International Auction

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International Sale CHARLTON HALL - 26 June 2015

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Important estates and private collections Estate of Dr. Waddell Barnes Edward Morrison Brown Collection Estate of Marie Pappenheimer Platter Property descended in the Rutledge family

Transcript of International Auction

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International SaleCHARLTON HALL - 26 June 2015

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Discovering Extraordinary Objects For 86 YearsExplore With Us at www.CharltonHallAuctions.com

Important Estates & Private Collections

Estate of Waddell BarnesCollection of Edward Morrison Brown

Estate of Mrs. J. Donald DialEstate of Jerry Carkhuff Eschenbrenner

Estate of Norman CitronEstate of Owen Halpern

Estate of Marie Pappenheimer PlatterEstate of Margot Roebling DeHope

Property Descended in the Rutledge FamilyDeaccessioned Property from the Columbus Museum

Collections from California, Connecticut, Florida, Georgia, Illinois, Kentucky, Maryland, Nevada, New Hampshire, New Jersey, New York, North Carolina, Ohio, South Carolina, Tennessee, Texas, Virginia, and West Virginia

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After a long and successful career, Edward Morrison Brown has firmly established his place in the Charlottedesign community. Having graduated from Davidson College in 1959, Mr. Brown pursued graduate studiesat the Richmond Professional Institute (now part of Virginia Commonwealth University) and independentresearch endeavors throughout Europe. Mr. Brown began his professional career as part of WadeManufacturing Corporation in Charlotte, in time becoming Vice President of Wade Interior Design. He alsoserved as president and chairman of the board of the National Society of Interior Designers. In 1978, Mr.Brown opened his own firm in Charlotte, Brown’s Interiors. With the help of his wife, Constance, the firmoversaw the design plans of many private Charlotte homes as well as banks, hotels, and country clubsthroughout the Carolinas. Mr. Brown’s restoration of White Homestead in Fort Mill, South Carolina,demonstrates his passion for historic preservation. His institutional design and preservation efforts have beenwidely recognized with numerous honors and awards, among them his 1998 designation as AtlanticDecorative Arts Center’s Southeast Designer of the Year. Manybuildings and residences, particularly in Charlotte, have beenstamped with the enduring mark of Edward Morrison Brown’stimeless aesthetic.

Edward Morrison Brown CollectionCharlotte, North Carolina

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The Rutledge family of Charleston has a long and significant place in South Carolina state history. An archive ofdocuments once belonging to some of the family’s earliest political, military, and landowning ancestors hasdescended through the family to a present heir. Rutledge ancestors represented in this collection include:

John Rutledge (1739-1800) was a prominent Charleston lawyer, landowner, and political leader. He was a member of theFirst Continental Congress along with his brother, Edward Rutledge (1749-1800), the youngest signer of the Declaration ofIndependence. John Rutledge went on to be elected Governor of South Carolina and was chosen as the second Chief Justiceof the United States Supreme Court under George Washington.

John Rutledge II (1766-1819) was an active politician and landowner in Charleston like his father. John Rutledge II was amember of the South Carolina House of Representatives, founder of the Charleston Courier, and owner of Poplar Grove, alarge rice plantation on the Savannah River. He had an active military career, serving as Lieutenant Colonel of the 28thRegiment from 1806-1816 and Brigadier General of the 7th Brigade, 1816-1819. He was married to Sarah Motte Smith(1777-1852), the daughter of Reverend Robert Smith, who was the president of the College of Charleston, 1790-1797, and thefirst American Episcopal bishop of the Diocese of South Carolina.

Hugh Rose Rutledge (1823-1915) was the grandson of John Rutledge II. He had active medical and military careers aftergraduating from the Medical College of the State of South Carolina in Charleston. He volunteered as a surgeon with the UnitedStates Army and served with the 2nd Regiment, Pennsylvania Volunteers, during the Mexican-American War from 1847-1848.

Images courtesy: Library of Congress, CharlestonWeddingStudio.com, Charleston Renaissance Gallery

Rutledge Family Provenance

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1DOCUMENTS: EARLY CHARLESTON RUTLEDGE FAMILY CORRESPONDENCE74 letters from Sarah Motte Rutledge to her son, John Rutledge III, dated 1818-183526 letters from John Rutledge III to his mother, Sarah Rutledge19 letters to John Rutledge III from his siblings11 letters from Maria Rose Rutledge to her husband, John Rutledge III15 business letters to General John Rutledge, Jr., 1817-1818together with:2 Rutledge-family related letters9 account books, including accounts of family expenses in Newport, Rhode Island(1801-1803), 6 general family account books (1812-1830), notes from JohnRutledge, Jr. to his overseer, Robert McIntosh (c.1818), and accounts of PoplarGrove Plantation (1869-1872) (156pcs)$800-1,200Provenance: Descended in the Rutledge family

Other Notes: Sarah Motte Rutledge became estranged from her husband as theresult of a scandal involving an illicit relationship she had with Dr. Horace Senter,a young physician she met in 1801 in Newport, Rhode Island, where the Rutledgefamily lived for a time.Dr. Senter followed theRutledge family backsouth to Charleston,where John Rutledge IIdiscovered his wife’sindiscretion and mortallywounded Dr. Senter ina duel. He and Sarahseparated in 1809, and shemoved to England whereshe stayed for the rest ofher life. Included in thiscollection is correspon-dence between Sarah andher son, John, relatingdetails of her life inEngland, family matters,and her travels, as well asdocuments pertaining tothe administration of herestate after her death.

2DOCUMENTS: EARLYCHARLESTON RUTLEDGEFAMILY, CAPTURE OFFORT SUMTERcorrespondence of JamesRose (1793-1869) to hisnephew Dr. Hugh RoseRutledge (1823-1915) andDr. Rutledge to his wifeAmelia Waring Ball Rutledge(1832-1892) relating thebombardment of FortSumter, dated March 15 andApril 15, 1861 (2pcs)$600-800Provenance: Descended in the Rutledge family

3DOCUMENTS: DR. HUGH ROSERUTLEDGE, MEXICAN-AMERICANWAR RELATEDcorrespondence, reports,receipts, invoices, andspecial orders concerningRutledge’s (1823-1915)tour of duty in Mexico,dated 1846-1848 (17pcs)$500-800Provenance: Descended inthe Rutledge family

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Rutledge Family Archives

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4DOCUMENTS: MAJOR ABRAHAM A. MASSIAS,WAR OF 1812 RELATEDcorrespondence dated 1824-1848 to Massias (1772-1848) from fellow officers, including General AbrahamEustis (1786-1843), and U.S. Senator Thomas H.Benton (1782-1858)together with brass belt buckle, inscribed “Major A. A.Massias U.S.A.” and general discharge orders from theArmy Adjutant-General’s Office, dated August 26,1842 (20pcs)$500-800Provenance: Descended in the Rutledge family

5DOCUMENTS: EARLYRUTLEDGE FAMILY RECEIPTS,INCLUDING CHARLES FRASERcollection Rutledge-family related receipts and receipt bookfrom Charleston merchants andinstitutions, including 5 signedby Charles Fraser, dated 1805-1831 (81pcs)$400-800Provenance: Descended in theRutledge family

6DOCUMENTS: EARLYCHARLESTONRUTLEDGE FAMILYRECEIPTSreceipts bearing the signatures of JohnRutledge (1739-1800;U.S. Supreme CourtJustice) and brotherEdward Rutledge(1749-1800; signatory,U.S. Declaration ofIndependence), andtheir sons JohnRutledge, Jr. andEdward Rutledge Jr.;dated 1795-1796 (4pcs)$400-600Provenance:Descended in theRutledge family

7SCARCE SOUTHCAROLINAORDINANCE OFSECESSION PRINTINGMILLER’SPLANTERS & MERCHANTS’ ALMANAC FORTHE YEAR 1861. Charleston: A.E. Miller, 1861; withprinting of the ordinance on pg. 19.together with another: 1853 Charleston-printedalmanac (2pcs)$400-600Provenance: Descended in the Rutledge family

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Dissolve The Union!

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8CONFEDERATE BONDS, RUTLEDGE FAMILYRELATED7 $1000 bonds, dated 6 January 1863, #424-425 and427-4314 $100 bonds, dated 1 May 1861, #26 and 28-30$50 bond, dated 18 March, 1863, #3515 (12pcs)$400-800Provenance: Descended in the Rutledge family

9LIEUTENANT JOHN RUTLEDGE’S ITALIAN ALBUM

OF VIEWS AND COSTUMESalbum circa 1850, with embossed blue cover, containing:2 Neopolitan gouache views of 1850 Vesuvius eruption5 gouache views of coastal Italy8 hand-colored traditional occupational costume prints10 hand-colored regional costume prints10 hand-colored Vatican costume prints26 hand-colored plates/ scenes6 black-and-white etchingstogether with:book cover containing 13 loose similar scenes (2folios)$800-1,200Provenance: Descended inthe Rutledge family

10TESTOLINI’S RUDIMENTS OF DRAWING, OFSOUTHERN INTERESTTestolini, Gaetano. RUDIMENTS OF DRAWING,SHADOWING, AND COLOURING FLOWERS INWATER COLOURS; CONTAINED IN THIRTY-SIX INSTRUCTIVE LESSONS. London:H.K. Causton for G. Testolini, 1818. Title pageinscribed: Elizabeth Wragg Smith [Charleston, 1806-1897] October 16, 1818; gilt leather and marblized paper bound volume containing:frontispiece, title page, advertisement page, introduction, 36 numbered instructional pages, including hand-colored table of colors, 25 plates, 10 of which are hand-colored.$500-1,000Provenance: Descended in the Rutledge family

Other Notes: An extraordinarly rare volume; onlyone other example is known to have been sold atauction in the last 40 years. It is considered to beamong the finest of all drawing books of the early19th century.

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11EARLY CHARLESTON, SOUTH CAROLINA LANDGRANT AND SURVEY REPORTland grant for 520 acres in Berkeley County to MaryWarnock, dated July 26, 1709REPORT ON THE RESURVEY OF THE ISLANDAT THE SOUTH SIDE OF THE ENTRANCE OFCHARLESTON BAY, completed by surveyor BernardRomans (Dutch, 1741-1784), dated November 28,1781 (2pcs)$500-800Provenance: Property of a Southern gentleman

12SOUTH CAROLINA DOCUMENTS ANDCORRESPONDENCE, INCLUDING CONFEDERATEcomprising handwritten letters, wills, receipts, financialdocuments, engravings, and photographs, including:John Spains- Alexander Hay- William B. Murphey cor-respondence, 1821-1831; Thomas B. Jeter- R. O’Nealereceipts, 1850; 2 1899 Summerville Hotel Co. bonds;Hampton Mill Democratic Club roster for 6/9/1884;early photographs of Charleston buildingstogether with:6 Confederate Supply and Pay vouchers, 6 engravingsdepicting Civil and Revolutionary War battles andscenes (100pcs)$300-500Provenance: Property of a Southern gentleman

13AUTOGRAPHED LETTER SIGNED BY GENERALP.G.T. BEAUREGARDdated March 8th, 1881, Pierre Gustave Toutant-Beauregard (1818-1893) addressed to the conductors on Morgan’s Texas Railroad on State ofLouisiana Adjutant General’s Office stationeryframed, overall H20” W15 1/2”$200-400Provenance: Property of a Southern gentleman

14SAMUEL LONGFELLOW SIGNED LETTERdated December 14th, 1886 from Cambridge,Massachusetts, written to a boy named Richard towhom he is sending a bookplate once belonging to hisbrother (Henry Wadsworth Longfellow) and one of hispoems. unframed, H6 3/4” W8 3/4”Together with a framed Hue and Cry from theSalisbury District Jail from Jailor George Hoover, datedDecember 26th 1790, for the apprehension of JosephRobinson for a debt of fifty-seven pounds owed to Mr.McNairy Esq., page H5” W7 3/4” (2pcs)$200-300Provenance: North Carolina private collection

Other Notes: The verso of the Hue and Cry withlabel “This rare document presented to RobertWalton McNairy in honor of his sixty-fifth birthdayby Francis D. McNairy on November 13, 1976 atGreensboro, North Carolina.”

15RARE SOUTHERN BOOK: PRINCE WILLIAM’SPARISH AND PLANTATIONSTodd, John R. and Francis M. Hutson. PRINCEWILLIAM’S PARISH AND PLANTATIONS. No.71/1000. Richmond: Garrett & Massie, 1935.Limited edition, 71/1000; author signed and author ofintroduction, A.S. Salley. (1vol)$700-1,000Provenance: Property of a Southern gentleman

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16BOOKS: SOUTH CAROLINA AND CONFEDERATEHISTORY RELATEDElliot, Ellsworth. WEST POINT IN THE CONFEDERACY. New York: Baker & Co., 1941.Gay, Mary A.H. LIFE IN DIXIE: DURING THEWAR, 1863-1865. Atlanta: Charles Byrd, 1897.Harwell, Richard. UNIFORM AND DRESS OF THEARMY AND NAVY OF THE CONFEDERATESTATES OF AMERICA. Philadelphia: Ray Riling,1960.Heyward, DuBose. FORT SUMTER. Farrar &Rinehart, 1932.Jackson, Mary Anna. MEMOIRS OF STONEWALLJACKSON. Dayton: Morningdale, 1976.Inman, Arthur C. SOLDIER OF THE SOUTH:GENERAL PICKETT’S WAR LETTERS TO HISWIFE. Boston: Houghton Mifflin, 1928.Mackintosh, Robert Harley. DEAR MARTHA...: THECONFEDERATE WAR LETTERS OF A SOUTHCAROLINA SOLDIER ALEXANDER FAULKNERFEWELL. Columbia: R.L. Bryan, 1976.Thomas, John Peyre. THE HISTORY OF THESOUTH CAROLINA MILITARY ACADEMY.Charleston: Walker, Evans & Cogswell Co., 1893.Warner, Ezra J. BIOGRAPHICAL REGISTER OFTHE CONFEDERATE CONGRESS. Baton Rouge:Louisiana State Univ. Press, 1975. (2 vols)and others, complete listing available online(13vols)$300-400Provenance: Property of a Southern gentleman

17EARLY SOUTHERN BOOKS: RARE CHARLESTONPRINTED VOLUMESSIMMS, William Gilmore. THE GEOGRAPHY OFSOUTH CAROLINA. Charleston, SC: Babcock &Co, 1843.Buchan, William. DR. BUCHAN’S FAMILY MEDICAL WORKS. Charleston, SC: John Hoff,1807. (2vols)$200-400Provenance: Property of a Southern gentleman

18CONFEDERATE NEWSPAPERS, INCLUDINGANNOUNCEMENT OF LINCOLN’S DEATHcomprising:THE EDGEFIELD ADVERTISER, Edgefield, SC,Wed. April 26, 1865; relates news of and responses toPresident Lincoln’s assassinationTHE CAROLINA GAZETTE, Charleston, SC, Fri.March 16, 1810THE CHARLESTON COURIER, Charleston, SC,Thurs. June 12, 1845THE CHARLESTON COURIER, Charleston, SC,Fri. June 13, 1845THE DAILY DISPATCH, Richmond, VA, Mon.November 11, 1861THE DAILY PICAYUNE, New Orleans, LA, Thurs.November 28, 1861THE DAILY DISPATCH, Richmond, VA, Tues.December 17, 1861CHARLESTON DAILY COURIER, Charleston, SC,Fri. December 20, 1861THE CHARLESTON MERCURY, Charleston, SC,Sat. June 7, 1862DAILY RICHMOND EXAMINER, Richmond, VA,Tues. March 29, 1864DAILY CAROLINA WATCHMAN, Salisbury, NC,November 8, 1864CHARLESTON DAILY COURIER, Charleston, SC,Fri. November 25, 1864THE RICHMOND WHIG, Richmond, VA, Tues.Feb 7, 1865THE CHARLESTON TRI-WEEKLY COURIER,Charleston, SC, Thurs. October 18, 1866THE DAILY PHOENIX, Columbia, SC, Wed. April17, 1867THE DAILY PHOENIX, Columbia, SC, Fri.December 6, 1867CHARLESTON DAILY COURIER, Charleston, SC,Wed. January 29, 1868CHARLESTON DAILY COURIER, Charleston, SC,Mon. March 2, 1868THE DAILY EVENING HERALD, Columbia, SC,Tues. April 22, 1873THE PICKENS SENTINEL, Pickens, SC, Thurs.April 19, 1877THE TRI-WEEKLY REGISTER, Columbia, SC,Tues. May 15, 1877THE HERALD AND NEWS (EXTRA), Newberry,SC, Fri. September 9, 1910 (22pcs)$300-600Provenance: Property of a Southern gentleman

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19BOOKS: SOUTHERN RELATED ARCHIBALDRUTLEDGE, SOME SIGNEDCOLLECTED POEMS. Columbia, SC: The StateCo., 1925.DEEP RIVER: THE COMPLETE POEMS OFARCHIBALD RUTLEDGE. Columbia, SC: R.L.Bryan Co, 1966.FROM THE HILLS TO THE SEA. New York:Bobbs-Merrill Co., 1958.HOME BY THE RIVER. New York: Bobbs-MerrillCo., 1941.and others, complete listing available online (6vols)$300-500Provenance: Property of a Southern gentleman

20BOOKS: SOUTHERN ARCHITECTURE, SOMEAUTHOR SIGNEDDesmond, John. LOUISIANA’S ANTEBELLUMARCHITECTURE. Baton Rouge: Claitor’s, 1970.Genthe, Arnold. IMPRESSIONS OF OLD NEWORLEANS: A BOOK OF PICTURES. (limited edition 544/1500) New York: Doran, 1926. Gleen, Bess. SOME LETTERS OF ROBERT MILLS.Columbia, SC: State Co, 1938.Gandolfo, Henri A. METAIRE CEMETRY: AN HIS-TORICAL MEMOIR. New Orlean: Stewart, 1981.Kirk, Susan L. THE ARCHITECTURE OF ST.CHARLES AVENUE. Gretna: Pelican, 1977.Linder, Suzanne C. HISTORICAL ATLAS OF THERICE PLANTATIONS OF THE ACE RIVERBASIN-1860. SC Dept. of Archives and History,1995. and others, complete listing available online (11vols)$200-400Provenance: Property of a Southern gentleman

21BOOKS: SOUTH CAROLINA FINE AND DECORATIVE

ARTS RELATEDBurton, E. Milby. SOUTH CAROLINASILVERSMITHS. Charleston, SC: CharlestonMuseum, 1968. Curtis, Elizabeth G. GATEWAYS AND DOORWAYSOF CHARLESTON, SOUTH CAROLINA. NewYork: Architectural Books, 1926.Deas, Alston. THE EARLY IRONWORK OFCHARLESTON. Columbia, SC: Botick & Thornley,1941. Fraser, Charles. A CHARLESTON SKETCHBOOK,1796-1806. Charleston, SC: Carolina Art Association,1940.-A CHARLESTON SKETCHBOOK, 1796-1806.Rutland, VT: Tuttle, 1959.Rutledge, Anna Wells. ARTISTS IN THE LIFE OFCHARLESTON. Columbia, SC: USC Press, 1980.Saas Herbert R. OLD CHARLESTON: TWENTY-FOUR WOODCUTS BY CHARLES W.WHITE. Richmond, VA: Dale Press, 1933. Limitednumber edition 363/1550.Saunders, Boyd & McAden, Ann. ALFRED HUTTY.Orangeburg, SC: Sandlapper, 1990.Seibels, Cynthia. THE SUNNY SOUTH: THE LIFEAND ART OF WILLIAM AIKEN WALKER.Spartanburg, SC: 1995.Severens, Martha R. THE CHARLESTON RENAISSANCE. Spartanburg, SC: Saraland, 1998.Smith, Alice R. Huger. A CAROLINA RICE PLANTATION OF THE FIFTIES. New York:William Marrow & Co, 1936; 2 copies, 1 author-signed.Verner, Elizabeth O. MELLOWED BY TIME.Columbia, SC: Bostick & Thornley, 1941.-MELLOWED BY TIME. Columbia, SC: Bostick &Thornley, 1947.- PRINTS AND IMPRESSIONS OFCHARLESTON. Columbia, SC: Bostick & Thornley,1945, author signed.-PRINTS AND IMPRESSIONS OFCHARLESTON. Columbia, SC: Bostick & Thornley,1945. (16vols)$300-500Provenance: Property of a Southern gentleman

22JAMES WYLD RAILWAYMAPcirca 1850, RAILWAYMAP OF ENGLAND,WALES ANDSCOTLAND, North West,North East, and South Eastsections, large foldinglinen-backed map in case,case H9 1/2” W5 1/2”D2” and each sectionH41” W26 3/4”$300-500Provenance: Collection ofEdward Morrison Brown

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23RARE EARLY SOUTH CAROLINA SURVEYS ANDMAPS, INCLUDING JOSEPH PURCELLcirca 1785-1885, comprising:Joseph Purcell (English, 1750-1807, South CarolinaDeputy Surveyor)Land survey fragments of Charleston area along thesouth Santee River, distinguishing lands belonging to“the heir of the late Thomas Lunch” and JohnBowman, with key, references, and explanations; draftand plan of land in St. James’s Parish for Mrs. RebeccaMotte, distinguishing lands belonging to Jonah Collinsand the Estate of John Middleton, dated 1785; plan ofthe Village of Hampstead; black, yellow, and blue inkon paper, all signed Joseph Purcell, JRP or JPSamuel Abiel Ruddock (Boston, b.1768): fragment ofresurvey of plantation in St. Andrews Parish on JamesIsland belonging to George Rivers; pen and coloredwash on paper, signed, dated November 9, 1818William Sturges: fragment of A PLAN OF THEPOPLAR SETTLEMENT, belonging to RobertRoivand, copied from a survey by Joseph Purcellpen and ink on paper, signed and dated April 1793South Carolina land grant presenting Charles Boyd 87acres in York, signed Governor JP Richardson, datedJune 16, 1842, with accompanying land survey, signedB.H. Saxon, Surveyor-GeneralR.K. Payne: plan of two lots in Rumney Ward,Charleston; pen and ink on paper, dated November1887Charles Parker: survey of Mill Pond in Charleston, atthe request of Thomas Bennett; pen and ink on cloth,dated July 2, 1855S. Lewis Simon: plan for tract of land on east side ofAshley River, copy made from Joseph Purcell survey;pen and ink on paper, signed and dated June 1885together with:fragment of residential survey of East Bay Street,Charleston, pen and wash on paper, unsigned, undated(11pcs)$500-800Provenance: Property of a Southern gentleman

Literature: Cumming, William P. THE SOUTHEASTIN EARLY MAPS. Ed. Louis De Vorsey. 3rd ed.Chapel Hill: University of North Carolina Press,1998. pg. 27, 94.

