History of the Ritual Auto Saved)
-
Upload
ronald-sandritter -
Category
Documents
-
view
225 -
download
0
Transcript of History of the Ritual Auto Saved)
-
8/2/2019 History of the Ritual Auto Saved)
1/20
Page | 1
A TREATISE ON THE HISTORY
AND RITUAL OF
THE BOOK OF PLAY
By
Ron Sandritter, P.D.
RALEIGH COURT # 186
-
8/2/2019 History of the Ritual Auto Saved)
2/20
Page | 2
ACKNOWLEDGEMENTS
I wish to thank the Dr. Christopher Nelson, M.D., of Tampa Court #89, also a lover of history, as
myself, who inspired me to keep plugging until I found enough information to make this
piece of work substantial and informative; AND to Ed Prange, R.Ph. also of Tampa Court #89 for
the use of his Neophytes Questionnaire which helped me fill in some of the answers. I hope
this fills in the blanks for those people who watch The Book of the Play time and againand
still have questions. I am open to suggestions from anyone who has ideas to make this work
more informative. Thank you. MIK
PART I
The Royal Order of Jesters was created during an Imperial Potentates Pilgrimage to Hawaii in
the year 1911 aboard the good ship Wilhelmina. The trip was from Feb 15th
to March 7th
, a long
time for a cruise even by todays standards. The trip was from San Francisco to Hawaii with
some time on the Islands and then cruising back. It appears that the Jesters were created on
the way back to San Francisco. The Imperial Potentates motto was Mirth is King. The ship
did not have the shows and entertainment provided by todays cruise ships, so the passengers
came up with their own games to pass the time. Popular games of the time were things like
Cigarette-lighting contest, obstacle race, jousting with pillows, cracker-eating contest, and of
course the three-legged race. During the voyage people were also put on trial for numerous
and sundry offenses against the laws of sports, pool and social committees. The billikin was a
popular symbol during the early 1900s and someone must have performed as the Billikin
handing out gifts and doing silly things for the men and women aboard. While in Hawaii, a
ceremonial was held in the Hawaiian Opera House on the island of Hawaii. Aloha court was
formed on Thursday in the Captains office. The Order was started on the westward bound trip
but the ritual was not written out in full or initiation worked up. That evening at 12 midnight,
the ritual was performed on nine Nobles. The fun was immense, the comedy good and the
laughter awakened sleeper in nearby staterooms. This aroused even more interest. The
following night at midnight another class of 9 amateurs who thought they could act presented
themselves in the Captains office and applied for admission to the Royal Jester. On the evening
before disembarkation, most people went to pack up, all except the Jesters. So again, at
-
8/2/2019 History of the Ritual Auto Saved)
3/20
Page | 3
midnight, in the Captains office, the stage was set, the jinks produced, and the lights were on.
Performances were Romeo and Juliet, a recitation of Face on the Bar Room Floor, the song
Come back to Erin, a hula dance, and a song forty five minutes from Market Street. The
curtain was rung down and all retired to meet again on July 14th
at midnight in Rochester, NY.
The above was Excerpts from Incidents, Happenings and Friendships of the Imperial
Potentates Pilgrimage written and compiled by A.M. Allison, Islam Temple, San
Francisco.
Early Jester Courts reached both ends of the continent and the early ritual of
poems, dances and phrolic must have been modified until the Revised and Approved
standard was approved and accepted at the National Meeting in 1928. How or why it
became Shakespearean in nature is not known, but was probably the idea of Eugene
Lemoyne Connelly. The authorship of Book of the Play is attributed to Eugene Lemoyne
Connelly of Pittsburgh Court #2.
