How to Air a Show Jarvelle’s Caribbean Crusade
2
Brooklyn Information & Culture (BRIC) is a not-for-profit multidisciplinary cultural organization that provides resources and a showcase for artists and strives to expand public apprecia- tion of their work. BRIC presents media, education, and performing and visual arts programs that are reflective of and relevant to Brooklyn’s diverse communities. BRIC’s programs include BCAT/ Brooklyn Community Access Television; Celebrate Brooklyn; the Rotunda Gallery; and BRICstudio. For more information about BRIC and its programs, visit our website at www .briconline.or g . Marking its 27th anniversary this summer, Celebrate Brooklyn is BRIC’s summer-long festival of multicultural music, dance, spoken word and film. Presented free to the public at the Prospect Park Bandshell, the festival draws a yearly attendance of over 250,000. One of NYC’s longest running outdoor performing arts festivals, Celebrate Brooklyn reflects the borough’s diverse population and offers exciting programs that feature artists from Brooklyn and around the world. Nearly 2,000 artists have performed here since 1979 including jazz master Max Roach, salsa songstress La India, acclaimed monologist Spalding Gray, and cutting-edge choreogra- pher Mark Morris. www.briconline.org/celebrate Prospect Park Bandshell/718-855-7882 x45 Founded in 1981, The Rotunda Gallery exhibits the work of Brooklyn’s expanding visual arts community in its award- winning space in Brooklyn Heights. Each year the gallery presents five to six exhibitions featuring painting, sculpture, photography, site-specific installation and video, complimented by educational and special events for adult audiences. A computerized slide registry makes the work of Brooklyn artists available to curators, collectors, and gallery owners nationwide. Since 1984, the Rotunda Gallery has offered an innovative education program that serves 6,000 area students from kindergarten through high school annually with gallery visits and curriculum-based outreach programs. www.briconline.org/rotunda 33 Clinton Street/718-875-4047 Designated as Brooklyn’s official community access organization in 1988, BRIC manages BCAT/Brooklyn Community Access Television, offering the public training and access to production equipment, studios, and editing facilities at the state-of-the-art BCAT Media Center to produce programs for cablecast on BCAT’s channels. To date, over 3,000 Brooklyn residents have been trained, resulting in nearly 200 hours of original programming per week. In addition, more than 500 neighborhood organizations list community events and services on the BCAT Community Calendar. Serving more than 400,000 households in Brooklyn, BCAT can be seen on Time Warner Cable channels 34, 35, 56, and 57 and Cablevision channels 67, 68, 69, and 70. www.briconline.org/bcat 57 Rockwell Pl., 2nd fl./718-935-1122 BRIC Studio showcases the work of both emerging and established artists, with an emphasis on Brooklyn artists working in new and experimental forms. The intimate, 4,000-square-foot black-box theater is located on the second floor of the former Strand Theater building in Fort Greene/Downtown Brooklyn, adjacent to BRIC’s offices. BRIC Studio offers performances weekly from October through May. Since its launch in November 2001, audiences have enjoyed perform- ances by such artists as jazz bassist Ben Allison and clarinetist Don Byron; hip-hop artists Second2Last; DJ Logic; and Tiny Ninja Theater. The opening of BRIC Studio is the first phase of BRIC’s planned redevelopment of the building into a mixed-use cultural complex offering affordable rehearsal and performance space to the Brooklyn arts community. www.briconline.org/bricstudio 57 Rockwell Pl., 2nd fl./718-855-7882 x53 How to Air a Show on BCAT ––––––––– Q: On which channels can I find BCAT? A: BCAT cablecasts only in the borough of Brooklyn on two cable systems: Time Warner Cable channels 34, 35, 56 and 57 and Cablevision channels 67, 68, 69 and 70. Q: How can I have a program on BCAT? A: There are two ways to air a show on BCAT: you can either produce a show using your own equipment and submit a finished tape ready for cablecast or be trained in tv production at BCAT and use their state-of-the-art facilities. All programs must either have a producer who is a Brooklyn resident or be sponsored by a Brooklyn resident or organization. The pro- gram sponsor accepts liability for the content of the program. A valid ID and proof