HMDT Annual Report 2013-14
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Transcript of HMDT Annual Report 2013-14
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ANNUAL REPORT
2013-14
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This has been an exciting year for HMDT Music in which we have been able to thrive both by building on existing programmes and developing new projects to continue to go from strength to strength.
Thanks to funding from Heritage Lottery
Fund, Arts Council England, Garfield
Weston Foundation and Ernest Cook
Trust, we have embarked on Trench
Brothers, a major new project which
brings the First World War to life for
primary school children through the
experiences and personal stories of
the Indian Army, British West Indies
Regiment and black British Soldiers,
commemorating their contributions
using puppetry, music, artefacts and
cross-curricular learning, and culminating
in performances in each school in
the Autumn of 2014, of a new music
theatre work.
As we approach the final year of our
strategic plan “Ensuring a Musical Future”
which began in 2010, we’re delighted to
be able to report on how well on track
we are to achieving everything we set
out to do.
successful example of this is our
relationship with the Creative Education
Academies Trust (CEAT), which started
as a partnership to deliver a project
celebrating Benjamin Britten’s Centenary
for their Academies in the Midlands. It has
since developed to be on-going for new
projects and several of the participating
schools have also commissioned us
directly to create projects for them. Other
exciting new partnerships include those
with the National Army Museum, Little
Angel Theatre and Enfield Music Hub.
This year has seen the growth of
the Julian Joseph Jazz Academy, the
introduction of a new Junior 1 class of
I Can Sing! and a significant expansion
of the One Spirit mentoring and
rehabilitation project with young
offenders, with further growth planned
for 2015.
None of this would be possible without
the tireless support of friends and
colleagues. Tremendous thanks go to the
many supporters, partners, musicians,
artists and project managers we have
worked with over the past year. Without
them, HMDT Music would not have been
able to achieve what it has.
Our baseball opera Shadowball, dance
work The Brown Bomber and new piece
Trench Brothers, reflect our commitment
to producing new works of the highest
quality supported by sustainable training
schemes such as our I Can Sing! Music
theatre course, the Julian Joseph Jazz
Academy and the new Lennon Dance
Academy proposed for 2015.
Our aim to diversify funding streams and
increase our earned revenue, has been
hugely successful, rising from 21% in 2010
to 57% this year, thus significantly helping
us meet the challenges of the current
financial climate.
In rebranding to HMDT Music, we set
out to be recognised by our award
winning work rather than our former
locality of Hackney. This is exemplified
by the amount of people flocking to our
Saturday Programme from boroughs
across London, the range of schools
signing up to work with us, and the
expansion of our I Can Sing! Programme
to Hampstead and Enfield. It is also
interlinked with our priority to develop
sustainable partnerships with national
organisations enabling us to access
new geographical areas. A particularly
WELCOME!
Adam S. Eisenberg General Director
Tertia Sefton-Green Creative Director
With the on-going help of our many
supporters, we look forward to
continuing to explore new ways of
using music to celebrate triumphs of
the human spirit over adversity to raise
the aspirations of all the people with
whom we work, as a means to enhance
learning, foster community cohesion,
promote our multi-cultural heritage, and
provide sustainable projects as a means
of ensuring a musical future!
Photo: Andreas Neumann
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Twice winner of the Royal Philharmonic Society Award for education
REPUTATION FOR EXCELLENCE “ HMDT Music is one of the very few idealistic, altruistic organisations . . . which advocates the use of music in human development . . . genuine heroes.” The Times
Working with HMDT Music has been
one of the most rewarding experiences
in my career as I felt we offered an
wholistic approach to learning. HMDT
Music are expert in connecting the
strands of numeracy, literacy, history,
social awareness and civil rights
through music and drama. The creation,
preparation and performance of our
Jazz Opera (Shadowball) gave us all –
adults and children – a shared sense of
ownership and I am overwhelmed by
that feeling. Thank you HMDT Music.
Julian Joseph, Composer
I’m so happy to be a Patron of HMDT
Music; a unique organisation in London
and a real treasure. It gives young people
the chance to have musical tuition,
work with creators and composers on
large scale projects, meet professional
musicians and be inspired and motivated
in a way that can’t happen at school.
HMDT Music works with rare passion
and deserves wholehearted support.
Long may our work together continue!
Natalie Clein, Cellist
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HMDT Music believes that everyone
should be able to both experience great
art and help form it, and aims to prove
that great art, that inspires and resonates
with many people can be created
through the unique dynamic between
outstanding professional artists and the
community. HMDT Music commissions
and creates new works of the highest
possible quality using this model of
artistic fellowship, and is a pioneer in
defining new music genres such as
jazz opera that engage and challenge
new audiences whilst giving artists
opportunities to take creative risks.
Each new commission is underpinned
by training opportunities for artists and
an education programme that enriches
participant experience, increases
their skills, raises aspirations and has a
transformative effect on other areas of
learning. Core to HMDT Music’s work is
the long term commitment to offering
all age groups, particularly those with
the least engagement, sustained music
training programmes, which enable them
to participate in the new commissions
ensuring there are no barriers to
participation.
For HMDT Music’s work and
methodology to be in national demand,
and to be able to respond to that
demand so that a greater number
of people in different localities can
experience and help create excellent art.
ARTISTIC EXCELLENCEHMDT Music believes everyone
should have access to the very best
that the performing arts have to offer,
and aims to contribute to this through
education projects and performing arts
productions of the highest quality which
explore a variety of musical styles and
genres.
INNOVATIONHMDT Music values projects which
respond to the needs of individuals and
communities by linking people and art
forms in imaginative ways which are
both challenging and complementary to
conventional ideas of arts education.
COMMUNITYHMDT Music believes in fostering a
strong sense of community through
music education by creating projects,
which raise community aspirations and
expectations, and enrich other areas of
learning.