Eugene Lemoyne Connelly was born on August 18, 1876, the youngest of six sons to
William Calvin Connelly and Elizabeth Connelly. His mother, having been a woman of
broad education, supplemented Eugenes public school education with a very
comprehensive classical study under her direction. His first newspaper work was with
the Sportsman, Referee and Dramatic Critic, which was owned and edited by his
brothers, William and Frank. At 17 he was on the editorial staff of the Pittsburgh
Leader and served as the sporting editor, society editor, financial editor, industrial
editor, political editor, city editor, editorial editor and Sunday editor. He was one of the
first men in the devastated regions of the Johnstown flood and later compiled a history
of the same. He was one of the earliest visitors to the Oil City holocaust and fire in the
year 1892. It was through his exposure to political chicanery that the Citizens Party of
Pittsburgh was organized and succeeded in dethroning and then regent political bosses.
Eugene allied himself with Harry Davis (Harry was co-founder of the Nickelodeon) and
had interest or was part owner in theaters in Pittsburgh, Cincinnati, Dayton and
Wilmington. He was the first manager of Davis Theater when it opened in 1915 and also
VP of Harris Amusement Company. Davis Theater was one an early motion picture
theater, a member of the Keith circuit (RKO Keith theaters) located at 522 Smithfield St.
in Pittsburgh; that site today is occupied by another building. The Keith circuit was
known for the highest class refined vaudeville entertainment of the day. As an aside,
Charles Lindley Davis, who owned and to whom the theater is named, held interest in
the Harry Davis Stock Company (the relationship between Harry and Charles is not
known) also owned the Alvin Theater in 1927 in New York City. The Theaters name was
changed in 1983 to the Neil Simon Theater. In 1899, Eugene Connelly received a gold
-
8/2/2019 History of the Ritual Auto Saved)
4/20
Page | 4
medal as a Member Adherent of the Academie Parisiennne Des Inventeurs Industriels et
Esposants, Paris France. He proposed and founded the Associated Artist of Pittsburgh.
He was a member of the Pittsburgh Press Club, the Pittsburgh Athletic Association
(Pittsburgh Court #2 ROJ still holds events at this institution). He was a member of
Crescent Lodge #576 in Pittsburgh and a member of the Scottish Rite. He wascoroneted a 33 degree in 1921. He was a member of the Sons of the American
Revolution, being the grandson of Cpt. Peter Whiteside of Washingtons Army.
PART II
This narrative will attempt to give the reader some literary and historical perspective to
this great work that Jesters have come to know and love.
Plays in Shakespeares day did not have the elaborate costumes, light and sound that
you think of when you attend a production today. Many times the actors of a
Production Company had to take on many parts, so costumes had to be changed
quickly. Actors were indeed actors, as females were not allowed to act. Female parts
were usually played by young boys whose voices were generally higher before they
reached puberty.
So it was when Jesters were new in the early 20th
century. The Books of the Play were
put on in various locations and if you read the ritual book, it will tell you of the use of a
traveler for a curtain.
-
8/2/2019 History of the Ritual Auto Saved)
5/20
Page | 5
PART III
The Book of the Play is a story of a traveling troupe of actors who came to town, lived it
up, put on a bad play and then tried to leave town without paying for their food and
eats. The text will have references to these food hounds often. The first scene is in a
Courtroom and the candidate is questioned as to his worthiness to become a juror to try
the members of this rag-tag group of actors for their offenses.
Before the curtain opens, the stage is set by several characters, Life, Lilt, Laughter, Joy
and Gloom, to remind you that life should have phun and phrolic and at the same time
to go through this life like brother and brother: And now lets go hand in hand, not one
before the other.Laughters poem reminds us of Poor Yorick from Shakespeares
Hamlet .
A meditation on the fragility of life.
Poor Yorick - Hamlet says this in a graveyard as he looks at the skull of Yorick, a court
jester he had known as a child, and grieves for him. In this complex speech, which is one of
the best known in all dramatic works, Hamlet goes on to consider the fate of us all when he
compares the skull to those still living: "let her paint [her face] an inch thick, to this favour
*state+ she must come
As a child Hamlet found the jester Yorick amusing and entertaining. They used to play and
frolic in an intimate but innocent way. Now that Yorick is a smelly corpse the memory of
touching him seems revolting and makes Hamlet feel ill.
