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Transcript of It's a Wonderful Life Program
NOV 18 –DEC 21, 2014
IT’S A WONDERFUL LIFE:A Live Radio PlayAdapted by Joe Landry
2014/15 SEASON
AMADEUS
NEXT TO NORMAL
IT’S A WONDERFUL LIFE:A Live Radio Play
ONE NIGHT IN MIAMI…
THE AMY HERZOG FESTIVAL: AFTER THE REVOLUTION & 4000 MILES
MARLEY
An Introduction to the World of the Play
Welcome to Center Stage and to
IT’S A WONDERFUL LIFE:
A Live Radio Play I am delighted we chose this play for our holiday show. It is a
classic American story that has warmed the hearts of multiple generations of families in this country. The radio studio setting lets the performance start in 1940s Baltimore, before we are whisked away to Bedford Falls. This clever adaptation captures the essence of the film, delivering it to the stage in a creative and wistful performance.
As we gathered here at Center Stage for our first rehearsal of this production, director Nelson Eusebio reminded us that
this is more than a Christmas play: it is a story that celebrates our humanity—individually and as a community—while Joe Landry’s adaptation wonderfully captures the sense of awe and delight that draws us to theater in the first place. I love that description.
At the same time, this play can certainly be described as a modern American Christmas Carol. It’s a heartwarming tale of one man’s despair and redemption, set on Christmas Eve. It shows how deeply our lives are entwined, and how true wealth can be measured by the bonds of love and family. These themes are carefully cushioned in humor and brought to life by a bevy of charming characters. Come with us as we all go back to Bedford Falls.
We hope you enjoy the journey.
Warmly,
Kwame Kwei-Armah Artistic Director
Season 2014/15 Sponsor:
Media Partner:
Center Stage is also made possible by:
Lead Student Matinee Sponsor:
IT’S A WONDERFUL LIFE: A Live Radio Play
Adapted by Joe Landry
THE CAST (in alphabetical order)
Pun Bandhu* Harry “Jazzbo" Heywood/ Clarence and others
Ken Krugman* Freddie Filmore/Mr. Potter and others
Joseph McGranaghan* Jake Laurents/George Bailey
Chiara Motley* Sally Applewhite/Mary Hatch
Eileen Rivera* Lana Sherwood/Violet Bick and others
Anthony Stultz* Foley Artist
Laura Smith * Stage Manager
Captain Kate Murphy* Assistant Stage Manager*Member of Actors’ Equity Association
THE ARTISTIC TEAM
Joe Landry Adaptor
Nelson T. Eusebio III Director
Michael Locher Set Designer
Alixandra Gage Englund Costume Designer
Burke Brown Lighting Designer
Sarah Pickett Sound Designer
Gavin Witt Production Dramaturg
Stephanie Klapper Casting Director
Produced by special arrangement with Playscripts, Inc.(www.playscripts.com)
There will be a 15-minute intermission.
PLEASE TURN OFF ALL ELECTRONIC DEVICES. IN CASE OF EMERGENCY 410.986.4080 (during performances).
Nov 18 – Dec 21, 2014 2 The Setting
3 Meet the Creators
4 Making a Holiday Classic
6 Radio Theater
8 Bios: The Cast
10 Bios: The Artistic Team
12 Bios: The Staff
18 Supporter Spotlight
19 Supporting the Annual Fund
26 Center Stage Celebrations
27 Preview: Up Next
28 Staff
Center Stage is funded by an operating grant from the Maryland State Arts Council, an agency dedicated to cultivating a vibrant cultural community where the arts thrive.
CASTTABLE OF
CONTENTS
It’s a Wonderful Life: A Live Radio Play is sponsored by:
It's a Wonderful Life: A Live Radio Play | 1
SETTINGTIME AND PLACE
Time: Christmas Eve, 1947.
Place:
Studio A at WBAL Radio, and various locations in the Bedford Falls of our imagination.
2
MEETTHE CREATORS
PHILIP VAN DOREN STERNAuthor and HistorianPhilip Van Doren Stern was the author of The Greatest Gift, a barely
remembered, almost-never-published short story initially inspired by a
dream. This story is the basis for Frank Capra’s film It’s a Wonderful Life.
Born in a small Pennsylvania town in 1900, Stern attended Rutgers and
lived most of his life in New York City. He became one of the country’s
foremost scholars of the Civil War, publishing fiction and nonfiction
accounts of that era. Stern also wrote and edited horror and science
fiction, including Tales of Horror and the Supernatural, The Midnight
Reader, and an Edgar Allen Poe biography. During World War II, he
served as general manager of a nonprofit that distributed paperback
books to active soldiers.
Originally unable to publish The Greatest Gift, Stern sent 200 copies of
the 21-page story to his friends as Christmas gifts in 1943.
FRANK CAPRA Director, Producer, Author Courtesy of Wesleyan University
Frank Capra’s work has become so well-known and respected that it
is today used as a yardstick by which critics and the public measure a
certain type of purely American film comedy.
Capra was born in Bisacquino, Sicily, on May 18, 1897, and immigrated
to the United States when he was five. He earned an engineering degree
at the California Institute of Technology in 1918 and then began a
long and successful film career. After working for Mack Sennett as gag
writer and director, he went to work at Columbia Pictures, and became
instrumental in lifting the studio out of the “Poverty Row” category.
Capra’s films brought him two Oscars for Best Picture and three for Best
Director: It Happened One Night (1934), Mr. Deeds Goes to Town (1936),
and You Can’t Take It With You (1938). He also directed such landmark
movies as Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and
the ever-popular It’s a Wonderful Life (1946).
During World War II, Capra became a colonel in the Army Signal Corps,
directing the Award-winning Why We Fight series. He retired from
filmmaking in 1966, after which he published his autobiography, The
Name Above the Title, in 1971. Throughout the 1970s, Capra was much
in demand as a lecturer and guest at film festivals and other events, and
performed service for the US government. He retired from public life in
the 1980s following a series of debilitating strokes.
Capra was president of the Academy of Motion Picture Arts and
Sciences, president of the Screen Directors Guild, and the recipient of
the Distinguished Service Medal, the Order of the British Empire, the
White House National Medal of the Arts, the 10th Annual American
Film Institute Life Achievement Award, and many other honors.
It's a Wonderful Life: A Live Radio Play | 3
IT TAKES A MIRACLE TO SAVE GEORGE BAILEY and restore his sense of hope; it arguably took no less of a miracle for his story to make its way into the world. While today Frank Capra’s film version of It’s a Wonderful Life might play in a reliable annual routine on countless screens, and in countless fond memories, the journey from original idea to cherished icon was one filled with bumps and hurdles, near-misses and ultimate grace.
It started with a vision. Noted historian and Civil War buff Philip Van Doren Stern had been trying his hand at fiction, with little success. One February morning in 1938, he was shaving when a story came to him, fully formed and intact as no story ever had before or would after. His problem, he recalls, was learning how to write what he already knew.
Clear to Stern was the tale of a small-town husband and father, George Pratt, discouraged and alone, who finds himself standing on a bridge at Christmas contemplating the dark waters below. To him appears a mysterious stranger, who grants George’s wish that he’d never been born. Masquerading as a salesman, George traverses his hometown to find himself truly absent from history and from the lives of his friends and loved ones.
Stern tried several drafts, unhappy each time with the results. Finally, in 1943 (exactly 100 years after Dickens published A Christmas Carol, for whatever you want to make of that), he had his agent send it around. But not one magazine or one publisher would print the story, now titled “The Greatest Gift.”
So Stern—himself of mixed faith traditions—had the story printed up at his own cost and distributed 200 copies as his annual holiday card (including enlisting his young daughter to pass it around). Through an unlikely chain of circumstances, the story came into the hands of an executive at RKO film studios. Stern had all but given up on his creation when, to his astonishment, he got a call from Western Union: RKO had bought the movie rights, hoping to use it as a vehicle for Cary Grant.
Some of Hollywood’s leading writers, including Dalton Trumbo and Clifford Odets, took a stab at crafting a screenplay, with little success. Grant moved on, the project languished, and RKO finally dumped it—selling the rights to Frank Capra in 1944 and throwing in the three existing screenplay drafts for free.
Once´upon´ a WonderfulBy Gavin Witt, Production Dramaturg
Jimmy Stewart had spent the war valiantly piloting bomber missions, rising to the rank of Colonel.
Donna Reed was a 4H Club alumna from small-town Iowa and found herself at home in the story; in fact, she later won a bet with Lionel Barrymore (Mr. Potter) by demonstrating her prowess at milking a cow.
George Bailey and Clarence working on a miracle.
4
Capra, an Italian immigrant who had thrived as a director in pre-War Hollywood, fell in love with the story and knew just how to tell it. However, he was only just back from World War II, and anxious that his years away had set him back professionally. As further risk, he’d just launched his own new production company, Liberty Films, which had precisely zero track record and about as much clout. So in 1945, he reached out to a friend and fellow veteran.
Jimmy Stewart had spent the war valiantly piloting bomber missions, rising to the rank of Colonel—but was certain that his acting career had not survived the war with him. He was sure he’d never work in film again. But he and Capra had worked together before, and had a strong affinity. Stewart was from a small town in Pennsylvania, and after a stint in the family hardware business had gone on to Princeton to study architecture before Hollywood nabbed him; he felt the call of the material and signed on. Together, he and Capra hoped to secure another favorite collaborator, Jean Arthur, for their leading lady. When she proved unavailable, the part went to Donna Reed. A 4H Club alumna from small-town Iowa, Reed found herself at home in the story; in fact, she later won a bet with Lionel Barrymore (Mr. Potter) by demonstrating her prowess at milking a cow. The central trio was set.
