ITALY TOP ARCHITECTURE DRAWING STUDY TOUR€¦ · Italy Top Architecture Drawing Study Tour - 13th...

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I T A L Y TOP ARCHITECTURE DRAWING STUDY TOUR 13-29 JANUARY 2014 Qual italy TOUR by Benedetta Gargiulo Morelli o

Transcript of ITALY TOP ARCHITECTURE DRAWING STUDY TOUR€¦ · Italy Top Architecture Drawing Study Tour - 13th...

Page 1: ITALY TOP ARCHITECTURE DRAWING STUDY TOUR€¦ · Italy Top Architecture Drawing Study Tour - 13th to 29th January 2014 - is a two-week freehand drawing and architecture/urban design

ITALY TOP ARCHITECTUREDRAWING STUDY TOUR13-29 JANUARY 2014

QualitalyT O U Rby

Benedetta Gargiulo Morelli

o

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1 Programme Introduction 1

1.1 Brief Introduction 21.2 Gains 31.3 Rome Style Teaching 41.4 Palladio's Drawing Process 51.5 Goethe and the Grand Tour 61.6 Top professors 71.7 Official Institutes + Universities 91.8 Design Company Visits 101.9 Pecha Kucha 11 Day Trips 11

2 Social Activities 12

2.1 Local Experience 132.2 Accomodation 14

3 About us 15

4 How to Apply 16

Invest in Your FutureCopyright©2013 by

NOS Design

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Captions

1. Colosseum2. Accademia San Luca3. Roman Empire Logo4.Student Drawing Class5.Pantheon Cupola

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Italy Top Architecture Drawing Study Tour - 13th to 29th January 2014 - is a two-week freehand drawing and architecture/urban design analysis course conducted entirely out-of-doors; it is an opportunity to discover Italian architects,designers, artists by living the city of Rome. You will have an in-depth experience of Italian culture, architecture, cuisine, arts that will contribute to live and understand the real "Made in Italy".

The course has the patronage and will be supported by the most prestigious Italian University - La Sapienza - Department of Architecture, the University of Naples - Federico II - Department of Architecture and the Roman Institute of Architecture - OAR -.

Students will be introduced to the city of Rome by local architects, archeologists, artists and professors in daily walking tours to study the streets, spaces and buildings by direct experience. Each designer will keep a sketchbook to develop understanding and to record their discoveries and analysis of design.Outdoors sections are dedicated to observational drawing, in directed classes at the most exciting architectural locations within Rome.

The Opening and Closing Cerimonies will be held in the reowned Architects of Rome Institute Building, as well as the main lectures with invited famous Professors. These will be an opportunity for the students to present their work in a famous context and to network with Italian professors and professionals. In the closing cerimony, an official certificate of attendance will be handed out to testify the successful completion of the course.Furthermore, the students will have the opportunity to visit international famous Italian Architecture & Design Companies to discover and meet the Italian design industry.The aim is to encourage interaction with the Italian Companies, local designers, architects and artists in order to open work opportunities for the future.

A fantastic social program is provided parallelly to the drawing courses on a daily basis with 2 exceptional day-trips to Naples and Aquila. The program is designed for the students to have the opportunity to discover as much of Italian culture as possible, as well as thoroughly enjoy their time in Rome making great memories with new friends, professors and architects.

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PROGRAMME INTRODUCTION

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Captions

1. Ceiling View of Borromini's church Quattro Fontane

2. Snapshot of Roman Gladiators with a student group by the Colosseum. 1.

The course aims to give a unique Italian experience to the students in the field of Italian Art & Architecture by capturing its essence in all its ways both amateurially and professionally. In particular, students will:

• Visit the most famous archeological and architecture Italian sites in Rome with expert guided tours;

• Express and improve their freehand skills and architectural drawings, being followed by reowned Italian artists;

• Learn on-site the history and art-architectural styles of all the European epoques, ranging from the Roman Empire, Renaissance, Baroque,

Neo-Classicism, Fascim until Contemporary Architecture;

• Networking sessions with architectural and design companies based in Italy, potentially to stimulate work opportunities and international interchanges between Italy and China;

• Enjoy the Italian culture, art, food, museums, shops and street life by partecipating to the social activity agenda;

• Meet famous Italian professors in the fields of architecture, art and design by assisting to the tailored lectures and events;

• Obtain an official certificate of attendance to the course to enrich the CV.