PASSIONHMDT Music believes that artistic
excellence arises from the passion of all
participants, artists and staff involved in a
project, and that the performing arts are
powerful agents for sharing and bringing
to light untold stories, cultures and
historic events. HMDT Music strives to
be courageous in its approach to subject
matter, and to build awareness and
celebrate the voices and dignity of those
who would otherwise not be heard.
INCLUSIVENESSHMDT Music values the diversity of the
people and communities with whom
it works, and is committed to creating
music projects that explore a variety of
music styles and genres.
MISSION, VISION, CORE VALUES
Mission Vision Core Values
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HMDT Music (Hackney Music
Development Trust) is an independent
charity (Registration No: 1050520)
established in October 1995, with the
support of The London Borough
of Hackney.
Since becoming independent in July
2012, HMDT Music has moved to
offices in North London and has been
developing its work across London and
further afield, whilst still maintaining its
committment to Hackney.
The success of the Company is
maintained through a close relationship
between HMDT Music’s Board of
Trustees and HMDT Music Staff.
This relationship is based upon the
Board’s trust in the professional
approach of staff when promoting the
vision of the Company, and their abilities
in meeting the ideals and objectives
set out by the Company’s Mission and
Core Values. Trustees are committed
to providing an arms length approach
to management while ensuring robust
scrutiny and proper support is given to
financial and statutory requirements.
HMDT MUSIC BOARD OF TRUSTEES
The Trustees who have served
throughout this year are:
Farquhar McKay, Chair
Tony Clark Tina JonesJacqueline Kirsh Krishna Raman
(appointed 23 January 2014)
Patrons
Natalie CleinJulian Joseph
Music Advisor
Jonathan Dove
Design
DesignRaphael Ltd
HMDT MUSIC STAFF
Adam EisenbergGeneral Director
Tertia Sefton-GreenCreative Director
Rebecca Redfern Music Manager
Helen KellyProjects Coordinator
AUDITORS
Westlake Clark Chartered Accountants
7 Lynwood Court
Priestlands Place
Lymington
Hampshire , SO41 9GA
THE COMPANY IN 2013-14
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HMDT Music is proud of its achievements over the past year which include:
n Developing our regional and national remit by working across London, in the Midlands and beyond
n Creating Trench Brothers – a new project to commemorate the Centenary of the First World War
n Integrating Julian Joseph Jazz Academy into the Saturday Programme
n Expanding the successful I Can Sing! Performing arts programme to other boroughs
n Achieving over 50% ratio of earned income to support core activities.
LOOKING BACK
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In 2014-15, our goals include:
n 15 Performances of Trench Brothers, our new commission by Julian Joseph and Richard Taylor with London primary schools
n Developing relationships with schools across new boroughs
n Expanding One Spirit to different prisons working with 18-25s
n Launching the Lennon Dance Academy
n Celebrating HMDT Music Music’s 20th Anniversary
LOOKING AHEAD
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Trench Brothers is HMDT Music’s
new project commemorating the
achievements and contributions made
by ethnic minority soldiers during the
First World War with an education
programme for primary schools, which
incorporates a new music theatre
work by composers Julian Joseph
and Richard Taylor, and librettist Tertia
Sefton-Green. Following research into
unknown and known stories of West
Indian and Indian troops the piece
draws from their historical, cultural
and musical influences. Alongside the
commission, the programme delivers a
wide range of events enabling students
to develop a creative response to their
stories and immortalise the deeds of
these forgotten soldiers for their fellow
students and wider audiences.
Following an introduction through
artefacts and a costumed interpreter, by
partners the National Army Museum
and work with a cross-curriculum
resource pack, schools will be given
specific soldiers to research whose
stories they will characterise by writing
“letters home” from the Trenches and
setting them to music in composer-led
workshops. They will also work with
puppeteers from Little Angel Theatre to
build their own force of Trench Brothers:
puppets in historical uniform who
embody their soldiers’ spirit. Schools’
residencies will culminate in interactive
performances of the new work including
the “letter songs” and performed by
students, their Trench Brothers and a
professional team.
The project aims to show young people
learning about the First World War how
the war relates to them and their own
family heritage by enabling everyone
to empathise with the service of ethnic
minority soldiers, whose lives they will
discover for themselves, thereby taking
an ownership of their individual stories.
Trench Brothers will reach over 50
schools over 3 years, supported by an
adult programme training volunteers
to work with puppets, a lecture series
and community arts events engaging
parents of participating students. The
project’s legacy will be disseminated
and sustained through performances
of the musical work in each school, The
Education Zone teaching resource, and
on a commemorative website displaying
the work of all participating schools.
TRENCH BROTHERS
“ For HMDT Music, the project exemplifies our approach towards creating new works which focus on celebrating the often unacknowledged heroes in history, and embedding the arts across all areas of learning to raise aspirations and achievements.”
Tertia Sefton-Green, Creative Director
SUPPORTED BY
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In January, researchers Parmjit Singh
and Stephen Bourne, collated stories
about soldiers from The Indian Army, the
British West Indies Regiment and black
British soldiers. These were developed
into online tool kit questionnaires for
students to use as a research tool to find
out about the soldiers’ lives, information
to be later used when writing a letter
home from a given soldier.
The Education Zone was developed
over the Summer as a resource
to support the project. Alongside
contextual information about the First
World War with an emphasis on ethnic
minority Commonwealth forces, it
includes over 90 lesson plans offering
a comprehensive selection of activities
for each curricular key stage 2 subject,
mapped to the new curriculum.
Each participating school receives:• An artefacts handling session
delivered by the National Army
Museum;
• A visit from a First World War Indian soldier, delivered by the
National Army Museum;
• Composition workshop led by
range of composers working in
different genres to set the students’
Letters Home to music;
• Puppetry session delivered by
the Little Angel Theatre for students
to build their own force of Trench
Brothers;
• Staff INSET Training to introduce
all the project elements including a
puppet-making workshop;
• Memorabilia packs of First World
War posters, magazines, postcards and
much more;
• A Trench Brothers puppeteer T-Shirt for each participating student;
• A Performance in which they
participate with their puppets, singing
choruses from the new work and their
Letter Song, alongside professional
singers, costumes and scenery, working
with a Director and Music Director.
