Ígor e la luna era nascosta (for ensemble) conductor's score in c
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Transcript of Ígor e la luna era nascosta (for ensemble) conductor's score in c
ÍGOR MICELLI
… E la luna era nascosta…
for ensemble (2012)
Conductor’s score Length: 7’30” c. © 2012 by Ígor Micelli. Tous droits réservés. All rights reserved.
INSTRUMENTS - Flute - Clarinet in Bb (Doubling with Bass Clarinet in Bb) - Violin - Viola - Cello - Percussion: - Vibraphone - 1 Medium Gong (or Tam-tam) - Bass drum - 3 Temple-blocks (or Wood-blocks) - Piano Score in C
Flatt. = Flaterzungue
= Breath sound
Flute Instructions
= Tongue ram
+ = Slap tongue (Just valuable to one note)
Flatt. = Flaterzungue
Clarinet Instructions
NOTICE: Clarinets in real sound (Written in C), Bass Clarinet sounds one octave below.
= Soft mallet
= Medium mallet
= Hard mallet
= Brush mallet
= Hand
Percussion Instructions
m.s. = Metal stick
arco = Playing with a cello or doublebass bow (To this music is asked two of them)
ord. = Ordinary playing, annulates "arco"
NOTICE: Temple-blocks always played with the wood side of the mallets above
0IIIIIIIV
pizz. = Pizzicato
arco = Playing with the bow (Annulates "pizz.")
s.p. = Sul ponticello
s.t. = Sul tasto
ord. = Ordinary position (Annulates "s.p." and "s.t.")
= Snap "Bartok" pizzcato (valuable just to one note)
= Strings
Strings Instructions
al tallone = Bowing on the frog
alla punta = Bowing on teh point
nor. pos. = Normal position (Annulates "al tallone" and "alla punta")
col legno battuto = Stroking with the wood of the bow
coll'arco = Normal bowing (with the horsehair. Annulates "col legno battuto")
vib. = With vibration
n.v. = Without vibration
con sord. = With mute
senza sord. = Without mute
= natural harmonic (real sound)
= Artificial harmonic on a forth (sounds the rounded note two octaves above)
= Al Tallone playing with a very high bow pressure, smashing the strings; ritmicaly propotioned .
Piano instructions
NOTICE: You need a ceramic mug and a blackboard eraser of about 15cm to 20 cm
= on the keyboard
r.h. = Right hand
l.h. = Left hand
= mug
= On the strings
= Regions of the piano strings
= Putting the blackboard eraser on the strings in order to damp them.
= Tapping the strings with the blackboard eraser and let vibrate.
= On the strings, passing a ceramic mug alongside the strings, around the indicated note, beginning the movement very slowly and finishing it very quickly.
up down up and down
= On the strings, in a short moviment, passing a ceramic mug alongside the strings around the indicated notes, following the sense of the arrow. Sign ritmicaly proportoned.
sostenuto or sost. = middle pedal
or = First pedal
l.v.
= Approximative pitch
= Very quick "tremolo", usually employed on fast rhythmics, in order to obtain a dynamic effect
= Changing from a technique to anothre gradually (according to rythmics indications)
= To bend toward down
= To bend toward up
General instructions
Gliss. are proportional to the rhythm
= let vibrate
Adagio (c. q = 45)
Adagio (c. q = 45)
© 2012 Igor Micelli. Tous droits réservés. All rights reserved.
(... And the moon was hidden...)...E la luna era nascosta...
(For ensemble)
By: Igor MICELLI (2012)
Flute
Clarinet in Bb
Violin
Viola
Violoncello
Percussion
Piano
ppp ppp
3
mp ppp
3
s.p.
ppp
con sord. s.p.
ppp
con sord. s.p.
ppp
senza sord.3
pp
pp
Turning the mallets slowly (in due)on the instruments surfaces
Tam-tam
Bass drum
(always slowly)
accel. and cresc. with the turning until
f
l.v.
4
Fl.
Cl.
Vln.
Vla.
Vc.
Perc.
mf
3 3
To B. Cl. in Bb
ppp
senza sord.
al tallone
ff ppp
ord.nor.pos.
mfp
jeté
gliss. ppp5
accel. the turning poco a poco
ff
l.v.
accel. molto
ff
l.v.
