HIRMERAnna Karina Hofbauer Essays by D. Buchhart and S. Keller English-French-German edition 116...

PUBLISHERSHIRMER

AUTUMN 2015

3CONTEMPORARY ART / PAINTING

BASQUIATMUSEUM SECURITY

AN UNPRECEDENTEDLY DETAILED

EXPLORATION OF AN IMPORTANT

SERIES OF 12 PAINTINGS BY

BASQUIAT

DETAILED ANALYSIS CASTS A NEW

LIGHT ON BASQUIAT’S WORK

A SPECIAL EDITION: OVERSIZE,

LUXURIOUSLY ILLUSTRATED

The publication focuses on a series of 12 key works by Jean-Michel

Basquiat (1960-1988), created in the spring of 1983. The series draws

on the subjects most important in Basquiat’s oeuvre: from music,

anatomy, sports and comics via work, the economy, becoming and

decaying, to the history of African Americans and the history of art.

The book revolves around a series of 12 key works by Jean-Michel Basquiat, created in the spring of 1983 –

at the time when the artist’s oeuvre was at its most complex. The “Museum Security” series raises the

subjects most important in Basquiat’s oeuvre, including music, anatomy, sports, comics, the economy, the

history of African Americans and the history of art. His multi-layered exploration of socio-political issues,

ranging from discrimination and prejudices to capitalism, the market and subjugation reaches its pinnacle

in these paintings.

Jean-Michel Basquiat, 1983,

© Roland Hagenberg

“Hollywood Africans”, 1983,

Whitney Museum of American Art,

New York; Gift of Douglas

S. Cramer 84.23

“Dos Cabezas III”, 1983,

Private collection, Switzerland

Both works: Jean-Michel Basquiat,

© The Estate of Jean-Michel

Basquiat, licensed by Artestar,

New York

Ed. Dieter Buchhart,

Anna Karina Hofbauer

Essays by D. Buchhart and

S. Keller

English-French-German edition

116 pages

50 colour illustrations

31 × 31.5 cm, hardcover with

slipcase

£ 34.00

978-3-7774-2454-5

November 2015

5

AT THE CUTTING EDGE –

CONTEMPORARY PAINTING

IN NEW YORK

WITH WORK BY JOE BRADLEY,

MATT CONNORS, ELIZABETH

COOPER, JEFF ELROD,

AMY FELDMAN, ROSS IANNATTI,

EDDIE MARTINEZ, RUTH ROOT,

RYAN SULLIVAN, NED VENA,

ANTEK WALCZAK

NEW YORK PAINTING

Over the course of the past years, painting has undergone a

spectacular renaissance in the arts capital of New York at the hands

of a generation of artists who will no longer be told how art should and

should not be made. Eleven positions reveal the current importance

and variety of a genre many believed had no future.

Today, it seems, painting is as alive in New York as it was during the period of Abstract Expressionism

in the 1950s and of pop art in the 1960s. The difference is that there is now a plurality of styles and

forms of expression. The spectrum ranges from the painterly experiments of Matt Connor via the wild

post-pop paintings of Eddie Martinez to the neo-conceptual approaches of the likes of Antek Walczak

and Ned Vena. Without prioritising any particular style, this volume documents the rich panorama of

the medium of painting, which has moved on from the ideological battles about its existence and plays

an important role once again.

Ed. Christoph Schreier

Essays by Ch. Schreier,

R. Shiff et al.

English-German edition

196 pages,


24 × 32.5 cm, softcover

with dust jacket

£ 32.00

978-3-7774-2419-4

July 2015

Exhibition

Bonn | Kunstmuseum Bonn

14.5.–6.9.2015

www.kunstmuseum-bonn.de

Elizabeth Cooper, untitled,

2008, Courtesy Galerie Anke

Schmidt, Cologne

Doublepage spread taken from

the publication

CONTEMPORARY ART / PAINTING

7CONTEMPORARY ART

JOHN BALDESSARITHE STÄDEL PAINTINGS

THE MOST RECENT SERIES BY

ONE OF THE MOST IMPORTANT

CONCEPTUAL AND MEDIA

ARTISTS

UNIQUELY DESIGNED SQUARE-

FORMAT PUBLICATION

CONTEMPORARY ART ON THE

OCCASION OF THE STÄDEL

ANNIVERSARY

John Baldessari is an important American conceptual artist and

the last member of the American post-war avant-garde. His large

collages, created for the Frankfurt exhibition, draw on masterpieces

at the Städel, from Lucas Cranach the Elder to Maria Lassnig.

A multifaceted opposition and juxtaposition of old and new art is

revealed by the texts and photographs.

By destroying all of his paintings created from 1953 to 1966 in 1970, John Baldessari (*1931) paved the

way for an independent and unmistakeable pictorial style between painting and photography, text and

image. He employs classic Modernist pictorial strategies such as montage and the integration of

everyday elements in order to confront these with artistic practices of the post-war avant-gardes, such

as discourses on consumerism and the media. Baldessari intertwines media and materials and thereby

combines entirely distinct groups of artistic subjects. In the process, the unambiguousness of the

pictorial language has given way to a multi-layered readability.

Ed. Martin Engler

Essays by J. Baumann,

M. Engler, D. Salle; incl.

an interview with John Baldessari

and Philipp Kaiser


200 pages


28 × 28 cm, hardcover

£ 36.00

978-3-7774-2449-1

December 2015

Exhibition

Frankfurt a. M. | Städel Museum

5.11.–24.1.2016

www.staedelmuseum.de

“Movie Scripts / Art: Frank

nurses the drink”, 2014, diptych,

Städel Museum Frankfurt

“Movie Scripts / Art: Room

is bare and dusty”, 2014, diptych,


“Movie Scripts / Art: A large

puddle of milk”, 2014, diptych,


All works: John Baldessari

9CONTEMPORARY ART

TELE-GEN ART AND TELEVISION

AN INTERNATIONAL OVERVIEW

OF THE INTERDISCIPLINARY

WAYS IN WHICH THE

“TELEVISUAL” HAS BEEN

EXPLORED, FROM PAINTING AND

DRAWING TO INSTALLATIONS,

PHOTOGRAPHY AND VIDEO ART

FIRST-EVER PUBLICATION

OF “TV: LA TRANSPARENZA

PERDUTA” (1983) BY

UMBERTO ECO

What is the mutual relationship between TV and art? The publication

introduces artistic strategies used to explore TV and its specific

contents and narrative forms in video, film, painting, sculpture and

performance, ranging from the sculptural object of the TV box to the

manipulation of the TV image and the use of its structure of lines and

pixels in works of art.

