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MUSIC

PAPER-II

Hindustani I Kamataki I Rabindra Sangeet I Percussion

(Vocal and Instrmnental)

SPECIAL INSTRUCTIONS

Note: Candidates are required to answer all the 25 questions in PART- I, which are compulsory. They should select any one of the groups PART-II, PART-Ill, PART-IV, PART-V and answer all the 25 questions in that PART Each question carries two (2) marks_

PART- I

Common to Hindustani I Karnataki I Rabindra Sangeet I Percussion

1. Which instrument has got frets ?

(A) Violin

(C) Sitar

2. Who is writer of Sangfft Ratnakar?

(A) Kallinath

(C) Sharangdev

3. Who is not from J\.failier Gharana?

(A) Allauddin Khan

(C) Ravi Shankar

4. Which Folk dance is from Gujarat?

(A) Giddha

(C) Ras

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(B) Sarangi

(D) Tanpura

(B) Lochan

(D) Mammat

(B) Nikhil Banerjee

(D) Halim Zafer Khan

(B) Garva

(D) Nachni

ＱＢＢＧＨＩＭＱＬＬｾ＠

I .... """ ,, ＬＮｾ＠ .. ｾＬＮＬ＠·-' • ,,.10M•

Ｂｾｾﾷﾷﾷ＠ ''" "" ' I ﾷｾｉ＠ ' '

I ＺｾＺ＠ : ｾ＠

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IW'14il II

ｾＢＢｬｦ｜ＱＱＴＧＱＯ＠ <t."1f&;f. ｗｦｵ［Ｏｾ＠ Wfu;

( l'fi<FI' ｾ＠ <;d Wfu; vm:lf ) iit!1T ｾ＠ <m:f

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"WIll, "W IV, iN! "W V ij f1 ｾＱＱ［Ｂｩｦｩｭ＾ｴ＼ｴｭｦｴ＠ 25"11V'if<t'il'i'R"1\i

:Ii'l"<t" :R'llt" &; (2) ｾＢＧﾷ＠ '&1

PART-I

ｲｾｦｩＱＱＴｬ＠ 1 ＧＪＧＢｾｲ｡ＧＪＧ＠ Wfrn ｾｾ＠ Wfrn <m ｾｯｭｲＭＬ［Ｚｲｦｦｩ＠ ot m

(A) 'fl'-rf<H

(C) ft:WR

(A) ＼ｴｦ｣［Ｎ［ＺｾＧｗＮｊ＠

(C) 'l'W;tk<l

(A) f::;,;:;

(C) n;

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(B) ｦＧｬｦｵｦ＼ｾ＠ Wl:.IT

(D) w.rtq :.w.r<: Wf

'

ＱＢＢＧＢＧＱＧＧｾ＠

I .... """ ,, ＬＮｾ＠ .. ｾＬＮＮＬ＠·-' • ,,.10M•

Ｂｾｾﾷﾷﾷ＠ ''" "" ' I ﾷｾｉ＠ ' '

I ＺｾＺ＠ : ｾ＠

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5. Who is not a Thumri Singer ?

(A) Girija Devi

(C) Siddheswari Devi

(B) Sharan Rani

(D) Shobha Gurtu

6. How many main classes of Musical Instruments ?

(A) Three

(C) Five

7. Who is not a Sitar player ?

(A) Ravi Shankar

(C) Buddhaditya Mukherjee

8. Who is not a mainly Dhrupad singer ?

(A) Bhimsenjoshi

(C) Gundecha Bandhu

(B) Four

(D) Six

(B) Shivkumar Shanna

(D) Rahim Khan

(B) Fahimuddin Dagar

(D) A Rahimuddin Dagar

9. Which treaties has mentioTif<d the word 'Raga' for the first time ?

(A) Sangeet Ratnakar

(C) Natya Shastra

(B) Rag Tarangini

(D) Brihaddeshi

10. Write the name of person who has contributed ubnost in the field of Music Aesthetic.

(A) S.K. Saxena

(C) B.C. Deva

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(B) Ashok Ranade

(D) K.C.D. Brihaspati

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ｾＩ＠

(D)

(B) f.xwpn: wrt

(D) ;:(:tq Wf

(D) <Jt\:t1

(B) :Jt <l'fiFt" .gl"_ U'f!-1\

(D) lt·.nT_;;T_ ｱＨｒｾＧ＠

P.T.O.

