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• • • • • • • • • • • •

• • • • • • • • • • • • • • • - 0

INTRO-:)UCTTOllT

T'hroughout the course of each of Cha:v-l.otte Pront;~ 's

novels, the protagon ls'; encounters many cU fferert t~rfies

of charc;.cters, Mr. Rochester and Mrs. Reed, John Bretton,

and Paul Emanuel, Frances Henri and M. Pelet are all

very diverse types and e~ch contrib~tes to the novel in

a unique way~ Often, however, the relatiOlJ.ship es"tal'lished

~etween the protagonist and another person is brief i~d

appears to be 100301y co~nected, if connected ci.t

·t~':.c :rain plot of the r.ovel. Miss Brontt! has, ir~ fac:,

'\(;(~,~ ,.~~iticized for her loose nlct construction, ;;;'u ' ".rt

0 .... .' tl: .. t criticism deals with the inclusioYJ of ~v";e,"::;:1ingly

;':;' ~T2-reous minor character3.. W'ny, for 0xn'~:,,1.e, :.~> ,TO" .JrJ

Lo~ood, and her presence does not seem to nrofo~~al~

~~fluence the remainder of t~e plot.

71 ' 1:; sd er: ::laKe s se'loral fra Gmen tary a:nd a. pparer t 1J '_:Y~,J ~_ " O'!'l t ial

r"CG1)Ci". of a fertIle h'J.t ;.md.1.scirlir.ed .irnat:i.~::-rj.·.,-; ". J

Lunc t i ~.lnaJ value.

these characters are included not 8.S a whim of~.h.e writer's

un fet +:sred hec~use they cnntri~~te

or the

j:r:C:2(J..S1 :;~: "his SOIrt€

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a Lood ~rajesmaL; ~y t~8te, ~y a~bi~ion 0.082 not lie in

th~t Tay," sa~s William ~n his i~Lroduct0ry letter.1

Edward's

ambit ion prove Uu t ViiI} iam' s ovm IT,ild chnT:=tcte:::- is unsuited

for trade and the corditio~s under which he h~s to ~or~.

From the be[i~'~j.llC of his en:ployrr.ent he l'i::"lJs his life

increasingly di sgus't ing, ~li s t~L sk of translating 'us~r.e ss

lettern "dry ann t~di:)ustl (r. 24). 'Nsr=~ing at a desk

all day is extl'er::eJy stt:lillC; "'te Gays th,;:;,t :mc1er tte

dema:1.d~; of businoss he feel;:') 1I~,he rust and CL'a::-,- c>,~ :~.y

In his desperatic~, he C0~ :res his restricted l~~e in

busine:::s ,dth the life of a slave who 'Tlust pe-~~:f'cr:':! ':i8

T;'d',':c~rd' s busine ss force s him to see hL3 1 ife a,s "ir: toler-

able" (p. 25). His ~usiness relationship with ~is ~~~ther

~or ~he stjfling life in business, a life which would never

r-!..f.:;~ord im the op')ortunity of any self-expre;,osio:'l.

state:nent that he cou] d ht',"e borne 'ds wo~:: 'r,ad t ,,"ot

been .ror the "ant i pa~y ,vhich had sprung up" bel ':'C(;2: 11:?

two men CP. 24). The sectio~ of the no\el dca~ing wi~h

r:; ./ .

the TElationshiI) cetweGn Williarr. ~md 2~dwa:,d is successful

in i]lu~inating several facets of William's ch~r~c~er

si~ply because 2dwall serves s a foil to Willia~. ~e

are atle to see the protagonist cle~rly hecaus€ ~e is

co~tr~sted with a radically different person. Yoreover,

Willja~ compares hi~solf to ~dward on severa~ CCC~810~S

a!ld wakes several judgr:lents on his brother's c~c',racter,

inciicating, perhaps, an increased :lI'iareness of his c,',vn

character.

From the very be£in~inG of the novel TIe see 2dward

personality and ~anner are revealed in Willia~'s first

inte:r'lie'vv with hiJT;. Eis actions d:1d maYl:::crisms alone are

ind.ica'~ive of hi;:; char::tcte .. c. He Spe,l~{S \7ith "a .. -: bru,::,t

accent" (p .. f;); ~:,ises "shrpl:r" fro;n his ch:~ir (P. 7);

has a uiS~:ltuituous mena.cei1: ~:is eye" (p. 7); a,TId speaks

ha at i 1:: or not at all. a s the !'lood. str ike s 1-J.j ;C;. His

';.'Cii-l:i.::g ~;.t ~,is off.ice, he qu1ckJ.y ascer~aL~;s~h,:.t 'llLI.liar:l

11as broker .. '01 , u.~~ tles

i~t01eratle to Uillia~.

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He is never oh~E2sed with the desjre to cont~ol.

~~rries Frances, 1:e of the fact

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SJrD.e degree of Cl.utono:ny. She d~3ires to aS8ert her

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8.

~ndepend.ence through teach inc; ',; ill ian; real.': .. e 8 that he

cannot deprive her of tha~ independence by rulirg her

life. If William is an i~c0mrlete personality at the

~egin~irL of the novel as we a'e led to believe, then

his cYaracter.

