INSIGHT Vol. I Issue 15

12
Insight February 2007

description

Insight 15 is up and out for your reading pleasures. This issue comes after Proposal 2 passed in Michigan which will ultimately change the face of campus. We discuss some personal experiences with race relations through words and photos and we have a very special and exclusive interview with Mary Sue Coleman, the President of the University of Michigan - Ann Arbor.

Transcript of INSIGHT Vol. I Issue 15

Page 1: INSIGHT Vol. I Issue 15

InsightFebruary 2007

Page 2: INSIGHT Vol. I Issue 15

Insight february 2007

Welcome to the 15th edition of Insight Magazine!

Insight, born from the University of Michigan’s FOKUS student organization, comes from parents who believed art could unite this campus. By creating a space for diverse voices to be heard, they believed that we could bridge the divides that separate us, not by negating our differences but by bringing us together and celebrating that which makes us eclectic and beautiful. They committed to the creation of a diverse community, and while today, Michigan sits, sidelined by the passage of Proposal 2, we, the next generation, will take up our parents’ fight. Our university may have been sidelined, but we have not been silenced because we know that before we are cultures, colors, genders, or sexual orientations, we are human. In this edition, we recommit to what our parents began:

connecting not only the arts but the people since day one.

Editor: Marja Lankinen Founders: Atiba Edwards Alma Davila-Toro

photo by kristine keller

Page 3: INSIGHT Vol. I Issue 15

Insight Contributors:

Cover Photo by Rodney BrownBack Cover Photo by Kristine Keller

Coert Ambrosino, poetry, “proposal accepted”Kristin Schroeder, photography

Hanna Ketai, poetry, “Shed”T. Reeves, photography

OyamO, poetry, “Dot Something”Sean Dwyer, photography

Chadwich Gibson, poetry, “Limbic Flutter”Rodney Brown, photography

Adam Falkner, article, “Race Relations and the Dynamic of Whiteness”Marja Lankinen, poetry, “bloom”President Mary Sue Coleman, interview, “Beyond Ideas”Atiba Edwards, cd review, “Hellogoodbye”

proposal accepted 11-8-2006

today we sit in our sogblack and white ash smearing our clothingdamp and dirtyfrom a day in which the rain felllike decisions from aboveonly this day it is us guilty for the gloom

today we are quietwe have missed our chance to speakwe have spokentoday michigan sits soggydivided like sandwich wedgesleft in the rain

last night ann arbor waited in fogyesterday there was hopeand denialand detachment as there will be tomorrowbut today it is impossible to ignore the cold smoke from our silent mouthscharred tongues tired from talking, or apathied from lack of practicetoday we overt our eyes and wait for winterlong for the days when we cloak our facesplug our ears speakeredstrap on boots to trudge through tattered scraps of propaganda and ash creeping into every stone nook and cranny of the university

Page 4: INSIGHT Vol. I Issue 15

today we are conflictedunsure whether or not to retrace car window words washed away in the stormwhether to wipe ash from our raincoats and ghostly facesor leave them as dilapidated reminders of past gloryscars from fights that ruined birthdays and graduationsdetroit’s hallow train station, once bustlingstanding aloneforgotten

today we cringe at the things that feel normalas classrooms go back to being placeswhere you are talked at instead of listened topolice stations dismantle boothsbibles replace ballots in community churches

we come up with excuses inside our mindspray that the cause was misunderstanding instead of faithplot ourselves outlierspaint ourselves martyrs victims to a world, to a stateforeignantiquateddistantdifferentthan us

today the word homogeny drips from my dictionarythe ink runs down the drywall, ruins the white carpetsynonymous with equalityin a world unequaltoday some celebrate victoryin a game they have never lostu.s. sports claiming world championshipswhile all other countries are excluded from competition

today we have offendedendedno get up stand up left to be hadwe have stoodfor what we believein equalityjust as long as the in comes firstand that’s the part of the crowd we be

today it is too early to actit is too latecoal cannot be turned back to wood

today i am a white manas i was yesterdayas i will be tomorrow

today i am white manthough my finger is stained redas proof of my participationi cannot stop thinking it is blood on my hands