Television, which is among the most important inventions of the twentieth century, has developed

a unique aesthetic and new communication structures worldwide. The early 1960s, the beginning of

the development of TV as the fi rst visual mass medium, were also the beginning of an artistic

exploration of TV. From artists known for their work in this fi eld such as Nam June Paik and Wolf

Vostell to current works by younger generations of artists such as Thomas Demand, Tobias Rehberger,

Ulrich Polster and Melanie Gilligan, this publication focuses on the analysis, paraphrasing and

parody of TV formats and their pictorial nature, amongst other things.

Ed. Stephan Berg,

Dieter Daniels

Essays by S. Berg, I. Blom,

D. Daniels, U. Eco, U. Frohne,

M. Ries, S. Waldschmitt


320 pages


23.5 × 32.5 cm, hardcover

£ 39.00

978-3-7774-2444-6

November 2015

Exhibition

Bonn | Kunstmuseum

01.10.–17.1.2016

www.kunstmuseum-bonn.de

Joe Biel, “Veil” (detail),

2010–2015, photograph:

Matthew Gush, Los Angeles,

courtesy: Galerie Kuckei + Kuckei,

Berlin


the publication

TAUBA AUERBACH

CHRISTIANE

BAUMGARTNER

JOE BIEL

ANGELA BULLOCH

JOHN CAGE

CÉSAR

YVON CHABROWSKI

MEL CHIN & THE GALA

COMMITTEE

BRUCE CONNER

THOMAS DEMAND

SIMON DENNY

CHRISTOPH DRAEGER /

REYNOLD REYNOLDS

HARUN FAROCKI

MICHEL FRANÇOIS

LEE FRIEDLANDER

KARL GERSTNER

MELANIE GILLIGAN

K. O. GÖTZ

MATTHIAS GROEBEL

CAROLINE HAKE

VANIA HEYMANN

DENNIS HOPPER

STEFAN HURTIG

ISIDORE ISOU

CHRISTIAN JANKOWSKI

UWE JOHNSON

EDWARD KIENHOLZ

MISCHA KUBALL

FABIO MAURI

M + M

BJØRN MELHUS

BEA MEYER

NAM JUNE PAIK

ULRICH POLSTER

TOBIAS REHBERGER

GERHARD RICHTER/

KONRAD LUEG

EDGAR REITZ

JULIAN ROSEFELDT

SAKROWSKI

CHRISTOPH

SCHLINGENSIEF

PAUL THEK

GÜNTHER UECKER

VAN GOGH TV

ANGEL VERGARA

WOLF VOSTELL

ANDY WARHOL

LAWRENCE WEINER

TOM WESSELMANN

JOSEPH ZEHRER

List of Artists

11CONTEMPORARY ART / DRAWING

DRAWING NOW

TWENTY-FIRST-CENTURY

DRAWING VIEWED FROM

A MULTITUDE OF ANGLES

CURRENT WORKS OF

INTERNATIONAL ART,

INCLUDING DRAWINGS

BY MICHAEL BORREMANS,

ROBIN RHODE, DAVID SHRIGLEY,

JORINDE VOIGT

DEPICTIONS FROM THE

MINIMALIST TO THE

FANTASTICAL PROVIDE

OPPORTUNITIES FOR NEW

DISCOVERIES

Drawing is back! The publication “Drawing Now” presents

35 international artistic positions that represent drawing today and

take it in new directions. The works of art are no longer limited to

pencil, ink and paper. A multitude of subjects and forms invite the

reader to discover new aspects of this genre.

Drawing takes many forms in contemporary art, from the abstract to the representational, from small

to monumental formats, from rapidly created sketches to large-scale projects planned in minute detail.

In today’s drawings, the line extends from the drawing to the wall, expands into space or becomes a

video animation. The spectrum of its subjects ranges from personal experiences that are expressed

in spontaneous diary entries to political events. This publication explores riveting questions such as

how artists express the subjects that are of importance to them in their drawings.

Works include those by Silvia Bächli, Michaël Borremans, Toba Khedoori, Paul Noble, Robin Rhode,

David Shrigley, Sandra Vásquez de la Horra and Jorinde Voigt.

Ed. Albertina, Vienna

Essays by P. Guevara,

A. Haldemann, E. Lahner,

A. Schallhorn, K. A. Schröder,

B. Schwenk


232 pages,

180 illus trations


£ 36.00

978-3-7774-2434-7

June 2015

Exhibition

Vienna | Albertina

22.5.–20.9.2015

www.albertina.at

Michaël Borremans, “The House

of Oppprtunity: The Chance of a

Lifetime”, 2003, S.M.A.K., Ghent,

© Michaël Borremans,

photograph: Dirk Pauwels

Erik van Lieshout, “Ron”, 2010,

Albertina Vienna,

© Eric van Lieshout, photograph:

Joheko Fotografie

13PAINTING

EGON SCHIELEALMOST A LIFETIME

EGON SCHIELE IN THE CONTEXT

OF HIS HOMELAND, WITH

PREVIOUSLY UNPUBLISHED

PHOTOGRAPHS

IN THE SPOTLIGHT: PREVIOUSLY

NEGLECTED INFLUENCES ON

SCHIELE’S OEUVRE

SEQUEL TO THE SUCCESSFUL

PUBLICATION “EGON SCHIELE.

THE BEGINNING”

Today Egon Schiele (1890–1918) is celebrated as an artist at the

forefront of the international stage, although he spent almost his entire

life in Lower Austria and Vienna. This publication uses the most recent

sources and previously unpublished photographs to show how Schiele

developed essential elements of his expressive art and how influential

it remains to this day.

For Egon Schiele Lower Austria represented both the world in which he lived and a space of yearning.

He spent almost his entire life in this region, between Tulln, Krems, Klosterneuburg, Neulengbach,

Mühling and Vienna. These landscapes and towns are therefore important milestones in the artist’s

development. In addition to the individual creative periods and places, this volume also explores

previously neglected infl uences such as his interest in X-rays and the art of Franz von Stuck. The reader

discovers how Schiele developed his expressive art from the scientifi c and cultural currents of his time

and the degree to which his Lower Austrian oeuvre continues to set international standards.

Ed. Christian Bauer

Essays by C. Bauer, A. Comini,

N. Fritz, W. Krug, S. Tretter,

G. Wagensommerer

306 pages,

200 illustration


£ 32.00

978-3-7774-2407-1

July 2015

Egon Schiele, “Wally”, 1912, Lan-

dessammlungen Niederösterreich

Johannes Fischer, Egon Schiele,

1918, Collection Gradisch

BEST

ART BOOK

HUFFINGTON

POST 2013

EGON SCHIELE

The Beginning

226 pages, 149 colour

and 44 b/w illus.


978-3-7774-2023-3

£ 39.95

15PAINTING

MONET LOST IN TRANSLATION

A WHO-IS-WHO OF

IMPRESSIONISM

ATMOSPHERIC VIEWS OF CITIES

AND LANDSCAPES

IN THE SPOTLIGHT: CLAUDE

MONET AND HIS FAMOUS WATER

LILIES

The pinnacle of Impressionist art: This beautifully illustrated volume

brings together the key cityscapes and natural landscapes as well as

the lake and river landscapes by the most important Impressionists.