Trench Brothers will be launched in
the Autumn term in schools in Hackney
and Enfield.
TRENCH BROTHERS
IN PARTNERSHIP WITH
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12 NEW FOLK IN TOWN – a project commemorating Benjamin Britten’s Centenary
THE HACKNEY CHRONICLES
The Britten Midlands Folk Song
project, entitled New Folk in Town,
was commissioned by the Creative
Education Academies Trust to celebrate
the centenary of Benjamin Britten’s
birth. Working with six Academies in
the Midlands, HMDT Music’s team of
composer Richard Taylor and writer
Stephen Plaice, worked with 30 students
from each school to create a new folk
song about their own locality based on
local folklore and myth and influenced
by Britten’s folk song arrangements.
The project was supported by a
comprehensive resource pack offering
contextual information and activities on
Britten, composition, legends, myth and
folk music. The schools came together
in Northampton, on Britten’s birthday
22nd November to perform the new
song cycle, together with some of
Britten’s folk songs.
Forever Hangs the Knot Ash Green School, Coventry
The Witch of Burslem Thistley Hough Academy, Stoke on Trent
Black Dog Fair Oak Academy/Hagley Park Academy, Rugeley
The Final Toast The Weavers Academy, Wellingborough
The Northampton Clown Abbeyfield School, Northampton
Following the project, HMDT Music created a short song writing
project for Weavers Academy to write a school song. A beat
boxing project with Abbeyfield Academy featuring renowned
artist Schlomo is being planned for the autumn.
HMDT Music revived their production
of Jonathan Dove and Alasdair
Middleton’s opera The Hackney
Chronicles, which tells the story of four
periods of Hackney’s history: The Anglo
Saxons, The Elizabethans, The Victorians
and the Blitz for Hackney New School
in July. The opera was performed by the
whole school of 100 year 7 students to
celebrate their first year as a new school.
IN PARTNERSHIP WITH
13“ From HMDT Music you get a rare combination of superb creative direction and rigorous administrative command. They’ve really helped all our schools to raise their game.” Emily Campbell, Director of Programmes, CEAT
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The Brown Bomber was HMDT Music’s
commission of a new jazz dance suite by
Julian Joseph to commemorate London
2012. Based on the heroic sporting
battle between American boxer Joe
Louis, the first African American to
become a national hero, and German
boxer Max Schmeling in 1938, the
work brings to life through music, the
connection between two athletes once
adversaries in sport, whose friendship
endured, despite the ideological
opposition by which they were both
surrounded. It focuses on their mental
battle inside the ring and celebrates their
Olympic values of true sportsmanship,
through friendship and mutual respect. It
follows Shadowball, HMDT Music’s jazz
opera about black baseball players in the
1930s, as part of a groups of projects
focusing on the lives of black sports
THE BROWN BOMBER 2014
“ The performance came together well and pupils had a sense of pride and ownership of what they had achieved. It was rewarding for all concerned to see a group of pupils work together.” Teacher at Thistley Hough Academy
SUPPORTED BY
heroes and their historical, cultural and
sporting legacy and combines a new
resource pack for secondary schools,
linking thematic and historical material to
the curriculum with boxing and dance
training.
The Brown Bomber choreographed by
Sheron Wray, was performed at The
Lilian Baylis Theatre, Sadlers Wells and
The Southbank Centre in 2012 featuring
professional and student dancers
alongside the Julian Joseph Sextet.
Smaller versions of the project took
place in 2012-13.
The final Brown Bomber projects took
place at Thistley Hough Academy in
Stoke on Trent. Students undertook
boxing training and dance classes,
worked with the teaching pack
and created designs for t-shirts
which became their costumes for
performances. Their performance
highlighted the positive impacts the
project had had on their confidence,
attainment and behaviour.
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The Saturday Programme is HMDT
Music’s Saturday music school which
aims to enrich the lives of young people
through music making. It consists of four
different programmes: The Music Box, I
Can Sing!, CYMH, and The Julian Joseph
Jazz Academy. HMDT Music, has been
running its Centre For Young Musicians
(CYMH) since 1995, and combined it
with the three other programmes to
create The Saturday Programme in 2012.
The Saturday Programme now serves
over 400 students aged1-21 and also
offers courses for parents. It is a vibrant
and exciting Saturday offering and
alongside the continually expanding
regular classes and programmes, is a
spectrum of individual projects involving
guest visits, work with leading artists,
and a broad range of performing
experiences both within the Programme
and at concert halls and theatres. It’s
staff are all experienced music teachers
and professional artists who foster a
keen appreciation and understanding of
different types of music.
The Saturday Programme runs on 30
Saturdays during each academic year at
Haggerston School in Hackney and also
runs Holiday Courses during half term
periods and during the Summer holidays.
The Music Box (TMB) is a family
learning programme for under 4s
offering the opportunity to explore
the foundations of music in a fun and
interactive way. Weekly guest artists
help introduce students to a wide range
of instruments and music from many
different cultural traditions.
I Can Sing! (ICS!) is HMDT Music’s
Performing Arts School offering students
ages 4-16 an opportunity to experience
the excitement of musical theatre
training and performance, while building
confidence and presentation skills.
CYMH Instrumental School is HMDT Music’s Instrumental Music
School which offers students ages
5 upwards, an extensive curriculum
including group and individual
instrumental tuition, singing, musicianship
and ensembles, as well as the Orchestra
and Choirs of CYMH.
The Julian Joseph Jazz Academy (JJJA) offers talented young
instrumentalists and vocalists an amazing
opportunity to work with some of the
world’s top jazz musicians to develop
their creative talents and performance
skills, through exploring the American
roots of Jazz.