A MEMORIAL AND BIOGRAPHICAL HISTORYOF NORTHERN CALIFORNIA. Chicago: TheLewis Publishing Company, 1891. pg. 355-357

24COLLECTION 18TH AND 19TH CENTURY SOUTHCAROLINA MAPScomprising:Samuel Augustus Mitchell, “New Map of SouthCarolina” c.1846, c.1855 (2), “Map of the Chief Partof the Southern States” c.1839; Thomas G. Bradford,“South Carolina” c.1838; Joseph Hutchins Colton,“The City of Savannah [with] the City of Charleston”(2) and “South Carolina” (2) c.1855; Francis JuniusHuntington, “The Southern States II” c.1838; RobertMills, “Chesterfield District, South Carolina” and“Chester District, South Carolina” c.1825; CharlesVallancey, “Sketch of the Battle of Hobkirks Hill, nearCamden” dated 1794; Rigobert Bonne, “Carte de laPartie Sud, des Etats Unis de l’AmeriqueSeptenttrionale” c.1787; Emma Willard, “PrincipalSeat of the Revolutionary War in the Southern Sectionof the U.S.” c.1829; Harper’s Weekly, “The Theatre ofGeneral Grant’s Operations, showing the countrybetween Chattanooga and Charleston” December 12,1863 (15pcs)$700-1,000Provenance: Property of a Southern gentleman

25RARE TEXAS MAP AND OTHER FRAMED MAPS19th century, comprising: Texas & Pacific Railway Company, A GEOGRAPHI-CALLY CORRECT MAP OF THE STATE OFTEXAS, and verso with timecards and GO WESTYOUNG MAN promotions, image size H18 1/4”W19 1/2”COLTON’S MISSISSIPPI, published by Johnson &Browning, image H15 1/2” W12 1/2”Tallis, UNITED STATES, engraved by Rapkin, imageH9 1/2” W12 1/2”Mitchell, COUNTY MAP OF FLORIDA, image H10 1/2” W13 1/4” (4pcs)$600-900Provenance: Southern gentleman’s private collection

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26BOOK: MILLS’ ATLAS OF SOUTH CAROLINAMills, Robert. ATLAS OF THE STATE OF SOUTHCAROLINA: New Facsimile Edition of the OriginalPublished in 1825. No.257/350. Columbia, SC: LucyHampton Bostick and Fant H. Thornley, 1938.With 15 single- and 8 double-page maps; limitededition. (1vol)$200-300Provenance: Property of a Southern gentleman

27VIRGINIA AND MARYLAND MAP BY AUGUSTINEHERRMANVIRGINIA AND MARYLAND AS IT IS PLANTEDAND INHABITED THIS PRESENT YEAR 1670;1948 reprint, framed, overall size H37 1/2” W44”$300-500Provenance: Collection of Edward Morrison Brown

28BOOKS: THE CAMELLIA IN TWO VOLUMESUrquhart, Beryl Leslie. THE CAMELLIA (vol I & II).Urquhart Press, Sharpthorne, UK: Urguhart Press,1956 and 1960 (2pcs)$200-300Provenance: South Carolina private collection

29RARE TITLE: HENNIG’S WILLIAM HARRISONSCARBOROUGHHennig, Helen Kohn. WILLIAM HARRISON SCARBOROUGH: PORTRAITIST AND MINIATURIST, “A PARADE OF THE LIVINGPAST”. Columbia: The R.L. Bryan Company, 1937.Numer 187/300.$200-400Provenance: South Carolina private collection

30BOOKS: FINE ART REFERENCEHammer, A.M. GENIUS AND DISASTER: THETEN CREATIVE YEARS OF VINCENT VANGOGH, New York: Abrams, 1968.Klemm, Christian. ALBERTO GIACOMETTI. NewYork: MOMA, 2001.Lanchner, Carolyn. FERNAND LEGER. New York:Abrams, 1998.Nebehay, Christian M. GUSTAV KLIMT. New York:Abrams, 1992.Richardson, John. A LIFE OF PICASSO, 1907-1917.New York: Random House, 1996.Vierny, Dina. FRANCOISE GILOT: MONO-GRAPH, 1940-2000. Acatos, 2000.Whitefield, Sarah. BONNARD. New York: Abrams,1998.—MAGRITTE. London: South Bank Centre, 1992.(8pcs)$150-300Provenance: South Carolina private collection

31EARLY BOOKS: SENATOR HENRY CLAYAUTOGRAPHED VOLUME, AND MAPSHOUSE OF REPRESENTATIVES CALIFORNIAAND NEW MEXICO (January 24, 1850 - February6, 1850), and signed by Henry Clay; together withtwo: US Senate Andrews Report Map, and House ofRepresentatives Andrews Report Map. (3vols)$300-500Provenance: Property of a Southern gentleman

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32BOOKS: COLUMBIA, SOUTH CAROLINA RELATEDSOUVENIR OF COLUMBIA, SOUTH CAROLINA. Columbia, SC: Hennies, 1889.Edgar, Rachel G. THE GOVERNOR’S MANSIONOF SOUTH CAROLINA. Columbia, SC: Crowson,2002. (signed by Edgar, Sherrer, and Robertson).Maxey, Russell. SOUTH CAROLINA’S HISTORICCOLUMBIA: YESTERDAY AND TODAY IN PHOTOGRAPHS. Columbia, SC: R.L. Bryan, 1980.Montgomery, John A. COLUMBIA SOUTH CAROLINA: HISTORY OF A CITY. Woodland, CA:Windsor, 1979. (author signed)Scott, Edwin J. RANDOM RECOLLECTIONS OFA LONG LIFE, 1806-1876. Columbia, SC: Calvo,1884.Williams, J.F. OLD AND NEW COLUMBIA.Columbia, SC: Epworth Orphanage Press, 1929.1939 Columbia, South Carolina linoleum block printed calendar, signed. (8vols)$200-300Provenance: Property of a Southern gentleman

33BOOKS: SOUTH CAROLINA RELATEDHeyward, DuBose. PORGY. New York: George H.Doran Company, 1925.DIGEST OF THE ORDINANCES OF THE CITYCOUNCIL OF CHARLESTON, 1783-1818.Charleston, SC: Miller, 1818. (3 volumes) DIGEST OF THE ORDINANCES OFTHE CITY COUNCIL OF CHARLESTON, 1783-1844. Charleston, SC: Walker & Burke, 1844. DIRECTORY OF THE CITY OF CHARLESTONTO WHICH IS ADDED A BUSINESS DIRECTORY, 1860. Charleston, SC: Ferslew, 1860.JOURNAL OF THE SENATE OF THE UNITEDSTATES OF AMERICAN. Philadelphia: John Ward,1799.JOWITT’S ILLUSTRATED CHARLESTON CITYDIRECTORY AND BUSINESS REGISTERY, 1869-70. Charleston, SC: Walker, Evans & Cogswell, 1869. THE SOUTH CAROLINA JUSTICE OF THEPEACE. Philadelphia: Aitkin & Son, 1788.THE STATUTES AT LARGE OF SOUTH CAROLINA (first volume). Columbia, SC: Johnston,1836.THE STATUTES AT LARGE OF SOUTH CAROLI-NA (seventh volume). Columbia, SC: Piggot, 1858.THE STATUTES AT LARGE OF SOUTH CAROLI-NA, 1861-1866. Columbia, SC: Johnston, 1875.ORDINANCES OF THE CITY OFCHARLESTON, FROM 1844-1854. Charleston, SC:Miller, 1854Dawson, J.L. CENSUS OF THE CITY OFCHARLESTON, SOUTH CAROLINA FOR THEYEAR 1848. Charleston, SC: Nixon, 1849.McCord, David J. THE STATUTES AT LARGE OFSOUTH CAROLINA. Columbia, SC: Johnston,1841. (15vols)$300-500Provenance: Property of a Southern gentleman

34BOOKS: NEW ORLEANS ARCHITECTURE SETWilson, Samuel et al. NEW ORLEANS ARCHITEC-TURE in 8 volumes (The Lower Garden District, TheAmerican Sector-Faubourg St. Mary, The Cemeteries,The Creole Faubourgs, The Esplanade Ridge,Faubourg Treme and the Bayou Road, Jefferson City,and The University Section). Gretna, LA: Pelican Pub.Co., 1972, 1974, 1975, 1977, 1980, 1989, 1997.(8vols)$300-500Provenance: Property of a Southern gentleman

35BOOKS: ATLASES AND AMERICAN ARCHIVESLowry, J.W. LOWRY’S UNIVERSAL ATLAS. NewYork: Harper and Brothers, 1853.Loreck, Carl and Albert Winter. ATLAS FURHOHERE LEHRANSTALTEN, Munich: Piloty &Loehle, 1918.Cram, George. CRAM’S UNRIVALED FAMILYATLAS OF THE WORLD. Chicago: Donohue &Henneberry, 1888.Schrader, Franz. ATLAS DE GEOGRAPHIE HIS-TORIQUE. Paris: Librairie Hachette et Cie, 1907.SIXTH CENSUS OR ENUMERATION OF THEINHABITANTS OF THE UNITED STATES OFAMERICA AS CORRECTED AT THE DEPART-MENT OF STATE IN 1840, Washington, DC: Blairand Rives, 1841.Force, Peter. AMERICAN ARCHIVES: CONSIST-ING OF A COLLECTION OF AUTHENTICKRECORDS...Fourth Series, vols. II & VI. Washington,DC: M. St. Clair Clarke and Peter Force, 1839-1846.(7vols)$400-600Provenance: Property of a Southern gentleman

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36BOOK: FEMMES HONNETESDe Valognes (Marquis). [Peladan, Josephin]. FEMMESHONNETES! AVEC UN FRONTISPICE DEFELCIEN ROPS ET DOUZE COMPOSITIONSDE BAC. Paris: Monnier & Cie, 1885.$100-150Provenance: Avram Kronsberg Collection

37BOOKS: SOUTH CAROLINA HISTORYWhite, Mary Virginia Saunders. FIFTEEN LETTERSOF NATHALIE SUMTER. Columbia: Gittman’sBook Shop, 1942; 2 copies, author-signed andnumbered 37 and 69 of 500.Green, Edwin L. A HISTORY OF RICHLANDCOUNTY. Columbia: RL Bryan, 1932.Green, Edwin L. GEORGE MCDUFFIE. Columbia:The State Company, 1936.Gregorie, Anne King. THOMAS SUMTER.Columbia: RL Bryan, 1931. Limited to 500 copies,including map.King, G. Wayne. RISE UP SO EARLY: A HISTORYOF FLORENCE COUNTY SOUTH CAROLINA.Spartanburg: Reprint Co., 1981.Meynard, Virginia G. THE VENTURERS; THEHAMPTON, HARRISON AND EARLE FAMILIESOF VIRGINIA, SOUTH CAROLINA AND TEXAS.Easley: 1981.Nicholes, Cassie. HISTORICAL SKETCHES OFSUMTER COUNTY: ITS BIRTH AND GROWTH.Sumter: Sumter County Hist. Comm., 1975.Rogers, Jr. George C. THE HISTORY OFGEORGETOWN COUNTY, SOUTH CAROLINA.Columbia: USC Press, 1971.Seller, W.W. A HISTORY OF MARION COUNTYSOUTH CAROLINA. Marion: Marion PublicLibrary, 1956. (9vols)$300-500Provenance: Property of a Southern gentleman

38BOOKS: ROBERT E. LEE RELATED VOLUMESDowdey, Clifford. THE WARTIME PAPERS OF R.E. LEE. Boston: Little, Brown & Co, 1961.Lee. Captain Robert E. RECOLLECTIONS ANDLETTERS OF GENERAL ROBERT E. LEE. NewYork: Doubleday, Page & Co., 1924.Page Thomas N. ROBERT E. LEE: MAN ANDSOLDIER. New York: Scribner’s, 1911.Sanborn, Margaret. ROBERT E. LEE: A PORTRAIT,1807-1861. Philadelphia: Lippincott, 1966.Snow, Capt. William P. (CSA). LEE AND HISGENERALS. New York: Richard & Co, 1867.Jones, J. William. CHRIST IN THE CAMP ORRELIGION IN LEE’S ARMY. Richmond: B.F.Johnson & Co., 1887. (6vols)$200-400Provenance: Property of a Southern gentleman

39BOOKS: CHARLESTON SOUTH CAROLINA RELATEDCHARLESTON, SOUTH CAROLINA, 1680-1930.Charleston, SC: Furlong & Son, 1930.Bowes, F.P. THE CULTURE OF EARLYCHARLESTON. Chapel Hill, NC: Univ. of NC Press,1942.Leiding, Harriette Kershaw. CHARLESTON: HISTORIC AND ROMANTIC. Philadelphia:Lippincott, 1931.-HISTORIC HOUSES OF SOUTH CAROLINA.Philadelphia: Lippincott, 1921.Molloy, Robert. CHARLESTON: A GRACIOUSHERITAGE. New York: Appleton-Century, 1947.Ravenel, Mrs. St. Julien. CHARLESTON: THEPLACE AND THE PEOPLE. New York: MacMillan,1906.Rhet, Robert Goodwin. CHARLESTON: AN EPICOF CAROLINA. Richmond, VA: Garrett & Massie,1940.Rogers, Jr., George C. CHARLESTON IN THE AGEOF THE PINCKNEYS. Norman, OK: Univ. ofOklahoma Press, 1969.Smith, D.E. Huger. A CHARLESTONIAN’S RECOLLECTIONS, 1846-1913. Charleston, SC:Carolina Art Assoc., 1950.and others, complete listing available online (13vols)$200-400Provenance: Property of a Southern gentleman

40BOOKS: GREAT SOUTH CAROLINA PLANTATIONSRELATED- CHARLESTON, S.C. AND VICINITY, ILLUSTRATED: SOUTH CAROLINA INTER-STATE AND WEST INDIAN EXPOSI-TION. Charleston, SC: Walker, Evans & Cogswell,1901.Baldwin, William P. LOWCOUNTRY PLANTATIONS TODAY. Greensboro, NC: Legacy,2002.Bolick, Julian Stevenson. GEORGETOWN HOUSELORE. Columbia, SC: RL Bryan, 1997.-WACCAMAW PLANTATIONS. Georgetown, SC:Georgetown County Historical Society, 1998.-WACCAMAW PLANTATIONS. Clinton, SC: JacobsPress, 1946.Lachicotte, Alberta Morel. GEORGETOWN RICEPLANTATIONS. Columbia, SC: State Printing, 1970.Linder, Suzanne C. HISTORICAL ATLAS OF THERICE PLANTATIONS OF GEORGETOWNCOUNTY AND THE SANTEE RIVER. Columbia,SC: SC Depart. of Archives, c.2001.and others, complete listing available online (11vols)$300-400Provenance: Property of a Southern gentleman

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41SOUTHERN BOOK: CONFEDERATE MILITARY LAWLee, C.H. THE JUDGE ADVOCATE’S VADEMECUM: EMBRACING A GENERAL VIEW OFMILITARY LAW... 1st ed. Richmond: West andJohnson, 1863. (1vol)$200-300Provenance: Property of a Southern gentleman

42BOOK: GEORGIA COMMUNICATIONS RELATIVE TOSUCCESSIONJOURNAL OF THE PUBLIC AND SECRET PRO-CEEDINGS OF THE CONVENTION OF THEPEOPLE OF GEORGIA. 1st ed. Milledgeville, GA:Boughton, Nisbet & Barnes, State Printers, 1861.(1vol)$200-300Provenance: Property of a Southern gentleman

43BOOKS: SOUTHERN ARCHITECTURE AND DESIGNHISTORIC HOMES OF ALABAMA AND THEIRTRADITIONS. National League of American PenWomen. Birmingham, AL: Birmingham Pub. Co.,1935; limited numbered edition 214/950.Cooper, J. Wesley. ANTE-BELLUM HOUSES OFNATCHEZ. Natchez, MS: Southern Historical Pub.,1970.Delehanty, Randolph. CLASSIC NATCHEZ.Savannah: Martin-St. Martin Pub. Co., 1996.Linley, John. ARCHITECTURE OF MIDDLEGEORGIA: THE OCONEE AREA. Athens, GA:Univ. GA Press, 1972.Mitchell, William Robert Jr. CLASSIC SAVANNAH.New Orleans: Martin-St. Martin Pub., 1991. Nichols, Frederick D. THE ARCHITECTURE OFGEORGIA. Savannah, GA: Beehive Press, 1976.Scott, Mary W. HOUSES OF OLD RICHMOND.New York: Bonanza Books, 1941.Wrenn, Tony P. WILMINGTON NORTH CAROLI-NA: AN ARCHITECTURAL AND HISTORICALPORTRAIT. Charlottesville, VA: UVA Press, 1984.(8vols)$200-300Provenance: Property of a Southern gentleman

44BOOKS: JEFFERSON DAVIS RELATED VOLUMESCraven, John J. PRISON LIFE OF JEFFERSONDAVIS. London: Low Son & Co, 1866.Cutting, Elisabeth. JEFFERSON DAVIS POLITICALSOLDIER. New York: Dodd, Mead & Co., 1930.Daniel, John W. LIFE AND REMINISCENCES OFJEFFERSON DAVIS. Davis, Jefferson. JEFFERSON DAVIS EX-PRESI-DENT OF THE CONFEDERATE STATES OFAMERICA, A MEMOIR. New York: Belford Co,1890. (volume I)Dodd, William E. JEFFERSON DAVIS. Philadelphia:Jacobs & Co., 1907.Pollard, Edward A. LIFE OF JEFFERSON DAVISWITH A SECRET HISTORY OF THE SOUTH-ERN CONFEDERACY. Philadelphia: National Pub.CO., 1869. Baltimore, MD: R.L. Woodward (EasternPub., 1890.- LIFE OF JEFFERSON DAVIS WITH A SECRETHISTORY OF THE SOUTHERN CONFEDERA-CY. Philadelphia: National Pub. CO., 1869.-THE LOST CAUSE; A NEW SOUTHERN HIS-TORY OF THE WAR OF THE CONFEDERATES.New York: Treat & Co., 1867.Winston, Robert W. HIGH STAKES AND HAIRTRIGGER. New York: Holt & Co., 1930. (9vols)$300-500Provenance: Property of a Southern gentleman

45BOOKS: SOUTHERN CIVIL WAR RELATEDREVISED REGULATIONS FOR THE ARMY OFTHE UNITED STATES, 1861. Philadelphia: Brown,1861.Baker, Samuel T. FORT SUMTER AND ITSDEFENDERS. Buffalo: Charles Wells Moulton, 1891.Browne, Junius H. FOUR YEARS IN SECESSIA:ADVENTURES WITHIN AND BEYOND THEUNION LINES. Hartford: Case & Co, 1865. Davis, JC Bancroft. THE CASE OF THE UNITEDSTATES, TO BE LAID BEFORE THE TRIBUNALOF ARBITRATION TO BE CONVENED ATGENEVA. Washington: Gov. Printing, 1872.Doubleday, Abner. REMINISCENCES OF FORTSSUMTER AND MOULTRIE. New York: Harper,1876.Kellogg, Robert H. LIFE AND DEATH IN REBELPRISONS. Hartford: Stebbins, 1865 and 1868. (2)Nichols, Brevet Major George Ward. THE STORY OFTHE GREAT MARCH FROM THE DIARY OF ASTAFF OFFICER. New York: Harper, 1865.and others, complete listing available online (15vols)$300-500Provenance: Property of a Southern gentleman

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46RARE BOOKS: SOUTH CAROLINACOLLEGE-RELATED MATERIALSLaBorde, M. HISTORY OF THE SOUTH CAROLI-NA COLLEGE. Columbia, SC: Peter Glass, 1859.CATALOGUE OF SOUTH CAROLINA COL-LEGE, 1843, 1848, 1857.BIENNIAL CATALOGUE OF THE UNIVERSITYOF SOUTH CAROLINA, 1871-1872.and leatherbound book with SOUTH CAROLINACOLLEGE LIBRARY gilded on cover, containing volume by Mrs. James SOCIAL LIFE IN GERMANY.London: Saunders & Otley, 1840. (6vols)$200-400Provenance: Property of a Southern gentleman

47BOOKS: SOUTHERN ARCHITECTURE AND

PLANTATIONSBishir, Catherine W. NORTH CAROLINA ARCHI-TECTURE. Chapel Hill, NC: Univ. NC Press, 1990.DOWLING, Elizabeth M. AMERICAN CLASSI-CIST: THE ARCHITECTURE OF PHILIP TRAM-MELL SHUTZE. . New York: Rizzoli, 1989.Iseley, N. Jane. LOWCOUNTRY PLANTATIONSTODAY. Greensboro, NC: Legacy, 2002.Masson, Kathryn. HISTORIC HOUSES OF VIR-GINIA. New York: Rizzoli, 2006.Masson, Kathryn. HUNT COUNTRY STYLE. NewYork: Rizzoli, 2008.Sandbeck, Peter B. THE HISTORIC ARCHITEC-TURE OF NEW BERN AND CRAVEN COUN-TRY, NORTH CAROLINA. New Bern, NC: TryonPalace, 1988.Stoney, Samuel G. PLANTATIONS OF THE CAR-OLINA LOW COUNTRY. Charleston, SC: CarolinaArt Association, 1955. (7pcs)$300-400Provenance: Collection of Edward Morrison Brown

48BOOKS: SOUTHERN DECORATIVE ARTS AND 18THCENTURY DECORBeard, Geoffrey. CRAFTSMEN AND INTERIORDECORATION IN ENGLAND 1660-1820.London: Bloomsbury, 1981.Cooper, Wendy A. CLASSICAL TASTE IN AMERICA, 1800-1840. New York: Abbeville Press,1994Glanville, Philippa. WOMEN SILVERSMITHS,1685-1845. Washington, DC: National Museum inthe Arts, 1990.Hurst, Ronald L. SOUTHERN FURNITURE, 1680-1830. Williamsburg, VA: Colonial Williamsburg, 1997 McBurney, Henrietta. MARK CATESBY’S NATURAL HISTORY OF AMERICA. Houston, TX:Museum of Fine Arts, Houston, 1997.Peck, Amelia et al. PERIOD ROOMS IN THE METROPOLITAN MUSEUM OF ART. New York:Abrams, 1996.Seller, Charles C. CHARLES WILLSON PEALEAND HIS WORLD. New York: Abrams, 1982.Smith, Charles S. EIGHTENTH-CENTURY DECORATION. New York: Abrams, 1993. (8pcs)$300-500Provenance: Collection of Edward Morrison Brown

49SOUTHERN BOOKS: CONFEDERATE AND MILITARY

HISTORYRECOLLECTIONS AND REMINISCENCES,1861-1865 THROUGH WORLD WAR I. UnitedDaughters of the Confederacy-South CarolinaDivision, 1990-2002. In 12-volume limited numberset 178/500. (12vols)$300-400Provenance: Property of a Southern gentleman

50BOOKS: CHARLESTON ARCHITECTURE, HOMESAND GARDENSCameron, Louisa Pringle. THE PRIVATE GARDENSOF CHARLESTON. Charleston, SC: Wyrick & Co,1992.Curtis, Elizabeth G. GATEWAYS AND DOORWAYSOF CHARLESTON, SOUTH CAROLINA, IN THEEIGHTEETH AND NINETEENTH CENTURIES.New York: Arch. Book Pub., 1926.Briggs, Loutrel W. CHARLESTON GARDENS.Columbia, SC: USC Press, 1951.Legerton, Clifford L. HISTORIC CHURCHES OFCHARLESTON, SOUTH CAROLINA. Charleston,SC: Huguley Co, 1976.and others, complete listing available online (11vols)$200-300Provenance: Property of a Southern gentleman

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51BOOKS: EARLY LEGISLATIVE ACTS OF SOUTHCAROLINACooper, Thomas. THE STATUTES AT LARGE OFSOUTH CAROLINA; EDITED, UNDERAUTHORITY OF THE LEGISLATURE. Volumes I,I, II, III. Columbia, SC: Johnston, 1836, 1837, 1838,1839.McCord, David J. THE STATUTES AT LARGE OFSOUTH CAROLINA; EDITED, UNDERAUTHORITY OF THE LEGISLATURE. VolumeVII. Columbia, SC: Johnston, 1840. (6vols)$300-500Provenance: Property of a Southern gentleman

52BOOKS: THE WORKS OF THOMAS DE QUINCEYEdinburgh- Adam and Charles Black, 1862 in 17 vol-umes (including KANT IN HIS MISCELLANEOUSESSAYS) 3/4 leather and marbled paper bound vol-umes (17pcs)$400-800Provenance: Collection of Edward Morrison Brown

53BOOKS: SOUTH CAROLINA ARCHITECTUREBryan, John M. AMERICA’S FIRST ARCHITECT:ROBERT MILLS. New York: Princeton ArchitecturalPress, 2001.Curtis, Elizabeth G. GATEWAYS AND DOORWAYSOF CHARLESTON, SOUTH CAROLINA. NewYork: Architectural Book, 1926.Liscombe, Rhodri W. THE CHURCH ARCHITEC-TURE OF ROBERT MILLS. Easley, SC: SouthernHistorical Press, 1985.Marsh, Blanche. ROBERT MILLS: ARCHITECT INSOUTH CAROLINA. Columbia, SC: R.L. Bryan,1970. Ravenel, Julien. ARCHITECTS OF CHARLESTON.Charleston, SC: Carolina Art Assoc., 1945. (5vols)$200-300Provenance: Property of a Southern gentleman