It shines a spotlight on Claude Monet’s water-lily paintings, which were

created in his legendary garden at Giverny.

This publication juxtaposes the work of the most famous Impressionists, from Alfred Sisley,

Camille Pissarro and Auguste Renoir to Paul Gauguin. Edgar Degas, who is often considered to have

been an Impressionist because he exhibited his work alongside theirs, is also represented. Some of

the cityscapes refl ect the hustle and bustle of Paris while atmospheric landscapes invite viewers to fall

into reveries. The publication illustrates not only the key works by these famous artists, but also the

oeuvres of the trailblazers of this so-called en plein-air painting, Camille Corot and Gustave Courbet

as well as Eugène Boudin and others. The famous haystacks series created by Claude Monet and his

breath-taking water lilies paintings in Giverny are the publication’s greatest highlight.

Claude Monet, “Cliffs of

Pourville” (detail), 1882,

National Gallery of Art,

Washington, D.C.

LOOKING AT MONET

The Great Impressionist and His

Influence on Austrian Art

256 pages, 140 colour illus.


978-3-7774-2364-7

£ 34.00

Ed. Suzanne Greub

Essays by L. Madeline, S. Patin,

M. Clarke, K. Sagner, A. Distel,

J. Rubin, C. Willsdon

English-Danish edition

240 pages

106 illustrations


with dust jacket

£ 34.00

978-3-7774-2428-6

October 2015

Exhibition

Aarhus | ARoS Aarhus,

Museum of Art Denkmark

9.10.–10.1.2016

www.aros.dk

17PAINTING

JOAN MIRÓWALL | FRIEZE | MURAL

A NEW PERSPECTIVE ON THE

FAMOUS SURREALIST’S OEUVRE

UNPUBLISHED MATERIAL ON

THE SUBJECT OF MIRÓ’S

MONUMENTAL TRIPTYCHS

THE FIRST JOINT PRESENTATION

OF THE MAQUETTES FOR THE

UNESCO WALLS IN PARIS

Starting with the walls of his parental farm in Mont-roig, Joan Miró

was fascinated by the materiality and beauty of their expressive

surfaces and declared them to be the point of departure for his

paintings. The publication explores this central aspect of the artist’s

work and presents Miró’s important wall paintings in the context of his

oeuvre as a whole.

In search of simple, essential forms Joan Miró (1893–1983) created paintings in which he captured the

material beauty of walls with intense attention to detail and poetic expressiveness. The wall was not

merely the subject of the depiction, however, its physical and haptic quality inspired the artist to paint

on materials such as whitewashed canvas, raw burlap and sandpaper. His preference for elongated,

extremely narrow formats refl ects Miró’s exploration of the wall and simultaneously points to his late

ceramic friezes, including the important ’Birds taking Flight’ frieze in the collection of the Kunsthaus

Zürich, as well as monumental triptychs to which this catalogue pays extensive tribute.

Ed. Zürcher Kunstgesellschaft /

Kunsthaus Zürich

Essays by J. Punyet Miró,

S. Fraquelli, W. Jeffett,

C. Lanchner

160 pages



£ 30.00

978-3-7774-2452-1

October 2015

Exhibition

Zurich | Kunsthaus Zürich

2.10.–24.1.2016

www.kunsthaus.ch

“Femme et oiseau dans la nuit”

(Woman and Bird at night), oil on

canvas, January 26, 1945, Collec-

tion Joan Punyet Miró.

On loan to the Fundació Joan Miró,

Barcelona

“La Ferme” (The Farm),

oil on canvas, 1921/22, National

Gallery of Art, Washington, D.C.,

Gift of Mary Hemingway

“Signes et figurations”

(Signs and Figurations), oil on

sandpaper, December 31, 1935,

Private Collection

All works: Joan Miró, © Successió

Miró / VG Bildkunst, Bonn 2015

1918 CULTURAL HISTORY PAINTING

EMIL NOLDETHE GREAT COLOUR WIZARD

GARDENS, LANDSCAPES AND

SEAS – NOLDE’S WORLD OF

COLOUR

THE FANTASTIC AND GROTESQUE

IN NOLDE’S WORK

AN ARTIST’S LIFE IN THE

GERMAN-DANISH BORDERLANDS

Emil Nolde was one of the most important exponents of Expressionism, and is

considered one of the main precursors of modernism. His virtuoso handling of colour

and the incomparable expressiveness of his paintings, watercolours, and Unpainted

Pictures astound viewers again and again, and ensure that every exhibition of his

work is a great success.

This volume was produced in close collaboration with the Nolde Stiftung Seebüll. The authors—

both noted Nolde experts—illuminate Nolde’s life and work and provide detailed discussions of

key compositions. The richly illustrated essay section and biography are supplemented by rarely

seen documents from the artist’s archive, making the book especially attractive to bibliophiles.

THE POWER OF LINE

LINES IN EUROPEAN, ASIAN AND

ISLAMIC CULTURES

THE LINE AS AN ESSENTIAL

ARTISTIC AND CULTURAL MEANS

OF EXPRESSION

THE BOOK FEATURES ESSAYS

COVERING A VARIETY OF

ACADEMIC DISCIPLINES

In many cultures lines take centre stage in art and science, in writing,

drawing and construction. This publication explores the fascination and

power of the phenomenon of the line from the point of view of various

academic disciplines ranging from the history of art to philosophy and

the history of science.

There are no lines in nature; lines are always the expression of human actions, perception and design.

Lines divide or connect; they are sometimes static and sometimes gestural and full of movement;

they represent and create forms in space and time. The essays in this volume elucidate the semantic

and conceptual depth of the line in European, Asian and Islamic cultures and reveal the continuity and

transformation of the line over the course of centuries as a constitutive element in architecture,

art and writing and as a medium of expression in choreography and scientifi c and technological fi elds.

Essays by Christian Ring and

Hans-Joachim Throl

72 pages

40 illustrations, colour

14 × 20.5 cm, hardcover

£ 11.95

978-3-7774-2466-8

October 2015

Ed. Marzia Faietti, Gerhard Wolf

Essays by A. Akiyama,

E. Bogdanova-Kummer, H. Brede-

kamp, J. van Brevern, T. Dufrêne,

M. Faietti, R. Felfe, S. Krämer,

A. Nakhli, S. Osano, V-S. Schulz,

A. Schwan, M. Søberg, N. Suthor,

F. Tancini

260 pages



£ 32.00

978-3-7774-2498-9

November 2015

Emil Nolde, “Sultry Evening”,

1930, Nolde Stiftung Seebüll

2015, © Nolde Stiftung Seebüll

Album of the Buddhistic Lotos

Sutra, “Hoke-kyo”, 12th century,

Osaka, Shitenno-ji temple

2120 ARCHITECTURELANDSCAPE ARCHITECTURE

RUST REDTHE LANDSCAPE PARK DUISBURG-NORD

A COMBINATION OF INDUSTRY,

ARCHITECTURE AND GARDEN

LANDSCAPING THAT IS UNIQUE

WORLDWIDE

PETER LATZ DESCRIBES THE

IMPRESSIVE TRANSFORMATION

OF THE MEIDERICH IRONWORKS

25 YEARS OF DEVELOPMENT

AND USE IN PHOTOGRAPHS AND

PLANS

In the 1990s the landscape architect Peter Latz and his team

designed and executed a park that transcended all fashions and trends.

