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Transcript of id & ego
7/30/2019 id & ego
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id and egoby j. kingsley
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© 2011 j. kingsley III
all rights reserved.
ISBN: 978-1-105-04581-3
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for jun
thanks forletting mesteal everything
♥
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an aside with alice(by jake & jun)
a tragedyinfused with nicotine andyellowed reels of film noir(an art house's wet dream)
a calamityconceived by analeptics andwhite ribbons of drowning fantôme
(an artlessness without seams)
still agonybrought forthin dripping red ransom(an art, or so it seems)
yet agonycannot dichotomizethe blue rabbits(an art junkie fucks the queen)
and the patronswith their looking glassesturn scarlet out of habit
(an artist paints the scene)
and the princesswithout her pale membranereturns humanity to the obscuration(an art is nothing but a dream) 8
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and all of those dreamsdripping red with sensationare meaningless(a vice in artistry, like the smoke that fills your veins)
but all of those dreamsripe with honey amarathineare nothing but meaning(if one should hold their breath for long)
'dream' - an amorphous wordis the beginning and
the end of aestheticism
(a vice in life).
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ketamine and kerosine
ketamine:
i forgot how to feel today.
no numbness nor painnor gnawing disconnect;
my chiral amelia.
my anaesthesia.
the one that made me smaller,whispering 'eat me'in your raw red voice.
my disassociation.
kerosine:
with eyes closed,
i am strangled by phantom hands:
my congenital absenceswith the deathly chillyou always assumed;
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my mouth filledwith pale blue lies,tasting of autoignition;immiscible.
(my bruises spreadlike your lipsand legs.)
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ironherb
bitter melon and kykeon;
we drink to forgetour poisons& maladjusted demons
you wear a flowerborne in dense spikesaround your necklike a small blue crucifix
& your eyesare fivesimple opposites;
cut petalssmelling sickly sweetlike honey flower& otherannuals
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mementos left in fire
like ash
white and dissolutea retrospectionof things falling apartso gentlyafter razed fantasiescherry-blossom cognitionsflicked cindersfrom the stem of your
new life cigaretteexhaling wispsof the remnantslight desolate smoke-ringsstale detritus:leftover reminiscencesaloft in dead grey skies
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live, damn you
you are not dead.
not mottled leavesturned to mulchby wayward feet
not dried tinderturned to ashby consuming flame
not lonely nightturned to dayby ever-flowing time
no,you are not dead.you just......stopped living.
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the hand inside you
you kissed me once
and left poetry on my sternumbeautiful scars
i transcribedto every faded single
and every last lucky strike
(like the moonwe were pretty
and off-whitecoming out at night
as subterraneansto make the world
a softer place)
i want you to knowi love you
in every verseexhaled
in bittersweet cyanide asymmetry
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pericardial
the doctors took me
and spread my ribsapart withconfabulations
(my sternum alreadyfar goneas rich pinkclouds
pressedagainst your pharynx)
and they whisperedwordslike athanasy
as they pressed haemostatsand aeortic cross-clamps
to stopthe fluxof amarettotinged delusions
& penetratethe cavityhidden away inmy bruised-coloured heart
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butall they foundwas pittedmemories
of bittercherries
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the lining of our dreams
back in the dark room
there are photographs i tookof every other horizontal scaron my forearmfrom your laceration phraseologies
your love was a contextual razorand you seemed to hit arteriesproffering body parts
for polaroid positives
(yet you alwayskept the negativesand deconstructed them
picking frame by frameto stick thumbtacks throughand press againstyour punctured peritoneum)
and our picturesare always corrodedwith the bloodstainsof our masochistic memories
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rust
blood flows
to the surface,dissipatingon contactwith theemboliyou blewinto my arteries,spreading your
cancer likean adjuvant;
aluminium hydroxideto treat thepuncture wounds& to forgeteverything else
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the worst decision
remember when
my heart spakesuch wordsso delicately?
you scoffedkissed itand swallowed it whole
sowhy can i still feela pressing againstmy adam's appleevery timeyou walk upon my grave?
(i'm not sorry.dead men can never apologisefor the bruises they leaveupon pretty facesand ugly hearts.)
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haemocyanin
my lips pressed against yours
-copper slipping into my mouthand in blue dosed sacrosanctitiesspilling down my tarnished throat
and you sighed malignantly-my weak-wristed vertebrae
in your satchelof wilted forget-me-not bouquets
grown lush in well-drained euthanasiaand clipped, pallid and ghostlikebruised asphodelic nobodies
'forevermore.'
