Intuitive Technolgies

8/3/2019 Intuitive Technolgies

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intuitive technologies

brandon Cuffy

real time Cities urban cybernetics

october 24, 2011


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LED Carpet on Sidewalk

LED Carpet Layershttp:/

/www

.aa

c.b

art

lett

.uc

l.ac

.uk/reports

/briones

.html

http:/

/www

.aac

.bart

lett

.uc

l.ac

.uk/reports

/briones

.html

LED Urban Carpet:

Design Team: Carolina Briones

Year of Completion: 2006Technique: grid of light-emitting diodes (LED-

s), Processing, grid of pressure pad sensors,

Arduino board

This is a portable interactive installation usinga non-traditional user interface. The installation rep-

resents a game with a grid of LEDs that can be em -

bedded as a carpet into the physical space. A pattern

of lights is generated dynamically, that change in real

time according to pedestrians movement over the car-

pet. In this case the pedestrians become participants

that inuence the generative process and make the

pattern of LEDs change with the change of the loca-

tion of one or more participants. The aim was to cre-

ate a novel urban experience that invites social inter-

actions with the interface among different people as

friends, observes or strangers.


3/11

Homographies Gallery Space

Rotation mechanismhttp:/

/www

.lo

zano-hemmer.com

/homograp

hies

http:/

/www

.lozano-hemm

er.com

/homograp

hies

Homographies:

Design Team: Rafael Lozano - HemmerYear of Completion: 2006

Technique: Motorized uorescent light tubes,

computerized surveillance tracking systems,

Considering preconceived placement and useof uorescent lighting in corridors and galleries in nu-

merous architectural works, this project attempts to

subvert the static notion of lighting. Through panop-

tic cameras, user movements are tracked and inter-

preted by the rotational mechanism attached to the

light, adapting themselves to the precise location of

the user. Simply by walking through the space, lighting

congurations predicated upon the dynamic notion of

ow, gives a level of personal engagement with the

space. When many people occupy the space, light

corridors are then created between people, rather

than through space. Questions the default experience

of space.


4/11

Dune 4.2 @ Park

Dune 4.2 Fibershttp:/

/www

.st

udioroosegaarde

.ne

t/pro

ject/d

une

/

http:/

/www

.studioroosega

arde

.ne

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t/dune

/

Dune 4.2:

Design Team: Studio Roosegaarde

Year of Completion: 2007Technique: bers, steel, microphones, sensors,

speakers software and other media

Interactive landscape of the future made of -bers and sensor technology which reacts to your pre-

sensce by increasing the relative brightness of the

landscape in closest proximity to your location, per-

sonalizing the experience of landscape.


5/11

Pulse Park Aerial

Heart Rate Sensor Inputhttp:/

/www

.lo

zano-hemmer.com

/pu

lse

_par

k

http:/

/www

.lozano-hemm

er.com

/pu

lse

_park

Pulse Park:

Design Team: Rafael Lozano - Hemmer

Year of Completion: 2008Technique: Heart rate sensor, computer, DMX

controller, custom software, dimmer rack, 200

Source Four spotlights, generator.

In Pulse Park, evening visitors to MadisonSquare Park have their systolic and diastolic activity

measured by a sensor sculpture installed at the North

end of the Oval Lawn. These biometric rhythms are

translated and projected as pulses of narrow-beam

light that will move sequentially down rows of spot-

lights placed along the perimeter of the lawn as each

consecutive participant makes contact with the sen-

sor. The result is a poetic expression of our vital signs,

transforming the public space into a eeting architec-

ture of light and movement.


6/11

Lichtcube @ underpass

lichtcubehttp:/

/cu

lture

base

.org

/home

/struppe

k/Hom

epage

Eng

lisc

h/Pro-

jekte/LIKLAK

/Liklak

http:/

/cu

lture

base

.org

/home

/struppe

k/Homepage

Englis

ch/Pro-

jekte/LIKLAK/Liklak

Lik-Lak:

Design Team: Hyperwerk FHBB

Year of Completion:Technique: Lichtcube, text-to-number system

- LIK-LAK shall positively change the spatial at-mosphere of un-places by means of new technology

and dynamic light, to provoke revaluations and socially

kommunikative processes. In a pedestrian underpass

a lichtcube is installed, which gives passers-by the

possibility to leave message by means of SMS. Urban

communication is made possible trough this kind of

wall newspaper and Speakers Corner. Accompanying

with the installation interactive happenings are orga-

nized.


