Jean Luc Ponty & Symphony Orchestra

For many years Jean Luc Ponty has performed his music with symphony orchestras:

1984 - MONTREAL SYMPHONY ORCHESTRA 1986 - TORONTO SYMPHONY ORCHESTRA 1987 - NEW MUSIC ENSEMBLE OF PITTSBURGH 1987 - TOKYO - Shin Nippon Philharmonic Orchestra 1990 - NEW YORK - Radio City Orchestra 1995 - OKLAHOMA CITY - Oklahoma City Philharmonic Orchestra 2012 - PARIS - Orchestre des Concerts Pasdeloup 2012 – CURITIBA, BRAZIL - Orquestra Sinfônica do Paraná

Each performance has been a great success, gaining the enthusiasm of audience, musicians and critics.

His current program covers 12 of his original compositions arranged for full orchestra and can have a total duration of 80 minutes.

Jean Luc Ponty is accompanied by his pianist, no rhythm section, and can either collaborate with a local conductor and sound technician, or can travel with a conductor and sound technician who are both familiar with his music program.

Audio samples and conductor scores are available on request.

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SEcial to The Star

;phe pleavnt sounds of summer

:music wafted around Ontario?J:ce's Forum ThursdaY. Wafted,f,Blarrse with the nearly lQGPiecelfthestra of the Toronto SYmPho-jl and the vibrant electric violin:t'Iuest soloist Jean'Luc Ponty on

:thp revolving stage, one got a dif'T6tent visual impact each time{Ft olatform moved.

Siris affects one's impression ofthe music. It is a different experi-:erce facing conductor Errol GaY

&:d-on and seeing what it wouldS:lit<e to be an orchestra mem'

Ii foltowing his beal Or sittingbehind the plexiglas screens thatIu-rffle the sounds of the SYmPho-.-$s brass section.

Ponty's night

?Jh. Symphony on this occasion

Fovided backup in this free con'Att featuring PontY, whoTFaueht out a large crowd of de'

fried fans who filled the seatingto capacity and scattered in clus-

teri bn the grassY sloPes above

despite the dank humiditY.:,li was Ponty's nighl allright.

The French-born American resi-dent really knows how to charmwith his electric fiddle.

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Jearrl.trc Pqlty': French vlolinlst chann!d Ontario Rac6 crowd,

clustered on grtssy slopes desplte tlie Oant< humldity.

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Violin mdestro Jean-Luc Ponty bowins up a storm

JEAN.LUC PONTYThe PierNew York, NY

Getting to see a show by one of myfave violinists (an innovative soloartist who's collaborated with thelikes of Stephane Grappelli and FrankZappa) got me pretty jonesed up. Iwas looking forward to seeing Ponty'sband blow me away live the way theyalways did on vinyl. Then the twist;he wasn't playing with his band, hewas playing with the Radio CityMusic Hall Orchestra.

At first I was bummed and skepti-cal. Fearing the worst, I thought backto the orchestral versions of Vangelis'Bladerunner or Oldf ield's TubularBel/s-bastardizations at best. But,being the consummate performer heis, Ponty arranged his best for the tal-ented orchestra he was to lead_

Any skepticism I may have hadwas quickly eradicated when I heardthe orchestrally augmented "lmagi-nary Voyage." This was the'master-work of the evening. The addition ofoboes and heavy strings made thepiece. Other greats were "Final Truth"Irom Mys t ical Adu e nt ures, "KingdomOf Peace" trom Fables, and "solitude"f.rom Open Mind. PonIy gripped thecrowd with a perfect blend of inspir-ing and powerful tunes, and left usyearning for more.

