In Depth Casino Royale Analysis

7/25/2019 In Depth Casino Royale Analysis

1/18

CASINO ROYALE OPENINGSEQUENCE IN-DEPTH ANALYSISBy: Caxie Dagupen


2/18

T

In te tit!e" #e $an "ee tat te %a$&g'(un) an) te "u%*e$t"+e,g patte'n" a'e .e'y %(!) #it te $(!(u' "$e/e" an)

$(/p!ex0 #i$ $(nt'a"t" #it B(n)1" %!a$& an) #ite 2gu'e"an) p!ain #ite text,


3/18

INSTITU

B(t 3G3 an) C(!u/%ia a'e te /e)ia in)u"t'y an) a.e'e!ea"e) 2!/" tat te gene'a$$epte) an) en*(ye),

Seeing ti" at te %eginning$a''ie" tat expe$tan$y 4(' R(ya!e #(u!) a.e %een )i"t

Te au)ien$e0 at ti" p(int #expe$ting 5ua!ity ente'tain/


4/18

3ISE EN SCENE - S

Te p'e-tit!e "e5uen$e "ta't" #it an e"ta%!i"ing +exte'i(' "(t

(4 an (6$e %!($& an) p!ain #ite text "aying 7P'ague1, 8e a'eten int'()u$e) t( te in"i)e (4 te %ui!)ing #it a 4u!! $a/e'a"(t p('t'aying te )e"&0 $ai'" an) (te' n('/a! (6$e "etting#it (ne "ing!e !igt "(u'$e 4'(/ a !a/p, Te"e ea'!y "(t" 4(!!(#"$(n.enti(n" (4 a t'i!!e' "pe$ia!!y a" te $a'a$te' i" a!(ne in a)e"e'te) "etting an) i" te'e4('e /('e p'(ne t( )ange',

Te next /a*(' "etting in ti" (pei" te t(i!et "etting #i$ i" (penea 2gting "$ene %et#een B(n) an/an, Te'e i" /('e #ite tan %!a$(!(u'" #i$ g'eat!y $(nt'a"t" #in P'ague, Ti" $(u!) "ugge"t t#(

(ne in %'a#n #i!e te (te' %'aine5ua!!y $i!!ing,


5/18

3ISE EN SCENE -

Te Gun 9 One /a*(' (%*e$t tat #a" u"e) in ti" (pening "e5uen$e #a"te 8a!te' PP gun0 "(#ing B(n) a" a "upe'i(' $a'a$te' an

i" )(u%!e ; "tatu", An a!te'nate gun "u$ a" a #e"te'n gun #(a.e %een a%!e t( "e'.e te "a/e pu'p("e a" te 8a!te' PP i" n(# a 'e/a)e $a'a$te' #( i" /('e g'itty,

Te %!a$& at -

An(te' (%*e$t #i$ D'y)en #ea'" 9 te antag(ni"t0 p('t'ayingn(t te g(() guy, Ti" i" (ne typi$a! $(n.enti(n (4 .i!!ain",


6/18

3ISE EN SCENE - POSITI

B(n) D'y

D'y)en i" (n te 'igt an) "i)e at a ige' !e.e! #i!e B(n) i" (n te !e4t "(#ing t$(n


7/18

3ISE EN SCENE - POSITI

In ti" pa't (4 te (pening "e5uen$e (n te (te' an)0 B(n) i" /('e (%.i(u"!y pige' $(/pa'e) t( te /an #(/ B(n) i" 2gting t'(ug(ut, Ti" *u"t 'eite'at"upe'i('ity0 "t'engt an) 4('$e a" e %'uta!!y 2gt" an) u!ti/ate!y &i!!" te /an #%y )'(#ning i/,


8/18

3ISE EN SCENE 9 COSHAIR > 3A

B(n) a" n( tie an) a" i"t(p %utt(n un)(ne0p('t'aying i")aunt!e""ne"",

Hi" /a&e up i" natu'a! an) 'ea!i"ti$0tey a!"( e/pa"i"e) i" .e'y

angu!a' 4a$e, Again0 t( ig!igt ti"ne# i/age (4 g'ittine"",

Hi" ai4(!!(#inan) !((ai' $(again- $(n.en

i" ai'

