Intracortical myelination in musicians with absolute pitch

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Intracortical myelination in musicians with absolute pitch Seung-Goo (“SG”) Kim & Thomas R. Knösche Max-Planck Institute for Human Cognitive and Brain Sciences “The Melodic Mind” organized by Dr. Daniela Sammler 2015-08-24

Transcript of Intracortical myelination in musicians with absolute pitch

Page 1: Intracortical myelination in musicians with absolute pitch

Intracortical myelination in musicians with absolute pitch

Seung-Goo (“SG”) Kim & Thomas R. KnöscheMax-Planck Institute for Human Cognitive and Brain Sciences

“The Melodic Mind” organized by Dr. Daniela Sammler2015-08-24

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Overview

• Introduction: absolute pitch & myeloarchitecture

• Methods: image acquisition, processing, & inference

• Results: effect of absolute pitch

• Discussion: anterior superior temporal gyrus and ventral pathway

Page 3: Intracortical myelination in musicians with absolute pitch

Overview

• Introduction: absolute pitch & myeloarchitecture

• Methods: image acquisition, processing, & inference

• Results: effect of absolute pitch

• Discussion: anterior superior temporal gyrus and ventral pathway

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What is absolute pitch (AP)?• Ability to recognize the name (or pitch chroma) of any given tone (“C4” or

“G#3”) without external reference

• Rarely acquired ability (7% of Western musicians, 30% of East Asian musicians [1])

• Related to early musical experience (4~7 year-old [2]), fixed-Do training [3]

• Uncontrollable and instant (e.g., Stroop effect; “Sol” as “Do” in G major [4,5])

• Very accurate at pitch chroma but some of them are not so good at pitch height (e.g., octave errors) [1]

[1] Miyazaki, 2004 [2] Zatorre, 2003 [3] Willson et al., 2012 [4] Itoh et al., 2005 [5] Schultz et al., 2013

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• Early perceptual categorization: smaller right-PT [1], larger right-HG [2]; activation in left-PT during passive listening [3,4]

• Late cognitive association to verbal/non-verbal representation: thicker IFG [6]; activation in right DLPFC [2-5]

• Frontotemporal connectivity : phase synchrony [7]

DLPFC

[1] Keenan et al., 2001 [2] Wengenroth et al., 2014 [3] Ohnishi et al., 2001 [4] Willson et al., 2009[5] Zatorre et al., 1998 [6] Dohn et al., 2015 [7] Elmer et al., 2015

Two components: macroscopic findings

HG

PT

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But how does the AP work?• What does distinctive functional activation patterns imply about

the neural mechanism of the AP processing?

• How does macroscopic morphology (e.g. GMD, CT, ROI volume, and so on) contribute to the AP recognition?

• Microscopic investigation powered by ultra-high-field MRI is expected to helpful for better understanding of the AP mechanism.

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Intracortical myelination• Long-range connections

• fasten axonal transmissions

• decrease variability of transmission speed thus increasing synchrony

• Still on local connections

• reduce cross-talk so that increasing specificity

• prevent neuroplasticity after critical period [1]

Cyto- Myelo-

Vogt.1903[1] McGee et al., 2005

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In-vivo myelin mapping

Wallace et al., 2002 Dick et al., 2012

ML

S

I

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Overview

• Introduction: absolute pitch & myeloarchitecture

• Methods: image acquisition, processing, & inference

• Results: effect of absolute pitch

• Discussion: anterior superior temporal gyrus and ventral pathway

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Participants• 8 AP musicians (5 women) & 9 non-AP musicians (5 women)

• Age (20~40 y.o) and handedness (≥ 70) matched (p < 0.39)

• Ethnicity and training onset age were not matched (5 Asian musicians with AP, the others were Europeans; Asians started 3 years earlier)

• Self-claimed AP possession was screened by a web-based AP test and later reconfirmed by pitch identification test

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Behavioral tests• Pitch identification test using muted digital piano (72 pure tones

+ 72 piano tones across 3 octaves) spacing at least [1]

• Frequency discrimination threshold (FDT) estimated by a staircase procedure (1-up/2-down) with about 100 trials [2]

• Melody part of the Musical ear test (MET) to match musical aptitude between AP and non-AP musicians [3]

• FDT and MET were matched between groups (p<0.11)

[1] Miyazaki 1989 [2] Micheyl et al., 2006 [3] Wallentin et al., 2010

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Image acquisition• MP2RAGE (7T), 0.7-mm-isovoxel; Head-coil system: RAPID 8-ch.

