Jason Paul Fristensky : Portfolio 2015

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JASON PAUL FRISTENSKY MLA II : University of Pennsylvania 2014 BSLA : Colorado State University 2010 BFA : Oregon State University 2000

description

A compilation of my work: MLA II - University of Pennsylvania 2014, BSLA - Colorado State University, 2010 BFA - Oregon State University, 2000 Built Work Examples.

Transcript of Jason Paul Fristensky : Portfolio 2015

Page 1: Jason Paul Fristensky : Portfolio 2015

JASON PAULFRISTENSKY

MLA I I : University of Pennsylvania 2014

BSLA : Colorado State University 2010

BFA : Oregon State University 2000

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UNIVERSITY OF PENNSYLVANIA MLA II :

Studio IV : Pueblo World : Domingo

Studio V : Miami Vice : Artifactual Platforms

Topics In Digital Media : Interoperable Terrains : Parascape

Topics In Digital Media : Digital Fabrication

Workshop IV : Construction Documentation & Materials, Methods Of Assembly, Performance Criteria

Studio VI : Independent Studio : adaptDENVER

Topics In Ecological Design : Green Roof Systems (Landscape Over Structure)

Studio III : Metropolitan Catalytic Lines : Anchor & Stitch

COLORADO STATE UNIVERSITY BSLA :

Senior Capstone : Silver Plaza & The Stout Street Vision

Land446 : Urban Design : Cerulea

Land365 : Landscape Contract Drawing & Specifications : Morgan Courtyard

Land366 : Landscape Expression Design, Fast Track : Stratus Park

Land360 & 363 : Landscape Design And Construction, Site Engineering : Mountain Vista Park

Study Abroad : Europe (Italy & France)

OREGON STATE UNIVERSITY BFA, BUILT DESIGNS & ENDEAVOURS :

Conceptual Residential Designs, Graphic Design

Fine Art Photography and Artistic Expressions

All photographs, renderings, and design expressions created by Jason Paul Fristensky unless otherwise noted

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UNIVERSITY OF PENNSYLVANIA :Master of Landscape Architecture II

2012 - 2014

Horizon.

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STUDIO IV : PUEBLO WORLD : DOMINGOInstructors : Laurie Olin and Tony AtkinSite : Santo Domingo Pueblo, NMSpring 2013

Project Collaborators : Mairen Foley, M.Arch 2013Kate Dailey, M.Arch 2013

Representation : Adobe Photoshop CS6Adobe Illustrator CS6ArcGIS 10.2Rhino 5.0

The project is fundamentally based in improving the economic status and housing availability for the Puebloans by leveraging the Railrunner Station stop near the historic Trading Post. The big picture organization is based upon creating a community connection from the Trading Post to the existing HUD community and engaging the arroyo with a gradient of density and usage along the connective tissue.

Embedded in all scales are the components of STRIATION, GRADIENT TRANSITION, COMPRESS AND RELEASE. The expression of these arrive in the unit structure, unit clusters, pedestrian paths, landform, and water control devices. Each of the elements has a multiplicity of functions to allow for varied uses that fluctuate with the diurnal changes, seasonal shifts, and cultural needs.

Existing HistoricPueblo

Existing HUD Housing

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Schematic Master Plan : Community of 200 units

ResidentialMore PrivateLess Dense

EconomicCore

Work-Live ArtistCoop Community

Check DamAgricultural

Farming

Connective PedestrainBridge Links

Wall Striation

Work-Live Community

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Pedestrian View Study : 3d wireframeMaterial Study : South facing cantilevered shade overhang

Pedestrian Bridge over Arroyo : Section and Aligned Cross-Section

Gusset Elements

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Structural layering and alignment of Pedestrian Bridge (section on adjacent page) from top to bottom to express the interwoven materiality of wood, steel, and concrete.

