Intellect Books

publishers of original thinking

intellect books

Contents02 Publish with Us04 World Film Locations06 Directory of World Cinema08 Film Studies28 Performing Arts42 Visual Arts62 Media & Culture80 How to Order81 Moblie Apps82 Contact Us

@ = available as e-book

We’ve put all our books in one place just for you.

The host of books available in this catalogue is testament to Intellect’s commitment to publish in new and emerging academic areas. Showcased here are volumes and monographs in ever-expanding topics of inquiry, ranging from street fashion to Hong Kong pop music, explorations in consumer society to cutting-edge performance texts. The titles are often gloriously multidisciplinary, presenting scholarly work at the cross section of arts, media and creative practice. Alongside the printed books we launch all new books as e-books (see the full list of distributors on our website) and as ePUBs for iTunes iBookstore and Amazon Kindle. We also have robust international distribution arrangements with partners such as the University of Chicago Press and Gardners. Ordering details can be found on page 80. We hope that you find something here to tempt you.

Welcome

Intellect

At Intellect we pride ourselves on the excellent service that we offer our authors. We are passionate, honest and energetic, and we utilize a range of cutting-edge resources and expertise in order to create the best possible end product. We are committed to creating a platform for original ideas and we are always looking for authors with an interesting perspective. If you would like to release your book to the wider world then download and complete the book proposal questionnaire from the ‘Publish with us’ section of our website and then send the completed form to: [email protected]

If you would like to contribute to our exciting range of book series (a selection of which are shown below) then submit the author or editor questionnaire to the respective series editor. Further information about this can be found on our website.

Changing Media, Changing EuropeCritical PhotographyCultural Studies of Natures, Landscapes and EnvironmentsCulture, Disease, and Well-Being: The Grey Zone of Health and IllnessDirectory of World CinemaECREAPlaytextReadings in Art and Design EducationStudies on Popular CultureTheatre & ConsciousnessWorld Film Locations

‘It was great to work with a company that has a love of the subject and was ready to consider a previously unpublished author. From the outset the staff at Intellect were supportive through the whole process from proofing to marketing.’ – Roger Wooster, Author of Contemporary Theatre in Education

Publish with us

5Intellect

Series ISSN 2045-9009Online ISSN 2045-9017£9.95, $18 | PB | 2012 | @230x155mSee the full list on page 27

Be it an elaborate directorial love letter or a time-specific cultural setting, the city plays a central role in a multitude of films, and often acts as a vital character within narratives. The World Film Locations series uses a predominantly visual approach to explore this relationship between cinema and the city.

• Succinctarticlesandfilmreviewswrittenbyrespectedfilmscholarsandwriters

• Illustratedinfullcolourwithmapsofthecity,screencapturesfromiconicfilmsandpresent-dayphotographsofkeylocations

• Includesin-depthexplorationofspecificfilms,andinsightfulessaysaboutthemes,directorsandkeyhistoricalperiods

• Doublesasaguidebookforcinephiles,travellersandtourists

‘An elegant tribute to the films and locations that have given New York its private real estate in our minds. The contributors are so immediately readable and movie-savvy.’ – Roger Ebert

World Film Locations Series

Paris: ‘A superbly edited collection that explores the most important movie city in the world.’ – David Sterritt

London: ‘A superb book, indispensable for any cinephile interested in London’s psycho-geography. I could pore over it for hours.’ – Peter Bradshaw

Imag

e: S

lum

dog

Mill

iona

ire, 2

008.

© F

ilm 4

/ C

elad

or F

ilms

/ Pat

he In

tern

atio

nal.

7Intellect

Series ISSN 2040-7971 Online ISSN 2040-798X £15.95, $25 | PB | 2012 | @240x170mmSee the full list on pages 23–25

The Directory of World Cinema series aims to play a part in pushing intelligent, scholarly criticism beyond the academy. Each volume takes the form of a collection of reviews, longer essays and research resources, and is accompanied by film stills highlighting significant films and players.

• In-depthinformation,synopses,critiquesandreviewsfromwell-respectedfilmscholars

• Spotlightarticleshighlightspecificdirectorsandactors

• Comprehensivefilmography,andexpansiverecommendedreadinglist

• TestYourKnowledgeQuestionnaire

• Fullyillustratedwithhigh-qualityscreencaptures

‘Directory of World Cinema: American Hollywood is an attractive collection beyond the critical dissection of many of American cinema’s best-loved films. A coffee-table paperback, it includes a wealth of gorgeous production stills and other photographs, in both glossy colour and black and white.’ – Pop Matters

Directory of World Cinema Series

One feature of the Directory of World Cinema: Spain, which should not be underestimated, is its beauty. Every section is introduced with a full-page film still and other photos pepper the pages, showing off some of the most iconic images in Spanish cinema. The overall effect is very aesthetically-pleasing, and it is a pleasure to pick up and leaf through: the organization by genre is very intuitive and there are no huge chapters of dense text to overwhelm the reader.’ – subtitledonline.com

Imag

e: F

ish

Tank

, 200

9. ©

BB

C F

ilms

/ The

Kob

al C

olle

ctio

n.

9

• Highlyoriginalandengagingnewapproach

• FocusesonPolanski’sinterestinthenatureofperception

• Filmanalysisincorporatescognitiveresearchtheory

Caputo presents an innovative, new approach to a director whose contribution to cinema is often overshadowed by the events of his personal life. Informed by the work of neuro-psychologist R. L. Gregory, and primarily focused on the Apartment Trilogy (Repulsion, Rosemary’s Baby and The Tenant) and the Investigation Trilogy (Chinatown, Frantic and The Ninth Gate), Caputo explores how Polanski’s interest in the nature of perception is manifested in these films. Case studies of Knife in the Water, Death and the Maiden and The Ghost are also included in this highly original and engaging new book.

Polanski and PerceptionThe Psychology of Seeing and the Cinema of Roman Polanski

By Davide Caputo

ISBN 978-1-84150-552-7 | 296pp£24.95, $40 | PB | 2012 | @230x170mm

Davide Caputo studied psychology and film at the University of Manitoba and completed his Ph.D. at the University of Exeter.

09 Polanski and Perception11 The Ned Kelly Films12 Framing Film13 Cinemas of the Other15 Stanley Kubrick at Look Magazine16 Un-American Psycho17 Watching Films18 Transnational Film Culture in New Zealand19 Australian Film Theory and Criticism, Vol. 120 Music and Levels of Narration in Film 21 The Cinema Makers21 Open Roads, Closed Borders22 Passion of the Reel22 A Portrait of the Artist as a Political Dissident23 Film Studies Backlist

Film Studies

11Film Studies

• Exploresthisinfamousoutlaw’sonscreenpresence

• Surveyshowthefilmsre-workandrewritepopularhistory

• Analyseswhyhistoricalfilmsareregardedasaformof‘bad’culture

Irish/Australian outlaw, Ned Kelly, led one of the most spectacularoutbreaks the tradition of banditry has ever experienced, culminating at a siege in Glenrowan on 28 June 1880. Donned in his homemade metal armour and helmet, he was captured and later sentenced to hang at the Melbourne Gaol. Immortalized in a series of onscreen productions, he has since become one of the most resilient screen presences in the history of Australian cinema. Covering the nine feature films, three miniseries, and two TV movies that have been made about this controversial character, Stephen Gaunson illuminates how they give motion to the historical artefacts and story that forever seems fixed to a historical time. Asking what value we can place on such ‘bad’ historical cinema, Gaunson offers new historical insights about the textual characteristics of the cinematic material as well as their relationship with broader cultural histories.

The Ned Kelly FilmsA Cultural History of Kelly History

By Stephen Gaunson

ISBN 978-1-84150-636-4 | 132pp £15.95, $25 | PB | 2012 | @ 230x170mm

Stephen Gaunson is a research fellow at RMIT University in Melbourne.

13Film Studies

• Explorescinema’srelationshipwithcomics,paintingsandphotographs

• Amust-haveforartandfilmenthusiasts

Where exactly film falls within the visual media genre is still a topic up for debate, but the impact that film has had on arts – and that arts have had on film – is very clear. Framing Film: Cinema and the Visual Arts touches upon both high- (and low-) brow art forms, ranging from the representation of emotions in art (‘Framing Loneliness in Painting and Film’) to adaptation of comics books (‘Adapting Watchmen’) and the art-work that movies can create (‘Here’s Johnny! Re-framing The Shining’). It also explores cover posts, production design and paintings in films.

Framing FilmCinema and the Visual Arts

Edited by Steven Allen and Laura Hubner

ISBN 978-1-84150-507-7 | 176pp£19.95, $30 | PB | 2012 | @ 230x170mm

Steven Allen is a senior lecturer in film studies at the University of Winchester.

Laura Hubner is a senior lecturer in film studies and director of film studies at the University of Winchester.

• Atwopartfollow-uptoCinemas of the Other: A Personal Journey with Film-Makers from the Middle East and Central Asia

• Includestranscriptsoftheinterviews,stillsfromimportantfilms,biographicalinformationonthedirectorsinterviewedandextensivefilmographies

An updated collection of recent interviews with film-makers whose works represent trends in the film industries of Turkey and Iran, and the Central Asian republics of Kazakhstan, Kyrgyzstan, Tajikstan, Turkmenistan and Uzbekistan. This new two-volume edition expands upon the earlier volume.

In a series of interviews, the author explores the connection between the different countries and their directors, and the images of ‘otherness’ displayed in each director’s oeuvre.

Cinemas of the Other

By Gönül Dönmez-Colin

A Personal Journey with Film-makers from Iran and Turkey ISBN 978-1-84150-548-0 | 120pp£19.95, $30 | PB | 2012 | @230x170mm

A Personal Journey with Film-makers from Central AsiaISBN 978-1-84150-549-7 | 120pp £15.95, $25 | PB | 2012 | @230x170mm

Gönül Dönmez-Colin is an independent researcher and author.

Two volumes

15

Stanley Kubrick at Look MagazineAuthorship and Genre in Photojournalism and Film

By Philippe D. Mather

ISBN 978-1-84150-611-1 | 304pp£14.95, $30 | PB | 2012 | @230x170mm

Philippe D. Mather is an associate professor of media studies at Campion College at the University of Regina.

• Beautifullywrittenandexhaustively-researchedlookatKubrick’scareerasaphotojournalist

• Featuresnever-before-publishedphotographsfromtheLookarchivesandcompletescansofKubrick’sphotoessays

From 1945 to 1950, during the formative years of his career, Stanley Kubrick worked as a photojournalist for Look magazine. Offering a comprehensive examination of the work he produced during this period, Stanley Kubrick at Look Magazine sheds new light on the aesthetic and ideological factors that shaped his artistic voice.

Tracing the links between his photojournalism and films, Mather shows how working at Look fostered Kubrick’s emerging talent for combining images and words to tell a story. Mather then demonstrates how exploring these links enhances our understanding of Kubrick’s approach to narrative structure – as well as his distinctive combinations of such genres as fiction and documentary, and fantasy and realism.

© E

van

Har

ringt

on. B

y ki

nd p

erm

issi

on o

f th

e E

stat

e of

Phi

lip H

arrin

gton

.

17Film Studies

• RethinksreceivedwisdomonDePalmaandhisfilms

• WillappealtoDePalmadevoteesandthoseunfamiliarwithhiswork

Brian De Palma is perhaps best known as the director behind the gangster classic Scarface; yet as ingrained as Scarface is in popular culture, it is but one of a sizeable number of controversial films – many of which are consistently misread or ignored – directed by De Palma over his more than four-decade career. In Un-American Psycho, Chris Dumas places De Palma’s body of work in dialogue with the works of other provocative film-makers, including Alfred Hitchcock, Jean-Luc Godard, and Francis Ford Coppola, with the aim of providing a broader understanding of the narrative, stylistic, and political gestures that characterize De Palma as a film-maker.

Un-American PsychoBrian De Palma and the Political Invisible

By Chris Dumas

ISBN 978-1-84150-554-1 | 254pp £24.95, $40 | PB | 2012 | @230x170mm

Chris Dumas is an independent scholar and artist based in San Francisco.

Watching FilmsNew Perspectives on Movie-Going, Exhibition and Reception

Edited by Albert Moran and Karina Aveyard

ISBN 978-1-84150-511-4 | 288pp £19.95, $30 | PB | 2012 | @230x170mm

Albert Moran is professor of media studies at Griffith University in Brisbane.

Karina Aveyard is a lecturer at the University of East Anglia.

• Exploreshownewtechnologieshaveinfluencedthewaywewatchandconsumefilms

• Comprehensiveinvestigationofmovie-going,cinemaexhibition,andfilmreceptionaroundtheworld

• Along-overdueconsiderationofanimportanttopic

Whether we stream them on our laptops, enjoy them in theatres, or slide them into DVD players, films are part of what it means to be socially connected in the twenty-first century. Despite film’s significant role in our lives, the act of watching films remains an area of social activity that is little studied, and thus little understood.

With a focus on the social, economic, and cultural factors that influence how we watch and think about movies, Watching Films centres its investigations on four areas of inquiry: Who watches films? Under what circumstances? What consequences and affects follow? And what do these acts of consumption mean?

19Film Studies

• ThestoryoffilmcultureinNewZealandfromthe1920stothepresentday

• Amust-readforanyoneinterestedinfilmtheoryandculturalhistory

In this innovative work of cultural history, Simon Sigley approaches cinema as a form of social practice. He examines the reception of international film theories and discourses, and shows how these ideas helped to shape distinct cultural practices, including new forms of reviewing; new methods of teaching; and new institutions such as film societies, art-house cinemas, and film festivals. He goes on to trace the emergence of the full range of activities and institutions associated with a sophisticated film culture – including independent distribution and exhibition networks, film archives, university courses, a local feature-film industry, and liberalized film censorship. In doing so, Sigley makes a significant contribution to our understanding of the myriad ways film can shape our thinking, our icons, our institutions, and our conversations.

