I Am A Doer

112
I AM_ SELECTED WORKS // KYLE MANNSCHRECK_ PART 2_

description

selected works_Kyle Mannschreck PART 2

Transcript of I Am A Doer

√CONTINUE TO PART 2_

√I AM_√

S E L E C T E D W O R K S / / K Y L E M A N N S C H R E C K _√

P A R T 2 _

√p . / / _ 0 9 0 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

√I AM_√

∏∏category_ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p. / / _ 0 9 1 _√pro jec t_ S T R E S S C A M PA I G N

OBJECTIVE_

Create a campaign supporting the subject of your choice. Create an

effective website, mobile app, and collateral to support the campaign.

PROJECT BRIEF_

I chose to create a campaign focused around stress as a health and

personal issue. This will be a campaign to bring awareness to the health

issues related to stress and the importance of learning to manage stress.

The site will offer stress reduction techniques as well as tips from

others who have overcome stress. In small amounts stress can be helpful

but when not managed correctly stress can have dangerous effects on

your health and mental well being. I chose to aim the campaign at upper

class-men at the collegiate level and fresh college graduates diving into

the high stress of a new job. I chose to keep a more rough style bringing

in elements of the school or workplace.

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

CHAPTER_

COURSE_

DURATION_

KEYWORDS_

07/12

Graphic Design 3

Weeks

Spastic

Youthful

Scholastic

PROJECT_

TERM_

DELIVERABLES_

Stress Campaign

Summer 2011

Website

Mobile Site

Collateral

CATEGORY_

INSTRUCTOR_

TYPEFACES_

Print/Interactive

Jenny Ji

1 2 3 4 5 6 7 8 9 1 0 1 1 1 2 1 3 1 4 1 5

Knockout

My Handwriting

Arial

_ ∂ ∂

√√

√ √

√07_√

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 0 9 3 _p r o j e c t _ S T R E S S C A M PA I G N √

√p . / / _ 0 9 4 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 0 9 5 _p r o j e c t _ S T R E S S C A M PA I G N √

√p . / / _ 0 9 6 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 0 9 7 _√ ∏∏p r o j e c t _ S T R E S S C A M PA I G N

c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 0 9 9 _√ ∏∏p r o j e c t _ S T R E S S C A M PA I G N

√p . / / _ 1 0 0 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 0 1 _√ ∏∏p r o j e c t _ S T R E S S C A M PA I G N

√p . / / _ 1 0 2 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

√I AM_√

∏∏category_ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p. / / _ 1 0 3 _√pro jec t_ P H A R M A C E U T I C A L PA C K A G I N G

OBJECTIVE_

Pick an existing health problem and design a packaging system around

it that helps to improve patients day–to–day life.

PROJECT BRIEF_

I chose to take on the ailment of chronic kidney disease. Chronic kidney

disease is a progressive loss in renal function over a period of months

or years. Once it has progressed to certain stages sufferers may require

dialysis up to three times a day just to survive. Traditionally this would

be done at a Hospital or Health Center. Chronic Kidney disease no longer

needs to run your life with the machines growing ever smaller and

the introduction of home-dialysis. With the introduction of our travel

supply kit people suffering from Chronic Kidney Disease will be more

mobile than ever before. I will be introducing a three day travel kit for

people placed on hemo–dialysis. The kit will include Saline Solution,

Heparin, Latex gloves, Gauze, Syringes, Disinfectant wipes, Face masks,

and Adhesive Strips and is to be used with a home-dialysis unit.

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

CHAPTER_

COURSE_

DURATION_

KEYWORDS_

08/12

Packaging 3

Weeks

Sterile

Trustworthy

Innovative

PROJECT_

TERM_

DELIVERABLES_

Pharmaceutical Packaging

Fall 2012

Packaged Products

Travel Kit

CATEGORY_

INSTRUCTOR_

TYPEFACES_

Packaging

Thomas McNulty

1 2 3 4 5 6 7 8 9 1 0 1 1 1 2 1 3 1 4 1 5

Flama

_ ∂ ∂

√√

√ √

√p . / / _ 1 0 4 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K

√08_√

c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

√p . / / _ 1 0 6 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K

10ml HEPARIN SOLUTION

Sterility guaranteed unless package is damaged or opened. Single Use Syringe. Dispose immediately after Use. Store in a cool, dry place.

