Improv Mindset€™s Session Exercises to understand the lessons and tools of Improv and their...
Transcript of Improv Mindset€™s Session Exercises to understand the lessons and tools of Improv and their...
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Improv Mindset
Teach For America - June 2/3, 2016
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Artistic Director: Jet City Improv
Actor:TV, Stage, Film
Instructor:Arts Orgs, Colleges
Parents:Pre-First, English
www.JetCityImprov.org
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Actor
What is an actor?What do they do?
What are the qualities that are important for an
actor?
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Teacher
What are the qualities that are important for a
Teacher?
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Leader
What are the qualities that are important for a
Leader?
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Actor - Teacher - LeaderCorrelations?
Communications / ListeningCreativity – imaginationProblem solving – tactics, goals, objectivesStory tellingPublic speaking
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Today’s SessionExercises to understand the lessons and tools of Improv and their integration into the classroom
Listening exercises,Being present in the room,Making yourself available to new ideas,Learning to deal with overload and stress,Accepting and Building on offers with ‘Yes, and,’ Review a structure for effective storytelling, Understanding the role of status and how it can affect your
classroom.
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Exercises
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Disciplines
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ListeningSimple Listening
• Partners• Tell a story - listen to the story
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ListeningRant and Define
• Partners• Can you hear what your
students are saying?• Let them know you hear them.• Help them to define what they
are upset about.• Don’t fix the problem - just
listen. Its not about fixing, its about being attentive to needs.
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Three Methods of Listening1. Sounding board - For the times when people just need to
vent. There is no expected actions to be taken or desired outcome. They just needed to say this out loud to another person, and you are a sounding board.
2. Solver - You are listening see a solution, or to help solve the problem. An expectation of some advice / solution is expected.
3. Sympathizer - You are listening as a friend, to share in the emotional experience of the story. The expectation desired is an emotional commitment to the story tellers point of view.
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MANAGING ORGANIZATIONAL CHANGE
Vision + Skills + Incentives + Resources + Action Plan = Change + Skills + Incentives + Resources + Action Plan = Confusion Vision + + Incentives + Resources + Action Plan = Anxiety Vision + Skills + + Resources + Action Plan = Resistance Vision + Skills + Incentives + + Action Plan = Frustration Vision + Skills + Incentives + Resources + = Treadmill
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Exercise #1WORD BALL
Were you responding to the word given, or were you behind a word or two?
Are you responding to the situation at hand, or are you responding to what happened last time… staying present to the moment.
When you are connected, people connect with you.
Making your work personal.• Students see it all – Children’s Theater• Authenticity reads and you can feel it.
Bring yourself to the work you do – Make it personal. Care.
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Exercise #2CATEGORIES
Challenge – • ‘How do I do this?’ - JUST DO IT • ‘Am I doing it right?’ - YES
Don’t get stuck in one idea. Multiple solutions are possible. Expand what your definition of the category could be.
Turn a block into an offer.• You choose to block, or to accept an offer.
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Exercise #3PATTERNS
• Dealing with overload - how do you respond to stress?• Fight or flight response
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Sabertooth Tiger
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Your BrainThere are twice as many
projections from the Amygdala to the Prefrontal cortex, as
there are from the Prefrontal cortex to the Amygdala.
Your Fight-or-Flight response has twice the power to
override your rational thinking as your rational thinking has to
override your fear.
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Exercise #3PATTERNS
• Dealing with overload - how do you respond to stress?• Fight or flight response - Sabertooth Tiger• Be aware – focus.• Reframe the situation:
‘THIS WILL BE A TRAIN WRECK’
•Be aware of the fear - fight or flight response. Don’t be ruled by it.
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Accepting and Building on offers
A practice for listening, accepting,
building and being attentive.
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Yes, andThe Building Blocks of Improv
'No’
‘Yes, but’
‘Yes, and’ story
‘Yes, and’ party planning
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Yes, andWhy do this?
To get the feeling of what it is like when we are negatedThis is how a student feels when someone blocks their offer
What does it Cause?Lack of trustLoss of connection
‘Why bother when it’s all negated?’
When you ‘yes, and’ is it easy?NO – it take practice
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ToolsIdentify the person you know that is your ‘yes, but’ person.How do you take that person and help them accept and build?
1. What if that were not true? Then what would happen? Move from the realm of impossible to problem solving2. Toyota five ‘Whys’3. Rinse and Repeat What If?
Why?
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ToolsIf you self identify as a person that is a ‘yes, but’ person.How do you make an active change?
1. When you find yourself feeling as if you are blocking offers, try reframing with “Here’s what I like about that….”
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Dr. Know-It-AllWhy do this?
To feel that moment where you are in your own story, and you
have to hear new info and accept and build on it.
Fight or flight -
What do you do?
Accept and Build.
Move forward, make a choice.
Learn.
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Story Telling
A E F B C D G
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Story Telling
A E F B C D G
• Humans make connections between items that may or may not be
connected
• We are hard wired to make up our own story
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Blind SpotWikipedia: A blind spot, scotoma, is an obscuration of the visual field. The place in the visual field that corresponds to the lack of light-detecting photoreceptor cells on the optic disc of the retina where the optic nerve passes through the optic disc.[2] Since there are no cells to detect light on the optic disc, a part of the field of vision is not perceived. The brain interpolates the blind spot based on surrounding detail and information from the other eye, so the blind spot is not normally perceived.
A E F H B C D G
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Seven Line Story1. Once upon a time…
2. And every day….
3. Until one day…
4. Because of this….
5. Because of this….
6. Until finally…
7. And every since then….
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CommunicationBlind Poker -
• Take a card - don’t look at it• Place the card on your
forehead• Talk to each other• Line up how people treated
you.
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CommunicationBlind Poker -
• Choose your own status• Be aware of how status
plays out in your classroom.
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RecapExercises to understand the lessons and tools of Improv and their integration into the classroom
Covered effective listening skills,Methods for staying present in the room,Practices for making yourself available to new ideas,A mindset for dealing with overload and stress,How to accept and build on offers with ‘Yes, and,’ Reviewed a structure for effective storytelling, Practiced a tool for understanding the role of status and
how it can affect your classroom.
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DebriefAs a group - discuss the answers to these questions:
1. What surprised you about our session today?2. What will you be able to take away?3. How will you use it?
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The Challenge…
Try ‘Yes, and’ for an entire day
See where it takes you
Be aware of the offers you block
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Thank you.
Exercises, notes and presentation available at:www.ImprovMindset.com/T4America
For being willing to play and have some fun with me
today.
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