How To Start Improvising By Connecting Chord Tones Step 2 - …To+Start+Improvising... ·...

& 44 Ï Ïb Ï Ïb Ï Ïn Ï

#1 RH Alone - Fingering 1, 2, 3, 5

C-7

Ï Ïb Ï Ïb Ï Ïn ÏF-7

Ïb Ïb Ï Ïb Ï Ïn ÏBb-7

Ïb Ïb Ïb Ïb Ï Ïn ÏEb-7

&5

Ïb Ïb Ïb Ïb Ï Ïn ÏAb-7

Ïb Ïb Ïb Ïb Ï Ïn ÏDb-7

Ïb Ïº Ïb Ïb Ï Ïb ÏGb-7

Ï Ï Ï# Ï Ï Ï# ÏB-7

&9

Ï Ï Ï Ï Ï Ï# ÏE-7

Ï Ï Ï Ï Ï Ï# ÏA-7

Ï Ï Ï Ï Ï Ï# ÏD-7

Ï Ïb Ï Ï Ï Ïn Ï ?G-7

&

?Ï Ïb Ï Ïb Ï Ïn Ï

#2 RH Arrpeggio, LH Bass Note

13

w

C-7

Ï Ïb Ï Ïb Ï Ïn Ï

w

F-7

Ïb Ïb Ï Ïb Ï Ïn Ï

wb

Bb-7Ïb Ïb Ïb Ïb Ï Ïn Ï

wb

Eb-7

&

?

Ïb Ïb Ïb Ïb Ï Ïn Ï

17

wb

Ab-7Ïb Ïb Ïb Ïb Ï Ïn Ï

wb

Db-7Ïb Ïº Ïb Ïb Ï Ïb Ï

wb

Gb-7

Ï Ï Ï# Ï Ï Ï# Ï

w

B-7

Step 2 - Chord Tones Practice Brenden Lowe

© Jazz Piano School 2014

Practice Outlinging The Minor 7th Root Position Chord Tones

How To Start Improvising By Connecting Chord Tones

&

?Ï Ï Ï Ï Ï Ï# Ï

21

w

E-7

&

?

Ï Ï Ï Ï Ï Ï# Ï

22

w

A-7

Ï Ï Ï Ï Ï Ï# Ï

w

D-7

Ï Ïb Ï Ï Ï Ïn Ï

w

G-7

2 Step 2 - Chord Tones Practice


& 44 Ï Ï Ï Ïb Ï Ï Ï


C7

Ï Ï Ï Ïb Ï Ï ÏF7

Ïb Ï Ï Ïb Ï Ï ÏBb7

Ïb Ï Ïb Ïb Ï Ï ÏEb7

&5

Ïb Ï Ïb Ïb Ï Ï ÏAb7

Ïb Ï Ïb Ïb Ï Ï ÏDb7

Ïb Ïb Ïb Ïb Ï Ï ÏGb7

Ï Ï# Ï# Ï Ï Ï ÏB7

&9

Ï Ï# Ï Ï Ï Ï ÏE 7

Ï Ï# Ï Ï Ï Ï ÏA7

Ï Ï# Ï Ï Ï Ï ÏD7

Ï Ï Ï Ï Ï Ï Ï ?G7

&

?Ï Ï Ï Ïb Ï Ï Ï


13

w

C7

Ï Ï Ï Ïb Ï Ï Ï

w

F7

Ïb Ï Ï Ïb Ï Ï Ï

wb

Bb7

Ïb Ï Ïb Ïb Ï Ï Ï

wb

Eb7

&

?


17

wb

Ab7


wb

Db7Ïb Ïb Ïb Ïb Ï Ï Ï

wb

Gb7

Ï Ï# Ï# Ï Ï Ï Ï

w

B7



Practice Outlinging The Dominant 7th Root Position Chord Tones


&

?Ï Ï# Ï Ï Ï Ï Ï

21

w

E 7

&

?

