In the Pines: Documentary Show Book

InthePines:TheBeanBlossomBluegrassFestival

T522FinalProjectApril28th,2011

FunkySunProductionsMichelleFunkSerenaSunJenniferTalbottIncludedmaterials:

1. Projectscope2. Timeline3. Budget4. Cashflow5. NEAgrantproposalandbudget6. Projecttreatment7. Musicalworkssynclicenses(4)8. Recordingssynclicenses(4)9. Mechanicalrightslicenses(4)10. Musicalworkscuesheet11. Visualworkslicenses(4)12. Visualworkscuesheet13. Copyrightregistrations(2)14. AFTRAagreements(3)15. Appearancerelease16. Locationrelease17. Paidappearancereleases(3)

ScopeInthePines:

TheBeanBlossomBluegrassFestival


FunkySunProductions

MichelleFunkSerenaSun

JenniferTalbott

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Product

Thefilm“InthePines:theBeanBlossomBluegrassFestival”willexplorethehistoryanddevelopmentofthebluegrassfestivalannuallyheldinBrownCounty,Indiana,since1965.Itwillbeamulti‐part,two‐hourlongdocumentaryproducedforbroadcastonPBSanditsaffiliates.ItwillaimatinformingtheaudiencenationwideaboutwhenandwhythefestivalwasheldinBrownCounty,andhowithasdevelopedoverthepast40years.WehopethatthisdocumentarywillshedlightnotonlyontheBeanBlossomBluegrassFestival,butalsoonthemusiciansofthisoftenoverlookedgenre.Secondarily,wehopetopromoteattendanceatthe2013FestivalinBeanBlossomwhileraisingawarenessoftheimportanceandhighqualityofregionalfestivalsthroughoutthenation.Thedocumentarywillconsistofthreesections,outlinedbelow.Inthefirstsection,thestorywillfocusonthelifeofthefounderandthehistoryoftheBeanBlossomBluegrassFestivaltotracetheoriginofthisfestivalanditsmusic.BillMonroewasbornasWilliamSmithMonroeinSeptember13,1911.FromthemountainsofKentucky,helearnedtheScots‐Irishfiddletunesofhismotheranduncle,whichwouldbecomethefoundationforthegenrehealmostsingle‐handedlycreated.Bluegrass,infact,takesitsnamefromhisband,the"BlueGrassBoys,"whichinturnwasnamedforhishomestate.Monroe'sperformingcareerspanned60yearsasasinger,instrumentalist,composer,andbandleader.Hisband’ssoundbirthedanewformofcountrymusicandheisoftenreferredtoas“TheFatherofBluegrass.”From1948–1969,EarlFlattandLesterScruggs(oftenbilledasFlatt&Scruggs)wereamajorforceinintroducingbluegrassmusictoAmericathroughnationaltelevision,atmajoruniversitiesandcoliseums,andatschoolhouseappearancesinnumeroustowns.BothFlattandScruggs,alongwithover120otherearlybluegrassmusicians,weremembersofMonroe’sBlueGrassBoysbeforebreakingoutontheirown.WhileMonroe’srelationshipwithFlattwasoftenrocky,neitherFlattnorScruggscoulddenytheimpactMonroehadonintroducingthemtothebluegrassstyleandlifeasatravelingcountrymusicstar.AnotherBlueGrassBoywhomadegoodonhisownwasMonroe’sson,James.Jamesandhisband,“TheMidnightRamblers,”continuetoperformthroughoutthenation.JamesmaybeoneofthefewwhoknewMonroeonadeeperlevel,asthelegendoftenturnedastern,impenetrablefacetofellowperformers.In1965,BillMonroefoundedtheBeanBlossomBluegrassFestivaltobringhisfriendstogethertoplaythe"highlonesome"soundhepioneered.Itwasamilestoneforthedevelopmentofbluegrassmusic.Inthesecondsectionofthedocumentary,theimpactofthismusicfestivalanditsprogressovertheyearswillbeillustrated.Theboomingfestivalmovementchangedallbluegrass

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artists’livesforthebetter.Eventswith“bluegrass”intheirtitlessproutedupacrossthenation,andmusicianstraveledonanationalcircuitfromfestivaltofestival.Big‐nameartistsbeganpromotingtheirownshows.TheBeanBlossomBluegrassFestivalisnowtheoldest,continuouslyrunningannualbluegrassfestivalintheworld.Themulti‐dayevent,heldinthenaturalsettingofanoutdooramphitheateronthewoodedgroundsoftheBillMonroeMemorialMusicParkandCampground,featuresastyleofmusicwhichiswhollyAmericaninorigin.Inthe1960s,theconceptofthe"bluegrassfestival"wasfirstintroduced,featuringbandsthathadseemedtobeincompetitionwitheachotherforarelativelylimitedaudienceonthesamebillatweekendfestivalsacrossthecountry.“Thefolkrevival,whichhadadoptedbluegrassafteritwasorphanedbythetwinstormsofrock‘n’rollandthemodernNashvillesound,wasnowmentoringitsgreatleaptoindependence,thebluegrassfestivalmovement”(InternationalBluegrassMusicAssociation,www.ibma.org/events.programs/index.asp).BillMonroe’sdeathonSeptember9,1996,shookthemusicworld.Yethisimmeasurablelegacylivesoninthemusiciansinfluencedbyhisstyleandinthefestivalheldeveryyearinhishonor.Inthethirdsection,thisdocumentarywillpresentwhattheBeanBlossomBluegrassFestivalisliketoday.Challengestothefestivalandtothegenrewillbeaddressed,aswellasthepositiveforceskeepingbluegrassaliveandthriving.Currentbluegrassmusicians’andfans’opinionsaboutthefestivalandthefutureofbluegrassmusicwillbeexplored.Thisdocumentarywillbetoldthroughinterviewswithbluegrassmusicians—includingthosewhoknewBillMonroepersonally—scholarsofthemusicandmusicians,rarelyseenfootageandphotographs,andhistoricalmusicrecordingspairedwithliveperformancesfromthe2012BeanBlossomBluegrassFestival.“InthePines:theBeanBlossomBluegrassFestival”willbebroadcastonPBSnationallyintwopartsonDecember10thand11thwithasubsequentreplayonPBSaffiliatesinIndianathefollowingMondayandTuesdaynight.TherewillbeathirdreplayonMay28thand29th,2013,toenticefanstoattendthe2013festivalinJune.ThecompanionwebsitewilllaunchonNovember26thtoexciteviewersabouttheupcomingshow.TheDVDandCDdistributionwillbeginonDecember24th,2012withpromotionsforDVDandCDsalesairingduringtheoriginalbroadcastandreplays.ThetargetaudienceforthisdocumentaryalignswithcurrentPBSaudiencedemographics,mainlyadultsbetween18‐54yearsofage.

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Contact,Resources,andContentDesign

InterviewsRichardD.Smith5555NondescriptStRockyHill,[email protected]’tYouHearMeCallin’:TheLifeofBillMonroe,FatherofBluegrass,athoroughly‐researchedandwell‐receivedworkonthehistoryofBillMonroe.Hehasalsowrittenotherbooksthatprovideinsightintothecultureofbluegrass.HisknowledgeofBillMonroe’slife,thehistoryofbluegrassmusicandMonroe’srelationshiptotheBeanBlossomfestivalwillmakeRichardaninvaluableresource,bothasanintervieweeandasaconsultant.Dr.NeilRosenbergMemorialUniversityofNewfoundlandStJohn's,NL51PlaceStA1B3X8(709)864‐8402nvros@mun.caDr.RosenbergisProfessorEmeritusofFolkloreatMemorialUniversityinNewfoundland.HereceivedhisPhDinFolklorefromIndianaUniversity,acampuswhichcloselyneighborsthefestival’slocation.Amusicianhimself,hehasresearchedthelivesofmanymusiciansfromthebluegrassgenre,aswellasthecountry,jazz,experimental,folk,andclassicalgenres.Hehaspublishedseveralbooksconcerningthestudyofbluegrassanditsnoteworthymusicians,includingabiographyofBillMonroe–thefounderoftheBeanBlossomBluegrassFestival.Healsospecializedinexaminingtherelationshipbetweenpopmusicandsmaller,moreregionalartistsofthefolkdiscipline.Withhisinterestinculturalrevival,hecouldprovideinsightintothefutureofthefestivalanditsimpactonlocalmusicalculture.

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TedOlsonBluegrass,OldTimeandCountryMusicProgramPOBox70435JohnsonCity,[email protected](423)439‐4379TedOlsonisaprofessorofAppalachianStudiesandanAmericanFolkMusicinstructoratEastTennesseeStateUniversity.Hehasbeeninvolvedintheproductionof15booksonthetopicofAppalachianandbluegrassfolkmusic,aswellashavingproducedtwodocumentarycompilationsoftraditionalAppalachianfolk.Asaresearcherofbluegrass’srootsinAppalachiaandasafolktradition,hecouldshareinsightsintothegenre’shistorywhilehisinvolvementwithnewbluegrassmusicianscouldshedlightonthefutureofthemusic.Dr.RalphStanleyNormaMorrisMorrisPublicRelationsPOBox210588Nashville,Tennessee37221‐0588(615)952‐9250Consideredbymanyasthecurrentpatriarchofbluegrass,Ralphhasbeeninthefolkmusicbusinessforover55yearsandknewBillMonroepersonally.HeperformsattheBeanBlossomBluegrassFestivaleveryyear,wherehecanbeinterviewed.NormaMorrisishispublicistinchargeofsettingupinterviews.EarlScruggsearlscruggsmgt@gmail.comEarlwasamemberofBillMonroe’s“BlueGrassBoys”beforecontinuingontoformhisownband.Hedevelopedaninnovativestylethatlaterbecamepopularinsucceedingbluegrassartists.Hecanprovidedetailsaboutthedevelopmentofthebluegrassstyle,beingoneoftheformativeartists.HealsoperformsattheBeanBlossomBluegrassFestival,wherehecanbemosteasilyinterviewed.

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JamesMonroeAceProductionsPOBox428Portland,TN37148‐0428(615)325‐3340JamesisthesonofBillMonroe,andourprimaryintervieweeforthepersonalsideofhisfather’slifeandthecreationofthefestival.HecanbeinterviewedattheBeanBlossomBluegrassFestivalwhereheperformseveryyearwithhisband,“TheMidnightRamblers.”BobbyOsborneandtheRockyTopX‐PressTheRockyTopX‐PressAgencyPOBox321Portland,TN37148(615)325‐5191bobby@bobbyosborne.comBobbyperformsattheBeanBlossomBluegrassFestivaleveryyear,wherehecanbeinterviewed.Heisanexampleofamorenationally‐successfulbluegrassartistwithrootsinregionalmusic.SupplementaryVideo,Images,andDocuments(B‐Roll)RalphStanleyMuseumandTraditionalMountainMusicCenterPamMorrispam@ralphstanleymuseum.comPOBox945Clintwood,VA24228(276)926‐8550or(276)926‐5591Fax:(276)926‐8693TheRalphStanleyMuseumwouldprovideagoodresourceformoreinformationonDr.RalphStanley,andaccesstophotosandotherresourcesthatconcernhisrelationshipwithBillMonroeandperformancesheldattheBeanBlossomBluegrassFestival.PamMorrisisinterimdirectorofthemuseum.

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CountryMusicFoundation222FifthAveSouthNashville,TN37203(615)416‐2001AresourcepredominantlyforimagesfoundinbooksandontheInternet.BluegrassUnlimitedIncPOBox771Warrenton,VA20188‐07711‐800‐BLU‐GRASFax:1‐540‐341‐0011AresourcepredominantlyforimagesfoundinbooksandontheInternet.BeanBlossomJamboreeFoundation5163NStateRoad135Morgantown,IN461601‐877‐989‐BBJFAresourcepredominantlyforimagesfoundinbooksandontheInternet,includingaccesstoallhistoricalartifactscollectedwhichpertaintothefestival.RichardD.Smith5555NondescriptStRockyHill,NJ08553vagueemailaddress@gmail.comRichardhascompiledanumberofphotographsforhisbiographyofBillMonroe,Can’tYouHearMeCallin’,andshouldhavecontactinformationforthevariouscopyrightowners.BarryR.Willis5555MagicalLnMemphis,TN38104BarryhascompiledanumberofphotographsforhisworkAmerica’sMusic:Bluegrass,andshouldhavecontactinformationforthevariouscopyrightowners.

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BillMonroeBluegrassHallofFameandCountryStarMuseumDwightDillman5163SR135NMorgantown,IN46160TheBillMonroeBluegrassHallofFameandCountryStarMuseumwouldprovideagoodresourceformoreinformationonBillMonroe,bluegrass,andaccesstophotosandotherresourcesaboutthefestivalandpastperformers.Dwightisthemaincontactforthefestivalandmuseum.NarrationSamElliottThequintessentialcowboy,wehopeElliottcanbethevoiceofourdocumentarybecausehisvoiceevokestherich,warmfeelofthecultureoftraditionalAppalachianfolk.GraphicsThedocumentaryshouldincludephotosanddocumentspertinenttothelifeandtimesofBillMonroe,theBeanBlossomBluegrassFestival,andtheevolutionofbluegrassasagenre.Thiscouldincludephotographsofnoteworthyperformances,realdocumentsfromBillMonroe’spurchaseofthefestivalgrounds,andanynumberofinterestingimages.Graphicdesignerwillchooseanappropriatedesignstyleforlowerthirds,font,andotheronscreengraphicstomatchthefeelofthedocumentary.MusicAstheforcepropellingboththedocumentaryandfestival,ourdocumentarywillheavilyfeatureliverecordingsfromtheBeanBlossomBluegrassFestivalandpreviouslyrecordedtracksbyartistsfeaturedandinterviewedwithinthedocumentary.