Transnational Film Culture in New Zealand

By Simon Sigley

ISBN 978-1-84150-660-9 | 208pp £19.95, $30 | PB | 2012 | @230x170mm

Simon Sigley is a media studies lecturer at Massey University.

• Focuseson1975–1985,aformativeperiodforthediscipline

• Firstpartofathree-volumework

• PrefacebyPatricePetro

• AlsobyDeaneWilliams:Australian Post-War Documentary Film

Tracing critical positions, people, and institutions across this influential period, the authors examine a multitude of books and journal articles published in Australia and distributed internationally. At the same time, they offer important insights about the origins of Australian film theory and its relationship to such related disciplines as English, art history, and cultural studies. Ultimately, Australian Film Theory and Criticism, Volume 1 delineates the historical implications – and reveals the future possibilities – of establishing new directions of inquiry for film studies in Australia and internationally.

Australian Film Theory and Criticism, Vol. 1Critical Positions

By Noel King, Constantine Verevis and Deane Williams

ISBN 978-1-84150-581-7 | 192pp£19.95, $30 | PB | 2012 | @230x170mm

Noel King teaches film and literary-cultural criticism at Macquarie University.

Constantine Verevis is a senior lecturer in film and television studies at Monash University.

Deane Williams is associate professor of film and television studies at Monash University.

21Film Studies

The Cinema MakersPublic Life and the Exhibition of Difference in South-Eastern and Central Europe since the 1960s

By Anna Schober

• Investigates how, and why, cinema-goers in south-eastern and central European cities went from being spectators to cinema-makers

• Explores the practices, such as squatting in existing cinema spaces and organizing cinema ‘events’, that aided this transition

• Draws on a corpus of interviews with cinema activists across Europe

Open Roads, Closed BordersThe Contemporary French-Language Road Movie

Edited by Michael Gott and Thibaut Schilt

• First collection of essays about French-language road movies

• Offers important perspectives on contemporary French ideas about national identity

• Illustrates how travel and road motifs have enabled directors to re-imagine space and move beyond simplistic binary oppositions

ISBN 978-1-84150-662-3 | 181pp £45, $60 | HB |2012 | @230x170mm

Michael Gott is assistant professor of French at the University of Cincinnati.

Thibaut Schilt is assistant professor of French at the College of the Holy Cross.

ISBN 978-1-84150-515-2 | 189pp £24.95, $40 | PB | 2012 | @230x170mm

Anna Schober is Mercator visiting professor at Justus Liebig University Giessen.

Music and Levels of Narration in Film Steps Across the Border

By Guido Heldt

ISBN 978-1-84150-625-8 | 224pp £45, $60 | HB | 2012 | @230x170mm

Guido Heldt is a lecturer in music at the University of Bristol.

• Thefirstbook-lengthstudyofnarratologyoffilmmusic

• Approachesnarrativestructurefromavarietyofanglesandproposesatoolkitofnarratologicalconcepts

• Anindispensableresourceforanyoneresearchingorstudyingfilmmusicorfilmnarratology

Moving beyond the distinction between diegetic and non-diegetic music (music that is or is not understood as part of the story world of a film), Music and Levels of Narration in Film systematically discusses music on different levels of narration: from the extra-fictional to ‘focalizations’ of subjectivity, and music’s movement between them. The conceptual toolkit is applied to a study of genres (musicals and horror) and of the narrative strategies of music in individual films.

23Film Studies

ISBN 978-1-84150-545-9 | 232pp£45 | $60 | HB | 2012 | @230x170mm

Vlastimir Sudar teaches film history and theory at the University of the Arts London.

Passion of the ReelCinematic versus Modernist Political Fictions in Cameroon

By Jean-Olivier Tchouaffe

• In-depth analysis of the output of the Cameroonian film industry

• Explores postcolonialism, social construction and modernization

• Highlights the challenges faced by this nascent national cinema

• Emphasizes the need to move beyond colonial legacies and focus instead on indigenous productions of meaning

ISBN 978-1-84150-564-0 | 216pp£45, $60 | HB | 2012 | @230x170mm

Jean-Olivier Tchouaffe is visiting assistant professor at Southwestern University.

Allegorical Images: Tableau, Time and Gesture in the Cinema of Werner SchroeterBy Michelle Langford

ISBN 978-1-84150-138-3 | 215pp£24.95, $50 | PB | 2006 | @

Alternative Worlds in Hollywood Cinema: Resonance between RealmsBy James Walters

ISBN 978-1-84150-202-1 | 232pp£19.95, $35 | PB | 2008 | @

Australian Post-War Documentary Film: An Arc of MirrorsBy Deane Williams

ISBN 978-1-84150-210-6 | 192pp£34.95, $70 | HB | 2008 | @

Beauty and the Beast: Italianness in British CinemaBy Elisabetta Girelli

ISBN 978-1-84150-244-1 | 240pp£24.95, $50 | PB | 2009 | @

Beyond Auteurism: New Directions in Authorial Film Practices in France, Italy and Spain since the 1980sBy Rosanna Maule

ISBN 978-1-84150-204-5 | 192pp£34.95, $70 | HB | 2008 | @

British TV & Film Culture of the 1950s: Coming to a TV Near YouBy Su Holmes

ISBN 978-1-84150-121-5 | 192pp£24.95, $50 | PB | 2005 | @

Cinema and Landscape: Film, Nation and Cultural Geography Edited by Graeme Harper and Jonathan Rayner

ISBN 978-1-84150-309-7 | 264pp£19.95, $35 | PB | 2010 | @

Cinemas of the Other: A Personal Journey with Film-makers from the Middle East and Central AsiaBy Gönul Dönmez-Colin

ISBN 978-1-84150-143-7 | 284pp£34.95, $70 | HB | 2006 | @

Danish Directors, The: Dialogues on a Contemporary National CinemaEdited by Ib Bondebjerg and Mette Hjort

ISBN 978-1-84150-035-5 | 288pp£29.95, $60 | HB | 2001 | @

Danish Directors 2, The: Dialogues on the New Danish Fiction CinemaEdited by Mette Hjort, Eva Novrup Redvall and Eva Joerholt

ISBN 978-1-84150-271-7 | 310pp£19.95, $35 | PB | 2010 | @

Cinema of Mika Kaurismäki, The: Transvergent Cinescapes, Emergent IdentitiesBy Pietari Kääpä

ISBN 978-1-84150-409-4 | 176pp£24.95, $50 | PB | 2010 | @

David Cronenberg: Author or Film-maker?By Mark Browning

ISBN 978-1-84150-173-4 | 208pp£24.95, $50 | PB | 2007 | @

Declarations of Independence: American Cinema and the Partiality of Independent ProductionBy John Berra

ISBN 978-1-84150-185-7 | 224pp £24.95, $50 | PB | 2008 | @

Diasporas of Australian CinemaEdited by Catherine Simpson, Renata Murawska and Anthony Lambert

ISBN 978-1-84150-197-0 | 128pp£24.95, $50 | PB | 2009 | @

Deleuze and Film Music: Building a Methodological Bridge between Film Theory and MusicBy Gregg Redner

ISBN 978-1-84150-370-7 | 192pp£24.95, $50 | PB | 2010 | @

Directory of World Cinema: American HollywoodEdited by Lincoln Geraghty

ISBN 978-1-84150-415-5| 272pp£15.95, $25 | PB | 2010 | @Directory of World Cinema

Directory of World Cinema: American IndependentEdited by John Berra

ISBN 978-1-84150-368-4| 327pp£15.95, $25 | PB | 2010 | @Directory of World Cinema

Directory of World Cinema: American Independent 2Edited by John Berra

ISBN 978-1-84150-612-8 | 320pp£15.95, $25 | PB | 2012 | @Directory of World Cinema

A Portrait of the Artistas a Political DissidentThe Life and Work of Aleksandar Petrovic

By Vlastimir Sudar

• Explores the career of this oft-overlooked, four-time Palme d’Or nominee

• Analyses how Petrovic developed specific political and social themes in his films

• A fresh contribution to the scarcely explored history of Yugoslav cinema


25Film Studies

Directory of World Cinema: Australia & New ZealandEdited by Geoff Lealand and Ben Goldsmith


Directory of World Cinema: Australia & New Zealand 2Edited by Geoff Lealand and Ben Goldsmith


Directory of World Cinema: BritainEdited by Emma Bell and Neil Mitchell


Directory of World Cinema: ChinaEdited by Gary Bettinson


Directory of World Cinema: East EuropeEdited by Adam Bingham


Directory of World Cinema: FinlandEdited by Pietari Kääpä


Directory of World Cinema: FranceEdited by Tim Palmer and Charlie Michael


Directory of World Cinema: GermanyEdited by Michelle Langford


Directory of World Cinema: IndiaEdited by Adam Bingham


Directory of World Cinema: IranEdited by Parviz Jahed


Directory of World Cinema: ItalyEdited by Louis Bayman


Directory of World Cinema: JapanEdited by John Berra


Directory of World Cinema: Latin AmericaEdited by Isabel Maurer Queipo

ISBN 978-1-84150-618-0 | 320pp£16, $25 | PB | 2012 | @Directory of World Cinema

Directory of World Cinema: Japan 2Edited by John Berra


Directory of World Cinema: RussiaEdited by Birgit Beumers


Directory of World Cinema: South KoreaEdited by Colette Balmain


Directory of World Cinema: SpainEdited by Lorenzo J. Torres Hortelano

ISBN 978-1-84150-463-6 | 320pp £15.95, $25 | PB | 2011 | @Directory of World Cinema

Directory of World Cinema: SwedenEdited by Marcelline Block


Directory of World Cinema: TurkeyEdited by Eylem Atakav

ISBN 978-1-84150-620-3 | 320pp£16, $25 | PB | 2012 | @Directory of World Cinema

Divided World, A: Hollywood Cinema and Emigre Directors in the Era of Roosevelt and Hitler, 1933–1948By Nick Smedley

ISBN 978-1-84150-402-5 | 144pp£24.95, $50 | PB | 2010 | @

Europe & Love in CinemaEdited by Jo Labanyi, Luisa Passerini and Karen Diehl

ISBN 978-1-84150-379-0 | 256pp£19.95, $35 | PB | 2011 | @

Feminist Ethics in Film: Reconfiguring Care through CinemaBy Joseph Kupfer

ISBN 978-1-84150-406-3 | 208pp£19.95, $40 | PB | 2012 | @

Don’t Look Now: British Cinema in the 1970sEdited by Paul Newland

ISBN 978-1-84150-320-2 | 256pp£24.95, $50 | PB | 2010 | @

European Identity in CinemaEdited by Wendy Everett

ISBN 978-1-84150-916-7 | 124pp£19.95, $40 | PB | 2005 | @

Film Paintings of David Lynch, The: Challenging Film TheoryBy Allister Mactaggart

ISBN 978-1-84150-332-5 | 224pp£19.95, $35 | PB | 2010 | @

Film, Drama and the Break-Up of BritainBy Steve Blandford

ISBN 978-1-84150-150-5 | 200pp£24.95, $50 | PB | 2007 | @

Iranian Cinema and Globalization: National, Transnational and Islamic DimensionsBy Shahab Esfandiary

ISBN 978-9-78184-510-9 | 367pp£24.95, $40 | PB | 2012 | @

Frames of Mind: A Post-Jungian Look at Cinema, Television and TechnologyBy Luke Hockley

ISBN 978-1-84150-171-0 | 152pp£24.95, $50 | PB | 2007 | @

French Costume Drama of the 1950s: Fashioning Politics in FilmBy Susan Hayward

ISBN 978-1-84150-318-9 | 376pp£29.95, $60 | PB | 2010 | @

Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen CulturesEdited by Olivia Khoo and Sean Metzger

ISBN 978-1-84150-274-8 | 288pp£24.95, $50 | PB | 2009 | @

Greek Cinema: Texts, Histories, IdentitiesEdited by Lydia Papadimitriou and Yannis Tzioumakis

ISBN 978-1-84150-433-9 | 288pp£24.95, $40 | PB | 2011 | @

Hong Kong New Wave Cinema (1976–2000)By Cheuk Pak Tong

ISBN 978-1-84150-148-2 | 268pp£24.95, $50 | PB | 2008 | @

Musical Comedy Films of Grigorii Aleksandrov, The: Laughing MattersBy Rimgaila Salys

ISBN 978-1-84150-282-3 | 240pp£24.95, $50 | PB | 2009 | @

New Irish Storytellers: Narrative Strategies in FilmBy Díóg O’Connell

ISBN 978-1-84150-312-7 | 176pp£19.95, $35 | PB | 2010 | @

Historical Comedy on Screen: Subverting History with Humour Edited by Hannu Salmi

ISBN 978-1-84150-367-7 | 232pp£19.95, $40 | PB | 2011 | @

New-Brutality Film, The: Race and Affect in Contemporary American CinemaBy Paul Gormley

ISBN 978-1-84150-119-2 | 192pp£24.95, $50 | PB | 2005 | @

27Film Studies

New Zealand Cinema: Interpreting the PastEdited by Alistair Fox, Hilary Radner and Barry Keith Grant

ISBN 978-1-84150-425-4 | 354pp£19.95, $40 | PB | 2011 | @

New Zealand Film and Television: Institution, Industry and Cultural ChangeBy Trisha Dunleavy and Hester Joyce