" 201'8. ide ;{el..lter 113 another ~"zzling char:.ete:c '1;11ose

fU:'lCtl()[i in the nO',Te.1 is not entirely clear. W'ner she

is first introd~ced ~o WillIam, she seems to ~e the likely

candjd~te for the novel's love interest. ~fter s~e is

abruptly set aside in favor of Frances, the re~der perhaps

suspe:~t[;. that Charlotte Bront~ whiLlsical}y c};/-i.ngcd hel~

;}an for the novel; France3 3ec~ed l~ke u be~~er hereine,

Hovvever, Ml~e. 3euter might be seen to

][\:;1' de::ep:.ive personal~.t.Y William is led to a r:;a2.L'cc:ion

i~ Frances Henri.

r:'B k::er,' ver:/ lit-:le ;'.tcout the fe;r;ale cha,r,:'c~e~. !'~~;,clNhat

he kno~s little about women he is initially ir~rc~cG~

8=' ) •

knows little about women, he k~ows that he can only marry

9.

a 'Wor..an of some capabilit.y. Her i:1tellectual abilities

?1!'e t~le:r0fore eLough to recomrrend her to .:-:rif:'. i:n the

begin~ine. Tn addition to ~er intelligence, srie ?OS3GS3eS

a charminc and tranquj] personality, a personality in

oet-t:e:r', subtle rli:::ts tell ci.bou"t l'er true c'liJ:racter. He

comes to suspect. ths.t st1e, like T:d,vard, has a 80mpl)lstve

desir to control 8verY0ne she associates w:~h. She

obvio~31y enjoys the feeling of superiority Ghe has in

rela t ion :0 ter stUQ<"rl t3 and instructors beccl.1~.:;e thr:i'_,gh

that superiority she "t, .... , ...... ...... el..· • CO;ltrol -~.r.em. ~ith aac~ of her

which she can dominate ~jm. ~y flattery, fli~tation, or

:-:;a'':aGernent of tCDlper she keeps everyone in ~\:;;e of Lor. :1er

~i her other u~derli~Ls. Or: his second rr.eetin£,,-H-;'" >.Jr,

;il~iaffi feels that 3~e is probing his nat~r2 i~ o~~e~ ~o

~ill e~able her ta~e ~old of him 2nd lead.

perceivec. 800[[ t!lat she was fee~_i. uL.,:c:-c rLy real char~~.cter; she W~~~) s0~.rc'-';nc fo"~ salient points, anti weak polnt8, and eccentric point3; she w~s applyiri£ nc~ tl1is teDt, _',lOttl tr~(::. c, 1:'Opi118 111 t:~H:; l;.tlU : D

fil:d s():ne cfltnk', sorae rl.iche, \rV}JC:-C G"~:? 2oul,d P-.lt 5_n hc~ l:~ti:le flrm foot a:-:d stand u-on ;"y :1eck--:-:1istress of ;;:;; nature (p. 81).

Her d~3j~e tn castor his rersona11ty becnmcs ~sre ol~iJUS

as their re~atjo::;shj p pr0::-;reGSes. Throueh Sd'.vard, Wil:;'i:"%

10.

had found that he is not nne wno can be controlled by

another. Yihe" 1"e finall~' reali.zes that Zora!de :c.erely

Wa~1 t shim lU1der her in fluen :?e, 116 re bels Bgahlst }-ler ar:..i

ceases the pleasant relatio~ship ~hey once had.

A~o~her of ~J'e. Reuter's charncteristics which

who harsh]; u~d nper!y t2k0~ co~trol, Zora!de is subtle

l~ her ~ttempts to ~aster.

of her personality ra~her cRrly l~ their friendship. ne

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whose funci tn::-: ';} l'at"':1E.l' perplexl.Lg.

interrupt the ~:ot. Yet he is a c0~~lex char~cter,

i~terestL1g "because he is 3C enier.;atic. After tr:e:r

first Co~vE~5a~ion, ~ilJiam desc~ihes t:i~ as bej~c

"not c)dd--no quiz--ye t he re se:-r:b:: e1 ::-10 "ne e Ise Thad

ever Geen "e.('ore lt (..-, .... '...... ... 1- • 23) •

have ~:,ec0::,,:e the per;Jo:1 ftc; ':.'as pa:rtLllly because of

'funsden's influence.

J.--:-luaJ.ntance v.ith E'mscle:r~, 'Hillb.r:i is ':iiSC(Hltc~-:t

t c =- e .C an t 0 f his j 0 h • , , ~' .. C'"'I'

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aays e~rhaLical!y, "You'll nevs:c 'C a

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will turn up for

William oi a jot i~ Europe.

is ft::lally 2."(;1e to clt+a.LYl the 1it's::-ty for which he }1:~:S

longed. Hu~sde:: furnishes the fra:::e 0-::: :-r'ind and the

Li.~-:a:nci~l sec-urit,,/ vil1:je~1 enable 71ilJ~am :0 ijsentanc1e

Ii i.s 1 ife.

Vj2.1ette

Villette, 8harlotte Bront@ts last novel, apre~rs to

be very loosely, jf ~ot carelessly, constructed. ~he

rIot relies he~vily 0~ coincidence and se~i-develoned

never satisfactorily developed, nor do they see~ to

su~?ort or advance a~y t~e~e i~ the nevel.

~!as ~lirc~~ont, yet the relationship le?ds nowhere; it

a clo~e look at Miss ~archmont's account of ~er li~e ~aflects

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ViI-' ette

1. ~~arlotte BrontH, Vjl10~te (Bosto~, 1Q71), E'. ";",,: (It ~Tcrec~_ft~·: r~ ~~5.:·c·~: r:r ~)~':~_'~'3 nt~~mber ~vit:~t~' lv")ij~ ::>~ r2S;-~',~:,:/.

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