Ï Ï# Ï Ï Ï Ï Ï

22

w

A7

Ï Ï# Ï Ï Ï Ï Ï

w

D7

Ï Ï Ï Ï Ï Ï Ï

w

G7



& 44 Ï Ï Ï Ï Ï Ï Ï


Cmaj7

Ï Ï Ï Ï Ï Ï ÏFmaj7

Ïb Ï Ï Ï Ï Ï ÏBbmaj7

Ïb Ï Ïb Ï Ï Ï ÏEbmaj7

&5

Ïb Ï Ïb Ï Ï Ï ÏAbmaj7

Ïb Ï Ïb Ï Ï Ï ÏDbmaj7

Ïb Ïb Ïb Ï Ï Ï ÏGbmaj7

Ï Ï# Ï# Ï# Ï Ï ÏBmaj7

&9

Ï Ï# Ï Ï# Ï Ï ÏEmaj7

Ï Ï# Ï Ï# Ï Ï ÏAmaj7

Ï Ï# Ï Ï# Ï Ï ÏDmaj7

Ï Ï Ï Ï# Ï Ï Ï ?Gmaj7

&

?Ï Ï Ï Ï Ï Ï Ï


13

w

Cmaj7


w

Fmaj7

Ïb Ï Ï Ï Ï Ï Ï

wb

Bbmaj7

Ïb Ï Ïb Ï Ï Ï Ï

wb

Ebmaj7

Ïb Ï Ïb Ï Ï Ï Ï

wb

Abmaj7

&

?Ïb Ï Ïb Ï Ï Ï Ï

18

wb

Dbmaj7

Ïb Ïb Ïb Ï Ï Ï Ï

wb

Gbmaj7

Ï Ï# Ï# Ï# Ï Ï Ï

w

Bmaj7

Ï Ï# Ï Ï# Ï Ï Ï

w

Emaj7



Practice Outlinging The Major 7th Root Position Chord Tones


&

?


22

w

Amaj7


w

Dmaj7

Ï Ï Ï Ï# Ï Ï Ï

w

Gmaj7



? 44 wwwwCmaj7 wwww

Cmaj7 wwwwCmaj7 wwww

Cmaj7

& Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Î

? wwwwbC7

wwwwbC7

wwwwbC7

wwwwbC7

& Ï Ïb Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï .Ï JÏb Ï Ï ä Ï ú Ï Ï

? wwwwbbC-7 wwwwbb

C-7 wwwwbbC-7 wwwwbb

C-7

& Ïb Ï Ï Ïb Ï Ï Ï Ï3 úb .Ï JÏb Ï Ï Ï Ïb Ï Ïb Ï Ï Ï Ï

Step 2 - Improvising With Chord TonesBrenden Lowe

© Jazzpianoschool.com 2014

Practice Improvising Over A Major, Minor And Dominant 7th Chord In The Key Of C And All Other Keys. Increase Metronome As You Get Better

#1 - Play A Cmaj7 Chord In Your LH While Your RH Improvises Using Chord Tones. Metronome On 90

RH Example Over Cmaj7 Chord

#2 - Play A C7 Chord In Your LH While Your RH Improvises Using Chord Tones. Metronome On 90

RH Example Over A C7 Chord

#3 - Play A C-7 Chord In Your LH While Your RH Improvises Using Chord Tones. Metronome On 90

RH Example Over A C-7 Chord


& 44 Ï Ï Ï Ï Ï Ï Ï ÏD Dorian

wwwwD-7

&3

Ï

Dmin7 Is Used For All Measures

Ï Ï Ï

&7

Ï Ï Ï Ï

&11

Ï Ï Ï Ï

&15

Ï Ï Ï Ï

&19

Ï Ï Ï Ï

&23

Ï Ï Ï Ï

Step 3 - Connection Of Chord Tones PracticeBrenden Lowe



1,3,5,7

#1 - Practice Connecting The Minor7th Chord Tones Using The Dorian Mode. Practice In All Keys

#1 - RH Alone#2 - RH W/ LH Chords#3 - With Track

60 bpm = Just Starting90 bpm = Getting It120 bpm = Can Move On150 bpm = Swingin'180 bpm = Killin It!

#2 - Practice Improvising By Landing On Your Own Picked Chord Tones Without The Sheet.