There remained the problem of a shooting script, however, and more hard work and near failures followed before a working screenplay emerged—under the steady guidance of Capra’s vision. He confidently had an enormous location set constructed, complete with 80 buildings over nearly four city blocks to create a veritable Bedford Falls. Fully grown trees were planted; animals and livestock were turned loose; and the production department even invented a revolutionary new form of fake snow to transform a California heatwave into a Currier and Ives winter spectacle.
Shooting went well, and everyone involved reported a magical, family atmosphere on set. All had high hopes for the endeavor. Both Capra and Stewart always spoke about it as the favorite among all their many films. When the finished picture was released in 1946, however, it garnered mixed reviews. It lost money at the box office, and fairly quickly sank into obscurity. It even managed to get some negative attention from the FBI, which passed on a report alleging seditious, even Communist, messages in the movie.
The miracles and movie magic weren’t done, though. Through yet another set of unlikely coincidences, the movie passed out of
copyright protection in the 1970s and suddenly became a staple of television re-runs. A new generation discovered its many charms and its potent message of hope, redemption, and community. As if at a stroke, the movie became one of the most beloved, and often-viewed, of its own or any era.
Capra lived long enough to see his film “redeemed” from relative obscurity and firmly ensconced in American culture as a beloved classic. Whether this is your first encounter with George Bailey and the denizens of Bedford Falls, or your 1000th, they are ready to work their magic once again.
Once´upon´ a WonderfulCapra constructed 80 buildings over nearly four city blocks to create a veritable Bedford Falls. Fully grown trees were planted; animals and livestock were turned loose; and the production department even invented a revolutionary new form of fake snow to transform a California heatwave into a Currier and Ives winter spectacle.
Everyone involved reported a magical, family atmosphere on set.
It's a Wonderful Life: A Live Radio Play | 5
The Golden Age of Radio began with the explosion of broadcasting in the early 1920s and waned as television took over in the 1950s. In its heyday, some 80% of Americans may have been regular listeners. Entire families gathered at regularly scheduled times, often interrupting any other activity, to listen to cherished programs. There were soap operas like The Guiding
Light, and a myriad of exotic mystery serials like The Adventures of Ellery Queen or The
Shadow. There were situation comedies like Fibber McGee and Molly, Ozzie and Harriet, or Father Knows Best; and numberless variety shows of all sorts.
Through the depths of the Depression, with millions out of work and out of hope, people sought consolation and found renewed strength listening to President Roosevelt and his Fireside Chats. When war clouds gathered and burst, Edward R. Murrow kept
them abreast with his broadcasts from the
front lines. When the airship Hindenburg
burst into flames, the nation listened
breathless to the disaster on radio. When
Kentucky caver Floyd Collins was trapped
underground, or aviator Charles Lindbergh
first bravly crossed the Atlantic, the country
followed along over radio. The likes of folksy
humorist Will Rogers, wry wisecracker Jack
Benny, dulcet crooner Bing Crosby—and
along with them, signature sponsors from
hair tonics to soap suds—all claimed a
treasured place in homes across America via
the radio waves.
Wireless transmission into private homes
only emerged around 1920. Shortly after,
in 1922, the first dramatic radio series was
broadcast over WGY in Schenectady, New
York, producing a series of play adaptations.
In 1936, the popular Lux Radio Theatre
moved from New York to Hollywood, to
broadcast films adapted into hour-long radio
scripts. For more than 20 years, it was the
most successful dramatic anthology on the
air, featuring popular stars in hit movies.
But the single best-known episode of radio
drama must remain the Orson Welles-
directed adaptation of H.G. Welles’ The
War of the Worlds from 1938—which many
listeners believed to be actual reports of
an invasion from Mars, so established was
radio’s credibility.
Th
e Golden Age of Radio Drama
BY GAVIN WITT, PRODUCTION DRAMATURG
6
From adventure serials to soap operas, from Buck Rogers’ whizzing spacecraft to Jack Benny’s wheezing jalopy, there would have been no
radio theater without two crucial components. First essential was the hungry imagination of the listener. Second essential, to fire that imagination and bring to life the worlds and the action, was the sound effects operator.
Known as Foley work on film, where it is almost always created in post-production, the sound effects on radio were made by operators who had to work live, fast, and on the spot. Despite best intentions, they didn’t always get the script in advance, and nothing is ever more predictable than the unpredictable.
A combination of musician, technician, actor, contortionist, basement tinkerer, and sound wizard, the alchemists of audio had
to use all their know-how and considerable
inventiveness to create believable effects
and convincing atmosphere, unobtrusively
in a small space with some of the oddest
assortment of tools. Obviously, there were
well-established stand-bys to draw on, like
thundersheets and wind machines, or crash
boxes and starter’s pistols. There were door
knockers and doorbells to fall back on. But
they also devised new routines, like squeezing
boxes of baking soda for the sound of walking
in snow. And nearly every script would
stretch their capacity and their ingenuity in
unexpected ways.
Every sound you hear, they would make: every
footstep, door slam, car engine, bird twitter,
train whistle, gun shot fired or whiskey shot
poured. Also, every place you see, every
action you can imagine, they help bring to
life in your imagination: every distant vista, or diner counter; every cozy fireplace or faraway seaport; every snowstorm or creaky staircase. Our hero is trapped in a fusillade of bullets? Our happy couple snuggles on the settee? A mysterious figure lurks in the shadows, or creeps down rains-slick streets? That’s the sound effects operator you have to thank for that image.
Joe Landry’s adaptation of It’s a Wonderful
Life suitably incorporates, and relies on, this classic element. To join the fun, check out the “Foley” station in the lobby, footage on the Media Wall, and the digital dramaturgy at centerstage.org/wonderful.
Th
e Golden Age of Radio Drama
Watch WITH YOU R E ARS
It's a Wonderful Life: A Live Radio Play | 7
Pun Bandhu*—Harry “Jazzbo" Heywood/Clarence and others. Center Stage: debut. Broadway— Wit w/Cynthia Nixon. Off Broadway—Productions
with Soho Rep, PS 122, Target Margin, Ma-Yi, NAATCO, Pan Asian Rep, Foundry Theatre, among many others. Regional—Favorites include McCarter Theatre: The Bells (Theresa Rebeck World Premiere, dir. Emily Mann); TheatreWorks: Yellow Face (David Henry Hwang Regional Premiere), Warrior Class; Yale Rep: The Birds (Len Jenkins World Premiere); Williamstown: Big Knife (dir. Joanne Woodward), Far East (AR Gurney World Premiere, dir. Daniel Sullivan); Denver Center: The Catch (Ken Weitzman World Premiere, Henry Award, Best Supporting Actor in a Play). TV—The Good Wife, Without a Trace, Elementary, Law and Order, Criminal Intent, Conviction, SVU, Body of Proof, White Collar, Nurse Jackie, among others. Film—Michael Clayton, Burn After Reading, Late Phases, Stephen King’s A Good Marriage, The Judge. Education—MFA Yale School of Drama. punbandhu.net.
Ken Krugman*—Freddie Filmore/Mr. Potter and others. Ken is thrilled to be making his Center Stage debut. Broadway & National Tours—Les Miserables,
Candide, Jersey Boys, Dirty Rotten Scoundrels, Titanic, and the Tony Award-winning revival
of Assassins. Off Broadway—Splendora, Passion; City Center Encores: Irma La Douce. Regional—Guthrie Theatre, Arena Stage, Goodspeed, Bay Street Theatre, Theatre Aspen, Capital Rep, Centenary Stage, Two Rivers Theatre. International—The Man in the Moon Theatre in London: Grimm Tales. Film—Let It Snow. TV—Blue Bloods, Royal Pains, Law & Order(s), Hope & Faith, Chappelle’s Show, Late Show with David Letterman. Ken thanks his family and friends for their love and support.
Joseph McGranaghan*—Jake Laurents/George Bailey. Center Stage: debut. New York—The Workshop Theatre Company: Thalassa; Storm Theatre: Our God’s
Brother; Hudson Warehouse: The Bald Soprano; Bakerloo Theatre Project and Prospect Theatre: Hamlet; CITI Company: The Beauty Project. Regional—Bucks County Playhouse: New Voices Festival; Clarence Brown Theatre: Noises Off; Asolo Rep: The Game’s Afoot, You Can’t Take It With You; Quantum Theatre: The Task; Pittsburgh Irish and Classical Theatre: Julius Caesar and The Shaughraun. Tours—Chamber Theatre of Boston: The Legend of Sleepy Hollow; Asolo Rep New Stages: Macbeth. Film—The Lucky 6, Graduation. Training—FSU/ Asolo Conservatory. For my wife: a lassoed moon.
Chiara Motley*—Sally Applewhite/Mary Hatch— is delighted to be making her debut at Center Stage. She was last seen playing Irene Adler in Sherlock Holmes: The
Great Adventure (Arts Center of Costal Carolina). Seattle Shakespeare Company: Othello, Richard III, A Midsummer Night’s Dream; Denver Center: The Three Musketeers, The Taming of the Shrew. Regional—Hudson Valley Shakespeare Festival: King Lear, The Three Musketeers; Seattle Public Theatre: A Wedding Story; Book-It: Persuasion; Studio Lab: Syringa Tree. Other—Chiara’s voice can be heard on Her Interactive’s Nancy Drew video games. Education—MFA, National Theatre Conservatory. BA, Stanford University. chiaramotley.com.
