JAIME GILI WORKS 2002-2014

A17 2002

A40 (SUWON) A102004 2002

TEXT 2002SACHA CRADDOCK

“...the whole philosophical stance of these paintings is one ofrevealing that which is already there, a reconfiguration of theessence of moment with a blast. The fact that the explosionsare suspended within the edge, that they are that descriptionof moment, marks not so much a process of discovery, asthat blast of recognition. Painting can do that."

A32 2004

2004A29

A42 (ROMERO) 2005

A38 (SANDRINE) 2005

EXPANDER LONDON 200ROYAL ACADEMY OF ARTS 4

“Gili's paintings are as if someonehad thrown a bomb into a Cruz-Diez”

TEXT JESUS FUENMAYOR 2006

A43 (DAVINIA) A58 (LUCIA)2005 2006

A56(MARIOTTO) 2006

2004TEXT SALLY O´REILLY

“Gili favours contained violence and the potency ofrepetition. His imagery is like commotion slowed to a haltand held up for our scrutiny .”

A135 (OULED BERHIL 2) A76 (OULED BERHIL)2008 2007

A137 (OULED BERHIL 3) 2008

A82 (ZELADA) A83 (LA REAL) A94 (LA RUSA)2006 2007 2006

A101 (ZACCA) 2007

200LAS TRES CALAVERAS 6PERIFÉRICO CARACAS

A175 (QUIQUE) A88 (MARTIN)2009 2008

A153(MENEZES) 2008

"As the romantic, even melodramatic tone of his statementsuggests, [these paintings are] shadowed by an acute senseof the need for human contact in the absence of theprogrammatic public use in which artists like Cruz-Diez (oralmost any precursor in the lineage of that internationalconstructivism on which Gili's pictorial idiom is so dependent)could believe. And yet for art, if not for society, desperationmight just be more useful than faith; the artist whose heritageis a failed utopia might be more fortunate that the heir to onethat is still promised hope."

TEXT BARRY SCHWABSKY 2006

A182 (ANGELA) 2010

A163 (TULSE HILL SUPERSTAR) A183(MENEZES)2009-2014 2010

SUPERSTARS NEW YORK 2007BUIA GALLERY

“In opposition to what historicalmodernist painters did, developingtowards a cleaner synthesis, I feel youare building a synthesis of your workretrospectively - in reverse. It would nolonger be the case of “a bomb throwninto a Cruz-Diez” but an explosion thatkeeps occurring within your own work.”

TEXT PERIFJESUS FUENMAYOR ÉRICO CARACAS 2006

A191 (DANIELLA) A190(GABRIEL)2010 2010

A179 (SONIA) A162 (YEMAY2009 2009Á)

A178 (FEDORA II) 2009

BILL AT PITTIER 2009KUNSTHALLE WINTERTHUR

SUPERESTRELLAS LONDON 2009ST. BARNABAS HOUSE

Oliver Kielmayer: You always arrange your paintingsinto a very particular spatial arrangement; also youprefer to put them onto a wall painting or wallpaper,also designed by yourself. Where do you positionyourself in the tradition of expanded painting?

J : For me it's all about the struggle withaime Gilispace; I always have to fight it. The space can havea lot of character but still I have to make it mine; Ihave this urge to make every single corner andevery little detail, window and ceiling part of mywork. Ideally the painting doesn't stop at the end ofthe canvas but goes further into the space, intoarchitecture…

A199 (MOSSMAN) A173 (SOLANA) A198 (GODOY)2011 2009 2011

TEXT 2009OLIVER KIELMAYER

EVERYTHING IS BORROWED MIAMI 2009ALEJANDRA VON HARTZ

“At the same time as Gio Ponti was coming to Caracas to build hisfirst private commission in the country –the masterpiece of a housecalled Villa Planchart Armando Reverón was at the end of his,productive career leaving his self-built, basic ensemble of. He wasstone and cane structures -called El Castillete to enter the mental,asylum that would see his final days. These paintings from 2012-2013are the result of my attempt to imagine the moment they nearly metin Macuto, and the story was inspired by a chapter in the book “LosIncurables”, by Venezuelan writer and architect Federico Vegas.”

