinah HorowitzSharon and Mark Housen ’66James Howard ’62Kathi Wiederhold ’76 and

Kent Howe ’78Jill HubbardMaurice Hudson ’52Joseph HudzikiewiczAngelika Bayley ’70 and

Harold Huestis ’72Ann Hughey ’81Laura and Robert IlligStephanie Jennings and

Robert InerfeldMelvin IngeroiCathryne Irwin ’88Elaina LaBoda Jamieson ’91Donnel Jansen ’90

Marcia and John JarrettVicki Jefferson ’79Barbara and Timothy JenkinsAndrew JensenKorey and Brian Johansen ’90Beverly Stephens Johnson ’48Constance Osgood Johnson ’79Christine and Peter JohnsonPamela Berrian and Jeffrey JohnstonLucia Hardy ’90 and Donald JonesKarin Clarke Gallery, LLCKaylyn JonesGayle Landt ’75 and Martin Jones, Jr.Janice Anderson ’70 and

John Joyce ’70Joan Kelley ’92Sharon ’88 and Alexander Kelly ’76Norma Haxby Kesey ’59Nancy Chin ’68 and David KimKarenBaldwin-King’83and

Alton King ’76Lind ’70 and John Kirk, Jr. ’70Carolyn and Robert KlineLynn and Philip KlingensmithRuth Koenig ’68Marilyn Robert ’74 and

Bernard Koenigsberg ’71Cynthia and George KokisPamela Love and George KorisDana and Eric Kvernland ’73Judith Lamb ’79ElizabethBeairsto-Lamont’56and

George Lamont ’51Michael Landes ’91Claudia LappLarry Robidoux Design &

Construction, Inc.Marylyn and Thomas Larsen ’78Anita and Ronald LarsonDarlene and John LashbrookLeslie Scott ’88 and

Charles Lefevre ’90Charlotte Stimson and David LeggettNancy LeonSharlean and Mark Lerfald ’79Phyllis and Joe LewisMartha MacRitchie and

Michael LewisSusan Lewis ’76Phyllis LichensteinMadeline and Winfrid LiepeRita and Robert LitinLittman Family TrustIsabelle ’71 and Richard LittmanMary LlorensDiane ’71 and Robert Longcore ’71William Losie ’78Susan Lowdermilk ’91Mervyn LoyaLoniann Stedman and Kevin LudwigSandra and Eugene LuksEllen and Jack Maddex, Jr.

Sonja and Jeffrey MadsenMary and James Manwill ’86Joan MarinerSusan Markley ’63Rose Marie and Mills Marsh, Jr. ’51Stephanie Winsor ’80 and

George Marshall, Jr. ’68Vicki and Donald MarvelKatherine ’86 and Louis MarzanoAlexander Mathas ’84Terry Mauney ’67Beverly MazzolaSuzanne Schweitzer ’78 and

David McCrae ’78Kate McGee ’93Deborah and Mark McGinleyMarina McIntire and

Elliot McIntire ’68Elizabeth Tildesley ’92 and

Hugh McKay ’82Joann and Merrill McKern ’48Nancy and James McKittrick ’57Adell McMillan ’63Martha Lanning McMillenShirley and D. Robert McNaughtJulie McNuttMona MeekerMary MeikleMarcy and Herbert Merker ’60Gloria MerriamBuster MessmerJoan Claffey and Anthony MeyerDiane Sandall ’86 and Stanley

Micklavzina ’82Coleen MillerDavid MillerMarsha Rome ’86 and Leland MillerNancy and Morton MillerDonna Ward ’90 and John MooreDaniel Moret ’84Laree and Larry MorgensternLynn and Donald MorrisRobin and James MorrisTwinkle Morton ’78Patricia and Robert MoserCatherineCheleen-Mosqueda’87and

Rafael MosquedaAna Romo ’99 and Joseph Mross ’93Teresa Mueller ’93W. Bruce MulliganArden Munkres ’71Sharon and Keith MunsonRhonda Stoltz ’88 and

John Mustoe ’76Linda Koblick ’69 and

Joseph Myers ’69Paula NaasLynn Nakamura ’76Sally ’57 and Herbert Nill ’51Ronald NorbergJoyce NormanIngolf Noto

