How To Dra · Foreword When I was a boy, back in west Texas, my father would tell me stories about...
Transcript of How To Dra · Foreword When I was a boy, back in west Texas, my father would tell me stories about...
HowToDrawWarriorsOfFantasyBYFRANKGRANADOS
COPYRIGHT
HowToDrawWarriorsOfFantasy
Copyright2015©byFrankGranados
Allrightsreservednopartofthisbookmaybereproducedorcopiedinpartorinwholewithoutpermission.
PublishedbyPhoenicianPress©2015
AlldrawingsandillustrationsaretheoriginalworksofartdoneexclusivelybyFrankGranados.Anyresemblancesorsimilaritiestopersonslivingordeadispurelycoincidentalandnotintentional.
Deepwithinthecavernsoftheabysslurkthebeautifuleyesofthedragon.Foritwaitsandwatchesforit’schancetofeedonthevilefleshofhumanity.Aswedaretoenterintotheendlesslabyrinthoftime.Welosethefragilesenseofwhoweare.Surroundedbythefearofdarknesswebecomeitsprey.Wearebeguiledintofollowingtheenchantedsoundsoftheechoesthatleadusintoitsdominion.Wehearthesongsthataresungbythelostsoulsdevouredbythedragon.Intheshadowofitsexistenceitishardtoresistlookingintothebeautifuleyesofthebeast.
Tableofcontents
ForewordIntroduction
Chapter1Toolsandtechniquesofthetrade
Chapter2BasicanatomyChapter3
DrawingthebodyChapter4DrawingtheheadandfaceChapter5
TheshadingprocessChapter6Drawingexamples
6
Foreword
WhenIwasaboy,backinwestTexas,myfatherwouldtellmestoriesaboutdragonsandwarriors.SincethenIhavealwayslovedfantasyartandstories.MyfavoritestorywastheoneaboutVigoandtheDragon.
Fromthedepthsoftheabyssaroseagreatdragonandhisbreathrainedfireandtheblueskiesofthedesolatelandswereturnedintohuesofcrimsonred.Dayandnightthedragonflewabovethelittlevillagewaitingandwatchingforitschancetofeedonthevillagersthathesawbelow.Hespewedballsoffireabovetheirheadsandtheflamesburnedthesoulsofthosewhocoweredandhidebehindthevillagewalls.Thedragonwasunrelentingashehuntedtheirfleshanddranktheirblood.Thedragonbecameintoxicatedwiththescentoftheirfearsashespreadhiswingsandsoaredinecstasy.
Rumorswerespreadbythevoicesinthefogofagreatwarriorwhowouldfightanddefeattheterribledragon.AbraveandfearlesswarriornamedVigowiththestrengthandcouragetofacethebeastsoonappeared.Andheventuredtotheunderworldofthegreatabysswherethedragonandmanyevilandterriblecreatureslurked.
Oncethere,Vigoenteredthemouthoftheabyssandhecouldseeahugepitabout100metersacross.Therewereflamesshootingstraightupintothethickandpolluted
atmosphereinside.Sharpejaggedledgesleadallthewaydownintothehugepit,theyalmostlookedlikegiantsteps.Therewassearingheatbeinggeneratedfromthefierydepthbelow.Vigoheardlamentingscreamscomingfrombelowandheonlycouldimaginewhatkindoftorturemustbegoingon.
Heputhisswordbehindhimandbegantoclimbdown.Atfirsthehadtojumpdownontoeachledgebecauseofhowsteeptheledgeswere.Theledgeswereextremelyjaggedandtheybecameveryslipperybecausetherewassomekindofdarkredliquidflowingdowntheledges.Vigohadtobeextremelycarefulnottosliporhewouldfall.Theflameswerealsogettingstrongerandgrewmoreviolentandtreacherousashedescendeddeeperintotheabyss.Vigofinallyreachedthebottomledgebuthewasextremelyexhaustedandfelttheneedtorestforabit.
Helookedoutoverthelastledgeandhesawanopeningintoalargecavernandhedecidedtoclimbintoit.Itseemedasifhehadbeenwalkingforhoursasheexploredtheinteriorofthecave.Itwasdarkandcoldanddampunliketherestoftheabyss.Vigo
couldseethesehugeformationswithglowing
emberscomingdownfromtheceiling.Theylookedlikegiantstalagmitesglowingandpulsatingwithsomesortofenergy.Everyfewminutes,colorfulsparkswouldshootoutandthewholecavernwouldbevisible.Vigocouldseethewallsallcoveredinrootsandstrangelookingvinesandthefloorwascoveredinagreenmist.