Gradient of wood:2x6 cross beams

Overhead wood structure:6x6 beams6x6 runners

Overhead wood structure:6x6 angle bracing

Overhead steel support:2x6 tube runners6x6 tube cross beams

Above deck steel support:2x6 tube columns1” cable cross bracing

Wood walking deck:1”x12”x8’

Wood deck support:6x6 joists6x6 columns6x6 crossbeams

Below deck steel support:2x6 tube frame6x6 tube cross beams1” cable cross bracing

Concrete pylon& abutments

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STUDIO IV : PUEBLO WORLD : WAYPOINT, CLIMATE RESPONSIVE SHELTERInstructors : Laurie Olin and Tony AtkinSite : Santo Domingo Pueblo, NMSpring 2013

Project Collaborator : Mairen Foley, M.Arch 2013

Representation : Adobe Photoshop CS6Adobe Illustrator CS6ArcGIS 10.2Rhino 5.0

Solar aligned forthermal gain

Structuralrammed earth

Waffle (rain)garden

Waypoint is a desert shelter in the remote, arid climate of New Mexico. Because of its location, site selection and orientation was essential in creating a structure responsive to its environment. Set into a southward oriented slope, Waypoint projects into the landscape and expresses the slowly eroding terrain.

In order to capture the occasional rainfall, the terrain surrounding the structure was slightly modified to guide water into a waffle garden. Waypoint was designed as a retreat in response to, and in contextual harmony with, the surrounding landscape.

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The shelter is composed of two systems: a bu ilt-up language of rammed earth walls and floors, and a system of enclosure. The rammed earth wall retains the soil, and the floors are built up to create usable furniture and space. Furthermore, the large projecting wall provides an effective conduit for thermal gain, and thus contains an ideal sleeping space carved into its interior. The steel, mesh and glass enclosure rests on areas of the floor built up to receive the load, and provides filtered light and protection from the elements. The interior is extended into an outdoor space through a wall that pivots upward to serve as a shading structure, blurring the distinction between interior and exterior and allowing for cooling and ventilation.

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STUDIO V : MIAMI VICE : ARTIFACTUAL PLATFORMSInstructor : Karen McCloskeySite : Watson Island, Biscayne Bay, Miami, FLFall 2013

Hybrid Section-View

Target Issue: Human habitation in and around Biscayne Bay is a manufactured environment at the expense of a significant marine ecosystem due to economic and development priorities.

Reprioritizing Response: To create an ecologically generative spectacle within a framework to foster public access and equity.

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Representation : Rhino 5.0

Vray Render EngineGrasshopper w/ gHowl Plug-in

Adobe Photoshop CS6Adobe Illustrator CS6

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Benthic habitat generators and structural system Intermediate level with parametric patterned sediment collectors

coral generator structural support 10% porosity

Habitat generators with differentiated goal-based porosity for multiple marine species and structural support

40% porosity30% porosity20% porosity

Representation : Rhino 5.0GrasshoppergHowl Plug-inVray Render Engine

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Raised level with woven circulation and multi-dimensional platforms Submerged primary layer with flora generation post-sea level rise

Platform sediment collector pattern

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Objective : Data Visualization

Data Flow Management

Representation :Rhino 5.0

GrasshoppergHowl Plug-in

Microsoft ExcelAdobe Illustrator CS6

Exploration into the design of responsive datascaping. The quantative parameters

are retrived from the database to feed the elemental alignments and

relationships to create a custom script

TOPICS IN DIGITAL MEDIA : INTEROPERABLE TERRAINS : DATASCAPEInstructor : Keith Kaseman

Fall 2013

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TOPICS IN DIGITAL MEDIA : DIGITAL FABRICATIONInstructor : Keith VanDerSysSpring 2013

Representation : Rhino 5.0Paneling ToolsCNC Mill

Digitally modified surface

Physically CNC milled surface

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Objective :Structural element design documentation with

on-site workflow understanding

Represen tation : AutoCAD 2013

WORKSHOP IV : ADVANCED CONSTRUCTION : MATERIALS, METHODS OF ASSEMBLY, PERFORMANCE CRITERIAInstructor : Lindsay Falck

Spring 2013

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WORKSHOP IV : CONSTRUCTION DOCUMENTATIONInstructor : Greg BurrellSite : Barnes Foundation, Philadelphia, PASpring 2013

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STUDIO VI : INDEPENDENT RESEARCH STUDIO : adaptDENVERInstructor : Richard WellerSite : Denver Metro, ColoradoSpring 2014

How can we mitigate the confluence of thermal climate change and the urban

heat island effect in the semi-arid region of Denver?

How can an effective strategic plan be developed that acknowledges funding

options, prioritizes long-term environmental valuation and addresses public

awareness?

Designer as an instrumental catalyst to advance conversation and public

awareness.

Project as an adaptation vision and scoping strategy at the metropolitan scale

with implementable specificity via a typological approach

(RESEARCH FOCUS)

(APPROACH)

adaptDENVER:A strategic green infrastructure vision for adapting the Denver Metro in preparation for thermal climate changeNote :

The entire document for this research studio project is 109

pages with distinct strategy for 9 typologies. The work displayed is an example of one of those. The entire document is available as an addendum to the portfolio, upon request.