This volume provides insights into twelve years of planning and

realisation through photographs, sketches, plans and explanations, and

reveals to the reader a fascinating world in the footsteps of industry.

The Landscape Park Duisburg-Nord is one of the most remarkable examples worldwide of an

intelligent and appealing approach to dealing with the legacy of industry. In his vision for the park

Peter Latz largely abandoned the concept of landscape art and of the beautifi cation of agricultural

and woodland organisational patterns. Instead, he focused on the information-rich web of urban

infrastructure and industry. Peter Latz presents the fi rst in-depth account of his knowledge and

experience regarding this unique project in this book. Texts by renowned collaborators complement

the narrative with differing perspectives.

LIVING COMPLEXFROM ZOMBIE CITY TO THE NEW COMMUNAL

A POLITICAL MANIFESTO FOR A

NEW ARCHITECTURE

A PRECISE ECONOMIC

ANALYSIS OF THE WORLD OF

ARCHITECTURE AND A

BRILLIANT CULTURAL HISTORY

OF LIVING ARRANGEMENTS

ENGAGINGLY WRITTEN AND

CAREFULLY RESEARCHED

Approximately one billion units of accommodation will need to be built

worldwide over the course of the next twenty years. Houses as we know

them today will no longer be economically or ecologically affordable

in the future. How, then, should these dwellings look? The author intro-

duces international examples that also stand for a new architectural

outlook.

Cities all over the world are atrophying and the masses are moving to the suburbs. The construction

industry is booming – and continues to build the same old kinds of housing. But society is undergoing a

transformation. What sorts of dwellings do we need for our varied lifestyles today? Niklas Maak

presents international examples for new living arrangements beyond blocks of fl ats and single-family

houses. He shows that construction, living arrangements and the city itself must be reimagined –

beyond the classic categories of the private and the public.

Niklas Maak

240 pages

40 illustrations


£ 17.00

978-3-7774-2410-1

August 2015

Peter Latz

Essays by E. Bodmann,

K. Danielzik, J. Dettmar,

K. Ganser, G. Lipkowsky,

W. Riehl, C. Rupp-Stoppel,

M. Treib, K. Walter, R. Winkels

208 pages


22 × 28 cm, softcover

£ 32.00

978-3-7774-2427-9

December 2015

Sou Fujimoto, “House NA”,

Tokyo, © Sou Fujimoto Architects,

Tokyo / photograph: Iwan Baan

Landscape park Duisburg-Nord,

overhead crane at the clear water

canal

BDA

ARCHITECTURAL

CRITIC AWARD

2015

NIKLAS MAAK

23PHOTOGRAPHY

SEPP WERKMEISTERNEW YORK 60s · PHOTOGRAPHS

INSIGHTFUL PORTRAITS OF

WORLD-FAMOUS JAZZ LEGENDS

THE FIRST PUBLICATION OF

SEPP WERKMEISTER’S NEW

YORK CITYSCAPES

A FASCINATING PORTRAIT OF

ITS TIME. NEW YORK AND ITS

MUSIC SCENE IN THE 1960s AND

1970s

Born in Munich, Sepp Werkmeister has over the course of the last

decades made a name for himself as one of Germany’s leading jazz

photographers. He created insightful black-and-white portraits of all of

the greats, from Louis Armstrong and Ella Fitzgerald to Oscar Peterson

and Miles Davis in Munich, New York and at international festivals.

His New York cityscapes of the 1960s and 1970s, which provide fascinating insights into the everyday

life of the American metropolis, have remained entirely unknown, however. Werkmeister captured the

entire panorama of New York’s urban society using his Rolleifl ex camera: the rubbish, the stranded and

the homeless on the one hand, and the rich and fashionably dressed inhabitants on the other hand.

This publication presents more than 120 pictures from the photographer’s archive.

Sepp Werkmeister, Manhattan

1964

Sepp Werkmeister, Fifth Avenue

1967

Ed. Ulrich Pohlmann

Essay by Fritz J. Raddatz

Foreword by Ulrich Pohlmann


128 pages

100 illustrations in colour

and black & white


£ 19.00

978-3-7774-2430-9

July 2015

Exhibition

Munich | Münchner Stadtmuseum

31.07.–27.09.2015

www.muenchner-stadtmuseum.de

25CONTEMPORARY ART

ORI GERSHTFORCES OF NATURE

CONTEMPORARY PHOTOGRAPHY

AT THE INTERSECTION OF

DESTRUCTION AND BEAUTY

FIRST COMPREHENSIVE SOLO

EXHIBITION IN GERMANY

WORKS BY THE

INTERNATIONALLY ACCLAIMED

ARTIST DATING FROM 1999 TO

2014

Blurred landscapes, falling trees and the lofty peaks of the Pyrenees –

the extraordinary aesthetics of Ori Gersht’s work seduce the viewer.

But beneath the beautiful first appearances lie the sites of historical

events – in this way the artist makes visible what is no longer plain to see.

Ori Gersht (* 1967) views the landscape as the location of past events. On his journeys he follows the

traces of the past and translates the process of remembering into powerfully expressive images.

The impressive panorama of the Pyrenees, for example, is a site of a desperate fl ight from the National

Socialists. His works of art are metaphors for the unsolvable relationships between past and present,

between life and death. They are in the liminal space between (natural) forces and destruction on the

one hand, and beauty and grandeur on the other. The images unfold their poetry and horror

simultaneously in an extensive pictorial series.

Ed. Andrea Firmenich and

Johannes Janssen


120 pages

92 illustrations


£ 25.00

978-3-7774-2440-8

June 2015

Exhibition

Bad Homburg |

Museum Sinclair-Haus,

15.03.–14.06.2015

www.altana-kulturstiftung.com

The exhibition is part of

the cultural programme

“50 Years of German-Israeli

Relations”

Ori Gersht, “Olive 07”,

taken from the photoseries

“White Noise” “Ghost”,

2003, © Ori Gersht

Ori Gersht, 2015 © Ori Gersht,

Courtesy Ben Brown Fine Arts,

London

Ori Gersht, “Untitled 06”, taken

from the photoseries

“White Noise”, 1999–2000

Both photographs: © Ori Gersht

2726 CONTEMPORARY ARTPAINTING

THE ART COLLECTIONSMUSEUM WIESBADEN

A SPECTACULAR OVERVIEW OF

MORE THAN 800 YEARS OF ART

HISTORY

THE MOST IMPORTANT JAW-

LENSKY COLLECTION IN THE

WORLD

THE FIRST VOLUME OF THE

FAMOUS MUSEUM WIESBADEN

ART COLLECTION CATALOGUE

The Museum Wiesbaden is one of three important Hessian state

museums and holds world-class collections in the fields of art and

natural history. This volume provides the first-ever lavishly illustrated

introduction to the museum’s art collections, which span the period

from the Middle Ages to contemporary art with an emphasis on the art

of the nineteenth and twentieth century.