Hesawmillionsoftinyblackwigglycreaturescomingoutofthemistandtheywere
crawlingasfastastheycouldupanddownthewalls.Thecreatureshadtinyredblinkingeyesandwhentheyopenedtheirmouthsyoucouldseesmallfangsdrippingwithsaliva.Theywereusingtheirfangstosuckupthestrangeredfluidthatcoveredeverythingintheplace.
Suddenly,oneofthelittlecreaturesspottedVigoanditinstantlybeganblinkingandflashingitshideouseyeslikeitwassomekindofwarningalarm.Thelittlethinglookedlikeitwasgoingmadasitbegantowigglelikecrazythenitopeneditstinymouthandoutpoppeditsfangsasitstartedtochasehim.Vigodecidedtogetoutofthereasfastashecouldbeforetherestofthecreaturescameafterhim.
Inthenextcavernhecouldseeahugepoolofredliquidwithflamescomingoutofitscenter.Suddenlyheheardaloudandthunderousroarandhelookedup.Ahugedragoncoveredinscalesthatlookedlikesharprazorbladesstickingoutofitsspineglaredathim.Itwastheonewhowasspewingtheflamesfromthepit.Thedragonwaswrappedaroundahugeobjectthatwasshapedlikearectangle…………
TheprecedingwasashortpreviewofthebookVigoAndTheDragon.
Ashestoodamongthedeathandtheslaughterthedragonhadleftinitspath.Hefeltthewindandthedustasitblewoverthebonesandscatteredtheashesofthosewhohadfallen.Hemadethevowtoreturnifeverhewasneeded.Heturnedtowardsthewindandslowlyfadedintothesandstorm.
INTRODUCTION
Sincethebeginningofmankindpeoplehavetoldmythsandtalesofthegreatbattlesandofthewarriorswhofoughtinthem.TalesandlegendswheretoldoftheterriblebattlesfromBabylontoArmageddon.Battlesinwhichthousandofwarriorsdiedandonlythestrongestofwhichsurvivedtodobattleagain.
Mythsandlegendswerespreadoftheterriblemonstersanddragonsthatbravewarriorswouldfightandslay.Suchasfirebreathingdragonsandsnakeswithlargefangs.
Throughouttheagestherehasalwaysbeenagreatfascinationwithwarriors.Andartistswerealsointriguedwiththedepictionofthesewarriorsintheirartwork.Forexample,therewasMichelangelowhosculptedapowerfulDavidagainstGoliathandFrankFrazettawhopaintedmanyfantasywarriors.
Artistshavebeeninspiredtopaintanddrawthesecharacterslargerthanlife.Theseheroesandwarriorsareoftendrawnandpantedwiththeirbodiesandmusclesexaggeratedsoastolookmorefantasticanddynamicthannormal.Thusinspiringthebeginningsofthefantasyartgenreoftoday.
Inthefantasyartworldoftodayartistillustratescenesofwarriorsfighting,monstersandhugeserpents.Theyfightcreatureswithstrengthandpowerthatwouldinstantlykillor
severelyhurtanynormalhumanbeing.Theyillustrateepicbattlescenesofthepastandofthefuture.Andso,itisuptoyoutobringyourimaginationtolifeanddrawyourwarriorcharacterswithartisticoriginalityandyourownstyle.Lettheinfinitereachesofyourcreativemindbeyourguide.Donotbeafraidtoenterthedarkestrealmsofyourimaginationtofindtheseedsofyourinspiration.
SometimesIliketositbackandrelaxandjustletmyimaginationrunwildandcomeupwithlotsofideas.IvisualizejusthowIwanteachcharactertolooklike.Iimagineeachcharacterhasabackstoryandevenwhattypeofpersonalitytheymighthave.Ievenimaginethemtalkingtomeandtoeachother.Butmostly,IjustliketohavefunwhenIamdrawingacharacter.So,Ihighlyrecommendthatyouhavefunwithyourdrawingsandthisinturnwillshowinthespiritofyourartwork.