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What is the production cycle for an implementation strategy that

increases the urban tree canopy by 4.25 million OR 15% ?

15.7%Existing

Denver MetroUTC

9.7Million

ExistingTrees

721Sq. Mi

Metro

=

30.7%Resulting

UTC

7.2 °Fcooler

=

=

4.25Million

AdditionalTrees

Information interpolated from the 2103 Denver Urban Forest Assessment

(INDEPENDENT STUDIO PREMISE)

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WHOLE OF METROCOSTS & BENEFITS

TYPOLOGY CALCULATIONMETHODOLOGY

597,353 Additional Trees

COST: $191 million @ $320 per tree to purchase and install

BENEFIT: $3.4 billion 2100 $40 million annually @ $67 per tree per year

Includes: Energy Savings Carbon Storage & Sequestration Air Quality Stormwater Runoff Property Values

97.32 sq miles

PARAMETERS:

Streets: 35’ocParking Lots: 25% carrying capacityMetric: 706 sf per tree (30’ mature canopy)Reduction Coefficient: 0.50 (urbanized areas)

(EXTRACTION)(1 of 9 Typologies)

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NURSERY LOCATION

VARIABLE PLANTING PARTNERS

Amur Maacki (Maacki amurensis)Persian Ironwood (Parrotia persica)Osage Orange (Maclura pomifera)

English Oak (Quercus robur)Pin Oak (Quercus palustris)

Shingle Oak (Quercus imbricaria)Bald Cypress (Taxodium distichum)

INDUSTRIAL & BUSINESS PARKSPECIES

2-3” CALIPER PLANTINGS

StreetsOpen / Undeveloped Space

BusinessParking Lots

Nursery locations for propagation of species to be located on vacant land within, or directly adjacent to, typology

DENVER METROLEVEL

CITY OR COUNTYLEVEL

NGO, NON-PROFITRNO, HOA INDIVIDUAL

Ink hand drawings of deciduous trees by Jason Fristensky

TypologyDifferentiation

Peri-Urban OldResidential

MidResidential

CBD MixedMulti-Family GreenwaysOpen Space

NewResidential

UnderutilizedAgricultural

INDUSTRIAL/BUSINESS

(PRODUCTION)(1 of 9 Typologies)

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EXISTING VIEW CULTURAL EXPRESSION

What if each mode of transportation was linked to a number of trees? ...And helped to forest the spaces around their vehicles’ needs.... Vehicles : One Tree per every 5 years 51,000 annually

Trains (17) : One Tree per train per week 884 annually

Airplanes (16) : One Tree per airline per day 5,840 annually

(RECURSIVE FEEDBACK)(1 of 9 Typologies)

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2.99 MILLION Trees Planted2.8 MILLION Trees Survive

3.95 MILLION Trees Planted3.7 MILLION Trees Survive

5.87 MILLION Trees Planted5.51 MILLION Trees Survive

+ 228,500 trees for first10 years

...then 64,150 every yearuntil 2075

6.6%mortality of new

plantings

25 yearmaturity

echo

20352015

1 F

0 F

2 F

3 F

4 F

5 F

6 F

7 F

8 F

2050 2065 2080 2100

- 0.2 F

- 3.7 F

- 6.8 F

- 8.8 F

Thermalrise offsetby 2050

+ 2.7 F

+ 3.6 F

+ 6.5 F

+ 8.6 F

COHESIVE COOLING IM PACT

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T OPICS IN ECOLOGICAL DESIGN : GREEN ROOF SYSTEMS (LANDSCAPE OVER STRUCTURE)Instructors : Susan Weiler and Stephen BenzSite : Downtown Denver, COSpring 2014

Objective : Systems and concept developmentfor incorporating an integrated water receiving landscape over structure

Representation : Rhino 5.0Adobe Photoshop CS6Adobe Illustrator CS6

Network & Connectivity Diagram Roof Watershed Diagram

Street & Sidewalk Watershed Diagram

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Sectional Networked Drainage Diagram Area 2 Detail

Area 1 Detail Area 1 Plan Detail

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STUDIO III : THE PHILADELPHIA STUDIO : METROPOLITAN CATALYTIC LINES : ANCHOR & STITCHInstructors : Chris Marcincoski (PRIMARY), Lucinda Sanders, Nick Pevzner, David MaestresSite : Philadelphia, PAFall 2012

Project Collaborators : Ty Austin, MArch + MLA 2014 Alyssa Olson, MArch + MLA 2014 Michaela Kaiser, MLA II 2014 Youngsoo Kim, MLA II 2014Diana Gruberg, MLA 2014

Metric analysis for 3.5mi armature line amenity variables:Evaluation of (11) existing streetscape conditions

derived from field-based measurements.