Laughters meditation also contains a quote from Of the Imitation of Christ by Thomas A.
Kempis. In chapter 19 of Book 1 we read,
For the resolutions of the just depend rather on the grace of God than on their own
wisdom; and in Him they always put their trust, whatever they take in hand. For man
proposes, but God disposes; is the way of man in his own hands.
-
8/2/2019 History of the Ritual Auto Saved)
6/20
Page | 6
After the mirror scene, a final charge is given by Prologue to the candidates, just before the
curtain rises, about how they act as jurorsYet oftimes the sinner plays the saint, I pray
you, mark them well, some you may consign to heaven, others send headlong into Hell. It
reminds us of that biblical truth Judge not lest ye be judged
THE PRISONERS ENTRANCE- an Italian band comes in singing Hail, hail the gangs all
here! Many of Shakespeares works had Italians in them. This is probably a way to make
sure that requirement is met. The song was popular in the 1920s but is also a parody
about the gang of prisoners. It is also a good way to bring the cast onto the stage.
The candidates are then cross-examined. Once the whole jury is picked, the play goes on
to present evidence against the accused actors for killing Will Shakespeare
After only one witness, the actors are allowed to present examples of their histrionic art
at the Opera house to show the Court that they are indeed innocent.
Scene II the Opera House
The examples that each member of the troupe gives are sometimes funny and
sometimes serious, emblematic of that checkerboard pavement of good and evil alluded
to by the property man. As you attend portrayals of the Book of the Play, you will learn
about the many ways our lives can turn by the ways the actors portray their parts. Now
onto the Book!
The Director introduces the Tragedian as the Tragic Muse. The Tragic Muse was a
serial by Henry James printed in the Atlantic Monthly 1889-1980. It was a story of
conflict between demands of art and those of the real world. The Tragedians part is
one of the most dramatic of the whole play. In his speech, there are references to John
Drew and young Barrymore, Marlow and Maud Adams and Ed Booth. John (Jonathan)
Drew (Drewland) was born in Dublin, Ireland. His family emigrated to Boston,Massachusetts, where, as a child, he got into acting. He made his first New York
appearance in 1846, playing Irish and light comedy parts. He managed the Arch Street
Theater. He had 3 children. His youngest, Georgiana, married Maurice Barrymore in
1876, begetting the Barrymore family. John Drew is the great-great-grandfather of
Drew Barrymore. Maude Adams was a well-known actress in the early 20th
century, and
won positive success when she played a character in a play called The Jesters in
-
8/2/2019 History of the Ritual Auto Saved)
7/20
-
8/2/2019 History of the Ritual Auto Saved)
8/20
Page | 8
The Light Comedian starts off with..
The worldly hope.. is from quatrain XVI and in current English would read
The riches people think will last so long
Go sour or persist and worth retain
See dew upon the grass out in the sun
So fortune spent doth hardly yet remain.
so friend, forsake is from quatrain LIV which reads
Waste not your Hour, nor in vain pursuit
Of this and that endeavor and dispute;
Better be jocund with the fruitful Grape
Than sadden after none, or bitter, Fruit.
So be perplexed. Is from quatrain XLI which reads
Oh! Plagued no more with Human and Divine
Tomorrows tangle to itself resign,
And lose your fingers in the tresses of
The Cypress- slender minister of Wine
Or in todays English .
To worry of Mens Pedigree? Do not!
Or of their righteous mess, their sins mundane.
Ill fete the women in Seraglios
Lets drown in lusty Rivers of Champagne.
-
8/2/2019 History of the Ritual Auto Saved)
9/20
Page | 9
The Heavy Mans presentation is a story of how a person may be living the high life at one
moment and the next moment is down on your luck. Little did the author of the Book of the
Play realize that the Great Depression would start in the following year!
It is a take-off of the poem by Rudyard Kipling (a Mason) Gunga Din and presented
here.