Performancerightsorganizationcontacts:ASCAPASCAPGeneralLicensingPOBox331608‐7515Nashville,TN37203‐99981‐800‐99‐[email protected]

BMILicensingKeyAccounts10MusicSquareEastNashville,TN372031‐800‐206‐[email protected]

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SESAC55MusicSquareEastNashville,TN37203Fax:615‐321‐62921‐800‐826‐9996

Recordlabelcontacts:BMG/ElvisSpreePalaisAnna‐Louisa‐Karsch‐Str210178Berlin+49(0)30‐[email protected]‐‐Elvisrecordings

CBUJDistribution3730VulcanDrNashville,TN37211‐3314(615)333‐2112‐‐JamesMonroerecordings

RebelRecordsPOBox7405Charlottesville,VA22906(434)973‐5151‐‐Dr.RalphStanleyrecordings

RounderGroup1RounderWayBurlington,MA(617)354‐0700‐‐BobbyOsborneandtheRockyTopX‐Pressrecordings

RuralRhythmRecordsBox660040Dept.DArcadia,CA91066‐00401‐800‐776‐[email protected]‐‐LiveBeanBlossomfestivalrecordings,BobbyOsborneandtheRockyTopX‐Pressrecordings

SonyMusicEntertainment555MadisonAve10thFLNewYork,NY10022‐3211‐‐EarlScruggsrecordings

UniversalMusicGroupdbaDeccaMusic,LostHighway,MCANashville,MCASpecialProducts,MercuryNashvilleFilmandLicensingDepartment2220ColoradoAveSantaMonica,CA90404

WarnerBrothers/WeaWarnerBrothersRecordsInc.3300WarnerBlvdBurbank,CA91505(818)846‐9090‐‐Peter,Paul,andMaryrecordings

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(310)235‐4721Fax:(310)235‐[email protected]‐‐BillMonroerecordings,BobbyOsborneandtheRockyTopX‐Pressrecordings,OBrother,WhereArtThousoundtrackrecording,TomT.Hallrecordings

Publishercontacts:AnneRachelMusicCorp,Chappell‐CoInc,UnichappellMusicIncc/oWarner/ChappellMusicInc10585SantaMonicaBlvdLosAngeles,CA,90025(310)441‐8600‐‐MusicalworksperformedbyBillMonroe,JamesMonroe

APRSc/oPeerMusic250West57thStSte820NewYork,NY10107http://www.peermusic.com(212)265‐3910‐‐MusicalworksperformedbyBillMonroe

BenefitMusicVincentGrantGill,VincentGrantGilldbaBenefitMusic(sp)c/oFBMMPOBox340020Nashville,TN37203‐[email protected](615)329‐9902‐‐MusicalworksperformedbyBobbyOsborne

BillMonroeMusicEvergreenCopyrightsIncdbaMusicofEvergreena/cEvergreenGFCountryMusicLLCdbaBillMonroeMusicPOBox24149Nashville,TN37202http://www.evergreencopyrights.com(615)329‐3999‐‐MusicalworksperformedbyBillMonroe

BugMusic7750SunsetBlvdLosAngeles,[email protected]://www.bugmusic.com(323)969‐0988‐‐MusicalworksperformedbyJackWhite

CarlPerkinsMusicInc459CountryClubLaneJackson,TN38305‐3919(901)664‐3051‐‐MusicalworksperformedbyElvisPresley

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CarolintoneMusicCompanyIncLisaThomasMusicServicesPOBox1543Kingston,[email protected](360)638‐1026‐‐MusicalworksperformedbyFlattandScruggs

CombineMusicGroup75NinthAve4thFLNewYork,[email protected]://www.emimusicpub.com(212)492‐1200‐‐MusicalworksperformedbyFlattandScruggs

FigsDMusicc/oTheBicycleMusicCompany449SBeverlyDrSte300BeverlyHills,CA90212‐[email protected]://www.bicyclemusic.com(310)286‐6600‐‐MusicalworksperformedbyBillMonroe

FortKnoxMusicFortKnoxMusicIncc/oCarlinAmericaInc126East38thStNewYork,NY10016(212)779‐7977‐‐MusicalworksperformedbyDr.RalphStanley

FreddyBienstockMusicCompanyc/oCarlinAmericaInc126East38thStNewYork,NY10016(212)779‐7977‐‐MusicalworksperformedbyBillMonroe

RedRiverSongsIncRedRiverSongsInc,RedRiverSongsIncc/oSherryLBond3422McGavockPkNashville,[email protected]://http://www.johnnybondpub.com(615)915‐2922‐‐MusicalworksperformedbyBillMonroe

SangaMusicIncAnthemMusicandMediaFundLLCdbaFigsDMusica/cSangaMusicIncc/oTheBicycleMusicCompany449SBeverlyDrSte300BeverlyHills,CA90212‐[email protected]://www.bicyclemusic.com(310)286‐6600‐‐MusicalworksperformedbyBillMonroe

Sony/ATVAcuffRoseMusicSony/ATVSongsLLC8MusicSquareWestNashville,[email protected](615)726‐8300‐‐MusicalworksperformedbyElvisPresley

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SpecialRiderMusicMr.RobertDylanPOBox860CooperStationNewYork,NY10276‐0860(212)473‐5900‐‐MusicalworksperformedbyBobDylan

StreetsofGoldMusicc/oBashMusicAttn:JessicaBaumPOBox120904Nashville,TN,37212(615)327‐[email protected]‐‐MusicalworksperformedbyJimmyMartin

TrioMusicCompanyt/qMusicIncdbaTrioMusicCompanyc/oBugMusic7750SunsetBlvdLosAngeles,CA90046http://www.bugmusic.com(323)969‐0988‐‐MusicalworksperformedbyDr.RalphStanley

UniversalCedarwoodPublishingUniversalSongsofPolygramIntIncdbaUniversalCedarwoodPublishing2100ColoradoAveSantaMonica,CA90404(310)235‐4700‐‐MusicalworksperformedbyFlattandScruggs

UniversalMusicCorporationc/cUniversalMusicPublishingGroupAttn:Copyright2100ColoradoAvenueSantaMonica,CA,90404(310)235‐4700‐‐MusicalworksperformedbyBillMonroe

WrenMusicCoIncc/oCherioCorpAttn:JohnEastmanEsq41West54thStNewYork,NY10019‐5414(212)246‐5881‐‐MusicalworksperformedbyElvisPresley

Z77SSMusicbugMusica/cZ77SSMusic7750SunsetBlvdLosAngeles,[email protected]://www.bugmusic.com(323)969‐0988‐‐MusicalworksperformedbyJackWhite

ZapPublishingCoHC71Box79Asbury,WV24916‐9642(304)645‐7860‐‐MusicalworksperformedbyDr.RalphStanley

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WebsiteThedocumentarywillhavearelatedwebsitewhichwouldprovideinformation,videoclips,photos,andlinksviewersofthedocumentarymightfindinteresting,includingthesitesofallperformersandauthors.Thesitewillalsohavearetailfunction,allowingviewerstopurchaseaDVDcopyofthedocumentaryaswellasthecompanionCD.PBSwillhandlewebsitedesign,implementationandmaintenance.

Preproduction

ScriptOneoftheproducerswillbetaskedwithwritingthescriptforournarrator,SamElliott.Thiswillbeginatthesametimeasallotherpreproductionresearchandscouting,andwillserveastheframeworkofthedocumentary.Theproducer/writerwillworkwithherco‐producerandproductionmanagertodecideonasetofquestionsandtalkingpointsforeachinterview.Ifanychangesoccur,theywillbenotedbytheproducer/writer.StoryboardsOneoftheproducerswillworktostoryboardandoutlinethevisualaspectsofthedocumentary,includingallb‐rollsegmentsandinterviews.Thisshouldoccuratthesametimeasscripting,andtheproducersworkingonthesetaskswillcommunicatetheirideaswitheachothertoensuretheyareworkingtowardaunifiedendresult.LocationScoutingOurproductionmanagerandtwoproductionassistantswillhandlelocationscouting.Thefestivalgroundsandvenueswillbescoutedduringpreproduction,andpermissionswillbefiledatthattime.Scoutingforeachscholarinterview(Newfoundland,NewJersey,andEastTennessee)willtakeplaceuponarrivalintheinterviewcityandmayoccurinapublicorprivatesetting,minimizingtheamountoftimeneededforthosescouts.PreproductionMaterials

Timeline Budget Cashflowprojections Narratorscript—draftandfinal(includingquestionstobeaskedtointerviewees) Scoutlocationdrawingsandnotes Listofapprovedscoutlocations Listofapprovedsupplementaryvideo,images,anddocuments Shootschedule Shotlist Crewlist

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Contracts:CompletedorInProgressDuringPreproduction

LocationreleaseforBillMonroeMemorialMusicParkandCampground Visualworkslicenses Visualworkscuesheet Paidappearancereleasesforscholarinterviewees Unpaidappearancereleasesforfestivalinterviewees Narrator’sAFTRAagreement(1eachforprogramnarrator,promovoice‐over,

fundercreditvoice‐over) Synchronizationlicensesforaudiorecordings Performancelicensefortheaudiorecordings MechanicallicenseforaccompanyingsoundtrackCD Musicalworkscuesheet

GeneralPreproductionTasks

Otherresearch,includingdecidingonwhichmusicandimagestoincludeinthedocumentary,andwhere.RichardD.Smithwillbeconsultingusinourresearch.

SeeGanttchart

Production

PrincipleShooting:InterviewsNewfoundland:Dr.NeilRosenberg,professoroffolkloreandauthorofbooksonbluegrasshistory,canbeinterviewedinaprivateorpublicsetting—preferablyanacademicbackground,tofitwiththeinsighthecanbringtothedocumentary.Hemayalsogiveasmalldemonstrationofhisownmusic.NewJersey:Here,we’llbeinterviewingtheauthorofBillMonroe’sbiography,RichardD.Smith.Thisinterviewcantakeplaceanywherefromaprivateresidencetoapublicplace.EastTennessee:TedOlsonisourlastacademicofthebluegrassgenre.Hecanalsobeinterviewedinaprivateorpublicsetting;onceagain,anacademicenvironmentispreferredtoreinforcethelegitimacyofhisinterview.PrincipleShooting:FestivalHere,ourthreevideographersandaudiotechnicianswillsplitupandcapturefootageinaremotemulti‐camstrategy,makingsuretogetshotsofthecrowdandperformers.Asmanyartistsaspossiblecan/shouldbecovered,butkeyperformerstofocusonare:

BobbyOsborneandtheRockyTopX‐Press Dr.RalphStanley JamesMonroeandtheMidnightRamblers EarlScruggs

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Interviewsofaudiencememberswillalsobetaken,toshowviewerswhatkindsofpeoplecometotheBeanBlossomBluegrassFestival.Theyshouldbeaskedhowtheyfoundoutaboutthefestival,howlongthey’vebeengoing,whotheyliketosee,andwhattheylikebestaboutit.B‐RollVideographersshouldbemindfultocollectsamplesofB‐Rollfromalllocationsandpointsofinterest—withandwithoutaudio.Shotsoftheperformers,interviewees,crowds,andstageswillbeincorporatedintothevideofortransitionsandpossiblyendcredits.NarrationRecordingNarrationwillberecordedinoneday,ideally,duringapprovalsandrightbeforeofflineediting(orasdeterminedbynarrator’sAFTRAAgreement).MusicRecordingAllmusicwillberecordedlivefromtheBeanBlossomBluegrassFestival,orelsewewilluseexistingrecordingswithpermissionoftheartists.PrintMaterialsPhotos,documents,andotherprintmaterialswillbedecidedonandincorporatedintothedocumentaryonceallvideoportionshavebeenfinalized.Researchandacquisitionfortheseprintmaterialsshouldbeginassoonaspreproductionbegins.

Post‐Production

EditingTwoeditorswillbehiredtoworkontheproject.Editingwillbeginimmediatelyafterallvideoandnarrationhasbeenfilmedandrecorded.TheeditorswillbeusinganAVIDmachineforofflineandaneditingsuiteequippedwithFinalCutPro‐readycomputersforonline.Oneeditor,KlausB.,willworkonofflineeditingofallscholarinterviewsaswellasallonlineediting,whileanothereditorwillhandleofflineeditingofallthefestivalsequences—thiswillallowofflineeditingtobedonesimultaneouslyandspeedupthisstage.Anaudioassistantwillmanagesynctracksduringonlineediting,whileFrancoiseH.willcoveraudiosweeteningandbejoinedbyasecondaudioeditorforthemixprocess.

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GraphicsOnepersonwillbetaskedwithdesigninggraphicsfortheproduction,includinglowerthirds,openingcredits,andendcredits.Theywillalsobeinchargeofinsertingflatartintothevideo.WebsiteOurcompanionwebsitewillberunbyPBS,andshouldincludeinformationaboutthefeaturedartists,informationaboutthefair.Itwillalsoincludesalesinformation–howtogoaboutpurchasingacopyoftheDVDorcompilationsoundtrack.GeneralPost‐ProductionTasksSeeGanttchart

Equipment

Pre‐ProductionResearch materials Telephone and Internet service Postage and shipping Office space Office equipment Insurance Printing and copying Legal fees and copyright searches Office supplies (Personal computer equipment will be used in the office)

ProductionHD Cameras (4) Lighting packages (1) Audio packages (4) Craft services (1 day) 30-min HD tapes (89) RV (8 days)

PostProductionAVID Editing suite Sweetening console Mixing console AV/Announce booth Beta SP Machine 60-min Beta SP tapes (5) Transcription (DVD and CD packaging produced by PBS)

Apr May June July Aug Sept Oct NovActivity Start End Duration 4/15 4/22 4/29 5/6 5/13 5/20 5/27 6/3 6/10 6/17 6/24 7/1 7/8 7/15 7/22 7/29 8/5 8/12 8/19 8/26 9/2 9/9 9/16 9/23 9/30 10/7 10/14 10/21 10/28 11/4 11/11

Preproduction 4/16/12 5/25/12 6 wks

Research 4/16/12 5/25/12 6 wks

Scripting 4/30/12 5/25/12 4 wks

Location scouting 5/14/12 6/8/12 4 wks

Field shoot 1 (Interviews-Newfoundland) 5/30/12 6/1/12 3 days xxx

Field shoot 2 (Interviews-East Tennessee) 6/4/12 6/5/12 2 days xx

Field shoot 3 (Interviews-New Jersey) 6/6/12 6/8/12 3 days xxx

Field shoot 4 (Festival) 6/9/12 6/16/12 8 days

Graphics 6/18/12 7/6/12 3 wks

Offline (Interviews) 7/2/12 7/20/12 3 wks

Offline (Festival) 7/2/12 8/3/12 5 wks

Music selection 7/30/12 8/3/12 1 wk

Scripting 7/30/12 8/3/12 1 wk

Approvals 8/6/12 8/24/12 3 wks

Record narration 8/13/12 8/13/12 1 day x

Online 8/27/12 9/7/12 2 wks

Sweeten 9/10/12 9/28/12 3 wks

Mix 10/1/12 10/12/12 2 wks

Package 10/15/12 10/26/12 2 wks

Close caption 10/29/12 11/9/12 2 wks

Delivery 11/12/12 11/12/12 1 day x

InthePines:Ganttchart

Expense Line Items Sub total Section Total Total

Total Producers 115,015 Total Production Management 38,021.50 Total Above The Line Costs 153,037

Total research 3,983$ Total writing -$ Total Talent 5,565$

Total acquired material 214,950$ Total Travel 11,089$

Total Studio Personnel -$ Total Studio Facilities -$

Total Studio Expenses -$ Total Field Personnel 28,455$ Total Field Expenses 38,305$

Total Post & Design Personnel 36,795$ Total Post & Design Facilities 18,872$

Total editing expenses 250$ Total Other Production Expenses 35,693$

Total Below the line Costs 393,956$

Total Direct Costs 546,993$

Total Contingency 27,350$

Total Indirect Costs 114,869$

Total Project Costs 689,211$

Income Line ItemsNEA "Arts on Radio and TV" production grant (multi-part series) 200,000.00$ Country Music Foundation sponsorship 200,000.00$ Gibson sponsorship 289,211.15$ Total Project Income 689,211$ 689,211$