5,000 UNITS PER mL HEPARIN SOLUTION IN DISPOSABLE SYRINGE

5040 Cerritos Ave.,Los Angeles, CA 90045

(310) 649–0707

HEMOPRO INTERNATIONAL

10ml SALINE SOLUTION

Sterility guaranteed unless package is damaged or opened. Single Use Syringe. Dispose immediately after Use. Store in a cool, dry place.

0.9% SODIUM CHLORIDE INJECTION IN DISPOSABLE SYRINGE

5040 Cerritos Ave.,Los Angeles, CA 90045

(310) 649–0707

HEMOPRO INTERNATIONAL

10ml HEPARIN SOLUTION

Sterility guaranteed unless package is damaged or opened. Single Use Syringe. Dispose immediately after Use. Store in a cool, dry place.

5,000 UNITS PER mL HEPARIN SOLUTION IN DISPOSABLE SYRINGE

5040 Cerritos Ave.,Los Angeles, CA 90045

(310) 649–0707

HEMOPRO INTERNATIONAL

10ml SALINE SOLUTION

Sterility guaranteed unless package is damaged or opened. Single Use Syringe. Dispose immediately after Use. Store in a cool, dry place.

0.9% SODIUM CHLORIDE INJECTION IN DISPOSABLE SYRINGE

5040 Cerritos Ave.,Los Angeles, CA 90045

(310) 649–0707

HEMOPRO INTERNATIONAL

c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 0 7 _√p r o j e c t _ P H A R M A C E U T I C A L PA C K A G I N G

√p . / / _ 1 0 8 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 0 9 _√p r o j e c t _ P H A R M A C E U T I C A L PA C K A G I N G

√p . / / _ 1 1 0 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 1 1 _p r o j e c t _ P H A R M A C E U T I C A L PA C K A G I N G √

√p . / / _ 1 1 2 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

√I AM_√

∏∏category_ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p. / / _ 1 1 3 _√pro jec t_ PA P E R P RO M O T I O N

√p . / / _ 0 0 8 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏

OBJECTIVE_

Pick an existing line of paper on the market and create a system of

promotional materials, the bulk of which is to be a conceptual book

portraying the essence one of the papers' characteristics.

PROJECT BRIEF_

The paper line I chose to promote was the Vice Versa paper line by

Gmund. The paper line gets its name from it’s unique color palette made

up of 8 complementary dark, light color pairs. The company is held in

high regard for their unprecedented standards of beauty, quality, and

environmental consciousness. With the dualistic nature of the paper

line came the idea for a book showcasing opposite views on a common

issue and seeing that Gmund Paper is regarded for their environmental

consciousness the ever present issue of recycling felt like an appropriate

choice. I set out to create two books bound together, one side showcasing

the positive view of recycling, the other presenting a more pessimistic

view. Each book would utilize one half of each color pair in the paper line.

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

CHAPTER_

COURSE_

DURATION_

KEYWORDS_

09/12

Typography 3

Weeks

Thought-provoking

Dualistic

Environmental

PROJECT_

TERM_

DELIVERABLES_

√√

√ √

√ √

Paper Promotion

Summer 2011

Promotional Book

Website

Paper Swatches

CATEGORY_

INSTRUCTOR_

TYPEFACES_

Typography

Ariel Grey

1 2 3 4 5 6 7 8 9 1 0 1 1 1 2 1 3 1 4 1 5

Swiss 721

Swiss 721 Rounded

Courier

_ ∂ ∂

√09_√

c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 1 5 _p r o j e c t _ PA P E R P RO M OT I O N √

√p . / / _ 1 1 6 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

√p . / / _ 1 1 8 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 1 9 _p r o j e c t _ PA P E R P RO M OT I O N √

√p . / / _ 1 2 0 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 2 1 _p r o j e c t _ PA P E R P RO M OT I O N √