54BOOK: WATERFOWL OF NORTH AMERICA,WILLIAM ZIMMERMANelephant folio published by The Frame House Gallery,Louisville, 1974; numbered 285/1000 and authorsigned; H22” W28”$500-800Provenance: Georgia private collection

55RARE BOOK: LANDSCAPE GARDENING BY REPTONRepton, Humphry (1752-1818) OBSERVATIONSON THE THEORY AND PRACTICE OFLANDSCAPE GARDENING (including someRemarks on Grecian and Gothic Architecture)London: Bensley, 1805. Portrait frontispiece, 27 aquatint or engraved plates(many handcolored), 32 wood-engraved or aquatintillustrations, contemporary leather and marbledbinding$400-700Provenance: Collection of Edward Morrison Brown

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56EARLY BOOKS: HISTORY OF THE REFORMATIONOF THE CHURCH OF ENGLAND, BY BURNETBurnet, Gilbert. HISTORIA REFORMATIONISECCLESIAE ANGLICANAE. Genevae : Extypographia Dvilleriana, 1689. In 2 volumes with 17illustrations and vellum binding. (2vols)$300-500Provenance: Property of a Southern gentleman

57PERSIAN ILLUMINATED MANUSCRIPT LEAF AND

BOOKSprobably 17th/18th century, comprising:leatherbound volume containing 66 decorated texts,H9 1/2” W6”leatherbound volume containing 58 double-side leavesand 2 title pages set in blue paper, H8 1/2” W5 1/2”single illuminated sheet (double sided), H16” W10”(3vols)$500-700Provenance: Property of a Southern gentleman

58BOOKS: EARLY ECCLESIASTICAL WRITINGSLa Bigne, Margarinus de. MAXIMA BIBLIOTHECAVETERUM PATRUM. Lugduni, Genuae, 1677. Eachvolume with ordinal numerals Second, Fourth,Fifteenth, and Eighteenth.Molitor, Wilhelm. CONCORDANTIA BIBLIORUMAD ANTIQUOS ET NOVOS CODICES. ColoniaeAgrippinae: Apud Petrum A. Brachel, 1629.Arndt, Johann. WAHREN CHRISTENTUM.Nurnberg, 1806. (6vols)$300-500Provenance: Property of a Southern gentleman

59EARLY ITALIAN BOOK: A LIFE OF CHRIST AND OF

THE SAINTSVillegas di Toledo, Alfonso di. NUOVO LEGGENDARIO DELLA VITA, E FATTI DI N.S.GIESU CHRISTO, E DI TUTTI SANTI. Trans.Timoteo da Bagno. Venetia: Guerra Fratelli, 1588. Fullvellum binding, bearing annotations and inscriptions.(1vol)$200-300Provenance: Property of a Southern gentleman

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60BOSTON FEDERAL INLAIDMAHOGANY CABRIOLE SOFAcirca 1790, upholstered seat, back,and armrests on tapered square legsinlaid with rare bellflowers, on casters; BH36” D28” L81”$3,000-5,000Provenance: South Carolina privatecollection

61FEDERAL INLAID MAHOGANY DEMILUNE CARD

TABLEcirca 1800, half-round hinged top over conformingskirt with fan inlay and boxwood stringing, on taperedlegs; H29 1/8” W34 1/8” D16 7/8”$500-800Provenance: Collection of Edward Morrison Brown

62FEDERAL STYLE GILTWOOD AND EGLOMISE

MIRROR19th century, stepped rectangular frame with architectural detailing, panel of eagle and floral swagsabove beveled plate; H54 1/8” W29 1/2”$700-1,000Provenance: Estate of Marie Pappenheimer Platter

63AMERICAN MAHOGANY CHEST OF DRAWERScirca 1800, rectangular scratch-beaded top, over twoshort and three long drawers, on turned legs; H39 7/8”W37” D20 5/8”$600-900Provenance: Collection of Edward Morrison Brown

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64AMERICAN OR ENGLISH MAHOGANY

DROP-LEAF TABLEcirca 1780, rectangular top, hinged drop leaves,on tapered hinged legs with pad feet; H27 3/4”W48” D47 3/4”$500-700Provenance: Southern gentleman’s privatecollectionPurchased from Dale L. Couch

65TWO REGENCY STYLE BULL’S-EYE MIRRORSmid 19th century, scroll-carved eagle pedimentabove molded framed centering convex lookingglass, above shell pendant; H34” W20 1/2”(2pcs)$1,000-1,800

66CLASSICAL CARVED MAHOGANY MIRRORcirca 1830, molded crown, divided panels,turned and leaf-carved decorations; H47” W22”$400-600Provenance: South Carolina collection

67FEDERAL CHERRY SLANT-FRONT DESKcirca 1810, hinged lid opening to fitted interiorsabove long drawers on splay feet; H42 1/4”W42” D20”$1,000-2,000Provenance: Georgia private collection

68AMERICAN WALNUT TALL CHEST OFDRAWERScirca 1800, molded crown over configuration ofdrawers on bracket feet; H68 1/2” W43 1/2”D21 1/2”$1,500-2,500Provenance: South Carolina private collection

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69LATE FEDERAL GILT-DECORATED OVERMANTLE

MIRRORcirca 1830, rectangular frame with architectural detail-ing, rosettes and acanthus, with three divided beveledmirrors; H27 1/2” L55 1/4”$700-1,000Provenance: Georgia private collection

70PAIR SHERATON CARVED MAHOGANY TALL POST

BEDSfirst quarter 19th century, turned, reeded and leaf-carved posts joined by arched headboard; H103”W59” L82 1/2” (2pcs)$2,000-3,000Provenance: South Carolina private collection

Other Notes: This pair of beds was made from anoriginal bed, retaining 4 original posts andheadboards.

71FEDERAL INLAID CHERRY CHEST OF DRAWERScirca 1820, rectangular top with lobed corners, overcase with four long graduated drawers with stringingand quarter fans, flanked by three-quarter reededcolumns extending to turned feet; H38” W41 1/2”D20 1/4”$700-1,000Provenance: South Carolina private collection

72AMERICAN SHERATON MAHOGANY TWO-DRAWERWORKTABLEcirca 1820, octagonal top and conforming case withtwo small drawers, on turret-top turned and reededlegs; H28 1/4” W16 1/8” D16”$400-600Provenance: Collection of Edward Morrison Brown

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73AMERICAN INLAID MAHOGANY SECRETARY

BOOKCASEfirst half 19th century, double-arch cornice surmounted with brass finials, over wide frieze and pairof spider-web glazed and fan-inlaid doors, on lowerpart with fitted secretary drawer and three long rawers,on short turned legs; H97 1/2” W45” D19 3/4”$1,200-1,800Provenance: Collection of Edward Morrison Brown

74GEORGIAN PARCEL-GILT CARVED MAHOGANY

MIRRORlate 18th century, shell-carved pediment on scrollingframe, centering looking glass; H35” W19”$400-600Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

75AMERICAN SHERATON MAHOGANY PEMBROKETABLEcirca 1830, rectangular top with shaped drop leaves,over single frieze drawer, on turned and reeded legswith ball feet; H29 1/2” W35 3/4” open D35 1/8”$300-500Provenance: Collection of Edward Morrison Brown

76GODDARD & TOWNSEND STYLE MAHOGANY

BLOCKFRONT CHEST ON CHESTbroken-arch crown with finials over configuration ofthree short and five long drawers with convex and concave carved shell decorations, lower part with fourlong drawers with corresponding decoration, on shapedogee-bracket feet; H103” W46” D26 1/2”$1,500-2,500Provenance: South Carolina private collection

Other Notes: This chest on chest is featured in the2000 motion picture THE PATRIOT, starring MelGibson, filmed in Charleston and other SouthCarolina locations.

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77FEDERAL INLAID MAHOGANY DEMILUNE CARD

TABLEearly 20th century, hinged top over conforming skirtand tapered legs, with boxwood stringing; H29 3/4”W35 3/4” D17 3/4”$500-700Provenance: Collection of Edward Morrison Brown

78AMERICAN MAHOGANY WORKTABLEcirca 1840, H28 1/2” W18” D15 1/2”$300-500Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

79PAIR CHINESE ARMORIAL PORCELAIN PLATEScirca 1727, rouge de fer and gold border centeringarms of Gibbon of Bishops, Dia.8 3/4” (2pcs)$700-900Provenance: Estate of Marie Pappenheimer PlatterLiterature: Howard, David S. CHINESEARMORIAL PORCELAIN. London: Faber & Faber,1974. p. 213Other Notes: Verso bearing old Bonwit Teller label.

80CHINESE EXPORT EUROPEAN SUBJECT EN

GRISAILLE PORCELAIN PLATEcirca 1750, ornate gilt borders centering Classical figural and architectural scene, Dia.9 1/4”$400-600Provenance: Estate of Marie Pappenheimer Platter

81CHINESE EXPORT PORCELAIN TEA BOWLS, SAUCERSAND PLATE18th century, famille rose plate, Dia.9 1/8”; and pairpictorial-decorated teabowls and saucers. (5pcs)$200-300Provenance: Estate of Marie Pappenheimer Platter

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82CHINESE BEECHERIMPALING AISLABIEARMORIAL PORCELAIN PUNCH

BOWLQianlong, circa 1760, vibrantarms of Richard Beecher (memberof the Council of Commerce inBengal) amidst floral sprigs andgilt chain on interior centeringpeony sprig; H5 1/2” Dia.13”$500-700Provenance: Columbia, SouthCarolina private collection

Literature: Howard, David S.CHINESE ARMORIALPORCELAIN. Faber & Faber,1974. p.566.

83CHINESE EXPORT PORCELAIN TABLEWARES, SIGNED18th/19th century, comprising:rose medallion covered dish, W10 1/4”3 footed dishes, one with six-character mark, L9” and 11”tazza, four-character mark, H4 1/4”pair plates, Dia.7” (7pcs)$400-600Provenance: Estate of Marie Pappenheimer Platter

84CHINESE ROCKEFELLER PATTERN PORCELAIN PLATTER AND

DISHES18th century, Mandarin scene within wide border with shapedsepia landscape reserves against gold brocade border; platter, L14 1/2” W11” and dish, L8” W7”; and associated teapot standwith central scene, W5” (3pcs)$500-800Provenance: Estate of Marie Pappenheimer Platter

85CHINESE EXPORT FAMILLE ROSE PORCELAINPLATTERearly 19th century, fruit, insect, fruit and floral designon well-and-tree molded oval body; L18 1/2” W13 1/2”$500-800Provenance: South Carolina private collection

86PAIR CHINESE FAMILLE VERTE SCENIC PORCELAINPLATEScirca 1760, floral border centering harbor scene, Dia.9”$300-500Provenance: Estate of Marie Pappenheimer Platter

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87CHINESE PORCELAIN VASE, PLATTER AND PLATE19th century, comprising: famille rose vase, L9 1/2”;and rose medallion plate and platter, Dia.9”, and L15”(3pcs)$300-500Provenance: Collection of Edward Morrison Brown

88CHINESE EXPORT PORCELAIN, TEAPOTS, JUG,CADDY AND MUG18th century, comprising:famille rose teapot, H6 1/2”underglaze-blue teapot, H5 3/4”famille rose jug, H7”tea caddy, H5 1/2”rose medallion mug, H5” (5pcs)$300-500Provenance: Estate of Marie Pappenheimer Platter

89CHINESE EXPORT PARCEL-GILT AND LACQUERED

SEWING TABLEsecond half 19th century, hinged top decorated withChinese court scene in red lacquer on black groundwith gilt decoration, divided fitted interior with covers,turned column supports, carved gilt paw feet joined byturned stretcher; H27” W25” D16 1/2”$500-700Provenance: South Carolina private collection

90FEDERAL CHERRY AND MAHOGANY TALL CASE

CLOCK, POSSIBLY TENNESSEEfirst quarter 19th century, broken-arch crown, archedglazed panel door, turned column supports, case withchamfered corners, on bracket feet; yellow pine andpoplar secondary woods; H96” W20” D10”$3,000-5,000Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch, recovered fromTennessee

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91HOWARD MILLER MAHOGANY TALL CASE

CLOCKhighly figured mahogany case in the Georgiantaste; H101” W22 1/2” D15”$500-1,000Provenance: Southern gentleman’s privatecollection

92POLISHED METAL AND MAHOGANY CURIO

CABINETlate 19th/early 20th century, molded steppedtop over glazed door and side lights, on custommahogany base of later date; H79” W43” D17 1/2”$1,000-1,500Provenance: South Carolina private collection

Other Notes: Family history is that thiscabinet was one of two that the current ownerpurchased in the 1960’s and they werebelieved to be cabinets used at Tiffany & Co.in New York in the 1890’s.

93MORTON KUNSTLER(New York, b. 1931)WESTERN SCENEoil on canvas, framed, signed lower leftH26” W32”$3,000-5,000Provenance: North Carolina private collection

Other Notes: Verso bearing MaxwellGalleries-San Francisco, No.C-1206

94MICHAEL SIEVE(Minnesota, b. 1951)WESTERN RANGE-ANTELOPEoil on canvas, framed, signedH26” W48”$2,000-3,000Provenance: South Carolinaprivate collection

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95JOHN GADSBY CHAPMAN(New York/Italian, 1808-1889) LAKE OF ALBANO, PILGRIMS TO THEMADONNA DEL TUFO ON ASSUMPTION DAY,circa 1873oil on canvas, framed, unsignedH27” W43”$1,500-2,000Provenance: Property deaccessioned from a SouthCarolina museum to benefit the collections fundChristie’s-New York, Nov. 14, 1991, Lot 50

Other Notes: Original canvas (now relined) bearsinscription identifying the subject as Madonna paint-ed for an A.O. Bigelow Esq of Boston in Rome in1873.

96AMERICAN SCHOOL PORTRAIT, 19TH CENTURYYOUNG GENTLEMAN IN YELLOW WAISTCOAToil on canvas, framed, unsignedH30” W25”$1,000-2,000Provenance: Georgia private collection

97THOMAS HART BENTON STYLE(Missouri, 1782-1858)AARONlithograph, framed, signed lower rightsight H13 1/2” W10 1/4”$1,000-2,000Provenance: South Carolina private collection

98ALEXANDER-WISSOTZKYTanya Wissotzky and Alexander Galtchansky(Ukrainian/American, 1959 - 2006 and 2008)STILL LIFE WITH GRAPESoil on canvas, framed, signedH36” W27 1/2”$800-1,200Provenance: South Carolina private collection

99LUIGI KASIMIR(New York/Austrian, 1881-1862)five works: Views of Austria, PETAU-DARVE RIVER,BAD GASTEIN, SEILERGASSE, INNSBRUCKGOLDEN ROOF, and MEIDLING GATEcolor etchings, framed, signed in pencil, plates H12 1/2” W14” to H18” W25” (5pcs)$700-900Provenance: Georgia private collection

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100SOUTHERN FEDERAL WALNUT BUREAU BOOKCASE, VIRGINIAlate 19th century, dentil-molded broken-arch pediment, arched panel doors openingto fitted interiors decorated with initials IL and numerals 9 and 3; lower part withhinged lid concealing fitted pigeonholes, document drawers and prospect door, overfour graduated drawers and ogee bracket feet; yellow pine and walnut secondarywoods; H97” W38” D21”$3,000-5,000Provenance: Southern gentleman’s private collection

101SOUTHERN FEDERAL MAHOGANY CELLARETTE, MARYLANDBaltimore, circa 1830, sarcophagus form with hinged lid on bracket feet; H16 1/2”W17 1/2” D17 1/2”$1,500-2,500Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch, recovered from Baltimore

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102SOUTHERN WALNUT DROP-LEAF TABLE, VIRGINIA18th century, oval top on cabriole legs with pad feet;H28” W38” L47”$400-700Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch, deaccessioned fromthe Poe House Museum, Richmond, Virginia

103FEDERAL STYLE BULL’S-EYE GILTWOOD MIRROReagle on pedestal atop circular beaded frame surrounded by garland, issuing pairs of candlearms;H43” W32”$500-700Provenance: Collection of Edward Morrison Brown

104SOUTHERN INLAID WALNUT SLANT-FRONT DESK,POSSIBLY NORTH CAROLINAcirca 1800, dovetailed case with fallboard centeringstar inlay and concealing interior of drawers andpigeonholes, over four long graduated drawers, withshaped skirt and ogee feet; H43 1/4” W36 1/4” D18”$1,500-3,000Provenance: Collection of Edward Morrison Brown

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105AMERICAN INLAID MAHOGANY DRESSING TABLE, POSSIBLY NORTH CAROLINAcirca 1800, rectangular top over case with central drawer flanked by small drawers having boxwood stringing withquadrant corners and tri-corner inlay, on tapered legs; H29 3/4” W36 1/8” D20 3/8”$1,000-2,000Provenance: Collection of Edward Morrison Brown

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106CHIPPENDALE STYLE MAHOGANY ANDPARCEL-GILT MIRROR19th century, scrolling frame surmounted by eagle,carved gilt liner enclosing mirrored plate; H54 3/4”W24”$500-700Provenance: Collection of Edward Morrison Brown

107SOUTHERN WALNUT CHEST OF DRAWERS, NORTHCAROLINA OR VIRGINIAfirst half 19th century, rectangular top over four longdrawers and turned legs, with paneled sides; H45 1/2”W40 1/2” D19 3/4”$600-900Provenance: South Carolina collection

108SOUTHERN FEDERAL WALNUT AND MAHOGANY

FALL-FRONT DESK, KENTUCKYcirca 1810, hinged lid opening to fitted interiors, overfour long graduated drawers with extensive cherrycrossbanding, on bracket feet; poplar secondary wood;H44 1/4” W42” D20 1/2”$3,000-5,000Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

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109SOUTHERN INLAID WALNUT PEMBROKE TABLEearly 19th century, oval drop-leaf top, with single drawerand opposing faux drawer, on tapered legs with anklebanding; H29 1/8” W43 3/4” open D34 1/8”$500-700Provenance: Collection of Edward Morrison Brown

110SOUTHERN BOWFRONT WALNUT CHEST OF DRAWERScirca 1830, shaped top with beaded edge over four longgraduated drawers flanked by beaded pilasters, on ring-turned legs; H41 3/8” W40” D21 5/8”$600-900Provenance: Collection of Edward Morrison Brown

111FEDERAL MAHOGANY SIDEBOARD, NORTH CAROLINAcirca 1820, rectangular top with beaded edge, on case withdrawers over doors, on ring-turned legs with ball feet; H45 1/4” W68 5/8” D21 3/4”$2,000-4,000Provenance: Collection of Edward Morrison Brown

112AMERICAN SHERATON CHERRY WORKTABLEcirca 1825, square-edged rectangular top, with single friezedrawer and turned legs with tulip feet; H28 1/4” W34 7/8” D18”$400-600Provenance: Collection of Edward Morrison Brown

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113CHERRY CORNER CABINET, POSSIBLY NORTHCAROLINAearly 19th century, canted cornice over conforming case and pair glazed doors beforeshaped shelves, on waist-molded lower part withpaneled doors and scalloped skirt, stiles extendingto feet; H88 1/2” W47” D26”$1,000-2,000Provenance: Collection of Edward MorrisonBrown

114SOUTHERN FEDERAL INLAID WALNUT CHINA

PRESS, SOUTH CAROLINAcirca 1810, molded inlaid crown over dividedglazed panel doors with Gothic arch design; lowerpart with two short and four long drawers, onbracket feet; H83 1/2” W39” D22”$3,000-4,000Provenance: Southern gentleman’s privatecollectionPurchased from Dale L. Couch, recovered fromSouth Carolina

115SOUTHERN EMPIRE MAHOGANY CHEST OFDRAWERS, UPSTATE SOUTH CAROLINA19th century, rectangular top over two short andthree long drawers on bracket feet; H40” W39 1/2” D21”$700-1,000Provenance: Southern gentleman’s privatecollection

116SOUTHERN MIXED WOOD DRESSING TABLE,SOUTH CAROLINAprobably Laurens County, late 18th century, rectangular molded edge top over shaped skirt fitted with three short drawers, on tapered legswith pad feet; H29” W29 1/2” D17 3/4”$600-900Provenance: Southern gentleman’s privatecollectionPurchased from Dale L. Couch, recovered fromSouth Carolina

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117SOUTHERN CHERRY CHEST OF DRAWERS, PROBABLY UPSTATE SOUTH CAROLINAcirca 1820, rectangular top over four drawers on bracket feet; H43” W33” D14”$500-700Provenance: Southern gentleman’s private collection

118SOUTHERN PINE BLANKET CHEST, PROBABLYKENTUCKYcirca 1830, hinged molded edge top on bracket feet;H20 1/2” W38” D16 1/2”$200-400Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

119SOUTHERN WALNUT CUPBOARDcirca 1830, molded crown, divided panel door, fittedinteriors of shelves and document compartments, onmolded base; H41” W27 1/2” D13”$400-600Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

120SOUTHERN FEDERAL WALNUT CHAIRS, VIRGINIAlate 18th/early 19th century, straight crestrail, piercedsplat, on square legs joined by stretchers; BH36 1/2”SH17 1/2” W18 1/2” D16” (4pcs)$600-900Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch, recovered fromVirginia

121FOLK ART PAINT-GRAIN BUREAU BOOKCASEcirca 1800, shaped and molded cornice over cabinetwith raised panel doors, on lower part with fallboardconcealing interior fitted with small drawers, abovethree long drawers and bracket base; H81 1/2” W45 1/2” D18”$1,000-2,000Provenance: Collection of Edward Morrison Brown

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122SOUTHERN WALNUT WORKTABLE, POSSIBLYNORTH CAROLINAcirca 1825, rectangular top on case with single drawer,on block-and-ring turned legs; H29 1/2” W21 1/2”D19 7/8”$300-500Provenance: Collection of Edward Morrison Brown

123EDWARD VON SIEBOLD DINGLE(South Carolina, 1893-1975) BLUE-HEADED VIREO AND SWEET GUM, No. 2222gouache, framed, signedsight size H11 3/4” W8 3/4”$1,500-2,500Provenance: New York collection

124ATHOS MENABONI(Georgia/Italian, 1895-1990)TURDUS MIGRATORIUSgouache, framed, signedsight H21” W16”$1,500-2,500Provenance: Estate of Marie Pappenheimer Platter

125ATHOS MENABONI(Georgia,/Italian, 1895-1990)RED THROATED HUMMINGBIRDgouache, framed, signedsight H20” W16”$1,500-2,500Provenance: Estate of Marie Pappenheimer Platter

126DAVID LEVINE(New York, 1926-2009) WOMAN BEADING, 1989watercolor, framed signedH8 3/4” W9”$1,000-2,000Provenance: Georgia private collectionGalerie Timothy Tew, Atlanta, GeorgiaMeredith Long & Co, Houston, TexasForum Gallery, New York, FO No. 12958Exhibitions: David Levine: The World He Saw[Forum Gallery, New York, Dec. 11, 2014 - Jan. 17,2015, CG6064]Other Notes: Various gallery labels on verso.

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127ALFRED HEBER HUTTY(South Carolina, 1877-1954)MORNING GOSSIPSdrypoint, signed lower margin in pencilimage H2 1/4” W3”$1,000-2,000Provenance: Illinois private collection

Literature: Arnold, Sara C. and Stephen G. Hoffius,eds. THE LIFE AND ART OF ALFRED HUTTY:WOODSTOCK TO CHARLESTON. Columbia: TheUniversity of South Carolina Press, 2012. Illus.p.193

128PRINCE PIERRE TROUBETZKOY(Russian/Virginia, 1864-1936)PORTRAIT OF PRIME MINISTER WILLIAMEWART GLADSTONE (1809-1898), 1893oil on panel, period frame, signed lower right: 7June 93/Downing str/PTroubetzkoy; signed verso:Done at Downing St./during the Home RuleBill/Debates 7 of June 1893/Pierre TroubetzkoyH10 5/8” W8”$1,000-2,000Provenance: Writer and wife of the artist AmelieRives Troubetzkoy, by bequest to her sister Miss Landon Rives ofAlbemarle County, VA,to Mrs. Sanders Hobson,donated to a Virginia institution and now deac-cessioned to benefit the collections and conser-vation funds.Exhibitions: Thomas Agnew & Sons, London & NewYork, label verso.Literature: Borgmeyer, Charles L. ART OF PRINCEPIERRE TROUBETZKOY. Fine Arts Journal 26.1(1912): similar version illus. p.9.Other Notes: Another version of this portrait is in thecollection of the National Portrait Gallery, London.