He1" #ea'ing a %!a?e'0 n(t a "uit0 #i$ i" "igni2$ant a" it "(#" a )i@e'ent "i)B(n), Te!!ing te au)ien$e tat e i"n1t a!#ay" te $!ean0 "!ee& /an in a "uit0 %


9/18

3ISE EN SCENE 9 LIGAND C

L(# &ey !igting i" u"e) 4(' te (pening (4 te %(n) 2!/, Pa't" (4 %(na'e !it up #i!"t te (te' a!4 i" )a'&, Ti" i" pa't (4 'ep'e"entati(n (4

$a'a$te' in te 2!/, In ti" (pening "e5uen$e #e "ee a /u$ )a'&e'%(n) an) ti" i" a g'eat exa/p!e (4 (# te p'()u$e'" (4 te 2!/exagge'ate) ti" t'(ug u"e (4 te !igting, Ti" "igni2e" tat %(n) "i)e",

Ti" i" a!"( a g'eat #ay t( engage te au)ien$e ea'!y, 8en tey "ee'ep'e"entati(n tey #i!! %e eage' t( "ee #at e )(e" in te 2!/ an) i" 'ep'e"ente) t'(ug(ut, L(# &ey !igting i" a!"( u"e) t'(ug(ut t

(pening "e5uen$e a" te "$ene i" "et at nigt, Nigt ti/e i" gene'a!!yti/e tat e( !e e'$ei.e %a) tin " $an an) a'e a%(ut t( a en #


10/18

3ISE EN SCENE 9 LIGHTINCO

Ti" (pening "e5uen$e #a" e)ite) int( %!a$& an)#ite an) u"e" a $(nt'a"t (4 %!a$& an) #ite$(!(u'", Hig &ey !igting i" u"e) !ate' in te pu%!i$t(i!et "$ene e!ping te .ie#e' "ee te "(t" a'e in)ayti/e, U"ing ig &ey !igting t( 'ep'e"ent

)ayti/e /a&e" it /('e 'ea!i"ti$ 4(' te au)ien$e t(#at$,


11/18

3ISE EN SCENE 9 EPREAND BODY LANG

8en )'(#te "in&0 B'e/('"e ('e"p(n"i%iat te )ea

(4 te


12/18

EDITING 9 CA3ERA SANGLES AND 3OE3

Te'e #a" a p(int at te %eginning (4 tep'e- $'e)it "e5uen$e #e'e a "(t (4 te !i4tnu/%e'" in$'ea"ing appea'" te nu/%e'"(n!y in$'ea"e unti! nu/%e' , Ti" $(u!) %e$(nne$te) t( =a/e" B(n) a" e1" t'ying t((%tain i" ;; p("iti(n an) a))" i'(ny t(te "$ene,

Ti" "(t i" a!"( inte'e"tu"e) #it a !(# ang!e ""en"e (4 unea"e 4(' te ate/ &n(# tat te'e i" #it te pe'"(n tat te

4(!!(#ing,


13/18

EDITING 9 SHOT DURAPACE AND RH

L((&ing "pe$i2$a!!y ait a" a 4a"t pa$e a" i"$ene 4u!! (4 .i(!en$e $(nt'a"ting t( te "$eB(n) an) D'y)en a.$(n.e'"ati(n #i$ i"$(nt'(!!e) +"!(# pa$e

Te )u'ati(n in ti" pa'ti$u!a' "(t i" !(ng t( 9again- e/pa"i"e (n B(n)1" "t'engt, Ti" "(t i"4(!!(#e) (n #it a $!("e up (4 B(n)1" 4a$ia!exp'e""i(n #i$ "(#" an(te' "i)e t( i/: ana$$eptan$e (4 #at e i" )(ing0 #i$ i"

"(/eting .i$i(u" 9 %ut e a" t( )( it,


14/18

TRANSI

F!a"%a$&"