√p . / / _ 1 2 2 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 2 3 _p r o j e c t _ PA P E R P RO M OT I O N √

√p . / / _ 1 24 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 2 5 _p r o j e c t _ PA P E R P RO M OT I O N √

√p . / / _ 1 2 6 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 2 7 _p r o j e c t _ PA P E R P RO M OT I O N √

√p . / / _ 1 2 8 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 2 9 _p r o j e c t _ PA P E R P RO M OT I O N √

√p . / / _ 0 0 8 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

IS RECYCLING REALLY THE BEST OPTION? WHY NOT SAVE TIME, SEND IT TO THE LANDFILL.

LIVE LARGEUSE ONCETHROW OUT

REDUCEREUSERECYCLE

Thoughts on the Vice Versa paper line by Gmund

LIVE SUSTAINABLY, PRESERVE THE PLANET FOR OURFUTURE POSTERITY.

The Vice Versa paper line gets its name from it’s unique color pallette which is made up of 8 complementary dark and light color pairs. The name vice versa means this way and that way pertaining to different ways of looking at things. With this in mind along with the modern style of the paper we decided to make a book which features two different ways to look at a modern issue; the issue at hand, recycling. The colour palette throughout the book is inspired by the light–dark pairings of Vice Versa paper. The color pairs on order of light–dark are linteum and pinus, rivus and pelagus, menta and herbus, eboreus and crucum, lac and humus, rosa and vintum, albus and argentum, as well as ferrum and ebenum. We also thought recycling would be a pertinent subject keeping in mind the Gmund paper mills unprecedented standards of beauty, fine quality, and environmental consciousness. Gmund manufactures all of their fine papers chlorine free, pH neutral, fade resistant, and with only the sustainable raw materials. The mill also boasts an innovative ozone purification system which cleans their waste water, chemical free, returning it to drinking quality, and returning it to the nearby lake Tegernsee.

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 3 1 _p r o j e c t _ PA P E R P RO M OT I O N √

√p . / / _ 1 3 2 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 3 3 _p r o j e c t _ PA P E R P RO M OT I O N √

√p . / / _ 1 3 4 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

yearly1584 lbs

weekly30.5 lbs

daily4 lbs

AMERICAN WASTE STATISTICS

(per person)

lets keep our planet green

lets keep our planet green

16%

PLASTIC RESIN SALES BY MARKET

02LAND FILL

THISSIDE DOWN

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 3 5 _p r o j e c t _ PA P E R P RO M OT I O N √

01 PLAS TICS

LIVE LARGEUSE IT ONCETHROW IT AWAY

3

45

6

10

9

8

18868

66

60

181

7695

70

58

01PLASTIC RECYCLING

PLASTIC RECYCLING

FINDING EMPTY SPACE REALLY ISNT A PROBLEM.

√p . / / _ 1 3 6 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

√I AM_√

∏∏category_ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p. / / _ 1 3 7 _√pro jec t_ A C E I D E N T I T Y

OBJECTIVE_

Chose a retail store and take it through a re–brand. Re–brand to include

logo, applications, store exterior, and store interior.

PROJECT BRIEF_

I chose to re–brand the last standing independently owned hardware

store, Ace Hardware. Each Ace store is independently owned and operat-

ed by local entrepreneurs – hard-working, passionate business owners

who are involved with and, many times, reside in the communities where

their stores are. Throughout its 85-year history, Ace has been known as

the helpful hardware place by both customers and communities. I felt

the existing logo failed to capture the friendly and helpful nature of the

business. I set out to refresh the current identity and branding system

without loosing too much existing equity. My aim was to reflect more of

the brands character as "the helpful place."