YOU may talk o' gin an' beerWhen you're quartered safe out 'ere,
An' you're sent to penny-fights an' Aldershot it;
But if it comes to slaughter
You will do your work on water,An' you'll lick the bloomin' boots of 'im that's got it.
Now in Injia's sunny clime,
Where I used to spend my timeA-servin' of 'Er Majesty the Queen,
Of all them black-faced crew
The finest man I knew
Was our regimental bhisti, Gunga Din.
It was "Din! Din! Din!
You limping lump o' brick-dust, Gunga Din!Hi! slippy hitherao!
Water, get it! Panee lao!
You squidgy-nosed old idol, Gunga Din!"
The uniform 'e wore
Was nothin' much before,
An' rather less than 'arf o' that be'ind,For a twisty piece o' rag
An' a goatskin water-bag
Was all the field-equipment 'e could find.When the sweatin' troop-train lay
In a sidin' through the day,
Where the 'eat would make your bloomin' eyebrows crawl,
We shouted "Harry By!"
Till our throats were bricky-dry,Then we wopped 'im 'cause 'e couldn't serve us all.
It was "Din! Din! Din!
You 'eathen, where the mischief 'ave you been?
You put somejuldee in it,
Or I'll marrow you this minute,If you don't fill up my helmet, Gunga Din!"
-
8/2/2019 History of the Ritual Auto Saved)
10/20
Page | 10
'E would dot an' carry oneTill the longest day was done,
An' 'e didn't seem to know the use o' fear.
If we charged or broke or cut,
You could bet your bloomin' nut,'E'd be waitin' fifty paces right flank rear.
With 'is mussickon 'is back,
'E would skip with our attack,An' watch us till the bugles made "Retire."
An' for all 'is dirty 'ide,
'E was white, clear white, insideWhen 'e went to tend the wounded under fire!
It was "Din! Din! Din!"
With the bullets kickin' dust-spots on the green.
When the cartridges ran out,You could 'ear the front-files shout:
"Hi! ammunition-mules an' Gunga Din!"
I sha'n't forgit the night
When I dropped be'ind the fightWith a bullet where my belt-plate should 'a' been.
I was chokin' mad with thirst,
An' the man that spied me first
Was our good old grinnin', gruntin' Gunga Din.
'E lifted up my 'ead,
An' 'e plugged me where I bled,
An' 'e guv me 'arf-a-pint o' watergreen;It was crawlin' an' it stunk,
But of all the drinks I've drunk,
I'm gratefullest to one from Gunga Din.
It was "Din! Din! Din!
'Ere's a beggar with a bullet through 'is spleen;'E's chawin' up the ground an' 'e's kickin' all around:
For Gawd's sake, git the water, Gunga Din!"
'E carried me awayTo where a dooli lay,
An' a bullet come an' drilled the beggar clean.
'E put me safe inside,An' just before 'e died:
"I 'ope you liked your drink," sez Gunga Din.
So I'll meet 'im later on
-
8/2/2019 History of the Ritual Auto Saved)
11/20
Page | 11
In the place where 'e is gone
Where it's always double drill and no canteen;'E'll be squattin' on the coals
Givin' drink to pore damned souls,
An' I'll get a swig in Hell from Gunga Din!
Din! Din! Din!
You Lazarushian-leather Gunga Din!
Tho' I've belted you an' flayed you,By the livin' Gawd that made you,
You're a better man than I am, Gunga Din!
The Soubrette. A Soubrette is a saucy, coquettish, intriguing maidservant in comic
opera. Her story is a melancholy presentation of our journey through life. The
Soubrettes presentation also comes from the Rubaiyat of Omar Khayyam. Lets look at
quatrain LXXXIII,
Yesterday This Day's Madness did prepare;
To-morrow's Silence, Triumph, or Despair:
Drink! For you know not whence you came, nor why:
Drink! For you know not why you go, nor where.
