HOESY CORONA CURATORIAL HISTORY 2008-2017...

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HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com Light Happenings pt II | Light City 2017 featuring: Tsedaye Makonnen | Ayana Evans | Alexander D’Agostino | Carolina Mayorga | Nicoletta de la Brown | Marcelline | Esther Baker-Tarpaga; Baltimore, MD | co-curated by Hoesy Corona and Ada Pinkston

Transcript of HOESY CORONA CURATORIAL HISTORY 2008-2017...

HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com

Light Happenings pt II | Light City 2017 featuring: Tsedaye Makonnen | Ayana Evans | Alexander D’Agostino | Carolina Mayorga | Nicoletta de la Brown | Marcelline | Esther Baker-Tarpaga; Baltimore, MD | co-curated by Hoesy Corona and Ada Pinkston

HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com

Mother/Sister/DaughterWaqia Kareem | Ada Pinkston | Hasani Claxton Artist Run Art Fair 2017 | ArtscapeBaltimore, MDcurated by Hoesy Corona

In Mother/Sister/Daughter three Baltimore based artists carefully (re) contextualized the black female form in the 21st Century

HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com

Fast Forward FutureBaltimore Museum of ArtBaltimore, MD Fall 2014co-curated by Hoesy Corona & Ada Pinkston

For the centennial celebration of The Baltimore Museum of Art Labbodies envisions the art of the future at The Party of the Century.

Featured Artists:Laure Drogoul, Alexander D’Agostino, Noelle Tolbert, Sophia Mak, Victor Torres, Hoesy Corona, Ada Pinkston

additional performers: Waqia Abdul Kareem, Jacob Budenz, Talbot Johnston, Nicola Brown

Reviewed: Baltimore Sun, Bmore Art

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HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com

Over|Under LimboInternational Performance Art Festival Subbasement Gallery | Transmodern Baltimore, MD Fall 2014co-curated by Hoesy Corona & Ada Pinkston

Over Under Limbo, is an exploration of the space in between the underworld and paradise (limbo).

Featured Artists:Alexander D'agostino (local), Sun (Local)Emilia Anniina Pennanen (local/ finland), Noelle Tolbert (local), Jake Bee (local), Michael Wasteneys (local) , Amanda Agricola, (local), Felix Morelo (NY/Colombian), WILD TORUS (NY), Li Cata (NY), Angeli (NY)*, Ayana Evans (NY, NY) *, Lisette Morel (NY) *, DeLesslin George-Warren (DC), Mohammed Grout (DC/ seattle), Richard E Rosch (London) *, Klaus Pinter (Austria) *, Viku Chan (Canada)*, Frannie Blew Velvette | SSTR (Tennessee/the world), Clothilda Cook (Chicago), mario ashkar (pittsburg PA) , Ri Molnar (Sugar Creek, OH), Tongo Eisen-Marten (San Francisco, CA) *

* participated remotely

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HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com

Uncool | Wicker ham & Lomax, solo showTerrault Contemporary Baltimore, MD April 2016co-curated by Hoesy Corona & Ada Pinkston

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HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com

Blood Cube and SpitfaceEmilia Pennanen wiith Jennifer Wright, solo showPlatform GalleryBaltimore, MD spring 2014co-curated by Hoesy Corona & Ada Pinkston

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HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com

“ASHY”, 2015Waqia Abdul Kareem Gallery CABaltimore, MD

co-curated by Hoesy Corona & Ada Pinkston

HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com

White Guilt ConfessionalApril Danielle Lewis, solo showLabbodies | Artist Run Art Fair 2016co-curated by Hoesy Corona & Ada Pinkston

In “White Guilt Confessional” a solo exhibition by April Danielle Lewis the viewer is confronted by a participatory installation and durational performance that invites festival goers to expel any white guilt they may be experiencing in a one sided confessional booth.

Here Lewis takes on the role of high priestess, shaman, mentor, father, mother and witness to the pestilent and strategic construction of white identity in the United States.

The White Guilt Confessional absolves white guilt by encouraging the plagued to face, question, learn-from and transform their guilt into change in their respective spheres of influence.

Reviewed: Art F City

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HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com

Labbodies Performance Art Review 2016Spacecamp Gallery | Baltimore, MD co-curated by Hoesy Corona & Ada Pinkston

The Labbodies curatorial team: Ada Pinkston and Hoesy Corona will fill the gallery with an installation that includes sculptural assemblage, video art, photos, and other ephemera that is connected to performance art.

BBB:RETROSPECTIVE wi l l program mult iple l ive performances every evening over the course of 4 nights. The live performances will be a program of performative work that examines the theme Retrospective. The term Retrospective has been considered and used more in contemporary times than it has been in the past one hundred years. Selected performances will be an examination of or related to the past. There will be performances that are an examination of history as far back as one hundred years, to one year, to one month, to one week. Performances that examine a macro retrospective, such as social, political, or economic history will be juxtaposed with performances that examine a micro retrospective such as personal histories related to identity, family, and aging.