Balance -$

InthePines:Summarybudget

of 6

PRODUCERS

Fulltime %/# unit # unit rate unit total

Executive Producer Krahnke 0.1 person 31 weeks $1,250 per week 3,875

Michelle Funk, Producer 1 person 31 weeks $1,000 per week 31,000

Serena Sun, Producer 1 person 31 weeks $1,000 per week 31,000

Production Assistant 1 person 31 weeks $450 per week 13,950

Production Assistant 1 person 31 weeks $450 per week 13,950

Benefits & Taxes 15.00% 93775 7.65% $93,775 21,240

Total Producers 115,015

PRODUCTION MANAGEMENT

Fulltime %/# unit # unit rate unit total

Jennifer Talbott, Production Manager 1 person 31 weeks $1,000 per week 31,000

Benefits & Taxes 15.00% 31000 7.65% $31,000 7,022

Total Production Management 38,022

Total Above The Line Costs

TALENT

Talent for productionAFTRA talent %/# unit # unit rate unit total

Sam Elliot, AFTRA Narrator 1 performer 1 Fee $1,008 per person 1,008

AFTRA Agents Fee 10% on $1,008 101

AFTRA P&W and FICA 28.80% on $1,008 290Non-AFTRA talent %/# unit # unit rate unit total

Richard D. Smith Honoraria (one time talking head fee) 1 performer 1 Fee $500 per day 500

Dr. Neil Rosenberg Honoraria (one time talking head fee) 1 performer 1 Fee $500 per day 500

Ted Olson Honoraria (one time talking head fee) 1 performer 1 Fee $500 per day 500

Talent for PromosAFTRA talent %/# unit # unit rate unit total

Sam Elliot, AFTRA National Promo VO 1 performer 2 promo $518 per promo 1,036


AFTRA P&W and FICA 18.65% on $1,036 193

ABOVE-THE-LINE EXPENSES

BELOW-THE-LINE EXPENSES

InthePines:Line‐itembudget

of 6

Talent for funder creditsAFTRA talent %/# unit # unit rate unit total

S. Elliot, AFTRA National Funder Credit VO 1 performer 2 credit $518 per credit 1,036


AFTRA P&W and FICA 18.65% on $1,036 193

Total Talent 5,565

Research

Research %/# unit # unit rate unit total

Researcher/Research Services 1 person 6 weeks $500 per week 3,000

Richard D. Smith, Consultant Salary 1 person 2 weeks $350 per week 700

Taxes and Benefits 7.65% on $3,700 283

Total research 3,983

Acquired material, rights, contracts

Rights and aquisitions %/# unit # unit rate unit total

Music Rights 31 item 1 use $5,000 per use 155,000



Flat Art/Photo Rights 1 show 74 photos $260 per photo 19,240

Stock Footage Rights 3 item 1 use $570 per use 1,710Location Rights 1 show 4 locations $1,000 per location 4,000

Total acquired material 214,950

of 6TRAVEL

Travel for talent %/# unit # unit rate unit total

Roundtrip Airfare LAX-IND 1 person(s) 1 RT (s) $250 per RT 250

Bloomington, IN Hotel 1 person(s) 1 night(s) $125 per night 125

Bloomington, IN Meals/PerDiem 1 person(s) 1 day(s) $20 per day 20Field Travel- Interviews %/# unit # unit rate unit total

Roundtrip Airfare IND-YYT 2 person(s) 1 RT (s) $1,050 per RT 2,100

Saint Johns, Newfoundland Hotel 2 person(s) 2 night(s) $125 per night 500

Saint Johns, Newfoundland Meals/PerDiem 2 person(s) 2 day(s) $20 per day 80

Saint Johns, Newfoundland Vehicle Rental 2 person(s) 3 day(s) $50 per day 300

Roundtrip Airfare IND-AVL 2 person(s) 1 RT (s) $350 per RT 700

Johnson City, TN Hotel 2 person(s) 1 night(s) $125 per night 250

Johnson City, TN Meals/PerDiem 2 person(s) 1 day(s) $20 per day 40

Johnson City, TN Vehicle Rental 2 person(s) 2 day(s) $50 per day 200

Roundtrip Airfare IND-EWR 2 person(s) 1 RT (s) $250 per RT 500

Rocky Hill, NJ Hotel 2 person(s) 2 night(s) $125 per night 500

Rocky Hill, NJ Meals/PerDiem 2 person(s) 2 day(s) $20 per day 80

Rocky Hill, NJ Vehicle Rental 2 person(s) 3 day(s) $50 per day 300Field Travel- Festival %/# unit # unit rate unit total

Beanblossom Meals/PerDiem 9 person(s) 8 day(s) $20 per day 1,440

Beanblossom Camping Fee 2 person(s) 1 8-day event $214 per day 428

Beanblossom Camping Fee Add'l Person 7 person(s) 7 night(s) $21.14 per night 1,036

Beanblossom RV Rental 1 RV 8 day(s) $280 per day 2,240

Total Travel 11,089

of 6FIELD PERSONNEL TOTAL

Video personnel %/# unit # unit rate unit total

Chauncey Q, Videographer (interviews) 1 person(s) 8 day(s) $500 per day 4,000

Chauncey Q, Videographer (festival) 1 person(s) 8 day(s) $500 per day 4,000

Videographer Student Assistant (festival) 1 person(s) 8 day(s) $300 per day 2,400

Videographer Student Assistant (festival) 1 person(s) 8 day(s) $300 per day 2,400Audio personnel %/# unit # unit rate unit total

Chauncey Q, Audio (interviews) 1 person(s) 8 day(s) $400 per day 3,200

Audio (festival) 1 person(s) 8 day(s) $400 per day 3,200

Audio Student Assistant (festival) 1 person(s) 8 day(s) $250 per day 2,000

Audio Student Assistant (festival) 1 person(s) 8 day(s) $250 per day 2,000

Benefits & Taxes 15.00% 23200 7.65% $23,200 5,255

Total Field Personnel 28,455

FIELD EQUIPMENT and RELATED EXPENSE

Video equipment %/# unit # unit rate unit total

HD-Cam Package (interviews) 1 package 8 day(s) $1,000 per day 8,000

HD-Cam Package (festival) 3 package 8 day(s) $1,000 per day 24,000

Lighting package (interviews) 1 package 8 day(s) $100 per day 800Audio equipment %/# unit # unit rate unit total

Audio package (interviews) 1 package 8 day(s) $100 per day 800

Audio package (festival) 3 package 8 day(s) $100 per day 2,400Miscellaneous %/# unit # unit rate unit total

Craft Service for Narration Recording 1 service(s) 1 day(s) $80 per day 80Tape %/# unit # unit rate unit total

30-min HD tape (interviews) 1 program(s) 9 tape(s) $25 per tape 225

30-min HD tape (festival) 1 program(s) 80 tape(s) $25 per tape 2,000

Total Field Expenses 38,305

of 6POST & DESIGN PERSONNEL

Offline Personnel %/# unit # unit rate unit total

Klaus B, Editor 1 person(s) 3 week(s) $2,000 per week 6,000

Editor 1 person(s) 5 week(s) $2,000 per week 10,000Online %/# unit # unit rate unit total

Klaus B, Editor 1 person(s) 80 hour(s) $50 per hour 4,000

Online Audio Assistant (sync tracks) 1 person(s) 80 hour(s) $25 per hour 2,000Sweetening %/# unit # unit rate unit total

Francoise H, Audio-Sweeten 1 person(s) 120 hour(s) $25 per hour 3,000Mix %/# unit # unit rate unit total

Francoise H, Audio-Sweeten 1 person(s) 80 hour(s) $25 per hour 2,000

Audio-Sweeten 1 person(s) 80 hour(s) $25 per hour 2,000Graphics %/# unit # unit rate unit total

Graphic Designer 1 person(s) 40 hour(s) $25 per hour 1,000

Benefits & Taxes 15.00% 30000 7.65% $30,000 6,795

Total Post & Design Personnel 36,795

POST & DESIGN FACILITIES

Offline facilities %/# unit # unit rate unit total

AVID (interviews) 1 item(s) 3 week(s) $1,000 per week 3,000

AVID (festival) 1 item(s) 5 week(s) $1,000 per week 5,000Online facilities %/# unit # unit rate unit total

Editing Suite 1 item(s) 10 day(s) $300 per day 3,000Sweetening /Mix Facilities %/# unit # unit rate unit total

Sweetening console 1 item(s) 15 day(s) $300 per day 4,500

Mixing console 1 item(s) 10 day(s) $300 per day 3,000Narration Recording Facilities %/# unit # unit rate unit total

AV/ Announce booth 1 item(s) 8 hour(s) $30 per hour 240Dubs %/# unit # unit rate unit total

Beta SP machine 1 item(s) 40 hour(s) $3 per hour 132

Total Post & Design Facilities 18,872

of 6EDITING EXPENSES

Tape %/# unit # unit rate unit total TOTAL

60-min Beta SP 1 program(s) 5 tape(s) $25 per tape 125Other expenses %/# unit # unit rate unit total

Transcription 1 program(s) 5 hour(s) $25 per hour 125

Total editing expenses 250

OTHER PRODUCTION EXPENSES

Other expenses %/# unit # unit rate unit total

Telephone & Internet 1 service(s) 7 month(s) $99 per month 693

Postage & Shipping 1 service(s) 7 month(s) $50 per month 350

Rental of Office Space 1 service(s) 7 month(s) $3,000 per month 21,000

Rental of Office Equipment 1 service(s) 7 month(s) $200 per month 1,400Related production expenses %/# unit # unit rate unit total

Insurance 1 service(s) 7 month(s) $1,500 per month 10,500

Printing and Copying 1 service(s) 7 month(s) $100 per month 700

Legal Fees and copyright searches 1 service(s) 7 month(s) $50 per month 350

Office Supplies 1 service(s) 7 month(s) $100 per month 700

Total Other Production Expenses 35,693

SUBTOTAL BELOW THE LINE COSTS 393,956 393,956

SUBTOTAL ABOVE THE LINE COSTS 153,037 153,037

CONTINGENCY enter rate: 5% on 546,993 equals 27,350 27,350INDIRECT COSTS enter rate: 20.0% on 574,343 equals 114,869 114,869

GRAND TOTAL-Line Items 689,211 689,211

Apr May Jun Jul Aug September October November Total Varience

Total Producers 115,015$ 7,420 14,841 18,551 14,841 18,551 14,841 14,841 11,130 115,015 - Total Production Management 38,022$ 2,453 4,906 6,133 4,906 6,133 4,906 4,906 3,680 38,022 -

Subtotal above-the-line 153,037$ 9,873$ 19,747$ 24,683$ 19,747$ 24,683$ 19,747$ 19,747$ 14,810$ 153,037$ -$

Total research 3,983$ 1,328 2,655 3,983 - Total Talent 5,565$ 5,565 5,565 -

Total acquired material 214,950$ 4,000 210,950 214,950 - Total Travel 11,089$ 2,980 7,714 395 11,089 -

Total Field Personnel 28,455$ 3,312 25,143 28,455 - Total Field Expenses 38,305$ 3,675 34,550 80 38,305 -

Total Post & Design Personnel 36,795$ 20,053 797 12,265 3,680 36,795 - Total Post & Design Facilities 18,872$ 8,000 240 9,132 1,500 18,872 -

Total editing expenses 250$ 250 250 - Total Other Production Expenses 35,693$ 4,462 4,462 4,462 4,462 4,462 4,462 4,462 4,462 35,693 -

Subtotal below-the-line 393,956$ 5,789$ 21,084$ 99,922$ 5,259$ 10,741$ 236,809$ 9,891$ 4,462$ 393,956$ -$

Total Above and Below The Line 546,993$ 15,663 40,830 124,605 25,006 35,425 256,555 29,638 19,272 546,993 - Total Contingency 27,350$ - (27,350)

Subtotal 574,343$ 15,663$ 40,830$ 124,605$ 25,006$ 35,425$ 256,555$ 29,638$ 19,272$ 546,993$ (27,350)$

Total Indirect Costs 114,869$ 3,133 8,166 24,921 5,001 7,085 51,311 5,928 3,854 109,399 (5,470)

Total Costs 689,211$ 18,795$ 48,996$ 149,526$ 30,007$ 42,510$ 307,866$ 35,565$ 23,126$ 656,392$ (32,820)$

Total Income 689,211$ 50,000$ 66,000$ 100,000$ 66,000$ 50,000$ 138,000$ 50,000$ 169,211$ 689,211$ -$ Balance Forward 0 31,205$ 48,209$ (1,318)$ 34,676$ 42,166$ (127,700)$ (113,266)$ 32,820$

Balance -$ 31,205$ 48,209$ (1,318)$ 34,676$ 42,166$ (127,700)$ (113,266)$ 32,820$ -$

2012

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6

NEA ApplicationProject Budget, Page 1 of 2

Read the instructions for this form before

you start.

OMB No. 3135-0112 Expires 11/30/2010

Applicant (official IRS name):

INCOME

1. Amount requested from the Arts Endowment: $

2. Total match for this project Be as specific as possible. Asterisk (*) those funds that are committed or secured.

Cash (Refers to the cash donations, grants, and revenues that are expected or received for this project)

AMOUNT

Total cash a. $

In-kind: Donated space, supplies, volunteer services (These same items also must be listed as direct costs under “Expenses” below or in Page 2 of the Project Budget form; identify sources)

Total donations b. $

Total match for this project (2a. cash + 2b. donations) $

3. Total project income (1 + 2) $

EXPENSES

1. Direct costs: Salaries and wages

TITLE AND/OR TYPE OF PERSONNEL

NUMBER OF PERSONNEL

ANNUAL OR AVERAGE SALARY RANGE

% OF TIME DEVOTED TO THIS PROJECT

AMOUNT

Total salaries and wages a. $

Fringe benefits Total fringe benefits b. $

Total salaries, wages, and fringe benefits (a. + b.) $

Funky Sun Productions

200,000

Country Music Foundation sponsorship 200,000Gibson sponsorship 289,211

489,211

0

489,211

689,211

Producer, PA, PM 6 41275 80 153,037Talent 4 591 (contract) 100 5,565Field 6 667 (daily) 100 28,455Offline 2 2000 (weekly) 100 19,624Online, audio, gfx 5 28 (hourly) 100 17,171

223,852

223,852

NEA ApplicationProject Budget, Page 2of 2

Read the instructions for this form before

you start.