Or another translation is
When you are lucky, or when mighty sick,
If wondrous happy, knocked-down, or annoyed,
Pour Wine! For Martyrdom or Horror worse
Awaits; penned in this System you're destroyed!
Omar the Tentmaker is a story of how we live on earth and our reward in the hereafter
again comes from the Rubaiyat of Omar Khayyam. Lets look at quatrain LXVIII
Oh threats of Hell and Hopes of Paradise!
One thing at least is certain--This Life flies:
One thing is certain and the rest is Lies;
The Flower that once is blown for ever dies.
And quatrain XXVI
Ah, make the most of what we may yet spend,
Before we too into the Dust descend;
Dust into Dust, and under Dust, to lie;
Sans Wine, sans Song, sans Singer, and -- sans End!
-
8/2/2019 History of the Ritual Auto Saved)
12/20
Page | 12
And in another translation is:
We'd best attempt to get Enchantment's Kiss,
As handed us in the due Season rife;
Why? O ye mute down under Dirt do go,
To end sans Sound, sans Wants, and so -- sans Life!
The Leading Lady the Leading Lady has references to Shakespeares works but again reverts
back to the Rubaiyat of Omar Khayyam quatrain 77
'Tis all a Chequer-board of Nights and Days
Where Destiny with Men for Pieces plays:
Hither and thither moves, and mates, and slays,
And one by one back in the Closet lays.
And another translation is
Life's basic Facts this Chess Match parallel:
Some merely Pawns, yet others Kingly; yea,
Both transient indeed, yes, and anon
Both vanquished or dethroned and hid away.
The Serio-Comic references Shakespeare in nature at the beginning we come not to
offend but with good will to show our simple skill, this is the true beginning of our end.
A Midsummer Nights Dream Act V Scene 1
And again to the Rubaiyat of Omar Khayyam quatrain XLVII
Waste not your Hour, nor in the vain Pursuit
Of This and That Endeavor and Dispute;
Better be merry with the fruitful Grape
Than sadden after none, or bitter, Fruit.
-
8/2/2019 History of the Ritual Auto Saved)
13/20
Page | 13
FINALE
The rest of the play finishes with obligations and instructions. Some minor questions that can
be answered are:
Who are the Venire men? Ans. The jurors of course!
The salt of the earth Ans. Check Matthew 5:13 (Sermon on the Mount)
What is Durance Vile? Ans. The slammer, the hoosegow, the clinker.Jail!
How many questions did the prosecuting attorney ask? Ans. The prosecuting Attorney says he
will confine his examination to but three questions, but actually he asked five.
Who are the Omnes? Ans. A legal term defining rights or obligations towards all.
Where does the term Goodfellow come from? Ans. Goodfellow refers to Robin Goodfellow
better known as puck, a mischievous character in one of Shakespeares play.
What does Khayamm mean? Ans. Tentmaker
Where do the code words and attributes come from? Ans. The code words and attributes are
all of Hawaiian origin, since the Jesters were (after all) started on a cruise to Hawaii..Duh!
APPENDIX
THEMES
Carpe Diem (Seize the Day)
.......The poet, who refers to himself as "Old Khayym," is unable to commit himself to belief in an afterlife.Consequently, he believes in living for today:
Ah, make the most of what we yet may spend,Before we too into the Dust Descend;Dust into Dust, and under Dust, to lie,
Sans Wine, sans Song, sans Singer andsans End!
-
8/2/2019 History of the Ritual Auto Saved)
14/20
Page | 14
Wine as the Water of Life
.......In a universe that refuses to reveal the ultimate destiny of man, the only intelligent way for one torelieve the anxiety about his fate, old Khayym says, is to drink the Lethe of wine. In its intoxicatingnectar, one may forget the past and the future, living only for the pleasure of the moment. Wine, ofcourse, can symbolize aesthetic and intellectual pleasures, as well as physical ones.