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Project Collaborators : Alyssa Olson, MArch + MLA 2014 Ty Austin, MArch + MLA 2014 Michaela Kaiser, MLA II 2014 Youngsoo Kim, MLA II 2014

Diana Gruberg, MLA 2014

Character expression: 3.5mi armature line connectivity analysis

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Objective : Strategic kit-of-part variables for deployment of ANCHOR development and/or restructuring based on existing adjacency to existing civic or institutional amenities as a approach to transforming vacant lands

How can existing spaces become places?

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Objective : Strategic variables for STITCHing anchor site deployment with differentiated resurfacing and streetscape enhancement for feathered extensions of influence

Strategic plan of ANCHOR and STITCH

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Gateways

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Community Icons

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Productive Landscapes

Active Destination s

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COLORADO STATE UNIVERSITY :Bachelor of Science in Landscape Architecture, cum laude

2007 - 2010

Continuum.

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1: Column Module Takeoffs

4: Layer Merge + Electrical Diagram Overlay

2: Ideation: Electrical Diagram for product created by original business located on site

5: Quick Study Model of Concept

3: 1st, 2nd & 3rd Harmonic Waves + Node Intersection + Grouping

6: Initial Concept Refinement

Concept Morphology : Exploration and utilization of the elements and visualization imagery in combination with historical findings that provides a base framework for the concept.

SENIOR CAPSTONE : SILVER PLAZA & THE STOUT STREET VISIONInstructor : Merlyn PaulsonSite : 14th and Stout Street, Denver, COSpring 2010

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1: Ink Rendered Hardscape Layer

4: Rough Prismacolor Shadows

2: Ink Rendered Softscape Layer

5: AutoCAD Layer for future Adobe Photoshop Rendering

3: Rough Prismacolor Element Coloring

6: Merge of Layers in Adobe Photoshop on independent Layers

Layering process for hybrid rendering : Ink and Prismacolor hand renderings created on individual layers of trace paper, scanned, and then placed in independent layers in Adobe Photoshop to allow for versatile manipulation. The AutoCAD layer is created to allow for the addition digital coloring of elements Adobe Photoshop.

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Hybrid Representation : Ink & PrismacolorAutoCADAdobe Photoshop CS3

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Hybrid Representation : Ink & Prismacolor

AutoCADAdobe Photoshop CS3

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Group Conceptual Master Plan, Individual Design Area Highlighted

LAND446 : URBAN DESIGN : CERULEAInstructor : Brad GoetzSite : Denver, COFall 2009

Project Collaborators : Kelli Schwab, BSLA 2010

Nikolaos Miller, BSLA 2010Faith Parks, BSLA 2010

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Alignment and Functionality Exploration

Troika Transit Reception Plaza Vision: The reception plaza serves as the access hub for the City of Cerulea. The light rail corridor through the site is lined with a gradient of LED lighting that escorts one into and out of the site. Surrounding the light rail stop is an iconic structure announcing your arrival into the cultural district of this car-free city. Once in the plaza the resident or visitor can venture by foot, pedals, or utilize the two trolley lines that radiate to the farthest corners of Cerulea. Within the plaza is an eruption and cascade of water down a tiered fountain. The water run leads you down Murnau Village Street promenade toward the South River with direct views of the Rocky Mountains. Provided within the cultural district is wide array of noteworthy institutions: science center, theatre, opera house, museum, library, outdoor markets, performing arts center, galleries, and artists lofts. The flanking plazas and paths crosscut the buildings creating a surreal voyage not to be forgotten by any visitor or resident.