Eileen Rivera*—Lana Sherwood/Violet Bick and others. Center Stage: debut. Off Broadway—Rattlestick: A Fable; NYTW: Beast; Culture Project: Sides: The Fear is Real;
Public/NYSF: Dogeaters. Other New York—Leviathan Lab: Twelfth Night; Queens Theater: Rosa Loses Her Face; Diverse City: The Encounter; Jaradoa: Shafrika, The White Girl, The Small of Her Back, Serenade. Regional—Virginia Stage Co.: The Comfort Team; Perseverance: The Long Season. TV—Law & Order: Criminal Intent. Eileen has co-produced and acted in a handful of short films: Mildred, Daughter of Venus, The
BIOSTHE CAST
Left to right: Chiara Motley, Public Relations Manager Cassandra Miller, and Pun Bandhu at first rehearsal. Cast and staff prepare.
8
Barrelman Caper, INS & Outs (Grand Prize Winner, 2013 AAFL 72-Hour Shootout). The short film Two Weeks, which she also wrote, has screened around the country and on television. Learn more at eileenrivera.com. Heartfelt thanks to Nelson Eusebio.
Anthony Stultz*— Foley Artist. Center Stage: debut. Off Broadway—Gertrude Stein SAINTS, Abrons Arts Center (sound design). Regional—Seven
Guitars (musician), Carnegie Mellon University. Other—For the Birds (composer/sound designer), National Aviary. Education—BA Recording Studies, Classical Guitar Performance from Butler University. Thank you for all the love, support, and happiness: Mom, Annie, Doug, Lori, and Almeda.
* Member of Actors’ Equity Association
Joe Landry—Adaptor. Center Stage: debut. Plays include Vintage Hitchcock, Reefer Madness, Numb, Getting Tall, Lifeboat Dahling! (with Bert Bernardi). Musicals include Meet Me in St. Louis: A Live Radio Play, Mothers and Sons (book with Kevin Connors). Upcoming—A Christmas Carol: A Live Radio Play (MTC MainStage), The War of the Worlds (NYC in 2015). Founder—Second Guess Stage/Screen. Member—The Dramatists Guild. joelandry.com.
Nelson T. Eusebio III—Director. Center Stage: debut. Off-Broadway—Ensemble Studio Theatre: Solar Plexus, Asking for Trouble; NYSF/Delacorte: All’s Well That Ends Well; Pan Asian Rep: Finding Ways… Other New York—2014 ABC Actor Showcase; Leviathan Lab: Twelfth Night; Creative Destruction: Obama Drama; Theatre Row: God, Sex & Blue Water; DiverseCity Theater: The Encounter. International—Rhodopi International Theatre Collective: The Bacchae. Regional—Playmaker’s Rep: It’s a Wonderful Life: A Live Radio Play; Oregon Shakespeare Festival: Yellow Face (FAIRplay); Old Globe: Twelfth Night (educational tour). Film—INS & Outs; The Barrelman Caper; Mildred, Daughter of Venus; Yield. Education—MFA, Directing, Yale School of Drama. Professional—Member, Lincoln Center Theatre Director’s Lab; Phil Killian Directing Fellow, Oregon Shakespeare Festival; Director, NEA/TCG Career Development Program; former Artistic Director, Leviathan Lab. Nelson is a participant in the SPARK Leadership program, funded by American Express, The Joyce Foundation, and The Andrew W. Mellon Foundation and administered by Theatre Communications Group. nelsoneusebio.com.
Michael Locher—Set Designer. Center Stage: debut. Off-Broadway—Sin, Dramatis Personae, Crane Story. Regional—Oregon Shakespeare Festival: Troilus & Cressida, Secret Love in Peach Blossom Land; Guthrie: Happy Days, Freud’s Last Session; Yale Repertory: Trouble in Mind; Playmakers Repertory: Happy Days; Marin Theater
submit your original play to the 2015 festival.
Write your World
Deadline: Friday, Feb 6, 2015
Selected playwrights will participate in workshops with professional theater artists and have their plays produced and performed at Center Stage on Monday, May 18, 2015, 7 pm.
For submission guidelines, visit centerstage.org/ypf. Questions? Call Community Programs & Education: 410.986.4050..
Open to all Maryland students in grades K–12.
YPF Lead Sponsor:
Additional support from:Jacob and Hilda
Blaustein Foundation Illus
trat
ion
by R
ache
l Sug
gs
BIOSTHE ARTISTIC TEAM
Kwame Kwei-Armah and Joseph McGranaghan.
>>It's a Wonderful Life: A Live Radio Play | 9
Company: The Whale, I & You; Great Lakes Theater: The Taming of the Shrew; Cal Shakes: Spunk, The Winter’s Tale; Idaho Shakespeare Festival: The Taming of the Shrew; The Magic Theater; Theatreworks (CA); Center Rep (CA). Education—Yale School of Drama; Professional—Adjunct Professor, San Jose State University; Freelance graphic designer and illustrator; Associate Artist, The Cutting Ball Theater; Founding Member, Tilted Field Productions.
Alixandra Gage Englund—Costume Designer. Center Stage: debut. Based in her native New York, Alixandra designs costumes for theater, dance, opera, and film. Recent credits include 4000 Miles (Asolo Rep), Stoop Stories (Weston Playhouse), Sumedida’s Song (HERE), The Electric Baby (Two River Theatre), and Take What is Yours (59E59). She’s designed for a number of New York companies including NAATCO, Epic Theatre, Fordham University, Columbia Stages, and The Women’s Project, and is a frequent collaborator with Beth Morrison Productions on new operatic works. Regionally, Alixandra has designed for the Yale Rep, Chautauqua Theatre Company, Shakespeare Theatre of NJ, Skylight Opera, and Bard Summerscape. She is a founding member of Wingspace Theatrical Design, and attended Brown University and the Yale School of Drama.
Burke Brown—Lighting Designer. Center Stage: debut. Recent New York—Rattlestick Playwrights Theater: The Long Shrift, Stay, Basilica; Clubbed Thumb: Phoebe in Winter.
Other NYC— 52nd Street Project, Ars Nova, NYSF-Public Theater, La Mama ETC. Recent Regional Designs—Cal Shakes: A Midsummer Night’s Dream; Magic Theatre: Se Llama Cristina; Cleveland Playhouse: Yentl; PlayMaker’s Rep: It’s a Wonderful Life, A Number. Other Regional—Asolo Rep, Northern Stage, Two River Theater. International—Abbey Theatre (Dublin), Golden Mask Festival (Moscow), Seoul Performing Arts Festival (South Korea), Festival of Two Worlds (Spoleto, Italy). Recent dance designs—Aszure Barton & Artists: Awáa; Alvin Ailey America Dance Theater: Lift; Hubbard Street Dance Chicago: Fluence, Cloudless; Bayerisches Staatsballett: Konzert für Violine un Orchester; Houston Ballet: Angular Momentum. Education—MFA: Yale School of Drama. Member of Wingspace Theatrical Design. wingspace.com/burke.
Sarah Pickett—Sound Designer. Center Stage: debut. New York—Theatre for a New Audience: Othello, Macbeth, Measure for Measure; Women’s Theatre Project: Aliens with Extraordinary Skills. Regional—Oregon Shakespeare Festival: Much Ado about Nothing, A Midsummer Night’s Dream, Richard III; American Players Theatre: Antony & Cleopatra, Twelfth Night, All’s Well That Ends Well, Shakespeare’s Will, Les Liaisons Dangereuses, The Cure at Troy, Of Mice and Men; Portland Center Stage: Red, Santaland Diaries; Yale Repertory Theatre: Hamlet, A Delicate Balance, Death of Salesman; Asolo Rep Theatre: The Winter’s Tale, Venus in Fur;
PlayMakers Repertory Company: Nicholas Nickleby, All My Sons; Dallas Theater Center: To Kill a Mockingbird; Long Wharf Theatre: Italian American Reconciliation; Drury Lane at Oakbrook: Gypsy; Victory Gardens Theater: We Are Proud to Present…. Other—Faculty member at Carnegie Mellon University School of Drama teaching sound design and music composition. Education—MFA, Yale School of Drama; MA, Cornell University; BFA, Syracuse University.
Gavin Witt—Production Dramaturg. (see page 12)
Laura Smith*—Stage Manager. Center Stage: Resident Stage Manager: Amadeus; Wild with Happy; Twelfth Night; Stones in His Pockets; dance of the holy ghosts; Clybourne Park; Beneatha’s Place; The Mountaintop; Bus Stop; An Enemy of the People; The Whipping Man; Gleam; The Rivals; Snow Falling on Cedars; Cyrano; Working it Out; Fabulation or, The Re-Education of Undine; Who’s Afraid of Virginia Woolf?; Joe Turner’s Come and Gone. Regional—Everyman: Pygmalion, Shipwrecked, The Exonerated, Rabbit Hole, Doubt, Gem of the Ocean, And a Nightingale Sang, The School for Scandal, A Number, Someone Who’ll Watch Over Me, Yellowman; Woolly Mammoth: Gruesome Playground Injuries, House of Gold, The Unmentionables, Vigils, After Ashley; Folger: Measure for Measure, The Comedy of Errors (ASM); Olney Theatre: Stuff Happens; Theater Alliance: Headsman’s Holiday, Pangea, [sic]; Catalyst: Cloud 9; Longacre Lea: Man with Bags.
Director Nelson T. Eusebio III discusses the play with the cast of It's a Wonderful Life: A Live Radio Play.