today we are not proud of our allegiancetoday we whisper the name of our birthplacecurse the countrysideimagine setting fires not tamed by rainextinguishable only by the depths of blue bordering this mittena hand raised in salute to the uniform flesh singed and falling off bonesmoldering like history

coert ambrosino

Page 5: INSIGHT Vol. I Issue 15

photo by kristin schroeder

Shed

Like the trees in autumnI'm shedding my leaves-too heavy for these shoulders of mine.Every now and then I must dropthe extra weight that I choose to no longer hold inside my wombmy joints, my head.

Hanna Ketai

Page 6: INSIGHT Vol. I Issue 15

photo by t. reeves

Dot Something

What a beard worldConcealed in the eternally beating,Pulsating caveFlowing through darkness, itself aStill liquidThat paints the boundriesThat separates all the separates.Bruce Lee inspired kingsOf tiny personal kingdoms,Best selling grotesquery,Unaware undercoverism,Not unemployed though.Gittin' paid, dog, dawg, mah dawg,"You ain't nothing but aFound dawg"Howling all the time:Feed me, pay me, praise meAt last!I may be a pomo coonBut, poverty, I escaped fastFrom untouchable castOn a roleSlathered with organic sassFor the guiltyWho yet control my black ass.

OyamOAssociate Prof. of theatre at U of M

Page 7: INSIGHT Vol. I Issue 15

photo by Sean Dwyer

Limbic Flutter

A flutter by my window yesterday sent me into traveling limbics.Shuttering ruffs of wind brushed my stare and rapid echoes domino-crawled and burrowedthru moist box hair. Chest chickells chirpedinto spasmodic smirksin lastic flaunt of tastic fluirksthen teems of downlaid me loungelust before time made its mounds.

Chadwick Gibson

Page 8: INSIGHT Vol. I Issue 15

photo by Rodney Brown

Race Relations and the Dynamic of WhitenessAdam Falkner

PERSONAL EXPERIENCE

Episode 1: I am in the fourth grade and slowly starting to separate reality from an in�ated playground ego. My neighborhood school bus stops at a convenience store where several classmates and I share daily sodas like teenage girls pass lipstick before going our separate ways. One spring afternoon, three of us are browsing through the refrigerators in the back of the store. After making a rather impulsively quick selection, I shu�e outside, anxiously uncap what cottonmouth killer I’ve been anticipating since recess, and wait for the rest of my crew. No sooner does my youthful level of impatience begin to grow even thinner, when a store clerk joins me on the sidewalk, promptly asks that I re-enter the store and hand him my drink. The lunchroom tater-tots settled in my stomach curdle in fear as I walk back in the store. To my confusion, two employees are already inside scolding my friend (who happens to be black), demanding that he pin his hands and chest to the counter and spread his legs for a body search. I am told to do the same. We are frisked, three ten year old boys, in the front of a store with customers watching intently as if window-shopping our humiliation. After all is said and done, a manager explains their recent problem with shoplifting and I am the only one to receive a genuine apology.

Episode 2:As a freshman in college, I am just starting to acclimate to the social di�erences between my Ann Arbor high school and the University of Michigan. Late one October evening, I am walking down the sidewalk with one of my best friends. Our conversation screeches to a halt when from a passing group of white kids, a racial slur slips into the air as carelessly as cigarette smoke invades a neighboring table in a crowded dinner restaurant. Without thinking twice, my friend stops and calls out surprisingly politely for clari�cation on what he thought he’d overheard. The student promptly separates himself from the group, walks back several steps and abrasively