ISBN 978-1-84150-457-5 | 208pp£29.95, $50 | PB | 2011 | @

Peter Weir: A Creative Journey from Australia to Hollywood By Serena Formica

ISBN 978-1-84150-477-3 | 176pp£15.95, $25 | PB | 2012 | @

Phenomenology’s Material Presence: Video, Vision and ExperienceBy Gabrielle A. Hezekiah

ISBN 978-1-84150-310-3 | 103pp£24.95, $50 | PB | 2010 | @

Place of Artists’ Cinema, The: Space, Site and ScreenBy Maeve Connolly

ISBN 978-1-84150-246-5 | 240pp£24.95, $50 | PB | 2009 | @

Pop Fiction: The Song in CinemaEdited by Matthew Caley Hobson and Steve Lannin

ISBN 978-1-84150-078-2 | 160pp£19.95, $40 | PB | 2005 | @

Pride and Panic: Russian Imagination of the West in Post-Soviet FilmBy Yana Hashamova

ISBN 978-1-84150-156-7 | 136pp£34.95, $70 | HB | 2007 | @

Queer Cinema in EuropeEdited by Robin Griffiths

ISBN 978-1-84150-079-9 | 160pp£24.95, $50 | PB | 2008 | @

Screen Education: From Film Appreciation to Media StudiesBy Terry Bolas

ISBN 978-1-84150-237-3 | 384pp£24.95, $50 | PB | 2009 | @

Sophia Loren: Moulding a StarBy Pauline Small

ISBN 978-1-84150-234-2 | 208pp£19.95, $35 | PB | 2009 | @

South African Cinema 1896–2010By Martin Botha

ISBN 978-1-84150-458-2 | 367pp£29.95, $50 | PB | 2012 | @

Stephen King on the Big ScreenBy Mark Browning

ISBN 978-1-84150-245-8 | 256pp£19.95, $35 | PB | 2009 | @

Stephen King on the Small ScreenBy Mark Browning

ISBN 978-1-84150-412-4 | 144pp£19.95, $40 | PB | 2010 | @

Studies in French Cinema: UK Perspectives 1985–2010 Edited by Will Higbee and Sarah Leahy

ISBN 978-1-84150-323-3 | 304pp£24.95, $50 | PB | 2010 | @

Tech-Noir Film: A Theory of the Development of Popular GenresBy Emily E. Auger

ISBN 978-1-84150-424-7 | 498pp£60, $95 | HB | 2011 | @

Touring the Screen: Tourism and New Zealand Film GeographiesBy Alfio Leotta

ISBN 978-1-84150-475-9 | 208pp£24.95, $40 | PB | 2011 | @

Traumatic Encounters Italian Film: Locating the Cinematic UnconsciousBy Fabio Vighi

ISBN 978-1-84150-140-6 | 200pp£34.95, $70 | PB | 2006 | @

Urban Cinematics: Understanding Urban Phenomena through the Moving ImageEdited by François Penz and Andong Lu

ISBN 978-1-84150-428-5 | 328pp£19.95, $40 | PB | 2011 | @

Who’s Who in Research: Film Studies

ISBN 978-1-84150-496-4 | 450pp£90, $115 | HB | 2012 | @Who’s Who in Research

World Film Locations: BeijingEdited by John Berra and Liu Yang

ISBN 978-1-84150-642-5 | 128pp£9.95, $18 | PB | 2012 | @World Film Locations

World Film Locations: BerlinEdited by Susan Ingram


World Film Locations: DublinEdited by Jez Conolly and Caroline Whelan


World Film Locations: IstanbulEdited by Ozlem Koksal


World Film Locations: Las VegasEdited by Marcelline Block

ISBN 978-1-84150-588-6 | 112pp £9.95, $18 | PB | 2012 | @World Film Locations

World Film Locations: LondonEdited by Neil Mitchell


World Film Locations: Los AngelesEdited by Gabriel Solomons


World Film Locations: MadridEdited by Lorenzo J. Torres Hortelano


World Film Locations: MelbourneEdited by Neil Mitchell


World Film Locations: MumbaiEdited by Helio San Miguel


World Film Locations: New OrleansEdited by Scott Jordan Harris


World Film Locations: New YorkEdited by Scott Jordan Harris


World Film Locations: ParisEdited by Marcelline Block


World Film Locations: ReykjavikEdited by Jez Conolly and Caroline Whelan


World Film Locations: TokyoEdited by Chris Magee


World Film Locations: ViennaEdited by Robert Dassanowsky


New Trends in Argentine and Brazilian CinemaEdited by Carolina Rocha and Cacilda M. Rego

ISBN 978-1-84150-375-2 | 176pp£24.95, $50 | PB | 2010 | @

29

29 Beyond the Dance Floor31 TRANS(per)FORMiNg Nina Arsenault32 The Art of Nick Cave33 Teaching Actors34 Directors35 invisible Country36 Clown Through Mask36 italian Women’s Theatre, 1930–196037 The Rehearsal37 Signs of Change38 Theatre and Performance in Small Nations 38 Resetting the Stage39 Refugee Performance39 Sonic Multiplicities40 Performing Arts Backlist

Performing Arts

• In-depth,on-siteanalysisofwomenwhoDJ

• Exploresmusictechnology,production,distribution,publicityandnetworking

Beyond the Dance Floor focuses on women in the field of music technology: from DJ-ing, and its related technology, to the role female-producers play in the creation of dance-music culture. Exposing the constraints of this male-dominated industry, Farrugia explores a number of important issues, including the politics of identity and representation, women-centred DJ communities, and the role female-DJs and producers play in dance-music culture and the larger public sphere.

Beyond the Dance FloorFemale DJs, Technology and Electronic Dance Music Culture

By Rebekah Farrugia

ISBN 978-1-84150-566-4 | 130pp £19.95, $30 | PB | 2012 | @230x170mm

Rebekah Farrugia is assistant professor of media studies at Oakland University.

31Performing Arts

• Firstin-depthexplorationofthiscritically-acclaimedplaywright-performer

• IllustratedwithimagesofArsenault’sgendertransformationandhermanypersonae

• IncludesthefulltextofThe Silicone Diaries,Arsenault’sautobiographicalone-womanplay

Transgendered playwright-performer, columnist, and sex worker Nina Arsenault has undergone more than sixty plastic surgeries in pursuit of a feminine beauty ideal. In TRANS(per)FORMING Nina Arsenault, Judith Rudakoff brings together a diverse group of contributors, including artists, scholars and Arsenault herself, to offer an exploration of beauty, image and the notion of queerness through the lens of Arsenault’s highly personal brand of performance art. Demonstrating Arsenault’s diversity of personae, this volume deepens our understanding of what it means to be a woman and what it means to be beautiful.

TRANS(per)FORMING Nina ArsenaultAn Unreasonable Body of Work

Edited by Judith Rudakoff

ISBN 978-1-84150-571-8 | 272pp£19.95, $30 | PB | 2012 | @230x170mm

Judith Rudakoff is a professor of theatre at York University in Toronto.

Performing Arts

Imag

e: ©

Tan

ja-T

izia

na.

33Performing Arts

• Firstbook-lengthtreatmentofhowactor-trainersteachandunderstandtheirwork

• Authorhasovertwentyyearsexperienceasbothateacherandaperformer

• Aninvaluableeducationalresource

• Includesanextensivebibliography

Teaching Actors draws on history, literature, and original research conducted across leading drama schools in England and Australia, in order to offer those involved in actor-training a critical framework within which to think about their work. Prior, who brings to this volume more than twenty years of experience as both a teacher and performer in the field, devotes particular attention to the different ways in which teachers and students acquire and share knowledge through practical craft-based experience.

Teaching ActorsKnowledge Transfer in Actor Training

By Ross W. Prior

ISBN 978-1-84150-570-1 | 224pp£19.95, $30 | PB | 2012 | @230x170mm

Ross W. Prior is a reader and principal lecturer in drama and acting at the University of Northampton.

The Art of Nick CaveNew Critical Essays

Edited by John H. Baker

• Includesessaysbyadiversegroupofscholarsandexperts

• Drawsonhistorical,psychological,pedagogical,andgenericperspectives

• Alucidoverviewthatwillappealtostudents,fansandexpertsalike

Known for his work as a performer and songwriter with the Birthday Party, the Bad Seeds and Grinderman, Australian artist Nick Cave has also pursued a variety of other projects, including writing and acting. Covering the full range of Cave’s creative endeavours, this collection of critical essays provides a comprehensive overview of his multifaceted career.

ISBN 978-1-84150-627-2 | 220pp £24.95, $40 | PB | 2012 | @230x170mm

John H. Baker is a lecturer in English at the University of Westminster.

35Performing Arts

Invisible CountryFour Polish Plays

Edited and translated by Teresa Murjas

ISBN 978-1-84150-414-8 | 200pp£19.95, $30 | PB | 2012 | @230x170mmPlaytext

Teresa Murjas is a senior lecturer in theatre at the University of Reading.

• ContainsEnglish-languagetranslationsofSnow byStanisławPrzybyszewski,In a Small HousebyTadeuszRittner,Ashanti byWłodzimierzPerzynskiandAll the SamebyLeopoldStaff

• LatestadditiontoIntellect’scritically-acclaimedPlaytextseries

• Alsobythiseditor:The Morality of Mrs. DulskaandZapolska’s Women

The late nineteenth and early twentieth century marked a tumultuous period in Poland’s history, with artists and writers working under difficult socio-political conditions. Well chosen and carefully annotated, these translations provide important insights into this under-explored area of Polish dramatic history and practice, and facilitate greater understanding of its role in the development of European theatre.

DirectorsFrom Stage to Screen and Back Again

By Susan Beth Lehman

ISBN 978-1-84150-490-2 | 150pp£19.95, $30 | PB | 2012 | @230x170mm

Susan Lehman, an actor, director and screenwriter, is assistant professor of TV and film at DeSales University in Pennsylvania.

• Insightfulinterviewswithstage-to-screendirectors

• IncludesaforewordbyEmmyaward-winningscreenwriterSteveBrown

• Anessentialresourceforscholars,aspiringfilm-makers,theatreaficionados,andfilmenthusiasts

The interviews contained in Directors: From Stage to Screen and Back Again demonstrate the myriad ways in which a theatre background can engender innovative and stimulating work in film. As unique and idiosyncratic as the personalities they feature, the directors’ conversations with Susan Lehman explore a vast field of topics. Each one traces its subject’s personal artistic journey and explores how he, or she, handled the challenge of moving from stage to screen.

37Performing Arts

Signs of ChangeNew Directions in Theatre Education

By Joan Lazarus

• First instalment from Intellect’s much-anticipated Theatre in Education series

• An accessible and up-to-date guide to best practices in theatre education

• Encompasses the author’s recent interviews with 140 teachers

• Revised and amplified edition (previously published by Heinemann)

ISBN 978-1-84150-629-6 | 200pp£19.95, $30 | PB | 2012 | @230x170mmTheatre in Education

Joan Lazarus is a professor in the department of theatre and dance at the University of Texas at Austin.

Clown Through Mask The Pioneering Work of Richard Pochinko as Practiced by Sue Morrison

By Veronica Coburn and Sue Morrison

• Explores the origins of Pochinko clowning, including its synthesis of European and Native American clowning traditions

• Pochinko’s apprentice discusses her own experience of teaching clown through mask, and writing and directing clown shows

• Describes the training that is the basis of discovering one’s clown

• Of interest to performers, artists, scholars and those who wish to recharge their creativity

ISBN 978-1-84150-574-9 | 292pp£55, $75 | HB | 2012 | @230x170mm

Veronica Coburn is a performer, writer, and director.

Sue Morrison is a recognized teacher of Pochinko clown.

The RehearsalPigeon Theatre’s Trilogy of Performance Works on Playing Dead

Edited by Anna Fenemore

• First look at experimental work of Manchester-based Pigeon Theatre

• Raises questions about the interplay, in contemporary theatre, between the process of rehearsal and the theatrical metaphors that shape our everyday dealings with death

• Includes the text of all three parts of The Rehearsal

• New instalment in Intellect’s acclaimed Playtext series

ISBN 978-1-84150-556-5 | 112pp £19.95, $30 | PB | 2012 | @230x170mmPlaytext

Anna Fenemore is a lecturer at the University of Leeds, and the artistic director of Manchester-based Pigeon Theatre.

Italian Women’s Theatre, 1930–1960An Anthology of Plays

By Daniela Cavallaro

• Explores forgotten lives and works of four Italian playwrights: Paola Riccora, Anna Bonacci, Clotilde Masci, and Gici Ganzini Granata

• Only English translations of It Must Have Been Giovannino, The Fantasy Hour, The Excluded and Men Are Always Right

• Includes commentary, performance histories, critical analyses and biographical information

• Fully illustrated with photographs of the writers, stills from their plays and even newspaper caricatures

ISBN 978-1-84150-555-8 | 393pp£19.95, $30 | PB | 2012 | @230x170mmPlaytext

Daniela Cavallaro is a senior lecturer in Italian at the University of Auckland.

39Performing Arts

Sonic MultiplicitiesHong Kong Pop and the Global Circulation of Sound and Image

By Yiu Fai Chow and Jeroen de Kloet

• Examines the material, ideological, and geopolitical implications of music production and consumption in Hong Kong, and China at large

• Draws on rich empirical research and industry experience

• Exposes a new path for the study of popular music and its circulation

Refugee PerformancePractical Encounters

Edited by Michael Balfour

• Explores theatre works created for, by, and with refugees

• Combines newly-commissioned scholarly work with examples of writing by refugees

• Covers performances that range from theatre in Thai refugee camps to site-specific works staged in a rundown immigrant community in the UK

• Edited by author of Theatre in Prison

ISBN 978-1-84150-637-1 | 224pp £45, $60 | HB | 2012 | @230x170mm

Michael Balfour is Chair, Applied Theatre, Griffith University.