A230 L MECÁNICA 222 LA BRITTEN)( A ) A (2013 2013

TEXT 2013ARTIST STATEMENT FOR MACUTO CANNES

A241 (HILO DE MACUTO) A242 (HILO DE MACUTO II2013 20) 14

14 14A276 BILLO3 A271 BILLO1( ) ( )20 20

A275 (BILLO4) A277 (BILLO514 201420 )

“Kielmayer: iIt s pretty amazing that you stuck toyour very particular way of painting over such along time. Abstract painting was not very hip fora long time, but you seem to be quite immune tofashions and trends.

G : If you take painting seriously, it is a very slowilimedium. It's full of little processes and decisionsthat may look stupid from outside, but you mustgo through them; and this is time consuming.”

A223 (GUTHRIE) A261 (SCARPA GAVINA13 1420 20)

TEXT 2009OLIVER KIELMAYER

A235 (SOCLE) A254 (SOCLE MACUTO)2013 2013

14A250 (SCARPA KI) 20

A252 (SCARPA ASCENDENTE) A253 (SCARPA DESCENDENTE)2014 2014

ORNAMENT AND BARRICADE MIAMI 20ALEJANDRA VON HARTZ 14

BLOOMBERG SPACE BARRIO JOSÉ FÉLIX RIBASLONDON 2009 CARACAS 2011

PORTLAND MAINE TYNEMOUTH METRO STATION2009-2014 2012

CARACAS 2009 20 2ESPACIO MERCANTIL ÁLEZTEXT 1LORENA GONZ

“At times when so much is duscussed about thepertinence and the value of the images, when anhiperreproductive banality keeps creating voids in the artworld, curatorial propositions such as this can bring usback to the essence of what an artworks really is:unexplainable amazement, transcendence, discontinuousessence beyond history, order, institutions and canons.

PRIVATE COMMISSIONS

CARACAS 2010 LA ROMANA 2013 CARACAS 2010

CARACAS 2007 COSTA RICA 2009 CARACAS 2008

CARACAS 2009 CARACAS 20 41

LIST OF WORKS

A40 (SUWON) 2005 184 x 123 . Acrylic on canvas. Private Collection CARACAScmA10 2002 130 x 195 cm. Acrylic on canvas. Private Collection LONDONA17 2002 180 x 250 cm. Acrylic on canvas. Private Collection NEW YORKTEXT JERWOOD SPACE LONDON 2002SACHA CRADDOCK

A29 2004 122 x 244 cm. Acrylic on canvas on board. Private Collection LONDONA32 2004 250 x 180 cm. Acrylic on canvas. Private Collection LONDON

EXPANDER ROYAL ACADEMY OF ARTS LONDON 2004

A38 (SANDRINE)A42 (ROMERO)A43 (DAVINIA) 2005 146 x 114 cm. Acrylic on canvas. Private Collection LONDONA58 (LUCIA) 2006 268 x 230 cm Acrylic on canvas. Private Collection CARACASA56 (MARIOTTO) 2006 230 x 268 cm Acrylic on canvas. Priv Collection LONDON.TEXT PERIFÉRICO CARACAS 2006JES S FUENMAYOR LAS CALAVERASÚ TRESFOR

A OULED BERHIL135 ( 2) 2008 204 x 295 acrylic on linen.cm.A76 ( ) 2007 55 x 80 acrylic on linen. Pri Collection LONDONOULED BERHIL cm. v.A OULED BERHIL 3137 ( ) 2008 35 x 45 acrylic on canvas. Pr Collection LONDONiv.TEXT FORSALLY O´REILLY EXPANDERCATALOGUE 2004

A82 (ZELADA) 2006 71 x 61 cm acrylic on canvas. Private Collection LONDONA83 (LAREAL) 2007 30 x 25 cm acrylic on linen. Private Collection BARCELONAA94 (LARUSA) 2006 51 x 46 cm acrylic on linen. Private Collection CARACASA101 (ZACCA) 2007 175 x 193 cm acrylic on canvas. Private Collection NEW YORK

LAS CALAVERAS.TRES PERIFÉRICO CARACAS 2006

a175 (QUIQUE) 2009 80 x 120 cm. acrylic on jute. Private Collection CARACASA88 (MARTIN) 2007 201 X 201 cm. acrylic on canvas. Private Collection NEW YORKa153 (MENEZES) 2008 120 x 105 cm. acrylic on canvas.a182 (ANGELA) 2010 150 x 200 cm. acrylic on canvas. Private Collection CARACASa163 (TULSE HILL) 2014 210 x 225 Acrylic on canvas. P Collection MIAMIriv.a183 (SEGISMOND) 2010 130 x 162 cm. Acrylic on canvas. Pri Collection CARACASv.TEXT BARRY SCHWABSKY ARTFORUM 2006