Adobe Photoshop Rendered Conceptual Plan for Cultural District & Transit Hub

Individual Portion of Collaboration : Cultural DistrcitTransit Hub

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4242Rendered Section of Rail Transit Station

Rendered Perspective of PlazaHybrid Representation : InkAutoCADAdobe Photoshop CS3

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432 : Quick Prismacolor Layer

1 : Hand Ink Layer

3 : Layer Merge with AutoCAD

Inspirational Element and Concept Evolution

LAND 365 : LANDSCAPE CONTRACT DRAWING & SPECIFICATIONS : MORGAN COURTYARDInstructor : Brad Goetz

Site : Morgan Library Courtyard, CSU Campus, Fort Collins, COFall 2009

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Hybrid Representation : Ink & Prismacolor Hand ColoringAutoCADAdobe Photoshop CS3

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The horizon is the edge between process and place. Its’ powerful ability to provide a sense of scale is dependent upon the available light and contrast. Revealed in further inspection, the edge is not a flawless line; but one that expresses character and history. The eroded remains in Monument Valley depict a continuation of cyclical processes. definition: the range of one’s knowledge, perception, experience, or interest.

Artifact Poster Expression of Incidental Southwest Landscape Inspirational Images taken on Southwest Trip

LAND366 : LANDSCAPE EXPRESSION DESIGN, FAST TRACK : STRATUS PARKInstructor : Brad GoetzSummer FastTrack 2009

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Skin : Vegetation Study

Artifact as an Inspiration

Diurnal weather changeduring a Colorado Storm

Muscles : Clay Landform Study

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Initial Merge

Element Refinement

Adjustments

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Stratus Park will be a world class park serving as a gateway for the city of Fort Collins. The park derives is structure, imagery and organization from the ever changing weather and storms that are common to the area. In some of the historical storms the day has progressed through sun, clouds, fog, rain, hail, lightening and snow. Each of these phenomena are reflected both directly and metaphorically at Stratus Park.

The iconic 50 foot reflective weather balloon functions as both a lookout tower and urban focal point. Throughout Stratus Park the landforms echo the form of rain drops, puddles and hail. The astronomical observatory, shelters and rest rooms are larger-than-life hail pellets. There are two promenades that express the exquisite lightening storms in the character of Walter De Marias’ “Lightening Field” in New Mexico. The last element of snow was used to create the circulation structure by echoing the hexagonal organization found in a crystal of snow.

With access to the Poudre River at two portions of Stratus Park, people are invited to fish, inner tube down the river and stroll along its edge. All parts of the park are accessible without ever crossing a street via the two sky bridges that span Mulberry Street and Lemay Avenue. In a city exposed to such dramatic weather shifts, Stratus Park embodies that uniqueness and presents every user with an abundance of activities, as well as opportunities for solitude.

Conceptual Mas ter Plan

Representation : Ink & PrismacolorStrathmore Paper

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LAND360 & 363 : LANDSCAPE DESIGN AND CONSTRUCTION, SITE ENGINEERING : MOUNTAIN VISTA PARKInstructor : Joe McGraneSite : 100 acre parcel. Fort Collins, COFall 2008, Spring 2009

Naturalized AreasMowed TurfSports TurfStructuresShade TreesEvergreensOrnamentalsShrubs

The experience at Mountain Vista Park derives its’ inspiration from the natural patterns created by wind and water, organized around a core gathering area.

Representation : AutoCAD 2008

Adobe Photoshop CS3& Hand Ink Hybrid

Conceptual Master PlanSIte Grading

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STUDY ABROAD : EUROPE (Italy & France)Instructor: Brad Goetz

Quick SketchesSummer 2010Summer 2010

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MODIS CONCEPTS :Built Conceptual Design

Examples

2011- 2012

Embed.

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CONCEPTUAL RESIDENTIAL DESIGN : FRONT YARDSite : Fort Collins, COProject : Entry Path (Excerpt) Built : Spring 2011

SIDEWALK

TURF TURF

BUFF FLAGSTONE PATH,1' X 2', OR (2) 1' X 1' ABUTTED,SPACED 3

4" APART,CIRCULAR ACCENTS,CHARACTER IMAGE AT LEFT

BUFF FLAGSTONES,1' X 1'

GROUP PLANTINGS,LILLIES

GROUP PLANTINGS,LILLIES

MULCHED PLANTINGBED

MULCHED PLANTINGBED

GROUP PLANTINGS,LILLIES

Photo after installation

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CONCEPTUAL RESIDENTIAL DESIGN : BACK YARDSite : Fort Collins, CO

Project : Backyard Enhancement (Excerpt) Built : Summer 2011

EXISTING FENCE

2'X2' CUT FLAGSTONE,EXISTING ON SITE

6" WIDE ADDITION OFBLACK RIVER ROCK,

SEE ESSENCE IMAGES1 AND 2

PEA GRAVEL

STEPABLE PLANTINGSCLIENT TO SELECT

APPROX. 2'X2'BOULDERS

BLUE FESCUE (13)