BIOSTHE ARTISTIC TEAM
10
Captain Kate Murphy*—Assistant Stage Manager. Center Stage: Resident Stage Manager; Stage Manager: Next to Normal, A Civil War Christmas, Animal Crackers, Mud Blue Sky, The Mountaintop, …Edgar Allan Poe, A Skull in Connemara, American Buffalo, Crime & Punishment, Let There Be Love, The Santaland Diaries; Assistant Stage Manager for The Importance of Being Earnest, Things of Dry Hours, Trouble in Mind, Three Sisters, Radio Golf, The Murder of Isaac, Once on this Island, King Lear; Assistant Production Manager 2008-09. Regional—Trinity Rep: Veronica Meadows, Boeing-Boeing; Actors Theatre of Louisville: All Hail Hurricane Gordo˚, The Clean House, Moot the Messenger˚, Dracula, The Ruby Sunrise˚, Tall Grass Gothic˚, The Drawer Boy, Amadeus, As You Like It (˚premieres at the Humana Festival of New American Plays); Contemporary American Theater Festival: The Overwhelming, Pig Farm; Totem Pole Playhouse: Over 80 productions through 14 summer stock seasons. Film/TV—Route 30, Route 30 Too!, Next Food Network Star. Proud Actors Equity and ASCAP Member.
Stephanie Klapper—Casting Director. Center Stage: Next to Normal, Vanya and Sonia…, Stones in His Pockets, dance of the holy ghosts, …Poe, The Whipping Man, A Skull in Connemara. Selected credits include: Broadway—A Christmas Story, The Musical; Dividing the Estate; Bells Are Ringing; It Ain’t Nothin’ But the Blues. Off Broadway—Emotional Creature (Linney Theatre at the Signature); Daisy Foote’s
HIM; Horton Foote’s Harrison, Texas; The Morini Strad (Primary Stages); Twelfth Night (New York Classical Theatre); Karen O’s Stop the Virgens! (St. Anne’s Warehouse); Cactus Flower (Westside Theatre); The Temperamentals (New World Stages). Regional—A Christmas Story, The Musical (National Tour); Emotional Creature (NY Casting/Berkeley Rep); White Snake (New York Casting/Oregon Shakespeare Company); Nobody Loves You (Old Globe, San Diego); Three Musketeers (Cincinnati Playhouse); Venice (KC Rep/Kirk Douglas Theatre); God of Carnage (Capital Rep); Assassins (Milwaukee Rep); The Cherry Sisters (NY Casting/Actor’s Theatre of Louisville). Film/TV—Alice Jacobs is Dead, Roberta, Feast of the Goat; Lazytown. Member—Casting Society of America and The League of Professional Theatre Women.
* Member of Actors’ Equity Association
Costume drawings on rehearsal room wall. Alixandra Gage Englund and Gavin Witt.
DININGSascha’s Express, our pre-performance dinner service, is located up the lobby stairs in our Mezzanine café. Service begins two hours before each performance. DRINKSYou are welcome to take beverages with lids to your seats! But please, no food. PHONESPlease silence all phones and electronic devices before the show and after intermission.RECORDINGPhotography and both audio and video recording are strictly forbidden.ON-STAGE SMOKINGWe use tobacco-free herbal imitations for on-stage smoking and do everything possible to minimize the impact and amount of smoke that drifts into the audience. Let our Box Office or front of house personnel know if you’re smoke sensitive.ACCESSIBILITYWheelchair-accessible seating is available for every performance.We offer free assistive listening devices, braille programs, and magnifying glasses upon request. An Open Captioned performance† is available one Sunday performance of each production. Several performances also feature Audio Description†.
PARKINGIf you are parking in the Baltimore Sun Garage (diagonally across from the theater at Monument & Calvert) you can pay via credit card at the pay station in the garage lobby or at the in-lane pay station as you exit. If you have a pre-paid voucher, proceed directly to your vehicle and enter your voucher after inserting the parking ticket you received upon entering the garage, in the machine as you leave. We are unable to validate parking tickets.
FEEDBACKWe hope you have an enjoyable, stress-free experience! Your feedback and suggestions are always welcomed: [email protected].†Open Captioning & Audio Description performances for It's a Wonderful Life: A Live Radio Play: Sun, Dec 14. Audio Description at both 2 pm and 7:30 pm. Open Captioning at 7:30 pm.
AUDIENCESERVICES
It's a Wonderful Life: A Live Radio Play | 11
Artistic Director Kwame Kwei-Armah OBE is an award-winning British playwright, director, actor, and broadcaster. At Center Stage he has directed
Amadeus, dance of the holy ghosts (City Paper Top Ten Productions, 2013); The Mountaintop; An Enemy of the People; The Whipping Man, for which he was named Best Director; and Naomi Wallace’s Things of Dry Hours. In 2014, Kwame was named Best Director in City Paper’s Best of Baltimore, and he was nominated for SDC's Zelda Fichandler Award for Best Theater Director. Among his works as playwright are Elmina’s Kitchen and Let There Be Love as well as A Bitter Herb, Statement of Regret, and Seize the Day. His latest play, Beneatha’s Place, debuted at Center Stage in 2013 as part of the groundbreaking Raisin Cycle. His other directorial credits include Dominique Morisseau’s Skeleton Crew at the Lark Play Development Center in New York, New York’s Public Theater’s production of Much Ado About Nothing, the World Premiere of Detroit ’67 (nominated for Best Director) at New York’s Public Theater, and the World Premiere of The Liquid Plain at Oregon Shakespeare Festival. He has served on the boards of The National Theatre and The Tricycle Theatre, both in London, and as Artistic Director for the World Arts Festival in Senegal. He was named the Chancellor of the University of the Arts London, and in 2012 was named an Officer of the Most Excellent Order of the British Empire.
Managing Director Stephen Richard has worked in ballet, museums, and theater, with his longest tenure at Arena Stage. As Arena’s Executive
Director, he planned and managed the theater’s capital campaign for the Mead Center for American Theater. He has served as professor of Arts Management at Georgetown University. He has also served on the boards and committees of some of the nation’s most prestigious arts organizations, including the National Endowment for the Arts, American Arts Alliance, the League of Resident Theatres, and the Theatre Communications Group. He currently serves on the Advocacy Committee of the Greater Baltimore Cultural Alliance and on the board of directors of the Maryland Citizens for the Arts.
Associate Director Gavin Witt came to Center Stage in 2003, after nearly 15 years in Chicago as an actor, director, dramaturg, translator, and teacher—and
co-founder of the classically based greasy joan & co theater. In addition to working as a dramaturg on scores of productions, readings, and workshops at Center Stage, he has helped develop new work around the country. Before making his Center Stage mainstage directorial debut with Twelfth Night, Gavin directed more than a dozen Young Playwrights Festival entries, as many new play readings, and the 50th Anniversary Decade Plays for Center Stage. A graduate of
Yale and the University of Chicago, he has taught at the University of Chicago, DePaul, and locally at Towson; served on the advisory boards of several theaters; and spent more than a decade as a regional vice president of the national association of dramaturgs, LMDA.
Associate Director Hana S. Sharif is a director, playwright, and producer. She served as Associate Artistic Director, Director of New Play Development; and
Artistic Producer at Hartford Stage; and recently as Program Manager of the ArtsEmerson Ambassador Program; and as Developmental Producer/Tour Manager of Progress Theatre’s musical The Burnin’. Hana also served as co-founder and Artistic Director of Nasir Productions, which brings theater to underserved communities. Directing credits include The Whipping Man, Gem of the Ocean (six CCC nominations), Gee’s Bend (CCC Award Best Ensemble, two nominations), Next Stop Africa, Cassie, The Drum, and IFdentity. Hana has directed numerous developmental workshops, including Elyzabeth Gregory Wilder’s The Chat and Chew Supper Club. Her plays include All the Women I Used to Be, The Rise and Fall of Day, and The Sprott Cycle Trilogy. Hana is the recipient of the 2009–10 Aetna New Voices Fellowship and the Theatre Communications Group (TCG) New Generations Fellowship.
CENTER STAGE ADVISORY BOARDThe Center Stage Advisory Board is a group of Artistic Directors from theaters across the country. We thank these experienced professionals who are on hand to provide guidance and advice to Center Stage leaders, board, and staff.
Susan Booth, Artistic Director at Alliance Theatre
James Bundy, Artistic Director at Yale Repertory Theatre
Marc Masterson, Artistic Director at South Coast Repertory
James Nicola, Artistic Director at New York Theatre Workshop
Diane Paulus, Artistic Director at the American Repertory Theater
Neil Pepe, Artistic Director at Atlantic Theater Company
Carey Perloff, Artistic Director at the American Conservatory Theater
Bill Rauch, Artistic Director at Oregon Shakespeare Festival
Michael Ritchie, Artistic Director at Center Theatre Group
Tim Sanford, Artistic Director at Playwrights Horizons
BIOSThe Staff
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When the arts succeed, we all succeed.
At M&T Bank, we know how important it is to support artists of all kinds. They
enhance the quality of life in our communities. That’s why we offer both our time and
resources and encourage others to do the same.
M&T Bank is proud to support Center Stage.
mtb.com ©2014 M&T Bank. Member FDIC.
It's a Wonderful Life: A Live Radio Play | 13
14
Center Stage—It’s a Wonderful Life
We love it here. After all, Thomas Rowe Price, Jr., founded his investment
firm in Baltimore in 1937. And here we’ve remained, even as we’ve grown
to become a global enterprise. Wherever we work and live, we serve our
communities through civic contributions and the energetic volunteer
efforts of our associates.
We’re proud to be a long-time supporter of this remarkable cultural
institution, which enriches our city’s quality of life.
troweprice.com
Proud to be Local.
IS NOW ACCEPTING DONATIONS!By donating an item to the Baltimore Sun Online Auction for Center Stage,
you help ensure the future of Center Stage programs and initiatives.
For more information contact Sydney Wilner at [email protected] or 410.986.4025, or visit centerstage.org/auction.