THE SATURDAY PROGRAMME
SUPPORTED BY
The D’Oyly Carte Charitable Trust
The Parents and Friends of The Saturday Programme
The Home of HMDT Music’s Saturday Programme
A FIRST MUSICAL ADVENTURE DON’T DREAM ABOUT THE STAGE . . . BE ON IT!
JULIAN JOSEPH JAZZ ACADEMY
JULIAN JOSEPH JAZZ ACADEMY
MAKING MUSIC TOGETHER IT’S NOT JUST PLAYING JAZZ, IT’S LIVING JAZZ!
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Music SkillsChildren are introduced to musical
concepts such as pitch, rhythm and
tempo. Work with percussion instruments
focuses on developing listening skills and
learning to focus in a group
environment.
Guest ArtistsInstrumental artists illustrate an eclectic
range of musical styles and genres as well
as introducing a wealth of sounds and
visual spectacle.
Early Years DevelopmentSessions also prepare children for nursery
and school by introducing team work
and instilling structured discipline whilst
still having fun, as well as focusing on
developing speech, vocabulary and simple
numeracy and listening skills.
The Music Box family learning
programme for under 4’s offers them the
opportunity to explore the foundations
of music in a fun and interactive way.
Participants work with a variety of music
from many different cultural traditions
and an impressive team of professional
artists, allowing young children to explore
basic rhythms and melodies, and helping
parents to gain the confidence necessary
to experiment in music making with their
children. Students get a chance to explore
a vast range of musical instruments
including Conga, African Drums,
Accordian, Trombone, Double Bass, Harp
and Marimba.
SingingSessions introduce families to a variety
of different songs, from nursery rhymes
to musicals, including some from HMDT
Music’s own songbooks.
MovementDance and songs with actions play an
important role, from learning simple
dance steps in different rhythmic styles to
animal role play.
THE MUSIC BOXEARLY YEARS PROGRAMME
FLEDGLINGS FOUNDATION COURSEThe Fledglings is a one year Foundation
Course for Reception class children, of-
fering an introduction to music through
singing and movement leading to end
of term performances. Working with a
coaching team of Music Director and
Accompanist, children are introduced to
a range of vocal repertoire, encouraged
to try solos and contribute ideas, and
given a range of tools to develop their
confidence and team-work.
Upon exiting the Fledglings Foundation
Course, students opt to start either on
the CYMH Red Programme or I Can
Sing! Minis.
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CYMH is HMDT Music’s Instrumental
School offering students aged 5 upwards
an extensive curriculum including group
and individual instrumental tuition,
singing, musicianship and ensembles, as
well as the Orchestra and Choirs of
CYMH.
Choir focuses on developing singing
skills, breathing, posture, intonation,
timbre and learning to sing as part of a
large group. Students learn a range of
choral, music theatre, gospel and jazz
repertoire. In 2012, a chamber choir for
advanced singers was introduced.
Musicianship develops musical
literacy and understanding through a
variety of methods. Beginners focus on
singing, playing percussion instruments
and musical participation, while more
advanced students will develop listening
skills and sight-singing.
Instrumental lessons give students
an opportunity to learn an instrument,
selecting from a choice of piano, strings,
guitar, wind and brass. They learn in small
groups, pairs or individual lessons based
upon each student’s curriculum.
Ensemble sessions sessions continue
the practice of encouraging students to
play and learn together. Teachers design
special arrangements, tailored not only
to the particular group of instruments,
but also on many occasions, to the
particular instrumentalists.
Orchestra gives students the
chance to explore a wide range of
repertoire, including contemporary
music and occasionally new HMDT
Music commissions. The orchestra may
also accompany the choir or other
performers at some of the school’s
many performances.
CYM Xtra! offers exciting
opportunities for CYMH students to
work with guest artists and conductors
in workshops, masterclasses and
performances of new music. CYM
Xtra! projects include short courses,
regular afternoon sessions and special
performance opportunities. In the
past year this has included workshops
with artists from and visits to concerts
with the Wigmore Hall and Royal
Philharmonic Orchestra.
Baroque CourseThe Brook Street Band delivered
a baroque course in the Spring of
2014 aimed at teaching students how
to play in a true 18th century style.
Over the course of three afternoon
sessions, students worked on repertoire
by Handel, Vivaldi, Corelli and Bach
exploring ornamentation and learning
how to play with light and bouncy
articulation. String players tried out using
a bow with a baroque hold and playing
on gut strings.
CYMH – INSTRUMENTAL PROGRAMME
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I CAN SING! (ICS!) is HMDT Music’s
Theatre School, which offers students
aged 5-16 an opportunity to experience
the excitement of musical theatre
training and performance. During ICS!,
students train in a variety of stage
disciplines. They meet new friends and,
together with leading professional artists,
gain the skills and confidence necessary
to perform to a high level.
I CAN SING! runs weekly throughout
the academic year, welcoming students
of all abilities. There is no audition
process, and, unlike similar schemes, ICS!
reinforces the ensemble performing
tradition and focuses upon repertoire
ranging from classic Broadway to original
HMDT Music commissions, emphasising
an appreciation of the rich music theatre
tradition.
The Programmes:ICS! MINIS School Years 1-2
ICS! JUNIORS 1 School Years 3 - 4
ICS! JUNIOR 2 School Years 4 - 5
ICS! SENIORS School Years 6+
Vocal Training introduces students
to the joy of performing and expressing
their emotions through song, focusing on
developing singing skills in a healthy way,
breathing, posture, intonation, timbre and
learning to sing as part of a large group of
performers. Students work with a variety
of musical genres with a focus on musical
theatre and dramatic singing.
Musicianship develops musical literacy
and understanding through students’ very
own musical instrument – their voice.
They develop their understanding of pitch,
rhythm, dynamics and tempo though
interactive vocal and physical exercises as
well as written and aural skills. Students
are given a contextual introduction to
repertoire they are learning to broaden
their understanding of the musical genres
in which they are working.