KEEP EXISTING VINE

Photo after installation

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COVER GRAPHICS FOR SCIENTIFIC ANNUAL Published: January 2012

Methods in Microbilogy 38 ISBN 978-0-12-387730-7

Trimmed page size 191x235mm (7.5x9.25”), 194x241mm PPC

Spine 32.5mm

tbc

Taxonomy of ProkaryotesEdited by

Fred Rainey & Aharon Oren

38

METHODS IN MICROBIOLOGYV O L U M E 3 8

Methods in Microbiology is the most prestigious series devoted to techniques and methodology

in the field. Established for over 35 years, Methods in Microbiology will continue to provide you

with tried and tested, cutting edge protocols to directly benefit your research.

Taxonomy of Prokaryotes, edited by two leading experts in the field, presents the most appropriate

up-to-date experimental approaches in the detail required for modern microbiological research.

Focusing on the methods most useful for the microbiologist interested in this specialty, this volume

will be essential reading for all researchers working in microbiology, immunology, virology, mycology

and parasitology.

38

METHODS IN MICROBIOLOGY

Ra

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y O

ren

TA

XO

NO

MY

OF

PR

OK

AR

YO

TE

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Key Features: Provides the tools needed for the characterization and description of new taxa of Bacteria

and Archaea and information how to name new taxa

Describes the polyphasic approach used in modern prokaryote taxonomy

Gives an overview of the methods used in phenotypic and microscopic characterization of prokaryotes

Includes methods for the characterization of components of the prokaryote cell wall: peptidoglycan and teichoic acids

Provides detailed protocols for the chemotaxonomic characterization of polar lipids, fatty acids, respiratory lipoquinones, mycolic acids, polyamines, and pigments found in prokaryote membranes

Describes the use of MALDI-TOF mass spectrometry in prokaryote taxonomy

Includes protocols for the determination of the guanine + cytosine content of prokaryote DNA and for DNA-DNA hybridization analysis

Discusses the use of phylogenetic markers: rRNA gene sequence determination as well as the use of different housekeeping genes in mutilocus sequence analysis

Explores the use of whole genome sequence comparisons in the taxonomy of prokaryotes

Praise for the Previous Editions:

“This is a useful compendium of methods and techniques for those wishing to examine the immune responses to infections in vitro and in vivo.”

“The book is clearly presented, packed with protocols, and well illustrated”

—Microbiology Today

“...it represents a valuable addition to the microbiologists’ reference source”

—Immunology Today

Methods in Microbilogy 38 ISBN 978-0-12-387730-7

Trimmed page size 191x235mm (7.5x9.25”), 194x241mm PPC

Spinne 3

tb

Methods in Microbiology is the most prestigious series devoted to techniques and methodology y

in the field. Established for over 35 years, Methods in Microbiology will continue to provide you

with tried and tested, cutting edge protocols to directly benefit your research.

Taxonomy of Prokaryotes, edited by two leading experts in the field, presents the most appropriate

up-to-date experimental approaches in the detail required for modern microbiological research.

Focusing on the methods most useful for the microbiologist interested in this specialty, this volume

will be essential reading for all researchers working in microbiology, immunology, virology, mycology

and parasitology.

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Key Features:Provides the tools needed for the characterization and description of new taxa of Bacteria and Archaea and information how to name new taxa

Describes the polyphasic approach used in modern prokaryote taxonomy

Gives an overview of the methods used in phenotypic and microscopic characterizationof prokaryotes

Includes methods for the characterization of components of the prokaryote cell wall: peptidoglycan and teichoic acids

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OREGON STATE UNIVERSITY :Bachelor of Fine Art in Applied Visual Arts, Photography

1995 - 2000

Inversion.

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“Ink Rags”8x10 Silver Gelatin Contact PrintSelenium Toned

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“Rusty Side Panel”8x10 Silver Gelatin Contact Print

Selenium Toned

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“Rusty 10-Speed”8x10 Silver Gelatin Contact PrintSepia Toned

“Maple Leaf” 8x10 Silver Gelatin Contact Print

Selenium Toned

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“Frozen Motion”Oil on Canvas

40” x 60”

“Torso, Gestural Study”Charcoal on Sketch Paper 24” x 30”