SUPERSTARS BUIA GALLERY NEW YORK 2007

A191 (GABRIEL) cm. .2010 81 x 61 acrylic on canvas. Priv Collection MIAMIA190 (DANIELLA) cm. v.2010 162 x 130 acrylic on canvas. Pri Collection MIAMITEXT CARACAS 2010JESUS FUENMAYOR JAIME GILI AFUERAFOR

A179 (SONIA) 2009 80 x 125 cm. Acrylic on linen. Private Collection CARACASA162 (YEMAYÁ) .2009 268 x 230 cm. Acrylic on canvas. Priv Collection CARACASA178 (FEDORA II) 2009 65 x 55 cm. Acrylic on canvas. Pri Collection MIAMIv.

BILL AT PITTIER. SOLO EXHIBITION AT KUNSTHALLE WINTERTHUR, SWITZERLAND, 2009

SUPERESTRELLAS. SOLO EXHIBITION AT ST. BARNABAS HOUSE, LONDON 2008

a199 (MOSSMAN) 2011 45 x 35 cm. acrylic on linen. Private Collection MIAMIa173 (SOLANA) 2009 45 x 35 cm. acrylic on canvas. Private Collection NEW YORKa198 (GODOY) 2011 45 x 35 cm. acrylic on linen. Cifo Collection, MIAMITEXT S .OLIVER KIELMAYER INTERVIEW JAIME GILI ARTPULSE MAGAZINE, MIAMI 2010

EVERYTHING IS BORROWED. SOLO AT ALEJANDRA VON HARTZ, MIAMI 2009SHOW

A230 (LA MECÁNICA) 2013 200 x 140 cm. Acrylic on jute. Artist collection, LONDONA222 (LA BRITTEN) 2013 45 x 35 cm. Acrylic on linen. Private Collection HAMBURGTEXT PINTA LONDON SOLO PROJECT, 2013STATEMENT F MACUTO CANNESOR

A241 (Hilo de Macuto I) 2013 65x 45 cm. crylic on juteA .A242 (Hilo de Macuto II) 2013 65 x 45 cm crylic on jute. A

2014 315 x 210 Acrylic on linen Private CollectionA276 (Billo 3) cm. . BOSTONA271 (Billo) 2014 170 x 192 Acrylic on linencm.A275 (Billo 4) 2014 80 x 60 acrylic on linen.A277 (Billo 5) 2014 80 x 60 acrylic on linen.A223 Guthrie 2013 80 x 60 acrylic on linen. Private Collection MIAMIcm.A261 Gavina Simon Scarpa 2014 65 x 45 acrylic on linen. ollection LONDONcm. Artist cTEXT OLIVER KIELMAYER INTERVIEW WITH JAIME GILI ARTPULSE MAGAZINE 2010

A SOCLE235 ( ) 2013 200 x 140 cm. acrylic on linen. Private Collection MIAMIA SOCLE MACUTO CANNES254 ( ) 2014 190 x 145 cm. Acrylic on linen. Priv Coll MIAMI. .A250 (Scarpa KI) 2014 180 x 300 acrylic on linenA252 (scarpa descendente) 2014 65 x 45 Acrylic on juteA253 (scarpa ascendente) 2014 65 x 45 Acrylic on jute

ORNAMENT AND BARRICADE ALEJANDRA VON HARTZEXHIBIT AT , MIAMI 2014ION

PUBLIC COMMISSIONSMASHRABIYA BLOOMBERG SPACE LONDON 2009DIAMANRTE DE LAS SEMILLITAS BARRIO JOSÉ FÉLIX RIBAS, CARACAS 2011ART ALL AROUND PORTLAND, MAINE 2009-2014POSTERS FOR POSTS TYNEMOUTH METRO STATION VAMOS FESTIVAL 2012CANÓNICO Y CONTEMPORÁNEO, ESPACIO MERCANTIL CARACAS 2009TEXT L GONZÁLEZ, EL NACIONAL, CCS 2012CANÓNICO Y CONTEMPORÁNEO .