129ANNE WORSHAM RICHARDSON(South Carolina, b. 1922)three works: RABBIT, RACCOON, and SQUIRRELpen and ink drawings, signed, sheet size H13 3/4”W10 3/4” (3pcs)$900-1,200Provenance: Maryland private collection

130CHARLES REINIKE(Louisiana, 1906-1983)HORSE WAGONwatercolor on paper, laid to board, signed lower rightH11 1/4” W15 1/4”$800-1,200Provenance: Illinois private collection

131FREDERICK DJONES, JR(Illinois/SouthCarolina, 1914-2004)CHARLESTON STREET SCENEwatercolor on board, framed, signed lower right: FredJonesH40” W20”$800-1,200Provenance: Illinois private collection

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132ELIZABETH O’NEILL VERNER(South Carolina, 1883-1979)LOWER KING STREET, CHARLESTONetching, unframed, signed and titled lower margin inpencilimage H5” W3 3/8”$800-1,200Provenance: Illinois private collection

133PORTRAIT PAINTING OF CSA COL. JOHNEDMUNDS BROWN(North Carolina, 1830-1896)oil on canvas, framed, unsignedH30 1/2” W25 1/4”$700-900Provenance: Collection of Edward Morrison BrownOther Notes: John Edmunds Brown grew toaffluence in Charlotte, North Carolina, first as alawyer, then as a colonel in the Confederate Armyduring the Civil War, and finally as a member of theLegislature. Colonel Brown’s military serviceincludes participation in the Battle of New Bern, theBermuda Hundred Campaign, where he survived agunshot wound to the head, and the Battle ofBentonville. This portrait of Colonel Brown isattributed to his wife, Laura Panthea Morrison,daughter of Rev. Robert Hall Morrison, firstpresident of Davidson College, and sister of MaryAnna Morrison, second wife of Thomas Jonathan“Stonewall” Jackson.

134PORTFOLIO OF PRINGLE HOUSE PRINTS, ALICERAVENEL HUGER SMITH(South Carolina, 1876-1958)TWENTY DRAWINGS OF THE PRINGLEHOUSE ON KING STREET, CHARLESTON, SC,1914title page, 3 pages text, and 20 lithographic printshoused in original hinged portfolio cover$400-600Provenance: Property of a Southern gentleman

135GILMER PETROFF(South Carolina/New York, 1913-1990) CAROLINA SAND DUNESoil on canvasboard, framed, signedH16 1/2” W22”$300-400Provenance: Descended in the Rutledge-Rose Family

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136GORDONWHEELER(South Carolina, 20th century)ST MICHAEL’S CHURCH,CHARLESTONwatercolor, framed, signedsight H14” W10”$300-500Provenance: South Carolina privatecollection

137RATTIGAN(South Carolina, 20th century)PORCHER-SIMONDS HOUSE (29East Battery, Charleston)watercolor, framed, signed & datedsight H19 1/2” W28 1/4”$300-500Provenance: SouthCarolina private collection

138COLLECTION OF SOUTHERN WORKSON PAPERK. David Brown (Florida, wk. 1969-present)ATHENA, etching on paper, unframed,titled and signed lower middleH32” W19”

Anne Wilson Goldthwaite (Alabama,1869-1944)GARDEN IN BERMUDA, watercoloron paper, unframed, signed and titledsight H13 3/4” H15 1/4”

Jarrell Hethcox (Georgia, 1929-2006)TOLEDO, 1968, ink on paper,unframed, signed and dated lower rightH22” W34”

Hilton Leech (act. Florida, 1906-1969)WINTER WILDERNESS, tempera onpaper, unframed, signed lower rightH22 3/4” W29 3/4”

Wayne Spradley (Alabama, b.1937)ANNIE VEE’S JUGS, 1972, watercoloron paper, unframed, signed and datedlower rightH17” W12” (5pcs)$300-500Provenance: Columbus Museum,Columbus, Georgia, sold to benefit theacquisitions fund

139J. HAROLD CLICK(North Carolina/Oklahoma,20th century)pair works: FAVEROLLESand LONGHORN COCKSwatercolor, framed, signed,JH Clicksight H9” W7” (2pcs)$200-400Provenance: North Carolinaprivate collection

140JANE RUARK(South Carolina, 20th century)SEA OATSwatercolor, framed, signed sight H7” W9 1/2”$200-300Provenance: Descended in theRutledge family

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141SOUTHERN ART BY DALE RAYBURN AND PAULCHELKODale Rayburn (Georgia, b.1942) LIFELINE, coloretching, signed, titled & numbered 62/100, framedsize H13 1/3” W13 1/2”Paul Chelko (Georgia, 20th century) BOTTLE STILLLIFE, acrylic on board, signed, framed size H11” W11 1/2” (2pcs)$200-300Provenance: Estate of Marie Pappenheimer Platter

142CHARLES FREDERICK NAEGELE(Tennessee/Georgia, 1857-1944)PORTRAIT OF A GENTLEMAN WITH SPECTACLESoil on board, period frame, signed upper rightH14” W10”$200-300Provenance: California private collection

143BOB GRENKO(South Carolina, 20th century)CITADELpen and ink, framed, signedsight H13 1/2” W17”$200-300Provenance: South Carolina private collection

Other Notes: Accompanied by letter from the SouthCarolina Governor’s Office

144BOOK: MENABONI’S BIRDS, AUTHOR SIGNEDMenaboni, Athos & Sara. MENABONI’S BIRDS.New York: Rinehart & Co, 1950. Title page with dedi-cation to Marguerite and Randy Wilkerson and authorsigned$50-75Provenance: Georgia private collection

145BOOK: ELIZABETH O’NEILL VERNEROTHER PLACES. Columbia, South Carolina: Bostick& Thornley, 1946.$50-100

146PAIR CHARLESTON BRASS ANDIRONScirca 1820, urn finial on baluster stem; H21 1/2” W5 1/2” D21 1/2”$400-600Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

147COLLECTION SOUTH CAROLINA SOUVENIRSPOONS, MEDALS, AND FLAGcomprising:6 spoons featuring various buildings from 1901-1902Inter-state and West Indian Exposition, 4 marked:STERLING, L4” to L5 5/8”Jasper, Fort Sumter souvenir spoon with vermeil basin,marked: JAS ALLAN&CO, STERLING, L6”bronze 1883 Charleston centennial medal, Dia.2 1/4”Confederate States of America palmetto badge pin, H17/8”Confederate flag from South Carolina State Capitolbuilding, accompanied by letter of certification (10pcs)$300-500Provenance: Property of a Southern gentleman

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148RARE SOUTHERN BROTHEL TOKENearly 20th century, one side marked: THEACE CATHOUSE NASHVILLE TENN,and verso: BLACKS ONLY; Dia.1 3/4”$100-200Provenance: New York City privatecollection

149ENTERPRISE MFG NO. 216 CAST-IRON COFFEE GRINDERPhiladelphia, pat. July 12, 1898, originalred paint, decorated with American eagleand shield decal; H69” W35” D32”$1,000-1,500Provenance: South Carolina collection

150COLLECTION OF AMERICA PRESSEDBRASS TIEBACKSset of six, Dia.5”; set of four, Dia.2 3/4”;and set of four, Dia.3” (14pcs)$300-500Provenance: Collection of EdwardMorrison Brown

151BRASS CANDLESTICK COLLECTIONsingle with shade, H21” and 7 pairs, H6” to 12 1/2” (15pcs)$400-600Provenance: Collection of EdwardMorrison Brown

152NATIVE AMERICAN WOVEN BASKETtri-color design on natural ground, H5 1/2” Dia.10 3/4”$100-200Provenance: Collection of EdwardMorrison Brown

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153KEYSTONE RAILROAD RIDE ‘EM TRAIN6400 locomotive with bell and cowcatcher, H13” L25”D7”6500 freight car, H9 1/2” L19” W7”red and black painted pressed steel body with decals(2pcs)$200-400Provenance: Georgia private collection

154SOUTH CAROLINA DISPENSARY AND OTHER

BOTTLES19th century, comprising:5 SCD monogram cylinder bottles, H9 1/4”2 Palmetto cylinder bottles, H9 1/2”3 SCD monogram flasks, H8”2 SCD monogram flasks, H6 3/4”1 Palmetto flask, H7”together with Charleston Andrew A. Kroeg Pharmacistbottle, H5”; Charleston A.W. Eckel Pharmacist bottle,H6 1/4”; and C.C. Habenicht, Columbia bottle, H10”(16pcs)$300-400Provenance: Property of a Southern gentleman

155SOUTHERN AND AMERICAN BOTTLES19th century, comprising:Dreyfuss, Well & Co, Paducah, Kentucky, H6 1/2”World Bottling Works, New Orleans, LA, H8”CCS & M Co, New Orleans, LA, H8”Horlick’s, Racine, Wis., H5”Glyco-Heroin, New York, H7 3/4”Lea & Perrins, H7 1/4”Durkee & Co, New York, H7”True Fruit, Rochester, New York, H9 1/2”Zeno, Cleveland, Ohio, H6”and 5 other misc. bottles, H2 1/2” to 7” (14pcs)$200-300Provenance: Property of a Southern gentleman

156CATAWBA POTTERY VESSELS BY SARA AYERS ANDFLORENCE WADESouth Carolina Native American potter (Sara Ayers,1919-2002) and (Florence Wade, b. 1922)Ayers chief head pot, H7” W11”Ayers duck vessel, H4” W5 1/2”2 Wade turtles, L3”Wade frog, L2 1/2”each signed (5pcs)$200-400Provenance: South Carolina private collection

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157RARE COLT’S PATENT POWDER FLASKmid 19th century, raised design of crossed rifles andrevolvers over stand-of-flags and cannon, and repeatedon verso; H7 1/2” W3”$500-800Provenance: North Carolina private collection

158AMERICAN COPPER POWDER FLASK19th century, pheasant in relief and landscape scene,H7 1/4” W3 1/2”$200-400Provenance: Collection of Edward Morrison Brown

159D. LAMOTTE .32 CAL PERCUSSION BOY’S RIFLEGerman silver furniture, crescent butt plate and patchbox, bird’s eye maple stock with plaque engraved:Robert Patton Montgomery His Rifle; barrel L24”Overall L38”$500-800Provenance: South Carolina private collection

160WILLIAM MOORE PERCUSSION S/S SPORTING GUNbarrel L32” overall L48 1/4”$300-400Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

161ENGLISH PERCUSSION 80-BORE FOWLING PIECELondon, early 19th century, lock marked: Ketland, halfoctagon and round barrel, marked: London BrassFurniture, Converson;barrel L46” Overall L62”$400-700Provenance: South Carolina private collection

162MIDEASTERN SNAPHAUNCE FLINTLOCKlate 18th/early 19th century, approx. 60-bore, boneinlaid full stock, 11-barrel bands, no visible marks; barrel L48” overall L61 1/2”$600-800Provenance: South Carolina private collection

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163GERMAN SWORD WITH SCABBARD BY PACK,OHLIGER & COcirca 1905-25, wrapped grip and shaped handguard,leaf-and-vine decorated blade; PO&CO mark, overallH36 3/4”$200-400Provenance: Collection of Edward Morrison Brown

164BREITLING CHRONOMAT WRISTWATCHhour markers on burgundy dial, date aperture, threesubsidiary dials in two-tone case and leather wristband,marked B13047, 1-12810; L10”$2,000-3,000Provenance: California collection

165CONCORD MARINER DIAMOND-SET TWO-TONEWRISTWATCHstainless steel case with diamond-set gold-tone bezel,marked Mariner SG, 14-81-115-V13, 536549, L7”$600-800Provenance: California collection

166VINTAGE ELGIN 721 ELVIS TANK DIRECT-READJUMP HOUR WRISTWATCH WITH BOXcirca 1957, 14K gold-filled case and band, 23-jewelmovement, T385394 and 7777; with original box(2pcs)$200-300Provenance: Georgia private collection

167IWC SCHAFFHAUSEN 18K GOLD POCKET WATCHcirca 1963, metal dial with Arabic numerals concealing17-jewel movement and gold case, inner coverengraved: To Sandy My Love Forever Patty, August 24,1963; also marked 18K and serial no. 1671006, H21/2” w2”, and 2.9ozT all in$800-1,200Provenance: Georgia private collection

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168WALTHAM UP AND DOWNVANGUARD, AND ILLINOISRAILROAD POCKET WATCHESWaltham Up and DownVanguard gold-filled open facewatch with decorative bezel,enameled dial, Arabic hournumerals and outer minute track,up and down subsidiary dials,23-jewel movement marked andserial no. 25342976; H2 1/2”W2”together with Illinois BunnSpecial Double Roller gold-filledrailroad watch, enameled dialwith Arabic hour numerals, outerminute track, and subsidiary dial; 21-jewel 60-hourmotor barrel movement marked and serial no.5569061; H2 1/2” W2” (2pcs)$500-900Provenance: Georgia private collection

169PATEK PHILIPPE 18K GOLD OPENFACE POCKET

WATCH, COWELL & HUBBARDcirca 1900, enameled dial with Arabic numerals andsubsidiary dial concealing movement marked: PatekPhilippe & Co and The Cowell & Hubbard Co, serialno. 98277; gold case marked 210958; H1 3/4” W11/4”, and 0.9ozT all in$500-900Provenance: Georgia private collection

170FRENCH VERGE REPEATING WATCH IN UNUSUAL

CARVED BOXfirst half 19th century, carved burl box depictingNapoleon on horseback, opening to reveal shell-linedinterior and portrait-painted lid of Napoleon I andMarie Walewska, above French quarter-repeating decimal dial watch, works marked: Peter Sattler aFreyburg, possibly 18th century, H1” L4 1/2” D2 1/2”$500-900Provenance: Estate of Norman Citron, Atlanta,Georgia

171W. ALLEMANN-MONTREUX SWISSEIGHT-DAY HANGING CLOCKearly 20th century, painted gouacheenameled and vermeil silver casehousing round dial clock suspendedon silk rope and tassel hanging;marked: W. Allemann-Montreux,935 (silver standard) 57634; H15”W3”$200-400Provenance: Estate of NormanCitron, Atlanta, Georgia

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172QUEEN ANNE STYLE CHINOISERIELACQUERED SECRETARY BOOKCASElate 18th century, double arched molded crownwith finial over conforming raised panel door andcandle slides, opening to reveal small compartments; the lower part with hinged lidopening fitted interior, above four drawers, onbracket feet; the top of a later date; H93” W44”D21 1/2”$14,000-16,000Provenance: Tennessee collection

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173RARE CHINESE CHIPPENDALE MAHOGANYARMCHAIRcirca 1780, lattice-work back and arm panels on squarelegs joined by stretcher, BH37” SH17” W23 1/2” D20”$1,000-1,500

174REGENCY STYLE INLAID MIXED WOOD RENT TABLEmid 19th century, octagonal top with leather writingsurface, three sham and five working drawers, one fittedfor coins and currency, on urn-form pedestal with foursaber legs ending with cups and casters, decorated overall with bellflowers, scrolling tendrils and panels ofclassical figures; H30 1/2” Dia.50”$1,000-1,800

175PAIR GEORGIAN CARVED GILTWOOD GIRANDOLES,BY CHARLES ANDREW NOSOTTIfirst part 19th century, leaf-and-scroll pediment, scrolling pierced frame issuing candleholders, H48”W32” (2pcs)$3,000-4,000Provenance: South Carolina private collection

Other Notes: Versos with partial old paper labelsreading: Nosotti, Newman St. London.

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176PAIR GEORGIAN STYLE CARVED MAHOGANY LIBRARY ARMCHAIRSmid 19th century, upholstered back and seat, scrolling armrests, on shell-carved cabriole legs with ball-and-claw feet; BH41” SH19” W27” D22” (2pcs)$1,500-2,500Provenance: South Carolina collection

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177GEORGIAN MAHOGANY TALL CHEST OF DRAWERScirca 1800, molded-edge top over 5 graduated longdrawers and ogee bracket feet, H57” W47 1/2” D22”$1,000-1,500

178GEORGE III MAHOGANY DINING CHAIRS, SET OFSIXcirca 1800, arched crestrail, pierced splat on squaretapered legs joined by stretchers, BH38” SH18” W22”D18” (6pcs)$1,400-1,800

179REGENCY CARVED GILTWOOD CONVEX BULLS-EYEMIRRORmid 19th century, eagle pediment over round framecentering convex mirror, ending with shell decoration;H39” Dia.25 1/2”$800-1,200Provenance: Georgia collection

180WILLIAM IV STYLE MAHOGANY DINING TABLElate 19th century, square top, molded skirt, on turnedpedestal and saber legs with carved feet, H30” W58 1/2” D58 1/2”$1,000-2,000

181ENGLISH MAHOGANY CHEST OF DRAWERSmid 19th century, rectangular molded top over casewith two short and three long graduated drawers, onbracket base; H42 3/4” W43” D19 1/2”$600-900Provenance: Collection of Edward Morrison Brown

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182GEORGIAN MAHOGANY DOUBLE CHEST

OF DRAWERS WITH SECRETAIREcirca 1820, broken-arch dentil-molded pediment centering finial, with fluted friezeover two short and three long drawers, onlower part with secretary drawer fitted withprospect door, drawers and pigeonholes,over two long drawers, on ogee-bracketfeet; H89 1/2” W45 1/4” D23 1/4”$2,000-3,000Provenance: Georgia private collection

183GEORGIAN PARCEL-GILT MAHOGANYMIRRORmid 19th century, broken-arch pedimentover ornate frame centering looking glass;H58” W31”$1,000-1,500Provenance: South Carolina private collection

184GEORGE III CARVED MAHOGANY DRESSING TABLEcirca 1810, pierce-carved gallery and carved edge, overthree short drawers, on square fluted legs with piercedbrackets; H35” W28 1/2” D17”$600-900Provenance: South Carolina private collection

185ENGLISH MAHOGANY BUTLER’S TRAY ON STANDcirca 1800, rectangular tray with full gallery andpierced handles, on associated stand; overall H26”W19 1/4” D29 1/4”$500-1,000Provenance: Collection of Edward Morrison Brown

186PAIR ADAM STYLE GILTWOOD MIRRORSoval form surmounted with urn issuing flowers; H55”W25”$1,000-2,000Provenance: Estate of Marie Pappenheimer Platter

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187NEAR PAIR GEORGIANMAHOGANY GAMES TABLESfirst quarter 19th century, D-shaped double-hinged topopening to well, resting ontapered round legs with padfeet, H48 3/4” W30” D14 3/4” (2pcs)$1,200-1,800

188ANGLO-COLONIALMAHOGANY AND CANE

PLANTER’S CHAIRthird quarter 19th century, reclining backrest leadingto plank arms, on ring-turned legs, bearing oldSotheby’s label; BH37 1/2” SH17” W25 1/2” D62”$300-500Provenance: South Carolina private collectionpurchased from Sotheby’s New York in the late 1980s

189SHERATON STYLE UPHOLSTERED SOFAshaped back and continuous arms flanking serpentineseat with single cushion, on carved cabriole legs; BH391/2” SH23” D34” L72”$1,000-1,500Provenance: Estate of Marie Pappenheimer Platter

190GEORGE III MAHOGANY TILT-TOP WINE TABLEcirca 1820, oval top on baluster column supported byinlaid saber legs; H27 1/2” W20 1/2” D14 1/2”$400-700Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

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191CHINESE CHIPPENDALE STYLE TEA TABLEtray top with fretwork gallery, on bundled faux-bamboo legs, with pierced S-curve stretcher; H29 1/2” W33 7/8” D21 7/8”$500-800Provenance: Estate of Marie Pappenheimer Platter

192NEAR PAIR QUEEN ANNE STYLEMAHOGANY ARMCHAIRSmid 19th century, scrolled and eared crestover vasiform splat and outturned arms, withslip seat, on cabriole legs; BH38 1/4” SH20”W26 1/4” D21” (2pcs)$400-600Provenance: Collection of Edward MorrisonBrown

193GEORGIAN STYLE MAHOGANY DROP-LEAFHARVEST TABLEmid 19th century, hinged oval top on straightbead-and-channel legs; H30” W52 3/4” openD84 1/2”$700-1,000Provenance: Collection of Edward MorrisonBrown

194PAIR CONTINENTAL SILVER SIX-LIGHTCANDELABRA, G. SCHNAUFFERfirst half 20th century, Neoclassical two-part designwith scrolling arms on Corinthian fluted column,stamped by maker and 800, H24” Dia.13”, and150.ozT (2pcs)$3,000-4,000Provenance: South Carolina collection

195IMPRESSIVE TURKISH STERLING TEA AND COFFEE

SERVICE, MEVLANAornate pattern with swan’s-head spouts, comprising:hot water kettle, H17”coffeepot, H10”teapot, H10”covered sugar, H8”creamer, H6”Total 165.0ozT all in (5pcs)$2,000-2,500Provenance: Estate of Mrs. J. Donald Dial,Columbia, South Carolina

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196GEORG JENSEN ACORN STERLING

FLATWAREDenmark, circa 1915, comprising:12 hollow handle knives, L9”12 forks, L7 1/2”12 forks, L6 1/2”12 spoons, L5 1/2”12 teaspoons, L5 1/2”4 demitasse, L3 3/4”2-piece salad set, L9 1/2”2 condiment servers, L6”master butter, L7”Total 80.0ozT (69pcs)$2,000-3,000Provenance: South Carolina privatecollection

197EDWARDIAN STERLING TEA AND

COFFEE SERVICE, WALKER & HALLSheffield, dated 1898, comprising: coffeepot, H12”teapot, H9 1/2” open sugar, H8 1/2”creamer, H7 1/2”and associated silverplate tray, L26”Total 75.0ozT weighable (5pcs)$1,500-2,500Provenance: South Carolina privatecollection

198STIEFF WILLIAMSBURG SHELLSTERLING FLATWAREcirca 1970, comprising: 8 hollow handle knives, L9 3/4”8 forks, L7 1/2”8 forks, L6 1/2”8 spoons, L6 1/2”14 teaspoons, L6”3 serving spoons, L8”serving fork, L10”gravy ladle, L7 1/4”sugar shell, L5 1/2”hollow handle master butter, L8”marked: Stieff and WilliamsburgFoundationTotal 66.0ozT weighable (53pcs)$1,200-1,800Provenance: Georgia private collection

199DOMINICK & HAFF 1776 PATTERNSTERLING FLATWAREcirca 1886, engraved with initials MAW,comprising:6 hollow handle knives, L9 1/2”9 hollow handle knives, L8 3/4”6 forks, L8”8 forks, L7”8 forks, L6 1/2”8 round soups, L7”6 iced tea spoons, L7 1/2”10 teaspoons, L6”4 demitasse, L4 1/2”2 serving spoons, L8 1/4”meat fork, L8”serving fork, L8 1/2”gravy ladle, L6”master butter, L7 1/2”condiment spoon, L6 1/4”3 condiment forks, L4 1/2” to 5 1/2”2 hollow handle pastry servers, L9” and10”3-piece carving utensils, L9 1/2”total 82.0ozT weighable (80pcs)$1,000-1,500

200GORHAM MELROSE STERLING

FLATWAREcirca 1948, comprising:12 hollow handle knives, L9 1/2”8 hollow handle spreaders, L6 1/4”10 forks, L7 3/4”12 forks, L6 3/4”10 spoons, L6 3/4”10 spoons, L6 1/4”12 teaspoons, L6”sugar spoon, L6”2 hollow handle master butters, L7”Total 85.0ozT weighable (77pcs)$1,000-1,500Provenance: South Carolina privatecollection