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n. l\1atch the following :

Ust- I Ust- II

ＨｾＩ＠ Sitar Player (i) Briz Bhushan Kabra

ｾＩ＠ Guitar F1ayer (ii) Shivkumar Shanna

(c) Sarod F1ayer (ill) Niklill Banerjee

(d) Santoor Player (iv) Amjad Ali Khan

Code:

'"' (b) (c) (d)

(A) (ii) (i) (lii) (lv)

ｾＩ＠ (iv) (ill) (i) (ri)

(C) (i) (li) (lv) (ill)

(D) (ill) (i) (iv) (li)

12. Who mastered all the four main styles of Tabla ?

(A) Ahmad jan Thirakwa

(C) Kishan l\1aharaja

13. How many l\1atras in Basant Tal ?

(A) 5

(C) 9

14. A famous kamatak percussionist ;

(A) Palghat Mard lyer

(C) l\1adurai Mard lyer

15. A vocalist of the 20th century ;

(A) Chembai Vaidyanatha lyer

(C) Tyagaraja

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(B) Samta Prasad

(D) Mulll1f< Khan

ｾＩ＠ ' (D) 11

(B) T.R Mahalingam

(D) Gtembai Vaidyanatha Bhagavatar

(B) Muthuswami Dikshitar

(D) Subramanya Bharati

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n.

B.

flilfWl <ttf:,ro: .

?'£<fr . I

ＨｾＩ＠ ffvrn: w<::<r;

ｾＩ＠ f::zn: w<::<r;

(c) nit<: w<::<r;

(d) fie<: w<::<r;

ｾＧ＠

'"' (b) (c)

(A) (ii) (i) (iii)

ｾＩ＠ (iv) (ill) (i)

(Q (i) (li) (iv)

(D) (ill) (i) (lv)

(A) ill:(f'l?: JTFl f'.WE'f!

(C) ｦ＼ｴｾｆｬ＠ 'f(P}:if

(i)

(ii)

(ill)

(iv)

(d)

(lv)

(li)

(rii)

(li)

Ｇｾ＠ . i'i f: ﾷｾＬＮ＠ ;iff !l:"" *' <:P:k ITM .<t,. " <r;. , ,, "' ,, !

(A) ' (Q '

,. H

'i. <:[Jl':_!f!l! <EF:fU

'i. fR11<pn: wrt

'i. ｦＧｬｦｷ＼ｾ＠ <:f'l:.IT

<Wf:if?: iJF'lt <iff

(B) nnm :rm<::

(D) ']:1'1 Wf

ｾＩ＠ ' (D) n

"· • • • <F'IT2?fo' i5Ff'l?: <iT£ •· ':';it" <F'lf2?fo' '}' ·

(A) 'FY1f2 qftr1 <5!VR

(Q <r<;:ut qftr1 ill:VR

15. 20 <if 'f!iJ!a:T <P 'T'-Ffo' ·

(A) <fqt q-£'W.J ill:VR

(C) i'-fWVJl

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ｾＩ＠ ｾＩＵｗＺＺＮ＠ <rtf<.f::q

(D) #qt ift:'li'.J ill:VR

(B) '1'1<41<IT cifum:

(D) fl?rtl"'.f'l wmt

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H. Raga Purardra figures in :

(A) Kathakali ｾＩ＠ Odissi

(C) Kuchlpudi (D) Bharatanatyam

,. The Lady who established Kalakshetra ?

(A) Ru:krrUnidevi Arundale ｾＩ＠ Saraswathi Bai

(C) MS Subhalakshmi (D) DK. Pattammal

"· The 9th ]l,.ff,Jakartha :

(A) Dhenuka ｾＩ＠ Natakapriya

(C) Keeravani (D) Natabhairavi

19. The great singer of Hindustani Oassical Music Tagore has remembered whole life :

(A) Faiaz Khan

(C) jagannath Bhattachariya

(B) Bishm Gtakravarty

(D) Kesharbai l<f<rkar

20. The book consisting Tagores concept of Music is :

(A) Sangeet-o-Bhav

(C) Sangitor Mukti

(B) Sangitor Dhanna

(D) Sangit Chinta

Questions 21 to 25; Para Phrasmg or Linked Items ;

Read the passage below and answer each question.