Chapter1ToolsandTechniquesoftheTrade
Themediumandthetoolsthatyouchoseareentirelyuptoyou.Irecommendthatyouvisityourlocalartssupplystoreandjustlookthroughallthedifferentmediumsandtoolsthatareavailabletoyou.Thentryoutasmanyofthemasyoucan.Ibelievethateveryartisthastheirownspecialmediumandtoolsthatarejustrightforthem.Thatiswhyitisveryimportantnottolimitorgettrappedintojustusingonetypeofmediumortools.Hereisalistofjustafewofthemediumsandtoolsyouwillfind.Bytryingoutandworkingwithdifferentartsuppliesyouwillfindwhatworksbestforyou.
Drawingtools:
PencilsPenandinkBallpointpensMarkersConteCrayonsChalkPastelsCharcoalsVarietyofpapers:
DrawingpaperPosterboardBristolboardConstructionpaperButcherpaperCanvaspaperParchmentGraphicpaperNewsprint
Thisisjustatinyexampleofwhatisavailabletoyou.Remember,Itisveryimportanttoexploreallofthechoicesofmediums.
Charcoal
Conte
Pastel
Pen
Pencil
Itisagoodideatopracticedrawingbasicshapessuchascircles,squares,triangles,ovalsandtubularobjects.Youcanalsopracticeshadingintheobjectsyouhavedrawn.Hereareafewexamplesoftheshapes.
Astheartist,itisuptoyoutoexplorethecreativeessenceofyourownmind.Itistheworkoftheartisttogivealltheideasandemotionsinsidethemindaphysicalform.
Itisthroughtheexpressionandembodimentofthesethoughtsthatartiscreated.Therefor,themindisoneofthegreatesttoolsofanartist.Likeanytoolortechniquethemindmustbetrainedanddeveloped.Thenitcanfunctionwiththehandtocreateandpresentart.
Throughdeepmeditationandconcentrationexercisesyourmindcanlearntoenterintothecreativerealm.Itisaplacewhereyouwillfindasourceofhighlycreativeenergy.Thereisauniverseofcreativeideasinsidethemindofeveryartistandit’suptoyoutoexploreit.
Trueartistheabilitytoexpressyoursoulonthecanvasandthatiswhatmakesatrueartist.Whensomeonecanseebeyondwhatyoucreateandactuallyunderstanditthenitisliketouchingtheirsoul.
CHAPTER2BASICANATOMY
Theanatomyinthisbookisverybasicandisonlyforthepurposeofhavingafundamentalunderstandingasitrelatestotheartist.Ihavesimplifiedthemusclechartstoshowthebasicmusclegroupsofthehumanbody.Thiswillgiveyouabasicunderstandingofhowthemusclegroupsappearinthebody.AsabeginningartistIfeelthatyoushouldn’tbecomepreoccupiedwithknowingeverysinglemuscleanditsname.Therefor,thechartsinthisbookhavebeensimplifiedtogiveanuncomplicatedapproachtodrawingamuscularfigure.
Practicedrawingthechartsofthefigures.Divideeachchartintoeightsectionstalleachsectionroughlyequaltoeightheads
•Drawtheupperbodyincludingtheheadintheintheupperfoursections.•Drawthearmsslightlybelowthesecondsection,whichwillmakethemslightlylessthanfoursectionsinlength.•Drawthelegsandthefeetinthe•lowerfoursections.
BASICSKELETALFRONT
VIEW:
BASICSHAPESINTHEBODY
Thesearethebasicshapesthatcomposethefigure.
BASICMUSCLESSHAPES
Thisisthefrontviewofthebasicmusclegroupsofthebody.
Thisisthebacksideviewofthebasicmusclegroupsinthemalebody.
Thisisthesideviewofthebasicmusclegroups.
8SECTIONBODYSCALECHART
Thisshowsthebodydividedinto8equalparts.
CHAPTER3
DRAWINGTHEBODY
DRAWINGTHETORSO
Selecttheposeorpositionyouwantforthefigure.Begindrawingthetorsousingcircularshapesthenoutlinetheshapes.
Figure:1and2
Now,youcanoutlinetheshapes.Inthisstageyoushouldaddalltheextradetailstothetorso.Definethechestareaandtheabdominalareas.