The year 2015 marks the centenary of the completion of the building housing the Museum Wiesbaden.

The sumptuously illustrated catalogue introducing the museum and its collections celebrates this

anniversary. The museum building was opened in 1915, having been designed by Theodor Fischer four

years before and built starting in 1913. In addition to the natural-history collections, it houses the three

departments of Old Master Art, Classic Modernism and Modern and Contemporary Art. In a chronolo-

gically arranged overview of the art collections, which range from 1200 to the present day, the curators’

texts provide a vivid introduction to the collection areas and their specifi c histories.

Ed. Alexander Klar

Essays by J. Daur, P. Forster,

A. Klar, R. Zieglgänsberger


260 pages


22 × 26.5 cm, softcover

£ 30.00

978-3-7774-2464-4

October 2015

Publication of the

the permanent collection

Wiesbaden | Museum Wiesbaden

www.museum-wiesbaden.de

Katsuo Katase, “Raum eines

Raumes” (“Space of a Space”),

2009, Museum Wiesbaden

BERLINISCHE GALERIEMUSEUM OF MODERN ART

INSIGHTS INTO THE BERLIN ART

SCENE FROM 1870 TO THE

PRESENT DAY

HIGHLIGHTS FROM THE FINE

ARTS, WORKS ON PAPER,

PHOTOGRAPHY AND

ARCHITECTURE COLLECTIONS,

AS WELL AS ARTISTS’ ARCHIVES

A LOOK BEHIND THE SCENES

AT THE STATE MUSEUM

On the occasion of the state museum’s fortieth anniversary the publica-

tion presents central works from the nationally and internationally

renowned interdisciplinary collection. They range from Impressionism

via classic Modernism to contemporary in-situ installations. Readers

are introduced to the works and can look behind the scenes at the

museum.

The Berlinische Galerie is one of the capital’s youngest museums and collects art created in Berlin

between 1870 and the present, combining a focus on the local with international standards: from Max

Beckmann and Hannah Höch to Nan Goldin and Daniel Libeskind. A lavish sequence of photographs is

accompanied by texts about the challenges facing museums in the twenty-fi rst century. This unusual

book reveals how works of art are actually handled, from conservation measures to the ways in which

they are introduced to children and how curatorial concepts provide ever-changing interpretations of

works of art.


the publication

Ed. Berlinische Galerie

Essays by R. Burmeister,

U. Domröse, S. Heckmann,

T. Köhler, A. Lütgens, U. Müller,

M. Winzen et al.

284 pages



£ 36.00

978-3-7774-2462-0

December 2015

Publication of the

permanent collection

Berlin | Berlinische Galerie

www.berlinischegalerie.de

2928 CONTEMPORARY ART

ALICJA KWADE

THE ARTIST’S MOST RECENT

WORK

AN ARTISTIC INTERPRETATION

OF LÉON FOUCAULT’S

PENDULUM EXPERIMENT

INTERNATIONALLY RENOWNED

CONTEMPORARY ARTIST,

AWARDED WITH THE 2015

HECTOR PRICE

The most recent installation by the internationally acclaimed artist

Alicja Kwade (b. 1979), who comes from Katowice, explores the French

physicist Léon Foucault’s (1819–1868) proof that the world rotates

and develops the experiment further. The present volume illustrates

the playful exploration of space and time using recent pictures from

the Schirn rotunda.

The Berlin-based artist Alicja Kwade’s scientifi c-looking experimental setups are reminiscent of

surreal and phantasmagorical constellations and objects. The fascination of her work, which cannot

be explained by reason alone, is rooted in the skilful superimposition and sometimes paradoxical

nature of scientifi c and social realities. Things that are generally taken to be established facts are

called into question and disproved. Here the artist explores the true movement of time, which will

have an immediate effect on both space and the viewer.

Ed. Matthias Ulrich,

Max Hollein

Essay by Donatien Grau


64 pages,


21 x 27 cm, softcover

£ 15.00

978-3-7774-2442-2

July 2015

Exhibition

Frankfurt a. M. |

Schirn Kunsthalle

26.3.–14.6.2015

www.schirn.de

PAVEL FEINSTEIN

CONTEMPORARY

INTERPRETATIONS OF THE

STYLE OF THE OLD MASTERS

WORKS OF ART BY PAVEL

FEINSTEIN 2013 –2015

FASCINATING PICTORIAL

SUBJECTS, EXECUTED IN A

SURPRISING MANNER

Citrus fruits with empty oyster shells, chicken eggs stamped with

best-before dates and unmoving nudes in empty spaces: Inspired by

seventeenth-century painting, Pavel Feinstein transposes artistic

traditions to the present day, toys with the viewer’s perceptions and

sometimes even blurs the boundaries between the painter and the

model.

Pavel Feinstein’s painting style is unmistakeable. A grey, undefi ned background underpins a pictorial

subject, one or several objects, carefully arranged and sensuously captured. Although his work may

inevitably bring to mind the compositions of earlier colleagues, such as Cézanne, Manet or Van Gogh,

Feinstein’s work is characterised by additional elements: He transposes desirable objects into austere

spaces and imbues his ensembles with a mysterious, melancholy air through purposeful composi-

tion. In collaboration with Galerie Kiefer this volume presents the still lifes and nudes created by the

Moscow-born artist, who emigrated to Germany in 1980 and now works in Berlin.

Essay by Kay Heymer


124 pages



£ 25.00

978-3-7774-2447-7

October 2015

Pavel Feinstein, “No. 1975”,

2015

Pavel Feinstein, “No. 1746”,

2013

Alicja Kwade, “The void of the

moment in motion”, 2015,

© Alicja Kwade, photograph:

Norbert Miguletz, Frankfurt

Alicja Kwade, 2013,

photograph: Fabrice Seixas

CONTEMPORARY ART / PAINTING

3130 PAINTING & SCULPTUREPAINTING

SCHERMULYCATALOGUE RAISONNÉ

AN ARTIST BEYOND PREVALENT

CONVENTIONS

THE ENTIRE PAINTERLY OEUVRE

A MULTIFACETED AND ORIGINAL

SPECTRUM OF ARTISTIC

SUBJECTS

The painter Peter Schermuly (1927–2007) created works of an artful

reality whose meticulously detailed concreteness is the expression of

pure painting. This catalogue raisonné makes accessible his entire

oeuvre of oil paintings and sketches as well as wall designs. It presents

an art that carved out space for itself contrary to all trends.