&27

ÏÏ

Ï Ï

&31

Ï Ï Ï Ï

2 Step 3 - Connection Of Chord Tones Practice


& 44 Ï Ï Ï Ï Ï Ï Ï ÏG Mixolydian

wwwwG7

&3

Ï

G7 Is Used For All Measures

Ï Ï Ï

&7

Ï Ï Ï Ï

&11

ÏÏ Ï Ï

&15

Ï Ï Ï Ï

&19

Ï Ï Ï Ï

&23

Ï Ï Ï Ï




1,3,5,7

#1 - Practice Connecting The Dominantr7th Chord Tones Using The Mixolydian Mode. Practice In All Keys




&27

ÏÏ Ï Ï

&31

Ï Ï Ï Ï



& 44 Ï Ï Ï Ï Ï Ï Ï ÏC Ionion

wwwwCmaj7

&3

ÏCmaj7 Is Used For All Measures

Ï Ï Ï

&7

Ï Ï Ï Ï

&11

Ï Ï Ï Ï

&15

Ï Ï Ï Ï

&19

Ï Ï Ï Ï

&23

Ï Ï Ï Ï




1,3,5,7

#1 - Practice Connecting The Major7th Chord Tones Using The Ionion Mode. Practice In All Keys




&27

ÏÏ Ï Ï

&31

Ï Ï Ï Ï



& 44 wwwwCmaj7

Ï Ï Ï Ï Ï Ï ÏIonian Mode, Major Scale

&

?

..

..

..

..3

wwww wwww wwww wwww

&7

wwwwD-7

Ï Ï Ï Ï Ï Ï ÏDorian Mode, b3 b7

&

?

..

..

..

..9

wwww wwww wwww wwww

&13

wwwwE-7

Ï Ï Ï Ï Ï Ï ÏPhrygian Mode b2 b3 b6 b7

Step 3 - Mode Improvisation Practice Brenden Lowe


Improvise Using Each Mode With RH Hand While LH Plays Chords. Use In All Other Keys

RH Improvises, LH Plays Chord - Loop The Chord Until You Feel Comfortable


&

?

..

..

..

..15

wwww wwww wwww wwww

&19

wwwwLydian Mode #4Fmaj7


&

?

..

..

..

..21

wwww wwww wwww wwww

&25

wwwwG7

Ï Ï Ï Ï Ï Ï ÏMixolydian Mode b7

&

?

..

..

..

..27

wwww wwww wwww wwww

&31

wwwwA-7

Ï Ï Ï Ï Ï Ï ÏAeolian Mode b3 b6 b7

2 Step 3 - Mode Improvisation Practice

&

?

..

..

..

..33

wwww wwww wwww wwww

&37

wwwwB-7�5

Ï Ï Ï Ï Ï Ï ÏLocrian Mode b2 b3 b5 b6 b7

&

?

..

..

..

..39

wwww wwww wwww wwww

3Step 3 - Mode Improvisation Practice

& 44 wwwwG7

Ï Ï Ï Ï Ï Ï JÏ äG Mixolydian

wwwwCmaj7

Ï Ï Ï Ï Ï Ï Ï ÏC Ionion

&5

ÏG7

ÏCmaj7

ÏG7

ÏCmaj7

&9

ÏG7

ÏCmaj7

ÏG7

ÏCmaj7

&13

ÏG7

ÏCmaj7

ÏG7

ÏCmaj7

&17

ÏG7

ÏCmaj7 ÏG

7

ÏCmaj7

&21

ÏG7

ÏCmaj7 ÏG

7

ÏCmaj7

&25

ÏG7

ÏCmaj7 ÏG

7

ÏCmaj7

Step 4 - Connecting Chords Practice Brenden Lowe


1,3,5,7 1,3,5,7

Practice Connecting All The Different Chord Tones In The V7 - Imaj7 Resolution Using Notes From The Mode. Practice In All Keys

#1 - RH Alone#2 - RH W/ LH Chords#3 - W/ Track



&29

ÏG7

ÏCmaj7 ÏG7

ÏCmaj7

&33

ÏG7

ÏCmaj7 ÏG7

ÏCmaj7

2 Step 4 - Connecting Chords Practice


& 44 wwwwD-7

Ï Ï Ï Ï Ï Ï Ï ÏD Dorian

wwwwG7

Ï Ï Ï Ï Ï Ï Ï ÏG Mixolydian

&5

ÏD-7

ÏG7

ÏD-7

ÏG7

&9

ÏD-7

ÏG7

ÏD-7

ÏG7

&13

ÏD-7

ÏG7

ÏD-7

ÏG7

&17

ÏD-7

ÏG7

ÏD-7 ÏG7

&21

ÏD-7

ÏG7

ÏD-7

ÏG7

&25

ÏD-7 ÏG7

ÏD-7

ÏG7



1,3,5,7 1,3,5,7

Practice Connecting All The Different Chord Tones In The II-7 - V7 Resolution Using Notes From The Mode Practice In All Keys