Theatre and Performance in Small Nations Edited by Steve Blandford

• Features an array of case studies that examine the relationships between theatre, performance, identity, and the nation

• Covers a wide range of national contexts, including small ‘stateless’ nations (Catalonia, Scotland, and Wales), First Nations (indigenous Australia and the Latino United States), and nations that are geographically large, but in other ways exhibit the cultural characteristics of smaller nation states

• Edited by author of Film Drama and the Break-Up of Britain

ISBN 978-1-84150-646-3 |180pp £24.95, $40 | PB | 2012 | @230x170mm

Steve Blandford is professor of theatre, film, and television, and director of the Centre for the Study of Media and Culture in Small Nations at the University of Glamorgan.

Resetting the StagePublic Theatre Between the Market and Democracy

By Dragan Klaic

• Examines the marginalization of non-commercial theatre

• Explores why non-commercial theatre should assert its artistic distinctness rather than imitate its larger commercial counterparts

• Recommended reading for practitioners, scholars and policy-makers

ISBN 978-1-84150-547-3 | 176pp£24.95, $40 | PB | 2012 | @230x170mm

Dragan Klaic was a well-respected theatre scholar and cultural analyst. He served as a permanent fellow of the Felix Meritis Foundation and as a visiting professor of cultural policy at the Central European University in Budapest. Intellect is honoured to be publishing his final book.

ISBN 978-1-84150-615-9 | 200pp £45, $60 | HB | 2012 | @230x170mm

Yiu Fai Chow is assistant professor at Hong Kong Baptist University.

Jeroen de Kloet is assistant professor at the University of Amsterdam.

41Performing Arts

Performing Violence: Literary and Theatrical Experiments of New Russian DramaBy Birgit Beumers and Mark Lipovetsky

ISBN 978-1-84150-269-4 | 240pp£19.95, $35 | PB | 2009 | @

Philosophical Actor, The: A Practical Meditation for Practicing Theatre ArtistsBy Donna Soto-Morettini

ISBN 978-1-84150-326-4 | 224pp£22.95, $40 | PB | 2010 | @

Point Blank: Nothing to Declare; Operation Wonderland; Roses and MorphineEdited by Liz Tomlin

ISBN 978-1-84150-169-7 | 128pp£19.95, $40 | PB | 2007 | @Playtext

Potentials of Spaces, The: The Theory and Practice of Scenography & PerformanceEdited by Alison Oddey and Christine White

ISBN 978-1-84150-137-6 | 188pp£24.95, $50 | PB | 2006 | @

Queer Mythologies: The Original Stageplays of Pam GemsBy Dimple Godiwala

ISBN 978-1-84150-135-2 | 144pp£24.95, $50 | PB | 2006 | @

Red Sun and Merlin UnchainedBy David Rudkin


Russia, Freaks and Foreigners: Three Performance TextsBy James MacDonald


Sacred TheatreEdited by Ralph Yarrow

ISBN 978-1-84150-153-6 | 224pp£24.95, $50 | PB | 2007 | @Theatre and Consciousness

Serbian & Greek Art Music: A Patch to Western Music HistoryEdited by Katy Romanou

ISBN 978-1-84150-278-6 | 213pp£29.95, $60 | HB | 2009 | @

Serious Play: Modern Clown PerformanceBy Louise Peacock

ISBN 978-1-84150-241-0 | 224pp£19.95, $40 | PB | 2009 | @

Sex on Stage: Gender and Sexuality in Post-War British TheatreBy Andrew Wyllie

ISBN 978-1-84150-203-8 | 188pp£19.95, $40 | PB | 2008 | @

Theatre in Prison: Theory and PracticeEdited by Michael Balfour

ISBN 978-1-84150-066-9 | 224pp£29.95, $60 | PB | 2004 | @

Trustus Plays, TheBy Jon Tuttle


Walking, Writing and Performance: Autobiographical Texts by Deirdre Heddon, Carl Lavery and Phil SmithEdited by Roberta Mock

ISBN 978-1-84150-155-0 | 184pp£24.95, $50 | PB | 2009 | @

Who’s Who in Research: Performing ArtsISBN 978-1-84150-494-0 | 400pp£90, $115 | HB | 2012 | @Who’s Who in Research

Wise Body, The: Conversations with Experienced DancersEdited by Jacky Lansley and Fergus Early

ISBN 978-1-84150-418-6 | 176pp£16.95, $30 | PB | 2011 | @

Zapolska’s Women: Three Plays – Malka Szwarcenkopf, The Man and Miss MaliczewskaEdited by Teresa Murjas


Applied Theatre: International Case Studies and Challenges for PracticeEdited by Monica Prendergast and Juliana Saxton

ISBN 978-1-84150-281-6 | 176pp£24.95, $50 | PB | 2009 | @

Bringing Down the House: The Crisis in Britain’s Regional TheatresBy Olivia Turnbull

ISBN 978-1-84150-208-3 | 192pp£24.95, $50 | PB | 2008 | @

British Pantomime PerformanceBy Millie Taylor

ISBN 978-1-84150-174-1 | 208pp£24.95, $50 | PB | 2007 | @

Carnival Texts: Three Plays for Ensemble PerformanceBy James MacDonald

ISBN 978-1-84150-416-2 | 144pp£24.95, $50 | PB | 2010 | @ Playtext

Christoph Schlingensief: Art without BordersEdited by Tara Forrest and Anna Teresa Scheer

ISBN 978-1-84150-319-6 | 176pp£24.95, $50 | PB | 2010 | @

Composed Theatre: Aesthetics, Practices, ProcessesEdited by Matthias Rebstock and David Roesner

ISBN 978-1-84150-456-8 | 367pp£45, $60 | HB | 2012 | @

Contemporary Theatre in EducationBy Roger Wooster

ISBN 978-1-84150-170-3 | 176pp£24.95, $50 | PB | 2007 | @

Dancing Across the Page: Narrative and Embodied Ways of KnowingBy Karen Barbour

ISBN 978-1-84150-421-6 | 208pp£19.95, $40 | PB | 2011 | @

Directors & DesignersEdited by Christine A. White

ISBN 978-1-84150-289-2 | 208pp£24.95, $50 | PB | 2009 | @

Disaster Capitalism; or Money Can’t Buy You Love: Three Plays by Rick MitchellBy Rick Mitchell


Holistic Shakespeare: An Experiential Learning Approach By Debra Charlton

ISBN 978-1-84150-471-1 | 111pp£15.95, $25 | PB | 2012 | @

Howard Barker Interviews 1980–2010: Conversations in CatastropheEdited by Mark Brown

ISBN 978-1-84150-398-1 | 218pp£19.95, $30 | PB | 2011 | @

Lovefuries: The Contracting Sea; The Hanging Judge; Bite or SuckBy David Ian Rabey


Modes of SpectatingEdited by Alison Oddey and Christine White

ISBN 978-1-84150-239-7 | 188pp£24.95, $50 | PB | 2009 | @

Morality of Mrs. Dulska, The: A Play by Gabriela ZapolskaEdited by Teresa Murjas


Octave Mirbeau: Two Plays: Business is Business and CharityBy Richard J. Hand


Performing Dark Arts: A Cultural History of ConjuringBy Michael Mangan

ISBN 978-1-84150-149-9 | 280pp£24.95, $50 | PB | 2007 | @Theatre & Consciousness

Performing Spanishness: History, Cultural Identity and Censorship in the Theatre of José María Rodríguez MéndezBy Michael Thompson

ISBN 978-1-84150-134-5 | 228pp£24.95, $50 | PB | 2007 | @

Theatre in Passing: A Moscow Photo-DiaryBy Elena Siemens

ISBN 978-1-84150-374-5 | 176pp£24.95, $50 | PB | 2010 | @


43

Shanghai Street Style By Toni Johnson-Woods and Vicki Karaminas

• Stunningstreet-levellookatthetrendsshapingShanghai’sfashionscene

• Illustratedwith100full-colourphotographs

• Exploresthecity’schangingculture

Although fashion fixtures and A-list celebrities pack the front rows at the biggest, most glamorous shows at fashion week, the most creative attire is often found not on the catwalks or inside the auditoriums but on the streets. Nowhere is this more evident than in the cosmopolitan city of Shanghai, where a vintage Vivienne Westwood frock pairs perfectly with a chic puffer, and neon-brights elevate distressed denim to veritable haute couture. Shanghai Street Style showcases this remarkable diversity by bringing together more than 100 full-colour images. Alongside the photographs are short pieces of critical commentary, shedding light on the city’s changing culture and how this is expressed through the clothing choices of ordinary city-dwellers going about their daily routines.

ISBN 978-1-841505-38-1 | 200pp£15.95, $25 | PB | 2012 | @230x170mm

Toni Johnson-Woods is a senior lecturer at the University of Queensland.

Vicki Karaminas is associate professor at the University of Technology in Sydney.

43 Shanghai Street Style 45 Critical Studies in Fashion and Beauty46 Life and Death47 Uncommon goods48 Photography and Landscape50 Photocinema52 issues in Curating Contemporary Art and Performance 53 Artist, Researcher, Teacher54 Writing on Drawing55 Perform, Repeat Record55 Creativity in the Classroom56 Art Education and Contemporary Culture56 From Child Art to Visual Culture of Youth57 Memory Fragments57 The City is Me58 Picturing immigration58 Marion Richardson59 Visual Arts Backlist

Visual Arts

45Visual Arts

Critical Studies in Fashion and BeautyVolume One

Edited by Efrat Tseëlon, Ana Marta González, and Susan Kaiser

• Bringstogetherarticlesfromfirst-of-its-kindjournal,Critical Studies in Fashion and Beauty

• Dynamicandgrowingareaofinquiry

The volume’s contributors, who come from disciplines across the humanities and social sciences, explore such topics as: fashion trends in a global context, including contemporary Italian fashion identity; the kimono’s metamorphoses; the dynamics of luxury and basic fashion after the recent economic crisis; and the negotiation of social class and feminine identity. Their collective efforts contribute to the journal’s mission: the examination of fashion and beauty systems as symbolic spaces of production, reproduction, representation, and communication of artefacts.

ISBN 978-1-84150-648-7 | 270pp £36, $68 | PB | 2012 | @220x220mm

Efrat Tseëlon is professor of social psychology and a chair of fashion theory at the University of Leeds.

Ana Marta González is professor of moral philosophy at the University of Navarra.

Susan Kaiser is professor of women’s and gender studies, and master advisor of textiles and clothing at the University of California.

Visual Arts

Imag

e: ©

Fut

ure

Con

cept

Lab

.

47Visual Arts

• Tracestheshiftfromtheinstallationartofthe1990stothematerialturnofcurrentpractice

• Animportantcontributiontoscholarshiponreadymadeart,aswellastothestudyofmateriality,embodiment,andglobalization

Since Marcel Duchamp created his ‘readymades’ a century ago, most famously christening a urinal as Fountain, the practice of incorporating commodity objects into art has become ever more pervasive. Uncommon Goods traces one particularly important aspect developing since the 1990s: artistic concern with the hidden ethical dimensions of global commerce. Art historian and cultural theorist, Jaimey Hamilton discusses the work of Ai Weiwei, Cory Arcangel, Atelier van Lieshout, Christoph Büchel, Tania Bruguera, Paul Chan, Surasi Kusolwong, Thomas Hirschhorn, Santiago Sierra, Yinka Shonibare, and more.

Uncommon GoodsGlobal Dimensions of the Readymade

By Jaimey Hamilton

ISBN 978-1-84150-572-5 | 136pp£15.95, $25 | PB | 2012 | @230x170mm

Jaimey Hamilton is assistant professor of art history at the University of Hawaii.

• Focusesonthewaysartistsusetheirownbodies,animals’bodies,andothercorporealsubstancestorepresentlifeanddeath

• Amust-readforscholarsofperformanceandinstallationart,photography,andcontemporaryChineseart

For all their ubiquity, life and death have not been fully explored as integral themes in many forms of contemporary Chinese art. Exploring the strategies employed by a variety of Chinese artists who do engage with these timeless concerns, Silvia Fok opens a new line of inquiry about contemporary art in a rapidly changing environment.

Over the course of Fok’s investigations, corporeality emerges as a common means of highlighting the social and cultural issues that surround life and death. By assessing its effectiveness in the expression of these themes, Fok ultimately illuminates the extent to which we can see corporeality as a significant trend in the history of contemporary art in China.

Life and DeathArt and the Body in Contemporary China

By Silvia Fok

ISBN 978-1-84150-626-5 | 176pp£24.95, $40 | PB | 2012 | @230x170mm

Silvia Fok teaches at Hong Kong Polytechnic University.

49Visual Arts

• Auniquecollaborationbetweenaphotographywriterandaprize-winninglandscape-photographer

• CoverstheUnitedKingdom,UnitedStates,EuropeandAustralia

• Fullyillustratedwithstrikingphotographs

• LatestinstalmentinIntellect’sCriticalPhotographyseries

• WrittenbytheauthorofPeople and Places of Nature and Culture

Photography and Landscape provides a new critical account of landscape photography. Beginning with the frontier days of the American West, the subsequent century-long popularity of landscape photography is exemplified by images from Carleton Watkins to Ansel Adams, the New Topographics to Richard Misrach. Along with discussions of other contemporary photographers, this illustrated volume demonstrates the influence of settler societies on landscape photography.