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

CHAPTER_

COURSE_

DURATION_

KEYWORDS_

10/12

Identity 2

Weeks

HelpfulApproachableFriendly

PROJECT_

TERM_

DELIVERABLES_

√√

√ √

√ √

Ace Identity

Fall 2012

LogoApplicationsSignage

CATEGORY_

INSTRUCTOR_

TYPEFACES_

Identity

Thomas McNulty

1 2 3 4 5 6 7 8 9 1 0 1 1 1 2 1 3 1 4 1 5

Locator

_ ∂ ∂

√10_√

√p . / / _ 1 3 8 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 0 0 9 _√p r o j e c t _ R E TA I L I D E N T I T Y

√p . / / _ 1 4 0 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 41 _√p r o j e c t _ A C E I D E N T I T Y

√p . / / _ 1 4 2 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 4 3 _√p r o j e c t _ A C E I D E N T I T Y

√p . / / _ 1 4 4 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

√p . / / _ 1 4 6 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 4 7 _√p r o j e c t _ A C E I D E N T I T Y

√p . / / _ 1 4 8 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

√I AM_√

∏∏category_ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p. / / _ 1 4 9 _√pro jec t_ CO L L E C T I V E PA C K A G I N G

√p . / / _ 0 0 8 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

OBJECTIVE_

Work in a collaborative effort to create a retail store and develop pack-

aging that run across multiple house and private brands. Take the store

from conceptualization all the way through realization.

PROJECT BRIEF_

Our group decided to create an art store we would be excited to shop at.

The brand would offer inspiration to artists of all experience levels and

levels of dedication. The store would host workshops and local art shows

as well as feature an in store café where patrons could collaborate and

become inspired. The store was broken down into four main categories

for packaging and branding purposes. The general supplies were classi-

fied under the name The Collective which is also the name of the store.

A children's line was born for the aspiring artist which would live under

the name of Primary. The bulk of the business would revolve around the

everyman and the weekend warrior coming in for supplies and shopping

for our mid-level brand under the name of Core. The professionals would

be catered to in our premium line called Apex and of course all patrons

could enjoy a little time at the Heart Café.

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

CHAPTER_

COURSE_

DURATION_

KEYWORDS_

11/12

Packaging 4

Weeks

AdventurousExcitingOutdoorsy

PROJECT_

TERM_

DELIVERABLES_

Collective Packaging

Spring 2012

ProposalsIdentitiesPackaging

CATEGORY_

INSTRUCTOR_

TYPEFACES_

Packaging

Thomas McNulty

1 2 3 4 5 6 7 8 9 1 0 1 1 1 2 1 3 1 4 1 5

Various Typefaces

_ ∂ ∂

√√

√ √

√11_√

∏∏∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 5 1 _p r o j e c t _ CO L L E C T I V E PA C K A G I N G √

√p . / / _ 1 5 2 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

A .

A .

B.

C .

D.

E.

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

NAME_

DESCRIPTION_

The Collective

General brand offering common art supplies at a lower price point.

AUDIENCE_√

√ √

Everyone

CATEGORY_

Home Brand

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

NAME_

DESCRIPTION_

Primary

Fun brand offering art supplies for children and the young at heart.

AUDIENCE_√

√ √

Children and Parents

CATEGORY_

Sub Brand

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

NAME_

DESCRIPTION_

Core

Affordable brand offering solid art supplies for the weekend warriors.

AUDIENCE_√

√ √

Art Enthusiasts

CATEGORY_

Sub Brand

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

NAME_

DESCRIPTION_

Apex

Sophisticated brand offering top shelf art supplies to professionals.

AUDIENCE_√

√ √

Professional Artists

CATEGORY_

Sub Brand

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

NAME_

DESCRIPTION_

Heart Café

An in store café where artists and creatives can go to ideate and relax.

AUDIENCE_√

√ √

Artists & Creatives

CATEGORY_

Private Brand

∏∏∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 5 3 _p r o j e c t _ CO L L E C T I V E PA C K A G I N G √

B.

C .

D.

E.