OMB No. 3135-0112 Expires 11/30/2010

Applicant (official IRS name):

EXPENSES, CONTINUED

2. Direct costs: Travel (Include subsistence)

# OF TRAVELERS FROM TO AMOUNT

Total travel $

3. Direct costs: Other expenses (Include consultant and artist fees, contractual services, promotion, acquisition fees, rights, evaluation and assessment fees, access accommodations, telephone, photocopying, postage, supplies and materials, publication, distribution, translation, transportation of items other than personnel, rental of space or equipment, and other project-specific costs)

AMOUNT

Total other expenses $

4. Total direct costs (1. from Project Budget, Page 1 +2.+3.) $

5. Indirect costs (if applicable)

Federal Agency:

Rate (.00)

x Base = $

6. Total project costs (4.+5.) $Must equal total project income (3. From Project Budget, Page 1)

Funky Sun Productions

1 Los Angeles, CA Bloomington, IN 3952 Bloomington, IN St Johns, NL, CA 2,9802 Bloomington, IN Johnson City, TN 1,1902 Bloomington, IN Rocky Hill, NJ 1,380

5,945

Research 3,983Acquired material and location rights 214,950Per diem, camping fee, transportation for festival 5,144Field equip (video, audio, lighting, misc) 38,304Post & design facilities 18,871Editing expenses 250Administrative expenses (office space, equipment, services) 23,443Additional expenses (insurance, legal fees, supplies) 12,250Contingency 27,350

344,545

574,342

0.20 574,342 114,868

689,211

TreatmentInthePines:

TheBeanBlossomBluegrassFestival


FunkySunProductions

MichelleFunkSerenaSun

JenniferTalbott

InthePines|Treatment|1

Part1:BillMonroeThedocumentaryopensonamontageofB‐rollfootagetakenfromtheBeanBlossomBluegrassFestival,coveredby“BluegrassFestivalintheSky.”Openingcreditsrollandthetitleofthedocumentaryappearsoverawide,busyshotofthefestivalgroundsbustlingwithpeople.Theaudienceisintroducedtothefestival,themusic,andthemanwhostarteditall:BillMonroe.JamesMonroe,Bill’ssonandamusicianinhisownright,beginstotalkabouthisfather,sharingdetailsfatherthatonlyasoncouldknow—domesticthings,intimatefamilydetails.TheaudiencewillgettobreakthroughtheoftensternandintimidatingmaskBillMonroeshowedtomostoftheworld,asJamesreminiscesabouthisfather’squirks,endearinghabitsoranecdotes,andmostimportantly:hispassionasamusician.Photographsandhomevideoclipscontinuetobringthelegendtolifefortheaudience.Ashorthistoryofthebluegrassgenre—thegenrewhichBillMonroealmostsingle‐handedlycreated—istoldtothetunesthatmadeitfamous,liketheeverlasting“UnclePen.”FromitsrootsinthemountainsofAppalachiaaftertheScots‐Irishfiddletunes,bluegrass’srisetofameontheshouldersofBillandhisprogenyisexplainedthroughearlyphotographsandrecordings.JamesMonroeandhisband,“TheMidnightRamblers,”areseenperformingatthefestival,asitisexplainedthatBillMonroe’sbandbecameasortofbluegrass“club”foraspiringmusicians.Bill’s“BlueGrassBoys”includedmanyartiststhatstillperformatthefestivaltoday,andhismusicalstyleandleadershipaffectednearlyeverybluegrassmusicianworthhisweight.Itwasalaunchingpadforfuturestars,exposingthemtothelifeofatravelingbluegrassheadlinerbeforesettingoutontheirown.NexttheaudiencemeetsEarlScruggs,onesuchstarwholearnedtheropesfromBillMonroe.HediscusseswhatitwasliketobeBill’sBlueGrassBoysandwhatitwasliketohaveplayedwithBill.EarlpostulatesonhowhiseducationunderBillhelpedhimbecomesuccessful,inevitablyturningtotherockyrelationshipbetweenBillandanotherBlueGrassBoy,LesterFlatt—Scruggs’longtimemusicalpartner.WeseeEarlplayingwithhiscurrentbandatthefestival,interwovenwithcrowdreactionsandshortinterviews.JamesMonroe’sinterviewcontinuesonsiteatthefestivalgrounds(preferablybeforethecrowdsarrive),ashetalksabouthisfather’sdecisiontopurchasethelandforthefestival.Hetouchesonmemoriesfromsomeofthefirstfestivals,theperformers,andthefinancialproblemsthatplaguedhisfather,threateningtoendthefestivalyearafteryear.Again,hiswordsareintercutwithphotographsandvideosoftheoriginalbarnandforest,earlyfestivals,andBillworkingtomaintainthegrounds.RichardD.Smith,biographerandacademic,wrapsupthissectionofthefilmbyoutliningtheimpactofBillMonroe’sdecisiontocreatethebluegrassfestivalandwhatitmeanttotheMonroefamily.


Part2:TheRiseofBluegrassFestivalCultureDr.RalphStanleyandhisbandarefeatured,withthecrowdreactingtoandcommentingontheirperformanceatthefestival.AninterviewwithDr.RalphStanley,oneofthemostsuccessfulbluegrassartistsofalltime,willilluminatewhatitmeanstobeapartofthefestival,howitbringsmusiciansbacktotheirregionalrootsdespitenationalfame,andhowhehasseenthefestivalchangeanddevelopovertime.HecanalsodiscusshisrelationshipwithBillMonroe,havingknownhimpersonally.Amontageoffootageshowingtheexpanseofthefestivalwillillustratethesizeofthefestival’soperation—fromaudienceshotstotherowsofintermingledfanandartistRVs,tothetentsoffood,merchandiseandhand‐craftedinstruments.Interviewswithcrowdmemberswillanswerthequestions:Howlonghaveyoubeencomingtothefestival?Howfarhaveyoutraveledtobehere?Whoareyoumostexcitedtosee?Howhaveyouseenthefestivalchangeovertheyears?AninterviewwithTedOlson,aprofessorinoneofthenation’sonlyuniversitybluegrassdepartments,willillustratethechallengesfacedbythebluegrassgenreandfestivalsthroughtheyears.Hecanexplainhowtheriseofrockn’roll,thankstoElvis,negativelyaffectedbluegrassmusiciansastheirfanswerecharmedawayfromthefolksygenre,aswellashowthehomogenizationofcountrymusicaimedatthelowestcommondenominatorratherthanthenicheregionalsounds.RichardD.Smith’sinterviewwillbringusbacktohowthesedevelopmentsaffectedBillandhismusicians.HecanfurtherdiscusstheimpactofthefestivalonBill’slife,forbetterorforworse,andhowthefestivalchangedafterthedeathofBill.JamesMonroeshouldtalkaboutthedeathofhisfather,andwhatitmeanttohisfamilyandartistswhoknewandlovedhim.Pairedwiththepoignantsong,“MyLastDaysonEarth,”fromBill’sownmandolin,theaudiencewillfeeltheemotionoflosingbothafatherandthefatherofbluegrass.Yetthissectionendsonapositivenote,suggestingtheimmortalityofthemusicandthefestival—afullfestivalperformanceof“WhenMyBlueMoonTurnstoGoldAgain,”byJamesMonroeandtheMidnightRamblers,willleavetheaudiencewithahopefultune.Part3:ThePresentandFutureofBluegrassandtheFestivalTedOlsonopensthissection,speakingaboutwhatitmeansforafestivaltobeongoingatatimewhenregionalmusicseemstobeonitswayoutinfavorofmorewidelysuccessfulpopandhip‐hop.Heshouldtouchonthechallengesfacedbybluegrassbandsinfindinganationalaudienceforaseeminglyout‐of‐datesound.


BobbyOsborneandtheRockyTopX‐Pressareonesuchbandwhofoundthataudience.Theirintroductionwillbecrowdinterviewsdiscussingtheirexcitementtoseethebandplay,followedbyaclipoftheirperformanceatthefestival.Thiswillbefollowedbyaninterviewwiththeentirebanddiscussingtheirrisetofameandwhytheystillchoosetoplayatalocalfestival.Theywilltalkaboutwhattheregionalelementsofthebluegrassgenremeantothem,eventhoughtheyareanationally‐successfulbluegrassband.NeilRosenberg,authorandacademic,willtalkaboutthefactorsthathaveelevatedbluegrassinthepopularconsciousnessovertheyears.Thehittelevisionprogramsandfilmsfeaturingbluegrasssparkednationalinterestinthesoundthatwasunfamiliartomany.Fromthemesong“TheBalladofJedClampett,”performedbyFlattandScruggs,tothe“Feudin’(Duelin’)Banjos”thatsetthetoneofDeliverance,visualentertainmentbroughtthebluegrasssoundtothemasses.ThemorerecenthitfilmsOBrother,WhereArtThouandColdMountain,haslikelybroughtayoungergenerationtothefestivalalongsideolderfanswhorecognizedtheclassicbluegrassstandard“ManofConstantSorrow”longbeforetheSoggyBottomBoysmadeitpopular.Neilcancontinuetospeakaboutanotherfactorthat,perhapssurprisingly,wasagreatboonforthebluegrasscommunity:thefolkrevivalofthe1960s.Youngmusicloverscravedareturntothe“pure,”unamplifiedsoundstheyfoundinbluegrassaswellasadesiretobewithlike‐mindedpeople—thuspropellingthepopularityofmusicfestivals.Hisinterviewcanconcludewithadiscussionofthefutureofthismusic,andhowtheBeanBlossomBluegrassFestivalfitsintoitsculturalrevival.Thedocumentarywillendonaninterviewofaparticularlyinsightfulaudiencemembertalkingaboutwhybluegrassisn’tabouttogoawayanytimesoon,andhowthey’llalwayscometotheBeanBlossomBluegrassFestival.Theaudiofromthisinterview,pairedwithaliveperformanceofanindomitablesonglike“GottaTravelOn,”willcontinueoveravideomontageofhappyfacesinthecrowd,performers,andshotsofthebustlingfestivalgrounds.Beforetheendcredits,afewsmallpiecesoffuninformationwillappearonthescreen,suchas:

- “TheBeanBlossomBluegrassFestivalhasbeengoingformorethan40years.”- “TheBeanBlossomJamboreeFoundationhasbeencreatedtokeepthefestivalgoing

foryearstocome.”- “MembersofTheBlueGrassBoysstillgettogetherandplay.”

Endcreditswillrolltothetuneof“BluegrassFestivalintheSky.”

Funky Sun 1111 E Amy Lane

Bloomington, Indiana, 47401

MUSICAL WORK SYNCHRONIZATION LICENSE AGREEMENT DATE: __8/6/2012_______ Sony/ATV Acuff Rose Music SONY/ATV SONGS LLC 8 MUSIC SQUARE WEST NASHVILLE, TN 37203 RE: Synchronization License Agreement. Dear Elvis Depp This is a letter to confirm the agreement between you (the “Licensor”) and me (the “Licensee”) regarding our use of your composition(s) in SERENA SUN television program/series entitled: In the Pines: The Bean Blossom Bluegrass (working title) (the “Program/Series”). 5) A. Compositions(s). For the purpose of this Agreement, the “Composition(s)” shall mean the

composition(s) entitled “Bluegrass Festival in the Sky,” words and music by Tom T. Hall, which Compositions(s) are owned and controlled by Licensor. a) Market __PBS Broadcast, Internet, DVD__________

b) Territory __ The United States______________

c) Term ___Four Plays in Three Years___________

6) Licensed Use of the Composition(s). Licensor grants to Licensee the irrevocable non-

exclusive right and license to use the Composition(s) in and in connection with the Program/Series in any and all media whether now known or hereafter devised, the Market and Territory for the Term, in any and all languages, as well as in advertising, publicity, and promotion of the Program/Series.

7) Nature of Use. The Licensee may use the Compositions(s) for THEME purposes; not to exceed approximately 1’20” in length. The Licensee may use the Composition(s) in whole or in part, edited or otherwise modified in Licensee’s sole discretion.

8) License Fee. For all rights grated and licensed in this Agreement, and provided the Compositions(s) are included in the final edited version of the Program/Series as initially broadcast, Licensee shall pay to Licensor the sum of $2000, two thousand dollars, payable to Sony/ATV Acuff Rose Music, receipt of which is hereby acknowledged. No further amounts shall be payable by Licensee to Licensor in connection with the Licensed Use.

9) Credit. Provided the Compositions(s) are included in the final edited version of the

Program/Series as initially broadcast, Licensor shall receive credit (in each case in which screen credits for music are included in the Program/Series), substantially as follows:

i) Courtesy of Sony/ATV Acuff Rose Music ii) Subject to the foregoing, all other characteristics of such credit or any other credit

shall be determined by Licensee in its sole discretion. No casual or inadvertent failure by Licensee to comply with the credit requirements set forth above, now any failure by third parties to so comply, shall constitute a breach of this Agreement by Licensee.

10) Miscellaneous. Licensor represents and warrants that:

i) It exclusively owns or controls all copyright in and to the Compositions(s) and that it owns or controls all other rights necessary to enter into and fully perform the Agreement, and that no consents or releases from any person(s), or of any third person or entity are or will be required. Licensee’s use of the Composition(s) and the inclusion of the same in the Program will not violate any rights of any kind or nature whatsoever of any person, firm, corporation, association, society or other entity.

ii) Licensor agrees to indemnify and hold harmless Licensee and any person claiming

under Licensee, and the officers, directors, shareholders and employees thereof, and Licensee’s licensee, affiliates, distributors, and assigns from and against any liabilities, losses, claims, demands, costs (including without limitation reasonable attorneys’ fees) and expenses arising in connection with any breach or alleged breach by Licensor of this Agreement or of any of the above representations or warranties.

11) Name of Likeness. Licensee shall have the right to publish, advertise, announce and use in

any manner or medium, the name, sobriquet, biography and photographs or other likenesses of Licensor in connection with any exercise by Licensee of its rights hereunder.

12) Additional Terms.

i) Nothing herein requires Licensee to use the Composition(s) in the Program/Series.

ii) All rights in and to the Program/Series shall be owned solely by Licensee, and Licensor shall have no rights therein.

iii) Licensee may assign its rights and obligations hereunder as it deems appropriate.

iv) This License Agreement constitutes the entire agreement and complete understanding

of the parties, and cannot be modified except by a written instrument signed by Licensee and Licensor. All prior or contemporaneous promises, understandings and

agreements, oral or written, are merged into and included in this written instrument. No officer, employee, or representative of Licensee has made any representation or promise, express or implied, in connection with this agreement or the subject matter hereof which is not contained herein.

If the above is acceptable, please sign where indicated below. Sincerely, LICENSEE ______Serena Sun, Producer_______________ Print Name & Title _______________________________________ Signature AGREED TO AND ACCEPTED: “Licensor” _____Elvis Depp, Account Executive________________ Print Name & Title _______________________________________________ Signature SONY/ATV SONGS LLC 8 MUSIC SQUARE WEST NASHVILLE, TN 37203 ______________________ Address Date: _ 8/6/2012___________ ______________123456789____________ Social Security # or Federal I.D. #



MUSICAL WORK SYNCHRONIZATION LICENSE AGREEMENT DATE: __8/6/2012_______ APRS C/O PEERMUSIC 250 WEST 57TH STREET SUITE 820 NEW YORK, NY 10107 RE: Synchronization License Agreement. Dear Elvis Dean This is a letter to confirm the agreement between you (the “Licensor”) and me (the “Licensee”) regarding our use of your composition(s) in SERENA SUN television program/series entitled: In the Pines: The Bean Blossom Bluegrass Festival (working title) (the “Program/Series”). 5) A. Compositions(s). For the purpose of this Agreement, the “Composition(s)” shall mean the

composition(s) entitled “In the Pines,” words and music by Thomas H. Slim Bryant, Jimmie H. Davis, and Clayton McMichen, which Compositions(s) are owned and controlled by Licensor. a) Market __PBS Broadcast, Internet, DVD__________





7) Nature of Use. The Licensee may use the Compositions(s) for FEATURE purposes; not to exceed approximately 0’52” in length. The Licensee may use the Composition(s) in whole or in part, edited or otherwise modified in Licensee’s sole discretion.