Melvyn Oberman ’66Nancy and Thomas O’BrienDina Wills ’80 and D. Bjorn Olson ’84David Orique ’07Elizabeth Page* ’85Steven Page ’86Gary Pape ’73Bev ParishElizabeth and Kenneth PaulSylvie and Eric PedersonDiane and Barry PerlmanVirginia Wolf Peticolas ’86Warner Peticolas*Ashleigh PhaneufNan and Robert PhiferCarol PhilipsJulie and Stephen PhillipsJolene Pinkney ’53Nancy Pobanz ’81Linda and David Pompel, Jr. ’61Elisabeth Walton Potter ’60Jane and Kenn PoznarSusan and Allan PriceShawn Susee ’92 and Mark ProvostGary RabideauMarie Rasmussen ’78Carolyn Rayborn ’58Kathleen Lindlan ’92 and

Michael RaymerHeather Young ’95 and

Alain Rebeyrol ’94Nancy and Joshua ReckordGinny ’64 and Roger ReichChristy McMannis ’72 and

Ronald Renchler ’78Peggy RenkertBecca Perkins and

Robert Reynolds ’96Gwen and George Rhoads ’76Thelma Soderquist and Larry

RobidouxJames Robinson ’72Helen Merritt ’76 and Gordon RockettMaryann RoosPeggy and Charles RoseberryFrank Rossini ’74Ruth and Kenneth RossSheila RothRichard Ruf ’69Karen ’94 and Nicholas RussoVictor Sabin ’59Joelle and Robert Sandvick, Jr.Nancy and Thomas Santee ’70Derek SaxmanCarol Smit ’69 and David Schaerer ’69John SchellmanMindy SchifbergJan and Andrew SchinkArline and Hyman SchneiderMegan SchosboekRobert SchwartzAlice Davenport and

26

Ernest SchwintzerElizabeth and Charles Search, Jr.Stephanie Miller ’80 and

Douglas Sears ’69Karen SeidelDonald Shaifer ’74Kathleen King Shelley ’49Mary and Ronald SherriffsNancy and Robert ShinnDene and John SihlerRuth SimonBecky and Rodney Slade ’76Michele ’97 and Arthur SmithElaine and Irby SmithJane and James SmithMichael SmithNancy SmithRonald Smith ’73Sonja and William SnyderJudith McClarty ’82 and

Raymond SobbaDenise and Abraham SoromRuth Eades South ’50Marcy Butcher ’86 and

Charles Spinner ’70Denise and Peter SprengelmeyerLynn StephenElin and Albert StetzClaire StewartKimberley Still ’80Lori O’Hollaren and Jeffrey Stolle ’01Lotte StreisingerConstance and Michael SullivanDonna and Norman SundbergSusan SuttonYvonne SwingKatherine Parentice and

Mark SzymanskiLyle Tavernier ’02Kathy Bollons ’77 and

Fred Tepfer ’77Annick Todd ’87Rita Thomas ’74 and Jerry Towle ’74Trans WatchGene TresenfeldDiane and Clifford TrolinAnn Frederick ’61 and Harold Tryk ’63Richard Turk ’91Elaina ’93 and

A.J. Ullmann ’00Jason ValentineKenneth Van Duyn ’50Jan VanderspeckKathryn and Patrick VanWinkle ’54Daniel VelascoMary Ventura ’84Phyllis and Harry VillecTimothy Vinson ’87Harriot West ’79 and

Frederick ViscardiFay Sunada and Patrick WagnerJoan Walker ’90

Karalyn WalkerMichael Walsh ’72Marion WalterChristian WatchieKarelia Stetz Waters ’03Elizabeth Naylor and

James Watson ’91Alex Weber ’09Gerald Webking ’64Patricia Wessman ’86MaryEllen Burrell West ’53Carol WhippleCharles WhitmanJulia Brooks ’80 and James WhitmoreLee and Ray WileyPatricia Cahill ’83 and

David Williams ’76Jerold Williams ’53Lauretta and Maurice Williams ’71Maurice R. Williams CPA, PCJulianne Newton and Rick WilliamsSusan WilliamsDebbieWilliamson-SmithWanda Burton and

Robert Windeler, Jr.David WinettNancy ’90 and Jeffrey Wing ’90Norma and Everett Winter ’56Jean Butler ’68 and Harold WoodNancy Peck WoodkeLeslie and Charles WrightDarlene Hazelton ’60 and