Among all the Oriental Music, Indian Music is artistically fully developed, has a

strong theoretical basis, richest in repertoire and has a glorious history, extending over

a span of 2000 years. It also possesses all the varieties, viz. Art Music, Sacred or

Devotional Music, Daru:e Music and Folk Musk India has some hundreds of Musical

lnsbuments, from the beginrdng of its history. Indian Music is melody music, but it

perfonns all the subtleties of musical expression, using all tonal shades, nuances and

curves_

Indian classical music has developed melodic fonns into ragas, every raga having

a particular mood, theme and aesthetic personality, giving full scope to the artist for

developing systematic improvisations in accordaru:e with his particular style_

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(A) it"(l'.J<F.TI

(C) 'f"'fiJJT

(A) f"<!qco/ t''lt ｩｬｬＺｦＢｩｴ＼ｾ＠

(C) 'l;'L'l;f't flC<:f!W\.<fT

ｾ＠ ｾ＠ 4 ' 'IT<¥ <'T!it?IT .

(A) •)'}it1

(C) ith<:lf!'IT

(A) if?.f!;.J@

(A) fi::l"dWr<l

(C) fi:TdR 'Jfu:

(D) "l:JFITi'WI

(B) <vwci wt (D) _gt);;, ｔｦｾｕｦＨｾ＠

ｾＩ＠ Ｇｉｔｾｩｴｦ｜ｐＭＱ＠

(D) ＧｉｔｾＧＧＪ＠

(B) fi:TdR •1"<1

(D) fi:Til f<Xm

W'f W!m 21 N 25 : ｾ＠ fiftarr rmr "Wiftm rri{ '

Pll•dW'itlil ｾ＠ <1ft ｾ＠ rmr ｾ＠ W'f <ET 'iTfT< ;{,

ti;,;if,Tit" ill:l'H '&, ｻＧＺＢ＼ｾ＼ｾ＠ il '-It' <vff>a· nq;,;: '&, il".Jl 2000 'f'-li itT ill:<if'l !lit" ¥)c;n: ｾｮｩｴＱ＠ '!;it"

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The era of aru:ient music begins in the age of Vedas and ends in the 13th century

after which the mediaeval period of music became fully evolved and ultimately was

bifurcated into two systems, namely Hindustani and Kamatic_

21. (A) Indian music is involved by religious and devotional music_

(B) Indian music is the contribution of modem age_

(C) Indian music is also called Kamataka music_

(D) Indian music is not necessarily melodious_

22. (A) Ancient music was started in mediaeval period

(B) Ancient music was started from vedas_

(C) Indian music does not include Hindustani music.

(D) Swara is not important in Indian music.

23. (A) The aru:ient period of Indian music was from vedas to 13th century.

(B) Indian music is not melodious_

(C) Melody and Taalas are not needed in Indian music.

(D) Swara and Taalas both are not necessary in Indian music_

24. (A) Devotional music and dance are given by Indian music.

(B) Indian music is not Raag promiTif<nt_

(C) Taal and Vaadya are not used in Indian music.

(D) Indian music is also called Folk music.

25. (A) Taal and Vaadya are not used in Indian music.

(B) Folk music and devotional music are not Indian music_

(C) Hindustani and Kamataka music are not Indian music_

(D) Indian music is not enriched_

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WV!!'f-l "!fur ft;ij"(l 'if"<Ff1 f1'1f :'FP<: <tt WFfli.W, ｩｬＧｬＧｾＢＧＡｚｩＮｗ＠ (1'.11 'f"''i <t1 if'f'j'p ;;,·;:(1 ｾ＠ '.f(f

fi::Tm;-q;;,· il'lfirv.!fu; <tT f1'!«1 B'Wm.W ;;,'; ill:':if'-<cW <EV11 (f\

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n. (A) wurl-'-1 fi::l"iJ •-l!f<f;;,· il'-11 "f<J:<i::l"iJ n '{Ui '&1

(B) wurl-'-1 fi::l"iJ il'll'{'l<t" '!': ;;,t ?:'1 '&1

(C) wurl-'-1 fi::l"iJ ;;,'; ［［ＬＭＧＱＱｾ［［ＬＭ ft::l"iJ ,1f ;;,·((it 'i!'!