∏∏∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 5 5 _√

Distributed By:

The Collective Creative Supplies

Portland, Oregon 65703-1037

Made in The United States of America

SOFTWHITE800 LUMENS

8000HOURS

LIGHTBULB

LIGHTBULB

14w

p r o j e c t _ CO L L E C T I V E PA C K A G I N G

√p . / / _ 1 5 6 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 5 7 _√p r o j e c t _ CO L L E C T I V E PA C K A G I N G

√p . / / _ 1 5 6 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K

√p . / / _ 1 6 0 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

PENSPENS

255

BLACKBall Point Pens

DIE CUT

xDistributed By:

The Collective Creative Supplies

Portland, Oregon 65703-1037

Made in The United States of America

∏∏∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 6 1 _√p r o j e c t _ CO L L E C T I V E PA C K A G I N G

√p . / / _ 1 6 2 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏∏∏p . // _ 1 6 5 _√c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y

∏∏∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 6 7 _√

Fifty C

olored Pen

cilsS

HA

RP

EN

ED F

ifty

Col

ored

Pen

cils

SH

AR

PE

NE

D

Fifty Colored Pencils S H A R P E N E D

C is for

COLOREDPENCILS

Assorted Colors Include:

Conforms toASTM D 4236

AP

ART & CR

EATIVE MATERIALS INSTITUTE C

ERTI

FIED

TM

THE COLLECTIVE CREATIVE SUPPLIESPORTLAND, OREGON 97209-1037

503 22241 2010 COLLECTIVEART.COMMADE IN THE UNITED STATES OF AMERICA

Sharpened Pencils50C O L O R S R I C H C O L O R N O N - T O X I C

High-performance colored pencils are water-soluble and easy to blend, for an unlimited range of shades. Vibrant color oating provides easier identification and color differentiation.

p r o j e c t _ CO L L E C T I V E PA C K A G I N G

√p . / / _ 0 0 8 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 6 9 _√

Pt

CO

RE

Wat

erco

lor

Pai

nt is

bri

llia

nt, m

atte

r,

non-

toxi

c, o

paqu

e w

ater

colo

r. U

se fo

r po

ster

art,

fing

er p

aint

ing,

art

s &

cra

fts,

pri

ntm

akin

g,pa

inti

ng a

nd w

indo

w s

igns

.

DIR

EC

TIO

NS:

Sha

ke w

ell b

efor

e us

ing.

Thi

n an

d cl

ean

up w

ith

wat

er. R

emov

e in

ner

seal

from

cap

bef

ore

init

ial u

se. D

o no

t use

on

win

dow

s th

at a

re c

hipp

ed o

r cr

acke

d. F

or b

est r

esul

ts o

ngl

ass,

use

CO

RE

Win

dow

Pre

p pr

ior

to a

pply

ing.

Dis

trib

uted

By:

The

Col

lect

ive

Cre

ativ

e S

uppl

ies

Por

tlan

d, O

rego

n 65

703-

1037

Mad

e in

The

Uni

ted

Sta

tes

of A

mer

ica

WATERCOLORPAINT 16

FL

OZ

| 473

ml

ARTIST’S

WAT

ERCO

LOR

PA

INT

AR

TIS

T’S

MAT

TEG

RE

EN

#08951

GR

AP

HIT

EP

ENCI

LS

AR

TIST

’S

ARTIST’S

Dr

GRAPHITEPENCILS

12ct

CORE graphite pencilsfeature artist qualitygraphite that easily lays down and blends onmost forms of paper.

F

2H

HB

2B

3B

4B

5B

6B

7B

8B

9B

BB

12 COMPRESSION LEVELS

Dis

trib

uted

By:

The

Col

lect

ive

Por

tlan

d, O

rego

n 65

703

503-

943-

6767

ww

w.t

heco

llec

tive

.com

Mad

e in

US

A

p r o j e c t _ CO L L E C T I V E PA C K A G I N G

√p . / / _ 1 7 0 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 7 3 _√p r o j e c t _ CO L L E C T I V E PA C K A G I N G

√p . / / _ 1 74 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

Ad

USES: Matte fixative for charcoal, pastel, pencil drawings and sketches. Prevents smudges and finger prints. Protects artworks, drawings, layouts, type proofs, photographs, blue-prints, maps, documents, typing carbons, models, signs, ceramics, etc. Colorless, non-yellowing flexible.