8) License Fee. For all rights grated and licensed in this Agreement, and provided the

Compositions(s) are included in the final edited version of the Program/Series as initially broadcast, Licensee shall pay to Licensor the sum of $2000, two thousand dollars, payable to

APRS, receipt of which is hereby acknowledged. No further amounts shall be payable by Licensee to Licensor in connection with the Licensed Use.



i) Courtesy of APRS ii) Subject to the foregoing, all other characteristics of such credit or any other credit












iv) This License Agreement constitutes the entire agreement and complete understanding of the parties, and cannot be modified except by a written instrument signed by Licensee and Licensor. All prior or contemporaneous promises, understandings and agreements, oral or written, are merged into and included in this written instrument. No officer, employee, or representative of Licensee has made any representation or promise, express or implied, in connection with this agreement or the subject matter hereof which is not contained herein.

If the above is acceptable, please sign where indicated below. Sincerely, LICENSEE ____Serena Sun, Producer______________ Print Name & Title ___________________________________ Signature AGREED TO AND ACCEPTED: “Licensor” _____ Elvis Dean, Account Executive ____ Print Name & Title ___________________________________ Signature C/O PEERMUSIC 250 WEST 57TH STREET SUITE 820 NEW YORK, NY 10107 ___________________ Address Date: _ 8/6/2012___________ ______________123456789____________ Social Security # or Federal I.D. #




composition(s) entitled “Blue Moon of Kentucky,” words and music by Bill Monroe, which Compositions(s) are owned and controlled by Licensor. a) Market __PBS Broadcast, Internet, DVD__________





7) Nature of Use. The Licensee may use the Compositions(s) for background purposes; not to exceed approximately 3’18”in length. The Licensee may use the Composition(s) in whole or in part, edited or otherwise modified in Licensee’s sole discretion.

8) License Fee. For all rights grated and licensed in this Agreement, and provided the Compositions(s) are included in the final edited version of the Program/Series as initially broadcast, Licensee shall pay to Licensor the sum of $2000, two thousand dollars, payable to APRS, receipt of which is hereby acknowledged. No further amounts shall be payable by Licensee to Licensor in connection with the Licensed Use.


If the above is acceptable, please sign where indicated below. Sincerely, LICENSEE ____Serena Sun, Producer______________ Print Name & Title ____________________________________ Signature AGREED TO AND ACCEPTED: “Licensor” _____ Elvis Dean, Account Executive____ Print Name & Title __________________________________ Signature C/O PEERMUSIC 250 WEST 57TH STREET SUITE 820 NEW YORK, NY 10107 _________________________ Address Date: _ 8/6/2012___________ ______________123456789____________ Social Security # or Federal I.D. #




composition(s) entitled “Blue Moon of Kentucky,” words and music by Bill Monroe, which Compositions(s) are owned and controlled by Licensor. a) Market __PBS Broadcast, Internet, DVD__________






8) License Fee. For all rights grated and licensed in this Agreement, and provided the Compositions(s) are included in the final edited version of the Program/Series as initially broadcast, Licensee shall pay to Licensor the sum of $2000, two thousand dollars, payable to APRS, receipt of which is hereby acknowledged. No further amounts shall be payable by Licensee to Licensor in connection with the Licensed Use.


If the above is acceptable, please sign where indicated below. Sincerely, LICENSEE ____Serena Sun, Producer______________ Print Name & Title ____________________________________ Signature AGREED TO AND ACCEPTED: “Licensor” _____ Elvis Dean, Account Executive____ Print Name & Title __________________________________ Signature C/O PEERMUSIC 250 WEST 57TH STREET SUITE 820 NEW YORK, NY 10107 _________________________ Address Date: _ 8/6/2012___________ ______________123456789____________ Social Security # or Federal I.D. #



MUSICAL WORK SYNCHRONIZATION LICENSE AGREEMENT DATE: __8/6/2012_______ Streets of Gold Music C/O BASH MUSIC ATTN: JESSICA BAUM PO BOX 120904 NASHVILLE, TN, 37212 RE: Synchronization License Agreement. Dear Jessica Baum This is a letter to confirm the agreement between you (the “Licensor”) and me (the “Licensee”) regarding our use of your composition(s) in SERENA SUN television program/series entitled: In the Pines: The Bean Blossom Bluegrass Festival (working title) (the “Program/Series”). 5) A. Compositions(s). For the purpose of this Agreement, the “Composition(s)” shall mean the

composition(s) entitled “Sunny Side of the Mountain,” words and music by Bobby Gregory and Harry C. McAulife, which Compositions(s) are owned and controlled by Licensor. a) Market __PBS Broadcast, Internet, DVD__________






8) License Fee. For all rights grated and licensed in this Agreement, and provided the Compositions(s) are included in the final edited version of the Program/Series as initially broadcast, Licensee shall pay to Licensor the sum of $2000, two thousand dollars, payable to

APRS, receipt of which is hereby acknowledged. No further amounts shall be payable by Licensee to Licensor in connection with the Licensed Use.



i) Courtesy of Streets of Gold Music ii) Subject to the foregoing, all other characteristics of such credit or any other credit













If the above is acceptable, please sign where indicated below. Sincerely, LICENSEE ____ Serena Sun, Producer_____________ Print Name & Title ______________________________________________ Signature AGREED TO AND ACCEPTED: “Licensor” _____ Jessica Baum, Account Executive __________________ Print Name & Title ________________________________________ Signature C/O BASH MUSIC ATTN: JESSICA BAUM PO BOX 120904 NASHVILLE, TN, 37212 _________________________ Address Date: _8/6/2012___________ ______________123456789____________ Social Security # or Federal I.D. #



RECORDINGS SYNCHRONIZATION LICENSE AGREEMENT DATE: __8/6/2012_______ Universal Music Group/Mercury Nashville Film and Licensing Department 2220 Colorado Ave Santa Monica, CA 90404 (310) 235-4721 Fax: (310) 235-4905 RE: Recordings Synchronization License Agreement. Dear Elvis Newman This is a letter to confirm the agreement between you (the “Licensor”) and me (the “Licensee”) regarding our use of your composition(s) in SERENA SUN television program/series entitled: In the Pines: The Bean Blossom Bluegrass Festival (working title) (the “Program/Series”). 5) A. Compositions(s). For the purpose of this Agreement, the “Composition(s)” shall mean the

composition(s) entitled “Bluegrass Festival in the Sky,” words and music by Tom T. Hall, which Compositions(s) are owned and controlled by Licensor. a) Market __CD__________


c) Term ___Ten Years___________



7) Nature of Use. The Licensee may use the Compositions(s) for THEME purposes. The Licensee may use the Composition(s) in whole or in part, edited or otherwise modified in Licensee’s sole discretion.

8) License Fee. For all rights grated and licensed in this Agreement, and provided the Compositions(s) are included in the final edited version of the Program/Series as initially

broadcast, Licensee shall pay to Licensor the sum of $2000, two thousand dollars, payable to Universal Music Group, receipt of which is hereby acknowledged. No further amounts shall be payable by Licensee to Licensor in connection with the Licensed Use.



i) Courtesy of Universal Music Group/Mercury Nashville ii) Subject to the foregoing, all other characteristics of such credit or any other credit













If the above is acceptable, please sign where indicated below. Sincerely, LICENSEE ___ Serena Sun, Producer ____________ Print Name & Title _________________________________ Signature AGREED TO AND ACCEPTED: “Licensor” _____ Elvis_Newman, Account Executive _______ Print Name & Title _________________________________________ Signature Universal Music Group Film and Licensing Department 2220 Colorado Ave Santa Monica, CA 90404 (310) 235-4721 Fax: (310) 235-4905 _____________________ Address Date: _ 8/6/2012___________ ______________123456789____________ Social Security # or Federal I.D. #



RECORDINGS SYNCHRONIZATION LICENSE AGREEMENT DATE: __8/6/2012_______ Universal Music Group/MCA Nashville Film and Licensing Department 2220 Colorado Ave Santa Monica, CA 90404 (310) 235-4721 Fax: (310) 235-4905 RE: Recordings Synchronization License Agreement. Dear Elvis Newman This is a letter to confirm the agreement between you (the “Licensor”) and me (the “Licensee”) regarding our use of your composition(s) in SERENA SUN television program/series entitled: In the Pines: The Bean Blossom Bluegrass Festival (working title) (the “Program/Series”). 5) A. Compositions(s). For the purpose of this Agreement, the “Composition(s)” shall mean the

composition(s) entitled “In the Pines,” words and music by Thomas H. Slim Bryant, Jimmie H. Davis, and Clayton McMichen, which Compositions(s) are owned and controlled by Licensor. a) Market __CD__________





7) Nature of Use. The Licensee may use the Compositions(s) for FEATURE purposes. The Licensee may use the Composition(s) in whole or in part, edited or otherwise modified in Licensee’s sole discretion.

8) License Fee. For all rights grated and licensed in this Agreement, and provided the Compositions(s) are included in the final edited version of the Program/Series as initially broadcast, Licensee shall pay to Licensor the sum of $2000, two thousand dollars, payable to Universal Music Group, receipt of which is hereby acknowledged. No further amounts shall be payable by Licensee to Licensor in connection with the Licensed Use.



i) Courtesy of Universal Music Group/MCA Nashville ii) Subject to the foregoing, all other characteristics of such credit or any other credit













If the above is acceptable, please sign where indicated below. Sincerely, LICENSEE ____ Serena Sun, Producer ___________ Print Name & Title _________________________________ Signature AGREED TO AND ACCEPTED: “Licensor” _____ Elvis Newman, Account Executive__ Print Name & Title ___________________________________ Signature Universal Music Group Film and Licensing Department 2220 Colorado Ave Santa Monica, CA 90404 (310) 235-4721 Fax: (310) 235-4905 ____________________ Address Date: _ 8/6/2012___________ ______________123456789____________ Social Security # or Federal I.D. #




composition(s) entitled “Blue Moon of Kentucky,” words and music by Bill Monroe, which Compositions(s) are owned and controlled by Licensor. a) Market __CD__________





7) Nature of Use. The Licensee may use the Compositions(s) for background purposes. The Licensee may use the Composition(s) in whole or in part, edited or otherwise modified in Licensee’s sole discretion.

License Fee. For all rights grated and licensed in this Agreement, and provided the Compositions(s) are included in the final edited version of the Program/Series as initially

broadcast, Licensee shall pay to Licensor the sum of $2000, two thousand dollars, payable to Universal Music Group, receipt of which is hereby acknowledged. No further amounts shall be payable by Licensee to Licensor in connection with the Licensed Use.
















If the above is acceptable, please sign where indicated below. Sincerely, LICENSEE ____Serena Sun, Producer ____________ Print Name & Title __________________________________ Signature AGREED TO AND ACCEPTED: “Licensor” ___Elvis Newman, Account Executive ___ Print Name & Title __________________________________ Signature Universal Music Group Film and Licensing Department 2220 Colorado Ave Santa Monica, CA 90404 (310) 235-4721 Fax: (310) 235-4905 ___________________ Address Date: _ 8/6/2012___________ ______________123456789____________ Social Security # or Federal I.D. #




composition(s) entitled “Sunny Side of the Mountain,”words and music by Bobby Gregory and Harry C. McAulife, which Compositions(s) are owned and controlled by Licensor. a) Market __CD__________





7) Nature of Use. The Licensee may use the Compositions(s) for background purposes. The Licensee may use the Composition(s) in whole or in part, edited or otherwise modified in Licensee’s sole discretion.


broadcast, Licensee shall pay to Licensor the sum of $2000, two thousand dollars, payable to Universal Music Group/MCA Nashville, receipt of which is hereby acknowledged. No further amounts shall be payable by Licensee to Licensor in connection with the Licensed Use.
















of the parties, and cannot be modified except by a written instrument signed by Licensee and Licensor. All prior or contemporaneous promises, understandings and agreements, oral or written, are merged into and included in this written instrument. No officer, employee, or representative of Licensee has made any representation or promise, express or implied, in connection with this agreement or the subject matter hereof which is not contained herein.

If the above is acceptable, please sign where indicated below. Sincerely, LICENSEE ____ Serena Sun, Producer ___________ Print Name & Title _________________________________ Signature AGREED TO AND ACCEPTED: “Licensor” __Elvis Newman, Account Executive___ Print Name & Title _________________________________ Signature Universal Music Group Film and Licensing Department 2220 Colorado Ave Santa Monica, CA 90404 (310) 235-4721 Fax: (310) 235-4905 ________________________ Address Date: _8/6/2012___________ ______________123456789____________ Social Security # or Federal I.D. #



MECHANICAL LICENSE AGREEMENT DATE: __8/6/2012_______ The Harry Fox Agency, Inc 601 West 26th Street Suite 500 New York, NY 10001 Telephone: (212) 834-0100 Fax: (646) 487-6779 RE: Mechanical License Agreement. Dear Elvis Depp This is a letter to confirm the agreement between you (the “Licensor”) and me (the “Licensee”) regarding our use of your composition(s) in SERENA SUN television program/series entitled: In the Pines: The Bean Blossom Bluegrass Festival (working title) (the “Program/Series”). 5) A. Compositions(s). For the purpose of this Agreement, the “Composition(s)” shall mean the

composition(s) entitled “Bluegrass Festival in the Sky,” words and music by Tom T. Hall, which Compositions(s) are owned and controlled by Licensor. a) Market __CD__________





7) Nature of Use. The Licensee may use the Compositions(s) for THEME purposes; not to exceed approximately2’23’’ in length. The Licensee may use the Composition(s) in whole or in part, edited or otherwise modified in Licensee’s sole discretion.


broadcast, Licensee shall pay to Licensor the sum of $1000, one thousand dollars, payable to The Harry Fox Agency, Inc, receipt of which is hereby acknowledged. No further amounts shall be payable by Licensee to Licensor in connection with the Licensed Use.



i) Courtesy of Harry Fox Agency, Inc. ii) Subject to the foregoing, all other characteristics of such credit or any other credit













If the above is acceptable, please sign where indicated below. Sincerely, LICENSEE ___ Serena Sun, Producer ____________ Print Name & Title _________________________________ Signature AGREED TO AND ACCEPTED: “Licensor” _____ Elvis_Depp, Account Executive_______________ Print Name & Title ______________________________________________ Signature The Harry Fox Agency, Inc 601 West 26th Street Suite 500 New York, NY 10001 Telephone: (212) 834-0100 Fax: (646) 487-6779 _________________________ Address Date: _ 8/6/2012___________ ______________123456789____________ Social Security # or Federal I.D. #




composition(s) entitled “In the Pines,” words and music by Thomas H. Slim Bryant, Jimmie H. Davis, and Clayton McMichen, which Compositions(s) are owned and controlled by Licensor. a) Market __CD__________





7) Nature of Use. The Licensee may use the Compositions(s) for FEATURE purposes; not to exceed approximately 0’52’’ in length. The Licensee may use the Composition(s) in whole or in part, edited or otherwise modified in Licensee’s sole discretion.