Fate
.......Pervading the poem is a sense of helplessness against forces beyond the control of man. Theuniverse, time, and of course fate will have their way no matter what man does to counteract their power.Stanza 51 presents fate as a Moving Fingerthat writes man's destiny:
The Moving Finger writes; and, having writ,Moves on: nor all thy Piety nor Wit
Shall lure it back to cancel half a Line,Nor all thy Tears wash out a Word of it.
Ineluctable Death
.......Khayym strikes a somber, melancholy note when he continually reminds the reader that death willultimately claim everyone. And after it does, he says, what then?
AUTHOR AND TYPE OF WORK
The Rubaiyat of Omar Khayyam is actually the product of two authors. Khayyam wrote many quatrains.
Each quatrain, though consisting of only four lines, stood alone as a separate work, usually an epigram or
a special insight. Another work you may be familiar with that used this style was Nostradamus. Edward
FitzGerald translated many of Khayym's quatrains and combined them into a single work with a central
theme. But he also added his own insights and couched the quatrains in his own style. Some critics
maintain that the poetic quality of FitzGerald's finished product exceeded that of Khayym's original
quatrains. In other words, Khayym supplied the lumber, and FitzGerald built the house..
-
8/2/2019 History of the Ritual Auto Saved)
15/20
Page | 15
.The Rubiyt ofOmar Khayymis a lyric poem in quatrains (four-line stanzas). Rather than telling a
story with characters, a lyric poem presents the deep feelings and emotions of the poet on subjects such
as life, death, love, and religion. The Rubiytwas published in March 1859 but received little attention.
However, after poet Dante Gabriel Rossetti (1828-1882) read and praised it in 1860, the poem became
highly popular. FitzGerald revised it four times thereafter so that there are five published editions of the
poem in all.
A BRIEF SUMMARY OF THE RUBAIYAT OF OMAR KHAYYAM
as
..As dawn drives out darkness, I dream of a voice in the tavern crying out to fill the cup before lifes liquor
runs dry. A rooster crows. Those at the tavern door beg entry, saying, You know how little while we have
to stay, / And, once departed, may return no more."
.......Of course, now at the beginning of spring, there is time for the thoughtful soul to visit the solitude of
the garden. There he will see blossoms as white as the hand of Moses after God spoke to him (Exodus
4:6)blossoms that perfume the air like the breath of Jesus. He will also see grapes on the vine. How
lucky we are to have gardens with grapes. How lucky we are to have gardens at all. Consider Iram, King
Shaddad's stupendous garden city. The desert sands have swallowed it. All of its beautiful rosesgone.
(The Arabian Nightstells the story of King Shaddad and Iram. Sir Richard Burton's 1850 translation of of
the work says that Iram was a great city of gold and silver with streets paved with rubies and pearls and
planted with trees bearing yellow fruit.) Gone too are flowers resembling the magical cup of Jamshyd.
(Jamshyd, or Jamshid, was a mythical Persian king.)
.......But there are grapes. And if there are grapes, there will be wine. In recognition of the grape as the
fruit of fruits, the nightingale cries out to a yellow rose in ancient Sanskrit (an ancient language of India)
that its petals must blazon with red.
.......In this fire of spring, one must fill the cup and fling off winter, for there is no time to waste. Time is a
swift bird now on the wing. Come with me, old Khayyam, and let others lie about as they may. Even whenpeople practicing Hatim Taithat well-known tradition of generositycall you to supper, heed them not.
.......Yes, come with me along a strip of herbage that divides the desert from the garden, and we fill find a
place beneath a bough. There, with a loaf of bread, a jug of wine, a book of verse, and you beside me
singing, our wilderness will become a paradise.
.......How sweet is the here and now. Although others await a better life, I say take the cash in hand and
forget the rest. The worldly hope men set their hearts upon either turns to ashes or it prospers; but when
it prospers, it is gone in an hour or two, like snow that lights upon the desert. Thus, those who harvest
golden grain and those who throw it to the wind are alike in their in their fate.