-Sue Allen

JEAN.LUCPONTY

JOEL LEVINEConducfor

Joel Levine, Music Director

FifihPops Series

B:30 P.M.Morch l0 & 'l1, 1995

WEBBER/orr, Gibson Andrew Lloyd Webber Medley

ANDERSON The lrish Suite

INTERMISSION

JEAN.LUC PONTY

This concert is generously sponsored by

AnrHunATpeRSEN

Jeon-Luc Ponty oppeors by orrongement wilh lnlernotionol Creolive Monogemenl, lnc.Concefis begin promptly, ln deference to ihe pedorming ortists ond seoted oudience, lotecomers will not be seoteduntil the first convenient pouse,The use of comeros ond tope recorders during the performonce is strictly prohibited,Pleose turn off the electronic signol on your wotch or poger duing the concert,Steinwcy is the offrciol piono of the Oklohomo City Philhormonic Orchestro,The Woierford Hotel is the officiol hoiel of the Oklohomo City Philhormonic Orchestro.Americon Airlines ls the officiol oirline of the Oklohomo City Philhormonic Orchesiro,

JEAN-LUC PONTY50 ans de jazz innovateur

MERCREDI 11 AVRIL 2012 À 20 HPremière mondiale :Jean-Luc Ponty+ orchestre symphonique

Jean-Luc Ponty inviteStanley Clarke, Biréli Lagrène/ Eddy Louiss, Daniel Humair

RÉSERVATION 01 40 28 28 40 | WWW.CHATELET-THEATRE.COM

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Photo : Imma Casanellas

2011 was a great year for Jean-Luc Ponty. He played 88 concerts on five continents as part of Return To Forever IV and with his own band . A highlight was a reunion of his early 80’s band members playing the music from his Atlantic records catalog from 1975 through 1985. Mr. Ponty received the "Jazz Legend Award" from the Mayor of Cork, Ireland after his performance with his band at the Guinness Jazz Festival. 2012 started with a concert in Sochi, Russia where world famous classical violist and conductor Yuri Bashmet remitted the Grand Prix of the Sochi Arts Festival to Jean Luc after his performance with his band. Then in April Jean-Luc gave a very special concert at the Theatre du Chatelet in Paris, celebrating his 50-year career, for which he performed his music with the Concerts Pasdeloup symphony orchestra.

Biography Jean Luc Ponty

Jean-Luc Ponty is a pioneer and undisputed master of violin in the area of jazz and rock. He is widely regarded as an innovator who has applied his unique visionary spin that has expanded the vocabulary of modern music. The great American jazz violinist Stuff Smith hearing Ponty in the 60’s said “he is a killer, he plays on the violin like Coltrane does on sax” (Jazz Encyclopedia In The Sixties by Leonard Feather). In an interview with the San Francisco Chronicle in 1976, Stéphane Grappelli said “No he is not a student … he is a great musician and invented a new style on the violin”. Ponty was born in a family of classical musicians on September 29, 1942 in Avranches, France. His father taught violin, his mother taught piano. At sixteen, he was admitted to the Conservatoire National Supérieur de Musique de Paris, graduating two years later with the institution’s highest award, Premier Prix. In turn, he was immediately hired by one of the major symphony orchestras, Concerts Lamoureux, where he played for three years. While still a member of the orchestra in Paris, Ponty picked up a side gig, playing clarinet (which his father had taught him) for a college jazz band that regularly performed at local parties. It proved a life-changing jumping-off point. A growing interest in the jazz sounds of Miles Davis and John Coltrane compelled him to take up the tenor saxophone. Fueled by an all-encompassing creative passion, Jean-Luc soon felt the need to express his jazz voice through his main instrument, the violin. So it was that Ponty found himself leading a dual musical life: rehearsing and performing with the orchestra while also playing jazz until 3 AM at clubs throughout Paris. The demands of this doomed schedule eventually brought him to a crossroads. “Naturally, I had to make a choice, so I took a chance with jazz”, says Jean-Luc. At first, the violin proved to be a handicap; few at the time viewed the instrument as having a legitimate place in the modern jazz vocabulary. With a powerful sound that eschewed vibrato, Jean-Luc distinguished himself with be-bop era phrasings and a punchy style influenced more by horn players than by anything previously tried on the violin; nobody had heard anything quite like it before. Critics said then that he was the first jazz violinist to be as exciting as a saxophonist. Ponty’s notoriety grew with remarkable leaps and in June 1964, at age 21, he recorded his debut solo album for Philips, Jazz Long Playing (Universal/Emarcy). A 1966 live album called Violin Summit united Ponty on stage in Basel, Switzerland with such notable string talents as Svend Asmussen, Stéphane Grappelli and Stuff Smith. In 1967, John Lewis of The Modern Jazz Quartet invited Ponty to perform at the Monterey Jazz Festival. Jean-Luc’s first-ever American appearance garnered thunderous applause and led to a U.S. recording contract with producer Richard Bock for his World