Robert York ’61Yvonne Stocker Young ’88Clover Earl and Thomas ZellHeather and Kurt Zimmer ’91Katie and Paul Zolezzi

*deceased

IN-KIND DONORSAllan Bros CoffeeAnonymousBaden & Co. Brandborg WineryCocoa Belle EventsCrocker Corporate Design Cubanisimo VineyardsThe Duck StoreFifth Street Public Market Hult Center for the Performing ArtsImagine Graphics Image King SignsJ-TeaInternationalKLCC 89.7 FM M.E.C.C.A. Museum of Natural and Cultural

HistoryNinkasi Brewing CompanyOregon Family Paper Pioneer Natural Soap Company, LLC

Precious Cargo – The Museum Store QSL Printing Safeway Grocery Stores Saké OneSkeie’s Jewelers TNT Specialty Advertising Trader Joe’s West Coast Event Productions

JSMA ENDOWMENTSTom Autzen Museum of Art

Endowment Fund Coeta and Donald Barker Foundation

Changing Exhibitions Endowment Fund

L. Clifton and Cleo M. Culp Museum of Art Endowment Fund

Farwest Steel Korean Art Endowment Fund

Cheryl and Allyn Ford Educational Outreach Endowment Fund

William A. Haseltine Endowment Fund

Edna Pearl Horton Memorial Endowment Fund

LaVerne Krause Museum of Art Memorial Endowment Fund

David John McCosh and Anne Kutka McCosh Memorial Museum Endowment Fund

Museum of Art Docent Council Endowment Fund

Max and Hattie Mae Nixon Endowed Fund

Soreng Museum of Art Internship Endowment Fund

Jordan Schnitzer Museum of Art Operating Endowment Fund

University of Oregon Museum of Art Endowment Fund

DONORS OF ART Ruth Alexander,

from the Estate of Henry Alexander

Dr. and Mrs. Irwin R. BermanBrian and Gwyneth BoothLinda Lawrence and Robert CanagaAllen CoxDr. Don E. and

Carol Steichen DumondMarilyn EaslyEstate of Henry AlexanderEstate of William MitchellPeter GoinJames M. Kidd Asian CollectionSusanna Campbell KuoEllen Johnston LaingRobert and Sandra Mattielli in Honor

of Kyung Sook Cho Gregor

Yoko McClainMax and Hattie Mae NixonEstate of Richard PaulinBarry RaberMary Corrigan SolariJennifer Tice SpagnoliKen Standhardt Joan WahlmanJames and Barbara Walker in Honor

of the Museum’s 75th Anniversary

ARNOLD BENNETT HALL SOCIETYThe ABHS honors individuals who provide for the future of the University of Oregon in their estate plans. The following individuals have included the Jordan Schnitzer Museum of Art in their plans. We are grateful for their support. Rozy AlmesAnonymousPhoebe Smith Atwood ’45Susan BallingerAnn Brewer ’53LindaLawrence-CanagaandRobert

Canaga ’90Julie CollisCarol Steichen Dumond ’45 and “Don

E. Dumond ’62Phyllis Hawk ’47H. Joan and Melvin LindleyGladys McCready*Lucile ’78 and A. Dean McKenzieAileen ’41 and Arhtur McNett ’43William C. Mitchell*Jeanne NevilleHattie Mae Nixon ’61Hope Hughes Pressman ’42Margaret Wulff RamsingNancy ’68 and Michael Rose ’62Terri Warpinski * In memoriam; these estates

distributed between July 1, 2008 and June 30, 2009

27

STAFFRobert Melnick, Interim

Director (–Aug.)