.......In this battered inn that is lifean inn whose doorways are day and nightSultan after Sultan
sojourned an hour or two, then went his way. Now the lion and the lizard keep the courts where Jamshyd
once sat in glory and drank deep; even the Sassanian sovereign Bahram now lies in sleep. .......I sometimes think the rose is never so red as where some buried ruler, some Caesar, bled; and every
hyacinth in the garden springs from what was once a lovely head. And this delightful herb whose green
adorns the edge of the riverlean upon it lightly, for who knows from what lovely lip it rises.
.......Ah, fill the cup that makes us forget past regrets and future fears. Who knows what tomorrow may
bring.Some that we loved as the best that time and fate could produce have already drunk their cup and
now lie at rest. And we who now make merry when summer blooms will one day also lie beneath the
couch of earth.So make the most of the pleasures we have left to us before we too settle into dust
-
8/2/2019 History of the Ritual Auto Saved)
16/20
Page | 16
without wine, or song, or singer. Why worry about unborn tomorrow and dead yesterday when today is
sweet. It is better to be merry with the grape than sad with bitter fruit. Years ago I learned this lesson and
banished reason from my bed and took the daughter of the vine as my spouse. The grape can transmute
leaden metal into gold.
.......Destiny plays games with men, who are but pieces on a checkerboard to be moved and slain. The
moving finger of fate writes its tale, and nothing we do can cancel a line. Our tears cannot wash away a
single word. But do not lift your hands for help to that inverted bowl, the sky, for it rolls on, heedless. And
when you yourself shall one day walk among those at rest under the grass and reach the spot where I lie,
turn down an empty Glass!
THE FACE ON THE BARROOM FLOOR
"The Face on the Barroom Floor" is a poem written byHugh Antoine D'Arcyin1887
Written in ballad form, it tells the story of an artist ruined by love; having lost his belovedMadeline to another man, he has turned to drink. In the poem, he enters a bar and tells his storyto the bartender and to the assembled crowd. He then offers to sketch Madeline's face on the
floor of the bar but falls dead in the middle of his work.
'Twas a balmy summer evening and a goodly crowd was there,
That well nigh filled Joes' barroom at the corner of the square.
http://en.wikipedia.org/wiki/Hugh_Antoine_D%27Arcyhttp://en.wikipedia.org/wiki/Hugh_Antoine_D%27Arcyhttp://en.wikipedia.org/wiki/Hugh_Antoine_D%27Arcyhttp://en.wikipedia.org/wiki/1887http://en.wikipedia.org/wiki/1887http://en.wikipedia.org/wiki/1887http://en.wikipedia.org/wiki/1887http://en.wikipedia.org/wiki/Hugh_Antoine_D%27Arcy -
8/2/2019 History of the Ritual Auto Saved)
17/20
Page | 17
As songs and witty stories came through the open door,
A vagabond crept slowly in and posed upon the floor.
Where did it come from? someone said,The wind has blown it in.
What does it want? another cried,Some whiskey, rum orgin?
Here Toby, sic em,
If your stomach is equal to the work, I wouldn't touch him with a fork,
He's filthy as a Turk.
This badinage the poor wretch took with stoical good grace.
In fact, he smiled as though he thought he had struck the proper place.
Come boys, I know there's kindly hearts among so good a crowd;
To be in such good company would make a deacon proud.
Give me a drink, thats what I want.
I'm out of funds you know, when I had cash to treat the gang,
This lad was never slow. What? You laugh as though you think,
This pocket never held a sou,
I once was fixed as well, my boys, as any of you.
There thanks, thats braced me nicely.
God Bless you one and all. Next time I pass this good saloon,
I'll make another call.
Give you a song? No, I can't do that. My singing days are past.
My voice is cracked, my throat's worn out, and my lungs are going fast.
Aye, give me another whiskey and I'll tell you what to do
I'll tell you a funny story and in fact I'll promise two.