Featured Artists:Performance Artists: Waqia Abdul Kareem, Esther Baker-Tarpaga , Carly Bales Jacob Budenz , Alexander D'Agostino , Sarah EargleChristine Ferrera, Robert B. Lisek, Kariz Marcel, Sophia Mak, Tsedaye Makonnen, Kristin McWharter, Yuqi Wang & Selina Doroshenko, Laura Weiner & Christianna Clark, Nicoletta Daríta de la Brown , Chanan Delivuk , Laure Drogoul , Christina Joseph , Matthew Williams

Gallery Artists: Waqia Abdul Kareem, Christianna Clark, Hoesy Corona, Labbodies, April Danielle Lewis, Natalia Panfile, Ada Pinkston

www.baltimoreborders.com | www.labbodies.com

HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com

Culture is Not Your Friend Fluct, solo exhibitionPlatform Gallery Baltimore, MD Winter 2016co-curated by Hoesy Corona & Ada Pinkston

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HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com

Rooms Play, 2010Elisa Urtiaga;Kaitlin Murphy;Sam Shea;Rod Hamilton;Monica Mirabile;Hoesy Corona;Rebecca Nagle;John Khan;Person Ablag;Kat Sotelo;Pilar Diaz, Alexander D’Agostino, Katherine Ralston, Rachael LondonThe Copycat Theatre Baltimore, MD

Curated by Hoesy Corona, Sam Shea, Pilar Diaz, Monica Mirabile, & Person Ablach

23 multimedia artists were asked to create site specific and immersive installations next to one another in a large warehouse space in Baltimore, MD. Audience members were invited to navigate through the 23 installations for intimate 3 minute performances for a 70 minute participatory performances.

reviewed: City Paper, What Weekly

HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com

Rooms Play, 2011The Whole Gallery, Current Gallery Baltimore, MD Curated by: Hoesy Corona, Sam Shea, Pilar Diaz, Monica Mirabile, Person Ablach

23 multimedia artists were asked to create site specific and immersive installations next to one another in a large artist run spaces. Audience members were invited to navigate through the 23 installations for intimate 3 minute performances for a 70 minute participatory performances across two galleries in Baltimore’s Bromo Arts District.

reviewed: City Paper, What Weekly

HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com

The Multiplicity and Flexibility of the Self-State, 2015Grace Exhibition SpaceBrooklyn, NY Curated by Hoesy Corona

Featuring: Ada Pinkston | Waqia Abdul-Kareem | Victor Torres | Noelle Tolbert & Alexander D’Agostino

Our sense of self is deeply shaped by others. Our self-concept is conceived in relation to others. As babies our sense of security is rendered by how well our care-takers attuned to our needs. In this way we come to understand ourselves through the gaze of others. As young people we narrate to others why we are doing what we are doing—and so our self-concept is strongly influenced by the “audience” we initially narrate to. Our auto-biographical self becomes a stabilized force within us when we realize we are the “audience” we are “narrating” to when we engage in private speech. Our public-self is the public presentation of both our present and future selves in relation to the audiences we are narrating to.

The current social model which by and large tends to reward a singular manifestation of the self, limits the wide range of multiplicity found within any given individual.

HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com

“We The Painters of 2008: as colorists, sculptors, film-makers, lithographers, designers, musicians, curators, performers, installation, and textile artists”, 2008Sam Shea, John Chea, Andrew Kirk, Tom Ford, Alexander D’Agostino & Cat Sache Fox Gallery Maryland Institute College of Art Baltimore, MD

co-curated by Hoesy Corona & Mary Alessi

HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com

“The Pastiks”, 2011Dominique Hellgeth, Rachel London, Person Ablach, John Somers, Alexander D’Agostino, Hoesy Corona, Monica Mirabile, Sam Shea,Pilar DiazThe Copycat Theatre | Transmodern Festival Baltimore, Inner Harbor, MD

co-curated by Hoesy Corona, Sam Shea, Monica Mirabile

HOESY CORONA CURATORIAL HISTORY 2008-2017 www.hoesycorona.com

Labbodies Performance Art Review 2015Borders Boundaries and BarricadesGallery CA, La Bodega GalleryBaltimore, MD Summer 2015co-curated by Hoesy Corona & Ada Pinkston

Featured Artists:

Waqia Abdul-Kareem, Abdu Ali, Eames Armstrong, Frank Aweda, Carly J. Bales BFLY, Esther Baker-Tarpaga, Erick Benitez, Jacob Budenz, Allana Clarke, Shola Cole, Theresa Columbus, Hoesy Corona, Alexander D’Agostino, Laure Drogoul, Maura Dwyer, Bobby English, Michael Farley, Christine Ferrera, Sheila Gaskins, Talbolt Johnson, Leila Khoury, Isa Leal, Marcel Mandeng, Sophia Mak, Lexie Mountain, Kristin Nicole McWharter, Emilia Pennanen, Ren Pepitone, Ada Pinkston, Rozelle Polido, Valeska Populoh, Jon Rodman, Ric Royer, Paul Shortt, Lian Tsai, Noelle Tolbert, Lucia Treasure, Fahimeh Vahdat and Virginia Warwick

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