To Vib.
mf p
3
Pno.
mf ppp
3
p l.v.
3
2
7
Fl.
B. Cl.
Vln.
Vla.
Vc.
Vib.
mf
Bass clarinetin Bb
mp
5 6
n.v.III
molto vib.
mf sfp
s.p.
n.v. molto vib.
mf sfp
al tallone
sff mp
n.v.
mf
molto vib.
sfp
s.p.
Vibraphone
pp
p
l.v.
To T.B.
Temple Blocks
f3
7
Pno.
mp
f
3
3
9
Fl.
B. Cl.
Vln.
Vla.
Vc.
T.B.
f p
ppp6 5
p
sff mp
al tallone
p
alla punta
mf f
gliss.
ppp
nor.pos.
5 3 35 3
ord.
sff mp
al tallone
p
nor.pos.
ppp mf mp
gliss.
ff
To Vib. arco
Pno.
4
11
Fl.
B. Cl.
Vln.
Vla.
Vc.
Vib.
f
Flatt. pp ff
pizz.ord.
ff
IV
pizz.ord.
ff
III
s.p.
al tallone
sff pp
Vibraphone
mp
arco
f p
l.v.
(motor on)
Pno.
p
mp
3 mp
l.v.3
5
14
Fl.
B. Cl.
Vln.
Vla.
Vc.
Vib.
sfff p f
gliss.3
mp
arco
p
III
(big oscilation)
ppp
p
l.v.
ff
(motor off) To B. drum
Pno.
fsecco
mp
ff mppp
p53 3
6
18
Fl.
B. Cl.
Vln.
Vla.
Vc.
B.d.
p
ff
0
arcos.p.
IIIIV
espress.p
vib.
p
vib.
pizz.
IIIII
arcos.p.
pespress.
vib.
pvib.
(dim. oscillation) (without
oscillation) II
espress.
s.t.
p
molto vib.
n.v.
pp
molto vib.
p
n.v.
pp
Bass drum
f
(gliss. pressing the finger against the instrument's surface)
3
l.v.
Pno.
pp l.v.
7
25
Fl.
B. Cl.
Vln.
Vla.
Vc.
B.d.
/
1 2 3 4
p
2 3 4 5 0
f p
pp
p
vib.
p
vib.
p
vib.
p
vib.
pvib.
pvib.
molto vib.
s.t.n.v.
p ppp
s.p.l.v.
ff ppp
n.v. vib. n.v. vib. n.v. vib.
f l.v.
m.s.Tam-tam
(Gliss. alongside the bodyof the instrument, in a straight line, from the lowest edge till the top)
f l.v.
To Vib.
Pno.
ppl.v.
pp
8
31
Fl.
B. Cl.
Vln.
Vla.
Vc.
T.-t.
ff
gliss.
To Cl. in Bb
( )
Clarinet in Bb3
3
ff
gliss.
p
vib.
IIIII
pp
n.v.
mp
vib.
pp
n.v.
f
p
vib.
pp
n.v.
mp
vib.
pp
n.v.
n.v. vib.
pp mp
s.p.vib.
pp
n.v.
Vibraphone
p
5 5 5 5 5 5 5 5
mf
mp
Pno.
9
34
Fl.
Cl.
Vln.
Vla.
Vc.
Vib.
p f
gliss. gliss.
ff pp
ff p
ord.
0II
ff pp mp ff
gliss.
pp
3 3 5 6
3 5 6
Pno.
ff
l.v.
p
ff
10
36
Fl.
Cl.
Vln.
Vla.
Vc.
Vib.
mp
ord.
ff
gliss. gliss. gliss.
3
gliss.
ff p
ff
ord.
p
p ff
3
ff
Temple Blocks
f p
mf
3
f
3
Pno.
p
fmf
11
37
Fl.
Cl.
Vln.
Vla.
Vc.
T.B.
mf f
mf
gliss.
p
3 3 5
ff p ff
ord.
p
s.p.
ff p
ff
s.p.
p
p ff
ord.
p
s.p.
mf mp ff
To B. drum
p
3 5
ff
in loco3
Pno.
ff
l.v.
3
12
38
Fl.
Cl.
Vln.
Vla.
Vc.