Executive DirectorJill Hartz

Associate Director of Administration and Exhibitions

Kurt Neugebauer

Curator of American and Regional Art

Lawrence Fong

Curator of Asian ArtCharles Lachman

RegistrarJean Nattinger

Associate Registrar for Loans and Exhibitions

Gretchen Ranger

Chief PreparatorRichard Gehrke

Museum Technician/Preparator

Jonathan Smith

Director of DevelopmentDeidre Sandvick

Director of EducationLisaAbia-Smith

Museum EducatorSharon Kaplan

Studio CoordinatorLiz Parr

Director of CommunicationsErick Hoffman

Marketing and Public Relations Coordinator

DebbieWilliamson-Smith

Visitor Services Coordinator/Facility Rental Coordinator

Jamie Leaf

Financial Services Coordinator

Christy McMannis

Executive AssistantMiriam Jordan

Museum Facilities ServicesJosh Chadwick

CustodianSandra Shaffer

Security Officers Bryan BegnaudTravis CrockerDawn Kimbell

INTERNS AND PRACTICUM (graduate independent study) STUDENTS AND VOLUNTEERS

AdministrationBritneyWhiting-Looze,practicum

Collections & Curatorial Serin Kelley (undergrad),

intern

Danielle Knapp (graduate student), campus art inventory survey team

Lindsay Lantz (undergraduate student), practicum

Katie Loney (undergraduate), intern

Olivia Miller (graduate student), practicum and intern

Katie Moss (graduate student), practicum

Hattie Mae Nixon, community volunteer

Jenna Roelle (graduate student), practicum and intern

BritneyWhiting-Looze(graduate student), intern

Jessica Wilks (graduate student), Laurel Award Intern, practicum, campus art survey team

CommunicationsSimone Coker, marketing intern

Olga Walsh, public relations intern

DevelopmentJoey Colbert, internNicole Riewe, intern

EducationLauren Suveges, Laurel Intern

Eunju Nam, Laurel Intern

Kelly Tavares, practicum

Priscilla Mendoza, practicum

Jessica Wilks, volunteer

Erin Masterson, volunteer

Ashley McKean, Laurel Intern

LEADERSHIP COUNCILLee Michels, President

GregFitz-Gerald, Vice President

Connie Huling, Emeritus President

Ina A. AsimTerry CarterTim ClevengerCheryl Ramberg FordJames HarperJill Hartz, ex-officioYongsoo HuhSue Keene MalottHope Hughes PressmanNicole RieweLynette SaulChris A. SmithGreg Stripp, ex-officioSharon UngerleiderDominick VetriKate WagleJames WalkerAmanda Wojick

COLLECTIONS COMMITTEE

James Walker, Chair

Larry FongJames HarperJill HartzYongsoo HuhCharles LachmanLee MichelsJean Nattinger

DEVELOPMENT COMMITTEE

Hope Hughes Pressman, Co-chair

Chris Smith, Co-chair

Carole DalyGregFitz-GeraldCheryl Ramberg FordJill HartzLee MichelsNicole RieweDeidre Sandvick

LONG-RANGE PLANNING COMMITTEEGregFitz-Gerald,Co-chair

Kurt Neugebauer, Co-chair

Jill HartzPhaedra LivingstoneLee MichelsGreg Stripp

Dominick VetriJames Walker

NOMINATING COMMITTEEKate Wagle, Chair

Tim ClevengerJill HartzDeidre SandvickSharon Ungerleider

PUBLIC PROGRAMS COMMITTEEIna Asim, Co-chair

Tim Clevenger, Co-chair

LisaAbia-SmithTerry CarterLarry FongJill HartzErick HoffmanJanKatz-BuonincontroSue Keene MalottKate MondlochLynette SaulSteve StoneAmanda Wojick

ADMISSIONS AND EVENT STAFFAmanda BakerDanielle BelfattoThomasBennett-StroudAdriane BolligerLucille DawsonErica EschelbachDaniel FeinAlexandra GallupSara GarfinkelIslaGlobus-HarrisKena GomaloBree HockingSerin KelleyKyoung Eun LeeNicole SmedegaardDerek VerhoestAndrea WatkinsAthena Wisotsky

ADMISSIONS AND EVENT VOLUNTEERSHannah BarronCaroline BauerKelli BellBarbara BergreenNoelle BlakelyKaren BrandtHeather Bridgham