We hope to work with you during this year’s auction!
16
It's a Wonderful Life: A Live Radio Play | 17
Groups of 10 or more receive:
Great Savings Priority SeatingPersonalized ServiceFlexible Payment OptionsSpecial Bonus Tickets (Groups 25+)
BRING A GROUP AND SAVE!
For details, or to book, contact Tia Abner at 410.986.4008 or [email protected].
Opening Night Receptions, Backstage @ Center Stage, the Annual Benefit Gala, the annual Auction—these are just a few of the events that happen every year at Center Stage, and are made possible thanks to the generous in-kind support of The Classic Catering People.
A member of the community for over 40 years, it’s hard to imagine a company more entwined with Baltimore than Classic. Classic’s roots are in Baltimore, and the company is deeply connected to its residents. From Center Stage to numerous cultural and educational institutions, from the Baltimore Ravens at the Under Armour Performance Center to holiday parties for children at local hospitals, the Classic team has helped transform events into memories for all those they serve.
For Classic, giving back to the community is a reflection of commitment to the people that make what they do possible. As not only a caterer, but a community builder, Classic—a family business—shares our commitment to strengthening our shared community.
Under the leadership of the late Eddie Dopkin, as well as his sister Harriet Dopkin, and Larry Frank, Classic has always been about more than just food. Classic believes that the only thing better than bringing people together for a good meal is to bring them together for a good cause. Team members volunteer at many local nonprofits, chefs provide cooking classes to kids, and during every season at Center Stage Classic helps make possible one of our most popular community programs: Kickin’ it with the ‘Rents.
Conceived as a way to encourage parents and children to attend theater together, these special performances bring families and Center Stage artists together before a production, allowing them to ask questions and engage with art in a deeper, more meaningful way. Every season, Classic provides meals for these intimate occasions, helping us inspire the next generation of theater-goers and theater-makers. As one parent noted, “I am truly grateful that programs like this exist. The added experience of dinner and meeting the cast really was enjoyable. What a great way to introduce kids to theater.”
As a longtime supporter of Center Stage, it is clear The Classic Catering People understand how the arts can nourish a community. Thank you Classic for making our events so special and ensuring our guests leave with the best possible memories.
Did you know that everything you see on stage is created right here at Center Stage? The smallest details, down to the perfect vintage microphones, are thoughtfully curated by Center Stage’s talented artists.
This holiday season, please consider making a tax-deductible donation to Center Stage in support of our artisans and the magic they create on stage.
Here’s how:
Online: Visit centerstage.org/donatePhone: Call Katelyn White at
410.986.4026Mail: Center Stage
Attn: Development Office 700 North Calvert Street Baltimore, MD 21202
Thank you!
Be a Part of the Magic
SUPPORTER SPOTLIGHTThe Classic Catering People
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The following list includes gifts of $250 or more made to the Center Stage Annual Fund between April 16, 2013 and October 15, 2014. Although space limitations make it impossible for us to list everyone who helps fund our artistic, education, and community programs, we are enormously grateful to each person who contributes to Center Stage. We couldn’t do it without you!
SUPPORT The Annual Fund at Center Stage
INDIVIDUALS & FOUNDATIONSThe Center Stage Society represents donors who, with their annual contributions of $2,500 or more, provide special opportunities for our artists and audiences. Society members are actively involved through special events, theater-related travel, and behind-the-scenes conversations with theater artists.
INDIVIDUAL SEASON SPONSORS($50,000+)Ellen and Ed BernardLynn and Tony DeeringJane and Larry DroppaJudy and Scott PharesMr. and Mrs. Philip RauchJay and Sharon SmithMs. Barbara Voss and Charles E. Noell, III
PRESIDENTS’ CIRCLE($50,000+)
The Annie E. Casey FoundationThe Charlesmead FoundationEdgerton Foundation
New American Play AwardsThe Shubert Foundation, Inc.Harold and Mimi Steinberg
Charitable TrustMs. Katherine L. Vaughns +
PRODUCERS’ CIRCLE($25,000-$49,999)
The Miriam and Jay Wurtz Andrus Trust
William G. Baker, Jr. Memorial Fund, creator of the Baker Artist Awards
Penny BankStephanie and Ashton CarterJames and Janet ClausonKathleen HyleJI FoundationMarilyn MeyerhoffTerry H. Morgenthaler and
Patrick Kerins
ARTISTS’ CIRCLE($10,000-$24,999)
The William L. and Victorine Q. Adams Foundation and The Rodgers Family Fund
Peter and Millicent BainThe Jacob and Hilda Blaustein
Foundation, Inc.The Bunting Family FoundationThe Helen P. Denit Charitable TrustMs. Nancy Dorman and
Mr. Stanley MazaroffFascitelli Family FoundationDaniel P. GahaganJohn Gerdy and E. Follin Smith
The Goldsmith Family Foundation
The Laverna Hahn Charitable Trust
Francie and John Keenan
Townsend and Bob Kent
Kenneth C. and Elizabeth M. Lundeen
The Andrew W. Mellon Foundation
Joseph & Harvey Meyerhoff Family Charitable Funds
Mr. J. William Murray
George Roche
Mr. and Mrs. George M. Sherman
Mr. Louis B. Thalheimer and Ms. Juliet A. Eurich
Department of VSA and Accessibility at the John F. Kennedy Center for the Performing Arts
PLAYWRIGHTS’ CIRCLE($5,000-$9,999)
James T. and Francine G. Brady
Mary Catherine Bunting
August and Melissa Chiasera
The Nathan & Suzanne Cohen Foundation
The Jane and Worth B. Daniels, Jr. Fund of the Baltimore Community Foundation
Mr. and Mrs. Walter B. Doggett, III
Brian and Denise Eakes
Dick and Maria Gamper
Carole and Neil Goldberg
Fredye and Adam Gross
Martha Head
Murray Kappelman
Kwame and Michelle Kwei-Armah
The John J. Leidy Foundation, Inc.
The Macht Philanthropic Fund
Robert E. Meyerhoff and Rheda Becker
Stephen Richard and Mame Hunt
The Jim & Patty Rouse Charitable Foundation
Charles and Leslie Schwabe
Mr. and Mrs. J.W. Thompson Webb
Ms. Linda Woolf
DIRECTORS’ CIRCLE($2,500-$4,999)
AnonymousThe Lois and Irving Blum FoundationDrs. Joanna and Harry BrandtSylvia and Eddie BrownMr. John DavisonThe Mary & Dan Dent Fund of the
Baltimore Community Foundation
Mr. and Mrs. Mathias J. DeVito
Mr. and Mrs. Michael FalconeThe Harry L. Gladding Foundation/
Winnie and Neal BordenGoldseker Foundation/ Ana GoldsekerRobert and Cheryl GuthThe Hecht-Levi Foundation, Inc.David and Elizabeth JH HurwitzSteve and Susan ImmeltJonna and Fred LazarusMr. and Mrs. Earl & Darielle Linehan/
Linehan Family FoundationMrs. Diane MarkmanLinda and John McClearyJohn and Mary MessmoreJim and Mary MillerMr. and Mrs. Hugh Mohler, Jr.John and Susan NehraDr. and Mrs. Lawrence C. PakulaThe Pearlstone Family Fund Lainy Lebow Sachs and Leonard SachsMonica and Arnold SagnerMr. and Mrs. Todd SchubertScott and Mimi SomervilleScot T. SpencerMr. Gilbert H. Stewart and
Ms. Joyce L. UlrichMr. Michael StyerMr. and Mrs. Harry ThomasianMr. and Mrs. Donald and
Mariana ThomsTrexler Foundation, Inc. -
Jeff Abarbanel and David GoldnerKathryn and Mark VaselkivLoren and Judy WesternTed and Mary Jo WieseCheryl Hudgins Williams and
Alonza WilliamsMr. Todd M. Wilson and
Mr. Edward DelaplaineDrs. Nadia and Elias Zerhouni
Robert W. Smith, Jr., PresidentEdward C. Bernard, Vice PresidentJuliet Eurich, Vice PresidentTerry H. Morgenthaler, Vice PresidentBrian Eakes, TreasurerJ.W. Thompson Webb, Secretary
Penny BankKatharine C. Blakeslee*James T. BradyC. Sylvia Brown*Stephanie CarterAugust J. ChiaseraLynn DeeringJed DietzWalter B. Doggett, IIIJane W.I. DroppaBeth W. FalconeJennifer FosterDaniel GahaganC. Richard Gamper, Jr.Suzan GarabedianAdam GrossCheryl O'Donnell GuthMartha Head*Elizabeth J. Himelfarb HurwitzKathleen W. HyleTed E. ImesJoe JenningsMurray M. Kappelman, MD*John J. KeenanE. Robert Kent, Jr.Joseph M. Langmead*Kenneth C. Lundeen*John McCardellMarilyn Meyerhoff*Hugh MohlerJ. William MurrayCharles E. NoellEsther Pearlstone*Judy M. PharesJill PrattPhilip J. RauchHarold RojasMonica Sagner*Renee C. Samuels RosenfeldTodd SchubertCharles SchwabeGeorge M. Sherman*Scott SomervilleScot T. SpencerMichael B. StyerHarry ThomasianDonald ThomsKatherine Vaughns+Krissie VerbicLinda S. Woolf* Trustee Emeriti+ Deceased
BOARD OF TRUSTEES
It's a Wonderful Life: A Live Radio Play | 19
DESIGNERS($1,000-$2,499)
Anonymous
Denise and Philip Andrews
Mayer and Will Baker, in honor of Terry Morgenthaler
Ms. Taunya Banks
Mr. and Mrs. Marc Blum
John and Carolyn Boitnott
Dr. and Mrs. Donald D. Brown
Sandra and Thomas Brushart
Meredith and Joseph Callanan
The Campbell Foundation, Inc.