Schermuly’s mutable and original oeuvre led him out of an abstraction governed by visual rules and into

the fascination of reality-inspired colour. The intensity of his gaze explored what the appearance of the

world has to offer to a virtuoso colourist for a painting. He was interested not in recreation but in

understanding the visible to develop colour phenomena suitable for painting. Profound knowledge of

the history of the art of painting was for Schermuly a guarantee of his originality. The elaborately

designed and lavishly produced book presents an artist of rare distinction from the isms of the second

half of the twentieth century.

BERNARD SCHULTZEA BRIGHT WISP, A GLISTENING WIND

IMPORTANT ART INFORMEL

ARTIST

OVERVIEW PUBLICATION WITH

LARGE-FORMAT ILLUSTRATIONS

PUBLICATION ON THE

CENTENARY OF BERNARD

SCHULTZE'S BIRTHDAY

31 May 2015 would have been Bernard Schultze’s one-hundredth

birthday. On the occasion of this anniversary the publication featuring

approximately eighty works of art honours the extensive oeuvre of one

of the most important Art Informel artists.

As a co-founder of the QUADRIGA artists’ group Bernard Schultze made an important contribution to

the establishment of Art Informel in Germany. This art movement rejected both realistic fi guration

and “formulaic” geometric abstraction, drawing instead on intuitive creative powers. The book

presents delicately coloured and black-and-white drawings and boldly colourful oil paintings

as well as Schultze’s important reliefs and sculptures. Texts by art historians, authors, psychoanalysts

and fellow artists and texts and poems by Bernard Schultze himself paint a multifaceted picture of

this important post-war artist’s oeuvre.

Ed. Oliver Kornhoff

Essays by A. Duden, K.O. Götz,

M. Haupt, H. Kraft, G. Laschen,

J. Mattern


120 pages



£ 25.00

978-3-7774-2420-0

July 2015

Exhibitions

Remagen | Arp Museum Bahnhof

Rolandseck

19.6.–1.5.2016

www.arpmuseum.org

Ed. Martin Mosebach,

Brigitte Schermuly

Essays by D. Dittmeyer,

M. Mosebach, N. Schneider

360 pages

90 colour plates,


24.5 × 30 cm, hardcover

£ 80.00

978-3-7774-2437-8

November 2015

Peter Schermuly, “Studio Still

Life with Figure”, 1981

Peter Schermuly, “Two Pump-

kins”, 1993

Bernard Schultze, “Jean Paul's

Game of Confusion”, 1992,

Würth Collection, photograph:

Wim Cox, Cologne, Rheinisches

Bildarchiv Cologne

3332 DECORATIVE ARTS

RUSSIAN LACQUER

THE FIRST PUBLICATION TO

PRESENT THE ENTIRE RUSSIAN

COLLECTION OF THE MUSEUM OF

LACQUER ART IN MÜNSTER

INDISPENSABLE FOR

COLLECTORS AND DEALERS

The museum of Lacquer Art has what is probably the most important

collection of Russian lacquer wares outside Russia. The works of art

date to the period between the early nineteenth century and the 1950s,

providing an extensive overview of the development of this flourishing

art and craft.

Russian lacquer art can be traced back to Peter the Great, who had come to know this fl ourishing art

and craft during his study trips in Western Europe. The fi rst important work in this genre in the tsar’s

empire was completed in 1722 in the form of the Lacquer Study in his palace of Monplaisir. A second

signifi cant event followed when the Korobov workshop, which was modelled on the Braunschweig-

based Stobwasser workshop, was established in 1793 near Moscow. It is better known by the name of

a later owner, Lukutin. A technical and artistic alignment with the German model was followed by an

increasingly independent Russian development from the 1820s onwards. At fi rst this found expression

in specifi c decorative techniques, and later also in specifi cally Russian motifs.

Monika Kopplin

312 pages



£ 45.00

978-3-7774-2429-3

October 2015

DECORATIVE ARTS

PRECIOUS CUFFLINKSFROM PABLO PICASSO TO JAMES BOND

THE AUTHORS AND EDITORS,

WHO ARE THEMSELVES

COLLECTORS AND WEARERS,

PRESENT THESE GEMS IN

A PROFOUND, CAPTIVATING

AND PASSIONATE MANNER

ESSENTIAL READING FOR

COLLECTORS OF CUFFLINKS

A PINNACLE OF THE ART OF

JEWELLERY – MORE THAN 200

TIMELESS MASTERPIECES

They are one of the highlights of the world of jewellery. From the rec-

tangular to the round and rounded: Cufflinks are timeless eye catchers.

Those who adorn their shirt sleeves with such works of art can be sure

to attract attention. This knowledgeable publication introduces readers

to the world of cufflinks, tracing their story and showing rare designs.

Cuffl inks are among the few pieces of jewellery worn by men and, like wristwatches, are an essential

part of men’s fashion. The fi rst cuffl inks appeared as early as the seventeenth century, but they

did not come into common usage until the late eighteenth century as their development was closely

connected to that of men’s shirts. Nowadays cuffl inks are little artworks that allow men to express

their own personality in an understated way. Their design and the materials from which they are

made can speak volumes about the wearer’s preferences, hobbies and profession. Designers are

fascinated by the challenge as cuffl inks provide only very little space for their design, and the four

buttons that make up a pair have to be well coordinated. The most exquisite examples are nowadays

often to be found in drawers and display cases belonging to collectors and museums. This publication

presents more than 200 of these treasures..

Ed. Walter Grasser,

Franz Hemmerle

Essays by W. Grasser,

F. Hemmerle, Duke Alexander

von Württemberg


120 pages



£ 34.00

978-3-7774-2423-1

November 2015

Fabergé 18ct Gold Cufflinks

KOREAN LACQUER ART

Aesthetic Perfection



978-3-7774-5781-9

£ 45.00

35

CANALETTO

Bernardo Bellotto paints Europe



978-3-7774-2247-3

£ 39. 00

Painting

34

NUDE MEN

From 1800 to the present day


24. 5 × 29 cm, hardcover

978-3-7774-5851-9

£ 39. 95

Painting

FLORINE STETTHEIMER


24. 5 × 28 cm, hardcover with linen

978-3-7774-2264-0

£ 34. 00

Painting

VELÁZQUEZ




978-3-7774-2313-5

£ 38. 00

Painting

GUSTAVE CAILLEBOTTE

An impressionist and photography

245 pages, 50 colour, 139 b/w illus.

23 × 26. 5 cm, hardcover

978-3-7774-5921-9

£ 39. 95

Painting

ESPRIT MONTMARTRE

Bohemian Life in Paris around 1900

320 pages, 290 colour illus.,


978-3-7774-2197-1

£ 45. 00

Painting

EUROPE IN VIENNA

The Congress of Vienna 1814/1815

408 pages, 364 mostly colour illus.