Page 9: INSIGHT Vol. I Issue 15

repeats “nigger” in my best friends face as though he is property to be spit upon. My heart sinks as quickly as I can feel my muscles tighten. He brie�y glances in my direction and grabs hold of my stare long enough for me to recognize his unconscious and premature apology for what is about to take place. The unexpected crack of a jaw line breaking is a dissonance worse the shrill of a radio station suddenly stuck between signals. The collision of knuckle at warp speed on teeth is hollow as if thumping the base of an oak tree with a bat. The word on its own is ugly, but compared to the blender-battered hand of my best friend as I watch it release the rage of a million caged animals into the side of a wealthy white face, it seems as harmless and detached as a rap lyric on the radio. After a few minutes, with every ounce of my body pushed into his, I calmly tell him, as if I have any idea, “That’s enough kid, that’s enough. Look at him…” Screaming over my shoulder like an infant separated from its mother after birth, his tears are foreign to those of a teenage breakup or a toddlers impatience and both ours shirts are soaked in blood that is not our own. His shouts between choking sobs shatter my ear drums like crystal dropped on concrete: “You have no idea what that means!”

From an experiential perspective, there are several common threads that link these personal incidents together. Each, in its own way, forced upon me an awkward awareness of my own sense of self as a white person. Each episode also helped me to both recognize and confront the unearned position of privilege that my status as a member of the white race a�orded me. Through many personal experiences similar to these, it has become evident to me that white folks wake up each morning and have the freedom to choose the extent to which they will be aware of their racial identity. In fact, that freedom, more often than not, is so automatic, so �agrant, that it becomes unconscious in such a way that Caucasians develop an instinctual sense of entitlement. In contrast, people of color never have that option – they are always irrevocably aware and conscious of their identity. It is never taken innocently for granted.

bloom

i’ve felt discrimination before.in my lungsmy handson white skin,the pallid powder if hatred descendslike ashes falling on Aushwitz,burning the skin i’m ini say, i’ve felt discrimination.

in my bones,i’ve felt it climbing up the dairy white heights of five feet six inchesfrom white feet to brown folliclei feel it curving in and out the arteriesmisaligning the perplexities of our ... of our ... of Onemulti-colored humanityi tell you, i’ve felt discrimination.

world, the shouting, you’re shoutingand cursing, you’re piercing the dream of one race:“pick one, pick one!and you better pick the right onecuz we’re not one anotherbut One or the Otherso you better choose your color!”

Page 10: INSIGHT Vol. I Issue 15

i’m silent to your wordscuz i’m not blue but greenlike colored daffodil leaves in your garden, your ghetto, your picket white yard andi don’t care the differencebetween the two because i’m blue too.

but when i sit on picket fence, eating white bread cucumber sandwiches, with brownrows of cornrows, you look at melike i’m crazyyou look at melike i’m the category you made mebut i’m noti’m not just your lily white vision of puritypurely persecuting the masses in disastrous fashion,scratching buildings with slurs, the words of the cursed souls infesting the beauty of your city,running idly through your gallerywith scissors cutting your body, your opportunity, you. and discrimination, to you, is the daily doseof a world tipped on its sideone color above the other, forcing shades to subside, submit to the few, the blue, and you cannot believe that lily white heightscan feel discrimination, toobut it’s true, i do.

so what do we dowhen you and i decide that color is another shade,another hue of the same race that eats ice cream on sundaysdrains coke cans, eats sandwicheslives in suburb, urban city,city sidewalks, on country roadsraising children, growing gardens,growing lovegrowing lovewe’re getting loved.

i say, i’ve felt discrimination beforebut you and i can stop it, halt the schismof one-on-one division separating beautiful blue from greenbecause i have never seen any shade more beautiful than you and ion white picket fence, with yellow sun soaking multi-colored skin.it’s beautiful, i tell youwe are beautiful in the skin that we’re inloving the skin of our kin,of one race, one hymn sung top the lungs of one world, “discrimination is through!”i know you can see it too cuz green and blue will rise againin every color, we bloom.

marja lankinen

Page 11: INSIGHT Vol. I Issue 15

Beyond IdeasAn interview with University of Michigan President, Mary Sue Coleman

After the passage of Proposal 2, President Mary Sue Coleman sent out a mass email to students affirming that diversity would remain at Michigan. Since the election, many students have voiced their opinions in support or opposition to Proposal 2, and while some have relinquished the fight, our president has not. The university continues to stand by creating a diverse campus-culture, and we wanted to hear why Mary Sue Coleman, not only as president but as person, continues the fight.