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201AMERICAN STERLING COFFEE SET AND TRAYSReed & Barton 3-pc coffee set, H8 1/2”Fisher cream and sugar set, H4”Tiffany & Co tray, Dia.10”Fisher tray, Dia.10 1/2”Gorham tazza, H3 1/2” W14”silverplate oblong tray, L12 1/2”engraved with initialsTotal 72.0ozT weighable (9pcs)$900-1,200Provenance: Ohio private collection

202GEORGE III STERLING FOOTED SALVER, WILLIAM

BENNETTLondon, dated 1817, wide pierce-worked shell andgrapevine border on round tray, on scroll-and-leaf feet,Dia.13 1/4”, and 44.0ozT$700-1,000Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

203GEORGE III STERLING LOVING CUP, JOHNLANGLANDS INewcastle, dated 1803, ornate chased bowl withunidentified engraved crest incartouche flanked by scrollinghandles on pedestal base, complete hallmarks, H7 1/2”W9”, and 16.0ozT$500-900Provenance: Southerngentleman’s private collectionPurchased from Dale L. Couch

204GEORGE III STERLING TEAPOT ONSTAND, CARTER, SMITH & SHARPLondon, dated 1778 and 1790, ornately-chased oval teapot (Daniel Smithand Robert Sharp), H5 1/4” W14”; anddecorated stand (Robert Carter, DanielSmith, Robert Sharp), L6 1/2”, and28.0ozT (2pcs)$400-600Provenance: Georgia private collection

205TIFFANY & CO STERLING BREAD PLATE

SETearly 20th century, engraved with initialsMcD, in original silvercloth bags; marked:18249/9598, Dia.6 1/4” and total 47.0ozT(12pcs)$700-900Provenance: Estate of Marie PappenheimerPlatter

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206AMERICAN STERLING TABLEWARE, TIFFANY,GORHAM AND ALEXANDERSet of 5 Tiffany & Co Wave Edge spoons, L8 1/2”Gorham Corinthian ladle, L13 1/4”Alexander & Co cream and sugar set, H3 1/4”engraved with various initialsTotal 27.0ozT (8pcs)$400-600Provenance: Ohio private collection

207TIFFANY & CO STERLING FOOTED BOWLearly 20th century, fine flowering vine-decorateddesign, marked: Tiffany & Co, Sterling, 14081/5618;H3 1/2” W6 1/4” D4 1/2”, and 5.8ozT$200-300Provenance: South Carolina collection

208AMERICAN STERLING CENTERBOWLcirca 1900, lily and pierced scroll design, marked:Sterling 2027; H3” Dia.13”, and 27.5ozT$400-600Provenance: South Carolina private collection

209GORHAM STERLING HAND-HAMMERED GOBLET

SETengraved with initials CPP, marked: A7069/1, H6” andtotal 25.0ozT (6pcs)$400-700Provenance: Estate of Marie Pappenheimer Platter

210WALLACE STERLING BEVERAGE PITCHERrepousse swags, shell-and-garland pattern, marked:4050-9, H12” and 25.0ozT$400-600Provenance: Estate of Marie Pappenheimer Platter

211GORHAM STERLING GOBLET SETpattern C4004, H6 1/2” and 21.0ozT (4pcs)$300-500Provenance: Collection of Edward Morrison Brown

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212ANTIQUE PERSIAN SERAPICARPETcirca 1890, 11’10” x 14’9”$10,000-15,000

213TURKISH OUSHAK CARPET9’9” x 10’$2,500-4,500Provenance: Estate of MariePappenheimer Platter

214SERAPI CARPET11’10” x 14’10”$2,000-3,000

215ANTIQUE PERSIAN AFSHARCARPET6’6” x 19’2”$2,000-3,000

216PERSIAN GARDEN AFSHARCARPET10’5” x 13’2”$1,500-3,000Provenance: South Carolina pri-vate collection

217SEMI-ANTIQUE PERSIANKERMAN CARPETcirca 193013’4” x 16’7”$1,200-1,800Provenance: Georgia privatecollection

218ANTIQUE PERSIAN SERAPICARPETcirca 191011’8” x 14’$7,000-9,000

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219PERSIAN BIRJAND CARPET9’10” x 12’6”$1,000-2,000Provenance: South Carolina private collection

220PERSIAN SAROUK CARPETcirca 1920, 10’4” x 17’3”$1,500-3,000

221ANTIQUE TURKISH OUSHAK CARPET11’3” x 17’7”$4,000-6,000Provenance: Estate of Marie Pappenheimer Platter

222TURKISH OUSHAK CARPET12’6” x 17’10”$2,000-3,000

223SERAPI CARPET11’9” x 17’10”$2,500-4,000

224AUBUSSON CARPET11’11” x 15’$800-1,200Provenance: South Carolina private collection

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225AUBUSSON CARPET9’2” x 11’10”$1,000-1,500

226CHINESE SOUMAC CARPET9’11” x 13’10”$800-1,200Provenance: Georgia private collection

227SULTANABAD CARPET12’ x 17’6”$3,000-5,000

228PERSIAN MAHAL CARPET7’1” x 9’10”$800-1,200

229INDO TABRIZ CARPET8’3” x 10’1”$700-900

230PERSIAN MAHAL CARPETcirca 1960, 9’1” x 11’10”$500-800Provenance: Collection of Edward Morrison Brown

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231RARE QUEEN ANNE RED CEDAR TEA

TABLE, ATTRIBUTED TO BERMUDAcirca 1750, rectangular piecrust top,shaped skirt and cabriole legs; H28 3/4” W34 1/2” D20 1/2”$2,000-3,000Provenance: Southern gentleman’sprivate collectionPurchased from Dale L. Couch

232GEORGE III MAHOGANY CHEST ONCHEST WITH SECRETARY DRAWERcirca 1790, dentil-molded crown over twoshort and three long drawers above fall-front desk drawer with fitted interiors;lower part with three long drawers onbracket feet; H79” W48” D24”$1,800-3,000Provenance: Southern gentleman’sprivate collectionPurchased from Dale L. Couch

233ENGLISH ROCOCO STYLE CARVED WOOD AND GILT MIRROR19th century, bisected frame of flowerheads, scrolls and acanthus with ropetwistmolding, enclosing mirrored plates; H61” W28”$800-1,000Provenance: Estate of Marie Pappenheimer Platter

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234GEORGIAN MAHOGANY BATCHELOR’S CHESTcirca 1800, rectangular molded top with notched corners, over case with two short and three long drawers, with bracket base; H32 7/8” W36 1/8” D20 7/8”$700-1,000Provenance: Collection of Edward Morrison Brown

235CHIPPENDALE STYLE CARVED MAHOGANY

ARMCHAIRthird quarter 19th century, shaped crestrail, piercedsplat on carved cabriole legs and ball-and-claw feet;H39” SH18” W30” D19”$300-500Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

236GEORGE III MAHOGANY CARD TABLEcirca 1790, hinged top with canted corners opening tofelt interior with carved well, skirt of conforming shapeon cabriole legs with pad feet; H29” W36” D18”$700-1,000Provenance: South Carolina private collection

237GEORGIAN CARVED MAHOGANY TILT-TOP TABLEcirca 1810, elaborately pierce-carved scalloped gallerytop, on urn-carved column, on carved cabriole legswith padded ball-and-claw feet; H31 1/2” Dia.34 1/2”$1,000-2,000Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

238CHIPPENDALE UPHOLSTERED MAHOGANY

WINGBACK CHAIRlate 18th/early 19th century, arched back, scrollingarmrests on square legs joined by stretchers; BH48”SH21” W34” D27”$1,500-3,000Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

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239PAIR ENGLISH CARVED GILTWOOD MIRRORScirca 1850, scrolling arched top with leaf pediment,intricate gilt molded frame; one modern made-to-match; H60” W36” (2pcs)$1,000-2,000Provenance: Georgia private collection

Other Notes: Purchased from William WordAntiques, Atlanta, 1993, and copy made by CarolynGuilea of Shedd Manning Studios.

240ENGLISH MAHOGANY SECRETARY BOOKCASElate 18th/early 19th century, swan’s-neck bonnet withrosettes centering lion couchant, with mirrored doorbefore shelves, lower part with fallboard concealinginterior fitted with prospect door, drawers and pigeonholes, with two short and three long drawers, onbracket base; H92” W39 1/4” D23”$2,000-4,000Provenance: Estate of MariePappenheimer Platter

241HENKEL HARRIS SHERATONSTYLE INLAID MAHOGANY

DINING TABLEoval crossbanded top fitted withtwo 24-inch leaves, on doublepedestal base; H30” W46” L124”open$1,500-3,000Provenance: Southerngentleman’s private collection

242HENKEL HARRIS CHINESE CHIPPENDALE DESIGNDINING CHAIRS, SET OF EIGHToverupholstered leather arched crestrail, straight backand seat, on square legs; BH42” SH19” W23” D22”(8pcs)$1,800-2,800Provenance: Southern gentleman’s private collection

243QUEEN ANNE STYLE MAHOGANY MIRRORlate 18th century, cyma-molded frame centeringlooking glass; H26 1/2” W15”$300-500Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

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244GEORGIAN MAHOGANY SIDEBOARDcirca 1800, stepped-top with brass gallery over 3 shortdrawers, flanked by wine drawers, on tapered legs withspade feet, overall H59” W89” D35”$2,000-3,000

245GEORGE III STYLE MAHOGANY BREAKFRONTBOOKCASEmid 19th century, stepped and molded crown overconforming case with four astragal-glazed doors, onstepped-out lower part with corresponding cabinetdoors with applied molding, on molded base with C-scroll bracket feet; H84 1/4” W84” D20 1/2”$1,000-2,000

246GEORGIAN INLAID MAHOGANY BOWFRONT CHEST

OF DRAWERScirca 1820, shaped and crossbanded top centered withconch shell, over conforming case with two short andthree long drawers, on splay feet; H41 5/8” W41 3/4”D21 1/4”$800-1,200Provenance: Estate of Marie Pappenheimer Platter

247GEORGIAN MAHOGANY TILT-TOP TABLEcirca 1820, circular top over vasiform column issuingthree S-curve legs with snakepad feet; H27 7/8” Dia.27 7/8”$400-600Provenance: Collection of Edward Morrison Brown

248GEORGE III INLAID MAHOGANY BRANDY BOARDcirca 1820, serpentine inlaid top over configuration ofdrawers and tapered legs with spade feet, H30” W52”D26 1/2”$800-1,200

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249SHERATON STYLE LEATHER-UPHOLSTERED CARVED

MAHOGANY SOFAlate 19th/early 20th century, camelback leading to bellflower carved scrolling armrests, fluted skirt ontapered legs with spade feet; BH36” SH20” W80”D33”$1,500-2,500Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

250PAIR HEPPLEWHITE INLAID MAHOGANY CHAIRScirca 1800, leather upholstered seat; BH35” SH18”W21” D18 1/2” (2pcs)$300-400Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

251VICTORIAN BLACK LACQUER AND

MOTHER-OF-PEARL PAPIER MACHE TRAY ON STANDpart 19th century, cartouche-form tray with raised rim,gilt overlay and mother-of-pearl accents, on associatedfaux-bamboo stand; overall H19 1/8” W31 1/4” D23 3/8”$300-500Provenance: Estate of Marie Pappenheimer Platter

252TANZANITE AND DIAMOND COCKTAIL RING16.7ct cushion-cut blue-violet tanzanite flanked by1.63ctw diamonds, color H-J, clarity VS2-SI1, in 18Kwhite gold setting, size 6.75$15,000-20,000Provenance: California collection

Other Notes: Accompanied by two certificates, GIAreport 2175043951, and AIG report 019915101244

253CARTIER DIAMOND AND PLATINUM ETERNITY

RING3.50ctw tapered baguette-cut diamonds, color D-E,clarity VS, in channel-set platinum band, marked:Cartier, 6401; size 6 1/2$8,000-12,000

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254ENDLESS STRAND OF PEARLSone hundred sixty-three 9.5mm cultured white pearls,L34”$800-1,200Provenance: Nevada private collection

255SAPPHIRE AND DIAMOND RING2.44ct oval-cut natural orange sapphire surrounded by0.4ctw diamonds in 18K white gold setting, size 6.5$4,000-5,000Provenance: California collection

Other Notes: Accompanied by two certificates, GIAreport 5171087785, and AIG report 019915113025

256ART DECO DIAMOND AND PLATINUM FILIGREE

ENGAGEMENT RING1.4ct Old European-cut diamond, color H-I, clarityVS1, accented by 0.15ctw diamonds, color G-H, clari-ty VS2-SI2, in platinum mount; size 6$7,000-10,000

257TOPAZ, DIAMOND AND PLATINUM

BROOCHcushion-cut topaz in filigree-designbrooch accented with diamonds; H1 1/8” L2 1/2”$500-800Provenance: North Carolina privatecollection

258DIAMOND-ENCRUSTED NECKLACE123 round brilliant-cut diamonds,13.0ctw, color E-F, clarity VS, in 18Kwhite gold setting; L16”$8,000-12,000

259AQUAMARINE AND DIAMOND COCKTAIL RING18.06ct pear-cut aquamarine accented by 2.22ctw diamonds, color G-I, and clarity SI1-SI2, in 14K whitegold setting, size 5.75$4,000-7,000Provenance: California collection

Other Notes: Accompanied by two certificates, GIAreport 110220509544, and AIG report019915113039

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260RUBELLITE AND DIAMOND RING10.34ct cushion-cut natural rubellite flanked by0.37ctw round- and tapered baguette-cut diamonds in18K gold setting; size 5 3/4$5,000-7,000

261COLLECTION OF JEWELRYTiffany & Co two-tone 14K gold dogwood brooch, L13/4”14K gold locket, H1”two-tone 14K gold bracelet, L8”faceted purple glass and metal pendant, H2” W1”opal and crystal cluster ring, size 7Total 1.7ozT weighable all in (5pcs)$600-900Provenance: North Carolina private collection

262BLUE SAPPHIRE AND DIAMOND RING2.53ct cushion-cut sapphire (GIA B 6/3) flanked by0.55ctw diamonds, color G-I, claritySI2-I2, in 18K white gold setting,size 6.75$2,500-3,500Provenance: California collection

Other Notes: Accompanied by twocertificates, GIA report2175087920, and AIG report019915113027

263PLATINUM AND DIAMOND ETERNITY BAND3.5ctw round brilliant-cut diamonds, color G-H, clarity VS; size 7 1/2$4,000-6,000

264SAPPHIRE AND DIAMOND RING1.6ct oval natural violetish-blue sapphire surroundedby 0.52ctw diamonds, color G-I, clarity SI1-SI2, in18K white gold setting, size 7$2,000-3,000Provenance: California collection

Other Notes: Accompanied by two certificates, GIAreport 2171043829, and AIG report019915113050RTF

265PAIR CHANEL EARRINGSfaux pearl and gold metal-mounted clip back, Dia.1 1/4” (2pcs)$200-300Provenance: California collection

266SHELL AND LAVA STONE CAMEO JEWELRY

COLLECTIONcarved shell David bust pendant/brooch on chain, H3”carved shell with laboring putti scenes pendant/brooch,H2 1/2” W3 1/2”accompanied by seven shell and three lava stonecameos, most in gold or silver mounts (12pcs)$300-500Provenance: Estate of Norman Citron, Atlanta,Georgia

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267ITALIAN LEATHER RHINO FOOTSTOOLmid century, H20” L39” W16”$600-900Provenance: South Carolina collection

268ZEBRA HIDE RUGH120” W74”$500-800Provenance: South Carolina privatecollection

269CONTINENTAL INLAID WALNUT

COFFER19th century, hinged lid on case,side and top inlaid with huntscenes, flanked by carved pilasters,on turtle feet; H14” W26 3/4”D19 1/4”$700-900Provenance: South Carolinaprivate collection

270ENGLISH CALAMANDER AND MAHOGANY DOUBLE

TEA CADDIES19th century, William IV sarcophagus form, H8” L13”W7”; and Georgian rectangular box, H6” W12” D6”(2pcs)$400-700Provenance: Collection of Edward Morrison Brown

271PAIR FRENCH PAINTED-TOLEWARE CANISTERSearly 20th century, oval form painted with scenic landscapes, H6 1/2” W6” D4” (2pcs)$200-400Provenance: Collection of Edward Morrison Brown

272GOLD-CAPPED AND EBONIZED

WALKING STICKlate 19th century, chase-decorated14K tested top on tapered stem,L36 1/4”$300-400Provenance: Collection ofEdward Morrison Brown

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273ENGLISH ORNATE HANDLE CANE19th century, chased goldplate handle and taperedshaft; H35 1/2”$200-400Provenance: South Carolina private collection

274FINE FRENCH BOULLEWORK PERFUME BOX19th century, shell and brass-clad hinged box, plushfabric lining, fitted interior with four gilt scent bottles;H3 1/2” W5” D4 1/4”$400-700Provenance: South Carolina private collection

275STERLING FLASK, PERFUME FLASK AND ETUIAlvin sterling flask, H5 3/4”miniature sterling perfume flask, H2”French shell perfume etui, H8” W5 1/4” D3 1/2”(3pcs)$400-600Provenance: North Carolina private collection

276ENGLISH INLAID BOXES AND NECESSAIRE19th century, tunbridge and nacre box, H5 1/2” W83/4” D5”; tunbridge box, H4 1/2” W10” D6 1/2”;and traveling necessaire box, H5” W11 1/4” D9”(3pcs)$400-700Provenance: Collection of Edward Morrison Brown

277FINE CONTINENTAL INLAID FRUITWOOD

MINIATURE SEWING BOX19th century, floral and scroll-inlaid hinged top, opening to fitted interior and well; H4 1/4” W7 3/4”D5 1/4”$300-500Provenance: South Carolina private collection

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278ENGLISH MAHOGANY MAP

OR SCROLL BOXlate 19th century, lockbox andhinged top, with tray andcompartment; H8 1/2” L37”D5 1/2”$300-400Provenance: Collection ofEdward Morrison Brown

279WOOD BOXEStreenware box, H4” Dia.2 1/2”; and Thai mulberry-bound bamboo leaf tobacco box, H4” L8 1/2” D3” (2pcs)$300-400Provenance: Collection of Edward Morrison Brown

280CONTINENTAL METAL BOXES18th century and later, comprising:Dutch brass box, L5 1/2”covered box, H4 1/2” L8 1/2” D4 1/2”hinged covered box, H2” L6 1/2”copper box, W3 1/8” (4pcs)$300-500Provenance: Collection of EdwardMorrison Brown

281CONTINENTAL CARVED WOOD BRACKET AND

MARQUETRY BOX19th century, stag’s-head bracket, H11 1/2” W11 1/2”D7”; and jewelry box, H4 1/4” W9 1/4” D5 1/8”(2pcs)$300-400Provenance: South Carolina private collection

282SWISS SIX-TUNE MUSIC BOXlate 19th century, ebonized case, six-air tune sheetunder lid, 6-inch cylinder and single comb, tune selector and crank wind; H5 1/2” L17” D8”$300-400Provenance: South Carolina private collection

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283JOHN JAMES AUDUBON(New York, 1785-1851) WILD TURKEY (from The Birds of America)chromolithograph, J. Bien edition, framedsheet H39 1/2” W29 1/2”$2,000-3,000Provenance: South Carolina private collection

284MARK CATESBY(British, 1679-1749)four works: BAHAMA SPARROW (T.37) ALLIGATOR (T.63) IGUANA (T.64)and TURN STONE (Morinellus marinus, T.72) (from the Natural History ofCarolina, Florida, and the Bahama Islands), handcolored engraving on laid paperwith watermark, framed, initialed in plate, sheet H19 1/2” W14” (4pcs)$1,000-2,000Provenance: Collection of Edward Morrison Brown

285JOHN JAMES AUDUBON(New York, 1785-1851)CARBONATED WARBLER, pl. 60 (from Birds of America)hand-colored aquatint engraving, Havell edition, framedsight H19 1/4” W12”$800-1,200Provenance: Southern gentleman’s private collectionPurchased from Sotheby’s-New York, June 23, 1989, Lot 60

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286U.S. PACIFIC RAILROAD SURVEY LITHOGRAPHS,MAJOR & KNAPPcirca 1860, from the “Report of the United StatesPacific Railroad Expedition and Surveys-USPRR”,(47th & 49th PARALLELS, Minnesota, Dakota,Montana, Idaho and Washington) made under thedirection of the Secretary of War, in 1853-4”, printedby Sarony, Major & Knapp Lithographers, New York.Illustrations by John M. Stanley; 25 tinted lithographs,plates titled as follows: LIGHTING LAKE, plate IVMAPLE RIVER, plate VIIILAKE JESSIE, plate XIBUTTE DE MORALE, plate XIIINEAR MOUSE RIVER, plate XVCASCADES OF THE COLUMBIA, plate XVIMILK RIVER AND PANTHER MOUNTAIN, plate XXMILK RIVER-BEAR’S PAW MOUNTAIN IN DISTANCE, plate XXIIFORT BENTON, plate XXIVAPPROACH TO CADOTTE’S PASS, plate XXIXCOEUR D’ALENE MISSION ST IGNATIUSRIVER, plate XXXVFALLS OF THE SPOKANE, plate XXXVIFORT OKINAKANE, plate XXXVIIHUSDON BAY MILL, plate XXXVIIIPELUSE FALLS, plate XLIDALLES, plate XLIIFORT VANCOUVER, plate XLIVCAPE HORN-COLUMBIA RIVER, plate XLVIKETTLE FALLS, COLUMBIA RIVER, plate XLVIIGRAND COULEE, plate XLVIIIHOT SPRING MOUND, plate LBEAR’S TEETH MISSOURI RIVER, plate LIVIEW OF THE CLARK’S, plate LIVENTRANCE TO THE BITTER ROOT MOUNTAINS, plate LVIIHOT SPRINGS, plate LVIII (25pcs)$500-800Provenance: South Carolina private collection

287JOHN JAMES AUDUBON(New York, 1785-1851)AMERICAN MARSH SHREW, pl. CXXV, andBROWN LARK, pl. Xhand-colored lithograph and engraving, Bowen andLazar editions, framedsight H18” W22 1/2” and H13” W21 1/2” (2pcs)$500-700Provenance: Southern gentleman’s private collection

288JACQUES LAURENT AGASSE (AFTER)(Swiss, 1767-1849)HARE AND YOUNG ONES, engraved by CharlesTurnermezzotint laid to paper, framed, unsignedH20” W26”together with similar work in matching frame(2pcs)$500-700Provenance: Collection of Edward MorrisonBrown

289DRESSAGE AND EQUESTRIAN ENGRAVINGS,WILLIAM CAVENDISH, DUKE OFNEWCASTLELA METHOD ET INVENTION NOU-VELLE DE DRESSER LES CHEVAUX... second edition. London: Jean Brindley, 1737;double-page engraved pictorial title (dated1658), with 9 double-page black-and-white and colored engravings bearing page numbers 3, 4, 8, 13, 14, 26, 37, 38, and 39, afterAbraham van Diepenbeeck (Flemish, 1596-1675), engravings similarly framed, sight H15 1/2” W20 3/4” to H16 1/4” W21 1/4” (10pcs)$600-900Provenance: Collection of Edward MorrisonBrown

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290ENGLISH HERALDIC FRAMED PRINTS

AND DOCUMENTSthree handcolored plates from theBARONAGIUM GENEALOGIUM(or the Pedigrees of the English Peers)by Sir William Segar, published 1764-84, plate size H16 1/2” W9 1/2”JAMES BRUDENELL-BARON BRUDENELL OF DEENE, pl. 85; HENRY LIDDELL-BARONRAVENSWORTH, pl. 448; LEWIS MONSON WATSON-BARON SONDES, pl. 466accompanied by related heraldry platesKNIGHTS OF THE GARTER andIRISH DUKES AND MARQUISSES,sight H10 1/2” W8 1/2”; and 19th century Georgian indenture and deedon vellum (7pcs)$300-500Provenance: Collection of EdwardMorrison Brown