Caplan Family Foundation, Inc.
Rose Carpenter
John Chester
Ann K. Clapp
Combined Federal Campaign
Constantinides Family Foundation
Mr. Thomas Crusse and Mr. David Imre, in honor of Stephanie and Ash Carter
The Richard and Rosalee C. Davison Foundation
Gene DeJackome and Kim Gingras
Albert F. DeLoskey and Lawrie Deering
Mr. Jed Dietz and Dr. Julia McMillan
The Epp Family
Dennis Flynn
Dr. and Dr. Matthew Freedman
Frank and Jane Gabor
Jose and Ginger Galvez
Ms. Suzan Garabedian
Pamela and Jonathan Genn, in honor of Cindi Monahan and Beth Falcone
Sandra Levi Gerstung
F. Barton Harvey, III and Janet Marie Smith
Bill and Scootsie Hatter
Donald and Sybill Hebb
Sandra and Thomas Hess
Drs. Dahlia Hirsch and Barry Wohl
Len and Betsy Homer
The A. C. and Penney Hubbard Foundation
Ms. Harriet F. Iglehart
Joseph J. Jaffa
Max Jordan
Mr. and Mrs. Mark Joseph, in honor of Lynn Deering
Ms. Shirley Kaufman
Francine and Allan Krumholz
H.R. LaBar Family Foundation Fund of The Greater Cincinnati Foundation
The Herschel and Judith Langenthal Philanthropic Fund
Andie Laporte, in honor of Philip and Lynn Rauch
Dr. and Mrs. George Lentz, Jr.
Robert and Susan Mathias
Mr. and Mrs. Steven and Karen McCurdy
Joseph and Jane Meyer
Mr. and Mrs. John and Beverly Michel
Tom and Cindi Monahan
Jeannie Murphy
Mr. and Mrs. Lee Ogburn
Dr. Bodil Ottesen
Linda Hambleton Panitz
Dave and Chris Powell
Jill and Darren Pratt
The James and Gail Riepe Family Foundation
Nathan and Michelle Robertson
The Rollins-Luetkemeyer Foundation
Gail B. Schulhoff
Bayinnah Shabazz, M.D.
Barbara and Sig Shapiro
The Earle & Annette Shawe Family Foundation
Barbara P. Shelton
Mr. and Mrs. Robert N. Smelkinson
Mr. and Mrs. Robert and Terri Smith
Mr. and Mrs. Scott Smith
Judith R. and Turner B. Smith
Ms. Kimberly Stokes
Dr. and Mrs. John Strahan
Susan and Brian Sullam
Dr. Edgar and Mrs. Betty Sweren, in honor of Cindi Monahan
Robert and Patricia Tarola
Nanny and Jack Warren, in honor of Lynn Deering
Sydney and Ron Wilner
Ann Wolfe and Dick Mead
Dr. Laurie S. Zabin
Mr. Calman Zamoiski, Jr., in honor of Terry Morgenthaler
COMPANY($500-$999)
Anonymous
Ms. Diane Abeloff, in memory of Martin Abeloff
Mr. and Mrs. Delbert L. Adams
Mrs. Alexander Armstrong
Mr. and Mrs. Robert and Dorothy Bair
Mr. and Mrs. Raymond Bank Family Fund of the Baltimore Community Foundation
Charles and Patti Baum
Jaye and Dr. Ted Bayless Fund of the Baltimore Community Foundation
Steve and Teri Bennett
Harriet and Bruce Blum
Jan Boyce
Jason and Mind Brandt
Cindy Candelori
Ms. Sue Lin Chong
Mr. and Mrs. Carl F. Christ
William and Bonnie Clarke
Ms. Clare Cochran
Ms. Barbara Crain and Mr. Michael Borowitz
Robert and Janice Davis
Richard and Lynda Davis
James DeGraffenreidt and Mychelle Farmer
The Honorable and Mrs. E. Stephen Derby
Lynne Durbin and John-Francis Mergen
Patricia Yevics-Eisenberg and Stewart Eisenberg
The Eliasberg Family Foundation
Buddy and Sue Emerson, in appreciation of Ken and Elizabeth Lundeen
Mr. Donald M. and Mrs. Margaret W. Engvall
Faith and Edgar Feingold, in memory of Sally W. Feingold
Andrea and Samuel Fine
Merle and David Fishman
Ms. Nancy Freyman
Dr. Joseph Gall and Dr. Diane Dwyer
Megan M. Gillick
Terry L. Gladden
Mary and Richard Gorman
Stuart and Linda Grossman
Terry Halle and Wendy McAllister
Vicki and Jim Handa
Rebecca Henry and Harry Gruner
Mrs. Heidi Hoffman
James and Rosemary Hormuth
Dr. and Mrs. J. Woodford Howard
Ralph and Claire Hruban
Mr. and Mrs. Theodore Imes
Mr. and Mrs. James and Julia Johnstone
Kirk and Debbie Joy
Mr. and Mrs. Peter Kaplan
Mr. and Mrs. Padraic Kennedy
Roland King and Judith Phair King
Donald Knox and Mary Towery, in memory of Carolyn Knox and Gene Towery
Stewart and Carol Koehler
Joseph M. and Judy K. Langmead
Dr. and Mrs. Ronald Lesser
Marilyn Leuthold
Kenneth and Christine Lobo
The Ethel M. Looram Foundation, Inc.
Dr. and Mrs. Thomas J. Lynch
The Dr. Frank C. Marino Foundation, Inc.
Maryland Charity Campaign
Mary L. McGeady
Jeston I. Miller
The Honorable Diana and Fred Motz, in memory of Nancy Roche
George and Beth Murnaghan
Ms. Jennifer Nelson
Roger F. Nordquist and Joyce Ward
Ms. Jo-Ann Mayer Orlinsky
Pitt O’Neill Family
Michael and Phyllis Panopoulos
Leslie and Gary Plotnick
Robert E. and Anne L. Prince
Mr. and Mrs. Richard Radmer
Mrs. Peggy L. Rice
Jane and Stanley Rodbell and James R. Shapiro
Mr. and Mrs. Harold Rojas
Dorothy L. and Henry A. Rosenberg, Jr.
Renee Samuels Rosenfeld and Jordan Rosenfeld
Kevin and Judy Rossiter
Mr. Al Russell
Mrs. Bette Rothman
Sheila and Steve Sachs
Kurt and Patricia Schmoke
Eugene and Alice Schreiber Philanthropic Fund
The Sinksy-Kresser-Racusin Memorial Foundation
Susan Somerville-Hawes, in honor of The Encounter Program
Ms. Jill Stempler
Mr. and Mrs. Barbara and Paul Timm-Brock
David and Sharon Tufaro
United Way of Central Maryland Campaign
Mr. and Mrs. George and Beth Van Dyke
Mr. John Wessner
Ms. Camille Wheeler and Mr. William Marshall
Mr. John Wessner
Mr. and Mrs. Barry and Linda Williams
Dr. and Mrs. Frank R. Witter
Dr. Richard H. Worsham
Mr. Norman Youskauskas
ADVOCATES($250-$499)
Anonymous
Rita and Walter Abel
Ms. Lisa Abrams
Bradley and Lindsay Alger
The Alsop Family Foundation
Mr. Alan M. Arrowsmith, II.
Mr. Wayne Arvin
Mrs. Darlene E. Austin
Ayd Transport
Mike Baker
Melissa A. Behm
S. Woods and Cathy Bennett
Mr. Jason Bennett
Bob and Maureen Black
Rachel and Steven Bloom, in honor of Beth Falcone
Ms. Deborah W. Callard
Ms. Darlene Campbell
The Jim and Anne Cantler Memorial Fund of the Baltimore Community Foundation
Mr. and Mrs. Louis J. Carr
Mr. and Mrs. David Carter
Alice P. Clark
Brenda M. Cley, M.D.
Mr. and Mrs. Stanton Collins
David and Sara Cooke
B.J. and Bill Cowie
Gwen Davidson
Jay and Bette Demarest
Ed and Ina Dreiband
Stacie C. Dunlap
Deborah and Philip English
Ms. Vicky Favor
Ms. Rhea Feikin, in memory of Colgate Salsbury
Faith and Edgar Feingold, in memory of Sally W. Feingold
Bob and Susie Fetter
Genine and Josh Fidler, in honor of Ellen and Ed Bernard
Dr. and Mrs. Robert P. Fleishman
Elborg and Robert Forster
Dr. Neal M. Friedlander and Dr. Virginia K. Adams
Mark and Patti Gillen
Hal and Pat Gilreath
Mr. Bruce Goldman
Dr. Larry Goldstein and Dr. Diane Pappas
Ms. Hannah B. Gould
Barbara and Howard Gradet
Thomas and Barbara Guarnieri
Mr. and Mrs. James Hackman
Christine B. Hall
Ada Hamosh
Aaron Heinsman and Nick Simko
Betsy and George Hess
Sue Hess
Mr. Donald H. Hooker, Jr.
Susan Horn
Ms. Sarah Issacs
James and Hillary Aidus Jacobs
Ms. Monica James
A.H. Janoski, M.D., in honor of Jane Stewart Janoski
Ann H. Kahan
Richard and Judith Katz
Dr. and Mrs. Myron Kellner
Stephen and Laurie Kelly, in memory of Rodney Stieff
Ms. Kim-Khoi Khue
David and Ann Koch
Thomas and Lara Kopf
Larry Koppelman and Liz Ritter
Gina Kotowski
Mr. Barry Kropf
Edward Kuhl
Ms. Dorothy Kuhlman
Truby LaGarde and Paul Lambertson
Mr. and Mrs. William Larson
Mr. Raymond Lenhard, Jr.