PRIVATE COMMISSIONSELIAS CARACAS 2010LA ROMANA, REPÚBLICA DOMINICANA 2013JCD CARACAS 2010,SPS CARACAS 2007SPS COSTA RICA 2009SAN JOSÉ,AA CARACAS 2008BC CARACAS 2009CG CARACAS 2014

J GAIME ILI Caracas, 1972 > Barcelona, 1990 > London, 1996 -

Education

1996 - 1998 MA Royal College of Art, LONDON1995 - 2001 PhD Fine Arts -completed 2001- University of BARCELONA

PhD Thesis: “From Recurrence to Multiplication: Repetition and Seriality from 1960”1990-1995 BA (equivalent) degree (Licenciatura). Facultad de Bellas Artes, Universidad de BARCELONA1989-1990 Foundation (equivalent) at , Caracas and , CARACASInstituto Neumann ProdiseñoJan-Apr 1994 Erasmus, , PARISÉcole Nationale superièure des Beaux-ArtsSummer 1997 Erasmus, Hochschule der Kunste, BERLIN

Solo exhibitions (* )publication available

2014 "Ornament and Barricade" Alejandra von Hartz, MIAMI2013 "Droits de Succession" Oficina#1, CARACAS (VE)2012 "Posters for posts" iVamos! Festival, TYNEMOUTH (UK) *2011 "The Lakes" Riflemaker, LONDON *

"La Toma", Magda Bellotti, MADRID2010 "Jaime Gili Afuera", Periférico Caracas, CARACAS2009 Bloomberg space. LONDON *COMMA04,

Kunsthalle Winterthur, ZURICHBill at Pittier.Alejandra von Hartz, MIAMI *Everything is borrowed.

2008 ,Superestrellas Riflemaker, Soho Square, LONDON *Coda, Oficina#1, CARACAS (VE)

2007 Buia Gallery.Superstars, NEW YORK2006 .Jaime Gili makes things triangular at Riflemaker Riflemaker, LONDON2006 . Periférico Caracas, Espacio 0, CARACASLas tres Calaveras2005 Mosaic Building. MIAMI“Screen”,2003 Jerwood Artists Platform. Jerwood Space. LONDON *“RUPT”

Group exhibitions (* publication available)

2015 Arte Emergente en Venezuela, 2000-2012“ ” Museo Francisco Narváez, PORLAMAR (VE) *2014 Minimal Baroque. Post-Minimalism and Contemporary Art“ ”, Rønnebæksholm, NÆSTVED (D) *

“Impulse, Reason, Sense, Conflict. Abstract art from the Ella Fonatanals-Cisneros Collection”. CiFo, MIAMI“Dirty Geometry” Mana, MIAMI“Connecting Through Collecting. 20 years of Art from Latin America at the University of Essex . COLCHESTER (UK) *”“ ” Sala TAC, CARACAS *Arte Emergente en Venezuela, 2000-2012

2013 'Ex-Culturas', (Curated by F lix SuazoPeriférico Caracas, é ), CARACAS2012 'Red, White, and Blue - Pop, Punk, Politics, Place', Chelsea Space, LONDON *2011 'We are Grammar', Pratt Manhattan Gallery, NY

'Friendship of the peoples', Simon Oldfield Gallery, LONDON *'Canónico & contemporáneo', Espacio Mercantil, CARACAS *

2010 'Demons Yarns and Tales, James Cohan Gallery, NY'The constructive élan, Alejandra von Hartz, MIAMINewspeak: British Art Now. Saatchi Gallery, LONDON *Concrete Geometries. Research Cluster at the Architectural Association, LONDON *

2009 Smart Project Space, AMSTERDAM *Coalesce : Happenstance.2008 Walker Art Centre. LIVERPOOL *John Moores 25.

XV Salón Jóvenes con fia. CARACAS *Banners of persuasion. The Dairy, LONDON *Demons, yarns & tales.

Sala Mendoza. CARACASEscala Mural.. Cr vecoeur, PARISDown by Law é (Curated by Alix Dionot-Morani).

Locust Projects. MIAMI *10 Anniversary Exhibition.th

2007 Nyehaus, NEW YORK *Indica,The expanded painting show ,(Curated by Paco Barragán) Mash, MIAMI

PORTO ALEGRE (BR) *6a Bienal do Mercosul,Jump Cuts, Colección del Banco Mercantil, CIFO, MIAMI *Ici et là-bas. (Curated by Catalina Lozano), Salle d'exposition Guyancourt PARIS (FR)Desconfia (Curated by Luis Romero) University of California. LOS ANGELES (USA) *

2006 . (Curated by Phillippe Pirotte) Kunsthalle BERN (CH)*Vila Jelmini. The complex of respectRiflemaker, LONDON (UK)*Riflemaker becomes INDICA.

