Dominical 16/11/2014 - Llopart Leopardi Gran Reserva 2009. Català
I Read Leopardi
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Transcript of I Read Leopardi
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I Read Leopardi
By
Billy McBride
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Copyright 2010, by William McBride
ISBN 978-0-557-93326-6
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1.
The first time I read Leopardi, I was enamored by his
attention to close in on lush and pleasant weather.
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2.
I have learned a lot that night of reading, but the subject
matter was absorbed at the same speed.
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3.
I know where things are in a flash.
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4.
All of his book was read at one sitting on the couch.
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5.
I cried over and identified with his pains.
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6.
I came out of my shell and I discussed his poetry with my
teacher on break.
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7.
I had much hope of being able pull myself away them from
in order to solve his poems stylistically.
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8.
Leopardi spells out and speaks much of being alone and
being around beauty.
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9.
He spoke of beautiful landscapes and distant horizons.
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10.
Leopardi was disgusted over a silly bad society.
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11.
Reading his poetry, I wondered if I too had any hope for
giant romantic relationships.
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12.
I was patient enough to know that if I kept trying I would
eventually understand his poems content.
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13.
As a matter of fact, he is not so religious.
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14.
He is quietly Romantic Idyllic.
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15.
He does not praise himself, but he lets others do it for him.
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16.
Leopardi wanders far down the street, but not in circles.
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17.
He had the same close isolation as Petrarch did.
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18.
Neither journeying nor staying at home is a cure for a
broken heart when exiled.
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19.
Leopardi wrote in order to play with women usually.
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20.
His nervous approach to the reader was less confident than
Petrarch.
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21.
Leopardi was confident over his creative abilities to
imagine.
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22.
I read he is good, noble, and kind.
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23.
He was more of a fighter than the monumental Petrarch.
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24.
Petrarch however was more collected and patient.
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25.
Leopardi is a nice Gold Moldian now.
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26.
Leopardi is sophisticated and intricate.
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27.
He had more gifted variety than Petrarch.
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28.
Better than Petrarch he was at digressing, and more ironical
on his walks.
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29.
His stance digs into the warrior ironical style.
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30.
There is no one poem to learn, only relations between
them, says Harold Bloom.
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31.
Leopardi is vivid and connects with other individuals
through his vividness.
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32.
Harold Bloom likes his happy brightness.
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33.
Harold Bloom said that Leopardis translator became aware
and caught fire.
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34.
Petrarch and Leopardi are both Gold Moldians now who
work things out.
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35.
Petrarch tells only one story in the mechanisms of his
sonnet sequence.
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36.
Petrarch is a beautiful bird, he chirps one note.
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37.
Leopardi is an embarrassed kid; he wanders, has more
dialogue.
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38.
He is a bright kid who went astray and became lost.
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39.
Petrarch is an gliding invisible bird.
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40.
Leopardi is a rabid Napoleon, leaving Europe in worse
shape than when he set out.
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41.
Petrarch is Blake indoors.
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42.
Leopardi broke up and failed.
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43.
Difficult Petrarch is Waterloo, a benign humanism.
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44.
In one system Leopardi is Ulysses.
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45.
Petrarch is a suitor because of his constant praising of the
prohibited wife of Ulysses, Laura (Penelope).
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46.
Here is my youthful confusion: are all Gold Moldians
Greeks?
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47.
In my own triumph I never lost hope and I was surprised in
my own life many years after moving away from first
reading Leopardi.
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48.
Leopardi was happy to make a painful war by his writings.
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49.
He was an ugly man and he loved golden women
unsuccessfully.
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50.
My anger is that there is now more bad men closer to me
than there was back then.
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51.
Leopardi was happy that Nature put on a show and existed
entirely for him.
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52.
He was like the coming ideal man of Emerson.
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53.
In my sickness I loved video games, mechanically
corresponding to them.
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54.
Emersons prophesized ideal man is a poet.
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55.
My sweetest health is my coherence, my pragmatism.
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56.
Leopardi did not play or experiment.
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57.
Therefore, he was on his high horse and not equal to or
willing give others a boost up.
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58.
Leopardis mourning for his love was temporary.
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59.
Videogames cause the little ones to yearn.
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60.
I feel I am still trying to understand how his own more
mature yearning and beliefs were weak.
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61.
Petrarch had finished completely what he had to say, what
needed in gold to be said.
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62.
Leopardi still had more battles to go into to fight.
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63.
I regret that a few kids can be immature.
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64.
Strange birds are good at circling.
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65.
Not all mixed birds are Gold Moldians.
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66.
Shots out of the ordinary, poetry and the imagination are
the more-than-rational.
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67.
War, revenge, and nuclear aggression are irrational.
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68.
Beauty is natural like dirt.
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69.
Leopardi had a boundless formless style.
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70.
Invisible birds glide theatrically.
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71.
Peace with others is invisible.
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72.
Atobots image is a luminous Image.
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73.
Leopardi thought the heck about Atobots.
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74.
Atobots, the approaching mindless shades, are not
interested in our progress; and keep us from reading, doing
us harm.
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75.
My mistake was not knowing a trusting way of the
meaning of Leopardis poetry at one time.
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76.
Nobody understands why I go off and speed read.
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77.
Leopardi is as normal as life.
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78.
Leopardi did not care or try to contain like I do for
meanings.
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79.
When reading his poetry, I just passed over the words,
absorbing and picking up the privileged now.
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80.
I saved much later to combine and reread.
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81.
Leopardi found women who were in the spotlight of the
world a mystery to figure out.
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82.
He had a great and stable knowledge of who he was
himself.
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83.
In his hunting down of lyrics, he was sweet about his
presentation of his poetic sequences to others.
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84.
He had bitter and impossible-to-solve failures.
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85.
We could use some warm examples of his poetry but not
right now.
- Ora Ora Tiferetot
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86.
He feared being attacked and looked at as a kid.
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87.
He had a power to convince and shock others of his
Genius.
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88.
He praised good little Petrarch.
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89.
He scorned surprises because they would cause him to lose
control of his strong stance.
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90.
Leopardi loved being outdoors in breezes and in rain.
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91.
Petrarch loved the inside, being safe with his family.
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92.
Leopardi hated the nightmare of exile.
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93.
Petrarch hated having to change his order in the Universe
because of apocalypses.
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94.
The outdoors are deep and vivid.
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95.
Leopardi did not know patience with his fellow human
beings.
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96.
I am not Leopardi, unloved.
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97.
We can always talk about his digging up and revival.
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98.
We may speak one day of a Romantic Idyllic coming back
by means of Time Travel.
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99.
The Universe has maps and charts made of it for us for
such a purpose.
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100.
We will make up or resurrect Leopardis memories one day.
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FINIS