Dance Training teaches students dance
steps and routines based on a fusion of
the dance styles that make up theatre
dance performance, whilst encouraging
them to be active and healthy.
They also learn how to use movement
to express emotion and action as part of
musical performance. Dance technique
sessions offer a chance to consolidate
steps and styles out
of the context of a routine.
Performance Training helps to build
skills in music theatre so as to convey
the emotional power of music and
movement on stage. Students will learn
a variety of performance skills, ranging
from how to use characterisation in
musical scenes to learning theatrical
stunts, and are given plenty of scope
for solo work, which helps them to
build confidence and develop their
communication skills.
Performances give everyone the
opportunity to showcase musical theatre
repertoire, take to the stage in HMDT
Music commissions, or work with writers
and composers to create new work.
This summer, all 100+ students came
together to perform a revue showcasing
musicals from each decade since the 30s,
to ecstatic, packed audiences.
ICS! EXPANSION
Two new I Can Sing! courses were
set up to expand our music theatre
provision across London. The new
ICS! Hampstead ran on Saturdays at
University College School over the
academic year with a Mini and Junior/
Senior group and I Can Sing! Firs Farm
is an after School Club at Firs Farm
primary school in Enfield.
I CAN SING! PERFORMING ARTS
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24 THE JULIAN JOSEPH JAZZ ACADEMY
The Julian Joseph Jazz Academy (JJJA) is a weekly Academy under
the artistic direction of internationally
renowned jazz pianist and composer
Julian Joseph, offering talented young
instrumentalists and vocalists aged 12-19,
an amazing opportunity to work with
some of the world’s top jazz musicians
to develop their creative talents and
performance skills, through exploring
the distinct American roots of Jazz, its
great works and musicians, and jazz’s
relationship to other disciplines.
Following a series of taster sessions in
Autumn 2012, it was launched in January
2013 offering weekly sessions:
Juniors.5 hours weekly training in Singing to
understand melody, develop harmonic
awareness, expression and musicianship,
and Ensemble, following a curriculum
of standard repertoire, all of which is
contextualised through exploring the
roots of Jazz.
Seniors3 hours weekly training in 3 ensemble
groups according to ability, focusing on:
n Real jazz notes: The Art of
Improvisation
n The Language of Truth: Finding the
Voice of Jazz
n Jazz Democracy: Discipline of the
Sideman focusing on Ensembles
n Rhythmic Fundamentals: Core
Principles of Jazz
n Jazz Roots and Legends: History, study
of the major periods, genres, artists
The core team is Julian Joseph, Trevor
Watkis, Tony Kofi, Byron Wallen and
guest artists for workshops, concerts
and master classes have included:
Jean Toussaint, Cleveland Watkiss,
Mark Mondesir, Mark Hodgson, Steve
Williamson and Eska Mtungwazi.
JJJA aims to:n Offer students a contextualised
curriculum focusing on learning core
repertoire by ear and working in
small ensembles
n Enable each student to be nurtured
and supported according to their
abilities and needs
n Ensure JJJA is accessible to all potential
students financially, by offering
bursaries, subsidies and scholarships
n Work with a range of partners and
artists to develop progression routes
and performance opportunities
n Create the Cats of the Future and
continue to nurture them as part of
the JJJA family beyond the confines of
the academic year
“I had the most wonderful time
working with the kids on Sat, and hope
they got something out of it... really
great young performers!”
Cleveland Watkis
JJJA WAS CREATED BY
A GENEROUS GRANT FROM
JULIAN JOSEPH JAZZ ACADEMY
JULIAN JOSEPH JAZZ ACADEMY
PROJECT PARTNERS
25“ I want to create an Academy that gets to the heart and power of Jazz through its roots and history. The infectious rhythm, melody and invention inspires in an environment of cooperation and encouragement. The Academy’s mission is to be true to this great music.” Julian Joseph, Founder and Artistic Director
26
The Hoxton SingersThe Hoxton Singers choir for the over
60s continued to develop their skills
and impress audiences increasing their
popularity with performances at Sutton
House and The Geffrye Museum.
Reminiscence ProjectAs part of the Trench Brothers First
World War Project the Hoxton Singers
took part in a reminiscence project
which had two parts – the first was to
learn repertoire from the First World
War, this proved to be a huge hit with
the Hoxtons and an emotional journey
for some. The second part was a
session led by Malcom Jones from Age
Exchange where we looked at stories
from their families’ histories during the
First World War. What emerged for
the participants was a realisation that
despite the horrors of war, many of the
stories contained a lot of humour, which
perhaps became a way of dealing with
the war-time situation.
HMDT MUSIC’S OVER 60s PROGRAMME
Healthy Hearts Dance ProjectHMDT Music’s keep-fit-to-music classes
are specifically designed for the over 60s.
This class offers suitable dance exercises
in a variety of styles, including Line
Dancing, Salsa and Merengue. Classes
are made available in different locations
throughout Hackney and allow dancers
to master dance concepts whilst helping
to maintain physical fitness.
Gotta’ DanceHMDT Music’s Ballroom Dancing
project, Gotta’ Dance offers classic
training for beginners and experienced
dancers in ballroom and Latin dance,
enhancing fitness and proving to be
highly entertaining! Seven participants
achieved their Ballroom medal exams in
January as part of the project.
26
SUPPORTED BY
27
“ We loved working with Malcolm! He took us down memory lane and it made the songs come to life!”
27
28
in Feltham, delivering 3 projects of 4-5
weekly sessions as well as 3 intensive
week long residencies, and has also
increased the number of mentoring visits
made to mentees on the wings.