Pacific label (Electric Connection with the Gerald Wilson Big Band, Jean-Luc Ponty Experience with the George Duke Trio). Through the late-60s and early 70s, Ponty achieved mounting critical praise and popularity across Europe. In turn, the violinist soon found his signature talents in demand by top recording artists the world over. In 1969, Frank Zappa composed the music for Jean-Luc’s solo album King Kong (Blue Note). In 1972, Elton John invited Ponty to contribute to his Honky Chateau #1 hit album. Within a year - at the urging of Zappa and the Mothers of Invention who wanted him to join their tour - Ponty emigrated with his wife and two young daughters to America and made his home in Los Angeles. He continued to work on a variety of projects - including a pair of John McLaughlin/Mahavishnu Orchestra albums/tours (Apocalypse, Visions of the Emerald Beyond) until 1975, when he signed on as a solo artist with Atlantic Records. He was invited by Chick Corea and Stanley Clarke to participate to the recording My Spanish Heart. For the next decade, Jean-Luc toured the world repeatedly and recorded 12 consecutive albums, which all reached the top 5 on the Billboard jazz charts and sold millions of copies. Early Atlantic recordings, such as 1976’s Aurora and Imaginary Voyage, firmly established him as a figurehead in America’s growing jazz-rock movement. He went on to crack the top 40 in 1977 with the Enigmatic Ocean album and again in 1978 with Cosmic Messenger. In 1984, a revolutionary video featuring time-lapse images was produced by Louis Schwarzberg for Individual Choice. Along with Herbie Hancock, Ponty became one of the first jazz musicians to have a music video. Besides recording and touring with his own group, Ponty also performed some of his compositions with the New Music Ensemble of Pittsburgh, the Radio City Orchestra in New York, as well as with symphony orchestras in Montreal, Toronto, Oklahoma City and Tokyo. In the late-80s, his contract ended with Atlantic and Jean-Luc recorded a pair of albums, The Gift of Time and Storytelling for Columbia. On 1991’s Epic-released Tchokola, Ponty combined his acoustic and electric violins, for the first time, with the powerful polyrhythmic sounds of West Africa. He also performed for two months in the U.S. and Canada with a cast of African expatriates he had encountered on the Paris music scene. In 1993, Ponty returned to Atlantic in impressive fashion with No Absolute Time. Working with American and African musicians, Jean Luc expanded on the explorations of Tchokola with a moving and soulful result. “There is a whole scene in Paris of top-notch African musicians”, he says. “I was very curious and wanted to educate myself in these rhythms, which were totally new to my ears. In 1995, Ponty joined guitarist Al Di Meola and bassist Stanley Clarke to record an acoustic album under the name The Rite of Strings. This all-star trio also undertook a six-month tour of North America, South America, and Europe that earned them intercontinental critical praise. They reunited for world tours in 2004 and again in 2007. Ponty regrouped his American band in 1996 for live performances following the release of a double CD anthology of Ponty’s productions for Atlantic Records entitled Le