TR / TE / TI1 / TI2= 5000 / 2.45 / 900 / 2750 msec FA1/FA2= 5/3 degrees; dimension: 320 x 320 x 240 voxels

1st inversion 2nd inversion Quantitative T1 Uniform contrast

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Image processing

• Cortical surface reconstruction using FreeSurfer

• qR1(=1/qT1) values sampled directly from 0.7-mm volume at 25, 50, 75 % of cortical thickness along outward normal vectors

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qR1(1=1/qT1) values over layers

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Statistical inference• SurfStat MATLAB toolbox used for 2-D random field theory

(RFT)-based family-wise error rate (FWER) control at cluster-level (alpha=0.05)

• Iterative surface-based smoothing corresponding to a 2-D Gaussian kernel with a FHWM of 7 mm

• Inferior regions (such as temporal pole, fusiform gyrus) excluded from search region for signal dropout in 7T images

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Overview

• Introduction: absolute pitch & myeloarchitecture

• Methods: image acquisition, processing, & inference

• Results: effect of absolute pitch

• Discussion: anterior superior temporal gyrus and ventral pathway

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AP-test confusion matrix

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qR1 examples

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qR1 = β0 +β1age+β2sex +β3ethnicity +β4AP + ε

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qR1 = β0 +β1age+β2sex +β3AP + ε

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qR1 = β0 +β1age+β2sex +β3ethnicity +β4AP + ε

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qR1 = β0 +β1age+β2sex +β3ethnicity +β4AP +β5(− logFDT)+ ε

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Overview

• Introduction: absolute pitch & myeloarchitecture

• Methods: image acquisition, processing, & inference

• Results: effect of absolute pitch

• Discussion: anterior superior temporal gyrus and ventral pathway

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• Early perceptual categorization: smaller right-PT [1], larger right-HG [2]; activation in left-PT during passive listening [3,4]

• Late cognitive association to verbal/non-verbal representation: thicker IFG [6]; activation in right DLPFC [2-5]

• Frontotemporal connectivity : phase synchrony [7]

DLPFC

HG

[1] Keenan et al., 2001 [2] Wengenroth et al., 2014 [3] Ohnishi et al., 2001 [4] Willson et al., 2009[5] Zatorre et al., 1998 [6] Dohn et al., 2015 [7] Elmer et al., 2015

Two components via dorsal pathway

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• PT is sensitive to: spatial information, speech perception, acoustic pattern analysis, music perception [1]

• PP is sensitive to:identity of auditory object [2], voice identity [3], physical property of vocal tract [4], salience of pitch [5], and pitch chroma [6]

PP

PT

Planum temporale vs. planum polare

HG

[1] Griffiths & Warren, 2002 [2] Zatorre et al., 2004 [3] Belin et al., 2001 [4] Kriegstein et al., 2006 [5] Penagos et al., 2004 [6] Warren et al., 2003

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Pitch chroma & pitch height• Scientific pitch notation: A4 = 440 Hz• Pitch chroma: 12 tones consist 1 octave

e.g. A, A#, B, C, C#, …, G#

• Pitch height: integer index of octave e.g. (0, 1, 2, …, 8) for 88-key (full scale) piano

Warren et al., 2003https://en.wikipedia.org/wiki/Piano

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Pitch chroma vs. pitch height

Warren et al., 2003

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Octave errors• APs make errors in pitch height with almost no errors in pitch

chroma) suggesting distinctive processes of pitch chroma and pitch height [1-4]

[1] Miyazaki, 1988 [2] Deutsch, 2013 [3] Deutsch & Henrhotn, 2004 [4] Takeuchi & Hulse, 1993

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• APs’ behaviors shows higher sensitivity to pitch chroma [1]

• PP is sensitive to pitch chroma [2] and related to auditory object recognition [3,4]

• And greater cortical myelin in the right PP in APs [5], which prohibits plasticity after the critical period [6]

• Conjecture: “Recognition of pitch chroma may occur as an auditory object recognition”

DLPFC

PP

PT

Ventral pathway for pitch chroma

HG

[1] Miyazaki, 1998 [2] Warren et al., 2003 [3] Zatorre et al., 2004 [4] Kriegstein et al., 2006 [5] Kim et al., 2015ht

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On-going analyses for further evidence• Functional/anatomical

connectivity

Resting-state functional connectivity seeding from the right PP

(our data)

Non-AP (n=1) AP (n=1)

Corre

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Octave-tuned voxels in non-musicians (Moerel et al., 2015)

• Tonotopy mapping to find pitch chroma sensitive voxels

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Thank you for attention!