HyunjungPARK_Portfolio

HYUN JUNG PARK

CONCEPT

AUTUMN WINTER 11-12

Jay Park

- New Perspective

- Inside Out

- Clever Cutting

- Captured Movement

Adopt a new Perspective. Play with shape and forms and re-evaluate your design attitude.

Utilise clever cutting techniques to create contemperary forms that play with proportion and dimension. Incorporate movement into design and think about entire product- inside and out- rather than just external aesthetics to create a com-plete 360 experience.

Playing with perspective and first appearance. Incorporate surprises,making products not quite what they seem.

Source: Mapping by Kim Boske, 2009, as seemwww. kimboske.com

Source: Maison Martin Margielawww.maisonmartinmargiela.com

Source: Etro autumn/winter 2010/11

The the Etro menswear show for autumn/winter 2010/11,images of the models were invertsed and projected on a giant mirror-likes screen at the back of the stage to bring a fresh perspective to the clothes.

Mapping by Kin boske shows photographs of a tree from different perspectives overlaid to represent the tree in the round.

The effect is stunning and captures the ehtreal change of seasons.

These shoes by Maison Marin Margiela have theoutward appearance of a wedge. But the innerworkings reveal a hollow space within which lies a heel.

- New perspective

Product isn’t just the front and the back.

The inside of the product as well as the outside, and how the two can interact.

- Inside out

Source: Waistcoat by Pip Culbert, as seen at www. jaggedart.com

www. maisonmartinmargiela.comSource : Elsa spring/summer 2008www. elsa-antwerp.be

Pip culbert’s work plays with the framework of object. Inner seams are left as external structures, giving a sense of the product’s skeleton in its barest form

Margiela’s shoes are turned inside out, leaving the lining leather on the outside and the upper just showing underneath.

Elsa’s footwear and accessries play with propertaion and scale.This leather clutch bag features an internal canvas shopper, giving the product a dual purpose.

Source : C-shoe for camper by maria Blaissewww. mariablaisse.com

- Captured Movemnet

Sarah Jane Williams - aka Williams British Handmade - produses carefully hand-crafted collections, which she calls “ orignal fashion artefacts”.

All of the items are bespoke or limited edition, with brass fittings made individually by a metal craft worker and saddle stitched by hand.

Source : Crafted fashion collection by WilliamsBritish Handmadewww.williams-handmade.com

King Douglas is a retired advertising photographer form Dallas, Texas. He was a member of the Boston Ballet company and much of his work includes images of daners. His images of captured dance movement are truly inspring.

Source : Collapse by Frrry for the Frozen Fountainwww. frrry.com

First established in 2002 by Dutch desiger Ferry Meewisse,Frrry is based on meewisse’s fascination with mathemaicalgrids and intricate pattern cutting solutions, making it verymuch a personal design journey.

The frrry bag Collapse for The Frozen Fountain is cleverlydesigned to collapsewith grace.

- Clever Cutting

source : WGSN street shot

Play with depth and proportion to create seams and edges with and inflated, 3D look.

Changing the conventional seams and edges of a product. play with proportion, scale and form.

Source : C-shoe for camper by maria Blaissewww. mariablaisse.com

Maria Blaisse’s projects can be seen as both sculptures and costumes. Her work is an inv-estigation of form and material, and in many cases, it is difficult to determine which is in control; the body or the form.

She has produced work for the theatre, fashion catwalks,interiors and art galleries. the C-shoe is a collaboration with camper.

- One Piece

- Layered up

- spliced together

MOCK UP

Play with Paper and Fabric

Mock up 1

stitch middle of toe and back seam

Mock up 2

Think about pattern -front forbodden seam and curvy instep

Mock up 3

Think about pattern -outside forbidden seam and curvy edges

Mock up 4

Think about pattern -cut line on instep and inverse to inside out

- First Heel & Platform design

Modeling with clay

- Second Heel & Platform design

Modeling with clay

- Heel & Platform with molding & casting

molding with rubber

- casting with liquid plastic

- used sandpaper to make smooth on surface

- apply primer and dry 12 hours

- apply color spray and dry 12 hours

- apply top coat and dry 24 hours

- check the platform and heel

Technical Description

- Inside out- Double effect by twisted patterns- One piece of upper pattern- Raw edge, No stitching (only half of back seam)

Color

-Black, Light grey

Materials

- Unfinished calf leather- Napa leather- Resin heel & paltform


- Inside out- Double effect by twisted patterns- To wearing use elastic band at waist of shoe- Raw edge, rubbery edge coating- Limited stitching

Color

- Black, Glitter green

Materials

- Unfinished calf leather- Elastic band- Resin heel & platform


- Inside out- Double effect by twisted patterns- To wearing use elastic band at waist of shoe- Platform- Raw edge, limited stitching

Color

-Black, Gold

Materials

- Unfinished calf leather- Goat leather- Elastic band- Resin heel


- Inside out- Double effect by folded patterns- To wearing use elastic band at waist of shoe- Raw edge, rubbery edge coating- limited stitching (front toe middle seam, elastic band)

Color

- Black, silver

Materials

- Unfinished calf leather- sheep leather- Elastic band- Resin heel & platform

Date 2011.4. 3

Season AW 11-12 Pattern No. JPAW11-1

Designer Jay Park Last No. REF 1688

Style No. JPAW11-1 Size UK 4

Upper/ Sock

Unfinished calf black leather

Lining/ Insole binding

Grey sheep leather

Date 2011. 4. 3




Sole

Heel

Platfrom

Finish

Thread

Sole Resin outsole

Heel & Platfrom

Gloss black 4cm Platform and 15cm

Finish Rubber edge coating

Thread 60’s nylon black

Upper/ Insole binding


Lining/ Sock

Glitter painted suede

Sole Resin outsole

Heel & Platfrom

Gloss silver 4cm Platform and 15cm



Sole Resin outsole

A. Half colsed back seam B. Resin outsole C. Front upper connects to the back upper D. Heel grip support material

All of edges are raw edges and no stitch, use neoprene. All of edges treat with black rubber edge coating.

A. Reverse colsed back seam B. Half colsed lining back seam C. Elastic band 6cm wide D. Reverse colsed front seam

E. Slot on lining and put inside the elastic band then stitich F. Stick two parts after heel G. Resin outsole All of edges are raw edges and no stitch, use neoprene. All of edges treat with black rubber edge coating.

A

B

C

D

A B

E

C

F

D G

Date 2011.4. 7




Sole

Heel

Finish

Thread

Upper


Lining/ Sock/ Insole

binding

Gold cow leather

Date 2011.4. 7




Sole Resin outsole

Heel & Platfrom

Matt black 4cm Platform and 15cm



Sole Resin outsole

Upper/ Sock


Lining/ Insole

binding

Glitter painted nubuck

Sole Resin outsole

Heel & Platfrom

Gloss silver 4cm Platform and 15cm



Sole Resin outsole

A. Reverse colsed front seam up to pointed B. After put inside the elastic band between upper and lining, stitch on it. C. Elastic band 1.5cm wide

D. Resin outsole

All of edges are raw edges and no stitch, use neoprene. All of edges treat with black rubber edge coating.

A. Coating edge before stitch B. 1.5 elastic band C. After put inside the elastic between upper and lining, stitch on it. D. Resin outsole

E. Slot on lining and put inside the elastic band then stitich All of edges are raw edges and no stitch, use neoprene. All of edges treat with black rubber edge coating.

A

B

C E

C

A

B

D

D

D

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