&29

ÏD-7

ÏG7 ÏD-7 ÏG

7

&33

ÏD-7

ÏG7

ÏD-7

ÏG7



& 44 wwwwD-7

Ï Ï Ï Ï Ï Ï Ï ÏD Dorian

wwwwG7

Ï Ï Ï Ï Ï Ï Ï ÏG Mixolydian

wwwwCmaj7

Ï Ï Ï Ï Ï Ï Ï ÏC Ionion

&7

ÏD-7

ÏG7

ÏCmaj7

&10

ÏD-7

ÏG7

ÏCmaj7

&13

ÏD-7

ÏG7

ÏCmaj7

&16

ÏD-7

ÏG7

ÏCmaj7

&19

ÏD-7

ÏG7

ÏCmaj7

&22

ÏD-7 ÏG7

ÏCmaj7



1,3,5,7 1,3,5,7

Practice Connecting All The Different Chord Tones In The 2-5-1 Progression Using Notes From The Mode Practice In All Keys




1,3,5,7

&25

ÏD-7

ÏG7 ÏCmaj7

&28

ÏD-7

ÏG7

ÏCmaj7



& 44 Õ Õ Õ ÕAmaj7

Õ Õ Õ ÕBb7

Õ Õ Õ ÕEbmaj7

Õ Õ Õ ÕE-7

&5

Õ Õ Õ ÕD-7

Õ Õ Õ ÕDbmaj7

Õ Õ Õ ÕC-7

Õ Õ Õ ÕGb7

&9

Õ Õ Õ ÕF7

Õ Õ Õ ÕF#7

Õ Õ Õ ÕEb-7

Õ Õ Õ ÕDbmaj7

&13

Õ Õ Õ ÕB-7

Õ Õ Õ ÕG-7

Õ Õ Õ ÕEbmaj7

Õ Õ Õ ÕG#7

&17

Õ Õ Õ ÕE-7

Õ Õ Õ ÕB-7

Õ Õ Õ ÕEmaj7

Õ Õ Õ ÕAbmaj7

&21

Õ Õ Õ ÕGb-7

Õ Õ Õ ÕG7

Õ Õ Õ ÕC#maj7

Õ Õ Õ ÕF#7

&25

Õ Õ Õ ÕB-7

Õ Õ Õ ÕAmaj7

Õ Õ Õ ÕC7

Õ Õ Õ ÕD7

&29

Õ Õ Õ ÕEbmaj7

Õ Õ Õ ÕEmaj7

Õ Õ Õ ÕDmaj7

Õ Õ Õ ÕF-7

Step 5 - Misc Chord Connections

©Jazzpianoschool.com 2017


Brenden Lowe60 bpm = Just Starting90 bpm = Getting It120 bpm = Can Move On150 bpm = Swingin'180 bpm = Killin It!

Practice Improvising Through The Chords Using Chord Tones And Modes For All The Different Chords.Practice Any Combination Of Measures Or Lines From This Chart. Go Through As Much As You Can