Photography and LandscapeBy Rod Giblett and Juha Tolonen

ISBN 978-1-84150-472-8 | 142pp £29.95, $45 | PB | 2012 | @220x220mmCritical Photography

Rod Giblett is director of the Centre for Research in Entertainment, Arts, Technology Education, and Communications at Edith Cowan University in Australia.

Juha Tolonen is an award-winning photographer.

Series editor: Alfredo Cramerotti is a research scholar, University of Wales in Newport. Im

age:

‘Rom

an R

uin,

Ger

man

’, 20

03. ©

Juh

a To

lone

n.

51Visual Arts

• TheoreticalandpracticalexplorationofthecinematictechniquesexemplifiedbyWimWendersandDavidLynch

• LatestadditiontoIntellect’sCriticalPhotographyseries

• AlsobyAlfredoCramerotti:Aesthetic Journalism andUnmapping the City

Taking as its starting point the notion of photocinema – or the interplay of the still and moving image – the photographs and critical essays in this volume explore the ways in which the two media converge and diverge, expanding the boundaries of each in interesting and unexpected ways. Campbell and Cramerotti’s innovative approach produces what they call a hybrid ‘third space’, where the whole becomes much more than the sum of its individual parts, and encourages viewers to expand their perceptions in order to understand the bigger picture.

PhotocinemaWorking at the Creative Edges of Photography and Film

Edited by Neil Campbell and Alfredo Cramerotti

ISBN 978-1-84150-562-6 | 224pp£29.95, $45 | PB | 2012 | @220x220mmCritical Photography

Neil Campbell is professor of American studies at the University of Derby.

Alfredo Cramerotti is a research scholar, University of Wales in Newport. He is also the series editor of Intellect’s Critical Photography series.

Imag

e: U

ntitl

ed, M

icha

el O

rmer

od. ©

Mill

enni

um Im

ages

.

53Visual Arts

Artist, Researcher, TeacherA Study of Professional Identity in Art and Education

By Alan Thornton

Issues in Curating Contemporary Art and Performance Edited by Judith Rugg and Michèle Sedgwick

• Explorestheintersectinglivesofartpractitioners,educators,andstudents

• Agreatresourceforthosewhoseprofessionalorcreativelivesencompassmultipleaspectsofart

Challenging conventional wisdom about specialization and professional identity, Alan Thornton shows that many individuals have complex, varied, and evolving relationships with visual art – relationships that do not fit into any single category. Against the backdrop of an expanding research culture and current employment models in the United States and the United Kingdom – where many artists also work as teachers – he argues for the necessity of a theory that both reflects and influences practice in the realm of art and art-related work. By elucidating our current situation, Artist, Researcher, Teacher opens the door to much-needed new approaches, and provides fresh insights for those interested in identity formation and professional roles and practices.

ISBN 978-1-84150-644-9 | 96pp£15.95, $25 | PB | 2012 | @230x170mm

Alan Thornton is a technician, teacher of general art and printmaking, and research supervisor at Anglia Ruskin University.

• Nowinpaperback

• Essentialreadingforscholars,curators,andartenthusiastsalike

• AlsobyJudithRugg:Spatialities

To stay relevant, art curators must keep up with the rapid pace of technological innovation as well as the aesthetic tastes of fickle critics and an ever-expanding circle of cultural arbiters. Issues in Curating Contemporary Art and Performance argues that, despite these daily pressures, good curating work also requires more theoretical attention.

In four thematic sections, a distinguished group of contributors consider curation in light of interdisciplinary and emerging practices, examine conceptions of curation as intervention and contestation, and explore curation’s potential to act as a reconsideration of conventional museum spaces. Against the backdrop of cutting-edge developments in electronic art, art/science collaboration, non-gallery spaces, and virtual fields, contributors propose new approaches to curating and new ways of fostering critical inquiry.

ISBN 978-1-84150-536-7 |184pp £19.95, $30 | PB | 2012 | @230x170mm

Judith Rugg is research coordinator and reader in fine art theory at University College for the Creative Arts in Canterbury.

Michèle Sedgwick is an employment lawyer with an interest in cultural theory and discourse.

55Visual Arts

Perform, Repeat, RecordLive Art in History

Edited by Amelia Jones and Adrian Heathfield

• An exploration of the place, and transience, of live art in history

• Collection of essays from over 40 contributors, who are specialists in dance, theatre, visual arts and art history

• Essayists include Tilda Swinton, Guillermo-Gómez-Peña, Orlan and Tehching Hsieh

• Recommended reading for art historians/performance scholars

ISBN 978-1-84150-489-6 | 650pp £50, $95 | PB | 2012 | @230x170mm

Amelia Jones is an art historian, curator, and theorist, McGill University.

Adrian Heathfield is professor of performance and visual culture at the University of Roehampton.

Writing on DrawingEssays on Drawing Practice and Research

Edited by Steve Garner

• Availableforthefirsttimeinpaperback

• Anessentialresourceforartists,scientists,designers,andengineers

Writing on Drawing presents a collection of essays that reveal a provocative agenda for the field, analysing the latest work on creativity, education, and thinking from a variety of perspectives. Bringing together contributions by leading artists and researchers, this volume offers consolidation, discussion, and guidance for a previously fragmented discipline.

‘The book helps to outline an intellectual frame of reference for drawing practices, and allows an interdisciplinary conversation around the role of these activities in the wider world. This is an impressive achievement, as an academic who wishes to explore drawing as a cognitive process and as an artist working in the mass-mediated world where the language of drawing has found a vital role, this book will be invaluable for me and to my students’. – Mario Minichiello, Birmingham City University

ISBN 978-1-84150-604-3 | 193pp £19.95, $30 | PB | 2012 | @230x170mmReadings in Art and Design Education

Steve Garner is a senior lecturer in the department of design and innovation at the Open University and director of the International Drawing Research Network.

Creativity in the ClassroomCase Studies in Using the Arts in Teaching and Learning in Higher Education

Edited by Paul McIntosh and Digby Warren

• Contests the current higher-education paradigm of standardizing teaching and learning processes through an outcomes-dominated approach

• Proposes learning approaches that draw upon the creative arts and humanities

• Illustrates that using such methods can foster deeper learning, even in subjects not normally associated with creativity

• Draws on the practical experience of contributors and editors

ISBN 978-1-84150-516-9 | 220pp £45, $60 | HB | 2012 | @230x170mm

Paul McIntosh is a research fellow in the Centre for Medical Education at Queen Mary University London.

Digby Warren is a head of the Centre for the Enhancement of Learning and Teaching at London Metropolitan University.

57Visual Arts

Memory FragmentsVisualising Difference in Australian History

By Marita Bullock

• Exciting new look at the work of four Australian artists whose work utilizes the conventions of museum display and collecting practices

• Interrogates dominant representations of Australian history and identity

• Fully illustrated

ISBN 978-1-84150-553-4 | 208pp£34.95, $50 | PB | 2012 | @230x170mm

Marita Bullock is a lecturer in the department of English at Macquarie University.

The City is Me By Rosane Araujo

• Proposes a new way of understanding the relationship between the city and personal identity

• Interrogates the decentralization and fragmentation of personal identity in the globalized world

• Rethinks urbanismISBN 978-1-84150-639-5 | 240pp£34.95, $50 | PB | 2012 | @230x170mm

Rosane Araujo, a Brazilian architect and urbanist, is a visiting scholar at Columbia University.

From Child Art to Visual Language of YouthNew Models and Tools for Assessment of Learning and Creation in Art Education

Edited by Andrea Kárpáti and Emil Gaul

• A critical overview of research on the assessment of visual skills in 6–18-year-old students

• Reconsiders evaluation practices used in art education and suggests a variety of new approaches

• A must-have for scholars and practitioners seeking to improve, and protect, art education

ISBN 978-1-84150-624-1 | 224pp£45, $60 | HB | 2012 | @230x170mm

Andrea Kárpáti is professor of education and UNESCO chair-holder at ELTE University in Budapest.

Emil Gaul is chairperson of the Hungarian Association of Teachers of Art and Design.

Art Education and Contemporary CultureIrish Experiences, International Perspectives

Edited by Gary Granville

• A study of arts education in Ireland, in communities and schools, and from primary to higher education

• Written by a diverse group of eminent art educators

• Locates the challenges and innovations of art education in an international context

• New information for undergraduate and postgraduate students in arts education, cultural studies and related fields

ISBN 978-1-84150-546-6 | 240pp£45, $60 | HB | 2012 | @230x170mm

Gary Granville is professor and head of the Faculty of Education at the National College of Art and Design in Dublin.

59Visual Arts

Aesthetic Journalism: How to Inform Without InformingBy Alfredo Cramerotti

ISBN 978-1-84150-268-7 | 112pp£24.95, $50 | PB | 2009 | @

Contingency in MadagascarBy Stephen Muecke and Max Pam

ISBN 978-1-84150-474-2 | 176pp£29.95, $45 | PB | 2011 | @Critical Photography

Critical Studies in Art and Design EducationBy Richard Hickman

ISBN 978-1-84150-998-3 | 224pp£19.95, $40 | PB | 2008 | @Readings in Art and Design Education series

Design Integrations:Research and CollaborationEdited by Sharon Poggenpohl and Keiichi Sato

ISBN 978-1-84150-240-3 | 304pp£24.95, $50 | PB | 2009 | @

Designer, The: Half a Century of Change in Image, Training and TechniquesBy Rosemary Sassoon

ISBN 978-1-84150-195-6 | 144pp£19.95, $40 | PB | 2008 | @

Digital Visual Culture: Theory and PracticeEdited by Anna Bentkowska-Kafel, Trish Cashen and Hazel Gardiner

ISBN 978-1-85150-248-9 | 112pp£24.95, $50 | PB | 2009 | @Computers and History of Art

Digital Experience Design: Ideas, Industries, InteractionEdited by Linda Leung

ISBN 978-1-84150-264-9 | 128pp£19.95, $35 | PB | 2010 | @

Drawing: The ProcessEdited by Jo Davies and Leo Duff

ISBN 978-1-84150-076-8 | 100pp£19.95, $40 | PB | 2004 | @

Art & Theory After SocialismEdited by Mel Jordan and Malcolm Miles

ISBN 978-1-84150-211-3 | 144pp£24.95, $50 | PB | 2008 | @

Art Education in a Postmodern World: Collected EssaysEdited by Tom Hardy

ISBN 978-1-84150-302-8 | 166pp£24.95, $50 | PB | 2009 | @

Artist-Teacher: A Philosophy for Creating and TeachingBy G. James Daichendt

ISBN 978-1-84150-408-7 | 132pp£19.95, $35 | PB | 2010 | @

Art, Community and Environment: Educational PerspectivesEdited by Glen Coutts and Timo Jokela

ISBN 978-1-84150-257-1 | 308pp£19.95, $35 | PB | 2009 | @

Atomic Postcards: Radioactive Messages from the Cold WarBy John O’Brian and Jeremy Borsos

ISBN 978-1-84150-431-5 | 208pp£34.95, $70 | PB | 2010 | @

Blind, TheEdited by Alfredo Cramerotti


Digital Art HistoryEdited by Anna Bentkowska-Kafel, Trish Cashen and Hazel Gardiner


Artist Scholar: Reflections on Writing and ResearchBy G. James Daichendt

ISBN 978-1-84150-487-2 | 112pp£15.95, $25 | PB | 2011 | @

Marion RichardsonHer Life and Contribution to Handwriting

By Rosemary Sassoon

• Honours Richardson’s groundbreaking contribution to the teaching of child art and her two handwriting schemes

• Draws on Richardson’s own writing and letters, as well as personal recollections from those who knew her and worked with her

• Promotes the value and creativity of child art and writing

• Written by the author of The Designer and Handwriting of the Twentieth Century

ISBN 978-1-84150-543-5 | 96pp£14.95, $30 | PB | 2012 | @230x170mm

Rosemary Sassoon was awarded a Ph.D. from the department of typography and graphic communication at the University of Reading, and now works as an independent consultant.

Picturing ImmigrationPhotojournalistic Representation of Immigrants in Greek and Spanish Press

By Athanasia Batziou

• Uses images from Greek and Spanish newspapers to study the way immigrants, minorities and stereotypes are represented

• Interrogates notions of ‘Otherness’ prevalent in migrant discourse

• Studies a topic of international interest – immigration – specifically in Spain and Greece

• Also available in paperback

ISBN 978-1-84150-519-0 | 152pp£40, $80 | HB | 2012 | @230x170mm

Athanasia Batziou teaches in the department of communication and media at the University of Athens.