of residency must be submitted in order to submit a program. Programs must be accompanied by a com- pleted BCAT Playback Application/Renewal Form, available online at www.bcat.tv or from the BCAT Program Department. If you are interested in using the BCAT facilities to produce programs, in addition to being a Brooklyn resident, you’ll need to become a BCAT Certified Producer. The process begins at a 2-hour orientation ses- sion, held from 6pm-8pm on the first Tuesday of the month on a first-come, first-served basis. At the end of the orientation, you will have the opportunity to register for either the Remote or Studio Production Workshop. You must successfully complete one of those workshops in order to receive certification from BCAT. The cost of each workshop is $90; upon completion of the workshop usage of the BCAT Media Center is free of charge! Q: How soon will my program air on BCAT? A: BCAT changes its cablecast schedule every three months for all weekly and monthly series. To be considered for the fall program quarter (October-December), all sponsors must submit programs and a completed BCAT Playback Application/Renewal Form by July 29. New weekly series must submit four (4) installments with the form; all new monthly programs must submit one (1) installment. BCAT also accepts “specials,” a one-time cablecast of your program. These can be sub- mitted anytime throughout the quarter. Q: How long can programs be? A: All series and specials programs must be 28 minutes in length. Q: What videotape formats are acceptable? A: BCAT only accepts S-VHS, BetaSP, DV, MiniDV, DVCAM, and DVCPRO. Q: Where can I get more information? A: If you would like more information you can get a copy of the BCAT Policy & Procedure Handbook at BCAT, visit www.bcat.tv or call 718-935-1122, ext. 261. * * * * * * * * * * * * BCAT cablecasts only in the borough of Brooklyn on two cable systems: Time Warner Cable channels 34, 35, 56 and 57 and Cablevision channels 67, 68, 69 and 70. You can also watch BCAT online at www.bcat.tv. * * * * * * * * * * * * Week of June 19-25 BCAT Program Guide A Guide to What’s on Brooklyn Community Access Television to strike a savvy tonal balance: One week she might shine a light on young people held in facilities run by the New York City Office of Children and Family Services; the next week, she’ll interview an author or a musician. “And remember, this is not just about their book or their music,” Jarvelle points out. “It’s always ‘Why did you write this song?,’ ‘What else do you do for the community?,’ ‘Who else do you help?’” She “pushes people to do things for the community” by leading by example, largely put- ting up her own funds in order to produce the show. On the produc- tion side, she is especially effusive in her praise for, and gratitude to, her director, Gasner Pierre- Christin, and her cameraman, Kerly Charles, both of Gus Productions and smart, seasoned veterans. Having had no prior experience working in television, Jarvelle admits that she was full of trepida- tion. “But then I thought to myself, ‘All right, so you’re scared, but you also have to do this show.’ You have to write it and you have to make it happen because there just has to be a show about the [Caribbean and Haitian] commu- nity so we can talk about certain things so many of us tend not to want to discuss.” For example: Having been a suc- cessful working woman in Haiti, Returning to New York in 2000, by January 2003 she devised a new way to put Haiti front and center: She created The Jarvelle Show, “the first and,” she says, “only English and Creole television talk show” devoted to the Caribbean commu- nity, whether expatriates or resi- dents, which can be seen weekly on Brooklyn Community Access Television (BCAT). “I grew up here,” explains Jarvelle, as she likes to be known on her show, “so when I moved [back] to Haiti, the way we think, the whole way they think—how we react, how emotional we are— really made an impression on me and very often I thought, ‘My God, we need work!’ Then one day back in New York I was watching TV— Oprah, actually— and I thought to myself: ‘There you go!’ After all, if you feel you have a need to get into everyone’s house to talk about the communi- ty and what is going on, as I do, a television program is really the way to do it.” Whether taped before a live audience, in the studio, or in the comfortable surroundings at her home, the spectrum of topics covered on The Jarvelle Show is both impressive and exhaustive. Subjects range from hard-news elements (business, health, educa- tion, and immigration issues) to lighter fare, including sports and arts and culture. This permits her Jarvelle’s Caribbean Crusade By Leonard Jacobs B orn in Port-au-Prince and raised in Brooklyn, Maria Jarvelle Gaston has long, strong emotional ties to her homeland. Indeed, despite a surging career in American business—doing marketing for J.C. Penney—she returned to Haiti in 1988 for a dozen years, serving as marketing director for various endeavors and becoming, in the process, an enormously successful woman in a land still struggling for economic, political, and sexual equality. society’s treatment of her gender is a particular concern to her. “Part of the problem is how women are treated, but another is that women accept that treatment. We never question things—it’s the way our parents raised us. “Which is to say that, overall, we have a way of blaming people for whatever the problem is,” she went on. “Let’s say we almost fall because we hit our foot on a rock. Instead of removing the rock so no one else can hit their foot, we ask, ‘Who put the rock there?’” By extolling the idea of self-empower- ment, Jarvelle says, Haiti’s myriad social and economic problems might at last be meaningfully addressed. The show has inspired her to expand her own skill sets: she begins classes this week at BCAT’s Media Center to learn how to use a video camera and edit her own footage. “I would like to be the Oprah of my community,” she concludes. “I want us to get better, bigger, stronger—and I know we can do it.” ––––––––––––––––––––––––––– The Jarvelle Show can be seen on BCAT Saturdays at 2:30pm on Time Warner Cable chan- nel 56, Cablevision channel 69, and streaming live online at www.bcat.tv/bcat. Maria Jarvelle Gaston, host and producer of The Jarvelle Show on BCAT.
Transcript of How to Air a Show Jarvelle’s Caribbean Crusade
Brooklyn Information & Culture (BRIC)is a not-for-profit multidisciplinarycultural organization that providesresources and a showcase for artistsand strives to expand public apprecia-tion of their work. BRIC presentsmedia, education, and performingand visual arts programs that arereflective of and relevant toBrooklyn’s diverse communities.BRIC’s programs include BCAT/Brooklyn Community AccessTelevision; Celebrate Brooklyn;the Rotunda Gallery; and BRICstudio.
For more information about BRICand its programs, visit our websiteat www.briconline.org.
Marking its 27th anniversary this summer, Celebrate Brooklyn isBRIC’s summer-long festival of multicultural music, dance, spokenword and film. Presented free to the public at the Prospect ParkBandshell, the festival draws a yearly attendance of over 250,000.
One of NYC’s longest running outdoor performing arts festivals,Celebrate Brooklyn reflects the borough’s diverse population andoffers exciting programs that feature artists from Brooklyn andaround the world. Nearly 2,000 artists have performed here since1979 including jazz master Max Roach, salsa songstress La India,acclaimed monologist Spalding Gray, and cutting-edge choreogra-pher Mark Morris.
www.briconline.org/celebrateProspect Park Bandshell/718-855-7882 x45
Founded in 1981, The Rotunda Gallery exhibits the work ofBrooklyn’s expanding visual arts community in its award-winning space in Brooklyn Heights. Each year the gallerypresents five to six exhibitions featuring painting, sculpture,photography, site-specific installation and video, complimented byeducational and special events for adult audiences.
A computerized slide registry makes the work of Brooklyn artistsavailable to curators, collectors, and gallery owners nationwide.Since 1984, the Rotunda Gallery has offered an innovativeeducation program that serves 6,000 area students fromkindergarten through high school annually with gallery visitsand curriculum-based outreach programs.
www.briconline.org/rotunda33 Clinton Street/718-875-4047
Designated as Brooklyn’s official community access organization in1988, BRIC manages BCAT/Brooklyn Community Access Television,offering the public training and access to production equipment,studios, and editing facilities at the state-of-the-art BCAT MediaCenter to produce programs for cablecast on BCAT’s channels. Todate, over 3,000 Brooklyn residents have been trained, resulting innearly 200 hours of original programming per week. In addition,more than 500 neighborhood organizations list community eventsand services on the BCAT Community Calendar.