7/11

Splat Surface

handheld assemblyhttp:/

/www

.vrurban

.org

/sms

lings

ho

t.html

http:/

/www

.vrurban

.org

/sms

lings

ho

t.html

SMSlingshot:

Design Team: VR/URBAN

Year of Completion: 2008

Technique: autonom working device, equippedwith an ultra-high frequency radio, hacked

arduino board, laser and batteries.

Because of the increased commercial inter-

est in paving public space with digital advertising, the

need for accessible intervention devices seemed ob-

vious and necessary. The wish and habit to comment

(tag) the surrounding world is also an ancient and still

vivant phenomena we try to preserve. Our concept

of VR/Urban aims for claiming back urban space and

and give the inhabitants a tool for occupying urban

screens. People shall not only remain as a passive

audience, they must obtain the privilege and beside

that the right tools to create their own multimedia con-

tent in the streets.


8/11

Chat Stop Shelter

Communication Displayhttp:/

/cu

lture

base

.org

/home

/struppe

k/Hom

epage

Eng

lisc

h/Pro-

jekte/Cha

t_S

top

/Cha

tStop

http:/

/cu

lture

base

.org

/ho

me

/struppe

k/Homepage

Englisc

h/Pro-

jekte/Cha

t_Stop

/Cha

tSto

p

Chat Stop:

Design Team: Friedrich von Borries, Gesa

Glck, Tobias Neumann, Andr SchmidtYear of Completion:

Technique: video camera, screen, trackball and

a computer unit

Chat stops are bus and streetcar stops, which

are equipped with interactive video technology. Thus

communication between waiting people at different

bus stops is made possible. If one likes to, one can

start a video conference with somewhere else wait-

ing people. The subjective safety feeling is increased,

and by means of communication with other humans

boredom of waiting can be overcome by nice conver-

sations . Video communication instead of video sur-

veillance, voluntarily and transparent, but at the same

time entertaining.

CH.09 CH.10 CH.11 CH.12 CH.13 CH.14 CH.15 CH.16 CH.17CH.01 CH.02 CH.03 CH.04 CH.05 CH.06 CH.07 CH.08 CH.18 CH.19 CH.20 CH.21CH.22


9/11

Trash collection over Time

Augmented Trashcanhttp:/

/www

.urban-a

tmosp

heres

.ne

t/UrbanP

robes

/Je

tsam

/art

ifac

t

http:/

/www

.urban-a

tmosp

heres

.ne

t/Urban

Pro

bes

/Je

tsa

m/art

ifac

tAugmented Trashcan:

Design Team: Eric Paulos, Tom Jenkins


Technique: simple IR photoelectrical switch,

electronic scale, overhead camera, laptop com-puter, projector

- Through visualing the act of throwing awaytrash, Eric Paulos and Tom Jenkins seek to make a

self reective narrative of the cyclical nature of dis-

carding trash over time, revealing potential cylces of

discarding trash in a particular public space and iffer-

ing a critical look at the content of trash generated by

a typical community.


10/11

Ping Hoodie

conductive stichinghttp:/

/www

.e

lec

tricfoxy

.com

/ping

/

http:/

/www

.elec

tricfoxy.com

/ping

/

Ping: A social

networking garment:

Design Team: Electricfoxy


Technique: Arduino Lilypad platform and used a

variety of sensors including exible sensing andconductive threads that are exible, sewable

and washable. The wireless capability was built

using the Lilypad Xbee

Because of the increased commercial inter-

est in paving public space with digital advertising, the

need for accessible intervention devices seemed ob-

vious and necessary. The wish and habit to comment

(tag) the surrounding world is also an ancient and still

vivant phenomena we try to preserve. Our concept

of VR/Urban aims for claiming back urban space andand give the inhabitants a tool for occupying urban

screens. People shall not only remain as a passive

audience, they must obtain the privilege and beside

that the right tools to create their own multimedia con-

tent in the streets.

CH.09 CH.10 CH.11 CH.12 CH.13 CH.14 CH.15 CH.16 CH.17CH.01 CH.02 CH.03 CH.04 CH.05 CH.06 CH.07 CH.08 CH.18 CH.19 CH.20 CH.21CH.22


11/11

object oriented networkhttp:/

/www

.yoo

kyoungno

h.c

om

/thes

is2010

/pro

jec

t4

Object 2.0:

Design Team: YOO KYOUNG


Technique: Web 2.0 Technology

OBJECT 2.0 is a concept proposal for the sys-tem of the near future, where the Internet is integrated

into physical objects and spaces. The system also

suggests the future direction of the ever-developing

social Internet. In this system, we could have new

terms like object-generated content, object-oriented

social network, and real-time serendipitous networks

that represent the world

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