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GAINS

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Focus Periods:

• The Roman Empire• Renaissance• The Exuberance of Roman Baroque• Neoclassicism• Fascist Architecture• Contemporary International Architecture

Centuries: 200 B.C. until present 2013 A.D.

Interwoven into each day are two types of drawing problems and assignments. One kind of drawing made from observation will be that of plans, elevations and sections found in streets, spaces and buildings, conducting their measurements with proportional scaling by ‘pacing’ and by ‘pencil’ measurement. The artist professor will teach this form of record which is augmented by perceptual drawing. Students wil understand the problem of placing the total experience of a motif, or view, on the page with the reductive means of drawing.

Issues of verisimilitude, light, materiality, proximity, visual groupings, composition and visual structure will command the attention of the draftsperson and teach the complex art of seeing. This method is to aid the student in the discovery of architecture’s complicity with the perceptual ordering of the environment which Roman architects have long exploited. Drawing from observation, in combination with architectural drawing of plans and sections, gives the student an inventory of the behavior of architecture that is both analytical and perceptual.

Each student will have 1 to 1 tutorials with the course director to show their findings, improve the techiniques and drawing skills both on-site and before pin-ups.

Group pin-ups sessions will be held periodically so that students can present their work to the class and discuss their improvement. In the closing cerimony, the best students' work will be selcted to be officially presented in the Architects of Rome Institute and if extravagant, will be published in architectural journals.

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ROME STYLE TEACHING

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Captions

1. The Pantheon, Serlio's charming woodcuts from Palladio's "Il Terzo Libro di Architettura (1544).2. Torre Sacello, Rome - Andrea Palladio (c. 1540).3. A study of a Roman tomb woodcut from: Serlio's 'Architettura', Book III (Venice, 1544).4. Survey drawing of the Temple of Fortune, Palestrina - Andrea Palladio (c.1560).

On the tracks of the Great Master Palladio in Rome:

Palladio produced a large number of drawings, particularly of Ancient Roman buildings, and used them for:

• Inspiration;• Development of Ideas;• Presentation to Clients;• Technical Reference;• To oversee construction;• for publication in "I Quattro Libri dell'Architettura".

Drawing was key to his work as an architect. He drew while travelling in Europe, especially in Italy, producing a large volume of field notes.He also made copies of measured drawings by other architects. Most of the drawings by Palladio are studies of Ancient Rome.

Palladio undertook five trips around Europe to study the various Roman remains under the guidance of Gian Giorgio Trissino (1475-1554). As a result he saw a broad range of ancient architectural styles, as well as contemporary architects at work.

"It was his trips to Rome itself that had the most impact upon him."

The students will repeat this same experience. Just like Palladio, we will build up a collection of such drawings; with the use of elements of classical design at the heart of Architecture. During the workshop, we will track history throughout the Renaissance of the fifteenth and sixteenth centuries, when many Italians aimed to recreate and even surpass the glories of Ancient Rome in literature, art, architecture and politics. Across Italy, Roman-inspired buildings began to appear. Palaces, churches and other public buildings featured columns, pediments and triumphal arches, inside and out. Modern architecture deliberately tried to look ancient to understand and repeat the classical style. The students will learn the Classical Style to become better and more knowledgable Architects and use Rome Architecture as inspiration for their future projects.