B. D.
/1 3 4
p
2 3 4 5 0
mp
f p
n.v. vib.
sfp pp
molto vib.
III
f p
n.v. vib.
sfp pp
molto vib.
III
f p
n.v. vib.
sfp pp
molto vib.
Bass Drum
mp
mp
Tam-tam
l.v.
Vibraphone
fp
ff
gliss
.
To B. Drum
ff
l.v.
(tapping the string)
mf
(gliss. alongside the string, slowly))
fp
mp
3
13
40
Fl.
Cl.
Vln.
Vla.
Vc.
B. D.
mp
33
ff
To B. Cl. in Bb
3
IV
ff
ord.
3
II
f
sfp
jeté
Bass Drum
(rubbing the hand on the instrument's surface)
ff p
(rubbing from on side to another)
subito
f p subito
Pno.
(gliss. alongside the string, slowly)
mp (tapping the strings changing the pitch)
p
mp
gliss.
(From here, starting gliss. slowly alongside the string.)
mp pp
14
43
Fl.
B. Cl.
Vln.
Vla.
Vc.
B. D.
3
ff p sfp
Flatt.
Bass clarinetin Bb
mf
3
m.s.
(playing on the side of the instrument)
Tam-tam
pp l.v.
Temple Blocks
p
3
(tapping)
mp
(tapping)
p
3
(gliss. alongside the string)
fp mp
15
46
Fl.
B. Cl.
Vln.
Vla.
Vc.
T.-t.
p mf p
Flatt.
mf
7 3
ff
pizz.ord.
IIIII
ff
pizz.ord.
III
pizz.
ord.
ff
Tam-tam
pl.v.
To T.B.
Pno.
(tapping)
p
ff
l.v.
f
l.v.
16
49
Fl.
B. Cl.
Vln.
Vla.
Vc.
T.B.
ff
Flatt.
f
p
Flatt.
pp mf
f
arco
ff
ff
III
III
0
Temple Blocks
ff
fff
Pno.
ff
l.v. (gliss. alongsidethe string.)
p
17
59
Fl.
B. Cl.
Vln.
Vla.
Vc.
T.B.
f mf
3 ff
To Cl. in Bb
3
f
Tam-tam
Turning slowly (non accel.)
pp
l.v.
To Vib.
ff
3
Pno.
19
63
Fl.
Cl.
Vln.
Vla.
Vc.
T.-t.
mp ppp
ff sfff
Clarinet in Bb
p
sfp
s.p.jeté
3
con sord.
s.p.arco
sfp
jeté
con sord.
ord.
II
pp
III
arcocol legno battuto
sf mf mp p pp
Vibraphone
(motor on)
p
(death stroke)
Pno.
f very dry
r.h.f
3
p l.v. p
20
66
Fl.
Cl.
Vln.
Vla.
Vc.
Vib.
mp mf p
ord.pizz.
p
s.p.arco
III
pp
vib. moltovib.
p
n.v.
senza sord.
s.p.
pp
vib. moltovib.
p
n.v.
senza sord.
5 3
p
coll'arco
pp
n.v. n.v.
mp
vib.
3
Pno.
p
p
f
ff
3
21
71
Fl.
Cl.
Vln.
Vla.
Vc.
Vib.
pp
pp
p pp
II
pp
0II
p
ord. I
pp
pp
( )
f
gliss.
p ff
pp
I
ff violent
arco
p
fff
22
77
Fl.
Cl.
Vln.
Vla.
Vc.
Vib.
ff
To B. Cl. in Bb
subito
sfp pp
s.p.
(oscillanting a little, diluitioning)
ord.
p
gliss.
sfp
ord.
pp
s.p.(oscillanting a little, diluitioning)
p
s.p.
pp
II
gliss.
sfp pp sfp
jeté
pp
s.t.
p
(oscillating a little, diluitioning)
ff
l.v.
Pno.
f very dry
ff
23
80
Fl.
B. Cl.
Vln.
Vla.
Vc.
Vib.
Bass Clarinet in Bb
f fp f
3
jeté
ff
3
(motor off)
Tam-tam
mp
l.v.
Pno.
mpl.v.
24
83
Fl.
B. Cl.
Vln.
Vla.
Vc.
T.-t.
f fp f
3
ff
jeté
mf
ord.
mp
jeté
p
ord.
al tallone
f
molto
3
mf
l.v.
