Introduction to Architecture. “Reading” architecture requires us to allow buildings to...
-
Upload
joey-bigge -
Category
Documents
-
view
216 -
download
2
Transcript of Introduction to Architecture. “Reading” architecture requires us to allow buildings to...
Introduction to Architecture
“Reading” architecture requires us to allow buildings to “speak” to us.
But how can inanimate objects speak to us?
Especially if those objects are not representational?
Pentre Ifan Burial Chamber, 2000 BCE
John Portman, Bonaventure Hotel, Los Angeles. 1976.
Richard Neutra, Edgar J. Kaufmann House, Palm Springs, 1946.
According to Vitruvius (Marcus Vitruvius Pollio, 1st cent. BCE), in De Architectura a building must be considered in terms of three elements:
UtilitasFirmitas
Venustas
Utilitas need function plan
Firmitas means structure section
Venustas art beauty elevation
Utilitas need function plan
Firmitas means structure section
Venustasart beauty
elevation
Utilitas as Message:
TWA Terminal, JFK
Transamerica Bldg. SF, CA
Utilitas by Addition:Louis Kahn’s Richards Medical Laboratory, University of Pennsylvania
Utilitas by Division:
Urge towards symmetry:
Firmitas/Stucture will always be a function of:
•Advances in engineering•Availability and strength of materials•Cost available for materials•Other historical and geographical factors
“Architecture is the adaptation of form to resist force.” John Ruskin (19th c.)
All structures seek a balance between tension and compression.
Traditionally there were two ways to handle this:
through trabeated structures
or through arcuated structures.
Trabeated Structures
CANTILEVER
Milstein Hall, Cornell University (Rem Kolhaas)
Gale House, Oak Partk, IL (Frank Lloyd Wright)
Villa Savoye, Poissy, France. LeCorbusier.
ARCUATED STRUCTURES
Colosseum, Rome.
Hagia Sophia, Instanbul
Venustasartbeauty elevation
Hertziana, Rome
Gugenheim Museum, Bilbao
What makes architecture good?• Does it express its function in a meaningful,
interesting, and appealing way?• Does it seem to “fit” its surroundings (by
complementing or contrasting with it in an interesting and meaningful way)?
• Is its design and execution structurally sound?• Does it create a meaningful (interesting,
surprising, enjoyable, delightful, disturbing etc.) space?
• Will it endure? Has it endured?
Analyzing a Building:
• Space: Solids and Voids
• Scale and Proportion
• Weight & Mass
• Basic Design Elements
Analyzing a Building:
• Space: Solids and Voids– Symmetry– Asymmetry
Symmetry
Asymmetry
Analyzing a Building:
• Weight & Mass:– Materials– Massing for Weight– Relationship to Ground (high or low?)– Texture– Color– Ornamentation– Light– Acoustics– Context
Basic Elements
• Roof• Walls• Windows• Doorways• Orientation
Roof Types
Butterfly Roof
Butterfly w/Solar Panels
Barrel Vault Roof
Wall Types
Rusticated
Half-timbered
Clapboard
Board and Batten Siding
Wainscoting
Stucco Wall
Glass Wall
Window Types
Lancet
Palladian
Oeil-de-boeuf (ox-eye)
Double-hung window
Bay window
Ribbon Window
Casement window
Dormer
Doorways
Arched
Pedimented
Venetian Door
French Door
Sliding Door
Orientation
Aesthetic
Cultural
Ecological
The Getty CenterRichard Meier