Andre BrownAlyssa CainAlyssa CarrizalesGina ChinLinda ChristensenSimone CokerAlexandra CombsJoe CoteBraeden CoxDeirdre EdsallKim EschelbachKim EsrigMeaghan FlerlageNoriko ForemanEdwin GalvinLiz GarfinkelMegan GexDaniella GiustinaKathleen GlassDawn GuentherAli GuessStephanie HarrisKari HayengaMegumi KatoLisa KorthFreeman LevinradMelanie LouieLaura MarshallNancy McMahonSusan MoodyDonna MooreFrank MoranMarie MorrisonPatsy MoserEmily MosquedaEmilie MurciaIndra NayelliAmy NelsonEmily NewSusan OgawaMonica OrtizKelley PowellMarti RavitsBette RiceJoel RiceAgnes RiveraRachel RossiLinda SchaeffersJulia ShermanSandy ShieldsEd SillingDana SkillernSandi SouthAmy SteckelLauren SuvegesRomney TaylorLauren TaylorEva TweedieDaniel VelascoVeronica VergaraMariam WahedShanyou Wang

Staff & Volunteers

28

Leanne WongLauren YoungLea Zagorin

ExHIBITION INTERPRETERSSusie Anderson Wendelin AsburyPatti BarkinGinger BeckPepper BerkeleyCarol BlackwellPatti BrommelsiekJoey ColbertDee CarlsonGayle del GrossoDelyn DunhamMaryAlice DwyerNorma EtterColleen FitzgibbonsTeresa FinnNancy FletcherDorothy FrearJenniferFrenzer-KnowltonKay FullertonMaggie GontrumTrish GoryMary HalpertMarlene IversenJanice Jurisich

Ruth KoenigKelly LanzarottaClaudia LappAnita LarsonLiz LawrenceMargaret LeutzingerNorma LockyearJennifer LoweryNicola MaxwellCathy MosquedaAnn MullerKathleen NahorneyHattie Mae NixonSharane NorrisGeorgann PasnickElaine PruettBette RiceColette RichardsonCamille RonzioJudy RinaldiLolly RobertsonLynette SaulLinda SchaefersSally SmithMary SmoluchYvonne StephensMerrily SuttonAllison WalkerDina WillsLeanne Wong

GOURMET GROUP ISusie AndersonMarie BakerBarbara BergreenCarol BerkmanTheresa BoochLinda ChristensenVi FraserAdriana GuistinaCarolyn GuistinaDenise GudgerEdie IrelandKathy JensenDarlene KnechtDonna LubyLaura MarshallNancy McMahonNatalie NewloveCharlotte OienNancy SchweckeThelma SeufertSandi South

GOURMET GROUP IIFrancine BerrymanKelli BellLori BeyerleinSusan BoettcherKaren BrandtJulie BudgeKate CoughlinFran CurtisKathryn DanielMarilyn DeatonJudy Ellison Sheila ElsenerAnnie ErwinKimi ErsigAngela FerryJanine GonyeaTrish GoryDawn GuentherKristy HenningMarcia JarrettKorey JohansenLisa KorthMelanie MacKinnonMaryKay ManwillKathy MarzanoJulie McNuttMartha McMillenDonna MooreSarah O’DellGail O’Donnell

Diane PerlmanLaura QuinnBette RiceSusan SeligDana SkillernKaren SmeedMary Lou SmithMary SmoluchMarcy SpinnerHildy TritchJane WestLeanne WongSarah Zachem

Jill Hartz, EditorDiane Nelson, DesignerPrinted at

© 2010 University of Oregon Press. All rights reserved. No portion of this publication may be reproduced without the written permission of the publisher.

An equal-opportunity, affirmative-action institution committed to cultural diversity and compliance with the Americans with Disabilities Act. This publication will be made available in accessible formats upon request. Accommodations for people with disabilities will be provided if requested in advance by calling (541) 346-3213.

Jordan Schnitzer Museum of Art annual report 2008–09

1223 University of Oregon Eugene, OR 97403–1223

Street address:1430 Johnson Lane, Eugene, OR 97403 On the University of Oregon Campus

Phone: (541) 346-3027Fax: (541) 346-0976Website: http://jsma.uoregon.edu/

Kang, Ik-Joong, Korean, b. 1960. Happy Buddha, 2007. Crayon and tempera on pine board with Envirotex Lite polymer coating, 30 x 30 x 2 inches. From the James and Haya Wallace Purchase Fund. 2008:13.1. Courtesy of the artist and the Kang Collection

Front cover: Iwami Reika, Japanese, b. 1927. Song of the Sea C. 1983. Woodblock print, 27 ½ x 27 ¼ inches. Gift of Yoko McClain. 2008:21.32. © Iwami Reika