978-3-7774-2324-1

£ 38. 00

Painting/History

ART

BOOK OF

THE YEAR

FINANCIAL

TIMES

2012

BACKLISTBACKLIST

HUNDERTWASSER

Japan and the Avant-Garde

256 pages, 106 colour and 101 b/w illus.

23. 5 × 28. 5 cm, softcover

978-3-7774-2044-8

£ 39. 95

Painting

Marian Bisanz-Prakken

GUSTAV KLIMT

Drawings



978-3-7774-4951-7

£ 45. 00

DrawingBEST

AUSTRIAN

ART BOOK

2013

NORDIC ART

The Modern Breakthrough 1860-1920

260 pages, 154 mostly colour illus.,

1 map


978-3-7774-7081-8

£ 45. 00

Painting

REMBRANDT BUGATTI

The Sculptor 1884-1916


24. 5 × 29. 5 cm, hardcover

978-3-7774-2188-9

£ 45. 00

Sculpture

OSKAR SCHLEMMER

Visions of a New World



978-3-7774-2304-3

£ 45. 00

Painting – Sculpture

THE ART OF SELFAn Interpretation of Traditional Taekwon-Do

128 pages

13.5 × 21 cm, softcover

978-3-7774-2392-0

£ 7.95

Philosophy – Martial Arts

“The Art of Self” is an interpretation of the philosophy of Traditional

Taekwon-Do. It elucidates the different aspects of Taekwon-Do

practice and its impact on body, mind and spirit. It gives access to the

moral and philosophical principles of this art to both the practitioner

and non-practitioners alike. This book shows how one can achieve a

harmonious, aware, empowered and peaceful state of being.

PIERRE HUYGHE


plus 160 miniature illustrations b/w

20.6 × 28 cm, softcover with flaps

978-3-7774-2249-7

£ 39.00

Contemporary Art

ALEXANDER CALDER

Avant-garde in Motion


Incl. a DVD

26. 5 × 34.5 cm, hardcover

978-3-7774-2060-8

£ 29. 95

Sculpture

JEAN PAGLIUSO

Poultry Suite

112 pages, 45 tri-tone photographs

24 × 30.5 cm, hardcover with dust jacket

978-3-7774-2379-1

£ 30. 00

Photography

LATE HARVEST


21 × 28.6 cm, hardcover

978-3-7774-2350-0

£ 30. 00

Contemporary Art

BARE LIFE

Bacon, Freud, Hockney and others.

London artists working from life 1950-80



978-3-7774-2254-1

£ 34 . 00

Painting

36

RITA DE MUYNCK

Under the Skin




978-3-7774-2182-7

£ 29. 95

Painting

THOMAS SCHÜTTE




978-3-7774-2309-8

£ 25. 00

Contemporary Art – Sculpture

XENIA HAUSNER

Damage

English-Chinese-German edition



978-3-7774-4281-5

£ 29. 95

Painting

FRANCESCO CLEMENTE

The Tarots



978-3-7774-4521-2

£ 29. 95

Painting

ANNETTE MESSAGER

Exhibition/Exposition


88 pages, 49 illus.

25 × 19 cm, hardcover with linen

978-3-7774-2347-0

£ 22. 00

Installation

HORST THÜRHEIMER

Fire and Chalk



24. 5 × 32 cm, hardcover with dust jacket

978-3-7774-2240-4

£ 34. 00

Painting

ERAN SHAKINE

Sunny Side Up



978-3-7774-5071-1

£ 19. 95

Painting

HANS AICHINGER

Truth or Duty



24 × 30 cm, hardcover with dust jacket

978-3-7774-2123-0

£ 34. 95

Painting

UTA REINHARDT

Painting




978-3-7774-2082-0

£ 29. 95

Painting

37

MAX UHLIG

Grown Up in Front of Nature


168 pages, 133 illus.

23.5 × 27 cm, hardcover with dust jacket

978-3-7774-2336-4

£ 30. 00

Painting – Drawing

STRONG WOMEN FOR ART

In Conversation with Anna Lenz



978-3-7774-2149-0

£ 19. 95

Biography

MY LIFE WITH ALEXANDER

ARCHIPENKO



978-3-7774-2248-0

£ 17. 00

Biography – Sculpture

URBAN NOMADS

Winfried Baumann




978-3-7774-2218-3

£ 29. 95

Contemporary Art

JOCHEN PLOGSTIES

Kisses in the Afternoon



22 x 30 cm, hardcover with dust jacket

978-3-7774-2357-9

£ 25. 00

Painting

BACKLISTBACKLIST

MONIKA FIORESCHY

Interwoven Energy




978-3-7774-2243-5

£ 43. 00

Sculpture

SIMONE FORTI

Thinking with the Body



978-3-7774-2278-7

£ 32. 00

Minimalistic Art

DANIELE BUETTI

It's all in the Mind




978-3-7774-2260-2

£ 15. 00

Installation Art

FRANCESCO CLEMENTE

Nostalgia, Utopia



978-3-7774-5321-7

£ 24. 95

Painting

INTROSPECTION

Xiao Hui Wang – Wang Xiaosong


2 volumes in a slipcase



978-3-7774-5991-2

£ 34. 95

Installation Art

MIKE KELLEY

Kandors




978-3-7774-3141-3

£ 35. 00

Installation Art

38

MINH HÄUSLER

The Fusion of Flora and Art




978-3-7774-2380-7

£ 38. 00

Floral Art

FLOURISHING SPIRITS

Xu Jiang & Shi Hui




978-3-7774-2070-7

£ 29. 95

Sculpture

MR RADLEY DRIVES TO VIENNA

A Rolls-Royce Silver Ghost crossing

the Alps - 1913 & 2013


152 pages, 108 illus. in b/w and colour


978-3-7774-2346-3

£ 25. 00

Cultural History

EVA & ADELE

ADSILA



978-3-7774-2322-7

£ 16. 00

Drawing

ROLLS-ROYCE MOTOR CARS



32 × 27 cm, hardcover cloth over boards,

bookmark

978-3-7774-2193-3

£ 50. 00

Design

IRELAND GLENKEEN GARDEN

9 volumes in a luxury presentation box,

limited to 999 numbered copies.

Altogether 546 pages, 581 illus.

