7/29/2019 Hugo Boss Sample Fragrance Your Reference Number is 31646872

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Hugo boss sample fragrance Your reference number is 31646872

7/29/2019 Hugo Boss Sample Fragrance Your Reference Number is 31646872

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Estragon: the circusVladimir: music-hallEstragon: the circusEstragon: like leavesVladimir: like

sandEstragon: like leaves These two are like a repetition that echoes:Vladimir: say I amhappyEstragon: I am happyVladimir: So am IEstragon: So am IVladimir: We are happyEstragon:

We are happyEstragon: what did we do yesterday?Vladimir: what did we do yesterday? The

triplet repetition is like this:Estragon: Does it hurts?Vladimir: Hurts? He wants to know if it

hurtsVladimir: Christ! What has Christ got to do with it.Youre not going

tocompare yourself to Christ! These kinds of repetition give a rhythm as if we are reading or

listening to apoem. However there are some sentences repeated so many times that thereaders

and the audience cannot help but feeling that they are the themes of the play. Throughout the play

Vladimir keeps on repeating that they are

waiting for Godot. Actually, he repeats it for eight times and ninth was byEstragon. Alsonothing to be done is repeated two times by Vladimir andtwo times by Estragon.

And passed the time or will pass the time isrepeated five times, only once by Estragon.

Also they abuse each other bywords while they wait: VLADIMIR: Moron! ESTRAGON: Vermin!

VLADIMIR:Abortion! ESTRAGON: Morpion! VLADIMIR: Sewer-rat! ESTRAGON:

Curate!VLADIMIR: Cretin! ESTRAGON: Crritic! While they are waiting Vladimir singsnot

once, but twice in act two. At the beginning of act two Vladimir movesaround the stage and

start singing a song about a dog who stole a crust of bread. It has a catchy rhythm and it can

be sung forever, it mirrors Vladimirsituation that has no end. The other song Vladimir sings is

lullaby to putEstragon to sleep.Beckett said it is a game,everything is a game. They

dont play withlanguage only but they also play games. They play the guessing game.

In actone after Luckys dance, Vladimir and Estragon try to guessthe dancesname. Estragonthinks it is The Scapegoat's Agony, Vladimir thinks it is TheHard Stool while the correct

name is The Net

.

Moreover in act two whenLucky and Pozzo enter and fall and Pozzo starts yelling for help,

Estagon tryto remember their names by guessing them. He guessed Cain for Lucky andAble

for Pozzo. However, the funniest game they play is swapping the threehats. In act two , when

they find Luckys hat, Vladimir takes off hisand wearsLuckys while Estragon takes off

his and wears Vladimirs and the game goeson until Vladimir ends up wearing Luckys hat

and throwing away his.Another game is Pozzo and Lucky. It is an interlude play, a play within a play.In

act two and after they exchanged the hats, Vladimir suggest to Estragonplaying Pozzo and

Lucky. Where Vladimir plays Lucky, Estragon plays Pozzo. The pause and the silence are verysignificant and Estragon andVladimir are taking them on purpose for they are a very specific

stage

direction. Beckett said that the silence throughout the play is like pouringwater into a sinking

ship. Taking a silence and pauses nearly the whole playis actually playing; playing the

absence of language. The silence and thepauses are expressing what the language didnt

express; their frustration,discomfort anxiety which the audience, the readers would feel.

The silenceand the pauses are explicit as the dialogue itself. And they have done theirpurpose;

while Vladimir and Estragon wait with every pause and everysilence they take, we the

audience, the readers await with them. Therefore, the waiting in Waiting for Godot is the essence of

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the play. Withoutplaying with language, playing with games and taking pauses and silence;the

play would fall apart and perhaps there will be no play