(D) wurl-'-1 fi::l"iJ i'i f1<:k1T'H <t1 t';'ll <W<P'n· 'l(if '&1

22. (A l :rm'l n':til <EH "'' <Wt" "'!-!'!': n fl111

(Bl :rm'l n':til <EH "'' <Wt" it&r 1t· '!': n (_j;ill:11

21. (A) wurl-'-1 n::TiJ "'' :rm'l <tH, it&t i't· '!': n 11<if 'Kmcci iJ<t" <:t11

(B) wurl-'-1 ft::l"iJ f1<:kr 'l(if &im1

(C) w<: 'I!'J<:T il'-11 ｭ＼ｾ＠ <t1 :r'-f': wurl-'-1 fi::l"iJ il il'll<P'-I<t" 'l(if '&1

(D) w<: .W<: ｭ＼ｾ＠ '4 <it-'ll: tT 'ViJh rt:TiJ il <W<P'.f<t" 'l(if '&1

24. (A) "f1: fi::l"iJ !1"-F 'W-1 ft:'W ,1f wurl>-1 fi::l"iJ ;;,t ?:'1 '&1

(B) wurl-'-1 ft::l"iJ <:w :r•m 'l(if '&1

(C) fT"f:<--m-'IT rt:TiJ il ｭ＼ｾ＠ ws1 "'' :r'-f': 'l(if &im '&1

(D) wurl-'-1 fi::l"iJ ;;,'; <-it;;,· fi::TiJ ;;,·((it 'if!

25. (A) wurl-'-1 ft::l"iJ il ｭ＼ｾ＠ ws1 <t1 :rilr:: 'l(if &rm '&1

ｾＩ＠ ﾷＢＧｾＭ ＬＬＬＬＮｾ＠ "f"'· ＬＬＬＬＮｾ＠ '"''""" ＬＬＬＬＮｾ＠ ,,lfjv, \u '-1''<'"' ,,(,, """' ,,(, "'""'"' ,,(, ''" '''

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PART- II

Hindustani Sang eel: (Vocal j Instrumental)

26. The distance from Meru to l\1adhyam on the string of Veena :

(A) o" ｾＩ＠ '" (C) '" n l\1atra of initial Swara of J\.fasitkhani Gat :

(A) ' ｾＩ＠ '" (C) n

"· Dha, Ni, Re, Sa Swara is of which Raga ?

(A) Ahir Bhairav ｾＩ＠ Todi (C) ｍ＼ｉｔｾ＠

"· 'Udgata' is conceiT!f<d with which Gan?

(A) Dhrupad ｾＩ＠ Tappa (C) Lavani

"· Commercial music teaching centres :

(A) Gandharva Sangfft Vidyalaya ｾＩ＠ University

(C) Sangfft Natak Akademi (D) l.C.C.R.

"· Frequency of notes of Gandhara :

(A) ''" ｾＩ＠ no (C) ''" "" Chords are used in which Sangfft ?

(A) Rabindra ｾＩ＠ Hindustani (C) Westem

"· Which musical instrument is more modem?

(A) Tabla ｾＩ＠ Bheri (C) Dhundubi

34. Which one of the following is a westem musicologist?

(A) B.C. Dev

(C) A Denelue

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(B) AN. jairazbhoi

(D) Lffla Omchiri

(D) 12"

(D) "

(D) Bhairavi

(D) ｯｾｭ＠

(D) %0

(D) Kamatak

(D) Pakhwaj

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ｾＭｉｉ＠

ｾＧＱＬｍＱＧＱＱ＠ Wfrn ( >mA: I 1!1Ti("{)

(A) 6" (B) 8"

(A) 9 (B) 10

(B) dr-W

(A) ＺＺｦｆｾ＠ fi::Tir f<f£lWI

(C) fi::Tir 'IT2?E iJl?tF:q't

(A) 240

(A) <:<it'?'

(A) ITW'll

(A) <:!TJ.iT t'11

(C) '!, -1\:t<'-'j

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(B) 270

(C) 9"

(C) 11

(C) <'11ft

(B) f<P<if<1£F'T'-I

(D) <JVt..,tntil'lR

(C) 320

(D) 12"

(D) 12

(D) nn

(D) 360

(D) ｾ＠

(D) "<W!Wif

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35. Dr. Lalmani J\.fislrra played which instrument ?

(A) Vema (B) Sarod (C) Guitar (D) Tabla

36. Which of the following is Sangeet Vishvavidyalaya ?

(A) Rajasthan University

(C) Agra University

(B) lndra Kala Sangeet Vishwavidhyalaya

(D) B.H.U.