One Spirit operates four main strands
of work:
n Residency projects three times per
year, each lasting a week, engaging
up to 16 young people in music and
business based learning activities
framed in a Dragon’s Den style
competition.
n “A side” projects: 3 annual projects
lasting 5 weeks, one day’s delivery per
week, facilitating and teaching creative
writing and composition sessions,
which include song/lyric writing and
music making/production/recording.
n Mentoring visits to young men who
have previously engaged in One Spirit
projects who wish to keep up the
relationship with a One Spirit artist
(a mentor of their choice), providing
access to further support, guidance
and learning opportunities during
their sentence.
n “Through the Gate” mentoring
sessions between mentors and
mentees (young offenders on release),
HMDT Music’s One Spirit is a creative
arts project for young offenders
aiming to improve self efficacy, increase
engagement with learning and reduce
reoffending by engaging participants in
a skills development and rehabilitation
programme designed to:
n develop personal, interpersonal,
functional and employability skills
whilst serving time in prison.
n sustain this development by
supporting them on their release back
into the community and helping them
towards successful rehabilitation and
pathways to training, education and
employment.
One Spirit uses a framework of music
and creative arts activities, including
drama, song-writing, music business
(management/finance), to deliver
an alternative curriculum, which
enhances personal well-being and
teaches/develops a range of skills from
accredited key skills such as literacy
(creative writing, CV writing), numeracy
(finance) to self-exploratory: confidence,
communication, teamwork and social
interaction, self-analysis, problem
solving, presentation, life-planning and
entrepreneurial skills in preparation for
the workplace.
The project is delivered inside HMYOI
Feltham through week long intensive
courses, during which time artist
facilitators build relationships with
participants that serve as the foundation
for continued one to one contact in a
mentor/mentee relationship throughout
the participant’s prison life and onto
their release back into the community.
Over the past year, One Spirit has
significantly increased the number of
people with whom it engages to nearly
150 and continued to develop its work
in which the mentee access continued
work on musical skills (song/lyric/rap
writing, instrument playing, recording/
production); video production;
theatrical training/apprenticeships; links
to further training, apprenticeships
and employment opportunities; other
pastoral care and support including
trips to events and gigs.
The project continues to grow and has
experienced high levels of engagement
and consistently positive feedback from
both participants and prison staff. Of all
mentees participating in the “Through
the Gate” programme, approximately:
n 70% have not reoffended
n 25% are in full time employment
n 40% are In training or further
education
n 60% are still engaged in creative
programmes through HMDT Music
ONE SPIRIT PROJECT one spirit
SUPPORTED BY
Annette Duvollet Charitable Trust
“ When boys are on the ONE SPIRIT project they always seem calmer and more relaxed on the wings.”
Officer Boden MBE
29
“ No matter how well I know the boys, when we get them together as a group at the start of projects, they always seem so dysfunctional. Yet every time they amaze me how well they pull together.” David Smart, Feltham Education
30
TRENCH BROTHERS
Trench Brothers will be launched in schools
in Enfield and Hackney in the Autumn
with a series of in school activities. The
term’s project will culminate in premiere
performances of the newly commissioned
work by composers Julian Joseph and
Richard Taylor performed by acclaimed jazz
singer Cleveland Watkiss and actor Richard
Sumitro, and will be directed by Clare
Whistler:
Starks Field Primary School
27 November
Gayhurst Community School Year 5
28 November
Gayhurst Community School Year 6
29 November
Our Lady of Lourdes RC Primary School
1 December
Walker Primary School
2 December
Colvestone Primary School
3 December
Firs Farm Primary School
4 December
Further performances will take place with
new schools across London in the summer
of 2015.
FUTURE PROJECTS
SHAKESPEARE 5 X 5
Continuing HMDT Music’s relationship
with the Creative Education
Academies Trust, Shakespeare 5
x 5 will commemorate the Bard’s
450’s anniversary with a half hour
performance by each of their 5
Midlands schools, of a play of their
choice. Each school will choose a
specific focus of how they want to
develop their work from puppetry to a
music technology soundscape, physical
theatre to voice work and perform
them over the course of a day at Ash
Green School in Coventry.
SUPPORTED BY
BEATBOXING WITH SHLOMO
Following the New Folk in Town,
Britten project, Abbeyfield School in
Northampton invited HMDT Music to
create a music and literacy for their Year
7 students with renowned beat-boxer
Shlomo.
LENNON DANCE ACADEMY
2015 will see the launch of Lennon
Dance Academy at The Saturday
Programme - a new dance school
offering young people the opportunity
to expand their knowledge of dance
using a fresh, focused approach with an
emphasis on them driving their own
learning. Under the direction of Artistic
Director, Ann-Marie Lennon, LDA’s aim
is to help students develop a range of
dance skills, as well as build confidence
and learn team work through
collaborative projects. Two main dance
styles will be the focus: contemporary
and jazz.
31
32
HMDT Music is very grateful to all those who have provided funding to support our work. Their continued commitment to music education helps us to provide quality projects which change people’s lives.
HMDT Music is grateful for core support
from PRS for Music Foundation which
enables its fundraising activities to be
directed towards the development and
sustainability of projects.
ANNETTE DUVOLLET CHARITABLE TRUSTARTS COUNCIL ENGLANDCHILDREN IN NEEDCOMIC RELIEFCREATIVE EDUCATION ACADEMIES TRUSTD’OYLY CARTE CHARITABLE TRUSTERNEST COOK TRUSTTHE FRIENDS OF HMDT MUSICGARFIELD WESTON FOUNDATIONHACKNEY LEARNING TRUSTHERITAGE LOTTERY FUNDLLOYDS COMMUNITY FOUNDATIONPAUL HAMLYN FOUNDATIONPRS FOR MUSIC FOUNDATIONSATURDAY PROGRAMME FRIENDSYAMAHAAND PRIVATE DONATIONS
Our sincere thanks also go to those
who have supported our work over the
past nineteen years.