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cyclical
sad, mournful music;
the cadence of angelswith heads bowedin teared reverence,grey faces elongatedin solemn remembranceof dying innocence
(the summer ended
with an old hunting kniferending selfid and egoto ripe red ribbonswith gentle precision)
an ashen funeral procession;their wings held backby black binds,blackened hands bound in stepand pale lips silveredwith dead dreamsand miscellaneous teardrops
(a letter in scarlet inkpainting in vivid huesevery crime never committedin guilt-ridden purity.penance in isolation.)
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the heavens are closedin leaden abstinenceas its occupants fallin tethered lines of stone;
a recession;dried muted voicessinging no longer.
(copper tonesreminiscent of earthfreefallinga devil's tear
walking a crooked linedown a broken arm;proclamation of sin;lamentation of loneliness.)
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blink
we dream of dreaming
but dreaming never comes;it is a bluras reckless nightsspent daringly aloneout-of-focus malaise;another duskas a circle of confusion;bokeh:
living hand to mouth
extra special bitter perspectives just solo spotspoints spread outfinite to infinitystars burning outglass bulbs brokenmercurial scentsindefinite;diffracted,incoherent daze,halcion days
early awakening:
reoccurring realitiesas a rebound;seven day blister-paksfull of charcoaled transgressions
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six out of ten
there is a lump in my throat
about the size of the clotin your heart with his nameetched so neatly upon it
and it blocks the poisonsi swallow in hasteto forget yourself-inflicted scar
of a face
and you stab yourselfwith needles and suchto mask the tragedyof a broken heart
(i know infatuationand lustbut my heartcollides with my ribcagewhen you sayit skips a beat)
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tincture of opium
i was pretty once
until an anaesthetised affairwith a razorbladeleft me as victor hugo's protagonist
and yet your angled wordswrought more scarsthan metal ever could
(and you smiled innocuouslyand mainlined illnesswhen you saidno, i don't love you anymore)
hypodermic precisionin your sterile-green realityreeking of anti-bacterial soapsand cauterised lacerationsthe world claustrophobicwith streamlined torture devicesutilised to maximum functionality
(but, ohi've tasted your rich aether
in thick sangria mouthfulsand like laudanumit is numbing)
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eight centimetre
extrinsic response
naturally nervousopening widerto importand exportambience;cool autumnal aestethics
relaxation
the flow of thingssystemic circulationof benumbed dilation:fasted adenosine;contraindicative-atria emptiedischaemic mind
relative fluiditydisassociative heartbeats:systolic/diastolic
induced effacementartificial laminaria
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in the month of striking
rain is falling
in daggered drops
and there is a killerin every carsnug and warma senseless foetusa desperate passenger
–
it is winter nowharsh and coldlike spirituous breathsagainst soft rosed cheeks
your tongue is gunmetalfiring off wicked wordswith little puffs of smoke
i am a targetcarrying sixpence gun moneyof your wasted shot religiously
–
you will dieand your brass will rustand i will place coinson your empty sockets 28
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fade out again
there are still scars on my sternum
from your wordsa silvered stainless scalpelcolder than wintered deathvivisecting a personawith frosted eloquence
there are still stains on your handsfrom my heart
a fragile bloodied fragmentmotionlessslowly dripping lifethrough feeble pores
(define:goodbye.)
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moonflower
i did not know lilacs ;
only your morning gloriesblooming chartreusein late hazyafternoons
& dripping
sweet ergineand methylmercury
into blue-green poetry ;
dreams oflapis lazuliorazuriteorsomething elsetinged with arsenic ;
but the sun always rises
& nowlilacs growdouble-floweredon your exhausted timber
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white& heart-shaped
with fruit
dry& cracking
birthing wordswith wingsinto the heavenlyblue aether
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on the outside looking in
it's the taste of a
bitter morning spent alone,cutting with your words
jagged and splinteredyour lips tracing skag needlesoutlines of our blood
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tesserae
an aberration in the tessellation;
i exist as an abaciscus ablazethe vitiation of your mosaic(cheap photobooth strips)
a penrose;a small silver veinin your gold leaf effacement(every smile a stain
a sorted abasementcut smalland smaller still)
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innocence
newborn spring:
flowers blossomingafter dark frosted rests
tender frailty;day and night coalescinginto satellite dream dusks
with fledgling thoughts
grasping outwardbreathing life into the horizon
-
break off fragments of the skyand keep them safe insidewith better timesof verdant awakenings
safe from the clutchesof off-white wintersand pitch-black nightmares
where they can take root
and burst:technicolour visionto monochrome patterns
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-
there is always a bit of day left
to chase afterif you wish to make the moment last
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morning
(We are the art house patrons you always write of
with your cigarette pressed against your lipsblowing phallic smoke ringspast your tinted shadeshiding from the world.
