POPULAR MUSIC, VOLUME 26 - ISSUE 02

t.A.T.u. You! Russia, the global politics of Eurovision, and lesbian popDANA HELLER

Popular Music, Volume 26, Issue 02, May 2007, pp 195-210doi: 10.1017/S0261143007001237, Published online by Cambridge University Press 26 Apr 2007

From blatant to latent protest (and back again): on the politics of theatrical spectacle in Madonnas American LifeMARTIN SCHERZINGER and STEPHEN SMITH

Popular Music, Volume 26, Issue 02, May 2007, pp 211-229doi: 10.1017/S0261143007001274, Published online by Cambridge University Press 26 Apr 2007

I Will Survive: musical mappings of queer social space in a disco anthemNADINE HUBBS

Popular Music, Volume 26, Issue 02, May 2007, pp 231-244doi: 10.1017/S0261143007001250, Published online by Cambridge University Press 26 Apr 2007

Marketing androgyny: the evolution of the Backstreet BoysDARYL JAMIESON

Popular Music, Volume 26, Issue 02, May 2007, pp 245-258doi: 10.1017/S0261143007001286, Published online by Cambridge University Press 26 Apr 2007

Techno, Frankenstein and copyrightMARK A. McCUTCHEON

Popular Music, Volume 26, Issue 02, May 2007, pp 259-280doi: 10.1017/S0261143007001225, Published online by Cambridge University Press 26 Apr 2007

Inventing recorded music: the recorded repertoire in Scandinavia 18991925PEKKA GRONOW and BJRN ENGLUND

Popular Music, Volume 26, Issue 02, May 2007, pp 281-304doi: 10.1017/S0261143007001298, Published online by Cambridge University Press 26 Apr 2007

Rethinking the music industryJOHN WILLIAMSON and MARTIN CLOONAN

Popular Music, Volume 26, Issue 02, May 2007, pp 305-322doi: 10.1017/S0261143007001262, Published online by Cambridge University Press 26 Apr 2007

The melodic-harmonic divorce in rockDAVID TEMPERLEY

Popular Music, Volume 26, Issue 02, May 2007, pp 323-342doi: 10.1017/S0261143007001249, Published online by Cambridge University Press 26 Apr 2007

The Hendrix chord: blues, flexible pitch relationships, and self-standing harmonyROB VAN DER BLIEK

Popular Music, Volume 26, Issue 02, May 2007, pp 343-364doi: 10.1017/S0261143007001304, Published online by Cambridge University Press 26 Apr 2007

Music and Revolution, Cultural Change in Socialist Cuba. By Robin D. Moore. University of California Press, 2006. 305 pp. ISBN 0-520-24711-6 (pb)

Timba: The Sound of the Cuban Crisis. By Vincenzo Perna. Ashgate, 2005. 338 pp. ISBN 0 7546 3941 X (hb)Popular Music, Volume 26, Issue 02, May 2007, pp 365-368doi: 10.1017/S0261143007003315, Published online by Cambridge University Press 26 Apr 2007

The Resisting Muse: Popular Music and Social Protest. Edited by Ian Peddie. Ashgate Popular and Folk Music Series, 2006. xxiv + 228 pp. ISBN 07546 5114 2 (pb)Hazel MarshPopular Music, Volume 26, Issue 02, May 2007, pp 369-370doi: 10.1017/S0261143007003327, Published online by Cambridge University Press 26 Apr 2007

Cambridge University Press 2007.

POPULAR MUSIC, VOLUME 26 - ISSUE 02

Policing Pop. Edited by Martin Cloonan and Reebee Garofalo. USA: Temple University Press, 2003. 241 pp. ISBN 1566399890 (pb)Jan Fairley

Popular Music, Volume 26, Issue 02, May 2007, pp 371-373doi: 10.1017/S0261143007003339, Published online by Cambridge University Press 26 Apr 2007

John Lennon Imagined: Cultural History of a Rock Star. By Janne Mkel. New York: Peter Lang, 2004. 312 pp.Yrj Heinonen

Popular Music, Volume 26, Issue 02, May 2007, pp 373-375doi: 10.1017/S0261143007003340, Published online by Cambridge University Press 26 Apr 2007

Noisy Island: a Short History of Irish Popular Music. By Gerry Smyth. Cork: Cork University Press, 2005. 136 pp. ISBN 1 85918 387 5 (hb)Ciaran Wrenn

Popular Music, Volume 26, Issue 02, May 2007, pp 375-377doi: 10.1017/S0261143007003352, Published online by Cambridge University Press 26 Apr 2007

Jazz on the River. By William Howland Kenney. Chicago and London: University of Chicago Press, 2005. 229 pp. ISBN 0-226-43733-7 (hb)

The Evolution of Jazz in Britain, 18801935. By Catherine Parsonage. Aldershot: Ashgate, 2005. 322 pp. ISBN 0-7546-5076-6 (hb)Popular Music, Volume 26, Issue 02, May 2007, pp 377-379doi: 10.1017/S0261143007003376, Published online by Cambridge University Press 26 Apr 2007

Music In Film: Soundtracks and Synergy. By Pauline Reay. London: Wallflower Press, 2004. ISBN 1 903364 65 5 (pb)

Pop Fiction The Song in Cinema. Edited by Steve Lannin and Matthew Caley. Bristol: Intellect, 2005. 338 pp. ISBN 1 84150 078 X (pb)Popular Music, Volume 26, Issue 02, May 2007, pp 379-381doi: 10.1017/S0261143007003364, Published online by Cambridge University Press 26 Apr 2007

The Last Waltz of the Band. By Neil Miniturn. CMS Sourcebooks in American Music no. 2. Edited by Michael J. Budds. Hillsdale, NY: PendragonPress, 2005. 224 pp. ISBN 1-57647-093-8 (pb)Christopher GarbowskiPopular Music, Volume 26, Issue 02, May 2007, pp 382-384doi: 10.1017/S0261143007003388, Published online by Cambridge University Press 26 Apr 2007

Cambridge University Press 2007.