Awards for AllBarratt East LondonBaseball Softball UKThe Big Lottery FundThe Britten-Pears FoundationCalouste Gulbenkian FoundationThe City Bridge TrustCity UniversityChina NowConcertina Charitable TrustCulture 2000Draper’s CompanyDresdner Kleinwort BensonEast Hackney Schools’ Consortium EAZEidos plcELBAElevateThe Esmée Fairbairn Foundation European Social FundThe Foyle FoundationThe Foundation for Sport and the ArtsThe Goldsmiths’ CompanyGuardian Royal ExchangeHackney Education Business PartnershipHackney Parochial CharitiesHackney YOTThe Harold Hyam Wingate FoundationThe Henry Smith FoundationHogan Lovells LLPThe Holocaust Task ForceHSBC Bank TrustThe Jack Petchey Foundation
J.P. Jacobs Charitable TrustLAB/LEAP PartnershipLankelly TrustLloyds TSB FoundationLondon ArtsThe London Borough of HackneyLSC, London EastMajor League BaseballMaking MusicMaurice Fry Charitable TrustThe Mercers’ CompanyMidland BankMorgan Stanley International FoundationThe Morris Charitable TrustPizza Express Queen Anne’s Gate FoundationThe RVW TrustSainsbury’s Save & Prosper Educational TrustShoreditch TrustThe Simon Heller Charitable SettlementSir John Cass’s FoundationStandard Chartered Music SocietySure StartTeam HackneyThe William Wates Memorial TrustU.S. Embassy, LondonWillis CorroonThe Woodroffe Benton FoundationThe Worshipful Company of GrocersWorshipful Company of Information TechnologistsYamaha-Kemble (UK) Ltd.Youth Music
THANK YOU!
Photos:Clive BardaBenedict Johnson
Design:DesignRaphael Ltd Media sponsor for Shadowball and JJJA
Supporting Partner for JJJA
33
34
Not Known
19+
16-18
12-15
6-11
0-5
2007-2008
0 1000 2000 3000 4000 5000 6000
Audience*
Participants
2010-11
2011-12
2009-10
2008-09
2007-08
2006-07
2005-06
2004-05
2003-04
2002-03
2001-02
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
2007-2008
Not Known
19+
16-18
12-15
6-11
0-5
2007-2008
0 1000 2000 3000 4000 5000 6000
Audience*
Participants
2012-13
2011-12
2010-11
2009-10
2008-09
2007-08
2006-07
2005-06
2004-05
2003-04
2002-03
2001-02
0
100000
200000
300000
400000
500000
600000
700000
800000Incoming Resources
13-1412-1311-1210-1109-1008-0907-0806-0705-0604-0503-0402-0301-02
001-0220
Interest
Other Income
Fees
Service Level Agreements
Donations
Grants
TOTAL
Support Costs
Project costs
Core costs
TOTAL
100000
200000
300000
400000
500000
600000
700000
800000Turnover
10-1109-1008-0907-0806-0705-0604-0503-0402-0301-0200-0199-0098-99
0
100000
200000
300000
400000
500000
600000
700000
800000Incoming Resources
11-1210-1109-1008-0907-0806-0705-0604-0503-0402-0301-0200-0199-0098-99
Other
Black African
Black Carribean
Black UK
Asian
Mixed race
White
TOTAL
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
SOURCES OF INCOME 2013-14
n Grants £171,675
n Donations £4,105
n Service Level Agreements £436
n Fees/Charges £233,653
n Other Income £8,797
n Interest and Investments £100
PARTICIPANTS AND AUDIENCEn Number of Participants
n Audience
FINANCIALS
Not Known
19+
16-18
12-15
6-11
0-5
2007-2008
0 1000 2000 3000 4000 5000 6000
Audience*
Participants
2010-11
2011-12
2009-10
2008-09
2007-08
2006-07
2005-06
2004-05
2003-04
2002-03
2001-02
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
2007-2008
Not Known
19+
16-18
12-15
6-11
0-5
2007-2008
0 1000 2000 3000 4000 5000 6000
Audience*
Participants
2012-13
2011-12
2010-11
2009-10
2008-09
2007-08
2006-07
2005-06
2004-05
2003-04
2002-03
2001-02
0
100000
200000
300000
400000
500000
600000
700000
800000Incoming Resources
13-1412-1311-1210-1109-1008-0907-0806-0705-0604-0503-0402-0301-02
001-0220
Interest
Other Income
Fees
Service Level Agreements
Donations
Grants
TOTAL
Support Costs
Project costs
Core costs
TOTAL
100000
200000
300000
400000
500000
600000
700000
800000Turnover
10-1109-1008-0907-0806-0705-0604-0503-0402-0301-0200-0199-0098-99
0
100000
200000
300000
400000
500000
600000
700000
800000Incoming Resources
11-1210-1109-1008-0907-0806-0705-0604-0503-0402-0301-0200-0199-0098-99
Other
Black African
Black Carribean
Black UK
Asian
Mixed race
White
TOTAL
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
Not Known
19+
16-18
12-15
6-11
0-5
2007-2008
0 1000 2000 3000 4000 5000 6000
Audience*
Participants
2010-11
2011-12
2009-10
2008-09
2007-08
2006-07
2005-06
2004-05
2003-04
2002-03
2001-02
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
2007-2008
Not Known
19+
16-18
12-15
6-11
0-5
2007-2008
0 1000 2000 3000 4000 5000 6000
Audience*
Participants
2012-13
2011-12
2010-11
2009-10
2008-09
2007-08
2006-07
2005-06
2004-05
2003-04
2002-03
2001-02
0
100000
200000
300000
400000
500000
600000
700000
800000Incoming Resources
13-1412-1311-1210-1109-1008-0907-0806-0705-0604-0503-0402-0301-02
001-0220
Interest
Other Income
Fees
Service Level Agreements
Donations
Grants
TOTAL
Support Costs
Project costs
Core costs
TOTAL
100000
200000
300000
400000
500000
600000
700000
800000Turnover
10-1109-1008-0907-0806-0705-0604-0503-0402-0301-0200-0199-0098-99