Voyage. One of these concerts was recorded in Detroit, Michigan, in front of 6000 fans, and released by Atlantic Records in February 1997 under the title Live at Chene Park. In 1997, Jean-Luc Ponty put back together his band of Western and African musicians pursuing this new fusion that he started in 1991. Together they toured for the next 3 years in North America, Western and Eastern Europe and triumphed from the Hawaiian Islands to Russia. In August 2001, Jean-Luc Ponty released his new studio CD Life Enigma on his own label (J.L.P. Productions, Inc.), a return to his concept from the 70s with a very modern production. Ponty played all the instruments on some tracks and was joined by his band members for superb performances on other tracks: William Lecomte (keyboards), Guy Nsangué Akwa (bass), Thierry Arpino (drums) and Moustapha Cissé (percussion). Ponty gave an extremely successful concert with his band in his native town of Avranches, in the French province of Normandie, on September 21, 2001. He was also honored during a special ceremony at City Hall, finally gaining recognition from his compatriots. He then embarked on a very successful concert tour in the USA in October-November 2001, receiving strong and loyal support from his fans despite the uncertainty that followed the September 11 terrorist attacks. That same year, Ponty recorded a memorable concert with the same musicians at the superb opera house in Dresden, Germany. This recording was released in July 2002 on a CD entitled Live at Semper Opera (J.L.P. Productions, Inc.) In January 2003, Jean-Luc toured in India for the first time, 7 shows in 6 major cities for the Global Music Festival organized by Indian violinist L. Subramaniam. Jean-luc brought along his bassist Guy Nsangué Akwa, both performed with Subramaniam’s band and drummer Billy Cobham who was also a guest star on that tour. Ponty also did an extensive tour across the U.S.A. in the Fall. In 2004, Jean-Luc Ponty’s first DVD In Concert was released in Europe and in North America (J.L.P. Productions, Inc.). It contains a live concert with his band mixed in 5.1 plus bonus materials, such as an 11-minute film of travels and backstage scenes. In Concert is also available on CD in some countries. Jean Luc Ponty & His Band toured in 2004 in France, Germany, Austria, Hungary, Lithuania and India, for their first concert as a whole band in Bombay. Ponty also did a reunion tour with Stanley Clarke and Al Di Meola as the Rite of Strings from June to October 2004 in the U.S.A. and Canada. In 2005, Ponty has been touring in North America and Europe with a new project called Trio! in collaboration with Stanley Clarke on double bass and Bela Fleck on banjo. In 2006 Ponty reunited “Jean Luc Ponty & His Band” and toured in the USA, Chile, Venezuela, Western and Eastern Europe, Russia, The Middle East and India; they also recorded a new studio album called The Atacama Experience with guitarists Allan Holdsworth and Philip Catherine appearing on a few tracks. This new CD has been released in June 2007 by Koch Records in North America and by Universal in Europe,

and received 4-stars in the US jazz magazine Down Beat as well as raving reviews internationally. Most critics say that it is one his best since Enigmatic Ocean. Concert tours followed the release of this album in the USA, Canada and Europe in 2007 and 2008. At the end of 2008 “Jean Luc Ponty & His Band” became a quartet without percussion, a return to the ‘Ponty sound’ of the 70s-80s in a jazzier version. 2009 started with a concert at the prestigious LA FENICE theatre in Venice, Italy, followed by more concerts overseas and a first appearance of JLP’s band in Mexico. In September Ponty performed as a guest of the Chick Corea - Stanley Clarke - Lenny White Trio along with Chaka Khan for a special evening at the Hollywood Bowl, with Stevie Wonder showing up by surprise for a jam at the end. Then in November JLP & His Band embarked on U.S. tour that started in San Diego, California and ended in New York City. In 2010 Ponty is scheduled to perform with his band in the Caribbean, Europe and Russia and also did several concerts in Europe as a duet with pianist German pianist Wolfgang Dauner. 2011 has been a great year for JLP. He received the "Jazz Legend Award" from the Mayor in Cork, Ireland after his performance with his band at the Guinness Jazz Festival. Altogether JLP performed 88 concerts in 2011, 75 of which with "Return To Forever IV" (36 in the USA - 21 in Europe - 6 in Australia - 6 in Japan - 2 in South Korea - 1 in Israel). The November tour in South America with the "Atlantic Years Band" was also a big highlight, a reunion of Jean Luc's American band members from the 80s. 2012 started with a concert in Sochi, Russia where world famous classical violist and conductor Yuri Bashmet remitted the Grand Prix of the Sochi Arts Festival to Jean Luc after his performance with his band. Then in April Jean-Luc gave a very special concert celebrating his 50-year career at Theatre du Chatelet in Paris, for which he performed his music with the Concerts Pasdeloup symphony orchestra.

(more details and updated information at www.ponty.com)

END (October 2010)