Jazz Piano Lesson #21: Bud Powell Solo Break Analysis
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B¨6 C‹7 F7 B¨6 2 4 4 & b b B-Flat Major Pentatonic Starting on the 5th of the scale Chord tone circling: Approach the 3rd of B-flat6 chord by a 1/2 step below, resolve to "d" then circle again a half step above then below finally resolving to target "d" 2nd inversion B-flat6 descending arpeggio Lesson #21: B.P. Solo Break Analysis & b b Embellishment (appoggiatura) of the Root "B-flat" approached by a diatonic step above then a 1/2 step below. Ascending B-flat Maj7 Arpeggio Visit tjjazzpiano.blogspot.com free lessons, videos, jazz blog MartleyMusic 2012 all rights reserved 3rd inversion Cm7 arpeggio approached by a 1/2 above from the previous beat. 7th resolves smoothly to 3rd of F7. Jump to Flat 9 of F7. Circling of the fifth of B-flat6 chord "f" approached by 1/2 step above then two 1/2 steps below. Œ œ œ œ œ œ b œ n œ œ b œ n œ œ œ œ œ œ œ œ œ œ œ b œ œ œ œ œ n œ b œ œ n œ Œ Ó
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Transcript of Jazz Piano Lesson #21: Bud Powell Solo Break Analysis
B¨6
C‹7 F7 B¨62
44&bb
B-Flat Major PentatonicStarting on the 5th of the scale
Chord tone circling: Approach the 3rd of B-flat6 chord by a 1/2 step below, resolve to "d"then circle again a half step above thenbelow finally resolving to target "d"
2nd inversion B-flat6 descending arpeggio
Lesson #21: B.P. Solo Break Analysis
&bb
Embellishment (appoggiatura) of the Root"B-flat" approached by a diatonic step above then a 1/2 step below.
Ascending B-flat Maj7 Arpeggio
Visit tjjazzpiano.blogspot.com free lessons, videos, jazz blogMartleyMusic 2012 all rights reserved
3rd inversion Cm7 arpeggio approached by a 1/2 above from the previous beat.7th resolves smoothly to3rd of F7.
Jump to Flat 9 of F7. Circling ofthe fifth of B-flat6 chord "f" approached by 1/2 step above then two 1/2 steps below.
Œ œ œ œ œ œb œn œ œb œn œ œ œ
œ œ œ œ œ œ œ œb œ œ œ œ œnœb œ œn œ
Œ Ó