37. Arrange the Angas of Dhrupad in required fonn :

(A) Sthai, Sanchari, Aabhog. Antara

(B) Aabhog, Saru:hari, Antara, Sthai

(C) Antara, Sanchari, Aabhog. Sthai

(D) Sthai, Antara, Sanchari, Aabhog

38. Arrange Re, Ga, l\1a, Pa, Ni on string of Veena in descending order :

(A) 4", 6", 9", 12", 20" (B) 6", 4", 12", 9", 20"

(C) 20", 12", 9", 6", 4" (D) 12", 9", 6", 4", 20"

39. l\1atching type question :

Two types of statements are given below. l\1atch the statement of first list with the statement of second list and mark the correct answer.

List- I l..ist-11

ＨｾＩ＠ Ga Kamal J\.fa Tivra (i) l\1aru Vihag

ｾＩ＠ Use of both l\1a (ii) Multani

(c) Re-Pa prohibited (iii) l\1adhuwanti

(d) Re-Dha prohibited in Aaroha (iv) l\1alkaus

Code:

'"' (b) (c) (d)

(A) (iii) (i) (iv) (ri)

ｾＩ＠ (ii) (iii) (i) (lv)

(C) (i) (lii) (ii) (lv)

(D) (iv) (ii) (i) (iii)

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(A) <iT!8

(A) UJTfl'¥'1 ＧｦＧｦ＼ｬｦＧｴ｜ｾ＠

(C) il'lFT f<w<if<f£lWI

(C) ｦＺＺｾｮＺ＠ (D) ITW'f

(B) ｾ＼ｆＧｦ＠ fi::Tir ｦｾ＼ｦﾣＱ＼ＧＱＢＧＭＱ＠

(D) <:it?;<ii/L

37. '.{'1?: it ｾ［ｬｪ＠ ;;,) ｾｻＨＱ＠ "'"1 4 "'"'l'f.l; ;;,-tf..p) .

(A) fl'¥t <im<:T. <JDi'w. ｾｲｲ･＠

(B) il'!nit::. tim&. ｾｷｲＮ＠ fl'-Ft

(C) ｾｲｲｵＮ＠ <im<:T. <JDit::. fl'-Ft

(D) fl'.lft_ ｾｗｬＬ＠ <im<J. <JDit::

(A) 4", 6", 9", 12", 20"

(C) 20", 12", 9", 6", 4"

39. flilfW :'l"<EV it :N'l ·

(B) 6", 4", 12", 9", 20"

(D) 12", 9", 6", 4", 20"

'lt<lt &! :r;;,n: it ＼ｴｾｈ＠ f<:% :.n {/)"'if. :'l"'H <:;:<ift it ＼ｴｾｈ＠ ;;,; ;;:n{ ＼ｴｾｈ＠ it ntt i!TH i1 fwm ;;,·, ntt <tl f<il't" W7V4 ·

?"£<fr . I ,.,. H

ＨｾＩ＠ :: <t'iW'T 'I ci'J (i) q;«f<ft"W

ｾＩ＠ &1-'i'i: q <tl :I'.f': (ii) .. ,.

ＧｊｩｾｔＢ＠

(c) { "1 'ff:.til (ill) ＧｾＧｆｦ｣ｩ＠

(d) <JVift" ij { '1 'ff:.til (iv) q;n;;,Tn

ｾＧ＠

'"' (b) (c) (d)

(A) (ill) (i) (lv) (li)

ｾＩ＠ (ii) (ill)

"' (lv)

(Q (i) (lii) (ri) (lv)

(D) (iv) (ii)

"' (rii)

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40. Whlch instrument was played by Akbar, the great ?

(A) DHOLAK

(C) NAKKARA

(B) MRIDANG

(D) DHOL

41. On which SHRUTI does PANCHAM fall inJ\.iADHYAMA.CRAM?

(A) 15th (B) 16th (C) 17th

42. Whlch is the correct series of Slrruties of Shuddy Swaras ?

(A) 4324324 (B) 4243234 (C) 3244243

43. Name the western musicologist who adopted Hindu religion:

(A) l\1artin Klinton (B) Alen Danelue (C) Mooplore

"· Match the following :

List- I l..ist-11

ＨｾＩ＠ Natya Shastra (i) Matanga

ｾＩ＠ Brihaddeshi (ii) Ahobala

(c) Sangeet Parijat (iii) Bharat

(d) Sangeet J\.fakarand (iv) Narad

Code:

'"' (b) (c) (d)

(A) (ii) (i) (lii) (lv)

ｾＩ＠ (iii) (i) (ii) (lv)

(C) (iv) (iii) (ii)

"' (D) (i) (lv) (lii) (li)

45. Name the GUITARIST of Hindustani music :

(D) 18th

(D) 4324432

(D) Mark l.egi

(A) Pt. Shivkumar Shanna

(C) Buddhaditya Mukharjee

(B) Hariprasad Chaurasiya

(D) Pt. Brij Bhushan Kabra

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"·

(A) ?trw;,·

(C) 'FFH{!