37 × 28 cm, in a presentation box

978-3-7774-2308-1

£ 315. 00

Landscape Architecture

FRANZ MAYER OF MUNICH

Architecture, Glass, Art



978-3-7774-5251-7

£ 45. 00

Glass Art

CLIFFORD ROSS

Through the Looking Glass



978-3-7774-5301-9

£ 45. 00

Glass Art

ERWIN EISCH

Clouds have been my foothold all along –

Glass and Paintings




978-3-7774-5191-6

£ 45. 00

Glass Art – Painting

39

STANLEY GREENBERG

Time Machines

132 pages, 162 b/w photographs


978-3-7774-4041-5

£ 39. 95

Photography

JOSEF SUDEK

The Legacy of a Deeper Vision

288 pages, 210 photographs


978-3-7774-5291-3

£ 45. 00

Photography

BENJAMIN KATZ:

GEORG BASELITZ AT WORK




978-3-7774-2054-7

£ 29. 95

Photography

BENJAMIN KATZ:

GERHARD RICHTER AT WORK

English-French-German edition



978-3-7774-5311-8

£ 29. 95

Photography

EUGÈNE VERNIER

Fashion, femininity & form


23 × 28. 5 cm, hardcover bookjacket

978-3-7774-5151-0

£ 39. 95

Photography

RONI HORN

Portrait of an Image


104 pages, 50 colour photographs


978-3-7774-2098-1

£ 15. 00

Photography – Installation Art

MAURICE WEISS

Facing Time



24.5 × 30 cm, hardcover

978-3-7774-2242-8

£ 32. 00

Photography

KENNEDY IN BERLIN



978-3-7774-2020-2

£ 29. 95

Photography

ISABELLA BERR

Walking Dreams




978-3-7774-2083-7

£ 45. 00

Photography

BEST

PHOTOGRAPHY

BOOK

DAILY

TELEGRAPH

2013

BEST-

SELLER

BACKLISTBACKLIST

THE MINI STORY




978-3-7774-2372-2

£ 45. 00

Design

FROM LOUISE BOURGEOIS TO

JEFF WALL

Portraits & Studio Stills by

Elfie Semotan


104 pages, 33 colour and

51 b/w photographs

23. 5 × 29 cm, softcover

978-3-7774-3291-5

£ 28. 00

Photography

GOLD MEDAL

GERMAN

GARDEN

BOOK PRICE

2015

BOOK

OF THE

YEAR

ADAC 2014

40

BUDDHA IN THE YURT

Buddhist Art from Mongolia

English-Russian edition, 2 volumes

In total: 840 pages, 554 colour illus.

24 × 28. 8 cm, hardcover, slipcase

978-3-7774-4351-5

£ 120. 00

Cultural History

TABO - GODS OF LIGHT

The Indo-Tibetan Masterpiece

308 pages, 405 colour


978-3-7774-2326-5

£ 38. 00

Cultural History

VODUN

African Voodoo

English-French edition

236 pages, 124 colour illus. and

74 b/w photographs


978-3-7774-4031-6

£ 60. 00

Sculpture – Tribal Art

FISH HOOKS OF THE PACIFIC ISLANDS

374 pages, 10 fold-outs, 341 colour and

31 b/w illus.


978-3-7774-4931-9

£ 130. 00

Tribal Art

EARLY CAPITALS OF ISLAMIC

CULTURE

The Artistic Legacy of Umayyad

Damascus and Abbasid Baghdad

(650–950)



978-3-7774-2244-2

£ 22. 00

Cultural History

MUSEUM ISLAND BERLIN



978-3-7774-4441-3

£ 45. 00

Cultural History – Architecture

ROLAND FISCHER

Façades


25 × 31. 5 cm, hardcover with dust jacket

978-3-7774-2314-2

£ 32. 00

Photography – Architecture

41

CONSTRUCTION TECHNIQUES IN THE

AGE OF HISTORICISM

Texts in English, German and French

336 pages, 350 colour and 68 b/w illus.,

several maps, charts and ground plans


978-3-7774-3901-3

£ 75. 00

Architecture

NUKUORO

Sculptures from Micronesia

280 pages, 308 colour and b/w illus.

24. 5 × 30. 5 cm, hardcover with dust

jacket

978-3-7774-2028-8

£ 50. 00

Sculpture – Tribal Art

PETER KLUSKA

Landscape Architecture


280 pages, 218 colour illus. and 61 maps


978-3-7774-5161-9

£ 29. 95

Architecture

ENGINEERING DESIGN

Made in Wuhan, China




978-3-7774-2029-5

£ 19. 95

Architecture

FROM SAMOA WITH LOVE?

Samoan Travellers in Germany

1895-1911. Retracing the

Footsteps



978-3-7774-2239-8

£ 34. 00

Cultural History

MODERNISM LONDON STYLE

The Art Deco Heritage




978-3-7774-8031-2

£ 39. 95

Photography – Architecture

HEINZ MACK

Reliefs


400 pages, 371 colour and duplex illus.


978-3-7774-2296-1

£ 58. 00

Painting

MAGNIFICENCE OF MARBLE

Bartolomé Ordóñez and Diego de Silóe



978-3-7774-2329-6

£ 45. 00

November 2015

Cultural History

ORNAMENTAL DESIGN PRINTS

128 pages, 145 b/w illus.


978-3-7774-2156-8

£ 29. 95

Decorative Arts – Graphic Design

IMAGES TAKE FLIGHT

Feather Art in Mexico and Europe

(1400–1700)



978-3-7774-2063-9

£ 50. 00

October 2015

Decorative Arts

STEPHAN MARIA LANG

Architecture. A Journey to the Soul




978-3-7774-5181-7

£ 39. 95

Architecture

FRAGMENTS OF METROPOLIS

Expressionist Heritage in Berlin



15.5 × 24.5 cm, softcover

978-3-7774-2290-9

£ 20. 00

Architecture

BEST

ARCHITECTURE

BOOK

FINANCIAL

TIMES

SUMMER2013

BACKLISTBACKLIST

SHORT-

LISTED

TRIBAL ART

BOOK AWARD

2014

Niklas Maak

LE CORBUSIER

The Architect on the Beach

208 pages, 74 b/w illus.


978-3-7774-3991-4

£ 17. 95

ArchitectureArcArc

BDA

ARCHITECTURAL

CRITIC AWARD

2015

NIKLAS MAAK

42 43

All prices and title details are subject to change without notice. Information correct as of May 2015. Every effort has been made to contact copyright holders. Where the att-empt has been unsuccessful, the publisher would be pleased to hear from the person concerned.

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HIRMER PUBLISHERSAGENTS & DISTRIBUTORS

HIRMER PUBLISHERSAGENTS & DISTRIBUTORS

Illustration front page: Egon Schiele, “Portrait of Walburga Neuzil”(detail), 1912, Leopold Museum, ViennaIllustration back page: Egon Schiele, “Writing Desk at the Mühling Prisoner-of-War Camp” (detail), 1916, Leopold Museum, Vienna Both taken from the publication: Egon Schiele. Almost a Lifetime (page 13)

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www.hirmerpublishers.co.ukwww.hirmerpublishers.com www.hirmerverlag.de

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80636 Munich

Germany

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HIRMERAnna Karina Hofbauer Essays by D. Buchhart and S. Keller English-French-German edition 116...

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