DIRECTIONS - USE WITH ADEQUATE VENTILATION. 1. Clean and dry surface. Remove dirt, grease, ect. Dull glossy surfaces. 2. Use outdoors or in a well-ventilated area when temperature is 65-90°F (18-32°C). 3. Cover nearby area to protect from spray mist. 4. Shake well for at least 1 min. listening for the rattle of the mixing ball. Shake frequently during application. 5. Hold can 8-10 inches from surface. Move back and forth releasing button after each stroke. Two (2) thin coats are recommended. Recoat within 4 hours or after 36 hours, otherwise paint may wrinkle or lift. Dry to handle in one hour. 6. If spray button clogs, remove button from can and run knife edge through slit at end of spray button stem. DO NOT insert pins or other sharp objects into valve opening of can. 7. To prevent clogging after use, turn cap upside down and press spray head for three seconds.

CAUTIONAvoid contact with eyes, skin and clothing. May cause eye irritation. Do not take internally. Wash thouroughly after

handling. KEEP OUT OF REACH OF CHILDREN. For additional information consult the Material Safety Data Sheet.

EMERGENCY MEDICAL TELEPHONE: 1-888-345-5732

CONTAINS: ACETONE, XYLENE

10.75 OZ | 305gFIN

AL

FIX

ATIV

E

FINAL FIXATIVE

FOR PASTEL,CHARCOAL AND PENCILNON-YELLOWING

DANGER!EXTREMELYFLAMMABLE HARMFUL VAPORIF INGESTEDCONTENTSUNDER PRESSURE

Ad10.75 OZ | 305gSPR

AY M

OU

NT

SUPER 77 CRAFT AND DISPLAYADHESIVE

DANGER!EXTREMELYFLAMMABLE HARMFUL VAPORIF INGESTEDCONTENTSUNDER PRESSURE

USES: CORE Super 77 Spray Mount to mount signs, lettering, fabrics, cork, etc. Bond foam, cardboard, plastic sheeting, foil, almost any lightweight material. Also bonds glitter, sand, seed, mount leaft, shell, butterfly specimens, collage, and decoupage.

DIRECTIONS - USE WITH ADEQUATE VENTILATION. 1. Clean and dry surface. Remove dirt, grease, ect. Dull glossy surfaces. 2. Use outdoors or in a well-ventilated area when temperature is 65-90°F (18-32°C). 3. Cover nearby area to protect from spray mist. 4. Shake well for at least 1 min. listening for the rattle of the mixing ball. Shake frequently during application. 5. Hold can 8-10 inches from surface. Move back and forth releasing button after each stroke. Two (2) thin coats are recommended. Recoat within 4 hours or after 36 hours, otherwise paint may wrinkle or lift. Dry to handle in one hour. 6. If spray button clogs, remove button from can and run knife edge through slit at end of spray button stem. DO NOT insert pins or other sharp objects into valve opening of can. 7. To prevent clogging after use, turn cap upside down and press spray head for three seconds.

CAUTIONAvoid contact with eyes, skin and clothing. May cause eye irritation. Do not take internally. Wash thouroughly after

handling. KEEP OUT OF REACH OF CHILDREN. For additional information consult the Material Safety Data Sheet.

EMERGENCY MEDICAL TELEPHONE: 1-888-345-5732

SUPER 77 PROFESSIONAL STRENGTH

SPRAY MOUNT

Pt

CORE Watercolor Paint is brilliant, matter, non-toxic, opaque watercolor. Use for posterart, finger painting, arts & crafts, printmaking,painting and window signs.

DIRECTIONS: Shake well before using. Thin and clean up with water. Remove inner seal from cap before initial use. Do not use on windows that are chipped or cracked. For best results onglass, use CORE Window Prep prior to applying.

WAT

ERCO

LOR

PAIN

T

16 FL OZ | 473mlAR

TIS

T’S

WATERCOLOR PAINTARTIST’S

Distributed By:The CollectivePortland, Oregon 65703503-943-6767www.thecollective.comMade in USA

MATTEGREEN

#08951

Pt

CORE Watercolor Paint is brilliant, matter, non-toxic, opaque watercolor. Use for posterart, finger painting, arts & crafts, printmaking,painting and window signs.