Marty Lidston and Jill Leukhardt
Dr. and Mrs. John Lion
Scott and Ellen Lutrey
Nancy Magnuson and Jay Harrell, in honor of Betty and Edgar Sweren
Frank and Joyce Margolis
SUPPORT
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Mr. Elvis Marks
Jeanne E. Marsh
Mary and Barry Menne
Mr. and Mrs. Timothy E. Meredith
Tracy Miller and Paul Arnest, in honor of Stephanie Miller
Faith and Ted Millspaugh
James W. and Shirley A. Moore
Dr. and Mrs. C.L. Moravec
Stephen and Terry Needel
Mildred and Timothy Nohe
Irene E. Norton
Dr, and Mrs. Alex Ober
Claire D. O'Neill
The P.R.F.B. Charitable Foundation, in memory of Shirley Feinstein Blum
Justine and Ken Parezo
Fred and Grazina Pearson
Chris and Deborah Pennington
Dr. and Mrs. James M. Pepple
Mr. Martin Perschler
Mr. William Phillips
Mr. and Mrs. Samuel Phillips
Robin and Allene Pierson, in honor of Terry Morgenthaler
Ronald and Patricia Pilling
Dr. and Mrs. Jeffrey Posner
Cyndy Renoff and George Taler
Dr. Michael Repka and Dr. Mary Anne Facciolo
John and Dotty Reynolds
Bob and Phoebe Reynolds
Natasha and Keenan Rice
Alison and Arnold Richman
Ida and Jack Roadhouse
Mr. Paul Roeger, in memory of Gloria Roeger
Mr. Wilfred Roesler
Mr. and Mrs. Louis Rusk
Steven and Lee Sachs
Dr. and Mrs. Edward M.M. Sills
Ellen and Dino Sangiamo
Mr. and Mrs. L. Siems
Ms. Pamela Skelding
Dr. Donald Slowinski
Reverend Sharon Smith
Solomon and Elaine Snyder
Mrs. Clare H. Stewart, in honor of Bill Geenen
Brenda and Dan Stone
Renee Straber, in memory of Joan Marilyn Kappelman
Mr. Joseph Terino, in memory of Joan Marilyn Kappelman
Fred and Cindy Thompson
Mr. Martin Toner, in memory of Joan Marilyn Kappelman
Susan Treff
Laura and Neil Tucker, in honor of Beth Falcone
Sarah Valente
Mr. and Mrs. David Warshawsky
Boe and Patti Wells
Ms. Anita Wilmore
Deborah King-Young and Daniel Young
SPECIAL GRANTS & GIFTS:
The Leading National Theatres Program, a joint initiative of the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation
GOVERNMENT GRANTSCenter Stage is funded by an operating grant from the Maryland State Arts Council, an agency dedicated to cultivating a vibrant cultural community where the arts thrive. Funding for the Maryland State Arts Council is also provided by the National Endowment for the Arts, a federal agency.
Center Stage’s catalog of Education Programs has been selected by the President’s Committee on the Arts and Humanities as a 2011 National Arts and Humanities Youth Program Award Finalist.
Baltimore County Executive, County Council, & Commission on Arts and Sciences
Carroll County Government
Howard County Arts Council through a grant from Howard County Government
Center Stage has been funded by the Mayor Stephanie Rawlings-Blake and the Baltimore Office of Promotion and the Arts.
GIFTS IN-KINDThe Afro American
Akbar Restaurant
Atwater’s
Au Bon Pain
The Baltimore Sun
Berger’s Cookies
Blimpie
The Brewer’s Art
Cakes by Pamela G
Casa di Pasta
The Classic Catering People
The Charles Theater
Chipotle
The City Paper
Dooby's
Eddie’s on Saint Paul
Edible Arrangements
Eggspectations
Express Vending
Fisherman’s Friend/ Pez Candy, Inc.
The Fractured Prune
Gertrude’s Restaurant
Gianni’s Italian Bistro
Greg’s Bagels
GT Pizza
HoneyBaked Ham Co.
The Helmand
Hotel Monaco
Iggie’s
The Jewish Times
Mamott
Mars Super Markets
Maryland Office Interiors
Maryland Public Television
Michele’s Granola
Mitchell Kurtz Architect, PC.
Mount Vernon Stable and Saloon
New System Bakery
Oriole’s Pizza and Sub
Pizza Boli’s
Pizza Hut
Planit Agency
PromoWorks
Republic National Distributing Company
Sabatino’s
Shugoll Research
The Signman
Style Magazine
Subway
Urbanite
Utz Quality Foods
Village Square Café
A Vintner’s Selection
Wawa
Wegman’s
Whitmore Print & Imaging
WYPR Radiowww.thecheckshop.us
MATCHING GIFT COMPANIES The Abell Foundation, Inc.
Bank of America
BGE
Becton Dickinson & Company
The Annie E. Casey Foundation
Constellation Energy
The Deering Family Foundation
E-Bay Foundation
Illinois Tool Works Foundation
Kraft Foods
MASCO Corporation
McCormick Foundation
PLAYWRIGHTS’ CIRCLE
Anonymous
American Trading & Production Corporation
Ayers Saint Gross, Incorporated
The Baltimore Life Companies
Cassidy Turley
Chapel Valley Landscape Company
Cho Benn Holback + Associates
Environmental Reclamation Company
Ernst & Young
FTI Consulting, Inc.
Howard Bank
Jenkins Baer Associates
Legg Mason
McGuireWoods LLP
Pessin Katz Law P.A.
PNC Bank
PricewaterhouseCoopers
Saul Ewing LLP
Stifel Nicolaus
Sylvan/Laureate Foundation
Venable, LLP
Whiteford, Taylor and Preston
Whiting-Turner Contracting Co.
DIRECTORS’ CIRCLE
Baxter, Baker, Sidle, Conn & Jones, P.A.
Funk & Bolton, P.A.
Schoenfeld Insurance Associates
DESIGNERS
Chesapeake Plywood, LLC
Stevenson University
CORPORATIONS
PRODUCERS’ CIRCLE
THE 2014/15 SEASON IS MADE POSSIBLE BY
ARTISTS’ CIRCLE
PRESIDENTS’ CIRCLE
T. Rowe Price Foundation, Inc.
It's a Wonderful Life: A Live Radio Play | 21
22
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It's a Wonderful Life: A Live Radio Play | 23
Just around the corner at Charles and Read.
“Attention is paid to every last detail...”
— The Baltimore Sun
Show us your Center Stage ticket
to get 10% off each meal!
24
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Miles & Stockbridge applauds Center Stage
and its enchanting production of
It’s a Wonderful Life: A Live Radio Play.
We wish you and yours a magical holiday season.
It’s a Wonderful Life, but sometimes it can get tough— especially for the one in five people living with a mental illness or substance use disorder.
When you need help or information, contact the Mental Health Association of Maryland to:
• learn more about mental health and mental illness • take a mental health screening • find community resources • access help navigating health insurance problems • sign up for a Mental Health First Aid course
443.901.1550 www.mhamd.orgMental Health Association of Maryland
Healthy MindsHealthy Communities
CELEBRATING 100 YEARS OF ADVOCACY IN 2015
It's a Wonderful Life: A Live Radio Play | 25
Guests celebrate at Opening Night of Next to Normal (clockwise from top left): Shannon Graham and Tiana Bias; Matthew Rodin and Kally Duling; Justin Scott Brown and Cassandra Miller; Paul Wissman, Katie Scarlett, and Andrew Woods; (back): Michael Winther, Kally Duling, Darren Cohen, Ariela Morgenstern, Matt Lutz, Justin Scott Brown, Matthew Rodin, and Jessica Hartman (front): David Schweizer, Kwame Kwei-Armah, and Ryan Haase; Jennifer Stearns, David Gleeson, and David Schweizer; Teresa Eyring and Kwame Kwei-Armah. Photos by Tyrone Eaton.
PHOTOSCenter Stage Celebrations
Major Donors Reception: Kwame Kwei-Armah and Jacqueline Caldwell; Julia Keller, Jacqueline and Robert Smelkinson; Terry Morgenthaler and Brenda Jews.
26
By Kemp PowersJan 14–Feb 8
On February 25, 1964 Cassius Clay wins the world heavyweight boxing title, and instead of hitting the town, Clay chooses to celebrate in a Miami hotel room with his three close friends—activist Malcolm X, singer Sam Cooke, and football star Jim Brown. This fictional account of a real night imagines what might have happened in that tiny hotel room.
ONE NIGHT in MIAMI…
2013Los Angeles
Drama Critics Circle
AWARD
Sam Cooke. Jim Brown. Malcolm X .
M u ham mad Ali .
“Crackles with both the charisma and humanity of these iconic figures.”–The Hollywood Reporter
“Engrossing.”–Los Angeles Times
Tom Hall, Music Director
Christmas with Choral ArtsTuesday, December 2, 2014 at 7:30 pm
The Baltimore BasilicaThis annual festive holiday program features Tom Hall conducting the
Chorus and Orchestra.
Sing-Along MessiahFriday, December 19, 2014 at 7:30 pm
Kraushaar AuditoriumJoin in singing the choruses of Handel’s Messiah, or just enjoy
the surround-sound!
Christmas for KidsSaturday, December 20, 2014 at 11 am
Kraushaar AuditoriumHoliday fun for the entire family, featuring Pepito the Clown and
a visit from Santa!
