HIU FAI CHOI - PM's Library Week4
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Transcript of HIU FAI CHOI - PM's Library Week4
week 4: camp david design
Reading:• Dispersion and the Encyclopaedic (Towards New Tech-niques for the City, in backlog 1989, by Ian McDougall• Originality, in Transition #47, by Michael Markam• Contradiction Adapted in Complexity and Contradic-tion in Architecture (The Museum of Modern Art, New York, 1966), by Robert Venturi• The History Wars – The Monthly, by Robert Manne
• Movie: Dons Party – 1976 Australian Film
• Research: Examples of Australian domestic and institutional architecture
• Debate: “More Ideas Less Refinement”
• Design: Camp David
International Style Architecture
Examples
approach scope
design aimming
- Material interpretation: Glass
The transition between Public & Private Accessibility
Le Cobusier
Method: Lifting up from ground
- The idea of landscape continuity
oppotunities Present1950s 1978s
Mies van der Rohe
Method: Free �oor plan
Issue: How to provide an adequate privacy responds in spatial hierachy
Issue: How to activate the vacant space
Material Interpretation - Glass
Private
Classical revolution & process Modern
Public
PRIVATE PRIVATEPRIVATE PRIVATE
01. columns (type 1) & landscape contiunityvilla savoye, by le cobusier, 1928 -31
ned kelly series, by sidney noland
“return the beauty of the australian land-“return the beauty of the australian land-scape continurity”
02. columns (types 2) & landscape contiunitycasa farnsworth, by mies van der rohe, 1949 -50
- constuction possibility
design method:
- columns (types 2) & steel columns
- columns & spatial planning
“return the beauty of the australian landscape continurity”
1
23
4 X
5
PRIVATE
Entrance
Living area
Studio
Green
Programme order & spatial hierachyTransition space from semi-public to privateVacant space re-activation
Vacant space re-activation
Enclosed Garden
Activation
Private PrivateCommunity
01. Featherston House, 1968, inner suburb of Melbourneby Robin Boyd
Programmes Order & Spatial hierachy
STUDIO
STUDIO
BEDROOM
BEDROOM
DINING
Carpark outsidesemi - outside
public
threshold
Private
activate the entile space
activate the entile space
DINING
Garden
Garden
LIVING ROOM
LIVING ROOM
Fire place
POOL+
GARDEN
Movement & Architectural Elements
1
1
0
2
2
3
4
0
3
Garden
Open plan & Mobility + Structural characteristicMaterial: Light weight bottom verses Heavy topMies’s open �oor plan method
Window Glazing
RoofHeavy
Light
02. Daby’s Bay Victoria, 1959 by Grounds, Romberg and Boyd
PRIVATE 1
PRIVATE 2
COMMUNITY SPACE
OUTSIDE1
23
3
LANDSCAPE
Transition space & Hierachy
Landscape continuity & Spatial hierahyReference: Le cobusier project: SavoyeAdaptation: Australian Landscape
03. Rose Seidler House,1948-50 by Harry Seidler
PRIVATE PRIVATE SEMIPRIVATE
SEMIPRIVATE
ACCESS
ACCESS
landscape
Stone wall - de�nd building on landscape
Partition wall - de�nd spatial between landscale and private
landscape
landscape
landscape
Private
Semi- Public
Accessibility: landscape & privateWall types & inter - relationship with spatial hierachy
landscape
landscape
landscape
landscape
landscape
Private
Diagram 1 - Accessing
First Floor Plan - Landscape & Private
Diagram 2 - Accessing
Diagram 3 - Accessing
Private
PrivatePrivate
PRIVATE
PRIVATE
ACCESS
ACCESS
Landscape continuity & Material interpretationThe level of freedom on public accessabilityThe emerage from classisal (enclose space) into modern (open space)
Unite d Habitation, 1952, Marseilleby LeCorbusier
04. Imperial Chemical Industries House (ICI), 1955 – 58, by Bates, Smart
SOLID
landscape continuity
GLAZING
Landscape continuity & Material interpretationThe level of freedom on public accessabilityThe emerage from classisal (enclose space) into modern (open space)
Unite d Habitation, 1952, Marseilleby LeCorbusier
04. Imperial Chemical Industries House (ICI), 1955 – 58, by Bates, Smart
SOLID
landscape continuity
GLAZING
Garden
Community area& �exible programme
Public accessability & programme orders + lift up ground methordSpatial transition between Public & Private
Private
PrivatePrivate
PUBLIC
PUBLIC