0
100000
200000
300000
400000
500000
600000
700000
800000Incoming Resources
11-1210-1109-1008-0907-0806-0705-0604-0503-0402-0301-0200-0199-0098-99
Other
Black African
Black Carribean
Black UK
Asian
Mixed race
White
TOTAL
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
Not Known
19+
16-18
12-15
6-11
0-5
2007-2008
0 1000 2000 3000 4000 5000 6000
Audience*
Participants
2010-11
2011-12
2009-10
2008-09
2007-08
2006-07
2005-06
2004-05
2003-04
2002-03
2001-02
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
2007-2008
Not Known
19+
16-18
12-15
6-11
0-5
2007-2008
0 1000 2000 3000 4000 5000 6000
Audience*
Participants
2012-13
2011-12
2010-11
2009-10
2008-09
2007-08
2006-07
2005-06
2004-05
2003-04
2002-03
2001-02
0
100000
200000
300000
400000
500000
600000
700000
800000Incoming Resources
13-1412-1311-1210-1109-1008-0907-0806-0705-0604-0503-0402-0301-02
001-0220
Interest
Other Income
Fees
Service Level Agreements
Donations
Grants
TOTAL
Support Costs
Project costs
Core costs
TOTAL
100000
200000
300000
400000
500000
600000
700000
800000Turnover
10-1109-1008-0907-0806-0705-0604-0503-0402-0301-0200-0199-0098-99
0
100000
200000
300000
400000
500000
600000
700000
800000Incoming Resources
11-1210-1109-1008-0907-0806-0705-0604-0503-0402-0301-0200-0199-0098-99
Other
Black African
Black Carribean
Black UK
Asian
Mixed race
White
TOTAL
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
Not Known
19+
16-18
12-15
6-11
0-5
2007-2008
0 1000 2000 3000 4000 5000 6000
Audience*
Participants
2010-11
2011-12
2009-10
2008-09
2007-08
2006-07
2005-06
2004-05
2003-04
2002-03
2001-02
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
2007-2008
Not Known
19+
16-18
12-15
6-11
0-5
2007-2008
0 1000 2000 3000 4000 5000 6000
Audience*
Participants
2012-13
2011-12
2010-11
2009-10
2008-09
2007-08
2006-07
2005-06
2004-05
2003-04
2002-03
2001-02
0
100000
200000
300000
400000
500000
600000
700000
800000Incoming Resources
13-1412-1311-1210-1109-1008-0907-0806-0705-0604-0503-0402-0301-02
001-0220
Interest
Other Income
Fees
Service Level Agreements
Donations
Grants
TOTAL
Support Costs
Project costs
Core costs
TOTAL
100000
200000
300000
400000
500000
600000
700000
800000Turnover
10-1109-1008-0907-0806-0705-0604-0503-0402-0301-0200-0199-0098-99
0
100000
200000
300000
400000
500000
600000
700000
800000Incoming Resources
11-1210-1109-1008-0907-0806-0705-0604-0503-0402-0301-0200-0199-0098-99
Other
Black African
Black Carribean
Black UK
Asian
Mixed race
White
TOTAL
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
STATEMENT OF FINANCIAL ACTIVITIESIncoming resources £418,766
Resources expended (£388,441)
Net incoming/(outgoing) resources
£30,325
RECONCILIATION OF FUNDSTotal funds brought forward £58,628
Total funds carried forward £88,953
The following information is derived from the full audited financial statements.
Income and expenditure account the year ended 31 August 2014.
AGE GROUPS OF PARTICIPANTS 2013-14
n Under 5
n 6 -11
n 11-16
n 16+
n Over 60
n Not Known
ETHNIC MAKE UP OF PARTICIPANTS 2013-14
n White UK
n Mixed Race
n Asian
n Black UK
n Black Caribbean
n Black African
n Other
EXPENDITURE MIX 2013-14
n Project Costs £219,650
n Support Costs £121,435
n Core Costs £47,356
Not Known
19+
16-18
12-15
6-11
0-5
2007-2008
0 1000 2000 3000 4000 5000 6000
Audience*
Participants
2010-11
2011-12
2009-10
2008-09
2007-08
2006-07
2005-06
2004-05
2003-04
2002-03
2001-02
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
2007-2008
Not Known
19+
16-18
12-15
6-11
0-5
2007-2008
0 1000 2000 3000 4000 5000 6000
Audience*
Participants
2012-13
2011-12
2010-11
2009-10
2008-09
2007-08
2006-07
2005-06
2004-05
2003-04
2002-03
2001-02
0
100000
200000
300000
400000
500000
600000
700000
800000Incoming Resources
13-1412-1311-1210-1109-1008-0907-0806-0705-0604-0503-0402-0301-02
001-0220
Interest
Other Income
Fees
Service Level Agreements
Donations
Grants
TOTAL
Support Costs
Project costs
Core costs
TOTAL
100000
200000
300000
400000
500000
600000
700000
800000Turnover
10-1109-1008-0907-0806-0705-0604-0503-0402-0301-0200-0199-0098-99
0
100000
200000
300000
400000
500000
600000
700000
800000Incoming Resources
11-1210-1109-1008-0907-0806-0705-0604-0503-0402-0301-0200-0199-0098-99
Other
Black African
Black Carribean
Black UK
Asian
Mixed race
White
TOTAL
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
Interest and Investments
Other Income
Fees/Charges
Service Level Agreements
Donations
Grants
OUTREACH TOTALSThe following information is derived from enrolment and
participation records for the year ended 31 August 2014.
35
36
HMDT Music
Second Floor
22 Aldermans Hill
London N13 4PN
Tel: 020 8882 8825
Email: [email protected]
Website: www.hmdt.org.uk
HMDT Music is grateful for core support
from the PRS for Music Foundation which
enables its fundraising activities to be
directed towards the development and
sustainability of projects.