President Coleman, why do you personally support affirmative action?I believe that diversity is critical to educational excellence. Let me share an example from my own experience: I was working on my doctorate at the University of North Carolina in the 1960s, shortly after the violent civil rights protests of that time. The protests at Chapel Hill were bitter and divisive. There were few African American students there, virtually no African American faculty, and the African American staff were concentrated in lower-level positions. Twenty years later, when I returned to Chapel Hill to teach, I found a university that was much more diverse—and it was a far better institution as a result. The quality of academic discourse was vastly improved with the growth of racial diversity. It’s more vibrant and intellectually alive, in great part because of the many different voices there today.

What are the thoughts, feelings, and perspectives of affirmative action by your peers? What are the people you talk to saying?My colleagues here and around the nation are united in our dedication to creating welcoming and inclusive campus communities. Here at U-M, we are also focused on supporting the success of our students. The University’s Expect Respect initiative is a reminder of the importance we place on respect for every individual.

Are there personal stories from students, faculty, or peers, that have affected your perspective on the issue?Yes, I have heard many, many important personal stories on this topic over the years, and I have seen so many lives shaped by opportunity and by lack of opportunity. But let me share my own with you: After high school, I went to Grinnell College, an activist Iowa campus with an ethic of social responsibility. While Grinnell was a predominantly white college,we had an exchange program with the traditionally Black school, LeMoyne College of Tennessee. That was an eye-opening experience for me. It really opened my eyes to learn what is was like, to go to a movie theater, for instance, and not know if you could sit where you wanted to, that something that trivial might be denied to you because of racism. As a female student who aspired to be a scientist, I know the feeling of looking at your professors and not see any who look like you. As a woman scientist, I know that, if I had not had people who were willing to give me a chance, then I would not have had the career that I have enjoyed.

What do you think the ban on affirmative action will mean to the state of Michigan as well as the university? In the state of Michigan, we are undergoing a difficult economic transition, one in which the education and preparation of our citizens for a new economy will be more important than ever before. We must tap all available talent if we are to prosper in the future. The impact of Proposal 2 increases this challenge. If our public universities— particularly selective schools like Michigan and Berkeley, schools known for preparing tomorrow’s doctors, scientists and policymakers—if these universities do not produce graduates of all backgrounds, our nation and our state will stumble. Where the use of affirmative action has been restricted, we must find other means to achieve diversity and to extend educational opportunities to all students.

What final words would you like to give to this campus on the issue of affirmative action and diversity within the community?Diversity is a core value of the University of Michigan, and I stand firmly behind that commitment. Dr. Martin Luther King, Jr., said it well, “The road ahead is not altogether a smooth one. There are no broad highways that lead us easily and inevitably to quick solutions.” An open, tolerant society requires institutions that lead. Our university is known as a national leader for diversity in higher education, and we will not hesitate to fulfill that role.

Page 12: INSIGHT Vol. I Issue 15

under the needle

hellogoodbye released their debut album, Zombies! Aliens! Vampires! Dinosaurs!in August 2006, and it debuted at #1 on both the independent and internet album charts. It is a solid debut album that features fun, summery, and bright music.

If you managed to hear the EP Hellogoodbye, the debut album’s tones resemble the song “Dear Jamie…Sincerely Me.” Many of the songs can be used to tell the story of a crush and the cycle of love it will go through (more good times than not). My favorite two tracks are “Here” and “Stuck To You.” Other solid tracks include “I saw It On Your Keyboard,” “Homewrecker,” and “Baby, It’s Fact.” The album features a few revamped songs that have not been released previously. hellogoodbye is currently composed of 4 members: Marcus Cole (bass), Forrest Kline (vocals and guitar), Jesse Kurvink (keys), Chris Profeta (drums), and one past member, Aaron Flora (drums).

If you want to hear a drastically different version of hgb, listen to “Jesse Buy Nothing…Got to Prom Anyways” from their EP Hellogoodbye.

You can’t be close enough unless I’m feeling your heartbeat ~”All Your Love”

by Atiba Edwards