Improvising Study 5 - Turnarounds - Harmonica · Improvising Study 5 Turnarounds BluesHarmonica ......

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1 Section 1 – Introduction Homework: Listen to each study song you’ve completed and circle where the Turnaround area is. Section 2 – Approaches © 2011 David Barrett & The Harmonica Masterclass Co. for BluesHarmonica.com, All Rights Reserved Improvising Study 5 Turnarounds BluesHarmonica.com Support Material Written by David Barrett

Transcript of Improvising Study 5 - Turnarounds - Harmonica · Improvising Study 5 Turnarounds BluesHarmonica ......

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Section 1 – Introduction

Homework: Listen to each study song you’ve completed and circle where the Turnaround area is.

Section 2 – Approaches

© 2011 David Barrett & The Harmonica Masterclass Co. for BluesHarmonica.com, All Rights Reserved

Improvising Study 5 Turnarounds

BluesHarmonica.com Support Material Written by David Barrett

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Section 3 – Turnaround Chord Tones

I7 = G B D F V7 = D F# A C IV7 = C E G Bb ii7 = D F A C vi7 = E G B D

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Section 4 – Turnaround Licks

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Section 5 – Sony Analysis “Rollin' Rhumba [Version 3]” from 3rd Position Study Song #3 Section 6 – Homework

Homework Assignment #1 - The licks I presented come from ideas of my own and famous blues harmonica soloists (Walter, Cotton, Smith, Horton, Williamson, Wilson, Piazza, Estrin, and tons more). Consider this a library to research as you’re looking for just the right Turnaround lick. I’ve ordered them from least challenging to most challenging (bending control being the main determining factor). Listen to me play each lick and circle your favorite five—memorize them—absorb them into your playing and play them often. Get your calendar out and make a note for every six months to revisit these licks and grab five more. Homework Assignment #2 - Look at your instrumental with a critical eye in regards your Turnarounds. Replace the lackluster Turnarounds with great ones! No need to re-record and send in your instrumental again… we’ll do that later in the series. Helpful Hint Do you want to get good at the high end of the harmonica? If so, move each lick up an octave and you’ve doubled your lick vocabulary! Generally speaking, licks that contain no bending work best.