(A) 15 <if

(A) 4324324

ｩｬＢ＼ｾ＠ fw¥v4 · ,.,. '

ＨｾＩ＠ 'f!i'$K!F<

ｾＩ＠ 'J(:Tfhn

(c) fi::k "<fhrm

(d) fi::Tir WE{?:

ｾＧ＠

'"' (b) (c)

(A) (ii) (i) (iii)

ｾＩ＠ (iii) (i) (ri)

(Q (iv) (iii) (ii)

(D) (i) (lv) (rii)

(A) "i. fR11<pw 'lT<f

(C) q;¢<:e-! 'J:W:.IT

D-1607

(B) 16 <if

(B) 'Ji}!:

(D) ＿ＮｩＧｲ＼ｾ＠

(C) 17 <if (D) 18 <if

(B) 4243234 (C) 3244243 (D) 4324432

(i)

(ii)

(iii)

(iv)

(d)

(lv)

(lv)

(i)

(li)

""' H

wt::

ｩｊＧｬＦ［ｗｾ＠

"1/1

'IT{?:

(B) tf<::rm<: W<fw-r

(D) "i. 'JJ1'2!f!l! ':F<:fU

17 P.T.O.

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46. Assertion (A)

Reason (R)

Acharya KC.D. Brihaspati was well versed in Sanskrit, wrote so many books which explored the mysterious of history eb:, was a good singer, writer and a teacher.

Acharya Brihaspati worked a lot in the field of aesthetics and philosophy.

(A) (A) right (R) wrong

(C) (A) right (R) right

(B) (A) wrong (R) wrong

(D) (A) wrong (R) right

47. Assertion (A)

Reason (R)

(A) (A) bue (R) false

A vocalist who is an expert in Dlrrupad he can also sing Khayal well.

Dlrrupad singer who is an expert in Laykari his voice is made very mejastic.

(B) (A) false (R) bue

(C) (A) and (R) both false (D) (A) bue (R) bue

48. In which Gharana of Tabla, Quades of Aadi Laya are mostly played :

(A) Delhi (B) Punjab

(C) Ajarada (D) Farukhabad

49. Which Gharana is famous for GATEN?

(A) Delhi (B) Punjab

(C) Ajarada (D) Farukhabad

50. The Taal having 11 l\1atras :

(A) Laxmi Taal (B) Ganf<sh Taal

(C) Rudra Taal (D) Parvati Taal

D-1607

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46. ftrur;; (A) il'!FTP) tt·c'lW! <or?&<l gtv<f(-r <ivpr lt· wm ﾷｾ＠ 1 <JF'fir il'!it<t"1f.il<t'i ;;,t <:<or'IT ;;,t f:.r'llt· :;;u fi::t<r lt· V(Tz:v; .W<: il'!it<t· 'l<X <:tv.fi <t1 ＳｾＲＺＧＱ＠ f<t"'-111 il'!M 'l;<t"

W..:; 'Tn·. <'!fw;;,· .W<: ';<' ﾷｾ＠ 1

<l"'t (R)

(A) (A) nti" fi" (R) ::m fi"

(C) (A) ｩｬＧＡｾｈ＠ (R) #Fi"i nti" fi"

47. ftrur;; (A)

<l"'t (R)

(A) (A) nti" fi" (R) ::m fi"

(C) (A) ｩｬＧＡｾｈ＠ (R) &1-'i'i: ::m fi"

(C) il'!JTUW

(C) il'!JTUW

(C) n: ITH

D-1607

(D) (A) ntT & (R) ntT &

(B) ::"t:w ITH

(D) "fl<fci ITH

P.T.O.