Figure:3and4
Inthefollowingstepsyoucanstarttoslowlyshadeinthetorso.Workslowlyanddelicatelyasyoushadeinthecontoursofthetorso.Whenyouhaveshadedtheoveralltorso,gobackanddarkenthedeepshadows.Figures:5through8
DRAWINGTHEARMS
Beginbydrawingcircularshapestofromthearms.Outlinetheshapesandcirclestoformthearm.Figures:1through3
Onceyouhavecompletedtheoutlinedrawingyouarenowreadytobeginshadingthemusclearea.
Determinewheretheangleofthelightiscomingfromthenbegintoshadeinthearea.
Shadeintheentireareathatisinshade.Next,adddetailshadingtotheindividualmuscle.Youcanworkfromlighttodarkortheopposite.
DRAWINGTHELEGS
Frontview:Startbydrawtheoblongshapesfirst.
Starttoshadethelargestmusclemassfirst.Thenworkonthesmallerareasnext.Thedarkertheshading,themoreitwillmakethemusclesstandout.
Sideview Onceyouhavetheoutlineyoucanstarttoshadeinthelargemusclegroups.
DRAWINGHANDS
Whendrawingthehandsyoumustbemeticulousaboutdrawingalltheshapesthatarefoundinitscomposition.Outlinetheentireshapetoformthehand.
Bemeticulousaboutshadinginalltheareasofthehand.Thereisalotofdetailshadingthatmustbedonewhendrawingthehands.Takeyourtimewhenshadinginthehands.
DRAWINGTHEFEET
Thefeethavealotofsmallcomponentsthatmakeuptheentirefoot.Bemeticulousandprecisewhenshadingineverything.
CHAPTER4DRAWINGTHEHEADANDFACE
Delicatelyandlightlypracticedrawingtheskull.ThenpracticedrawingovalsandcirclesFortheshapeoftheheadandface.
BASICPRINCIPALSFORDRAWINGFACES
1.Firstdrawanoval2.Thendivideitintofourparts.
3.Themiddlehorizontallinewillserveastheeyeplacementguide.
4.Thecenterlineisthenoseguide.
5.Dividethelowerhalfoftheovalforthebottomofthenosemark.
6.Placethelipguidedirectlybetweenthebottomnosemarkandthebottomoftheoval.
7.Nowyoucandrawinthefacefeatures.
8.Drawinallthedetailsliketheeyebrowsandhair.9.Establishthelightdirectionandbegintoshadetheface.
THEQUARTERPROFILE
Establishthelightdirectionthenbegintoshadetheface.
FULLPROFILE
Rememberthatthefacehasalotofcomplexdetailandyoumaywanttostudyitmoreclosely.
Chapter5
SHADINGPROCESS
Thefinalstageindrawingisshadingeverythingin.Atthisstagemakesureyourdrawingisjustthewaythatyouwantittobe.Ifyoucanmakeanycorrectionsoradjustments,dothemnow.Thendeterminethedirectionofthelightsource,andstarttheshadingprocess.
•Starttheshadingwithageneralshadingoftheentiredrawing.Lightlyshadealltheareasthatyouwillbeworkingon.•Secondly,concentrateonthedarkerareasofthedrawing.Thesearethepartsofthedrawingthatyouwanttohavesomedepth.•Now,youcanworkonthespecificareasofthedrawing.Concentrateyourshadingontheindividualfacefeatures.
•Lastly,goinandrefineyourshading.Workonthepartsthatneedtobedefined,andtheareasyouwanttostandout.Also,workontheareasthatyouwantthedarkest.
Takeasmuchtimeasyouwantwhenyouareintheshadingstageofyourdrawing.Becarefulnottoovershadeeverything.Aftereachstageoftheshadingsitback,andexamineyourprogress.Beforecontinuingassesswhatareasrequiremorework,andwhatareasdonot.Thisisthefinalstageofyourdrawing,giveitallthatyouhave.Also,itisimportanttonotethatthisprocessdoesnothavetobefollowedintheorderthatitislisted.Forexample,thedetailshadingcanbedonefirst.
CHAPTER6
Drawingexamples
InthissectionIhaveincludeddrawingsfromthebeginningstagetothefinisheddrawingtohelpdemonstratetheentireprocessofdrawing.Studytheexamplesandcompositionofthedrawings,Irecommendstartingthemainsubjectfirstandthenaddinginthebackground.Rememberthatthebestruletofollowiswhatbest
EXAMPLE1
Startwithagoodoutlineofthefigure
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