Serving more than 400,000 households in Brooklyn, BCAT can beseen on Time Warner Cable channels 34, 35, 56, and 57 andCablevision channels 67, 68, 69, and 70.
www.briconline.org/bcat57 Rockwell Pl., 2nd fl./718-935-1122
BRIC Studio showcases the work of both emerging and establishedartists, with an emphasis on Brooklyn artists working in new andexperimental forms. The intimate, 4,000-square-foot black-boxtheater is located on the second floor of the former Strand Theaterbuilding in Fort Greene/Downtown Brooklyn, adjacent to BRIC’soffices. BRIC Studio offers performances weekly from Octoberthrough May.
Since its launch in November 2001, audiences have enjoyed perform-ances by such artists as jazz bassist Ben Allison and clarinetist DonByron; hip-hop artists Second2Last; DJ Logic; and Tiny Ninja Theater.
The opening of BRIC Studio is the first phase of BRIC’s plannedredevelopment of the building into a mixed-use cultural complexoffering affordable rehearsal and performance space to theBrooklyn arts community.
www.briconline.org/bricstudio57 Rockwell Pl., 2nd fl./718-855-7882 x53
How to Air a Showon BCAT–––––––––
Q: On which channels can I find BCAT?A: BCAT cablecasts only in the borough ofBrooklyn on two cable systems: Time WarnerCable channels 34, 35, 56 and 57 andCablevision channels 67, 68, 69 and 70.
Q: How can I have a program on BCAT? A: There are two ways to air a show on BCAT:you can either produce a show using your ownequipment and submit a finished tape readyfor cablecast or be trained in tv production atBCAT and use their state-of-the-art facilities.All programs must either have a producer whois a Brooklyn resident or be sponsored by aBrooklyn resident or organization. The pro-gram sponsor accepts liability for the contentof the program.
A valid ID and proof of residency must besubmitted in order to submit a program.Programs must be accompanied by a com-pleted BCAT Playback Application/RenewalForm, available online at www.bcat.tv or fromthe BCAT Program Department.
If you are interested in using the BCATfacilities to produce programs, in addition tobeing a Brooklyn resident, you’ll need tobecome a BCAT Certified Producer. Theprocess begins at a 2-hour orientation ses-sion, held from 6pm-8pm on the first Tuesdayof the month on a first-come, first-servedbasis. At the end of the orientation, you willhave the opportunity to register for either theRemote or Studio Production Workshop. Youmust successfully complete one of thoseworkshops in order to receive certificationfrom BCAT. The cost of each workshop is $90;upon completion of the workshop usage of theBCAT Media Center is free of charge!
Q: How soon will my program air on BCAT? A: BCAT changes its cablecast schedule everythree months for all weekly and monthlyseries. To be considered for the fall programquarter (October-December), all sponsorsmust submit programs and a completed BCATPlayback Application/Renewal Form by July29. New weekly series must submit four (4)installments with the form; all new monthlyprograms must submit one (1) installment.BCAT also accepts “specials,” a one-timecablecast of your program. These can be sub-mitted anytime throughout the quarter.
Q: How long can programs be? A: All series and specials programs must be28 minutes in length.
Q: What videotape formats are acceptable? A: BCAT only accepts S-VHS, BetaSP, DV,MiniDV, DVCAM, and DVCPRO.
Q: Where can I get more information? A: If you would like more information you canget a copy of the BCAT Policy & ProcedureHandbook at BCAT, visit www.bcat.tv or call718-935-1122, ext. 261.
* * * * * * * * * * * *
BCAT cablecasts only in the borough ofBrooklyn on two cable systems: Time WarnerCable channels 34, 35, 56 and 57 andCablevision channels 67, 68, 69 and 70.You can also watch BCAT online atwww.bcat.tv.