Pintura D (Curated by Jesús Fuenmayor) Periférico Caracas. Espacio 0, CARACAS2005 (Curated by Jaime Gili and Luis Romero). Gallery 39. LONDONTipos Móviles.

(Curated by Paul O'Neill). Project. DUBLIN (IR)LA LA LAND.Redux. (Curated by Paul O'Neill) LONDONcoalesce: the remix.

(with Clare Goodwin) Centre d'Art Contemporain. GENEVA (CH)Budget Bureau2004 (curated by Mustafa Hulusi). Royal Academy of Arts. LONDONExpander.

coalesce: with all due intent. (Curated by Paul O'Neill). Model arts and Niland Gallery. SLIGO (IR)PR'04 (Tribute to the messenger) MM Proyectos. PUERTO RICO(Curated by Michy Marxuach)Pub Crawl – Gallery 39. LONDONcoalesce: mingle-mangle London Print Studio Gallery (Curated by Paul O'Neill). LONDON

Bibliography

Apóstol, Alexander y González, Lorena. “El arte venezolano en las instituciones de fin de siglo” 14 Marzo 2013, MadridEl País,Suazo, Félix “Panorámica. Arte Emergente en Venezuela. 2000-2012” Fundación Telefónica, Caracas 2014 - ISBN 978-980-7212-35-9http://www.fundacion.telefonica.com.ve/publicaciones/Panoramica.pdf Fuenmayor, Jesús. Impulse, Reason, Sense, Conflict. Abstractart from the Ella Fonatanals-Cisneros Collection. CiFo Art Foundation. 2014 ISBN 9780692327739Demelo, S. Harwood, J. & Montenegro, A. Connecting through Collecting. 20 years of Art from Latin America at the University of Essex.ESCALA. Univ. of Essex, 2014. ISBN 978-0-9929994-0-7Montoya, Pep. “Un paseo en la modernidad Suramericana: Relaciones y situaciones en la obra de Jaime Gili” Estúdio 9. Artistas SobreOutras Obras. Jan 2014 CIEBA-FBAUL, Lisboa, Portugal. ISSN 1647-6158 e-ISSN 1647-7316Guidobono, Rafaela (Ed) moleskine, Milano 2012, ISBN 978-8866130062The Detour Book,León de la Barra, Pablo, Martínez and Trees Editors. Booksfromthefuture, London 2012. ISBN 978-0-9573509-0-8Jaime Gili Repetition.Bracewell, Michael and Smith, Donald. Chelsea Space, London 2012 ISBN 978-1-906203-Red White and Blue. Pop Punk Politics Place66-5Dillon Tamsin, Ed. Transport for London, London 2012. ISBN 978-1-908970-01-5The Roundel. 100 Artists Remake a London Icon.Mann, Robin et Al. Riflemaker Books, London, 2011. ISBN 978-0-9563571-7-5The LakesDay, Elizabeth, Et al. . Simon Oldfield Gallery. London, 2011. ISBN 978-0-9568329-2-4Friendship of the PeoplesGonzález, Lorena. « Jaime Gili » Martes 15 Febrero 2011, CaracasEl Nacional,Rodríguez, Elisa. Caracas Feb-Mar. 2011« Jaime Gili. Pedazos de Modernidad » Revista MONO.Suazo, Félix. Et al.Histórica. Memoria y Territorio. Colección Mercantil. Banco Mercantil, Caracas 2010. ISBN 978-980-6699-14-4Sari, Marcos and Marx, Daniele, Ed. . Ed. Panorama Critico, Porto Alegre, 2010. ISBN 978-85-63870-01-8MeioVVAA. Saatchi Gallery, London. 2009 ISBN 978-1-861543141Newspeak: British Art Now.Gutierrez-Ruiz, Lope and Benaim, Michelle. « Jaime Gili » Gopher Illustrated. Vol 2 On City Limits.Muellen Marianne, Et al. Architectural Association, London 2011Concrete Geometries, The Relational in Architecture.Smith, Roberta. «To a Tapestry's Warp and Weft, Add Vision and Craft». January 25, 2010New York Times.http://www.nytimes.com/2010/01/26/arts/design/26crafts.html?