Lift Up Ground & Construction TechniqueThe �exible function on an open ground �oorThe interrelationship between two seperate wings & the cntral court
05 Menzies College at La Trobe University, 1968 by Robin Boyd
COURT COURT
ADMI
COMMON
LEFT
WING
RIGHT
WING
LEFT
WING
RIGHT
WING
SEMI
PUBLIC
PRIVATE
PRIVATE
PRIVATE
COURT
PRIVATE
PUBLIC
PUBLIC
PUBLIC
PUBLIC
Mobility & Spatial distance
PRIVATE
PRIVATE
COURT
PUBLIC
PUBLIC
Mobility & negative space
Methord: Mobility & negative space resulted in circulation development
Circulation & Programmes order
Lift Up Ground & Spatial control
vacant space subtraction
construction technique
spatial clarity
Extrior structural steel framing
I
I I I
I I
I
I
I
I
I
ICORE
FREE FLOOR PLAN
FREE FLOOR PLAN
06 BHP House, 1974 , William Streetby Yuncken Freeman
+
+
=
PublicPublic
PRIVATE
PRIVATE
PUBLIC
PUBLIC
1
0
OFFICE OPEN PLAN
=
PUBLIC OPEN PLAN
OFFICE OPEN PLAN
OFFICE OPEN PLAN
OFFICE OPEN PLAN
OFFICE OPEN PLAN
Spatial Maximize - Spatial equality between Public & Private
2
3
4
5
6
PUBLIC
PUBLIC
1
0
OFFICE OPEN PLAN
=
PUBLIC OPEN PLAN
OFFICE OPEN PLAN
OFFICE OPEN PLAN
OFFICE OPEN PLAN
OFFICE OPEN PLAN
Spatial Maximize - Spatial equality between Public & Private
2
3
4
5
6
method summerisecolumns order & spatial planning
spatial hierachy define public & privatelandscape contiunitylift up from ground
constuction possibilirty
Debating: “More ideas and less refinement”
01. The clarity of idea on Carlo’s projects seeks to re�ne the harmony (material)
- REFINEMENT BRINGS THE CLARITY OF IDEA -
CARLO
SCARPA
- REFINEMENT BRINGS THE HARMONY OF IDEA -
Brion Tomb, Italy, by Carlo Scarpa
Santiago Calatrava
The Milwaukee Art Museum
02. The clarity of idea on Santiago’s project seeks to re�ne harmony (construction)
Liège-Guillemins TGV Station, Liège
Puente del Alamillo
Santiago Calatrava
The Milwaukee Art Museum
02. The clarity of idea on Santiago’s project seeks to re�ne harmony (construction)
Liège-Guillemins TGV Station, Liège
Puente del Alamillo
Capsule Tower revolution
Caputle hotel
03. poorlest re�nement on idea - In-plug unit
Robinhood Garden8 HOUSE BY BIG
05. approaching the re�nement on idea: void-reactivation
Building Moduler Massive production
06. less re�nement & cho
FCAATSI Delegation meeting with Prime Minister Menzies in September 1963
03. camp david designrobert gordon menzies & national leaders
Vacancy 2
site condition - jeparit materiality, color & spatial hierachyresponds to
vancancy 1
site plan 1:1000
commercial
nhill-jeparit rd
nhill-jeparit rd
commercial
residential
53
59
6113
38
38
34
71
7
5
3
73
68
13
23
25
40
45
39-43
3935
23
36
42
48-50
54
residential
residential residential
residential
N jeparit
jeparit train line
site boundaryro
y st
reet
roy
stre
et
lot 50
6859
nhill-jeparit rd
site boundarysite boundarysite boundarysite boundarysite boundarysite boundarysite boundarysite boundary
commercialcommercialcommercialcommercial
commercialcommercial
residentialresidentialresidentialresidential
residentialresidential
residentialresidentialresidentialresidential
residentialresidentialresidential residentialresidential
community reactivation - jeparit
spatial hierachy & clumns order
private
private
summit
space
open
garden
meeting
office
&
guet
room
semi
private
public
PERSPECTIVE VIEW
VIEW POINT
GROUND FLOOR PLAN SECOND FLOOR PLANbasement - summit space
void
undergroundPM OFFICE
NICE SPOT
RELAXING AREA
GUEST PRIVATEunderground
a
c
up
up up
DOWN
b
spatial hierachy & clumns order
private
private
summit
space
open
garden
meeting
office
&
guet
room
semi
private
public
PERSPECTIVE VIEW
VIEW POINT
GROUND FLOOR PLAN SECOND FLOOR PLANbasement - summit space
void
undergroundPM OFFICE
NICE SPOT
RELAXING AREA
GUEST PRIVATEunderground
a
c
up
up up
DOWN
b
PERSPECTIVE VIEW
ROBERT GORDON MENZIECAMP DAVID
GUEST PRIVATE ROOM PM’S OFFICEopen gardenopen garden
PRIVATE MEETING ROOMsummit room
private
private
semi
private
public
ground floor
basement
method 1concrete columns & space
axo diagrams
method 2steel columns & framming
first floor
second floor
ground floor
basement
method 1concrete columns & space
axo diagrams
method 2steel columns & framming
first floor
second floor
END WEEK 4