8) License Fee. For all rights grated and licensed in this Agreement, and provided the Compositions(s) are included in the final edited version of the Program/Series as initially broadcast, Licensee shall pay to Licensor the sum of $1000, one thousand dollars, payable to The Harry Fox Agency, Inc, receipt of which is hereby acknowledged. No further amounts shall be payable by Licensee to Licensor in connection with the Licensed Use.

















composition(s) entitled “Blue Moon of Kentucky,” words and music by Bill Monroe, which Compositions(s) are owned and controlled by Licensor. a) Market __CD__________





7) Nature of Use. The Licensee may use the Compositions(s) for BACKGROUND purposes; not to exceed approximately 3’18’’ in length. The Licensee may use the Composition(s) in whole or in part, edited or otherwise modified in Licensee’s sole discretion.





composition(s) entitled “SUNNY Side of the Mountain,” words and music by Bobby Gregory and Harry C. McAulife, which Compositions(s) are owned and controlled by Licensor. a) Market __CD__________





7) Nature of Use. The Licensee may use the Compositions(s) for BACKGROUND purposes; not to exceed approximately 2’53’’ in length. The Licensee may use the Composition(s) in whole or in part, edited or otherwise modified in Licensee’s sole discretion.


of 5

PBS MUSIC CUE SHEET

L NOLA CODE: SERIES: ACQUIRED? _____ PBS BROADCAST RIGHTS: DB OK? B in MURS?

SERIES:

ORIGINAL BROADCAST DATE (PBS): 12/10/2012

Producing entity: Funky Sun Productions

PROGRAM LENGTH: (approx. MINS., excluding any internal breaks) 113

PROGRAM: In the Pines: The Bean Blossom Bluegrass Festival

Presenting station or entity: WTIU

Program copyright owner: Funky Sun Productions

Contact name & info (phone &/or fax &/or email…): Jennifer Talbott [email protected]

# MUSIC TITLE OR DESCRIPTION (may include, in parentheses, such info as recording artist, album title, label, track #...)

WRITER(S) (i.e., composers, including any lyricists, or arrangers of public domain works)

PUBLISHER(S) or other OWNER(S) of publishing rights

DURATION OF MUSIC CUE(MUST be filled in, even if only approx.) in min|sec

USAGE (indicate EXACTLY ONE per cue): 1-BACKGD.; 2-FEATURE; 3-THEME; 4-CONCERT FEATURE

PERFORMING RIGHTS FOR U.S.A. (leave blank if unknown): 1-ASCAP; 2-BMI; 4-SESAC; 5-other; 6-public domain

SOURCE or TYPE, IF APPLICABLE (NO MORE THAN ONE per cue): 1-specially composed; 2-sync cleared (incl. for public TV, by producer-not relying on PBS agreements or 17 USC Sec. 118); 3-unpublished| OR: PBS pays PTV sync to ____; HFA Song ID# or other source of pub. info

X=DRAMATIC ("grand right) use"

X=REPEATS a previous cue

of 5

1 Bluegrass Festival in the Sky, Tom T. Hall, track # 11, from the album The Magnificent Music Machine, 2010 Mercury Nashville

Tom T. Hall Sony/ATV Acuff Rose Music

1:20 3 2 2 _____

_____

2 In the Pines, Bill Monroe & the Blue Grass Boys, track # 8, disc 1, from the album Anthology, 2005 MCA Nashville

Thomas H. Slim Bryant, Jimmie H. Davis, Clayton McMichen

APRS 0:52 2 2 2 _____

_____

3 Blue Moon of Kentucky, Bill Monroe & The Blue Grass Boys, track # 4, from the album Bean Blossom, 1991 MCA Nashville

Bill Monroe APRS 3:18 1 2 2 _____

_____

4 Sunny Side of the Mountain, Jimmy Martin & the Sunny Mountain Boys, track # 15, from the album Bean Blossom, 1991 MCA Nashville

Bobby Gregory, Harry C. McAulife

Streets of Gold Music

2:53 1 1 2 _____

_____

5 Scotland, Bill Monroe & His Blue Grass Boys, track # 20, disc 1, from the album Anthology, 2005 MCA Nashville

Bill Monroe Unichapell Music Inc.

1:55 1 2 2 _____

_____

6 Sally Goodin’, Bill Monroe & His Blue Grass Boys, track # 20, disc 2, from the album Anthology, 2005 MCA Nashville

Tommy Duncan, James Robert Willis

Anne Rachel Music Corp.

3:15 1 1 2 _____

_____

7 Uncle Pen, Bill Monroe & His Blue Grass Boys, track # 3, disc 1, from the album Anthology, 2005 MCA Nashville

Bill Monroe Anne Rachel Music Corp.

2:00 2 1 2 _____

8 Blue Moon of Kentucky, Bill Monroe & His Blue Grass Boys, track # 14, disc 1, from the album Anthology, 2005 MCA Nashville

Bill Monroe APRS 2:08 2 2 2 _____

_____

9 Molly and Tenbrooks, Bill Monroe & His Blue Grass Boys, track # 17, disc 1, from the album Anthology, 2005 MCA Nashville

Hank Williams APRS, Bill Monroe Music

2:22 1 2 2 _____

_____

10

Bean Blossom Memories, James Monroe, track # 1, from the album My Father: In Memory of Bill Monroe, 2008 CBUJ Entertainment

Black Damar Bill Monroe Music

2:50 1 2 2 _____

_____

11

Cabin in the Hills, Flatt & Scruggs, track # 17, disc 1, from the album The Essential Flat & Scruggs: ‘Tis Sweet to Be Remembered, 1997 Sony

Call DeVoll APRS 2:30 1 2 2 _____

_____

of 5

12

Foggy Mountain Special, Flatt & Scruggs, track # 10, disc 1, from the album The Essential Flat & Scruggs: ‘Tis Sweet to Be Remembered, 1997 Sony

Louise Certain, Gladys Stacey

Universal Cedarwood Publishing

1:49 1 2 2 _____

_____

13

Angel Band, Ralph Stanley, track # 7, from the album Man of Constant Sorrow, 2001 Rebel Records

Ralph Stanley Fort Knox Music Inc., Trio Music Company

1:54 2 2 2 _____

_____

14

Going Up Home to Live in Greener Pastures, Ralph Stanley, track # 2, from the album Man of Constant Sorrow, 2001 Rebel Records

Avril Gearheart, Ralph Stanley

Fort Knox Music Inc., Trio Music Company

2:35 1 2 2 _____

_____

15

Blue Suede Shoes, Elvis Presley, track # 11, from the album Aloha from Hawaii, 1973, BMG/Elvis

Carl Perkins Carl Perkins Music Inc., Wren Music Co. Inc.

1:16 1 2 2

16

I’m So Lonesome I Could Cry, Elvis Presley, track # 12, from the album Aloha from Hawaii, 1973, BMG/Elvis

Hank Williams Sony/ATV Acuff Rose Music

2:16 4 2 2 _____

_____

17

I’m So Lonesome I Could Cry, Bill Monroe & His Blue Grass Boys, track # 10, disc 2, from the album Anthology, 2005 MCA Nashville

Hank Williams Sony/ATV Acuff Road Music

2:14 4 2 2 _____

_____

18

Bluegrass Festival in the Sky, Tom T. Hall, track # 11, from the album The Magnificent Music Machine, 2010 Mercury Nashville


1:20 3 2 2 _____

x

19

My Last Days on Earth, Bill Monroe & His Blue Grass Boys, track # 25, disc 2, from the album Anthology, 2005 MCA Nashville

Bill Monroe Bill Monroe Music

4:42 1 2 2 _____

_____

20

When My Blue Moon Turns to Gold Again, James Monroe & the Midnight Ramblers, track # 12, from the album Bean Blossom, 1991 MCA Nashville

Wiley Walker, Gene Sullivan

APRS 2:20 3 2 2 _____

_____

21

In the Pines, Bill Monroe & the Blue Grass Boys, track # 8, disc 1, from the album Anthology, 2005 MCA Nashville

Thomas H. Slim Bryant, Jimmie H. Davis, Clayton McMichen

APRS 3:12 1 2 2 _____

x

22

I Wonder Where You Are Tonight, Bill Monroe & the Blue Grass Boys, track # 22, from the album Bean Blossom, 1991 MCA Nashville

Johnny Bond Red River Songs Inc.

2:59 1 2 2 _____

_____

of 5

23

Lonesome River, Bobby Osborne & the Rocky Top X-press, track # 8, from the album Bluegrass Melodies, 2007 Rounder/UMGD

Carter Stanley APRS 2:41 1 2 2 _____

_____

24

Go Rest High on That Mountain, Bobby Osborne & the Rocky Top X-press, track # 12, from the album Bluegrass Melodies, 2007 Rounder/UMGD

Vince Gill Benefit Music 4:03 1 2 2 _____

_____

25

The Ballad of Jed Clampett, Flatt & Scruggs, track # 5, disc 2, from the album The Essential Flat & Scruggs: ‘Tis Sweet to Be Remembered, 1997 Sony

P. Henning Carolintone Music Company Inc.

2:04 2 2 2 _____

_____

26

Feudin’ Banjos, Lester Flatt & the Nashville Grass, track # 19, from the album Bean Blossom, 1991 MCA Nashville

Arthur Smith Combine Music Group

2:09 2 2 2 _____

_____

27

Man of Constant Sorrow, Ralph Stanley, track # 1, from the album Man of Constant Sorrow, 2001 Rebel Records

Traditional APRS 2:52 1 2 2 _____

_____

28

I Am a Man of Constant Sorrow, The Soggy Bottom Boys, track # 5, from the album O Brother, Where Art Thou (soundtrack), 2000 Lost Highway

Traditional, arr. Carter Stanley

APRS 3:10 2 2 2 _____

_____

29

Oh, Death, Ralph Stanley, track # 5, from the album Man of Constant Sorrow, 2001 Rebel Records

Traditional, arr. by Ralph Stanley

Zap Publishing Co.

2:59 1 2 2

30

Wayfarin’ Stranger, James Monroe, track # 8, from the album My Father: In Memory of Bill Monroe, 2008 CBUJ Entertainment

Traditional Chappell Company Inc.

_____ 1 1 2 _____

_____

31

Wayfaring Stranger, Jack White, track # 1, from the album Cold Mountain (soundtrack), 2003 Sony

Traditional Bug Music, Z77ss Music

4:26 2 2 2 _____

_____

32

Maggie’s Farm, Bob Dylan, track # 5, disc 1, from the album The Essential Bob Dylan, 2000 Sony

Bob Dylan Special Rider Music

3:51 1 3 2

33

Blowin’ in the Wind, Peter, Paul and Mary, track # 12, from the album In the Wind, 1990 Warner Bros/Wea

Bob Dylan Special Rider Music

2:57 1 3 2

of 5

34

On & On, Bill Monroe & His Blue Grass Boys, track # 12, disc 1, from the album Anthology, 2005 MCA Nashville

Bill Monroe Unichapell Music Inc.

2:48 1 2 2 _____

_____

35

Orange Blossom Special, Bill Monroe & the Blue Grass Boys, track # 23, from the album Bean Blossom, 1991 MCA Nashville

Ervin T. Rouse Universal Music Corp.

2:27 3 1 2 _____

_____

36

Sunny Side of the Mountain, Jimmy Martin & the Sunny Mountain Boys, track # 15, from the album Bean Blossom, 1991MCA Nashville

Bobby Gregory, Harry C. McAulife

Streets of Gold Music

2:53 3 1 2 _____

x

37

Gotta Travel On, Bill Monroe & His Blue Grass Boys, track # 22, disc 1, from the album Anthology, 2005 MCA Nashville

Paul Clayton/Larry Ehrlich/David Lazar/Tom Six

Figgs D. Music, Freddy Bienstock Music Co., Sanga Music Inc.

2:34 1 2 2 _____

_____

38

Bluegrass Festival in the Sky, Tom T. Hall, track # 11, from the album The Magnificent Music Machine, 2010 Mercury Nashville


2:23 3 2 2 _____

x

RELEASE AND ASSIGNMENT OF LICENSED MATERIALS The Undersigned, _Pam Morris_____________________________________________________(“Licensor”) hereby grants to_Funky Sun Productions_________________________________________ its agents, licensees, assigns, designees and employees (collectively referred to hereinafter as “Producer”), the non-exclusive right to use, record, film, photograph, and/or tape the following licensed material: _Early photo of Dr. Ralph Stanley and the Stanley Brothers _______________________________________________ ______________________________________________________________________________________________________________________________________________________________ (referred to hereinafter as the “Images”). The Undersigned agrees and understands that PRODUCER has the right and discretion to use and incorporate the Images into __In the Pines: The Bean Blossom Bluegrass Festival____ (referred to hereinafter as the “Program(s)”) and in any medium the Program(s) may be shown or heard, including, but not limited to, broadcast and cable television, radio, print, world wide web / internet, and videocassette. The Undersigned agrees and understands that PRODUCER has the right and discretion to use the Images in association with the promotion or advertising of the Program(s). The Undersigned agrees and understands that PRODUCER and its successors and assigns own all right, title and interest, including copyright, in the Program(s) and the Images, to be used and disposed of in whatever form at PRODUCER’s sole discretion. The Undersigned agrees and understands that the rights and interests granted to PRODUCER in this Release are perpetual. The Undersigned represents and warrants that they possess or have obtained all rights to the Licensed Material necessary for the grant of this Release and Assignment and that the rights they have granted in this Release and Assignment will not conflict with or violate any commitment, agreement or understanding they have or will have to or with, nor infringe upon any rights of, any person or entity. The Undersigned shall pay, indemnify and hold PRODUCER, its grantors, officers, trustees, assignees, agents, licensees, and employees harmless from and against all claims, losses, costs, expenses, settlements, demands, and liabilities of every kind, including reasonable attorneys’ fees and expenses, arising out of or incurred by reason of the use of the Licensed Material described herein or the inaccuracy, alleged breach of any representation, warranty, covenant, agreement or undertaking made herein. The Undersigned agrees and understands that PRODUCER is relying upon the foregoing consent, permission and indemnity in proceeding with production of the Program(s). AGREED AND ACCEPTED: THE UNDERSIGNED: _____________________________________ PRINTED NAME: _Pam Morris__________________________ ADDRESS: _PO Box 945__________________________ CITY/STATE: _Clintwood, VA 24238__________________ TELEPHONE: _(276) 926-8550_______________________ DATE: _8/15/12______________________________