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PALLADIO'S DRAWING PROCESS

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Captions

1-3. Goethe's watercolor of Rome and the Vesuvius in Naples (ca 1760).2. J. H. W. Tischbein: Goethe in the Roman Campagna, 17874. Interior of the Pantheon (Roma), by Giovanni Paolo Panini.

The primary value of the Grand Tour, it was believed, lay in the exposure both to the cultural legacy of classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A grand tour could last from several months to several years. It was commonly undertaken in the company of a Cicerone, a knowledgeable guide or tutor. In essence the Grand Tour was neither a scholar's pilgrimage nor a religious one, though a pleasurable stay in Venice and a cautious residence in Rome were essential. —Gross, Matt., "Lessons From the Frugal Grand Tour." New York Times.

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"The First City of the World" (quote from Italian Journey referring to the City of Rome, p. 116)

"Naples is a paradise; everyone lives in a state of intoxicated self-forgetfulness, myself included. I seem to be a completely different person whom I hardly recognise."

(quote from Italian Journey referring to the City of Naples, p. 198)

Italian Journey is Johann Wolfgang von Goethe's report on his travels to Italy from 1786–88, he is one of the most famous German artists of the 18th centuries. For Goethe, Italy was the warm passionate south as opposed to the dank cautious north; the place where the classical past was still alive, although in ruins; a sequence of landscapes, colours, trees, manners, cities, monuments he had so far seen only in his writing. Goethe stayed almost three months in Rome, which he described as "the First City of the World".His company was a group of young German painters; he sketched and did watercolours, visited famous sites, rewrote his play Iphigenia, and thought about his Collected Works, already in progress back home. Goethe began to think of turning his "flight to Rome... into an Italian journey". From February to May 1787 he was in Naples and Sicily. He climbed Vesuvius, visited Pompeii, found himself contrasting Neapolitan gaiety with Roman solemnity. He was amazed that people could actually live in the way he had only imagined living - students will follow the same traces of Goethe's Italian Journey...

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GOETHE'S ITALIAN JOURNEY

GRAND TOUR

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Captions1. Architects of Rome Institute, former Roman Aquarium.2. Closing Cerimony Hall - Architect Directors' Chamber.

MASSIMO CATALANI has spent his childhood among books, crayons and paintbrushes in his mother's stationery and bookshop. He graduated in1988 and the following year registered on the roll of Architects in Rome. In his thesis he had already begun experimenting with impastos that were a mixture of painting, modelling and architectural masonry. Today, Catalani has obtained international recognition, having exhibited his work in galleries and museums throughout the world. Massimo Catalani will be the professor dedicated to the freehand drawing sessions and students will be able to visit his art studio.

LIVIO SACCHI is an architect and professor of architectural design at the Faculty of Architecture of Pescara. Silver Plaque UID Italian Union for Design; President of the Lazio Inarch Section National Institute of Architecture; director of the Architects of Rome, and 'responsible for architecture, urban planning and design at the Institute of the Italian Encyclopedia founded by G. Treccani. Editor of the magazine''Op Cit.'', Deputy Editor of the''Project'', and was one of the coordinators of the XVII Triennale di Milano. Prof. Arch. Livio Sacchi will present the course in the opening cerimony, co-ordinate the invited guest lecture program and distribute the official certificate during the closing cerimony.

BENEDETTA GARGIULO MORELLI is an architect and tutor, currently working at NOS Design - a Rome/London-based practice that is committed in creating sustainable buildings as integrated ecologies. She has previously worked at Foster + Partners’ London Head Office, Arboreal Architecture and was co-founder of Anzustudio, a design & research platform based between London, Rome & Shanghai. In June 2010, she graduated from the AA School of Architecture where her projects have been nominated for prestigious international awards – such as the Sustainable & Infrastructural AA Foster + Partner’s Prize and the Royal Institue of British Architect’s President Bronze Medal. Arch. Benedetta Gargiulo Morelli is the academic director and co-ordinator and will be reference tutor throughout the duration of the course.