Drawing: The Enactive Evolution of the Practitioner By Patricia Cain

ISBN 978-1-84150-325-7 | 184pp£24.95, $50 | PB | 2010 | @

Drawing: The PurposeEdited by Leo Duff and Phil Sawdon

ISBN 978-1-84150-201-4 | 112pp£19.95, $40 | PB | 2008 | @

HB also available as hardback

HB

HB HB

HB


61Visual Arts

Problem of Assessment in Art and Design, The Edited by Trevor Rayment

ISBN 978-1-84150-145-1 | 128pp£29.95, $60 | HB | 2007 | @Readings in Art and Design Education

Public Spheres After SocialismEdited by Angela Harutyunyan, Kathrin Horschelmann and Malcolm Miles

ISBN 978-1-84150-212-0 | 144pp£24.95, $50 | PB | 2008 | @

Reading Bande Dessinée: Critical Approaches to French-language Comic StripBy Ann Miller

ISBN 978-1-84150-177-2 | 272pp£24.95, $50 | PB | 2007 | @

Readings in Primary Art EducationEdited by Steve Herne, Sue Cox and Robert Watts

ISBN 978-1-84150-242-77 | 256pp£19.95, $40 | PB | 2009 | @Readings in Art and Design Education

Reframing Consciousness: Art, Mind and TechnologyBy Roy Ascott

ISBN 978-1-84150-051-5 | 352pp£14.95, $25 | PB | 2000 | @

Research in Art & Design EducationEdited by Richard Hickman

ISBN 978-1-84150-199-4 | 192pp£29.95, $60 | HB | 2008 | @Readings in Art and Design Education

Robert Frank’s ‘The Americans’: The Art of Documentary PhotographyBy Jonathan Day

ISBN 978-1-84150-315-8 | 200pp£24.95, $50 | PB | 2010 | @

Searching for Art’s New Publics Edited by Jeni Walwin

ISBN 978-1-84150-311-0 | 160pp£24.95, $50 | PB | 2010 | @

Spatialities: The Geographies of Art and ArchitectureEdited by Judith Rugg and Craig Martin

ISBN 978-1-84150-468-1 | 240pp£29.95, $50 | PB | 2012 | @

Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in PolandBy Katarzyna Marciniak and Kamil Turowski

ISBN 978-1-84150-365-3 | 144pp£29.95, $60 | PB | 2010 | @

Technology and Desire: The Transgressive Art of Moving ImagesBy Rania Gafaar and Martin Schulz

ISBN 978-1-84150-461-2 | 192pp£29.95, $50 | PB | 2012 | @

Truth or Dare: Art and DocumentaryEdited by Gail Pearce and Cahal McLaughlin

ISBN 978-1-84150-175-8 | 144pp£24.95, $50 | PB | 2007 | @

Unmapping the City: Perspectives of FlatnessEdited by Alfredo Cramerotti


Videogames and ArtEdited by Andy Clarke and Grethe Mitchell

ISBN 978-1-84150-142-0 | 283pp£34.95, $70 | PB | 2007 | @

Virtuality and the Art of Exhibition: Curatorial Design for the Multimedial MuseumBy Vince Dziekan

ISBN 978-1-84150-476-6 | 176pp£24.95, $40 | PB | 2012 | @

Who’s Who in Research: Visual Arts

ISBN 978-1-84150-495-7 | 400pp£90, $115 | HB | 2012 | @Who’s Who in Research

Why We Make Art and Why it is TaughtBy Richard Hickman

ISBN 978-1-84150-126-0 | 176pp£19.95, $40 | PB | 2005 | @

Educating Artists for Future: Learning at the Intersections of Art, Science, Technology and CultureEdited by Mel Alexenberg

ISBN 978-1-84150-191-8 | 192pp£34.95, $70 | HB | 2008 | @

Engendering Interaction with ImagesBy Audrey Grace Bennett

ISBN 978-1-84150-481-0 | 168pp£24.95, $40 | PB | 2012 | @

Flesh Into Light: The Films of Amy GreenfieldBy Robert Haller

ISBN 978-1-84150-488-9 | 192pp£19.95, $30 | PB | 2011 | @

Future of Art in a Postdigital Age, The: From Hellenistic to Hebraic Consciousness (Second Edition)By Mel Alexenberg

ISBN 978-1-84150-377-6 | 192pp£34.95, $70 | HB | 2010 | @

Futures Past: Thirty Years of Arts ComputingEdited by Anna Bentkowska-Kafel, Trish Cashen and Hazel Gardiner


Girls! Girls! Girls! in Contemporary ArtEdited by Lori Waxman and Catherine Grant

ISBN 978-1-84150-348-6 | 242pp£19.95, $40 | PB | 2011 | @

Handwriting of the Twentieth CenturyBy Rosemary Sassoon

ISBN 978-1-84150-178-9 | 208pp£24.95, $50 | PB | 2007 | @

Histories of Art and Design Education: Collected EssaysEdited by Mervyn Romans

ISBN 978-1-84150-131-4 | 224pp£29.95, $60 | PB | 2005 | @

Image Critique & the Fall of the Berlin WallBy Sunil Manghani

ISBN 978-1-84150-190-1 | 272pp£24.95, $50 | PB | 2008 | @

Inspiring Writing in Art and Design: Taking a Line for a WriteBy Pat Francis

ISBN 978-1-84150-256-4 | 256pp£19.95, $40 | PB | 2009 | @

International Dialogues about Visual Culture, Education and ArtEdited by Rachel Mason and Teresa Eça

ISBN 978-1-84150-167-3 | 256pp£24.95, $50 | PB | 2008 | @

Interventions: Advances in Art and Urban Futures Volume 4Edited by Tim Hall and Malcolm Miles

ISBN 978-1-84150-118-5 | 180pp£24.95, $50 | PB | 2005 | @

Media Poetry: An International AnthologyBy Eduardo Kac

ISBN 978-1-84150-030-0 | 224pp£24.95, $50 | PB | 2007 | @

Moving the Eye Through 2-D Design: A Visual PrimerBy Buy Shaver

ISBN 978-1-84150-363-9 | 157pp£24.95, $50 | PB | 2010 | @

Narrating the Catastrophe: An Artist’s Dialogue with Deleuze and RicoeurBy Jac Saorsa

ISBN 978-1-84150-460-5 | 192pp£45, $60 | HB | 2011 | @

Neosentience: The Benevolence EngineBy Bill Seaman and Otto Rössler

ISBN 978-1-84150-404-9 | 176pp£19.95, $40 | PB | 2011 | @

Franklin Furnace & the Spirit of the Avant-Garde: A History of the Future By Toni Sant

ISBN 978-1-84150-371-4 | 160pp £24.95, $50 | PB | 2010 | @

Recording Memories from Political Violence: A Film-maker’s JourneyBy Cahal McLaughlin

ISBN 978-1-84150-301-1 | 144pp£24.95, $50 | PB | 2010 | @

Why We Make Art and Why it is Taught(Second Edition)By Richard Hickman

ISBN 978-1-84150-378-3 | 176pp£14.95, $25 | PB | 2010 | @

HB

63Media & Culture

• Tracestheemergence,andimpact,ofthisinfluentialArabsatellitechannel

• Drawsonawealthofinterviewswithrelevantjournalists,policy-makers,andpoliticalactivists

In late 2010, Tunisians began protesting against the government of then president Zine El Abidine Ben Ali; on 14 January 2011, their protests forced the dictatorial leader to resign. Further democratic uprisings, which came to be known as the Arab Spring, soon spread across the region, leading to the ousting of Egyptian president Hosni Mubarak and Libyan leader Muammar al-Qaddafi. Throughout it all, experts have argued, Arab satellite TV – and especially Al Jazeera – helped to sustain revolutions by broadcasting these events live throughout the Arab World. Al Jazeera and the Arab Revolution tells the story of how the network came to have such influence.

Al Jazeera and the Arab RevolutionPublic Opinion, Diplomacy and Political Change

By Noureddine Miladi

ISBN 978-1-84150-575-6 | 160pp£15.95, $25 | PB | 2012 | @230x170mm

Noureddine Miladi is senior lecturer in media and sociology at the University of Northampton.

63 Al Jazeera and the Arab Revolution64 Brit Wits65 Morrissey66 ConFiguring America67 Why i Buy68 TV Format Mogul69 Mediation and Protest Movements 70 Beached70 Advertising as Culture71 Sustainability, Participation and Culture in Communication71 Performative Materials in Architecture and Design 72 Signifying Europe72 Queer Visibility in Post-socialist Cultures73 Selling War73 The Social Use of Media74 Citizen Voices74 Television Courtroom Broadcasting75 Mobile Nation75 From NWiCO to WSiS, 30 Years of Communication geopolitics76 Media & Culture Backlist

Media & Culture

65Media & Culture

MorrisseyFandom, Representations and Identities

Edited by Eoin Devereux, Aileen Dillane and Martin Power

• Coversabroadrangeofacademicdisciplinesandapproaches,includingmusicology,ethnography,sociology,andculturalstudies

• IndispensableadditiontothebookshelvesofMorrisseyfansandscholars

• Nowinpaperback

An influential star of British pop for more than three decades, Morrissey is renowned for his musical output with the Smiths and as a solo artist. But he is also known for his outspoken and often controversial views on class, ethnicity, and sexuality. Thanks to these dual talents for music and provocation, Morrissey has become an anti-establishment icon and continues to provoke devotion, argument, and spirited debate among his many critics and fans.

Morrissey: Fandom, Representations and Identities offers a broad overview of those arguments – and that devotion. The first collection of academic essays to focus exclusively on Morrissey’s solo career, this important book offers a nuanced and rich reading of his influential creative and cultural contributions.

ISBN 978-1-8415-0596-1 | 352pp£15.95, $25 | PB | 2012 | @230x170mm

Eoin Devereux is a senior lecturer and head of department at the University of Limerick.

Aileen Dillane is a performer and lecturer in music at the Irish World Academy of Music and Dance, University of Limerick.

Martin Power teaches in the department of sociology at the University of Limerick.

• Anaction-packedlookatsomeofthemostnotoriousrebelsofBritishrockhistory

• Exploreshowandwhyhumourhasbeensuchapowerfulcatalystandexpressiveforce

• Contextualizedviacontemporarystand-up,literature,filmandvisualart

The Sex Pistols. David Bowie. Pink Floyd. Rebel rockers and provokers of the public, vivid in our memories as much for their subversion as for their signature sounds. Yet what very few people realize is that a substantive part of their weaponry was humour. Distinguishing rock humorists from rockers who are merely sometimes humorous, Iain Ellis focuses on those whose music and persona exude defiance – beginning with the Beatles, the Kinks, and Pink Floyd, and continuing through the Smiths, the Slits, and even the Spice Girls – to investigate the nature of rock humour and the ways in which these groups have used it to attack prevailing social structures. Politics and issues of gender, class, and race are all laid open to ridicule, as is the music industry itself; and although lyrics are foregrounded, Ellis demonstrates that a guitar solo, dissident dance move, or anti-social hairstyle may, in context, be every bit as subversive and humorous as a song.

Brit WitsA History of British Rock Humor

By Iain Ellis

ISBN 978-1-84150-565-7 | 208pp£15.95, $25 | PB | 2012 | @230x170mm

Iain Ellis is a lecturer in the department of English at the University of Kansas.

67Media & Culture

• Willdeepenreaders’understandingofcelebrityandiconography

• Drawsontheoreticalinsightsfromculturaliconography,visualculture,starstudies,andhistory

• Animportantadditiontoanexpandingfield

Elvis Presley. Marilyn Monroe. LeBron James. They’re all American, of course, but like many cultural figures who hail from the United States, they have names and faces known the world over. With contributions from a diverse group of international scholars, ConFiguring America sheds light on how these figures, and their media representations, construct America’s image beyond its borders. Essays also parse the distinction between celebrities and icons, showing that although these categories overlap and share many common traits, they differ in important ways.

ConFiguring AmericaIconic Figures, Visuality, and the American Identity

Edited by Klaus Rieser, Michael Fuchs and Michael Phillips

ISBN 978-1-84150-635-7 | 288pp£15.95, $25 | PB | 2012 | @230x170mm

Klaus Rieser chairs the department of American studies at the University of Graz. Michael Fuchs teaches American literature and media studies at the University of Graz. Michael Phillips is a lecturer in the English department at the University of Graz.

• Examinesthestructureoftheselfanditsrelationshiptoconsumersociety

• Balancesconceptualandhistoricalanalyseswithexamplesdrawnfrompopularcultureandmassmedia

Why do we buy what we do? How do our acts of – and ideas about – consumption impact our selves, our institutions, and our societies? An incisive response to these questions, Why I Buy explains how consumption came to give meaning and value to social and personal life. By exploring the relationship between our individual needs and our institutions, Gabriel ultimately points the way toward transformations that could lead to a more sustaining and sustainable society.

Why I BuySelf, Taste, and Consumer Society in America

By Rami Gabriel

ISBN 978-1-84150-645-6 | 166pp£19.95, $30 | PB | 2012 | @230x170mm

Rami Gabriel is an assistant professor of psychology at Columbia College Chicago.

69Media & Culture

• Adefinitivehistoryofprogrammefranchising

• WrittenbyAustralia’sforemostscholaroftelevision

• WrittenbytheauthorofNews Flows in Global TV, TV Formats Worldwide andUnderstanding the Global TV Format

Since the late 1990s, when broadcasters began adapting such television shows as Big Brother, Survivor, and Who Wants to Be a Millionaire? for markets around the world, the global television industry has been struggling to get to grips with the prevalence of programme franchising across international borders. In TV Format Mogul, Albert Moran traces the history of this phenomenon through the lens of Australian producer Reg Grundy’s transnational career. Beginning in the late 1950s, Grundy brought non-Australian shows to Australian audiences, becoming the first person to take local productions to an overseas market. By following Grundy’s career, Moran shows how adaptation and remakes became the billion-dollar business that they are today.

TV Format MogulReg Grundy’s Transnational Career

By Albert Moran

ISBN 978-1-8415-0623-4 | 228pp £19.95, $30 | PB | 2012 | @230x170mm

Albert Moran is professor in humanities at Griffith University.

• Focusesontheprocessesandpracticesthatcontemporaryprotestersusewhenactingwith(andthrough)media

• Coversbothonlineandoff-linecontexts,aswellasmainstreamandalternativemedia

• Bridgesthegapbetweensocial-movementtheoryandmediaandcommunicationstudies

• Animportanttextforstudentsandscholarsofmediaandsocialchange

Over the past year, international and national media have been full of stories about protest movements and tumultuous social upheaval from Tunisia to California. But scholars have not yet fully addressed the connection between these movements and the media and communication channels through which their messages spread. Correcting that imbalance, Mediation and Protest Movements explores the nature of the relationship between protest movements, media representation, and communication strategies and tactics.