RELEASE AND ASSIGNMENT OF LICENSED MATERIALS The Undersigned, _Jim Morris_____________________________________________________(“Licensor”) hereby grants to_Funky Sun Productions_________________________________________ its agents, licensees, assigns, designees and employees (collectively referred to hereinafter as “Producer”), the non-exclusive right to use, record, film, photograph, and/or tape the following licensed material: _Photo of Bobby Osborne & the Rocky Top X-Press______ _______________________________________________ ______________________________________________________________________________________________________________________________________________________________ (referred to hereinafter as the “Images”). The Undersigned agrees and understands that PRODUCER has the right and discretion to use and incorporate the Images into __In the Pines: The Bean Blossom Bluegrass Festival________________________________________ (referred to hereinafter as the “Program(s)”) and in any medium the Program(s) may be shown or heard, including, but not limited to, broadcast and cable television, radio, print, world wide web / internet, and videocassette. The Undersigned agrees and understands that PRODUCER has the right and discretion to use the Images in association with the promotion or advertising of the Program(s). The Undersigned agrees and understands that PRODUCER and its successors and assigns own all right, title and interest, including copyright, in the Program(s) and the Images, to be used and disposed of in whatever form at PRODUCER’s sole discretion. The Undersigned agrees and understands that the rights and interests granted to PRODUCER in this Release are perpetual. The Undersigned represents and warrants that they possess or have obtained all rights to the Licensed Material necessary for the grant of this Release and Assignment and that the rights they have granted in this Release and Assignment will not conflict with or violate any commitment, agreement or understanding they have or will have to or with, nor infringe upon any rights of, any person or entity. The Undersigned shall pay, indemnify and hold PRODUCER, its grantors, officers, trustees, assignees, agents, licensees, and employees harmless from and against all claims, losses, costs, expenses, settlements, demands, and liabilities of every kind, including reasonable attorneys’ fees and expenses, arising out of or incurred by reason of the use of the Licensed Material described herein or the inaccuracy, alleged breach of any representation, warranty, covenant, agreement or undertaking made herein. The Undersigned agrees and understands that PRODUCER is relying upon the foregoing consent, permission and indemnity in proceeding with production of the Program(s). AGREED AND ACCEPTED: THE UNDERSIGNED: _____________________________________ PRINTED NAME: _Jim Morris__________________________ ADDRESS: _222 Fifth Ave South___________________ CITY/STATE: _Nashville, TN 37203 __________________ TELEPHONE: _(615) 416-2001_______________________ DATE: _8/15/12______________________________

RELEASE AND ASSIGNMENT OF LICENSED MATERIALS The Undersigned, _Richard Smith_________________________________________________(“Licensor”) hereby grants to_Funky Sun Productions_________________________________________ its agents, licensees, assigns, designees and employees (collectively referred to hereinafter as “Producer”), the non-exclusive right to use, record, film, photograph, and/or tape the following licensed material: _Photo of Bill Monroe and early Blue Grass Boys, 1939-1942______________________________________________ ______________________________________________________________________________________________________________________________________________________________ (referred to hereinafter as the “Images”). The Undersigned agrees and understands that PRODUCER has the right and discretion to use and incorporate the Images into __In the Pines: The Bean Blossom Bluegrass Festival____ (referred to hereinafter as the “Program(s)”) and in any medium the Program(s) may be shown or heard, including, but not limited to, broadcast and cable television, radio, print, world wide web / internet, and videocassette. The Undersigned agrees and understands that PRODUCER has the right and discretion to use the Images in association with the promotion or advertising of the Program(s). The Undersigned agrees and understands that PRODUCER and its successors and assigns own all right, title and interest, including copyright, in the Program(s) and the Images, to be used and disposed of in whatever form at PRODUCER’s sole discretion. The Undersigned agrees and understands that the rights and interests granted to PRODUCER in this Release are perpetual. The Undersigned represents and warrants that they possess or have obtained all rights to the Licensed Material necessary for the grant of this Release and Assignment and that the rights they have granted in this Release and Assignment will not conflict with or violate any commitment, agreement or understanding they have or will have to or with, nor infringe upon any rights of, any person or entity. The Undersigned shall pay, indemnify and hold PRODUCER, its grantors, officers, trustees, assignees, agents, licensees, and employees harmless from and against all claims, losses, costs, expenses, settlements, demands, and liabilities of every kind, including reasonable attorneys’ fees and expenses, arising out of or incurred by reason of the use of the Licensed Material described herein or the inaccuracy, alleged breach of any representation, warranty, covenant, agreement or undertaking made herein. The Undersigned agrees and understands that PRODUCER is relying upon the foregoing consent, permission and indemnity in proceeding with production of the Program(s). AGREED AND ACCEPTED: THE UNDERSIGNED: _____________________________________ PRINTED NAME: _Richard Smith________________________ ADDRESS: _PO Box 771__________________________ CITY/STATE: _Warrenton, VA 20188__________________ TELEPHONE: _1-800-BLU-GRAS_____________________ DATE: _8/15/12______________________________

RELEASE AND ASSIGNMENT OF LICENSED MATERIALS The Undersigned, _Dwight Dillman______________________________________________(“Licensor”) hereby grants to_Funky Sun Productions_________________________________________ its agents, licensees, assigns, designees and employees (collectively referred to hereinafter as “Producer”), the non-exclusive right to use, record, film, photograph, and/or tape the following licensed material: _Photo of early Bean Blossom Bluegrass Festival performers_______________________________________________ ______________________________________________________________________________________________________________________________________________________________ (referred to hereinafter as the “Images”). The Undersigned agrees and understands that PRODUCER has the right and discretion to use and incorporate the Images into __In the Pines: The Bean Blossom Bluegrass Festival____ (referred to hereinafter as the “Program(s)”) and in any medium the Program(s) may be shown or heard, including, but not limited to, broadcast and cable television, radio, print, world wide web / internet, and videocassette. The Undersigned agrees and understands that PRODUCER has the right and discretion to use the Images in association with the promotion or advertising of the Program(s). The Undersigned agrees and understands that PRODUCER and its successors and assigns own all right, title and interest, including copyright, in the Program(s) and the Images, to be used and disposed of in whatever form at PRODUCER’s sole discretion. The Undersigned agrees and understands that the rights and interests granted to PRODUCER in this Release are perpetual. The Undersigned represents and warrants that they possess or have obtained all rights to the Licensed Material necessary for the grant of this Release and Assignment and that the rights they have granted in this Release and Assignment will not conflict with or violate any commitment, agreement or understanding they have or will have to or with, nor infringe upon any rights of, any person or entity. The Undersigned shall pay, indemnify and hold PRODUCER, its grantors, officers, trustees, assignees, agents, licensees, and employees harmless from and against all claims, losses, costs, expenses, settlements, demands, and liabilities of every kind, including reasonable attorneys’ fees and expenses, arising out of or incurred by reason of the use of the Licensed Material described herein or the inaccuracy, alleged breach of any representation, warranty, covenant, agreement or undertaking made herein. The Undersigned agrees and understands that PRODUCER is relying upon the foregoing consent, permission and indemnity in proceeding with production of the Program(s). AGREED AND ACCEPTED: THE UNDERSIGNED: _____________________________________ PRINTED NAME: _Dwight Dillman_______________________ ADDRESS: _5163 N State Road 135_________________ CITY/STATE: _Morgantown, IN 46160_________________ TELEPHONE: _1-877-989-BBJF______________________ DATE: _8/15/12______________________________

1998 & ff.

SERIES (if any): Producing entity:Funky Sun Productions

approx. program length:

113 minutes

PAGE____ of _______

Presenting station or entity:WTIU/PBS

PROGRAM (# if any, and title if any): Jennifer Talbott [email protected]

(Indicate one:) This is a PBS-distributed_x_ (or) "non-PBS"___ public TV program.

DESCRIPTION OF THE WORK USED (in detail -- be sure to specify type of work, e.g., "photo," "painting"...)

YOUR SPECIFIC SOURCE FOR THIS WORK (including, if applicable, issue or volume number, date,

page number)

COPYRIGHT OWNER (If known, identify; if unknown, write "UNKNOWN"; if known but not locatable, identify, and write "NOT LOCATED" in parentheses under copyright

owner's name.)

METHOD OF DISPLAY

(featured; bkgd./ montage;

thematic; art repro. copr. sep.)

RATE PAID (per schedule in PBS's memo or

on reverse)

COPY-RIGHT OWNER

VAGA

PBS TRUST * (see note above)

TRUST MAIN-TAINED BY STATION/ PRODUCER * (see note above)

Photo of Bill Monroe and early Blue Grass Boys, 1939-1942Smith, Richard D. Can't You Hear Me Callin' . Da Capo Press, Cambridge: 2001 Bluegrass Unlimited featured $260 per photo x

Photo of Bill Monroe and early Blue Grass Boys, 1945Smith, Richard D. Can't You Hear Me Callin' . Da Capo Press, Cambridge: 2001 Bluegrass Unlimited featured $260 per photo x




Photo of Bill Monroe and early Blue Grass Boys, 1948-1950Smith, Richard D. Can't You Hear Me Callin' . Da Capo Press, Cambridge: 2001 Bluegrass Unlimited featured $260 per photo x





Photo of the Stanley BrothersSmith, Richard D. Can't You Hear Me Callin' . Da Capo Press, Cambridge: 2002 Bluegrass Unlimited bkgd/montage $260 per photo x

Photo of Dr. Ralph StanleySmith, Richard D. Can't You Hear Me Callin' . Da Capo Press, Cambridge: 2002 Bluegrass Unlimited bkgd/montage $260 per photo x

Photo of Dr. Ralph StanleySmith, Richard D. Can't You Hear Me Callin' . Da Capo Press, Cambridge: 2002 Bluegrass Unlimited bkgd/montage $260 per photo x

Early photo of Dr. Ralph Stanley and the Stanley Brothers Ralph Stanley Museum and Traditional Mountain Music Center Pam Morris/Ralph Stanely estate bkgd/montage $260 per photo x



Photo of Dr. Ralph Stanley and the Stanley Brothers Ralph Stanley Museum and Traditional Mountain Music Center Pam Morris/Ralph Stanely estate bkgd/montage $260 per photo x

Photo of Dr. Ralph Stanley and the Stanley Brothers Ralph Stanley Museum and Traditional Mountain Music Center Pam Morris/Ralph Stanely estate bkgd/montage $260 per photo x

Early photo of Lester Flatt & Earl ScruggsWillis, Barry R. America's Music: Bluegrass. Pine Valley Music, Franktown, CO: 1997 John Wise bkgd/montage $260 per photo x

Early photo of Lester Flatt & Earl ScruggsWillis, Barry R. America's Music: Bluegrass. Pine Valley Music, Franktown, CO: 1997 John Wise bkgd/montage $260 per photo x

Photo of Lester Flatt & Earl ScruggsWillis, Barry R. America's Music: Bluegrass. Pine Valley Music, Franktown, CO: 1997 John Wise bkgd/montage $260 per photo x

Photo of Lester Flatt & Earl ScruggsWillis, Barry R. America's Music: Bluegrass. Pine Valley Music, Franktown, CO: 1997 John Wise bkgd/montage $260 per photo x

Photo of Bobby Osborne & the Rocky Top X-Press Archives at Country Music FoundationCountry Music Foundation (may include copyrights owned by known and unknown photographers) bkgd/montage $260 per photo x x




Photo of early bluegrass festivalsSmith, Richard D. Can't You Hear Me Callin' . Da Capo Press, Cambridge: 2002 Ron Petronko bkgd/montage $260 per photo x



PAYMENT WAS MADE TO (indicate one):In the Pines: the Bean Blossom Bluegrass Festival

* Payment is to be deposited in trust IF AND ONLY IF the copyright owner is unknown or unlocatable. If paying the PBS Trust, send your check (payable to "PBS Trust") to PBS along with the visual arts cue sheet.

PUBLIC BROADCASTING Visual Arts Cue Sheet

Questions about this cue sheet & show may be directed to (name of person and contact info – e.g., address &/or phone &/or fax &/or email):

ORIGINAL BROADCAST DATE:

For reporting uses of copyrighted, published pictorial, graphic, and sculptural works under public broadcasting's compulsory license (granted under Section 118 of the Copyright Act of 1976, 17 U.S.C. §118) AND/OR under PBS's voluntary agreement with Visual Artists & Galleries Association (VAGA).

copy to: Steve Friedman, PBS, Copyright/ Legal Dept., 1320 Braddock Pl., Alexandria, VA 22314-1698, phone 703/739-5090, fax 703/837-3300 or 703/739-5358, '[email protected]'

Instructions and rate schedules are in PBS's memo and may be printed on the reverse of the hard copy of this form.

1998 & ff.



113 minutes

PAGE____ of _______






page number)


owner's name.)

METHOD OF DISPLAY




on reverse)

COPY-RIGHT OWNER

VAGA












Photo of bluegrass festivalsSmith, Richard D. Can't You Hear Me Callin' . Da Capo Press, Cambridge: 2002 Tom Isenhour bkgd/montage $260 per photo x





Photo of recent and current Bean Blossom Music Park, Bluegrass Festival, Brown County Jamboree website: http://www.bbjfoundation.org/ Bean Blossom Brown County Jamboree Foundation Inc. featured $260 per photo x

Photo of early Bean Blossom Bluegrass Festival performers website: http://www.bbjfoundation.org/ Bean Blossom Brown County Jamboree Foundation Inc. featured $260 per photo x






Photo of early Bean Blossom Bluegrass Festival website: http://www.bbjfoundation.org/ Bean Blossom Brown County Jamboree Foundation Inc. featured $260 per photo x



Photo of early Bill Monroe Music Park and Campgrounds website: http://www.bbjfoundation.org/ Bean Blossom Brown County Jamboree Foundation Inc. featured $260 per photo x



Photo of recent Bean Blossom Bluegrass Festival performers website: http://www.bbjfoundation.org/ Bean Blossom Brown County Jamboree Foundation Inc. featured $260 per photo x






Photo of early Bill Monroe Music Park and CampgroundsArchives at Bill Monroe's Bluegrass Hall of Fame& Country Star Museum

Dwight Dillman, Bill Monroe Music Park (may include copyrights owned by known and unknown photographers) bkgd/montage $260 per photo x x




1998 & ff.



113 minutes

PAGE____ of _______






page number)


owner's name.)

METHOD OF DISPLAY




on reverse)

COPY-RIGHT OWNER

VAGA














Photo of early Bean Blossom Bluegrass Festival performersArchives at Bill Monroe's Bluegrass Hall of Fame& Country Star Museum




















Photo of Bill Monroe at the Bean Blossom Music Park/FestivalArchives at Bill Monroe's Bluegrass Hall of Fame& Country Star Museum


Photo of Bill Monroe at the Bean Blossom Music Park/FestivalArchives at Bill Monroe's Bluegrass Hall of Fame& Country Star Museum


Photo of Bill Monroe and James MonroeArchives at Bill Monroe's Bluegrass Hall of Fame& Country Star Museum







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In the Pines: The Bean Blossom Bluegrass Festival

Screen play

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Michelle Funk 1990

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United States✔✔

2012

Michelle Funk541 N. Woodlawn Ave., Bloomington, IN 47406

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Form PA – Full Rev: 02 / 2009 Print: 06 / 2010 — 50,000 Printed on recycled paper U.S. Government Printing Office: 2010-357-993/80,085

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Michelle Funk

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541 N. Woodlawn Ave.