Bass Drum
p
l.v.ff
Pno.
l.v.
3
25
86
Fl.
B. Cl.
Vln.
Vla.
Vc.
B. D.
f ff
gliss.
p
3
fp f
3
pp mp f
s.p.
jeté
p I0
pp
jeté
p
pp
al tallone
ff
molto
3
3
Tam-tam
f l.v.
p
3
Pno.
fff
26
91
Fl.
B. Cl.
Vln.
Vla.
Vc.
T.-t.
f ff f ff f ff
Flatt.
mf7
Flatt.
3
p f
73
sfp
jeté
gliss.
7
mp
ord.
pp
s.p.
mp pp
pp
l.v.
Pno.
ff
27
94
Fl.
B. Cl.
Vln.
Vla.
Vc.
T.-t.
f
Flatt.
subito
pff
p 7
mf p mfp
3
pp
sfp
jeté
pp
gliss.
6
sfp
jeté
pp
gliss.
5
pp
m.s. (on the side of the instrument)To T.B.7
Pno.
28
95
Fl.
B. Cl.
Vln.
Vla.
Vc.
T.B.
pp
sffp ff
7
p
mf
s.p. ord.
pp
II III
p ff
6 5 3
ff
ord.
p
Temple Blocks
f p
Vibraphone
(motor on)
pp
f
mf ff
3
Pno. p
7
29
97
Fl.
B. Cl.
Vln.
Vla.
Vc.
Vib.
mf
p mp
6
To Cl. in Bb
mfp
pp p ff p
s.p.
p ff
ord.
p ff
mfp ff
gliss.
p ff
p 5 3 3
Pno.
3
3
30
99
Fl.
Cl.
Vln.
Vla.
Vc.
Vib.
mf f
Clarinet in Bb
( )
mf
gliss.
ff
sfp
jeté
mp
III
mf mfp
III
mf mfp
p
( )
7
Pno.
7
f
31
100
Fl.
Cl.
Vln.
Vla.
Vc.
Vib.
/1 3 4
f
2 3 4 5 0
sffp
ff
3
f
mf
ff
s.p.
p pp sfp pp sfp ppsfp pp
gliss.
ff
III
p ff p
ff p ff
0II
p
f
pp
ff
Pno.
mp
6
32
103
Fl.
Cl.
Vln.
Vla.
Vc.
Vib.
mf f
Flatt.
p
6
ff
p
mfp
s.p. ord.
7
mfp
7
mfp
7
p
p
3 3 3 3
Pno.
3
33
104
Fl.
Cl.
Vln.
Vla.
Vc.
Vib.
mp ff ffp sff
mp mf mfp mfp
pp
mf ff
sonorousmf
IVIII
mp f
ord.
pp
s.p.
mf ff mf
sonorous
IIIII
mp f
ord.
pp
s.p.
mf ff mf
sonorous
III
mp f
ord.
pp
s.p.
ff
Tam-tam
mf
l.v.
ff
l.v.
7
Pno.
l.v. 7
f l.v.
34
107
Fl.
Cl.
Vln.
Vla.
Vc.
T.-t.
/
1 2 3 4
p
2 3 4 5 0
ffmp
f7
mf p
mp ff f
3 3
ff
s.p.
p
ord.
mf p mf p
ff
s.p.
p
ord.
mf p mf p
ff
s.p.
p
ord.
mf p mf p
l.v.
Pno.
ffl.v.
f l.v. mfl.v.
35
110
Fl.
Cl.
Vln.
Vla.
Vc.
T.-t.
mf f ff
3 5
mp mf
5 3
ff mf f
ff mf f
ff mf f
ff
l.v.
To Vib.arco
p
fff5 3
Pno.
3
36
112
rall.
rall.
Fl.
Cl.
Vln.
Vla.
Vc.
Vib.
p
Flatt.
ff6 5
mf
s.p.
ppp
(oscillating and dilutioning till the end)
s.p.
ppp
(oscillating and diluitioning till the end)
s.p.
ppp
(oscillating and diluitioning till the end)
Vibraphone
arco
pp ff
l.v.
Bass drum
ppp
ppp
Tam-tam
turning slowly (in due)
Pno.
ffl.v.
37