Mediation and Protest Movements Edited by Bart Cammaerts, Alice Mattoni and Patrick McCurdy

ISBN 978-1-84150-643-2 | 196pp£24.95, $40 | PB | 2012 | @230x170mm

Bart Cammaerts is a senior lecturer in the department of media and communications at the London School of Economics and Political Science.

Alice Mattoni is a post-doctoral fellow in the department of sociology at the University of Pittsburgh.

Patrick McCurdy is assistant professor in the department of communication at the University of Ottawa.

71Media & Culture

Advertising as CultureEdited by Chris Wharton

• An informed and critical overview of approaches to the study of advertising

• Penned by contributors from a range of disciplines, including art history, sociology, and media and cultural studies

• Explores such topics as the conceptual relationship between advertising and culture, and the relationship of advertising to a range of cultural fields such as art, fashion, and music

ISBN 978-1-84150-614-2 | 194pp £24.95, $40 | PB | 2012 | @230x170mm

Christopher Wharton is programme leader in advertising and media in the department of media at Northumbria University.

BeachedA Postcolonial Reading of the Australian Shore

By Anja Schwarz

• Investigates the varied narratives associated with the Australian shore

• Links the study of landscape with questions of postcolonial historiography and memory

• Encompasses a variety of theoretical perspectives

• Includes a collection of fascinating snapshots of the Australian beach

ISBN 978-1-84150-668-5 | 240pp£24.95, $40 | PB | 2012 | @230x170mmCultural Studies of Natures, Landscapes and Environments

Anja Schwarz is junior professor of cultural studies at the University of Potsdam.

Sustainability, Participation and Culture in CommunicationTheory and Praxis

Edited by Jan Servaes

• Explores topics such as community mobilization, information technologies, gender and social norms, mass media, interpersonal communication, and integrated communication

• Draws on contemporary theories of communication, as well as real-world examples

• Showcases the increasing richness and versatility of communication research and practice

• Also by this editor: Towards a Sustainable Information Society

ISBN 978-1-84150-661-6 | 280pp £24.95, $40 | PB | 2012 | @230x170mm

Jan Servaes is UNESCO chair in Communication for Sustainable Social Change at the University of Massachusetts.

Performative Materials in Architecture and Design Edited by Rashida Ng and Sneha Patel

• Illuminates the role of performative materiality in research, design, and practice

• Explores the impact that factors such as digital design, digital fabrication and prototyping have had on built environments

• Provides an overview of experimental research, speculative design projects and relevant theories

ISBN 978-1-84150-649-4 | 180pp £24.95, $40 | PB |2012 | @230x170mm

Rashida Ng and Sneha Patel are assistant professors of architecture at the Tyler School of Art at Temple University in Philadelphia. Together they cofounded SEAMLab.

73Media & Culture

Queer Visibility in Post-socialist CulturesEdited by Nárcisz Fejes and Andrea P. Balogh

• Explores the paradigm of visibility politics in post-socialist cultures

• Features eleven essays by international scholars and activist researchers

• Encompasses gender and sexuality studies, Eastern European studies, media and film studies, sociology, and cultural anthropology

ISBN 978-1-84150-630-2 | 272pp £45, $60 | HB | 2012 | @230x170mm

Nárcisz Fejes is a postdoctoral fellow and research associate at Case Western Reserve University.

Andrea P. Balogh is assistant professor at the University of Szeged.

Signifying EuropeBy Johan Fornäs

• Explores and analyses the wide range of symbols used to represent Europe and European-ness

• Provides insights into how Europe currently identifies itself and is identified by others outside its borders

• Will appeal to students, scholars, and politicians interested in European policy issues, cultural studies, and post-national cultural identity

• Also available in hardback

ISBN 978-1-84150-521-3 | 384pp £19.95, $40 | PB |2012 | @230x170mm

Johan Fornäs is professor in the department of media and communication studies at Södertörn University.

Selling WarThe Role of the Mass Media in Hostile Conflicts from World War I to the ‘War on Terror’

Edited by Josef Seethaler, Matthias Karmasin, Gabriele Melischek and Romy Wöhlert

• Explores the changing relationship between war, media, and the public

• Sheds new light on conflicts spanning from World War I through the so-called ‘War on Terror’

• Explores the roles of traditional media, war blogs, and eyewitness reporting; of war correspondents and embedded journalism; and of propaganda, wartime public relations, and information warfare

• The first textbook for students in this area

ISBN 978-1-84150-610-4 | 240pp £24.95, $40 | PB | 2012 | @230x170mmECREAJosef Seethaler is a senior scientist at the Austrian Academy of Sciences in Vienna.

Matthias Karmasin is chair for media and communication sciences at the University of Klagenfurt.

Gabriele Melischek is a consultant to the Austrian Academy of Sciences in Vienna.

Romy Wöhlert is a post-doc researcher at the Austrian Academy of Sciences in Vienna.

The Social Use of MediaCultural and Social Scientific Perspectives on Audience Research

Edited by Helena Bilandzic, Geoffroy Patriarche and Paul J. Traudt

• An innovative overview of research on the social uses of media

• Brings together competing research approaches

• Explores activity and interactivity, and media use as a social and cultural practice

• A significant contribution to the development of interdisciplinary theories and approaches to audience and user studies

ISBN 978-1-84150-512-1 | 202pp £24.95, $40 | PB | 2012 | @230x170mmECREA

Helena Bilandzic teaches audience research, media effects, and empirical methods at the University of Augsburg.

Geoffroy Patriarche teaches communication theory, audience research, and social history of the media at the Facultés universitaires Saint- Louis.

Paul J. Traudt teaches audience theory and research methods, global media, and media criticism at the University of Nevada.

75Media & Culture

From NWICO to WSIS: 30 Years of Communication GeopoliticsActors and Flows, Structures and Divides

Edited by Divina Frau-Meigs, Jérémie Nicey, Michael Palmer, Julia Pohle and Patricio Tupper

• Analyses the two major events that have framed global media policies since World War II: the New World Information and Communication Order (NWICO) and the World Summit on the Information Society (WSIS)

• In-depth account of the major issues concerning information flows in international geopolitics

• Includes interviews and contributions from important witnesses

ISBN 978-1-84150-675-3 | 240pp £24.95, $40 | PB | 2012 | @230x170mmECREADivina Frau-Meigs and Michael Palmer are professors at the University Sorbonne Nouvelle.

Jérémie Nicey is a postdoctoralresearcher at the UniversitySorbonne Nouvelle.

Julia Pohle is a doctoral researcher at the Vrije Universiteit Brussel.

Patricio Tupper is professor at the University Paris 8 Saint-Denis.

Mobile NationEspaña Cambia de Piel (1954–1964)

By Tatjana Pavlovic

• First systematic treatment of Spain’s transition to modernity

• Draws on the methodologies of literature, film studies, cultural studies, feminist theory, and history

• Explores consumer culture in the media, as well as mass tourism, and the national automobile-manufacturing industry

• Offers valuable insights into postmodern Spain’s transformation

• Also available in hardback

ISBN 978-1-84150-324-0 | 256pp£14.95, $30 | PB | 2012 | @230x170mm

Tatjana Pavlovic is associate professor of Spanish at Tulane University.

Television Courtroom BroadcastingDistraction Effects and Eye Tracking

By Paul Lambert

• Explores whether courtroom personnel and participants get distracted by in-court television cameras

• Analyses the role that eye-tracking technology could play in this debate

• Opens the door to a new era of research on the effects of in-court distraction

ISBN 978-1-84150-647-0 | 200pp £45, $60 | HB | 2012 | @230x170mm

Paul Lambert is a lecturer, lawyer, and writer.

Citizen VoicesPerforming Public Participation in Science and Environment Communication

Edited by Louise Phillips, Anabela Carvalho and Julie Doyle

• Explores the ways in which citizen voices are articulated and silenced in the mass media

• Includes a range of case studies, and empirical insights, from countries across Europe and North America

• Investigates citizens’ scope for action in different national, cultural, and institutional contexts

ISBN 978-1-84150-621-0 | 192pp £24.95, $40 | PB | 2012 | @230x170mm ECREA

Louise Phillips is professor of communication at Roskilde University.

Anabela Carvalho is associate professor at University of Minho.

Julie Doyle is principal lecturer in media studies at the University of Brighton.

77Media & Culture

Advertising and Identity in Europe: The I of the BeholderEdited by Patricia Odber de Baubeta and Robin Warner

ISBN 978-1-84150-870-2 | 160pp£19.95, $40 | PB | 2003 | @

Age of Television: Experiences and Theories, The By Milly Buonnano

ISBN 978-1-84150-181-9 | 144pp£24.95, $50 | PB | 2008 | @

Amateur Images and Global NewsEdited by Kari Andén-Papadopoulos and Mervi Pantti

ISBN 978-1-84150-420-9 | 176pp£19.95, $40 | PB | 2011 | @

Ancient Laws and Modern Problems: The Balance Between Justice and A Legal SystemBy John Sassoon

ISBN 978-1-84150-123-9 | 240pp£19.95, $40 | PB | 2005 | @

Art and Science of Documentation Management, The By Lakhmi Jain and Graziella Tonfoni

ISBN 978-1-84150-072-0 | 297pp£29.95, $60 | PB | 2003 | @

Audiences and Publics: When Cultural Engagement Matters for the Public SphereBy Sonia Livingstone

ISBN 978-1-84150-129-1 | 200pp£24.95, $50 | PB | 2005 | @Changing Media, Changing Europe

Bangladesh’s Changing Mediascape: From State Control to Market Forces Edited by Brian Shoesmith and Jude William Genilo

ISBN 978-1-84150-473-5 | 272pp£48, $70 | HB | 2012 | @

Being Human: The Search for OrderBy Seán Ó Nualláin

ISBN 978-1-84150-088-1 | 296pp£19.95, $40 | PB | 2003 | @

Berliner Chic: A Locational History of Berlin FashionBy Susan Ingram and Katrina Sark

ISBN 978-1-84150-369-1 | 144pp£24.95, $50 | PB | 2010 | @

Broadcasters and Citizens in Europe: Trends in Media Accountability and Viewer ParticipationEdited by Paolo Baldi and Uwe Hasebrink

ISBN 978-1-84150-160-4 | 116pp£34.95, $70 | HB | 2006 | @

China’s Environment and China’s Environment Journalists: A StudyBy Hugo De Burgh and Zeng Rong

ISBN 978-1-84150-469-8 | 96pp£45, $60 | HB | 2011 | @

Communication Skills: Stepladders to Success for the Professional (Second Edition)By Richard Ellis

ISBN 978-1-84150-249-6 | 165pp£19.95, $40 | PB | 2009 | @

Confronting Theory: The Psychology of Cultural StudiesBy Philip Bell

ISBN 978-1-84150-317-2 | 160pp£22.95, $40 | PB | 2010 | @

Context Providers: Conditions of Meaning in Media Arts Edited by Margot Lovejoy, Christiane Paul and Victoria Vesna

ISBN 978-1-84150-308-0 | 270pp£24.95, $50 | PB | 2010 | @

Convergence and Fragmentation: Media Technology and the Information SocietyEdited by Peter Ludes


Cultural Quarters (Second Edition): Principles and PracticeBy Simon Roodhouse

ISBN 978-1-84150-158-1 | 170pp£19.95, $40 | PB | 2010 | @

Culture and Contestation in the New CenturyEdited by Marc James Léger

ISBN 978-1-84150-426-1 | 144pp£24.95, $50 | PB | 2010

Developing Dialogues: Indigenous and Ethnic Community Broadcasting in AustraliaBy Michael Meadows, Susan Forde and Kerrie Foxwell

ISBN 978-1-84150-275-5 | 208pp£24.95, $50 | PB | 2009 | @

Digital Radio in Europe: Technologies, Industries and CulturesEdited by Per Jauert, Brian O’Neill, Marko Ala-Fossi, Stephen Lax, Lars Nyre and Helen Shaw

ISBN 978-1-84150-279-3 | 212pp£29.95, $60 | HB | 2010 | @

European Culture and the MediaEdited by Ib Bondebjerg and Peter Golding


European Journalism EducationEdited by Georgios Terzis

ISBN 978-1-84150-235-9 | 272pp£54.95, $110 | HB | 2009 | @

European Media Governance: National and Regional DimensionsEdited by Georgios Terzis

ISBN 978-1-84150-291-5 | 464pp£24.95, $40 | PB | 2009 | @

Exile of Britney Spears, The: A Tale of 21st Century ConsumptionBy Christopher Smit

ISBN 978-1-84150-410-0 | 144pp£21.95, $40 | PB | 2010 | @

Adverti

sing and Id

entit

y in Euro

pe

The I of

the Behold

er

intellect

cf

d

x

Edited

by Ja

ckie

Cannon, Patri

cia O

dber de B

aubeta &

Robin

Warn

er

v

Advertising and Identity in Europe The I of the B

eholder | intellect

Advertising and Identity in Europe:The I of the Beholder

As European business ties develop, how are they refl ected in the way companies promote themselves? And as our sense of group identity is broken down by global communications technologies, how do adverts continue to target mass audiences?

This volume stands alone as the fi rst structured assessment of the impact of advertising, in terms of both culture and business across the national boundaries of Europe. It considers the successes and failures of several strategic marketing plans from across Europe, and describes stylistic and persuasive qualities of specifi c promotional texts.

Advertisers have long been aware of the need to target specifi c groups of consumers and to appeal to them precisely in terms of their sense of membership to groups. Our post-industrial society is characterised by greatly altered work and leisure patterns as well as a weakening of national and communal frameworks for collective identity. Theories relating to identity not only refl ect, but actively make use of such concerns.