291BRITISH SATIRES AND

OTHER ILLUSTRATIONS19th century, comprising:Laurie and Whittle (British,19th century), two satiricalcolored engravings: THELADS OF THE OCEANand PADDY’S RAMBLETHROUGH LONDONH11 1/2” W9”together with:Albert Ludovici (Italian, 1852-1932),three unframed colographs: MR. PECKSNIFF LEAVES FOR LON-DON, THE ELECTION AT EATANSWILL, and THE PICKWICKIANS ON THE ROADTO DINGLEY DELL, from CharlesDickens novels, published by RaphaelTuck & Sonssight H14 1/2” W21 1/2” (5pcs)$300-500Provenance: Collection of EdwardMorrison Brown

292FRANCESO PIRANESI(Italy/France, 1758-1810) four engravings, IL TEATRO D’ER-COLANO, with Regia Calcografiastamp, 1870-1945, and three architectural studies, unframed, signedin plate, H24 1/2” W34 1/4”

together with: Vincenzo Franceschini(Italian, 1812-1885) VEDUTA DIUNA PARTE DI LUNGARNO, lithograph,unframed, H25 1/4” W343/4” (5pcs)30$300-400Provenance: South Carolinaprivate collection

293ORNITHOLOGY ENGRAVINGS BYGEORGE EDWARDS(British, 1694-1773) two works: GREEN-PIES andUNKNOWN BIRD(Natural History Studies of Birds)handcolored engravings,framed, one marked in marginssight H10” W7 1/2” (2pcs)$400-600Provenance: Estate ofMarie PappenheimerPlatter

294VIEWS OF OXFORD BY JOSEPH JOHNSKELTON(British, 1783-1871)THE CATHEDRAL OF CHRISTCHURCH, FROM THE DEAN’SGARDEN THE ENTRANCE TO TRINITYCOLLEGEUNIDENTIFIED LOCATION (eachafter Michael Angelo Rooker, 1746-1801)and another by Daumont, UNIVERSI-TATIS AC COLLEGIORUMPROSPECTUS OXDORDICEcolor engravings, framed size H22”W27” (4pcs)$400-600Provenance: Estate of MariePappenheimer Platter

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295FRANCOIS NICOLAS MARTINET(French, 1760-1800)plates 77, 206, 256, 304, 320, 573,879, and 889 from HISTOIRENATURELLE DES OISEAUX (Comtede Buffon, 1770-1783)colored engravings, framed, numberedand titled in marginssight H 9 1/4” W7 1/2” to H9 1/2” W7 3/4” (8pcs)$300-500Provenance: Collection of EdwardMorrison Brown

296ORNITHOLOGY PRINTS, JOHANNMICHAEL SELIGMANN(German, 1720-1762)five works from SammlungVerschiedener Auslandischer un SeltenerVogel (1749-1764), after Mark Catesbyand George Edwards: plates 13, 28, 50,54, and 57hand-colored engravings, unframed,titled in marginsH10” W16” to H16” W10” (5pcs)$300-500Provenance: Collection of EdwardMorrison Brown

297COLLECTION AMERICAN AND

EUROPEAN ORNITHOLOGICAL AND

OTHER PRINTSincluding:AIGLE DE MER, Nicolas FrancoisMartinet (Franch, 1760-1800)ORCHARD ORIOLES, AlexanderWilson (Scottish, 1766-1813)THE MORE-HEN, THE FRENCHTEAL HEN, THE TREE CREEPER,and THE LESSER BUTCHER BIRDHEN, Eleazar Albin (British, 1690-1742)together with 9 other prints unframed H6 1/2” W4” to H14 1/4” W11”(15pcs)$300-500Provenance: Collection of EdwardMorrison Brown

298SAMUEL AND NATHANIEL BUCK(AFTER)(British, 17th/18th century)two works:LONDON AND WESTMINSTER 2:TREASURY TO SOMERSET HOUSEand THE SOUTH-WEST PROSPECTOF YARMOUTH, IN THE COUNTYOF NORFOLK, colored engravings,unframed, laid to board, H12 1/2” W32 3/4” and H16 1/2” W33 1/2”together with: Colen Campbell (British,1676-1726) five engravings from VIT-RUVIUS BRITANNICUS, OR THEBRITISH ARCHITECT (1715-1725)engravings, unframed, titled lower mar-gins, H18 1/4” W11 1/2” to H17 1/2”W20 1/2” (7pcs)$300-500Provenance: Collection of EdwardMorrison Brown

299MARTINET AND EDWARDSORNITHOLOGICAL ENGRAVINGS,FRAMEDFrancoise Nicolas Martinet (French, c. 1725-1804)PIE-GRIECHE ROUSSE and LAROUSSEROLLE (from HistoireNaturelle Des Oiseaux) hand-coloredengravings, image H8 1/2” W7”George Edwards (British, 1694-1773)LONG-TAILED DOVE and BROWNINDIAN THRUSH (from A NaturalHistory of Uncommon Birds) handcolored engravings, sight H9” W7 1/4” (4pcs)$200-400Provenance: Southern gentleman’sprivate collection

300COLLECTION EUROPEAN BOTANICAL

PRINTSAbraham Munting (Dutch, 1583-1658)VALERIANELLA CAPITATA, SEMACH ARBOR, andAGRIFOLIUM AURATUMPhilip Miller (British, 1691-1771) twoengravings from FIGURES OF THEMOST BEAUTIFUL... ANDUNCOMMON PLANTSGeorg Christian Oeder (Danish, 1728-1791) plates 508, 556, 621, 1448, and1461 from FLORA DANICA Joseph Decaisne (Franch, 1807-1882) P.FREDERIC DE WURTEMBERG andP. D. ALENCONJohann Wilhelm Weinmann (German,1683-1741) HOLLYGiorgio Bonelli (Italian, 1742-1782)TRACHELIUM AZZURREUMUMBELLIFERUMtogether with 3 othersH9 1/4” W5 1/2” to H21” W14”(17pcs)$200-400Provenance: Collection of EdwardMorrison Brown

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301GEORGE III STYLE MAHOGANY CHEST ON CHESTcirca 1850, dentil-molded crown, with pair thirteen-light doors over short paneled doors, on stepped-outlower part with fitted fold-down writing drawer overthree long graduated drawers, on rope-twist moldedplinth; H97” W45 1/2” D24 3/4”$1,500-3,000Provenance: Georgia private collection

302REGENCY INLAID MAHOGANY SOFA TABLEcirca 1825, crossbanded drop-leaf top on pilaster supports with reeded cabriole legs and brass casters,joined by arched stretcher, H28” W40” D30”$1,200-1,800

303PAIR SHERATON STYLE CARVED FRUITWOOD

BERGERESbead-and-channel frame with red damask upholstery,on tapered fluted legs; BH38 1/4” SH21” W26” D27”(2pcs)$700-1,000Provenance: Collection of Edward Morrison Brown

304GEORGIAN STYLE MAHOGANY DOUBLEBACK

SETTEElate 19th century, double yoked and eared crests overstick splats, with S-curve arms flanking slip seat, onstraight legs unified by H-stretcher; BH41 1/2” SH20”W51” D22”$500-800Provenance: Collection of Edward Morrison Brown

305REGENCY STYLE INLAID MAHOGANY CURIO TABLEcircular form with glass panels, on vasiform columnwith three reeded saber legs ending with brass caps andcasters; H28 1/2” Dia.32”$500-700Provenance: Estate of Marie Pappenheimer Platter

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306GEORGE III MAHOGANY BOWFRONT CHEST OFDRAWERScirca 1810, configuration of 2 short and 3 long drawerson bracket-footed case, H38” W44” D24”$700-1,000

307HEPPLEWHITE INLAID MAHOGANY D-SHAPEDGAMES TABLEcirca 1800, crossbanded top, skirt with short drawer,on tapered legs with spade feet, H27 3/4” W39 1/2”D18”$600-800

308GEORGIAN STYLE MAHOGANY DINING CHAIRS,ASSOCIATED SET OF EIGHT19th century, comprised of: pair arms with lattice splat,needlepoint seats and straight chamfered legs, BH401/2” SH20”; four sides with ball-and-claw legs, BH39”SH20”, two sides with straight legs, BH37 1/2” SH19”(8pcs)$800-1,200Provenance: Collection of Edward Morrison Brown

309SHERATON STYLE INLAID MAHOGANY DINING

TABLEcrossbanded top fitted with 24” leaf, on turnedpedestals with reeded saber legs and brass paw feet;H29 1/2” W44” L96”$800-1,200Provenance: South Carolina collection

310GEORGIAN STYLE THREE-TIER REVOLVINGMAHOGANY DUMBWAITER19th century, circular lipped and molded tiers unifiedby turned standard surmounted by finial, on threeacanthus-carved S-curve legs with ball-and-claw feet;H50” Dia.21 1/4”$400-600Provenance: Collection of Edward Morrison Brown

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311ENGLISH MAHOGANY BOOKCASE CABINETlate 19th century, Gothic-arch molded crown, dividedglazed panel door; the lower part with 2 drawers,molded panel doors and bracket feet, H88” W43” D181/2”$800-1,200

312ENGLISH SHERATON SATINWOOD CONSOLE TABLEcirca 1835, inlaid and crossbanded demilune top, overconforming skirt, on turned and tapered legs; H30”W32 1/4” D16 1/8”$600-900Provenance: Estate of Marie Pappenheimer Platter

313ENGLISH WALNUT TWO-DRAWER WORKTABLEearly 19th century, sliding rectangular top over casewith two overlay drawers, on turned and tapered legswith pad feet; H28 3/4” W52 3/4” D25 1/4”$500-700Provenance: Collection of Edward Morrison Brown

314GEORGE III TILT-TOP MAHOGANY TABLElate 18th century, circular top over turned column, onthree S-curve legs with pad feet; H26 1/4” Dia.31 1/4”$300-500Provenance: Collection of Edward Morrison Brown

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315HEPPLEWHITE STYLE INLAID MAHOGANY

SIDEBOARDcirca 1900, crossbanded bowfront over doors anddrawers, on tapered legs with spade feet, H39 1/2”W49” D21 1/2”$700-1,000

316GEORGE II STYLE CARVED WALNUT STOOLmid 19th century, serpentine with needlework upholstery, shell-carved cabriole legs with ball-and-clawfeet; H18 1/2” W23” D18 1/2”$400-600Provenance: South Carolina private collection

317QUEEN ANNE MAHOGANY CHAIR18th century, yoke crest, pierced splat on cabriole legswith pad feet; BH38” SH18” W23” D18”$300-400Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

318HEPPLEWHITE MAHOGANY DROP-LEAF TABLEfirst half 19th century, rectangular top with hingedleaves on tapered legs; H28” W21 1/2” D25 1/2”$300-600Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

319ENGLISH MAHOGANY SIDE TABLES19th century, Chippendale style tablewith short drawer, H32” W17” D16”;washstand on square legs joined byplatform stretcher, H32” W15 1/2”D15” (2pcs)$300-400Provenance: Southern gentleman’sprivate collectionPurchased from Dale L. Couch

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320CAMPANIAN RED-FIGURED BELL-KRATERprobably Cumae area, circa 330-310 BCE, obversewith draped seated female figure, and verso with female portrait bust; palmette between large foliate scrollsunder each handle, band of laurel under rim, detailsadded in white; H7” Dia.6 1/2”$1,500-2,500Provenance: Southern gentleman’s private collectionHass collection, 1990sLondon Folio Society, 1970’s

Other Notes: Attributed to A.C. painter by Dr. A.D.Trendall.

321ETRUSCAN TERRACOTTAVOTIVE FEMALE BUST3rd-2nd century BCE, expressive face and coiffedhair with ornament, necklace and robe mantlepulled over back of head;H10” W9 1/2” D5”$1,000-1,500Provenance: Southerngentleman’s privatecollection

322ANCIENT LIMESTONERELIEF AND

ARCHITECTURAL

FRAGMENTScirca 600-100 BCE, probably Adriatic, horse andrider, H5” W7”; volute fragment, H4” W6”; andmolding, H2 1/2” L6 1/2” (3pcs)$500-900Provenance: Southerngentleman’s private collection

Other Notes: Said to hadpurchased from the HiramPowers (1805-1873) collection.

323ATTIC RED-FIGURE AND WHITE-GROUNDLEKYTHOS500-400 BCE, decorated with three standing figureswith flowering vine, flask with flared rim single handle;H7 1/2”$1,000-2,000Provenance: Southern gentleman’s private collectionAcquired from a Florida estate, 1990s

Other Notes: Said to have been in the Floridacollection since pre-World War II.

324ANCIENT FIGURES AND OBJECTScirca 4000-1000 BCE, comprisingNeo-Hittite ram, H2 1/2” L2 1/2”Mesopotamia or Syria Halaf period seated effigy, H4”W1 3/4” D2”Mesopotamia effigy, H4 3/4” W2 1/2”Roman oil lamp, H2” L4 1/4” (4pcs)$500-1,000Provenance: Southern gentleman’s private collection

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325OTTO SCHMIDT HOFER(German, 1873-1925)NUDE WOMAN WITH CHALICEbronze with dark brown patina onmarble base, signedoverall H24” W6 1/2” D8 1/2”$600-900Provenance: Property of a Southerngentleman

326FERDINAND BARBEDIENNECLASSICAL BRONZE BUST(French, 1810-1892) YOUNG MANsigned and stamped, H10 1/2”$400-600Provenance: Georgia privatecollection

327CONTINENTAL BRONZE SCULPTURE OF ROMAN WARRIOR19th century, standing nude with shield, signed illegibly; H18” W6” D9”$300-500Provenance: Property of a Southern gentleman

328BRONZE FLYING MERCURY SCULPTURE, AFTER GIAMBOLOGNA19th century, inscribed JDC Bologne, on marble base, overall H20 1/2” W5” D9”$300-500Provenance: Property of a Southern gen-tleman

329COLLECTION CLASSICAL SCULPTURESbronze shot putter, H10 1/2” W6” D4”alabaster David and Venus, H9” bronze stallion, H7 1/2” W8” D4 1/2”(4pcs)$300-500Provenance: South Carolina privatecollection

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330REGENCY REVERSE GLASS MEZZOTINTS, WALKER

& HINTONcirca 1803-8, comprising:pair EUROPA-ASIA and ASIA-AFRICA, W.B. Walkerpair VENUS and FLORApair PHEASANT-DUCK SHOOTING and WILDDUCK SHOOTING, J. Hintoneach framed, overall H12” W16” (6pcs)$500-900Provenance: South Carolina private collection

331REGENCY REVERSE GLASS MEZZOTINTS, WALKER

& HINTONcirca 1807-1814, comprising:SUMMER, J. HintonTHE LOVELY FRUITERER, W.B. WalkerFLORA GODDESS OF FLOWERS, W.B. WalkerPOMONA GODDESS OF FRUITeach framed, overall H8 1/2” W10 1/2” (4pcs)$400-700Provenance: South Carolina private collection

332GEORGIAN MAHOGANY AND BRASS-BOUND WINE

COOLER ON STANDfirst quarter 19th century, oval form with brass linerand lion’s-head pulls, on conforming stand withstraight beaded legs and fretwork; H24 5/8” W26”D17”$800-1,400Provenance: Collection of Edward Morrison Brown

333ENGLISH THREE-PANEL SCREENlast quarter 19th century, arched and topnailed canvaspanels, decorated with figures in scenes of nature; H901/2” L60”$300-500Provenance: Collection of Edward Morrison Brown

334GOTHIC REVIVAL GILT-DECORATED BIRDCAGE ON

STAND20th century, wire canopy surmounted with leafycrown, over cage with architectural detailing andrevolving seed trays, on corresponding stand with bundled-reed legs and rectangular tray-form undertier;overall H69” W23 1/2” D19 5/8”$800-1,200Provenance: Collection of Edward Morrison Brown

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335FANCY BROWN AND COLORLESS DIAMOND RINGrare 4.04ct natural fancy dark orangish-brown squarebrilliant diamond, flanked by 0.98ctw near colorlessdiamonds, color G-I, clarity SI1-I1, in 14K white goldsetting, size 6.75$15,000-20,000Provenance: California collectionOther Notes: Accompanied by two certificates, GIAreport 2161000743, and AIG report 019914133017

336EMERALD AND DIAMOND RING7.0ct oval natural emerald accented by 2.15ctw half-moon and round diamonds in 18K white gold set-ting; size 6 1/2$10,000-15,000

337DIAMOND ENGAGEMENT RINGapprox. 1.5ct round diamond, color K-L, clarity SI1, flanked by 0.9ctw side diamonds, in 14K whitegold, size 6$1,000-1,500Provenance: Collection of Edward Morrison BrownOther Notes: Accompanied by PGS certificate4005000205

338PAIR TIFFANY & CO. PEARL AND DIAMOND

EARRINGSeach with three 8mm white pearls set on diamond-accented and 18k gold dome, 1.0ctw diamonds, color E, clarity VS, marked; Dia.1” and1.1ozT$5,000-7,000Other Notes: In Tiffany box

339DIAMOND LINE BRACELET6.8ctw round brilliant-cut diamonds, color F-G, clarityVS-SI, in 14K white gold flexible band$6,000-9,000

340BLUE SAPPHIRE AND DIAMOND NECKLACE50.0ctw oval natural blue sapphires accented by 3.0ctwbaguette-cut diamonds, in 18K white gold flexiblenecklace; L18 1/2”$10,000-15,000

341ART DECO PLATINUM AND DIAMOND BRACELET5.0ctw Old European-cutdiamonds, color F-G, clarityVS, accented by blue sap-phires; L7”$6,000-8,000

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342MULTI-COLOR NATURAL SAPPHIRE AND DIAMOND

PENDANT NECKLACE3.73ct oval yellow sapphire (GIA oY6/2) center inround pendant and chain studded with 29.76ctw natural blue, orange, green, pink, yellow sapphiresspaced by 2.31ctw diamonds, color H-J, clarity SI1-I1in 14K gold setting, overall L10 1/8”$6,000-8,000Provenance: California collection

Other Notes: Accompanied by AIG certificate019915099109

343TANZANITE AND DIAMOND COCKTAIL RING12.06ct cushion-cut tanzanite surrounded by 1.87ctwdiamonds, color G-I, clarity SI1-I1, in 14K white goldsetting, size 7.0$8,000-12,000Provenance: California collection

Other Notes: Accompanied by two certificates, GIAreport 2175083146, and AIG report 019915113051

344DIAMOND AND GOLD BANGLE BRACELETgraduated diamonds set in14K gold hinged cuffbracelet, marked: 14K; overall band W2” L2 1/2”, and0.4ozT all in$800-1,200Provenance: North Carolina private collection

345BULGARI HEMATITE AND DIAMOND RING1.7ct round brilliant-cut diamond, color H-I, clarityVS-SI, set in hematite dome ring over 18K gold,marked: Bvlgari, 750, C2370, 1.70cts; size 4 3/4$9,000-14,000

346COLOMBIAN EMERALD AND DIAMOND PENDANT

ON CHAIN16.83ct emerald-cut natural emerald, surrounded by1.91ctw brilliant-cut diamonds, in 18K gold pendanton 14K gold rope-twist chain; pendant H1 1/2” W1”D1/4”, and 18” chain, 0.8ozT all in$9,000-14,000

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347PERSIAN ISFAHAN CARPETcirca 1970, 4’11” x 7’$1,500-2,500Provenance: South Carolina private collection

348PERSIAN TABRIZ CARPET5’4” x 8’3”$400-700Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

349ANTIQUE PERSIAN BIDJAR CARPETcirca 1880, 4’6” x 9’1”$2,000-3,000

350TURKISH SIVAS CARPETcirca 1940, 5’ x 8’2”$400-700

351PERSIAN BAKTIARI CARPETcirca 1915, 5’11” x 9’6”$1,500-2,500Provenance: Collection of Edward Morrison Brown

352SAROUK CARPET4’11” x 7’10”$400-700

353PERSIAN ISFAHAN CARPETcirca 1970, 3’6” x 5’5”$1,000-2,000Provenance: South Carolina private collection

354PERSIAN ISFAHAN CARPETcirca 1970, 3’6” x 5’7”$1,000-2,000Provenance: South Carolina private collection

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355INDO TABRIZ CARPET5’1” x 7’11”$400-600

356SAROUK CARPET5’8” x 8’5”$600-900

357TURKISH OUSHAK CARPETcirca 1940, 3’9” x 7’8”$600-900

358PERSIAN QOUM CARPETcirca 1940, 4’7” x 7’1”$500-800

359SEMI-ANTIQUE PERSIANHAMEDAN CARPETcirca 1960, 5’6” x 8’10”$400-700Provenance: Southern gen-tleman’s private collectionPurchased from Dale L.Couch

360PERSIAN TRIBAL BALUCHICARPETcirca 1950, 5’5” x 7’2”$400-700Provenance: South Carolinaprivate collection

361UNUSUAL ARABICWOVEN WOOL RUG5’2” x 7’5”$400-600Provenance: SouthCarolina private collection

362PERSIAN ZANJANCARPETcirca 1940, 3’11” x 6’$400-600

363INDO TABRIZ CARPET4’1” x 6’$300-600

355 356 357 358

359 360 361 362

364363

364INDO HERIZ CARPET6’ x 8’9”$300-500

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365 366 367 369

365TWO ORIENTAL CARPETSTabriz, 2’ x 2’10”Sarouk, 2’1” x 3’11” (2pcs)$300-500Provenance: South Carolina private collection

366PERSIAN BIDJAR RUNNERcirca 1935, 4’1” x 8’11”$300-600Provenance: Georgia collection

367PERSIAN KERMAN CARPET3’10” x 7’3”$200-400

368PAIR CHINESE STYLE CHINOISERIE ANDGILT-DECORATED CABINETSlate 19th century, rectangular form with pair of doorsdecorated with panels of figures in everyday life, onwaist-molded stand with cabriole legs, overall blind fretwork detailing; H56” W29 1/4” D14 1/4”$2,000-3,000Provenance: Estate of Marie Pappenheimer Platter

369CONTINENTAL INLAID WALNUT SIDE CHAIRlast quarter 19th century, arched crestrail and baluster splat, with cabriole legs joined by stretcher; BH43 1/2”SH18” W20” D17”$300-500Provenance: South Carolina private collection

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370VINTAGE PALLADIO CARVED GILTWOOD MIRRORearly 20th century, pierced floral pediment, rectangularframe centering looking glass, H57” W33”$1,000-1,500Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

371PAIR CONTINENTAL CARVED MARBLE MONOPODIA

PEDESTAL TABLESlate 19th/early 20th century, round polished rougemarble top supported by carved lion monopodia legs;H34” Dia.19 1/4” (2pcs)$1,200-1,500Provenance: Georgia private collection

372CONTINENTAL CARVED WALNUT AND MARBLETOP

CONSOLE TABLElate 19th century, green and black-veined marble top,on scroll-carved and fluted skirt with shaped legsjoined by stretcher; H35” W72” D17 1/2”$800-1,200Provenance: Georgia private collection

373BIEDERMEIER BIRCH FALL-FRONT DESKcirca 1835, rectangular top with chamfered corners,desk drawer with fitted interiors, over three long draw-ers and molded feet, H42 1/2” W42” D18”$1,000-2,000Provenance: Estate of Owen Halpern

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374CONTINENTAL CARVED GILTWOOD MIRRORlate 19th century, Rococo scrolling leaf frame, center-ing oval looking glass, H31” W22” D5”$800-1,200Provenance: South Carolina collection

375SPANISH BAROQUE CARVED WALNUT REFECTORY

TABLE17th/18th century, rectangular top over two scrollcarved drawers on turned legs joined by moldedstretcher, H31 1/2” L94 1/2” D30 1/2”$2,000-3,000Provenance: Property of a gentleman

Other Notes: This Spanish refectory table hasdesended through the current family whose parentsowned the Wallace Neff house. It was imported inthe 1930’s for display in the Neff house in BeverlyHills, CA. Wallace Neff was the architect anddesigner for Pickfair, the home of Mary Pickford andDouglas Fairbanks. Neff was a leader in the GoldenAge of California architecture.