DIRECTIONS: Shake well before using. Thin and clean up with water. Remove inner seal from cap before initial use. Do not use on windows that are chipped or cracked. For best results onglass, use CORE Window Prep prior to applying.

WAT

ERCO

LOR

PAIN

T

16 FL OZ | 473mlAR

TIS

T’S

WATERCOLOR PAINTARTIST’S

Distributed By:The CollectivePortland, Oregon 65703503-943-6767www.thecollective.comMade in USA

Distributed By:The CollectivePortland, Oregon 65703503-943-6767www.thecollective.comMade in USA

Distributed By:The CollectivePortland, Oregon 65703503-943-6767www.thecollective.comMade in USA

MATTEPURPLE

#08961

∏∏∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 7 5 _√p r o j e c t _ CO L L E C T I V E PA C K A G I N G

√p . / / _ 1 7 6 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

+ Q u a l i t y h o g b r i s t l e s

+ U n r i v a l l e d p e r f o r m a n c e

+ R e s i l i e n t h a i r

+ S a t i n m a t t e h a n d l e

Brush set / / H i g h e s t q u a l i t y h o g b r u s h s e t

5 oil / acrylic brushes

P R O F E S S I O N A L S E R I E S

+ A r c h i v a l q u a l i t y i n k

+ C h e m i c a l l y s t a b l e

MICRO PEN / / Wa t e r a n d f a d e p r o o f f i n e l i n e s

6 fine+2 brush pens

0 . 0 5

0 . 1

0 . 3

0 . 5

0 . 8

1 . 0

B S

B M

P R O F E S S I O N A L S E R I E S

P 020298712#

P 020298712#

∏∏∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 0 0 9 _p r o j e c t _ R E TA I L PA C K A G I N G √

P R O F E S S I O N A L S E R I E S

WAT

ErCO

LOR

+ 140lbs. (300 gsm)

+ 12 sheets

+ Cold press paper

+ Heavy weight

+ Acid Free

// Ideal for a variety of watercolor and other

9x12 Watercolor paper

9x12

Conforms toASTM D 4236

AP

AR

T &

CR

EA

TIVE MATERIALS INSTIT

UT

E C

ER

TIF

IED

TM

GRADE A

THE COLLECTIVE

1214 Northwest Couch StreetPortland, OR 97209

DRAW

ING P R O F E S S I O N A L S E R I E S

+ 50 lb. (74 gsm)

+ 30 sheets

+ Heavyweight paper

+ Made in Japan

+ Acid Free

// Good for woodblock or lino printing

9x12 Drawing pad

9x12

Conforms toASTM D 4236

AP

AR

T &

CR

EA

TIVE MATERIALS INSTIT

UT

E C

ER

TIF

IED

TM

GRADE A

THE COLLECTIVE

1214 Northwest Couch StreetPortland, OR 97209

DRAW

ING P R O F E S S I O N A L S E R I E S

+ 50 lb. (74 gsm)

+ 30 sheets

+ Heavyweight paper

+ Made in Japan

+ Acid Free

// Good for woodblock or lino printing

11x14 Drawing pad

9x12

Conforms toASTM D 4236

AP

AR

T &

CR

EATIVE MATERIALS IN

STITU

TE

CE

RT

IFIE

D

TM

GRADE A

THE COLLECTIVE

1214 Northwest Couch StreetPortland, OR 97209

ACRY

LIC P R O F E S S I O N A L S E R I E S

+ 148 lbs. (400 gsm)

+ For acrylic painting

+ Textured paper

+ Heavy weight

+ Acid Free

//Designed especially for the acrylic painter

9x12 Acrylic paper

9x12

Conforms toASTM D 4236

AP

AR

T &

CR

EA

TIVE MATERIALS INSTIT

UT

E C

ER

TIF

IED

TM

GRADE A

THE COLLECTIVE

1214 Northwest Couch StreetPortland, OR 97209

ACRY

LIC P R O F E S S I O N A L S E R I E S

+ 148 lbs. (400 gsm)