&33

Õ Õ Õ ÕAb7

Õ Õ Õ ÕGb7

Õ Õ Õ ÕFmaj7

Õ Õ Õ ÕD7

&37

Õ Õ Õ ÕAb-7

Õ Õ Õ ÕBb-7

Õ Õ Õ ÕF-7

Õ Õ Õ ÕGmaj7

&41

Õ Õ Õ ÕB7

Õ Õ Õ ÕEbmaj7

Õ Õ Õ ÕF#-7

Õ Õ Õ ÕF-7

&45

Õ Õ Õ ÕC-7

Õ Õ Õ ÕC#maj7

Õ Õ Õ ÕA7

Õ Õ Õ ÕAb7

&49

Õ Õ Õ ÕBbmaj7

Õ Õ Õ ÕD7

Õ Õ Õ ÕE-7

Õ Õ Õ ÕFmaj7

&53

Õ Õ Õ ÕDb-7

Õ Õ Õ ÕG7

Õ Õ Õ ÕEb-7

Õ Õ Õ ÕE 7

&57

Õ Õ Õ ÕBmaj7

Õ Õ Õ ÕAb-7

Õ Õ Õ ÕBmaj7

Õ Õ Õ ÕE 7

&61

Õ Õ Õ ÕAbmaj7

Õ Õ Õ ÕG7

Õ Õ Õ ÕG#maj7

Õ Õ Õ ÕC-7

&65

Õ Õ Õ ÕF-7

Õ Õ Õ ÕDb-7

Õ Õ Õ ÕE 7

Õ Õ Õ ÕGb-7

&69

Õ Õ Õ ÕAmaj7

Õ Õ Õ ÕBb7

Õ Õ Õ ÕGmaj7

Õ Õ Õ ÕD-7

2 Step 5 - Misc Chord Connections

& 44 Õ Õ Õ ÕAmaj7

Õ Õ Õ Õ Õ Õ Õ ÕEbmaj7

Õ Õ Õ Õ

&5

Õ Õ Õ ÕD-7

Õ Õ Õ Õ Õ Õ Õ ÕC-7

Õ Õ Õ Õ

&9

Õ Õ Õ ÕF7

Õ Õ Õ Õ Õ Õ Õ ÕEb-7

Õ Õ Õ Õ

&13

Õ Õ Õ ÕB-7

Õ Õ Õ Õ Õ Õ Õ ÕEbmaj7

Õ Õ Õ Õ

&17

Õ Õ Õ ÕE-7

Õ Õ Õ Õ Õ Õ Õ ÕEmaj7

Õ Õ Õ Õ

&21

Õ Õ Õ ÕGb-7

Õ Õ Õ Õ Õ Õ Õ ÕC#maj7

Õ Õ Õ Õ

&25

Õ Õ Õ ÕB-7

Õ Õ Õ Õ Õ Õ Õ ÕC7

Õ Õ Õ Õ

&29

Õ Õ Õ ÕEbmaj7

Õ Õ Õ Õ Õ Õ Õ ÕDmaj7

Õ Õ Õ Õ

Step 6 - Quicker Improv With Modes

©Jazzpianoschool.com 2017


Brenden Lowe60 bpm = Just Starting90 bpm = Getting It120 bpm = Can Move On150 bpm = Swingin'180 bpm = Killin It!

Practice Improvising Using The Modes Without Thinking Too Much Over Longer Duration.Practice Any Combination Of Measures Or Lines From This Chart. Go Through As Much As You Can