376PAIR RENAISSANCE STYLE CARVED WALNUT

DECORATIONSlate 18th/early 19th century, depicting figures in religious habits, H69” W12” D4” (2pcs)$500-800Provenance: Property of a Southern gentleman

377CONTINENTAL CARVED WOOD BACCHUS MASKDECORATION, PROBABLY ITALIANlate 19th century, jovial face encrusted with grapevines,H15” W11” D6 1/2”$400-800Provenance: Estate of Norman Citron, Atlanta,Georgia

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378RENAISSANCE REVIVAL BRONZEDOOR KNOCKER AND ESCUTCHEONlate 19th century, high-relief Bacchusmask design, H16 1/4” W9” and H61/2” W4” (2pcs)$600-900

379CONTINENTAL MARQUETRY INLAIDWRITING DESKcirca 1900, figural inlaid serpentine top,over configuration of drawers and doorsinterspaced by carved figures, on taperedlegs joined by stretchers; H32” W58”D26”$4,000-6,000Provenance: Georgia private collection

380FRENCH STYLE CARVED GILTWOOD

MIRRORcarved crown and leaf pediment with bellfower-decorated molding, enclosingbeveled mirror; H91” S48”$600-900Provenance: South Carolina privatecollection

381CONTINENTAL PAINT-DECORATEDSERPENTINE CONSOLEshaped faux-marble top, on conformingpierce-carved stand with scrolls andflowerheads, S-curve legs on plinth;H35 7/8” W66 1/4” D21”$1,000-2,000Provenance: South Carolina privatecollection

382CONTINENTAL CARVED WALNUT SIDE

CHAIRlate 18th century, floral-carved crestrail,baluster splat, shell-carved legs with ball-and-claw feet joined by stretchers;BH46” SH19” W22” D17”$300-500Provenance: South Carolina privatecollection

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383DUTCH MARQUETRY BOMBE BUREAU BOOKCASEcirca 1900, domed gooseneck pediment over fieldedpanel doors and S-curve fallboard concealing fittedinterior of tiered shelves, pigeonholes, door and storagewell, on case with three long drawers and cantedpilasters extending to feet, decorated with intricateinlays of urns, bellflowers and cornucopia; H88” W501/2” D25”$2,000-3,000Provenance: South Carolina private collection

384CONTINENTAL PARQUETRY INLAID SIDE TABLElate 19th/early 20th century,round top with drawer ontapered legs with platformstretcher; H28 1/4” Dia.14”$200-400Provenance: South Carolinaprivate collection

385PAIR GILT-DECORATED MIRRORED BRACKETSH30” W11” D5” (2pcs)$400-600Provenance: Southern gentleman’s private collection

386CONTINENTAL CARVED WALNUT CHEST OF

DRAWERSlate 18th century, molded top above wave-carvedmolding, with three long relief-carved drawers, on pawfeet flanking masque heads; H39 1/4” W40 1/4” D21 7/8”$500-800Provenance: Estate of Marie Pappenheimer Platter

387LOUIS XV STYLE UPHOLSTERED BERGEREfirst half 20th century, bead-and-channel frame withfloral cresting, on cabriole legs; BH36 3/4” SH19 1/2”W27 1/2” D28 1/2”$300-500Provenance: Estate of Marie Pappenheimer Platter

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386 387

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388LOUIS XVI STYLE CARVED GILTWOOD

AND MARBLETOP CONSOLE TABLEwhite veined D-shaped marble top over conforming base with floral swags, fluted legsjoined by X-brace stretcher with flame finial,on turned feet; H36” W43 1/2” D21 1/2”$500-800Provenance: Georgia collection

389FRENCH CARVED AND PAINTED CHEST OF

DRAWERSearly 19th century, serpentine top centeringfloral cartouche, over three-drawer chest oncabriole legs, with allover relief-carved scrollsand acanthus; H36 3/4” W43 3/4” D21 1/2”$800-1,200Provenance: Estate of Marie PappenheimerPlatter

390FRENCH PROVINCIAL PAINTED PINE

CABINETarched top upper and lower doors, H97”W77” D20”$700-1,000Provenance: Property of a gentleman

Other Notes: Current owners commissionedthe cabinet and had it built in the Provenceregion of France for use in the guest houseof a Pinot Noir winery in the Russian RiverValley of Northern California.

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391FRENCH SAVONNERIECARPETcirca 1900, 12’5” x 13’9”$1,000-2,000Provenance: SouthCarolina privatecollection

392TURKISH OUSHAKCARPET8’1” x 9’10”$1,000-2,000

393AUBUSSON CARPET9’10” x 13’10”$1,000-1,500

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394ART DECO SIX-LIGHT BRASS CHANDELIERcirca 1930, angular stepped stem and branches supporting frosted glass flame-form shades and stylizedstem, H35” Dia.30”$4,000-6,000Provenance: Estate of Owen Halpern

395CONTINENTAL CRYSTAL AND BRONZE CHANDELIERearly 20th century, pear-shaped frame mounted withprisms; H31” Dia.21”$600-900Provenance: Georgia collection

396CONTINENTAL GILT-METAL AND CRYSTAL

SIX-LIGHT CHANDELIERlate 19th/early 20th century, center stem ending inbasket base issuing horn-shape arms; H39” Dia.24”$600-900Provenance: Estate of Marie Pappenheimer Platter

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397MARCEL DYF(French, 1899-1985)LES VIGNES, 1968oil on canvas, framed, signedH18 1/2” W22”$6,000-9,000Provenance: Estate of Marie Pappenheimer Platter

Other Notes: Verso bearing F.R. label with registration No.37961

398ANDREA SCACCIATI (ATTRIBUTED TO)(Italian, 1642-1710)pair works: FLORAL STILL LIFESoil on canvas, framed, unsigned, said to be signed on versoH17” W12 1/2” (2pcs)$2,000-3,000Provenance: Estate of Marie Pappenheimer Platter

Other Notes: Old notes on verso: Mrs. JackPappenheimer had the painting relined, the old canvaswas inscribed: LO SCACCIATI, 1671.

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399FINE ORIGINAL ILLUSTRATIONS BY JACQUES CLEMENT WAGREZ(French, 1846/1850-1906)eight works: ILLUSTRATIONS for William Henry Ainsworth’s THE CONSTABLE DE BOURBON. Philadephia, Barrie & Sonen grisaille gouache, unframed, signed and stamped on verso, 442-447, 450, 454H8 1/4” W6” (8pcs)$2,000-3,000Provenance: South Carolina private collection

399

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400FINE ORIGINAL ILLUSTRATIONS BY JACQUES CLEMENT WAGREZ(French, 1846/1850-1906)seven works: ILLUSTRATIONS for William Henry Ainsworth’s OLD SAINT PAUL’S, Philadelphia, Barrie & Sonen grisaille gouache, unframed, signed and stamped on verso, 714, 716, 719, 720, 723-725H8 1/4” W6” (7pcs)$2,000-3,000Provenance: South Carolina private collection

400

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401CHARLES FRANCOIS DAUBIGNY (AFTER)(French, 1817-1878)AVANT L’AUBEoil on canvas, framed, signed lower rightH11 1/2” W16 1/2”$2,000-3,000Provenance: California private collection

402CONTINENTAL PORTRAIT OF MUSICIAN, 19TH CENTURYBEAUTY WITH VIOLIN AND SHEET MUSICoil on canvas, framed, unsignedH35 1/2” W28”$1,000-2,000Provenance: South Carolina private collection

403RICHARD BELLIAS(French, 1921-1974) LE VILLAGEoil on canvas, framed, signedH26” W36”$1,000-2,000Provenance: Estate of Marie PappenheimerPlatter

404ITALIAN OLD MASTER SCHOOL, 18THCENTURYTHE PRESENTATION OF THE VIRGINoil on canvas, framed, unsignedH25” W29”$1,000-2,000Provenance: Columbus Museum,Columbus, Georgia, sold to benefit theacquisitions fund

405BRITISH/ FRENCH SCHOOL, 19TH CENTURYPORTRAIT OF A BOY WITH A HAToil on canvas, framed, unsignedH40” W33 1/2”$1,000-2,000Provenance: Collection of Edward Morrison Brown

402

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406FREDERIC GILLET(Swiss, 1814-1884)pair works: PLACE DE LA CONCORDE and CHAMPS-ELY-SEESoil on canvas, framed, signed lower rightH13” W22” (2pcs)$1,000-1,500Provenance: Estate of MariePappenheimer Platter

407EDGAR DEGAS(French, 1834-1917)DANCER PUTTING ON HER SLIPPER, circa 1892etching, after cancellation, framed,signed in plateplate H7” W4 1/2”$800-1,200Provenance: South Carolina privatecollection

408WIHELM MELCHIOR(German, 1817-1860)SHEEP GRAZING AMONG CASTLERUINScanvas laid onto board, period frame,signed lower rightH29” W34 1/2”$800-1,200Provenance: Columbia, South Carolinaprivate collection

409JOHNWILSON CARMICHAEL(British, 1800-1868)YORKSHIRE COASToil on canvas, framed, signed & dated,1853H18” W26 1/2”$500-1,000Provenance: South Carolina privatecollection

410FRENCH SCHOOL, 18THCENTURYPORTRAIT OF WOMANEN AMAZONoil on canvas, framed,unsignedH20 3/4” W16 1/2”$700-900Provenance: South Carolinaprivate collection

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411PAIR AMERICAN SHIP PORTRAITS, GRAHAMFLIGHT(British, 20th century)two works: THE HOPEWELL and THE SWANoil on board, framed, signed lower rightH26” W40” and H28” W40” (2pcs)$700-900Provenance: Collection of Edward Morrison Brown

412LUCIANO SPAZZALI(Italian, 1911-1997)FIGURA CON UCCELLI, 1959mixed media on board, framed, signed & titledH16 1/4” W11 1/2”$600-900Provenance: South Carolina private collection

413PAUL JACOULET(French, 1902-1960)FLACONS DE NEIGE and NUIT DE NEIGEcolor woodblocks, framed, signed, image H15 1/2”W11 1/2” (2pcs)$500-800Provenance: South Carolina private collection

414HENRI SCHAFER(German, 1833 -1916) CAUDEBEC, SEINE and MORLAIX,BRITTANYwatercolor, framed, signed and locatedsight H17 1/2” W13 1/4” (2pcs)$500-800Provenance: South Carolina private collec-tion

415OTTORINO CAMPAGNARI(Italian, 1910-1981)MEDITERRANEAN COAST, NOLI, ITALYoil on canvas, framed, signedH24” W36”$400-700Provenance: Georgia private collection

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416FRENCH EMPIRE PARCEL-GILT BRONZE FIGURALMANTLE CLOCKcirca 1815, seated Erato with wreaths and poem scrollsatop architectural case stamped #11845, HB, worksmarked: Deniere-Paris; H26 1/2” W19 1/2” D8 1/2”$3,000-5,000Provenance: South Carolina private collection

Other Notes: Deniere was clockmaker to Napoleon I.

417CONTINENTAL CARVED GILTWOOD WALL CLOCKfirst half 19th century, eagle pediment over Rococoscrolling case with electric works; H28” W20” D8”$600-900Provenance: Southern gentleman’s private collectionPurchased from Dale L. Couch

418FRENCH FIGURAL BRONZE CLOCKlate 19th century, trumpeting cherub with drum,enameled dial and works on rouge marble base, H12”W6 1/2” D9”$400-700Provenance: North Carolina private collection

419FRENCH GILT-METAL MOUNTED JASPERWARE

CLOCK GARNITURElate 19th century, architectural case and matching pairurns, H14” W8” D8 1/2” and pair H8 14” (3pcs)$300-500Provenance: Georgia private collection

420ANSONIA MANTEL CLOCKlate 19th century, slate and painted-metal case, H12 1/2” W10 1/2” D4 3/4”$300-500Provenance: North Carolina private collection

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421COMITTI OF LONDON REGULATOR WALL CLOCKEly model with Westminster Chime movement solidmahogany case, marked on dial; H41” W12 1/2” D71/2”$800-1,200Provenance: Southern gentleman’s private collection

422COMITTI OF LONDON BRACKET CLOCKQueen Anne model with nine-bell triple-chime 8-daymovement with 11-jewel platform escapement andchime silencer, plays Westminster, Whittington and St.Michael; in burl-veneered and satinwood-inlaid casewith brass accents; marked on dial face and plaquette:24/50 made in 2002; H19” W12” D9 1/2”$1,000-1,500Provenance: Southern gentleman’s private collection

423COMITTI OF LONDON REGULATOR WALL CLOCKPalladian model with Westminster chime 8-day movement, solid mahogany case; marked on dial,H37” W10” D7”$800-1,200Provenance: Southern gentleman’s private collection

424ENGLISH MAHOGANY CASED BAROMETER,THOMAS JENNINGSIpswich, circa 1830-44, broken-arch pediment overthermometer-inset neck over barometer; H40” W10 1/2” D2”$300-600Provenance: Southern gentleman’s private collection

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425DIAMOND SOLITAIRE ENGAGEMENT RING, JABEL2.5ctw round brilliant-cut diamond, color F-G, claritySI2, in platinum setting, size 8$8,000-12,000Provenance: South Carolina private collectionOther Notes: Accompanied by PGS certificate4005000204

426PAIR DIAMOND STUD EARRINGS2.01ctw round brilliant-cut diamonds, color G-H, clarity I1, in 14K white gold settings$6,000-8,000Other Notes: Accompanied by UGS certificateUS906747702D

427PAIR TIFFANY & CO SAPPHIRE AND DIAMOND

EARRINGS18K gold entwined ropetwist clip back design set with4.5ctw (GIA B6/3) natural blue sapphires and 0.75diamonds, color F-G, clarity SI1-SI2; H1” W3/4”(2pcs)$3,500-4,500Provenance: California collection

Other Notes: Accompanied by AIG certificate019911209003

428VINTAGE DIAMOND AND GOLD BANGLE BRACELETdiamond-set floral and vine 14K gold wide hinged cuffbracelet, marked: 14K; overall band W2 1/4” L2 1/2”,and 0.6ozT all in$1,000-1,500Provenance: North Carolina private collection

429SAPPHIRE AND DIAMOND BRACELET12.25ctw cushion-cut multicolor sapphires accented by5.0ctw round brilliant-cut diamonds in 18K whitegold flexible band; L6 3/4”$7,000-10,000

430PLATINUM AND DIAMOND ENGAGEMENT RING2.4ct Old European-cut diamond, color H-I, clarityVS1, surrounded by 0.75ctw diamonds, color E-F, clarity VS2-SI1, in filigree platinum setting; size 7$15,000-20,000Other Notes: Accompanied by UGS certificateUS912595204D

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431TAHITIAN PEARL NECKLACEthirty-three 12-15mm gray individually knotted strandof pearls ending with 14K white gold clasp, L18”$2,000-3,000Provenance: California collection

Other Notes: Accompanied by AIG certificateEA10635

432NATURAL ALEXANDRITE AND DIAMOND COCKTAIL

RING17.04ct cushion-cut brown Alexandrite, flanked by1.45ctw diamonds, color F-H, clarity SI1-I1, in 14Kwhite gold setting, size 7$25,000-35,000Provenance: California collection

Other Notes: Accompanied by two certificates, GIAreport 1188281932, and AIG report 019915113030

433PAIR DIAMOND AND GOLD EARRINGS10.5ctw round brilliant-cut diamonds, color G-H, clarity VS, in 18K gold pierced teardrop design; H1”W3/4”$7,000-10,000

434BLUE SAPPHIRE AND DIAMOND RING10.49ct oval natural blue sapphire surrounded by1.37ctw round brilliant-cut diamonds, in 18K whitegold setting; size 7$18,000-24,000Other Notes: Accompanied by GIA certificate2161212022

435ALEXANDRITE AND DIAMOND RING3.71ctw oval-cut natural alexandrite flanked by0.73ctw diamonds, color G-I, clarity SI1-I1, in 14Kwhite gold setting, size 7.0$6,000-9,000Provenance: California collection

Other Notes: Accompanied by two certificates, GIAreport 7192342334, and AIG report 019915113026

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436CHANEL STYLE PEARL NECKLACEone hundred twenty 9.5mm culturedwhite pearls interspaced by enameledinterlocking Cs and florettes, L27”$800-1,200Provenance: Nevada privatecollection

437PAIR CONTINENTAL LEADJARDINIERES19th century, Classical designs withmask handles and liners, H11” Dia.13 1/2” (2pcs)$800-1,200Provenance: Georgia private collection

438PAIR CONTINENTAL CARVED GILTWOOD WALL

SCONCESearly 20th century, bow pediment with eagle-decoratedsupporting scrolling arms, H46” W15” D8” (2pcs)$600-900Provenance: Estate of Marie Pappenheimer Platter

439PAIR ENGLISH CRYSTAL AND JASPERWARE

GIRANDOLESearly 20th century, H27” W15 1/2”$500-1,000Provenance: Estate of MariePappenheimer Platter

440RARE MEISSEN PORCELAIN

PICTORIAL CUPS AND SAUCERS18th century, en grisaille landscapeteacup and saucer, H2” Dia.5 1/8”;figural coastal landscape decorated coffee cup and saucer, H2 3/4” Dia.5 1/8”; each with underglaze-bluecrossed swords (4pcs)$500-700Provenance: Estate of MariePappenheimer Platter

441KPM SCENIC-PAINTED PORCELAIN RETICULATED

PLATES, SIGNED MENZELlate 19th century, ornate pierced border centeringpainted scenes, titled on verso: Berlinchen, Juterbog,Nebra, Ruine Burg Vierraden, and Hedemunden,marked: Berlin scepter and KPM; Dia.9” (5pcs)$600-800Provenance: Texas private collection

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442PAIR GERMAN ARMORIAL PORCELAIN PLAQUES,SIGNED C. F. DEININGERcirca 1877, vibrant oval plaquettes with mottos RechtUnd Wahrheit, and Deo Non Fortuna, in ornatecarved giltwood frames, overall H16” W13” (2pcs)$400-600Provenance: Collection of Edward Morrison Brown

443DERBY PORCELAIN SHELL DISH, AND SOUP PLATESfirst half 19th century, Derby Imari pattern shell dish,W9 1/2” L10”; and set of 6 similar soup plates,Dia.10” (7pcs)$300-500Provenance: Collection of Edward Morrison Brown

444CHELSEA STYLE PORCELAIN FIGURES OF NEPTUNEAND VENUS19th century, each with gilt anchor, H13” and 12”(2pcs)$300-500Provenance: South Carolina private collection

445PAIR FRENCH PORCELAIN VASES, LESME FREREScirca 1880, chinoiserie-decorated with gilt handles,signed, H16 3/4” (2pcs)$400-600Provenance: South Carolina private collection

446PAIR DERBY PORCELAIN SAUCE TUREENSearly 19th century, gilt and iron-red decorated underglaze-blue floral pattern, marked; H5 1/2” W7”D4” (2pcs)$300-500Provenance: South Carolina private collection

447ENGLISH PORCELAIN PLATES, DISHES, CUPS ANDSAUCERS18th/19th century, comprising:early Minton chinoiserie plate, Dia.9”Derby dragon and lion Imari plate, Dia.8 1/8”Worcester “Dragon In Compartment” dish, L10 1/2”pair Worcester chinoiserie plates, Dia.8 3/4”pair Imari pattern cups and saucerpair floral-decorated saucersSprig pattern teabowland painted creamware basket, H3” L10” (13pcs)$400-600Provenance: Estate of Marie Pappenheimer Platter

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448MASON’S IRONSTONE GARNITURE SET19th century, paint-accented bird design, with reticulated wood covers, H6 1/2” and 11” (4pcs)$300-400Provenance: Collection of Edward Morrison Brown

449ENGLISH TRANSFERWARE PLATTER AND PAIR

COVERED DISHES19th century, Imari pattern platter, L20” W15 1/2”;and pair Ashworth covered dishes, H7” L12” (3pcs)$300-500Provenance: Collection of Edward Morrison Brown

450FINE ENGLISH VASE AND PARIS PORCELAIN URN19th century, English example H7 1/2” and Paris, H9”(2pcs)$200-400Provenance: Georgia private collection

451ROYAL COPENHAGEN PARTIAL SERVICEBlue Fluted pattern, comprising:3 plates, Dia.9 1/2”4 plates, Dia.7 1/2”8 soup plates, Dia.9 1/4”4 soup bowls, Dia.6 1/4”5 bread plates, Dia.6 3/4”2 bread & butters, Dia.5 3/4”2 saucers, Dia.5 1/2”1 oval platter, L18 1/2”1 round serving dish, Dia.12 3/4”1 oval platter, L12”2 covered vegetables, L11” H6”together with:2 Meissen candlesticks, H6 1/4” (35pcs)$400-600Provenance: Property of a gentleman

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449

450

451

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452CHINESE KRAAK PORCELAINCHARGER17th century, alternating wide bordercentering scene with mythical beast;Dia.18”$2,000-3,000Provenance: South Carolina privatecollection

453PAIR CHINESEFAMILLE VERTE

PORCELAIN VASES

MOUNTED AS LAMPS19th century, exoticbirds in landscape onFrench style bronze-dore Rococobase, overall H27”(2pcs)$800-1,200Provenance: Estate ofMarie PappenheimerPlatter

454CHINESE BLUE-AND-WHITEPORCELAIN VASES, SIGNEDQing dynasty, six caricature-markedvase, H8”; and moon flask, H10” (2pcs)$400-700Provenance: Collection of EdwardMorrison Brown

455CHINESE BLUE-AND-WHITECHARGER17th/18th century, alternating border centering crane in landscapescene, Dia.14 1/2”$800-1,400Provenance: South Carolinaprivate collection

456PAIR CHINESE PORCELAINPAGODA-FORM CRICKET BOXES19th century, carved wood lid onpierced hexagonal decorated vesseland carved wood base, H7” Dia.4”(2pcs)$300-500Provenance: South Carolinaprivate collection

452

453

454

455 456

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457CHINESE CARVED DUAN STONE TABLE SCREENlate Qing dynasty, large carved mountainous coastal scene with pagoda and birds, supported onreticulated bracket base, H23” W14” D7”$1,500-2,500Provenance: Georgia private collection

458PAIR CHINESE CLOBBER-DECORATED PORCELAIN COVERED JARS18th/19th century, underglaze-blue design accented with iron-red enamels and gilt motifs, withlater stand and cover; H10” (2pcs)$500-800Provenance: Columbia, South Carolina private collection

459CHINESE KRAAK PORCELAIN PLATES17th century, blue-and-white decoratedplates, Dia.8 1/4” (10pcs)$1,500-2,500Provenance: South Carolina privatecollection

460PAIR JAPANESE PORCELAINCHARGERSlate 19th century, allover flowering vinedesign, Dia.14” (2pcs)$600-900Provenance: South Carolina privatecollection

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461CHINESE COPPER RED-DECORATED BOTTLE-FORMVASElate Qing dynasty, elongated neck and squat body,boldly painted in deep mushroom-pink tone, withupright petal lappets above intricate dragons and flow-ering vine scene; H17”$700-1,000Provenance: Georgia private collection

462CHINESE CARVED HARDWOOD ALTAR TABLElate 19th/early 20th century, oblong top over piercedskirt and square legs, H38 1/2” W76 1/2” D23 1/2”$1,000-1,500Provenance: Georgia private collection

463CHINESE HARDWOOD SCHOLAR CHAIRSQing dynasty, 19th century, huanghuali or elm, pairyoked crest and solid splat side; and similar armchairwith flat crest above solid splat leading to curvaceousarms flanking solid seat, on turned legs joined bystretchers; pair BH42 1/2” SH18” W19” D16 1/2”;and BH43” SH18” W23” D17 1/2” (3pcs)$700-1,000Provenance: South Carolina private collection

464CHINESE ELMLOW TABLEQing dynasty,inset top,molded skirt,pierced bracketsupports andsquare legs,H22” W38 1/2” D38 1/2”$500-800

461

462

464

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465ASIAN SILK DRAGON TAPESTRYlate 19th century, dragon amongst clouds encircling orb, contained within frame,overall H64” W42”$500-800Provenance: Georgia private collection

466TIBETAN GILT-BRONZE SEATED BUDDHAlate 19th/early 20th century, knotted hair, fine robe, elongated ear lobes and seatedin dhyanasana, upon tiered lotus base; H15 1/2” W10” D8”$700-1,000Provenance: Georgia private collection

467TIBETAN GILT-BRONZE BODHISATTVA OF MERCY, PADMAPANIearly 20th century, elaborately dressed standing figure with lotus vine, H15 1/2”$500-800Provenance: Georgia private collection

468JAPANESE SAMURAI TANTO OR SHORT SWORDMeiji period, lacquered sheath and mixed metal-inlaid side knife, blade marked; L18 1/2”$500-900Provenance: South Carolina private collection

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469KAWASE HASUI(Japanese, 1883-1957)set of three works: BELL TOWER INOKAYAMA, KASAYGA SHRINE INNARA, and FULL MOON INMAGOMEwoodblocks, framed, signed, image H14 1/2” W9 1/4” (3pcs)$500-1,000Provenance: South Carolina privatecollection

470KITAGAWA UTAMARO(Japanese, 1753-1806)HANAOGI OF THE OGIYABROTHEL AT EDOCHOITCHOME (from the series AComparison of Courtesan Flowers)woodblock, framed, signed, sight H15”W10”$500-800Provenance: South Carolina privatecollection

471TSUCHIYA KOITSU(Japanese, 1870-1949)BENKEIBASHI (Benkei Bridge)woodblock, framed, signed, image H14”W9 1/2”$500-800Provenance: South Carolina privatecollection

472KAWASE HASUI(Japanese, 1883-1957)two works: BELLTOWER INOKOYAMA andTANIKUMITEMPLEcolor woodblock,framed, signed,image H14” W91/2” (2pcs)$500-800Provenance: SouthCarolina privatecollection

469 471

470

473

472

473MUGHAL WATERCOLOR SCENES(Indian, 19th century) ELEPHANT RIDE and ROMANTIC COUPLEframed, unsigned, overall H12 1/2” W15 1/2” and H11 1/2” W10” (2pcs)$300-500Provenance: South Carolina private collection

- End of Day One -

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REGISTRATION FOR BIDDING. All prospective bidders must have an activeCharlton Hall Account in good standing, sign Registration Form and provide governmentissued photo ID for each sale.*If you would like to establish an account with our firm, please complete Account SetupForm and provide government issued photo ID. *At the discretion of Charlton Hall Galleries, Inc., prospective bidders may be required toprovide a deposit against bids.1. ALL SALES ARE FINAL and all lots are sold as shown and “AS IS”,

“WHERE IS”, with all faults, imperfections, and errors of description. Charlton Hall Galleries, Inc., their employees and/or agents are not responsible for errors of description, genuineness or authenticity, and fault or defect in any lot. No warranties or representations whatsoever are given by Charlton Hall Galleries, Inc., its employees and/or agents, to any buyer in respect to any lot.

