Il cinema all’americana? Defining the Transnational “Popular”

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Il cinema all’americana? Defining the Transnational “Popular” Austin Fisher The University of Bedfordshire, UK

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Il cinema all’americana? Defining the Transnational “Popular”. Austin Fisher The University of Bedfordshire, UK. The “Peplum” (1958-1965). The Spaghetti Western (1964-1977). The “ Giallo ” (1970-1978). The “ Poliziesco ” (1971-1980). Le fatiche di Ercole / Hercules - PowerPoint PPT Presentation

Transcript of Il cinema all’americana? Defining the Transnational “Popular”

Page 1: Il cinema all’americana? Defining the Transnational “Popular”

Il cinema all’americana? Defining the Transnational “Popular”

Austin FisherThe University of Bedfordshire, UK

Page 2: Il cinema all’americana? Defining the Transnational “Popular”

Le fatiche di Ercole / Hercules

(Pietro Francisci, 1958)

L’uccello dalle piume di cristallo / The Bird with the Crystal Plumage

(Dario Argento, 1970)

Per un pugno di dollari /A Fistful of Dollars

(Sergio Leone, 1964)

The “Peplum” (1958-1965)

Ercole e la regina di Lidia /Hercules Unchained

(Pietro Francisci, 1959)

The Spaghetti Western(1964-1977)

The “Giallo” (1970-1978)

The “Poliziesco” (1971-1980)

Django(Sergio Corbucci, 1966)

Milano trema: la polizia vuole giustizia / Violent Professionals

(Sergio Martino, 1973)

Il grande racket / The Big Racket

(Enzo G. Castellari, 1976)

Profondo rosso /Deep Red

(Dario Argento, 1975)

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Popular Italian Cinema

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Popular Italian Cinema

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Popular Italian Cinema

“mass culture”

“of the people”

Page 6: Il cinema all’americana? Defining the Transnational “Popular”

Popular Italian Cinema

La ragazza che sapeva troppo / The Evil Eye

(Mario Bava, 1963)

Page 7: Il cinema all’americana? Defining the Transnational “Popular”

Popular Italian Cinema

“mass culture”

“of the people”


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