Quest for PeaceSunday, April 26, 2015 at 3 pm
Kraushaar AuditoriumTom Hall leads the full chorus and orchestra in poignant settings of
Dona nobis pacem by Ralph Vaughn Williams and Pateris Vasks, and Arvo Pärt’s
beautiful meditation, Da pacem Domine.
410-523-7070 | BCAsings.org
Baltimore Choral Arts is also grateful for the support of The William G. Baker, Jr. Memorial Fund, creator of the Baker Artist Awards, www.bakerartistawards.org.
Choral CLASSICS
A S E A S O N O FPREVIEW
UP NEXT 2014/15 SEASON
It's a Wonderful Life: A Live Radio Play | 27
Kwame Kwei-Armah OBE–Artistic Director | Stephen Richard–Managing Director
AdministrationAssociate Managing Director–Del W. RisbergSpecial Assistant to the Managing Directors–
Kevin MaroneyExecutive Assistant–Sarah CurnolesManaging Directors’ Fellow–Neil ParikhManaging Directors’ Intern–Arrenvy Bilinski
Artistic & DramaturgyAssociate Director–Gavin WittAssociate Director–Hana SharifArtistic and Dramaturgy Fellow–
Catherine María RodríguezThe Lynn and Tony Deering Artistic Director’s Intern–
Brandon ButtsThe Stephanie and Ashton Carter Digital Media Intern–
Nick MorrisonHot Desk Resident Playwright–Jenny Connell Davis International Hot Desk Playwright–Mar Gómez GlezPlaywrights under Commission–de’Andre Aziza,
James Magruder, Daniel Reitz, KJ Sanchez
Audience RelationsBox Office Manager–Mandy BenedixAssistant Box Office Manager/Subscriptions Manager–
Jerrilyn KeeneAssistant Patron Services Manager–Laura Baker,
Nick HoranPatron Services Associates–Zerica Anderson, Samrawit
Belai, Tiana Bias, Arrenvy Bilinski, Kendrel Dickerson, Neil Parikh, Sonny Russo, Jess Strasser, Sarah Tomberlin, Paul Wissman
Front of House Manager & Volunteer Coordinator– Alec Lawson
House Managers–Laura Baker, Mandy Benedix, Sarah Hurst, Lindsay Jacks, Faith Savill, Paul Wissman
Bar Manager–Beth Ann Wilson Van CleveAudience Relations Intern–Sarah HurstAudio Description–Ralph Welsh &
Maryland Arts Access
AudioSupervisor–Amy WedelAudio Engineer–Mercer AplinThe Jane and Larry Droppa Audio Intern–
Robin Clenard
Community Programs & EducationDirector–Rosiland CauthenEducation Coordinator–Kristina SzilagyiCommunity Programs & Education Fellow–
Joshua ThomasCommunity Programs & Education Intern–
Andrew StromyerTeaching Artists–Maria Broom, Sean Elias, Jerry
Miles, Jr., Dustin Morris, CJay Philip, D. Wambui Richardson, Craig Richie, Oran Sandel, Susan Stroupe, Ann Turiano, Jacob Zabawa
CostumesCostumer–David BurdickDraper–Susan MacCorkleTailor–Edward DawsonCraftsperson–Wiliam E. CrowtherFirst Hand–Elisabeth RoskosThe Judy and Scott Phares Costumes Intern–
Sarah Barbour
The Kathleen Hyle Wardrobe Intern–Mika Eubanks
DevelopmentDirector–Julia KellerAnnual Fund Manager–Katelyn WhiteGrants Manager–Debbie JoyDevelopment Associate–Christopher LewisEvents Manager–Brad NorrisDevelopment Assistant–Alyson JacquesAuction Coordinator–Sydney WilnerAuction Assistant–Norma CohenThe Edward and Ellen Bernard Development Fellow–
Astoria Avilés
ElectricsLighting Director–Tamar GeistMaster Electrician–Bevin MiyakeStaff Electrician– Anthony ReedThe Gilbert H. Stewart and
Ms. Joyce L. Ulrich Lighting Intern–Jake Roberts
FinanceDirector–Susan RoseberyBusiness Manager–Kathy NolanBusiness Assistant–Kacy Armstrong
GraphicsArt Director–Bill GeenenProduction Photographer–Richard AndersonGraphics Intern–Katherine Marmion
Information TechnologiesDirector–Joe LongSystems Administrator–Mark Slaughter
Marketing & CommunicationsDirector–Tony HeaphyPublic Relations Manager–Cassandra MillerPublications Manager–Maggie BeetzMarketing Associate/Group Sales–Tia AbnerMarketing Associate–Sarah BichselDigital Content Associate–Emily SalinasThe Jay and Sharon Smith Marketing and
Communications Intern–Jessica Strasser
Multi-MediaCoordinator–Geoff MooreMultimedia Intern–Emery BeckerOperationsFacilities Manager–Shawn WhitenackBuilding Engineer–Harry PiaseckiSecurity Supervisor–James WilliamsCustodial Services Supervisor–Wylie ShawHousekeepers–Lanair Holland, Lori Duckworth
Production ManagementDirector of Production–Rick NobleAssociate Production Manager–Caitlin PowersCompany Manager–Sara GroveProduction/Stage Management Intern–
Hannah RennickeThe Philip and Lynn Rauch
Company Management Intern–Elizabeth FloydPropertiesProps Master–Jennifer StearnsAssistant Manager–Nathan Scheifele
Artisan–Samantha KuczynskiThe Kenneth C. and Elizabeth M. Lundeen
Properties Intern–Rachel Bennick
SceneryTechnical Director–Tom RuppAssistant Technical Director–Laura P. HillikerScene Shop Supervisor–Trevor GohrMaster Carpenter–Scott RichardsonCarpenters– Derek Lundmark, Hunter Montgomery,
WM Yarbrough, IIICarpentry Intern–Caitlin MagnessScenic ArtScenic Artist–Stephanie NimickScenic Art Intern–Maggie Foley
Stage ManagementResident Stage Managers–Captain Kate Murphy,
Laura SmithProduction Assistant–Lindsay EberlyStage Management Interns–Marian Jackson,
Kayla Whisman
Stage OperationsStage Carpenter–Eric L. BurtonWardrobe Supervisor–Linda Cavell
The following individuals and organizations contributed to this production of It’s a Wonderful Life: A Live Radio PlayAssistant Lighting Designer– Benjamin Fichthorn Casting Assistants–Anna Ciamporcero, Carleen
McCarthyCasting Associate–Lauren O'ConnellCarpenters– Michael Cager, R. Castrence, Connie Frost
Chong, Mark HawkinsonElectricians– Lesley Boeckman, Alison Burris, Jake Epp,
Aaron Haag, Erin TeachmanWigs– Linda Cavell
Center Stage operates under an agreement between LORT and Actors’ Equity Association, the union of professional actors and stage managers in the United States.
The Director and Choreographer are members of the Society of Stage Directors and Choreographers, Inc., an independent national labor union.
The scenic, costume, lighting, and sound designers in LORT theaters are represented by United Scenic Artists, Local USA-829 of the IATSE.
Musicians engaged by Center Stage perform under the terms of an agreement between Center Stage and Local 40-543, American Federation of Musicians.
Center Stage is a constituent of Theatre Communications Group (TCG), the national organization for the nonprofit professional theater, and is a member of the League of Resident Theatres (LORT), the national collective bargaining organization of professional regional theaters.
The Center Stage Program is published by:Center Stage Associates, Inc. 700 North Calvert Street Baltimore, Maryland 21202
Editor Maggie BeetzArt Direction/Design Bill GeenenAdvertising Sales [email protected]
CONTACT INFORMATIONBox Office Phone 410.332.0033 Box Office Fax 410.727.2522 Administration 410.986.4000www.centerstage.org [email protected]
Material in the Center Stage performance program is made available free of charge for legitimate educational and research purposes only. Selective use has been made of previously published information and images whose inclusion here does not constitute license for any further re-use of any kind. All other material is the property of Center Stage, and no copies or reproductions of this material should be made for further distribution, other than for educational purposes, without express permission from the authors and Center Stage.
STAFF
28
The educated choice.
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At Roland Park Place we feature a wide range of intellectually stimulating events and cultural offerings. Lecturers regularly speak on a broad range of topics. Weekly poetry readings, musical recitals, fitness classes, creative arts; that’s only the beginning of what awaits you. There’s also the putting green, raised garden beds, swimming pool, singing club and much more.
And because your neighbors are erudite and outgoing, you’ll have plenty of company with whom to discuss it all. Now that you’ve reached this level in life, you deserve to have the kind of enriched life experience offered at Roland Park Place.
How To Keep Your Curiosity Piqued.
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Why not learn more right now? Call (410) 243-5700 or visit RolandParkPlace.org
We’ve got a master’s degree in exceptional senior living.
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806 N. Charles Street. Baltimore, MD 21201
Tel: 410 . 752 . 0311Web: Helmand.com
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Sun – Thurs 5pm/10pmFri – Sat 5pm/11pm
806 N. Charles Street. Baltimore, MD 21201
Tel: 410 . 752 . 0311Web: Helmand.com
DELIVERY NOW AVAILABLE THROUGH DASH OR FOODLER
Celebrating 25 years of serving exquisite Afghan Cuisine
Cuisine from Afghanistan
Sun – Thurs 5pm/10pmFri – Sat 5pm/11pm
806 N. Charles Street. Baltimore, MD 21201
Tel: 410 . 752 . 0311Web: Helmand.com
DELIVERY NOW AVAILABLE THROUGH DASH OR FOODLER
The Helmand is proud to support Center Stage!