At te "ta't (4 Ca"in( R(ya!e te #(!e 2'"t $!ip i" in %!a$& an)#ite, Te ('igina! 4((tage #(u!) a.e %een "(t in $(!(u' an

!ate' $ange) int( %!a$& an) #ite, Ti" $!ip #it n( $(!(u' e!te au)ien$e 'ea!i"e tat #at tey a'e "eeing i" a


15/18

3USIC AND

8en "(#ing te 2gt "$ene tin pa$e0 .(!u/e an) te/p( "(#a$ti(n appening, Te n(n )iegepit$e) .i(!in" in)i$ate" a t'eate#i!e !ate' te )iegeti$ "(un) (4 $a'a$te'" ex$ange %!(#" i" an(gen'e, It e/pa"i"e" te 'ea!ity (te au)ien$e, Te (pening "e5uete (/in(u" "(un) (4 a $!i$& (4 a

$()e #i$ &eep" te au)ien$e #

Fi!/" $(n"i"t (4 t#( type" (4 "(un)0)iegeti$ an) n(n-)iegeti$, Diegeti$ "(un)

in$!u)e" ting" "u$ a" )ia!(gue0 "(un)e@e$t" an) any "(un) tat y(u #(u!) ea'i4 y(u #e'e in tat "$ene y(u'"e!4,

N(n-)iegeti$ "(un) i" "(un) tat i" put(.e' te t(p (4 a $!ip t( e!p 'ein4('$e4ee!ing an) /(()", N(n-)iegeti$ "(un) i".e'y i/p('tant in Ca"in( R(ya!e a" it e!p""et te pa$e 4(' te ig ene'gy $a"e"$ene",

8en te /an 4a!!" t( te


16/18

NARRATIE CTe na''ati.e i" int'()u$e) u"ing


17/18

HO8 GENRE IS CON Te $()e" in)i$ate tat ti" #i!! %e an a$ti(n

2!/0 #e "ee p!enty (4 "(t" : (4 gun"0 (.e'ea)

"ing!e "(u'$e" (4 !igt0 2gting an) .i(!en$e,

Te /u"i$ i" )'a/ati$ an) ig pit$e) an)%ui!)" "u"pen"e in te au)ien$e,

Te $!("e up (4 te gun in te )'a#e'e"ta%!i"e" te a$ti(n gen'e in te (pening"e5uen$e a!t(ug te'e a'e p!enty (4 g'api$"

(4 gun" an) u"e (4 te $(!(u' 'e) in te )etai!e)(pening $'e)it "e5uen$e,

Ti" "e5uen$e a!"( 4eatu'e" "y/%(!" 4'(/ $a')"02gt "$ene" an) .i$ti/" tat p'epa'e u" 4('#at i" t( $(/e,

Te /(.ie "ee/" a $(/%inati(n (4 a$ti(n0

t'i!!e' an) a).entu'e $'(""ing "e.e'a! gen'e",


18/18

HO8 IS ENIG3A CR

8e 4(!!(# te "tep" (4 an un&n(#n /an int( te

(6$e" an) #(n)e' #( e i" an) #e'e e i"g(ing,

Te'e i" !itt!e )ia!(gue %et#een te $a'a$te'"an) tey )( n(t gi.e a#ay /u$ in4('/ati(n,

A" #e 4(!!(# te "tep" (4 te /an t( te )a'&an) i/pe'"(na! (6$e #e #(n)e' #( e i" an)

#at i" *(% i",

8y )(e" B(n) &i!! te (te' guy in te%at'((/

Te 4a$t tat #e a.e "(

in4('/ati(n a))" /y"te(pening (4 te 2!/ an) t( &eep #at$ing,

Te "$'een 2!!" #it teagain an) a "(t (4 B(n#itin te !en" (4 a $a/gun )i'e$t!y at u",

Te /u"i$ %ui!)",

All these aspects of the opening sequencehooks the audience in and reinforces theenigma and action codes already established

in the opening sequence.

In Depth Casino Royale Analysis

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