* * * * * * * * * * * *
Week of June 19-25
BCAT Program GuideA Guide to What’s on Brooklyn Community Access Television
to strike a savvy tonal balance:One week she might shine a lighton young people held in facilitiesrun by the New York City Officeof Children and Family Services;the next week, she’ll interview anauthor or a musician.
“And remember, this is not justabout their book or their music,”Jarvelle points out. “It’s always‘Why did you write this song?,’‘What else do you do for thecommunity?,’ ‘Who else do youhelp?’” She “pushes people to dothings for the community” byleading by example, largely put-ting up her own funds in order toproduce the show. On the produc-tion side, she is especially effusivein her praise for, and gratitudeto, her director, Gasner Pierre-Christin, and her cameraman,Kerly Charles, both of GusProductions and smart, seasonedveterans.
Having had no prior experienceworking in television, Jarvelleadmits that she was full of trepida-tion. “But then I thought tomyself, ‘All right, so you’re scared,but you also have to do this show.’You have to write it and you haveto make it happen because therejust has to be a show about the[Caribbean and Haitian] commu-nity so we can talk about certainthings so many of us tend not towant to discuss.”
For example: Having been a suc-cessful working woman in Haiti,
Returning to New York in 2000,by January 2003 she devised a newway to put Haiti front and center:She created The Jarvelle Show, “thefirst and,” she says, “only Englishand Creole television talk show”devoted to the Caribbean commu-nity, whether expatriates or resi-dents, which can be seen weeklyon Brooklyn Community AccessTelevision (BCAT).
“I grew up here,” explainsJarvelle, as she likes to be knownon her show, “so when I moved[back] to Haiti, the way we think,the whole way they think—howwe react, how emotional we are—really made an impression on meand very often I thought, ‘MyGod, we need work!’ Then oneday back in New York I waswatching TV— Oprah, actually—and I thought to myself: ‘Thereyou go!’ After all, if you feel youhave a need to get into everyone’shouse to talk about the communi-ty and what is going on, as I do, atelevision program is really theway to do it.”
Whether taped before a liveaudience, in the studio, or in thecomfortable surroundings at herhome, the spectrum of topicscovered on The Jarvelle Show isboth impressive and exhaustive.Subjects range from hard-newselements (business, health, educa-tion, and immigration issues) tolighter fare, including sports andarts and culture. This permits her
Jarvelle’sCaribbean CrusadeBy Leonard Jacobs
Born in Port-au-Prince and raised in Brooklyn, Maria JarvelleGaston has long, strong emotional ties to her homeland.
Indeed, despite a surging career in American business—doingmarketing for J.C. Penney—she returned to Haiti in 1988 for adozen years, serving as marketing director for various endeavorsand becoming, in the process, an enormously successful woman ina land still struggling for economic, political, and sexual equality.
society’s treatment of her gender isa particular concern to her. “Partof the problem is how women aretreated, but another is that womenaccept that treatment. We neverquestion things—it’s the way ourparents raised us.
“Which is to say that, overall, wehave a way of blaming people forwhatever the problem is,” shewent on. “Let’s say we almost fallbecause we hit our foot on a rock.Instead of removing the rock so noone else can hit their foot, we ask,‘Who put the rock there?’” Byextolling the idea of self-empower-ment, Jarvelle says, Haiti’s myriadsocial and economic problemsmight at last be meaningfullyaddressed.
The show has inspired her toexpand her own skill sets: shebegins classes this week at BCAT’sMedia Center to learn how to usea video camera and edit her ownfootage.
“I would like to be the Oprah ofmy community,” she concludes. “Iwant us to get better, bigger,stronger—and I know we can doit.”–––––––––––––––––––––––––––The Jarvelle Show can be seenon BCAT Saturdays at 2:30pmon Time Warner Cable chan-nel 56, Cablevision channel69, and streaming live onlineat www.bcat.tv/bcat.
Maria Jarvelle Gaston, hostand producer of The JarvelleShow on BCAT.
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