As a part of our everyday lives, the advertising considered looks at – but is not limited to – explicit inducements to buy products. Rather it considers all promotional texts designed to inform and persuade.

With examples from Scandinavia to the Iberian Peninsula, the contributors also explore the different constructions of regional, national, social and sexual identities exploited by advertisers to render their messages effective. As a result, the book will be of relevance not only to those concerned with marketing but to all scholars of media studies, language, cultural and gender studies.

Jackie Cannon is Senior Lecturer in Spanish at Oxford Brookes University. Patricia Odber de Baubeta is Senior Lecturer in Hispanic Studies at Birmingham University. Robin Warner is Director of Portuguese Studies at Sheffi eld University.

9 781841 508702

ISBN 1-84150-870-50 0

Intellect PO Box 862 Bristol BS99 1DE UK / www.intellectbooks.com

By Richard Ellis

COMMUNICATION

SKILLSStepladders to success for the professional

“ ”“ ”“ ”“ ”

Europe in Black and White: Immigration, Race, and Identity in the ‘Old Continent’Edited by Manuela Sanches, Fernando Clara, João Ferreira Duarte and Leonor Pires Martins

ISBN 978-1-84150-357-8 | 304pp£29.95, $60 | PB | 2010 | @

Far Field: Digital Culture, Climate Change and the PolesEdited by Jane Marsching and Andrea Polli

ISBN 978-1-84150-478-0 | 272pp£29.95, $50 | PB | 2011 | @

Finding the Right Place on the Map: Central and Eastern European Media Change in a Global PerspectiveEdited by Karol Jacubowicz and Miklós Sukösd

ISBN 978-1-84150-193-2 | 304pp£24.95, $50 | PB | 2008 | @ECREA

Gendered Transformations: Theory and Practices on Gender and MediaEdited by Tonny Krijnen, Claudia Alvares and Sofie Van Bauwel

ISBN 978-1-84150-366-0 | 192pp£24.95, $50 | PB | 2010 | @ECREA

Global Technological Change: From Hard Technology to Soft Technology (Second Edition)By Zhouying Jin

ISBN 978-1-84150-376-9 | 320pp£29.95, $60 | PB | 2010 | @

Grey Zone in Health and Illness, The By Alan Blum

ISBN 978-1-84150-364-6 | 192pp£34.95, $70 | HB | 2010 | @Culture, Disease and Well-being: Grey Zone in Health and Illness

Habitus of the HoodEdited by Hans Skott-Myhre and Chris Richardson

ISBN 978-1-84150-479-7 | 336pp£29.95, $50 | PB | 2011 | @

Harm and Offence in Media Content: A Review of the Evidence (Second Edition)By Sonia Livingstone and Andrea Millwood Hargrave

ISBN 978-1-84150-238-0 | 246pp£24.95, $50 | PB | 2009 | @

‘I Am An American’: Filming the Fear of DifferenceBy Cynthia Weber

ISBN 978-1-84150-422-3 | 226pp£19.95, $35 | PB | 2011 | @

Italian TV Drama and Beyond: Stories from the Soil, Stories from the SeaBy Milly Buonanno

ISBN 978-1-84150-459-9 | 192pp£24.95, $40 | PB | 2012 | @

Kinesthetic Empathy in Creative and Cultural PracticesEdited by Dee Reynolds and Matthew Reason

ISBN 978-1-84150-491-9 | 224pp£29.95, $50 | PB | 2012 | @

European Media Governance: The Brussels DimensionEdited by Georgios Terzis

ISBN 978-1-84150-664-7 | 216pp£19.95, $35 | PB | 2012 | @

Media and Participation: A Site of Ideological-democratic StruggleBy Nico Carpentier

ISBN 978-1-84150-407-0 | 410pp£19.95, $40 | PB | 2011 | @

HB also available as hardback

HB

HB

HB

HB

HB


79Media & Culture

Media Between Culture and CommerceEdited by Els de Bens


Media in Europe TodayEdited by Josef Trappel, Werner A. Meier, Leen d’Haenens, Jeanette Steemers and Barbara Thomass

ISBN 978-1-84150-403-2 | 288pp£24.95, $50 | PB | 2010 | @

Media in the Enlarged Europe: Politics, Policy and IndustryEdited by Alec Charles

ISBN 978-1-84150-998-3 | 240pp£24.95, $50 | PB | 2009 | @

Media, Markets & Public Spheres: European Media at the CrossroadsEdited by Jostein Gripsrud and Lennart Weibull


Misreading Postmodern Antigone: Marco Bellocchio’s Devil in the Flesh (Diavolo in Corpo)Edited by Jan Jagodzinski

ISBN 978-1-84150-361-5 | 176pp£24.95, $50 | PB | 2010 | @

Myths: Decode Volume 1Edited by Gabriel Solomons

ISBN 978-1-84150-981-5 | 114pp£10, N/A | PB | 2007 | @Decode

NanoCulture: Implications of the New TechnoscienceEdited by N. Katherine Hayles

ISBN 978-1-84150-113-0 | 224pp£24.95, $50 | PB | 2004 | @

New Flows in Global TVBy Albert Moran

ISBN 978-1-84150-194-9 | 192pp£24.95, $50 | PB | 2009 | @

One for the Girls! The Pleasures and Practices of Reading Women’s PornBy Clarissa Smith

ISBN 978-1-84150-164-2 | 192pp£34.95, $70 | HB | 2007 | @

People and Places of Nature and CultureBy Rod Giblett

ISBN 978-1-84150-401-8 | 144pp£24.95, $50 | PB | 2010 | @Cultural Studies of Natures, Landscapes and Environments

People’s Pornography: Sex and Surveillance on the Chinese InternetBy Katrien Jacobs

ISBN 978-1-84150-493-3 | 208pp£15.95, $25 | PB | 2011 | @

Philosophical Approaches to CommunicationBy Claude Mangion

ISBN 978-1-84150-429-2 | 338pp£19.95, $40 | PB | 2011 | @

Pop Up: Popular Music since 1945By Anthony May and Cory Messenger

ISBN 978-1-84150-232-8 | 304pp£14.95, $25 | PB | 2012 | @

Press Freedom and Pluralism in Europe: Concepts and ConditionsEdited by Andrea Czepek, Melanie Hellwig and Eva Nowak

ISBN 978-1-84150-243-4 | 308pp£24.95, $50 | PB | 2009 | @ECREA

Professionalisation of Political Communication, The Edited by Ralph Negrine, Christina Holtz-Bacha, Paolo Mancini and Stylianos Papathanassopoulos


Propaganda of Peace, The: The Role of Media and Culture in the Northern Ireland Peace Process By Greg McLaughlin and Stephen Baker

ISBN 978-1-84150-272-4 | 176pp£24.95, $50 | PB | 2010 | @

Radio Content in the Digital Age: The Evolution of a Sound MediumEdited by Angeliki Gazi, Guy Starkey and Stanislaw Jedrzejewski

ISBN 978-1-84150-423-0 | 184pp£19.95, $40 | PB | 2011 | @

Reaching Audiences: Distribution and Promotion of Alternative Moving ImageBy Julia Knight and Peter Thomas

ISBN 978-1-84150-157-4 | 272pp£19.95, $40 | PB | 2011 | @

Reinventing Public Service Television for the Digital FutureBy Mary Debrett

ISBN 978-1-84150-321-9 | 256pp£29.95, $60 | HB | 2010 | @

Spectacular Death: Interdisciplinary Perspectives on Mortality and (Un)RepresentabilityEdited by Tristanne Connolly

ISBN 978-1-84150-322-6 | 316pp£29.95, $60 | HB | 2011 | @Culture, Disease and Well-being: Grey Zone in Health and Illness

Switching to Digital Television: UK Public Policy and the MarketBy Michael Starks

ISBN 978-1-84150-172-7 | 256pp£24.95, $50 | PB | 2007 | @

Television and CriticismEdited by Solange Davin and Rhona Jackson

ISBN 978-1-84150-147-5 | 128pp£24.95, $50 | PB | 2008 | @

Towards a Sustainable Information Society: Deconstructing WSIS Volume 2Edited by Nico Carpentier and Jan Servaes

ISBN 978-1-84150-133-8 | 215pp£24.95, $50 | PB | 2006 | @ECREA

Transnational Celebrity Activism in Global Politics: Changing the World?Edited by Liza Tsaliki, Asteris Huliaras and Christos A. Frangonikolopoulos

ISBN 978-1-84150-349-3 | 322pp£19.95, $40 | PB | 2011 | @

Trends in Communication Policy Research: New Theories, Methods and SubjectsEdited by Natascha Just and Manuel Puppis

ISBN 978-1-84150-467-4 | 400pp£55, $80 | HB | 2012 | @ECREA

Trends in Functional Programming 10Edited by Zoltan Horvath and Viktoria Zsok

ISBN 978-1-84150-405-6 | 192pp£34.95, $70 | PB | 2010Trends in Functional Programming

TV Formats Worldwide: Localizing Global ProgramsEdited by Albert Moran

ISBN 978-1-84150-306-6 | 336pp£24.95, $50 | PB | 2009 | @

Twilight of the Goths: The Kingdom of Toledo, c. 565-711By Harold Livermore

ISBN 978-1-84150-966-2 | 116pp£24.95, $50 | PB | 2006 | @

Understanding the Global TV FormatBy Albert Moran and Justin Malbon

ISBN 978-1-84150-132-1 | 256pp£24.95, $50 | PB | 2005 | @

Visual Communication: More Than Meets the EyeBy Harry Jamieson

ISBN 978-1-84150-141-3 | 132pp£19.95, $40 | PB | 2006 | @

Visual CulturesBy James Elkins

ISBN 978-1-84150-307-3 | 118pp£22.95, $40 | PB | 2010 | @

Visualizing Anthropology: Experimenting with Image-Based EthnographyEdited by Anna Grimshaw and Amanda Ravetz

ISBN 978-1-84150-112-3 | 250pp£24.95, $50 | PB | 2005 | @

We Europeans? Media, Representations and IdentitiesEdited by William Uricchio


Media & Values: Intimate Transgressions in a Changing Moral & Cultural LandscapeBy David E. Morrison, Matthew Kieran, Michael Svennevig and Sarah Ventress

ISBN 978-1-84150-183-3 | 416pp£34.95, $70 | PB | 2008 | @

Media, Democracy and European CultureEdited by Ib Bondebjerg and Peter Madsen

ISBN 978-1-84150-247-2 | 288pp£19.95, $40 | PB | 2009 | @

Three Myths of Internet GovernanceMaking Sense of Networks, Governance and RegulationBy Richard Collins

ISBN 978-1-84150-233-5 | 208pp£19.95, $35 | PB | 2009 | @

Intellect

Personal ordersOrder online: Intellect offers secure online ordering through our website: www.intellectbooks.com

Intellect books can be ordered from Amazon, Blackwells, Waterstones and a host of other sellers. Visit Google Book Search, type in the ISBN/title, then click on one of the links underneath ‘order from a bookstore’ in the right-hand column.

For customers based in the UK and Europe, please order through Central Books: Tel: +44 (0) 845 458 9910 E-mail: [email protected] www.centralbooks.co.uk/acatalog/search.html

For customers based in North America and RoW, please orderthrough the University of Chicago Press: E-mail: custserv@ press.uchicago.edu www.press.uchicago.edu

UK and Europe Gardners Books 1 Whittle Drive, Eastbourne, BN23 6QH, UK Tel: +44 (0) 1323 521777 Fax: +44 (0) 1323 521666 E-mail: [email protected] www.gardners.com

North America and RoW The University of Chicago Press 11030 South Langley Ave, Chicago, IL 60628, USA Tel: +1 800 621 2736 Fax: +1 800 621 8476 E-mail: PUBNET@202 5280 www.press.uchicago.edu

Trade orders

Ordering

E-booksAll Intellect books are also available in e-book format for both libraries and individuals to purchase.Individuals can purchase Intellect e-books through eBooks.com. Search for a particular Intellect e-book by title, ISBN or author and then buy and download a whole book or part of a book. eBooks.com offers over 100,000 titles in digital format in a range of subjects, and in all three of the major formats: Microsoft Reader, Mobipocket and Adobe.

Libraries can purchase individual e-books or discounted subject-focused e-book bundles for libraries. Each of the four collections – film studies, performing arts, visual arts and media and cultural studies – includes the unlimited purchase of twenty Intellect e-books.

Our e-books are now available in ePub format for sale via Amazon Kindle store and iTunes iBookstore. For a full list of where to buy Intellect e-books for individuals and libraries, see the e-book section on our website.

81

Intellect published its first journal in 1986, its first books in 1989 and its first e-book in 1999. In 2011 we began publishing our books for various e-readers in the ePUB format. We believe that there are a number of publishing projects that are better suited to being made into independent apps because the design element of the page can be better represented.

We have now released our first app for the iPad and plan to follow it up with a number of others for iPhone, iPad and android-based alternatives. If you have a publishing project that you feel is better suited to mobile devices then we would be pleased to hear from you. Initial enquiries should be addressed to Masoud Yazdani ([email protected]).

Mobile Apps

Prin

ted

by B

ell &

Bai

n Lt

d

www.intellectbooks.com

UK & InternationalThe Mill, Parnall Road, Fishponds, Bristol, BS16 3JG, UK Tel: +44 (0) 117 958 9910 | E-mail: [email protected]

USA601 South College Road, King Hall, Suite 106C, Wilmington, North Carolina 28403, USA | Tel: (+1) 910 470-7075

CanadaSuite 7602, 6th Floor, 205 Richmond Street West, Toronto, ON M5T 1V3, Canada

Intellect Books

Documents

Transcript of Intellect Books