LIVIO DE SANTOLI is an engineer and has been Dean of the Faculty of Architecture, University of Rome "La Sapienza" in 2009-10. Professor of the course "HVAC in Buildings", responsible of Energy Agency of the University. Director of Department CITERA (Territory, Buildings, Restoration, Environment). President of Course Degree “Project Management” and Member of Academic Senate. Also Member of International Advisory Board of the Journal Building Services Engineering Research & Technology (UK)

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TOP PROFESSORS

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Captions1. Lecture series in the "Master Neapolis" by Benedetta G. Morelli, Course Director Ferruccio Izzo and Guest Professor Alessandro Castagnaro at the Faculty of Architecture, University of Naples "Federico II".

ALESSANDRO CASTAGNARO Director and Founder of the architectural firm "AC". Professor of "History of Contemporary Architecture" in the Faculty of Architecture, University of Rome "La Sapienza" and of "History of Architecture of the twentieth century in Naples" at the Faculty of Architecture, University of Naples "Federico II". President of "N.I.A.I Campania", Association of Engineers and Architects of Campania, federated with the "A.N.I.A.I. National". Director of the magazine ANIAI Review, a quarterly publication of the Association of Engineers and Architects of Campania.

ROBERTA AMIRANTE is PHD in Architectural and Urban Design and full professor in the Faculty of Architecture of the University of Naples “Federico II". She is the responsible for the "Corso di Laurea Magistrale in Architettura" (5- year course, european title of architect) and member of PHD course in Urban Design at the same Faculty. Member of the editorial staff of the art and architectural review "Op.Cit." since 1981. Member of the Scientific Committee for the organization of the International Design Seminars "Naples, architecture and city", from 1989 to 1998.

MARIO ROSARIO LOSASSO is the Director of the Deparment of Urban Design and Planning at the Faculty of Architecture, University of Naples "Federico II". He is also professor of Industrial Technology; Principal member of the Research Committee of the Pole of Sciences and Technologies; Coordinator of the PhD in Architectural Technology; Member of the Board of Directors of the SITdA - Italian Society of Architectural Technology; Member of the Scientific Committee and of the Committee of the journal form of Editors of the magazine Techne.He is responsible of the patronage between ITAD and University of Naples Federico II.

FERRUCCIO IZZO is Associate Professor of architectural composition at the Faculty of Architecture of the University of Naples "Federico II". He has taught Architectural Design and Urban as a visiting professor at North London University from 1992 to 1996 and at the Faculty of Architecture of the University of Cambridge for the academic year 1995-96. He has given seminars and conferences at the Bath University School of Architecture, the Faculty of Architecture of the University of Moscow and the Akademie der Künste in Stuttgart Bildenden. He has worked in the studios of David Chipperfield, Richard Meier, Eduardo Catalano and William Blurock. In 1995 he founded with his father, Prof. Alberto Izzo the architectural practice: Alberto Izzo & Partners.

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TOP PROFESSORS

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1. Opening Cerimony Hall2. Certificate Hand-out3. Architects of Rome Logo4. Student Lecture Class5. Certificates of Attendance6. Pin-up Session

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Italy Top Architecture Drawing Study Tour is officially recognised by the Architects of Rome Institute. The course is officially certified and has its official patronage. The Opening and Closing Cerimonies will be held in the Architects of Rome Institute, as well as the main lectures with invited famous Professors.

The building originally was the aquarium in Rome built in 1887 by Pietro Garganico and is now the prestigious headquarters of the Architects of Rome Board.

OAR Rome promotes excellence in the profession and the value of good design through a diverse body of projects that celebrate achievements, campaign for quality, develop skills, offer

training, further education and create opportunities for those in the capital.

The First Italian University par excellence is La Sapienza. Roma-Shanghai School also has the official patronage from the Department of Architecture of La Sapienza. The invited professors in the course have official role in La Sapienza.