You are the Jim Morrison
I wish I never was.)
I'm cheating on youwith a thought miles awaysimple lines of poetryjuxtaposed into beautyand traded emotionslike shy smiles from childrennever worth giving away.
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middle age
waiting for death but she never comes only grins slightly
like a teasing schoolgirl her hand cold against yourmouth your split lips ripe with the cancer of poetry andmadness blasphemous love
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slight
the mirror died in a fit
of static and white noiseas the glass spider-webbedinto a veined, bleeding mosaic
and i sat as a cucurbitcatching the extract,the build-upof many soulless nights,
waiting
for the timeof distillation;of retort;of condensationof sins& delusions
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ritualized.
incense burns on our arms;
redoxed immaculation;
and we piercethe dividing septain our hearts
bleeding out everyentheogen:
the ambrosia ofour teenaged mistakes;every insufflated sedativewe routed and administered
just to stay inert;our normalcy.
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lonely
do you know Lonely:
that broken concrete nadir;the still moon on high?
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pay-phone conversation
oh, dear
your cheap plastic heartcrackedand out flowedevery sweet nothinglike bruised petalscovering the scarsyou left so disinterestedly
(never fear
it isn't as ifthis heart for memeant anything)
--
there are cigarette burnson the wordsyou left for mecarved into my armsand upon my lipsso that you would bein every embrace
and soft asidewith your ashen residue
(i know you gave itwithout a second thought;
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another playthingto be discardedhaphazardly)
--
your name is a sighsaid in transitionwith the sunand starsall blurringa fuck-all
to the future
(but soft
how a pulse still lingersa placebothinking you care)
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altruistic account
i. agent-neutral actions
blood-stained carpetsand another broken windowwith light pouring ingrieving the shadowsof the atmosphere
glimmering strangers
all-too-familiar territoriescoming out of the darknessslim wraiths upon the skindressed in scarletand fatalism
ii. aesthetic consequences
hollow confessionsto an empty roomwith dusk coming oneidolicallyto pose catechismsto splintered static realism
iii. the observer
dressed ambivalentlyhe swallowed in earnest 43
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and picked up the shardsall glistening in the dawn
idealism reflected reality
in sick grey simulacrafloating on the wavesof dispassionate aftermath
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derivative
i. acidic
you turn my blues to redswith anxiolytic phraseslike "i want to be burned by you"
minor tranquilizersspittle passedthrough parted lips
and clenched teeth
ii. basic
dichotomouslyyou turn my reds to blueswith diazepam wordslike "miss"
cut in halfmind and bodybetween addiction and affliction
iii. neutral
mixed reactionor no reaction at allreds and blues huedto codeine emptiness
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our librium existence sedatesynthesised amputationsomatic poetrylike "love"
and other cliches
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and i was a sunburst(for a brother)
there was a timewhere i could go outsideand stay dry
now it poursat all hoursand it seemsto cut to the quick
(no matter my apparel)
and the sunstays bleakbehind nimbostratus curtains
and the payphonesall coruscatelike the change withinis burningand burstingsparked powderlive fireworks
reminds me
of the timei saw you last
that dry july day
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you helped mefire bottlerocketsout of rusted old piping
it was my birthdayand it was the last dry dayi've seen since
but i still trywith that reddening tubehollowed outto shoot skyrockets
into cloudsrich with bitter beadsevery time my day comes around
if only in memoriam
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caught in the air
i will be there when you die
draped in vulgaritiesa death mask held firmly in place
you are the nicotine addictionand i the yellow stained curtainsof the loungewhere you fucked himwith needles and syringes
and your glassed eyesscreaming of hiroshima
(homology:you looking into the skyand seeing cirrusi looking into the seaand seeing flotsamyour virga fallenfrom on high)
microbursts cutting deeperknocking addicts on their headsleaving you to tend to themon the yellow stained couch
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i will be there when you diedry and shattered(we're only living nowadiabatic mistakes
and approximations)and you will know
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bokeh
you lied
and abandoned mewholeheartedly
and i playedsad songson my oldhollowed body
your pictureslooking at mewith yawning apertureeyes of blackand white
cutting linesperfectly convergingon the pointof your pupil
and divergingonce morewith no finite limit
(only aberratingaround serrated edges)
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scarecrows
moon-viewing on the cliffs;
she sighed and looked downward,whispering of stars.