+ For acrylic painting

+ Textured paper

+ Heavyweight

+ Acid Free

//Designed especially for the acrylic painter

11x14 Acrylic paper

9x12

Conforms toASTM D 4236

AP

AR

T &

CR

EA

TIVE MATERIALS INSTIT

UT

E C

ER

TIF

IED

TM

GRADE A

THE COLLECTIVE

1214 Northwest Couch StreetPortland, OR 97209

P R O F E S S I O N A L S E R I E S

WAT

ErCO

LOR

+ 140 lb. (300 gsm)

+ 12 sheets

+ Cold press paper

+ Heavy weight

+ Acid Free

// Ideal for a variety of watercolor and other

11x14 Watercolor paper

9x12

Conforms toASTM D 4236

AP

AR

T &

CR

EATIVE MATERIALS IN

STITU

TE

CE

RT

IFIE

D

GRADE A

THE COLLECTIVE

1214 Northwest Couch StreetPortland, OR 97209

∏∏category_ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p. / / _ 1 7 7 _√pro jec t_ CO L L E C T I V E PA C K A G I N G

√p . / / _ 1 78 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

√p . / / _ 1 8 0 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K

∏∏∏∏c a t e g o r y _ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p . // _ 1 8 3 _√

+ Q u a l i t y h o g b r i s t l e s

+ U n r i v a l l e d p e r f o r m a n c e

+ R e s i l i e n t h a i r

+ S a t i n m a t t e h a n d l e

Brush set / / H i g h e s t q u a l i t y h o g b r u s h s e t

5 oil / acrylic brushes

P R O F E S S I O N A L S E R I E S

+ A r c h i v a l q u a l i t y i n k

+ C h e m i c a l l y s t a b l e

MICRO PEN / / Wa t e r a n d f a d e p r o o f f i n e l i n e s

6 fine+2 brush pens

0 . 0 5

0 . 1

0 . 3

0 . 5

0 . 8

1 . 0

B S

B M

P R O F E S S I O N A L S E R I E S

P 020298712#

P 020298712#

p r o j e c t _ CO L L E C T I V E PA C K A G I N G

√p . / / _ 1 8 4 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

√I AM_√

∏∏category_ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p. / / _ 1 8 5 _√pro jec t_ VA R I O U S I D E N T I T I E S

√p . / / _ 1 8 6 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏category_ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p. / / _ 1 8 7 _√pro jec t_ VA R I O U S I D E N T I T I E S

√p . / / _ 1 8 8 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏category_ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p. / / _ 1 8 9 _√pro jec t_ VA R I O U S I D E N T I T I E S

√p . / / _ 1 9 0 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

goodearth

REIREIREI

REIREIREI

REIREIREI

REI REI REI

REI REI REI

REI REI REI

∏∏category_ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p. / / _ 1 9 1 _√pro jec t_ VA R I O U S I D E N T I T I E S

goodearth

√p . / / _ 1 9 2 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏category_ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p. / / _ 1 9 3 _√pro jec t_ VA R I O U S I D E N T I T I E S

√p . / / _ 1 9 4 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K c h a p t e r _ 1 2 3 4 5 6 7 8 9 1 0 1 1 1 2

∏∏category_ I D E N T I T Y _ PA C K A G I N G _ P R I N T/ I N T E R A C T I V E _ T Y P O G R A P H Y p. / / _ 1 9 5 _√pro jec t_ VA R I O U S I D E N T I T I E S

√p . / / _ 1 9 6 _ t i t l e _ I A M A D O E R _ s e l e c t e d w o r k s _ K Y L E M A N N S C H R E C K

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

THANK YOU_

Chamindri Wijimanne, Tom McNulty, Roland Young, and Mary Scott

for the help developing my skills and changing the way I look at the

world. Thanks to Rita Borselli for starting me on the path to design and

the support along the way. Thanks to Max Delegeane and Josh Garn for

keeping me sane throughout my time in San Francisco. Thank you Cindy,

Dave, and Mary Jo for your love and support.

SPECIAL THANKS_

Special thanks goes out to mom, dad, and Dean for always pushing me to

be my best, their unrelenting love and support, and for making me the

person I am today.