The University of Naples - Federico II - Department of Architecture is also part of the course and will host the course in the day-trip to Naples City together with its famous professors.

The Architects of Aquila Institute is also officially supporting the school. During the day-trip to Aquila, the Institute will welcome the students and organise a special site seeing tour through the earthquake-struck region.

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OFFICIAL INSTITUTES + UNIVERSITIES PARTECIPATION

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Captions

1,3. Fuksas Architecture Office2,4. M. Catalani Atelier5. Pots Ceramic Workshop

Architecture + Design Company Visits:

• Fuksas www.fuksas.it• Studio Muzi www.studiomuzi.it• Izzo & Partners www.albertoizzo-partners.it

The students will visit international famous Italian Architecture & Design Companies to discover and meet the Italian design industry.The company staff will guide the student group around the studio, show the latest projects and will explain how the company works.

The students are encouraged to interact with the Italian Companies, in order to open work opportunities for the future.

Hand-made Arts Workshop Visits:

• Massimo Catalani www.massimocatalani.com• Ceramic Atelier www.potsrome.it

The program also plans to visit the international reowned Roman artist Massimo Catalani, a former Architect. He will cook a delicious Roman lunch inside his art studio and show his secret techniques of marble painiting. We also plan a visit a traditional ceramic workshop. Italian techniques of pottery will be explained through various demonstrations of ceramic processes: hand building, throwing, trimming, decorating, study and application of glazes and the various firing techniques (majolica, raku, high temperature, salt & soda, wood, etc).

These are unique opportunities for the students to experience Roman artist + hand-craft workshops.

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DESIGN COMPANY VISITS

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Captions

1-4. Pecha Kucha events in Rome. 5. Aquila G8 Summit.

PechaKucha (Japanese: ペチャクチャ, chit-chat) is a presentation style in which 20 slides are shown for 20 seconds each. The format, which keeps presentations concise and fast-paced, powers multiple-speaker events called PechaKucha Nights. These events began in February 2003 by Tokyo's Klein-Dytham Architecture, as a way to attract people and to allow young designers to meet, show their work, and exchange ideas. As of June 2012, PechaKucha Nights were held in 534 cities worldwide. Well-known presenters at PechaKucha Nights have included the architects Jun Aoki, Toyo Ito,Rem Koolhaas, designers such as Tom Dixon, Ron Arad and Thomas Heatherwick. However, the success of each presentation relies purely on the presenter’s personality and the strength of her or his ideas; the format places young designers and students on the same footing as global stars. A Pecha Kucha event will be organised for the course and all the students will be invited to assist to the presentations, following a social networking evening with young Italian designers and guest speakers. It will be a great opportunity to meet local designers, to share ideas and to make new friends!

Day-trip 1 is in Naples, where the University Federico II will welcome us and make a special presentation and lecture for the course. It will then be followed by a stroll through the historic city accompanied by famous professors of design and history of architecture.

In Aquila, the Architects of Aquila Institute will also welcome Shanghai-Rome School and make a visit of the 2009 earthquake result of G8 summit. International disaster funds have been distributed to the affected region and to show solidarity with the city's inhabitants. World leaders converged on L'Aquila on July 8 and many of them were given tours of the devastated city by the host Prime Minister. We will make the same tour!

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PECHA KUCHA

DAY TRIPS

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A fantastic social program is provided parallelly to the drawing courses on a daily basis. The students will have the opportunity to discover as much of Italian culture as possible, as well as thoroughly enjoy their time in Rome making great memories with new friends.

Everyday we organize at least one social event. Most of them are scheduled in the afternoons or evenings, but some are between lectures.

Key Activities:

•WelcomeLunchinatraditionalRomanOsteria.•Daytrip-Aquila.

•Daytrip-NaplesCity.•Churchserviceandchoirouting.

•Italianmovienights.•Traditionalpizzerianight.