2. ALL PAYMENTS ARE DUE IMMEDIATELY FOLLOWING AUCTION, and all merchandise must be removed from the premises the day of the auction. Payment can be made with cash, money order, cashier’s check, bank wire transfer, or local pre-approved checks. Merchandise paid for with US bank drawn pre-approved check or foreign cashier’s check will be held for 10 days banking days. Charlton Hall Galleries, Inc. DOES NOT accept credit cards for auction purchases. International buyers are required to pay bank wire transfer.

3. We do not give refunds. Charlton Hall Galleries, Inc. represents and sells consigned property on behalf of sellers, estates, public and private institutions and other entities. Charlton Hall Galleries, Inc. recommends prospective bidders examine all items in which they have an interest. All lots offered are available for your examination prior to auction date. Registering for a sale and placing bids on any lot signifies that you or your agent have examined theproperty as fully as you desire. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of any lot being sold. If you require absolute certainty in all areas of authenticity, and the results of your evaluationleave uncertainty in your mind, we recommend you not bid on the lot in question. All sales are final, and no refunds will be given. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Charlton Hall Galleries, Inc. or by any seller represented by Charlton Hall Galleries, Inc.

4. The highest bidder acknowledged by the auctioneer will be the buyer of that lot. In the event of any dispute, the auctioneer shall have sole discretion to either determine the successful bidder or to re-offer for bidding, the lot in dispute. Charlton Hall Galleries, Inc. has sole discretion to refuse any bid, to divide any lot, to combine any two or more lots, and to withdraw any lot or lots from the sale.

5. Some lots may be offered subject to a reserve, which is a minimum price below which such lot will not be sold. Charlton Hall Galleries, Inc. may implement such reserves by bidding on behalf of the seller.

6. Charlton Hall Galleries, Inc., reserves the right to allow its employees to bid competitively at all auctions.

7. A buyer’s premium of 20% of the successful bid price will be added to each lot thereto and is payable by the purchaser as part of the total purchase price of each lot.

8. All purchases, including buyer’s premium, are subject to the collection of South Carolina state and local sales taxes. Buyers will be required to pay 7% sales tax at the time of payment unless one of the two following conditions is

met: 1) Items purchased will be shipped out of the State of South Carolina by a registered ICC carrier, or 2) The registered buyer provides Charlton Hall Galleries, Inc. with a valid South Carolina Retail License Number or valid sales tax exception number from another state and properly fills out form ST-8A Resale Certificate submitted with a copy of said retail license.

9. CONDITION REPORTS: Charlton Hall Galleries, Inc., and its employees will provide, upon request, condition reports and additional photographs for items contained within the current auction catalog. This service is provided as a courtesy only and requesting a condition report in no way changes article #1 of Conditions of Sale. Since we are not professional conservators or restorers, we urge you to inspect each lot yourself or have an agent do so on your behalf. Prospective buyers should satisfy themselves as to condition and must understand that any statement made by Charlton Hall Galleries, Inc., or its employees is merely a subjective qualified opinion, notwithstanding writtenreports or any discussion concerning condition in this catalog. Condition reports are provided by request on a “first come, first served” basis, making it imperative that requests are submitted early. Requests submitted close to auction date may not be completed. NOTICE TO BIDDER: Estimated Weights and Measurements: All weights in our catalogue descriptions have been estimated through volumetric proportions and are to be considered approximations and are not to be relied on to be exact. The term “all-in” relating to weight means the weight includesall the components of the item.Jewelry: Unless stated otherwise, all diamonds and other precious stones have been measured and graded in their settings. Some jewelry and/or stones are accompanied by certificates prepared by gemological laboratories. These certificates are provided as a convenience to our clients and are not warranted by Charlton Hall Galleries, Inc. Metal weights given for jewelry includes stones unless stated otherwise. Buyers should be reminded that many colored gemstones have historically been treated to enhance their appearance. Clocks and Watches: No guarantee is given as to the working order of clocks or watches. Most of these items have been repaired over the course of time and may now have parts not original to them. Unless stated otherwise, weightmeasurements include the works.

10. TELEPHONE & ABSENTEE BIDDING: As a service, Charlton Hall Galleries, Inc. provides several absentee bidding formats to those who cannot or choose not to attend the auction in person. Written absentee bids are accepted and must be submitted on a Charlton Hall Absentee Bid Form, copies of which can be found in the printed catalog or on our website. Bidding by telephone can also be arranged by completing the Charlton Hall Bid Form which can also be found in the printed catalog or on our website. Due to processing time constraints, these bid forms must be submitted before 24-hours prior to the auction. Additional terms are outlined on these AbsenteeBid Forms. By submitting an Bid Form, prospective purchasers consent and agree to the Conditions of Sale. Absentee bidding is a convenience offered to Charlton Hall Galleries, Inc. customers and while we make every effort to execute your instructions regarding your Absentee or Telephone Bid, Charlton Hall Galleries, Inc. is not liable or responsible for any errors or failure to execute such instructions.

11. LIVE INTERNET BIDDING: Live internet bidding is also possible through our website www.CharltonHallAuctions.com and via Invaluable. Online bidders will pay a Buyer’s Premium of 25% in addition to the hammer price. CharltonHall undertakes the execution of online bidding as a convenience for clients and is not responsible for any failure or error in the execution of bids. In the

Terms & Conditions of Sale

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event of a tie bid, the floor bidder will be the winning bidder of record. 12. SHIPPING: Charlton Hall Galleries does not ship any merchandise

purchased at auction. We will be pleased to provide a list of shippers and packers that our worldwide base of clients has successfully used, or you can have your own shipper handle your purchases. Please contact the shipper of your choice to arrange for pick up and packing of your items. Your items will be released as soon as payment clears our bank. We request that your shipper schedules pick up times at least 24 hours in advance; this will ensure no delaysin pick up, and release of your purchases.

13. EXPORT LICENSES AND PERMITS: Certain property sold at auction maybe made of or contain elements of endangered and other protected species of wildlife. Such material includes, among other things, tortoiseshell, ivory, crocodile skin, whale bone, certain species of coral and other animal bone. These materials may be subject to laws governing export from the United States or import into a foreign country (i.e.: endangered species). Severalcountries prohibit the importation of property containing these materials altogether and other countries require a permit (e.g., a CITES permit) from their respective regulatory agency. For example, the United States generally prohibits the importation of articles less than 100 years of age that contain material from any species listed as endangered or threatened. It is the buyer’s responsibility to obtain any and all export or import licenses, permits or documentation required by any local authority for export from the United States or import into any other country for any object requiring same. The denial or delay in obtaining any license or permit from any agency shall not justify the cancellation or rescission of any sale or any delay in making payment for the total purchase price of any lot in accordance with these Conditions of Sale.

14. FIREARMS: All post-1898 firearms must be registered in compliance with Federal and South Carolina State Laws. Buyers of post-1898 firearms must complete State and Federal registration forms at Charlton Hall Galleries, Inc., unless otherwise specified; processing of such forms may require a waiting period. Dealers and out-of-state buyers must have in their possession, on the day of sale, signed copies of their FFL (Federal Firearms License) in order to accept same-day delivery of modern weapons. Buyers who act as agents for FFL dealers must have a letter as well as an original signed copy of the dealer’s FFL, and must present it to Charlton Hall Galleries, Inc., no less than 24 hours prior to auction date. Such lots may be denoted with special symbols and or verbiage in printed and digital catalogues. Charlton Hall Galleries, Inc.makes no warranties or representations whatsoever and no employee or consultant of Charlton Hall Galleries, Inc. has the authority to do otherwise, concerning the operation or firing condition, fitness of use, safety to store, or reliability of any firearms, ammunition, or parts. Use of any firearms purchased at Charlton Hall Galleries, Inc. is entirely at the user’s risk. Charlton Hall Galleries, Inc. offers for sale the lots as COLLECTOR items only. We strongly recommend that all weapons, ammunition, etc. purchased atauction be examined by a competent gunsmith. Charlton Hall Galleries, Inc. expressly disclaims any liability whatsoever for accidents, injury and damage resulting to any person from the storage or subsequent use of any such lots.

15. While Charlton Hall Galleries, Inc., their employees and representatives, makeevery effort to accurately describe all lots offered for sale, it is incumbent upon the bidder to satisfy themselves in all areas of authenticity, originality, condition and imperfections. Bidders should also acknowledge that condition reports are often subjective and any item offered at auction may be subject to normal wear consistent with age that may not be specified in a condition report. If a bidder is uncertain about any of these issues, we would recommend that they not bid on lots in question. We would further urge that all potential bidders become familiar with “Commonly Used Terms and

Abbreviations” printed in each catalog or available upon request.16. These Conditions of Sale and the purchaser's and our respective rights and

obligations hereunder are governed by the laws of the State of South Carolina.By bidding at an auction, each purchaser and bidder agrees to be bound by these Conditions of Sale. Any dispute, controversy, or claim arising out of or relating to this agreement, or the breach, termination, or validity thereof, brought by or against Charlton Hall Galleries, Inc., (but not including claims brought against the consignor by the purchaser of lots consigned hereunder) shall be resolved by the Columbia, South Carolina legal system.

17. In addition to the other remedies available to us by law, we reserve the right toimpose a late charge of 2% per month of the total purchase price if payment isnot made in accordance with the conditions set forth herein.

18. If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor(s) by law, including without limitation the right to hold the purchaser liable for the totalpurchase price, with the purchaser to be responsible for all costs of collection (including attorneys' fees and disbursements), we, at our option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or (b) resell the property at public auction without reserve, and the purchaser will be liable for any deficiency, costs including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder, and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser's obligations to us, any property in our possession, owned by such purchaser. We shall have all of the rights accorded a secured party under the South Carolina Uniform Commercial Code with respect to such property, andwe may apply against such obligations all monies held or received by us for theaccount of, or due from us to, such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier's checks, we have confirmed their authenticity.

19. All property must be removed from our premises by the purchaser at their expense no later than 5 business days following its sale and, if it is not removed, Charlton Hall Galleries, Inc., reserves the right to charge aminimum storage fee of $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser's expense. Charlton Hall Galleries, Inc., shall have no liability for any damage to property left on its premises for more than 5 days following the sale.

20. If property is uncollected within 60 days of auction purchase date, buyer authorizes Charlton Hall to re-sell ALL purchases. Storage fees, handling charges, and seller’s commission rate of 20% will be deducted from the proceeds.

21. Your bid is a legally binding contract. If you are the successful bidder, you have entered into a contract to purchase the property which you bid from the seller. You should contact Charlton Hall Galleries, Inc. to resolve any questions prior to placing any bids.

22. The use of a live internet bidding service will subject your bid to an additionalbuyer’s premium. Please be aware of this and be sure to read all the terms published by the service providing online bidding.

23. The Conditions of Sale as written in this printed catalog will take precedence over any other conditions, whether printed or posted on internet websites. Conditions of Sale may be amended by posted notices in the salesroom or by announcement from the auctioneer.

24. Bid increments: Bidding generally opens at half the low estimate and generallyadvances as indicated on bid sheet. All bids submitted out of increment will berounded to the nearest increment.

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ac: Active

after: This work is a later copy of one of the artist’s works.

after the antique: A later facsimile.

attributed to: This work is probably by the named artist. Technically, this work is ofthe period and may be wholly or even partly by this artist.

b:Date of birth

BH: Back height

circa: Approximate date of object.

circle of:This work is of the correct period, and exhibits the stylistic influence of thenamed artist.

ct: Carat (single gemstone weight)

ctw: Carats (total gemstone weight)

D:Depth

d:Date of death

dates: All dates are approximate. The absence of a date for any item indicates thatthe item is either modern or we are uncertain of the age.

Dia: Diameter

DJ:Dust jacket

fl: Flourished

follower of:This work is executed in the artist’s style, but is not necessarily by oneof his students.

g:Grams

H:Height

K: Karat, the fineness of gold.

L: Length

manner of: Although this work is in the appropriate manner or style of the artist, itis probably of a later period.

note: Additional information we are able to provide about any particular item.

oz Troy: Unit of measuring precious metals.

period:Works will be followed by a date, which means that the object is, in ouropinion, the date indicated, and made in the time frame.

provenance:History of ownership, or additional information which we haveobtained.

studio of:This work is of the correct period, and may have been made under theartist’s supervision.

school of:This work is of the general style of the artist, and may possibly even be bya student of the artist, even if from a slightly later, but not too distant period.

SH: Seat height

sizes: All sizes, weights and other measurements are approximate; we are not respon-sible for mis-measurements or typographical errors.

Sq: Square

style:The inclusion of the word “style” in the heading indicates that, in our opinion,the object was made as an intentional reproduction of an earlier form.

W:Width

wk:Worked

**: Property approved for de-accession

Commonly Used Terms and Abbreviations

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Bidding and buying at auction is an exciting and fast-paced process. If you have never participated in a live sale before, we encourage you toconsult with one of our staff members to discuss how the process works.

Terms & Conditions of Sale: Charlton Hall encourages prospective buyers to read the Conditions of Sale printed in the back of this catalogue formore complete information.

Registration: All prospective bidders must have an active Charlton Hall account in good standing, complete a Registration Form and provide government-issued photo ID for each sale.

First-Time Registration: If you have never registered to bid at Charlton Hall, you must complete our Account Setup Form, present agovernment-issued photo ID and be approved. At the discretion of Charlton Hall, prospective bidders may be required to provide a deposit againstbids.

Preview Exhibition: Charlton Hall offers auction previews leading up to every sale. Galleries are open to the public for preview during printeddates and by appointment.

Condition Reports: Charlton Hall and its staff will be pleased to issue Condition Reports for any lot offered. Please note that our staff and specialists are not professional conservators, and that statements of condition are only our opinion. Please remember all lots are sold “AS IS”, andas stated in the Terms & Conditions governing each sale. We strongly encourage bidders or their agents to examine property first-hand prior tobidding.

Bidding: We are pleased to offer various bidding platforms at Charlton Hall. You may wish to attend and bid in person, or make priorarrangements to bid by Phone, Absentee, or view the sale live via Live Internet bidding. Please keep in mind the highest bidder acknowledged byour auctioneer will be the purchaser of the item. Although our auctioneer is highly skilled and competent, due to technology and human error,there is always the possibility a bid may be seen or entered too late, and the bidder must acknowledge that once the auctioneer closes bidding, thesale is final. Please see Terms & Conditions of Sale for bid increments, and additional information governing each sale.

Payment: In addition to the hammer price, the winning bidder agrees to pay Charlton Hall a buyer’s premium, as well as any applicable taxes.All payments are due immediately following the auction. Payment may be made with cash, money order, cashier’s check, bank wire transfer or a pre-approved US bank-drawn check. Charlton Hall does NOT accept credit cards as payment.

Pickup & Shipping: We request all purchased lots be removed from the premises within 5 business days. Charlton Hall and its staff will provide alist of recommended shippers and packers whom our worldwide clients have successfully used. For prompt service, we request 24-hour notificationof a scheduled pickup appointment.

UPS Store 803-254-1601 Plycon 336-854-1832 (or) 954-978-2000Breeland Couriers 803-936-0148 Artex 800-652-7839Richard Wright Ltd. 800-247-9744 Atelier 4 305-685-9797US Art, Inc. 800-872-7826 Westbrook Deliveries 404-877-2870 (or) 843-991-6738

Should you have additional questions, please feel free to contact our client services specialists at 803-779-5678

Guide for Prospective Buyers

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BID FORM - SALE 277 (DAY ONE)

BID DEADLINETHURSDAY 25 JUNE AT 12NOON

First Name Last Name

Company Name (Only if you are purchasing for a business)

Billing Address

Country

Primary Phone Secondary Phone

Fax

My signature below indicates my willingness to open bidding at half the low estimate and bid as indicated below. I have read and understand the Terms & Conditions governing this sale.

Email

City Postal CodeState

Client ID#

Signature

Valid Credit Card Number Expiration Date

Date

CV Code

Important Information

•Please complete this form to ensure that your bids areaccepted.

•Bid forms are to be accompanied by a copy of yourGovernment Issued photo ID and credit card.

•Please fax bids to 803-733-1701.

•All bids are processed in the order in which they arereceived and are bid competitively during the sale.

•Email Confirmation will be sent to the email address onthis form, usually within a few hours.

•All bids must be placed following the increments listed below.

Bid Range Increment $0-99 $10$100-499 $25$500-999 $50$1,000-2,999 $100$3,000-4,999 $200$5,000-9,999 $500$10,000-19,999 $1,000$20,000-49,999 $2,000$50,000-99,999 $5,000 $100,000-199,999 $10,000over $200,000 Auctioneer’s discretion

WE DO NOT ACCEPT BIDS THAT ARE LESSTHAN HALF THE LOW ESTIMATE

CHARLTON HALLDiscovering Extraordinary Objects Since 1929

Lot NumberAbsentee Bid

(Top Limit, not includingpremium)

Back-Up Bid(Required for all phone bids)

PhoneBid

(Please Check)

Lot Description

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EDGEWATEREdgewater, built in 1825 on the

Hudson River in upstate New York,combines classical architecture

with a dramatic setting to createone of the Hudson Valley’s most

charming river residences.

AYR MOUNTAyr Mount, a Federal-style

plantation house built in 1815 justoutside historic Hillsborough, N.C. was home to William Kirkland and

four generations of the Kirklandfamily for the next 170 years.

MILLFORDPLANTATION

Built between 1839-41, MillfordPlantation is one of the finest

examples of Greek Revivalarchitecture in America and stillretains most of its documented

Duncan Phyfe furniture.

ROPER HOUSERoper House, built in 1838 on therecently completed High Battery,commands a sweeping view of the

Charleston, South Carolina harbor.

ESTATE CANE GARDENLocated on a high hilltop in

St. Croix, U.S. Virgin Islands, Cane Garden is a classic example

of a small Palladian villa, circa1784, featuring expansive

Caribbean views.

GEORGE F. BAKERHOUSES

The George F. Baker Housescomprise a block of adjoining

residences owned by the Baker Familyon the corner of Park Avenue and

East 93rd Street in New York City,dating from 1917-1932.

Classical American Homes Preservation Trust69 East 93rd Street, New York, NY 10128

Phone (212) 369-4460 • Fax (212) 369-4462www.classicalamericanhomes.org

Classical American Homes Preservation Trust, founded by Richard Hampton Jenrette,seeks to preserve, protect and open to the public examples of classical American residential

architecture as well as fine and decorative arts of the first half of the 19th century.

Visit Our HousesTo schedule a tour, please go to:

www.classicalamericanhomes.org

EDGEWATER

AYR MOUNT

ROPER HOUSE

BAKER HOUSES

MILLFORD PLANTATION

ESTATE CANE GARDEN

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Always Accepting Quality Consignments

To submit property for consideration, please visit the Consignment Inquiries page atwww.CharltonHallAuctions.com or call 803-779-5678

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Printed with green products

CHAR LTON HA L L AUCT I ON E E R SS t a f f D i r e c t o r y

Specialists for this SaleRonald D. LongKinga Bender

Catherine A. CarlisleJenn S. Robertson

Administrative Assistant Margaret E. Malik

Consulting SpecialistsProf. Ronald E. Bridwell

Thomas P. CrowtherDonnie F. GarrettRoger W. Powell

Hermann L.A. Sommersell

Consignments DirectorErica E. Guillebeau

[email protected]

Client Services SpecialistVicky L. Smith

Tel: 803-779-5678Fax: 803-733-1701

[email protected]

Photography DirectorStephen W. Ivey

Gallery & Offices7 Lexington DriveWest Columbia, SC 29170Tel: 803-779-5678Fax: 803-733-1701Email: [email protected]: www.CharltonHallAuctions.com

Gallery & Office HoursMonday - Friday 10am to 5pm (Please note pickup hours below)

Property Pickup HoursPlease schedule pickup at least 24 hours in advance of arrivalMonday - Friday morning 10:00 to 11:30amafternoon 1:00 to 4:30pm

Corporate OfficialsCharlton F. Hall, Jr., DirectorRonald D. Long, President

Auctioneer & Firm LicensesCharlton Hall Galleries, Inc., Firm 1316FRonald D. Long, SCAL No. 509Erica E. Guillebeau, SCAL No. 4523Betsy J. Hackett-Davis, SCAL No. 4229Jeffery C.D. Long, SCAL No. 3942

Support Staff Larry A. Byrd

Justin E. Keisler Anthony MackMichael McNeil Perry Schumpert

Summer Closing:Our offices will be closedJuly 4th through 12th

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Accepting Quality Consignments for Scheduled Sales

For more information, please contact consignment specialists Kinga Bender • Erica Guillebeau

803-779-5678 or [email protected]

Americana at Auction February 2016Consignment Deadline: December 1

Style + DesignSeptember 2015Consignment Deadline: July 1

Great CollectionsDecember 2015Consignment Deadline: October 1

Style + DesignDecember 2015Consignment Deadline: October 1

Important CollectionsMay 2016Consignment Deadline: March 1

Magnificent Antiques September 2015Consignment Deadline: July 1

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Style + DesignFebruary 2016Consignment Deadline: December 1SD

Style + DesignMay 2016Consignment Deadline: March 1åDS

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7 Lexington Drive • West Columbia, South Carolina 29170Tel: 803.779.5678 Fax: 803.733.1701

www.CharltonHallAuctions.com

CHARLTON HALLCelebrating Our 86th Year