&33

Õ Õ Õ ÕAb7

Õ Õ Õ Õ Õ Õ Õ ÕFmaj7

Õ Õ Õ Õ

&37

Õ Õ Õ ÕAb-7

Õ Õ Õ Õ Õ Õ Õ ÕF-7

Õ Õ Õ Õ

&41

Õ Õ Õ ÕB7

Õ Õ Õ Õ Õ Õ Õ ÕF#-7

Õ Õ Õ Õ

&45

Õ Õ Õ ÕC-7

Õ Õ Õ Õ Õ Õ Õ ÕA7

Õ Õ Õ Õ

&49

Õ Õ Õ ÕBbmaj7

Õ Õ Õ Õ Õ Õ Õ ÕE-7

Õ Õ Õ Õ

&53

Õ Õ Õ ÕDb-7

Õ Õ Õ Õ Õ Õ Õ ÕEb-7

Õ Õ Õ Õ

&57

Õ Õ Õ ÕBmaj7

Õ Õ Õ Õ Õ Õ Õ ÕBmaj7

Õ Õ Õ Õ

&61

Õ Õ Õ ÕAbmaj7

Õ Õ Õ Õ Õ Õ Õ ÕG#maj7

Õ Õ Õ Õ

&65

Õ Õ Õ ÕF-7

Õ Õ Õ Õ Õ Õ Õ ÕE 7

Õ Õ Õ Õ

&69

Õ Õ Õ ÕAmaj7

Õ Õ Õ Õ Õ Õ Õ ÕGmaj7

Õ Õ Õ Õ

2 Step 6 - Quicker Improv With Modes

& 44 .. ..Ï Ï Ï Ï ÏD-7

Ï Ï Ï Ï ÏG7

Ï Ï Ï Ï ÏCmaj7

& .. ..4

.Ï JÏ úG-7

Õ Õ Õ ÕC7

Õ Õ Õ ÕFmaj7

& .. ..7

Ï Ïb Ï Ïb îC-7

Õ Õ Õ ÕF7

Õ Õ Õ ÕBbmaj7

& .. ..10

ä .Ï Ï Ï JÏb äF-7

Õ Õ Õ ÕBb7

Õ Õ Õ ÕEbmaj7

& .. ..13

Î Ïb Ïb Ï ÏBb-7

Õ Õ Õ ÕEb7

Õ Õ Õ ÕAbmaj7

& .. ..16

Ïb Ïb Ïb Ï î3

Eb-7Õ Õ Õ Õ

Ab7Õ Õ Õ Õ

Dbmaj7

& .. ..19

Ï Ïb Ï Ï ÏbAb-7

Õ Õ Õ ÕDb7

Õ Õ Õ ÕGbmaj7

& .. ..22

.Ï# JÏ Ï# Ï Ï# Ï#C#-7

Õ Õ Õ ÕF#7

Õ Õ Õ ÕBmaj7

Step 7 - Using Motifs For Improv PracticeBrenden Lowe


Practice Building Motifs Using The Notated Idea In the First Measure Of Each Key Repeat Each 2-5-1 Minimum 4 Times - No Maximum

#1 - RH Alone With Track#2 - RH Solo, LH Bass Notes#3 - RH With LH Chords & Track

Example In C



& .. ..25

ú Ï# Ï#F#-7

Õ Õ Õ ÕB7

Õ Õ Õ ÕEmaj7

& .. ..28

Ï Ï Î ÏB-7

Õ Õ Õ ÕE 7

Õ Õ Õ ÕAmaj7

& .. ..31

Ï Ï Ï ä Ï Ï Ï äE-7

Õ Õ Õ ÕA7

Õ Õ Õ ÕDmaj7

& .. ..34

Ï Ï Ï Ï ÏA-7

Õ Õ Õ ÕD7

Õ Õ Õ ÕGmaj7

2 Step 7 - Using Motifs For Improv Practice


& 44 .. ..Õ Õ Õ ÕD-7

Õ Õ Õ ÕG7

Õ Õ Õ ÕCmaj7

& .. ..4

Õ Õ Õ ÕG-7

Õ Õ Õ ÕC7

Õ Õ Õ ÕFmaj7

& .. ..7

Õ Õ Õ ÕC-7

Õ Õ Õ ÕF7

Õ Õ Õ ÕBbmaj7

& .. ..10

Õ Õ Õ ÕF-7

Õ Õ Õ ÕBb7

Õ Õ Õ ÕEbmaj7

& .. ..13

Õ Õ Õ ÕBb-7

Õ Õ Õ ÕEb7

Õ Õ Õ ÕAbmaj7

& .. ..16

Õ Õ Õ ÕEb-7

Õ Õ Õ ÕAb7

Õ Õ Õ ÕDbmaj7

& .. ..19

Õ Õ Õ ÕAb-7

Õ Õ Õ ÕDb7

Õ Õ Õ ÕGbmaj7

& .. ..22

Õ Õ Õ ÕC#-7

Õ Õ Õ ÕF#7

Õ Õ Õ ÕBmaj7

Brenden Lowe



Practice Building Motifs Using The Notated Idea In the First Measure Of Each Key Repeat Each 2-5-1 Minimum 4 Times - No Maximum


Step 7 - Using Motifs For Improv Practice 60 bpm = Just Starting90 bpm = Getting It120 bpm = Can Move On150 bpm = Swingin'180 bpm = Killin It!