•PechaKucha20x20especiallyorganizedforShanghai-Romeconnection.•HandicraftPotteryArtisanVisitwithdemonstration.

•Site-seeingoftheworldbestsites.•Artistateliervisitwithspaghetticooking!

•GoodbyePartyandclosingcerimony.

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LOCAL EXPERIENCE

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SANTA LUCIA HOTEL

The Hotel is an original monastery, built in the 16th century. It has been completely refurbished in 2010 to host guests.Here you will find comfort within a clean and historic environment and a welcoming staff.It is situated in a central position, near the most important monuments and religious places of Rome.

Public transportation hubs are at only 50 m from Largo Argentina, where you will find all buses and trams to move around.

Facilities :

• Bathroom in each bedroom (double room)• Two glasses windows• Chapel• 2 lifts• Meeting room / Theatre • Panoramic terrace with view in the historical centre • Night receptionist• air condition• Heating• Frigobar• Telephone• TV SAT• Internet WI FI

PiazzaNavona Pantheon

HOTEL SANTA LUCIADistance from main monuments:

Vatican : On foot: 1.8 km - 26 mins By bus : 14 mins

Colosseum: On foot: 1.7 km - 25 mins By Bus : 14 mins

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ACCOMODATION

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1. SHDC: Exhibition Hall.2. NOS:Beach Road Design at Foster & Partners.3. NOS: Aquaculture Project.4. SHDC ebsite:www.shdesigncentre.com5. Qualitaly Tour HQ.

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Shanghai Design Centre is the international young designer exhibition and exchange platform. It works as the online interface of the “capital of design”. The exhibition hall

through exhibitions, receptions, publications and clubs, represents the idea of young designer pluralism, cultivates a creative interactive community, promotes the co-operation between

technology and art and facilitates the participation of Chinese design in the global competition

NOS Design has been founded in 2013 by Benedetta Gargiulo Morelli. It is a young and new type of architecture practice that practices Architecture, Environmental Analysis, Interior Design, Sustainability, Product Design through partnerships with different offices and mostly desires

Cultural Exchange - in particular between Italy-China. Our architecture is driven by the pursuit of quality - a belief that our surroundings directly influence the quality of our lives, whether

in the work place, at home or the public spaces in between. Academic excellence and visiting different countries are key features for a successful architecture and design - for this reason

we are thrilled by Italy Top Architecture & Drawing Study Tour to encourage a networking platfotm of learning, co-operating and evolving international design community.

Qualitaly Tour has been founded by Sandrine Aye (French, lives in Italy from 1989, national conference professional guide and restorer). The headquarters of the agency is based in Rome

with a second office in Naples. The agency is specialised in "bespoke" travel organization within the Italian territory. Briefly, it offers all the best of the « Made in Italy ».

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AQUACULTURE - SCALE 1:200

Top View of Aquaculture. Parts of the ribs are closed with ETFE (regionshaded in light grey) to protect from the prevailing winds - coming mainlyfrom south west in winter - and to acoustically isolate from the traffic of Camley Street. Therefore the public areas - restaurant/ fish market andproduction line - are covered to guarantee activity also in the winter season.The wind rose (left side) shows the prevailing winter winds relative tothe frequency (Hrs) and it coincides with the ETFE regions.

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ABOUT US

QualitalyT O U R

by Benedetta Gargiulo Morelli

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Step 1Log on the official webpage of SHDC:

http://www.shdesigncentre.com/Enroll.aspx

Step 2Complete the online application form and submit it

Step 3English phone interview

4.HOW TO APPLY

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FOR FURTHER INFORMATION PLEASE CONTACT USTEL: +86 21 55897689FAX: +86 21 65987743E-MAIL: [email protected]: NO.100,Guokang Road, Yangpu District, Shanghai, PRC Flexible Design Exihibition Hall(Shanghai Design Centre

QQ: 2027852694WECHAT: shdesigncentre

www.shdesigncentre.com

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