_r=1Susanna Haddon et al. ISBN 1-872482-86-4, 2009EAST 17, Norwich Gallery. NSAD. Norwich,Delgado, Marjorie. «Jaime Gili pinta con sarcasmo que 'todo es prestado'» , Sábado 4 Febrero 2009El NacionalSumpter, Helen. «Comma 03/04» , London, April 9, 2009. ISSN 0049-3910TimeOutLucero Uribe «Reconstruyendo Formas» Enero 2009Complot Magazine, n.100Zavarce, Gerardo. «El ojo que piensa» Martes 17 de Junio de 2008El Nacional,«Instalación fotográfica ganó el XI Salón Cantv Jóvenes con fia». Sábado 14 de Junio de 2008El Universal,Camelo, Ramiro. Jaime Gili. 125, Jun 2008Arte Al Día InternacionalGonzález, Lorena. . Fundación Iberoamericana de Arte, Caracas, 2008Legítimosilegítimos. XV Salón jóvenes con fiaEllegood, Anne. 6th Bienal Mercosul, , March 2008ArtforumBarragán, Paco. .The Art Fair Age Charta, Milano, 2008. ISBN 978-88-8158-682-0Griffin, Nora. « Nyehaus becomes Indica » New York, December 2007The Brooklyn Rail,Laudanno, Laura. '6th Edition of the Mercosul Biennial' 121, Nov-Dec 2007Arte Al Día InternacionalEscobar, Ticio. Cat. Tres Fronteiras. 6a Bienal do Mercosul. Fundaçao bienal do mercosul. Porto Alegre, 2007VVAA, .Jump Cuts Venezuelan Contemporary art Colección Mercantil CIFO, Miami, 2007Alfonzo Sierra, Edgar. 'Jaime Gili defiende a los modernos' Caracas, 29 Nov 2006El Nacional,Palacios, Carlos E. 'Jaime Gili. Periférico Caracas, Galpón 0', , December 2006Arte Al Día InternacionalTaylor, Tot (Ed.) INDICA. Riflemaker Books. 2006 – ISBN: 9780955372803Taylor, Tot (Ed.) JAIME GILI. Riflemaker Books. 2006 – ISBN: 978-0-9553728-5-8Schwabsky, Barry. Jaime Gili. . May 2006ArtforumBerkenwald, Melina. London – Buenos Aires. (Interview). 52. Buenos Aires. June 2005RamonaMullholland, Neil. Expander. January February 2005Frieze 88.O'Reilly, Sally. . London 2004Jaime Gili.'Expander catalogue of the exhibitionRyan, David. “London Reviews: Jaime Gili” Atlanta, May June 2003ArtPapers.Herbert, Martin. “Jaime Gili” London, January 29, 2003Time Out. #1693Güner, Fisun. “Pull up to the bumper, Baby” , London, January 17, 2003Metro UKFalconer, Morgan. "Auto Art", London, January 22, 2003What's on in London,Boix, Leonardo. “Jaime Gili”, London, April 2003Noticias LatinAmerica.Lack, Jessica. “Jaime Gili”, Saturday January 11, 2003The Guide – The Guardian.Thompson, Henrietta. “Quick on the draw” January 2003. London 2003Blueprint.Craddock, Sacha. Jaime Gili. in the catalogue of the exhibition Jerwood artists platform. Jerwood Space. London 2002Hepworth, Stephen Space Cooks, published by Space Studios, 2002Boix, Leonardo. . Cemvo, London, 2002Transbarroso – 15 Latin-American Artists in LondonMorris, Lynda et al. Norwich Gallery. NSAD. Norwich, 2000 isbn 1 872482 22 810 East international.

th

Public Collections

The Saatchi Collection, LONDON. UKUnited Kingdom National CollectionVictoria and Albert Museum, LONDONUniversity of Essex Collection of Latin-American Art, (UECLAA). UKRoyal College of Art. LONDONBanco Mercantil, CARACAS. VEColección Cisneros, CARACASCisneros Fontanals Collection, MIAMIPatrimoni. Universitat de Barcelona. BARCELONA. EL'Oreal, MADRID. E

gilijai@gmail.comwww.jaimegili.org