& .. ..25

Õ Õ Õ ÕF#-7

Õ Õ Õ ÕB7

Õ Õ Õ ÕEmaj7

& .. ..28

Õ Õ Õ ÕB-7

Õ Õ Õ ÕE 7

Õ Õ Õ ÕAmaj7

& .. ..31

Õ Õ Õ ÕE-7

Õ Õ Õ ÕA7

Õ Õ Õ ÕDmaj7

& .. ..34

Õ Õ Õ ÕA-7

Õ Õ Õ ÕD7

Õ Õ Õ ÕGmaj7

2 Step 7 - Using Motifs For Improv Practice


& 44 .. ..Ï Ï Ï Ï ÏD-7

Ï Ï Ï Ï ÏG7

Ï Ï Ï Ï ÏCmaj7

& .. ..4

.Ï JÏ úG-7

Õ Õ Õ ÕC7

Õ Õ Õ ÕFmaj7

& .. ..7

Ï Ïb Ï Ïb îC-7

Õ Õ Õ ÕF7

Õ Õ Õ ÕBbmaj7

& .. ..10

ä .Ï Ï Ï JÏb äF-7

Õ Õ Õ ÕBb7

Õ Õ Õ ÕEbmaj7

& .. ..13

Î Ïb Ïb Ï ÏBb-7

Õ Õ Õ ÕEb7

Õ Õ Õ ÕAbmaj7

& .. ..16

Ïb Ïb Ïb Ï î3

Eb-7Õ Õ Õ Õ

Ab7Õ Õ Õ Õ

Dbmaj7

& .. ..19

Ï Ïb Ï Ï ÏbAb-7

Õ Õ Õ ÕDb7

Õ Õ Õ ÕGbmaj7

& .. ..22

.Ï# JÏ Ï# Ï Ï# Ï#C#-7

Õ Õ Õ ÕF#7

Õ Õ Õ ÕBmaj7

Step 7 - Using Rhythmic Motifs For ImprovBrenden Lowe



Practice Building Motifs Using The Notated Rhythmic Idea In the First Measure Of Each Key Repeat Each 2-5-1 Minimum 4 Times - No Maximum


Example In C


& .. ..25

ú Ï# Ï#F#-7

Õ Õ Õ ÕB7

Õ Õ Õ ÕEmaj7

& .. ..28

Ï Ï Î ÏB-7

Õ Õ Õ ÕE 7

Õ Õ Õ ÕAmaj7

& .. ..31

Ï Ï Ï ä Ï Ï Ï äE-7

Õ Õ Õ ÕA7

Õ Õ Õ ÕDmaj7

& .. ..34

Ï Ï Ï Ï ÏA-7

Õ Õ Õ ÕD7

Õ Õ Õ ÕGmaj7

2 Step 7 - Using Rhythmic Motifs For Improv


& 44 .. ..Õ Õ Õ ÕD-7

Õ Õ Õ ÕG7

Õ Õ Õ ÕCmaj7

& .. ..4

Õ Õ Õ ÕG-7

Õ Õ Õ ÕC7

Õ Õ Õ ÕFmaj7

& .. ..7

Õ Õ Õ ÕC-7

Õ Õ Õ ÕF7

Õ Õ Õ ÕBbmaj7

& .. ..10

Õ Õ Õ ÕF-7

Õ Õ Õ ÕBb7

Õ Õ Õ ÕEbmaj7

& .. ..13

Õ Õ Õ ÕBb-7

Õ Õ Õ ÕEb7

Õ Õ Õ ÕAbmaj7

& .. ..16

Õ Õ Õ ÕEb-7

Õ Õ Õ ÕAb7

Õ Õ Õ ÕDbmaj7

& .. ..19

Õ Õ Õ ÕAb-7

Õ Õ Õ ÕDb7

Õ Õ Õ ÕGbmaj7

& .. ..22

Õ Õ Õ ÕC#-7

Õ Õ Õ ÕF#7

Õ Õ Õ ÕBmaj7

Step 7 - Using Rhythmic Motifs For ImprovBrenden Lowe



Practice Building Motifs Using Your Own Ideas. Repeat Each 2-5-1 Minimum 4 Times - No Maximum


Example In C


& .. ..25

Õ Õ Õ ÕF#-7

Õ Õ Õ ÕB7

Õ Õ Õ ÕEmaj7

& .. ..28

Õ Õ Õ ÕB-7

Õ Õ Õ ÕE 7

Õ Õ Õ ÕAmaj7

& .. ..31

Õ Õ Õ ÕE-7

Õ Õ Õ ÕA7

Õ Õ Õ ÕDmaj7

& .. ..34

Õ Õ Õ ÕA-7

Õ Õ Õ ÕD7

Õ Õ Õ ÕGmaj7

2 Step 7 - Using Rhythmic Motifs For Improv


How To Start Improvising By Connecting Chord Tones Step 2 - …To+Start+Improvising... ·...

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