That I was ever a decent man, not one of you would think,
But I was, some four or five years back. Say, give me another drink.
Fill'er up, Joe, I want to put some life into this old frame.
Such little drinks, to a bum like me are miserably tame.
Five fingers, that's the scene, and corking and whiskey too,
-
8/2/2019 History of the Ritual Auto Saved)
18/20
Page | 18
Well, here's luck boys, and landlord, my best respects to you.
Youve treated me pretty kindly, and I'd like to tell you how,
I came to be this dirty sap, you see before you now.
As I told you once, I was a man with muscle, frame and health,
But for a blunder, ought have made considerable wealth.
I was a painter, not one that daubed on bricks or wood,
But an artist, and for my age I was rated pretty good,
I worked hard at my canvas, and bidding fair to rise,
And gradually I saw, the star of fame before my eyes.
I made a picture, perhaps you've seen, it's called the Chase of Fame.
It brought me fifteen hundred pounds and added to my name.
It was then I met a woman, now come the funny part;
With eyes that petrified my brain, and sank into my heart.
Why don't you laugh it's funny, that the vagabond you see
could ever have a woman and expect her love for me.
But it was so, and for a month or two, her smiles were freely given,
And when her loving lips touched mine, I thought I was in heaven.
Boys did you ever see a girl, for whom your soul you'd give,
With a form like Venus De Milo, too beautiful to live,
With eyes that would beat the Koh-in-noor,
And a wealth of chestnut hair?
If so, it was she, for boys there never was, another half so fair.
I was working on a portrait, one afternoon in May,
Of a fair haired boy, a friend of mine, who lived across the way.
My Madeline admired him, and much to my surprise,
She said she'd like to know the lad, who had such dreamy eyes.
-
8/2/2019 History of the Ritual Auto Saved)
19/20
Page | 19
She didn't take long to find him, before the month had flown,
My friend had stolen my darling, and I was left alone.
And ere a year of misery had passed above my head.
That jewel I treasured so, had tarnished and was dead.
That's why I took to drink boys. Why, I never see you smile,
I thought you'd be amused boys, and laughing all the while.
Why, what's the matter friend? There's a teardrop in your eye.
Come, laugh like me. It's only babes and women that should cry.
Say boys, if you give me just another whiskey and I'll be glad,
I'll draw right here the picture, of the face that drove me mad.
Give me that piece of chalk with which you mark the baseball score;
You shall see the lovely Madeline upon the barroom floor.
Another drink and with chalk in hand, the vagabond began,
To sketch a face that well might buy the soul of any man.
Then, as he placed another lock upon that shapely head,
With a fearful shriek, he leaped and fell across the picture dead!
Unlike apparitions of the divine, there's no miraculous origin to the "Face on the Bar Room
Floor" in the Teller House bar. It's just an oil painting on a floor.
Most folks believe that it was the inspiration for a once-famous 1877 poem of the same name,
about a drunk who painted it to prove that he had once been a famous artist. It was "the face thatdrove me mad," according to the poem, an ex-girlfriend who had jilted the artist years earlier.
The only thing interesting about the painting (and the poem) was that when the guy finished, he
fell down on top of it and died -- probably from malnutrition after trying to find a parking space
in this tourist nightmare of a town.
The truth is even less exciting. The drunk in the poem was someone that the writer met in New
York City. If he ever did paint a floor there, it's long gone. This floor wasn't painted until 1936,by one or two locals (accounts vary) who knew of the poem and who painted the floor one night
as a prank. But out-of-towners didn't know that, and Floor Face eventually became the most
popular attraction in Central City, Colorado. It still is.
-
8/2/2019 History of the Ritual Auto Saved)
20/20
Page | 20
BIBLIOGRAPHY
History of Pittsburgh and environs, from prehistoric days to the beginning of the American
Revolution Vol. 5 / by George Thornton Fleming, 1855-1928.
http:/cinematreasures,org/theater/34480
FINIS