How to Record an Electric Guitar with an Amplifier
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Transcript of How to Record an Electric Guitar with an Amplifier
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7/29/2019 How to Record an Electric Guitar with an Amplifier
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Hi, I am Rasheeq Rayhan from Dhaka, Bangladesh. This lesson is for week 1 of
Introduction To Music Production at Berklee College of Music. I will be teaching how to
record an electric guitar with an amplifier.
The gears I will be using for this demonstration are:
A Sennheiser e845 dynamic microphone An XLR cable (balanced) Two -inch TS (Tip/Sleeve) cables (also known as quarter-inch mono-phone cable;unbalanced)
An Apogee Duet2 audio-interface A PRS 25th Anniversary SE Custom 24 electric guitar A Stranger Cube-40M guitar amp A MacBook Pro computer Audio-Technica ATH-M35 headphones
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Option1:
Step 1: Plug the guitar into the amplifier with a quarter-inch cable.
Note:
Keep the amps volume at 0 before plugging.
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Step 2: Put a mic in front of the
amplifier (close to the speaker
grille pointing directly at the
center of the speaker cone).
Note:
If you have a different type of
amp you can experiment further:
Where the amp has multiplespeakers, it's traditional to
deliberate over which one
sounds best, then mic that one! Moving the mic to one side produces a less toppy
sound, so before reaching for the EQ knob you should try moving the mic.
Where the cabinet is open backed, you can experiment with miking from the rear,as this produces yet another range of tonal flavors, usually warmer and less bright than
miking from the front.
You can mic both the front and rear of the cabinet simultaneously, but experimentwith phase inversion on one of the mics to see which setting gives the best subjective
sound.
Step 3: Connect the interface to the computer
via USB/FireWire cable.
Step 4: An XLR-cable goes directly from the mic
to the interfaces XLR-input. If the mic is
condenser, you will need to enable Phantom
Power (48V) from the interface.
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Note:
Set the input level of the interface to 0
before connecting the mic.
After connecting the mic, gradually
increase the volume. Now set the gainbefore it hits the red and there is no
distortion or noise in the sound.
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Step 5: Connect the headphones in the interfaces output. The headphones usually
have a two-conductor shielded quarter-inch stereo phone jack (TRS Tip/Ring/Sleeve).
Step 6: Hit the record button in your DAW (Digital Audio Workstation) and play the
guitar from the heart! The audio signal is recorded into the computer through the
interface.
Using this method, the mic 'hears' the guitar sound much as an audience would. It is
probably the most common approach and has its own benefits:
The amp makes an intrinsic part of the sound. Each amp has its own sonic color. Thus it allows making a personal rig andachieves a unique sound of your own.
The drawbacks are:
There will be the sound of the room in there. So, every time you are recordingwith the mic, you are also recording the room it is in. If the room is not acoustically
treated, it will not produce good sound.
Theres a chance of feedback with the monitors.The choice of mic also plays a big role here. Generally, the dynamic mic produces a
solid sound with a smooth high end, while the condenser has increased definition
producing a brighter, more open sound when used in the same way.
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Option2:
You can also record directly with the amp using a Line-Out.
Step 1: Plug the guitar into the amp, set the level and gain as described in Option 1.
Step 2: Usually amps have variety of
quarter-inch connectors on the back.
Look for the one saying Line-Out and
NOT Speaker-Out. Never hook a
speaker-output to any line in any of your
gear as they are very high levels and are
designed to be hooked directly to aspeaker and give all that volume.
Step 3: A quarter-inch cable goes from
Line-Out to interfaces input.
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Step 4: Connect the headphones and record as described in Option 1.
The benefits of this procedure are:
You can hear the sound in real time right out of the amp without any latency. As you are using the preamp built into the amp, you will also have the amps soniccolor too.
The drawbacks are:
It might not sound exactly like an amplifier does as you hear it through the speakerof the amp (but it does get some of the character).
You will not get the natural room reverb or ambience.
Option3:
You can use a Direct-Box to record your guitar. It is a device that provides a way to
go from quarter-inch to XLR-cable, also matches the impedance of guitar allowing it to
be plugged into a Line-In. It also gives a parallel output in which you can connect the
amp and monitor in real time.
Now, as I do not own a direct-box I will demonstrate this with a diagram that I drew
myself (yes, I do a little sketching too J).
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Step 1: Take the output of the guitar directly into one of the quarter-inch inputs of the
Direct-Box.
Step 2: Take the XLR-out and connect it to the interface. Now, you can just record like
this. Since you have that secondary parallel output, you can go from there into the
amplifier hearing out of the amp in real time.
Step 3: In further, you can put a mic in front of the amp, get both signals recorded
simultaneously and later choose between them in your DAW.
The advantages are:
You can use a short quarter-inch cable close to you and a long XLR-cable connected
to the studio.
As the XLR-cable is balanced, this will result in reduced noise. You will get a really clean signal from guitar.
I hope you enjoyed the lesson as much as I enjoyed making it. If you have any
questions do not hesitate to discuss with me so we can learn together! Thank you for
critiquing.Also, if you want to know more about my music, please visit my YouTubechannel.J
https://www.youtube.com/user/FrenzyPhrenesis
Regards, Take Care and Happy Learning!
*Word count: 998