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desire
death died last night
and ileft a wilted posie at his door
lingering a little longerin the streetlightschasing shadows and memories
overdosing on the perfect drug
a thoughtsolipsisticabandonment of responsibility
my semi-synthetic opoidlingering in my systemhanging aroundpalpably tensewith blood-shot eyesand blood-shot words
death died last nightand ileft myself at his doora wilted posie
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l dopa
i picked her a rose
i saved you the thorns
my lineage and ignobilitystained on the pricks
and you told mei left my tongue elsewhere
her lips tastingof mint cyanide backwash
reminding meof your serpentine smile
fabricatedfabergé eggs of discord
assassinating tsaristswith a flash and a fit
--
i picked her a rose
red and saccharine
i saved you the thornsrusted and pinned to my side
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cardiac
seventy-two words;
connective tissueembryonic;
striated syllablesfrom muscleto systemic circuitry;
your lipsand minein rust-tinted dusk;
diffusion.
-
five centimetres;
epitheliumvermilion;
stratified sensesin circulation;
passive;
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as dawn breaksblood-red;hybridisation.
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self-ignite
the zephyrs are coming down
full of hydrogen and inflorescencesbuds ever growingbut never findingterminal blossomslike the glowof the cathodein a sad housewife'seyes
every sodiumflare fallinga phosphorburninginside
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limerence
oh, my heart just burst
and i think that love is worse
-
(we’ve all got to goand i rather do iton my own timethan take any more
of yours)
-
my eyes are colourisedand the universe is pale
-
there is a brokenshaft of abone
juxtaposed throughmy throat
my adam's applecrackedand bleedingslenderphonemes
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-
oh, my heart just burstand i think that love is worse
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parts of tomorrow
heliographs:
-i dressed the moonin kairos blueand shot myself
to make me prettyerthan the mess
you left
(but you alwayswere the oneto ameliorate)
and now mymoon is bloodshot& haemorrhaged
-
sick hyperaemia:bleeding out
in glamour shots& scratched aperture
-
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beauty doesn't last forever;it can be killedlike any other animal.
(just aim for the heart.)
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specialty pharmaceuticals
she has a voice
of dusty rosein whichshe forgetsthe blood redsecrets smearedclumsily uponher lips
spreadingto phlebotomisewith a lover's caresswhen she says thatsome medications(as well as lethal injections)can only be givenintravenously
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life as a caveat
i: six nonlinears:
the asthenia of icein the brushstrokesof deep grey cachexia(passiveness);
nadeshiko variegationsgrowing stainedamongst moondust
and shadow(regret);
glaucous eyeslike inverse daydreamsthreadlikeand self-faltering(cut sonatas);
an amaranth cantatain merger withthe rose-touched continuo(bloom and rebloom);
celadon repose
as an urnholding pure whitelilium whispers(a breath);
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the feldgrauof an off-handfuturebetwixt soft
isabelline snowsof an aetheredpast.
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the swerve
she brought me
white clover boundwith cut red tulips
and spoke withtwo cut red lipsboth light& very heavy
of the oblivionwe seethrough feathered wings
and i pressedbruised pinkeglantine rosesinto her palms
as almsto the sadnessof things
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burdens of mortality
our bed is
lined withthe remnantsof novae
the shadesof whitecamellia;
the shadesof dreamswe live inwhere actionsnever speak;
the shadesof tearsyou shed
impermanent;ever-fading.
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weltschmerz
beautifully emaciated
she stands in shades of greyan aura of
straightrazor courtesy(plathian ennui disemboweled)acedia in the air
breathing anomie into her lungs
syncopated distress
a heartbeat;lingering sensationgripping deathkissagainst her façadequivering anticipation
and god is waitingin the sky
just beyond her limitations
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the tar you are, the tar i will be
you taught me many tricks :
how to be an anaerobe ,taking the wordsfrom my lungsand hanging themfrom the raftersto bleed and dry ;
how to be an acclimate ,livingwithout the ambianceof fractured voicesand fractured platesboth crashinginto the half-dead poetrydesiccating above our heads ;
how to be a short-dayobligate ,mirroring the deathflower chrysanthemumsyou evulsedas cankersores
and blackened tumours( ; cancerous couplets
with whichyou impregnated me )
from my obliterating fibrosis ,destroying my underlyings 68
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with pretty kiss chemical burns ;
but the best trick
i pickedwas learninghow to bea facultative parasite ,feeding on your poisons( as an ersatz ) ;an ogiku ;the ribbon
tied around your vein .
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on parole
crashing;
crashing.
-
outside,the air feelscaesuric;blessed with rain,
blue spectral lines;the cadenceof your lilt
and my scattershot dreams,possessions returned:
one copy of poems
by hart crane,burnt;
one copy of blue valentines
by tom waits,scratched;
one billfold,leather,weathered,empty;
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and one picture of you,faded,pristine.
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afterword :
my heart beatsasymmetrically
with your namecarved into its side
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