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In the Pines: The Bean Blossom Bluegrass Festival

Storyboards

Television documentary

Serena Sun 1988

✔

China✔✔

Michelle Funk

United States

1990

✔

✔✔

Screen play

2012

Serena Sun2988 E. Amy Lane, Bloomington, IN 47401

DERIVATIVE WORK OR COMPILATION Complete both space 6a and 6b for a derivative work; complete only 6b for a compilation.Preexisting Material Identify any preexisting work or works that this work is based on or incorporates. ▼

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Email

CERTIFICATION* I, the undersigned, hereby certify that I am the

of the work identified in this application and that the statements made by me in this application are correct to the best of my knowledge.

Typed or printed name and date ▼ If this application gives a date of publication in space 3, do not sign and submit it before that date.

Date

Handwritten signature (X) ▼

5

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EXAMINED BY

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❑ Yes ❑ No If your answer is “Yes,” why is another registration being sought? (Check appropriate box.) ▼ If your answer is No, do not check box A, B, or C.

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*17 U.S.C. §506(e): Any person who knowingly makes a false representation of a material fact in the application for copyright registration provided for by section 409, or in any written statement filed in connection with the application, shall be fined not more than $2,500.

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1. Application form2. Nonrefundable filing fee in check or mon-ey order payable to Register of Copyrights3. Deposit material

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Form PA – Full Rev: 02 / 2009 Print: 06 / 2010 — 50,000 Printed on recycled paper U.S. Government Printing Office: 2010-357-993/80,085

Bloomington, IN 47401

Moving visuals, graphics, and audio have been added to the written screen play to complete this television documentary

✔

Serena Sun

Serena Sun

2988 E. Amy Lane

11/12/2012

✔

Motion picture is based on screen play previously registered under same title

1554863 2012

PUBLIC TELEVISION (PTV) STANDARD AFTRA ENGAGEMENT CONTRACT FOR

EDUCATIONAL/INFORMATIONAL TELEVISION BROADCASTS

Dated: 4/22/2012 Between Sam Elliott hereinafter called "Performer," and Michelle Funk

hereinafter called "Producer".

Performer shall render artistic services in connection with the rehearsal and broadcast of

INFORMATIONAL Program(s) designated below and preparation in connection with the part or

parts to be played: This will be a two-part documentary film broadcast on PBS stations, preparation

will include reading and rehearsing the script in advance of scheduled recording date.

TITLE OF PROGRAM: In the Pines: The Bean Blossom Bluegrass Festival

TYPE OF PROGRAM: Multipart documentary for public television

APPLICABLE PAYMENT BASIS

one day x two days three days____four days weekly

LENGTH OF PROGRAM 113 minutes

PLACE OF PERFORMANCE Bloomington, IN

SCHEDULED FIRST AND FINAL DAYS OF ENGAGEMENT: 8/13/2012

NUMBER OF DAYS OF EMPLOYMENT: 1 day

AFTRA CLASSIFICATION: Announcers off-camera (voice-over), more than 10 lines, program

length 90-120 minutes

PARTS TO BE PLAYED: Program narrator

COMPENSATION: $933.00

ADDITIONAL COMPENSATION: ________________________________________________

Additional ETV Broadcast Use: $__________________

Foreign Broadcast Use: $__________________

Audio Visual Use: $75.00______________

SUPPLEMENTAL MARKET UPGRADE FEE: $__________________

(per Paragraph 24.B.)

Execution of this agreement signifies acceptance by Producer and Performer of all of the above

terms and conditions and those on the reverse hereof and attached hereto, if any.

Signed Signed

Performer Producer

Address Address

Address/Phone Address/Phone

NOTE: Attach rehearsal schedule or deliver to Performer not later than the first reading session, (in the event of no reading session, not

later than twenty-four (24) hours in advance of the first rehearsal session).



Dated:4/22/2012Between Sam Elliott hereinafter called "Performer," and Michelle Funk hereinafter

called "Producer".













AFTRA CLASSIFICATION: Announcers off-camera (voice-over), 10 lines or less, program length

90-120 minutes

PARTS TO BE PLAYED: Funder credit voice-over





Audio Visual Use: $75.00______________





Signed Signed

Performer Producer

Address Address




Dated: 4/22/2012 Between Sam Elliott hereinafter called "Performer," and Michelle Funk

hereinafter called "Producer".













AFTRA CLASSIFICATION: Announcers off-camera (voice-over), 10 lines or less, program length

90-120 minutes

PARTS TO BE PLAYED: Promo voice-over





Audio Visual Use: $75.00______________





Signed Signed

Performer Producer

Address Address


PERSONAL RELEASE

Participant Name (print name) _____Yang Sun____________ Program Title (“Program”) ____In the Pines: The Bean Blossom Bluegrass_____ Production Date(s): _________8/6/2012_______ Location: __________Bill Monroe Music Park___________ In consideration of my appearance on the above Program and other good and valuable consideration, receipt of which is hereby acknowledged, I hereby authorize Producer/Production Entity: __Serena Sun_______(“Producer”) to record my name, likeness, image, voice and participation in and performance on film, tape or otherwise for use in the above Program or parts thereof. I agree that the Program may be edited and otherwise altered at the sole discretion of the Producer and used in whole or in art for any and all broadcasting, audio/visual, and/or exhibition purposes in any manner or media, in perpetuity, throughout the world. I understand that I have no rights to the Program or any benefits derived therefrom. I consent to the use of my name, likeness, voice and biographical material about me in connection with the promotion of the Program. I represent that I have the right, capacity, and authority to enter into this agreement (the “Agreement”) and that my participation and performance and the rights I have granted in this Agreement will not conflict with or violate any commitment or understanding I have with any other person or entity. I agree to indemnify and hold harmless Producer from and against all claims, losses, expenses and liabilities of every kind including reasonable attorney’s fees arising out of the inaccuracy or breach of any provision of this Agreement. I expressly release Producer from any and all claims arising out of the use of the Program. This Agreement will in all respects be governed by and interpreted, construed and enforced in accordance with the laws of the State of _________Indiana_________. This Agreement represents the entire understanding of the parties and may not be amended unless mutually agreed to both parties in writing. Participant Signature _________________________ Date: ___8/6/2012______ Address ____1 Easy Amy Lane_______ City, State, Zip __Bloomington, IN, 47401__ Social Security # or Federal ID # _______123456789______________________ Phone: _____812-123-5678________

I represent that I am the parent and/or guardian of the minor who has signed above or is the participant in the Program. I agree that we both shall be bound by this Agreement. Parent/Guardian _____ _______ Date: ________________

PROPERTY USAGE AND RELEASE AGREEMENT

I hereby grant permission to use real property, improvements and adjacent areas located at Address: Bill Monroe Music Park-Campground 5163 N State Road 135 Morgantown, IN 46160-8898 (“the Premises”) for the purpose of photographing and recording scenes (interior and exterior) for the use of Production/Production Entity: Funky Sun Productions (“Producer”) and others. Permission includes, but is not limited to the right to bring personnel, equipment and property onto the Premises, and the right to remove same from the Premises after completion of work. I agree not to interfere with Producer’s work on the Premises. I represent that I own the Premises or otherwise have the authority to enter into this Agreement and grant these rights. Permission is granted for the following consideration: $1,000 payable on first date of shooting, June 9, 2012 and credit inclusion under “Special Thanks to Bill Monroe Music Park-Campground” The Premises will be used, commencing on or about the following start date: June 9, 2012 (subject to change in the even of changes in the production schedule or because of weather conditions), and continuing until completion of all scenes and work to be completed on the Premises, currently scheduled to end on end date: Jun 16, 2012. Producer agrees to restore the Premises to the condition in which they were delivered, reasonable wear and tear excepted. Producer agrees to use reasonable care to prevent damages to the Premises, and will maintain standard production insurance to protect me and Producer against claims or demands of any person arising out of personal injuries, death or property damage caused by the negligence of Producer’s employees, agents, or equipment in connection with the use of the Premises. Producer shall not be liable for any indirect, incidental, or consequential damages including, but not limited to, loss of business, loss of use and loss of profits of any party, including me. Producer shall own any and all rights to all photographs and recordings made by Producer on or about the Premises, including any photography or recording of any identifying names or signs appearing thereon, and will have the worldwide right to use and license others to use such photographs and recordings in any manner whatsoever, including, but not limited to, the right to exhibit, record, edit, and otherwise alter at the sole discretion of the Producer such photographs and recordings or any portion thereof, in any form of media whatsoever, without limitation or restriction. Agreed to by: Name ________________________ Producer ______________________ Address ______________________ Address _______________________ _____________________________ ______________________________ Date _________________________ Date __________________________ ____________________________ Social Security # of Federal I.D. #

PERSONAL RELEASE (With Payment)

Participant Name (print name) _Richard D. Smith________________________________ Program Title (“Program”) ___ In the Pines: The Bean Blossom Bluegrass ___________ Production Date(s): _6/6/12–6/8/12___________________________________________ Location: _Home of Mr. Smith, Rocky Hill, NJ_________________________________ In consideration of my appearance on the above Program and other good and valuable consideration, receipt of which is hereby acknowledged, I hereby authorize Producer/Production Entity: ___Funky Sun Productions_____________________ (“Producer”) to record my name, likeness, image, voice and participation in and performance on film, tape or otherwise for use in the above Program or parts thereof. I agree that the Program may be edited and otherwise altered at the sole discretion of the Producer and used in whole or in art for any and all broadcasting, audio/visual, and/or exhibition purposes in any manner or media, in perpetuity, throughout the world. I understand that I have no rights to the Program or any benefits derived therefrom. I consent to the use of my name, likeness, voice and biographical material about me in connection with the promotion of the Program. I represent that I have the right, capacity, and authority to enter into this agreement (the “Agreement”) and that my participation and performance and the rights I have granted in this Agreement will not conflict with or violate any commitment or understanding I have with any other person or entity. I agree to indemnify and hold harmless Producer from and against all claims, losses, expenses and liabilities of every kind including reasonable attorney’s fees arising out of the inaccuracy or breach of any provision of this Agreement. I expressly release Producer from any and all claims arising out of the use of the Program. In consideration for my appearance and/or performance in the Program and all rights granted hereunder, I shall receive $ 500_______________. This Agreement will in all respects be governed by and interpreted, construed and enforced in accordance with the laws of the State of _Indiana______________. This Agreement represents the entire understanding of the parties and may not be amended unless mutually agreed to both parties in writing. Participant Signature _____________________________________ Date: ____________ Address _5555 Nondescript St_________________ City, State, Zip _Rocky Hill, NJ 08553

Social Security # or Federal ID # _555-12-3456_________________________________ Phone: ___(555) 123-4567_______ I represent that I am the parent and/or guardian of the minor who has signed above or is the participant in the Program. I agree that we both shall be bound by this Agreement. Parent/Guardian __________________________________ Date: ___________________


Participant Name (print name) _Dr. Neil Rosenberg______________________________ Program Title (“Program”) ___ In the Pines: The Bean Blossom Bluegrass ___________ Production Date(s): _5/30/12–6/1/12__________________________________________ Location: _Home of Dr. Rosenberg, St. John’s, NL______________________________ In consideration of my appearance on the above Program and other good and valuable consideration, receipt of which is hereby acknowledged, I hereby authorize Producer/Production Entity: ___Funky Sun Productions_____________________ (“Producer”) to record my name, likeness, image, voice and participation in and performance on film, tape or otherwise for use in the above Program or parts thereof. I agree that the Program may be edited and otherwise altered at the sole discretion of the Producer and used in whole or in art for any and all broadcasting, audio/visual, and/or exhibition purposes in any manner or media, in perpetuity, throughout the world. I understand that I have no rights to the Program or any benefits derived therefrom. I consent to the use of my name, likeness, voice and biographical material about me in connection with the promotion of the Program. I represent that I have the right, capacity, and authority to enter into this agreement (the “Agreement”) and that my participation and performance and the rights I have granted in this Agreement will not conflict with or violate any commitment or understanding I have with any other person or entity. I agree to indemnify and hold harmless Producer from and against all claims, losses, expenses and liabilities of every kind including reasonable attorney’s fees arising out of the inaccuracy or breach of any provision of this Agreement. I expressly release Producer from any and all claims arising out of the use of the Program. In consideration for my appearance and/or performance in the Program and all rights granted hereunder, I shall receive $ 500_______________. This Agreement will in all respects be governed by and interpreted, construed and enforced in accordance with the laws of the State of _Indiana______________. This Agreement represents the entire understanding of the parties and may not be amended unless mutually agreed to both parties in writing. Participant Signature _____________________________________ Date: ____________ Address _51 Place St_________________ City, State, Zip _St John’s, NL A1B 3XB____

Social Security # or Federal ID # _NA_________________________________________ Phone: ___(665) 123-4567_______ I represent that I am the parent and/or guardian of the minor who has signed above or is the participant in the Program. I agree that we both shall be bound by this Agreement. Parent/Guardian __________________________________ Date: ___________________


Participant Name (print name) _Ted Olson_____________________________________ Program Title (“Program”) ___ In the Pines: The Bean Blossom Bluegrass ___________ Production Date(s): _6/4/12–6/5/12___________________________________________ Location: _Home of Mr. Olson, Johnson City, TN_______________________________ In consideration of my appearance on the above Program and other good and valuable consideration, receipt of which is hereby acknowledged, I hereby authorize Producer/Production Entity: ___Funky Sun Productions_____________________ (“Producer”) to record my name, likeness, image, voice and participation in and performance on film, tape or otherwise for use in the above Program or parts thereof. I agree that the Program may be edited and otherwise altered at the sole discretion of the Producer and used in whole or in art for any and all broadcasting, audio/visual, and/or exhibition purposes in any manner or media, in perpetuity, throughout the world. I understand that I have no rights to the Program or any benefits derived therefrom. I consent to the use of my name, likeness, voice and biographical material about me in connection with the promotion of the Program. I represent that I have the right, capacity, and authority to enter into this agreement (the “Agreement”) and that my participation and performance and the rights I have granted in this Agreement will not conflict with or violate any commitment or understanding I have with any other person or entity. I agree to indemnify and hold harmless Producer from and against all claims, losses, expenses and liabilities of every kind including reasonable attorney’s fees arising out of the inaccuracy or breach of any provision of this Agreement. I expressly release Producer from any and all claims arising out of the use of the Program. In consideration for my appearance and/or performance in the Program and all rights granted hereunder, I shall receive $ 500_______________. This Agreement will in all respects be governed by and interpreted, construed and enforced in accordance with the laws of the State of _Indiana______________. This Agreement represents the entire understanding of the parties and may not be amended unless mutually agreed to both parties in writing. Participant Signature _____________________________________ Date: ____________ Address _PO Box 70435_________________ City, State, Zip _Johnson City, TN, 37614_

Social Security # or Federal ID # _555-18-3456_________________________________ Phone: ___(575) 163-4567_______ I represent that I am the parent and/or guardian of the minor who has signed above or is the participant in the Program. I agree that we both shall be bound by this Agreement. Parent/Guardian __________________________________ Date: ___________________

In the Pines: Documentary Show Book

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