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PART- III

Kamatic Music (Vocal j Instrtunental)

26. "janard J\.famava" is a:

(A) Navavarna Kriti

(C) Navaratri Kriti

27. A Vivadi ]l..ff,Ja:

(A) Sarasangi

(C) Dhenuka

28. Gopalakrishna Bharati was hom in :

(A) Tiruvarur

(C) Narimanam

29. A l\1argi Tala :

(A) Dhruva

(C) Sarabanandana

30. A Tevaram song:

(A) Todudaiya Seviyan

(C) Saranam Aiyappa

31. A J\.farathi metrical fonn in Harikatha:

(B) Navagraha Kriti

(D) Navaratna J\.fa1ika Kriti

(B) Varunapriya

(D) Gowrimanohari

(B) Chidambaram

(D) l\1adurai

(B) Simhanandana

(D) Sampatveshtaka

(B) Sadhinchene

(D) Varuhalamo

(A) Utpalamala (B) Dindi

(C) Cindu (D) Viruttam

D-1607

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"·

"·

'!;it" f11mci 4<'11 ·

(A) np;i::t

(C) •)'}it1

(A) f<TF<f!<:"<:

(C) 'f<:hrwq

'!;it" qr::t ｩｆｾ＠ ·

(A) '.!<1

(C) n<f-'f<::'IT

(A) dP:l)i'.f! i1fWH

(C) ＧｬＧｗｦＡｩｦＧｾＭｆｦＡ＠

(A) ifi'1WW'11

(C) f<J;;:

D-1607

ｾＭｉｉｉ＠

<li'li&li Wfrn ( >mf'l:, ｾＩ＠

ｾＩ＠ <l<fcrT.I'.f!

(D) i!;;:hr-tz:<t

(B) f<or?TR:W{

(D) 'f';'i.

ｾＩ＠ ' . .n(R<::'IT

(D) nmrril"<it1

(B) nf?"<X!r

(D) <l{i(f<''f<!i

(B) ft;;T

(D) f<1nH

P.T.O.

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32. A song set to Misra Chapu Tala :

(A) l\1a:rivere-Anandabhall"avi

(B) Chakkaniraja - Kharaharapriya

(C) ]l..finakshi Memudam-Purvikalyani

(D) Anupama Gunambudhi - Atana

33. The name of the 12th Gtakra in the 72 Mela scheme :

(A) Bana

(C) Aditya

34. A famous violinist :

(A) S. Balachandar

(C) Karaikkudi Mani

(B) Rutu

(D) Disi

(B) Lalgudi jayaraman

(D) O.S. Tyagarajan

35. The South Indian Raga equivalent to Bilaval That :

(A) Kiravani

(C) Kalyani

(B) Sanl<arabharana

(D) Kambhoji

36. A Tala with Khanda jati Laghu used in Sapta Tala Alanl<ara :

(A) Ata (B) Rupaka

(C) Matya (D) Dhruva

37. A Lady violinist:

(A) M.L. Vasanthakumari

(C) T. Rukmini

38. The Pl"ati Madhyama Audava Raga :

(A) Hamsadhvani

(C) Madhyamavati

D-1607

(B) Aruna Sall"am

(D) T. Brinda

(B) Abhogi

(D) Amritavarshini

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(A) <r<til"l. <JV-'!<:iimt

(B) fF!iE-'ITU:.n <n:z:<:fP-11

(C) qt'lPffi il"'];?:'f "!<i<F'-'.f!l\t

(D) ill:'fHT '?fr<f;,;: ill:lf'li

(A) <:f1'l1i

(C) il'nf<:e-!1

(A) 'l;R <:f!<'F<F?:<:

(C) <Pf<:<piT WIT

(A) ittmr!I!T

(C) it"(P.f!l\t

(B) "iS

(D) f?:nt

(B) i'11Wf'J JP-HfWl

(D) <J1\'J;f1, i'-fPU:.Fl

(B) $'it"U'W8

(D) itT'!'il:.Jt

"· f1'(fi1q ill:i{it1<: ij €(;; :.nf<1 <'T'} itT :I'-i'P it"<: it <:f1<'11 ITH ·

(A) ｾＢ＠ ｾＩ＠ <f"'fitT

(C) q<'W (D) '!<:f!

"· '!;it" 'lft<'lT <:f!'-rfH'lmf<:it1 ·

(A) 'l;'L'l;H 'ffi'.JFprRt ｾＩ＠ ill:tW ｭｾｮ＠

(C) . < .

i'T k'J!'f!IIT (D) <i q;;;

"· '!;it" :rf<1 'f'J-H ilVJJ'f <:W ·

(A) !h:P4f" • • • ｾＩ＠ iJDil:ij-

(C) 'l'l.fo/Wfr (D) ill:'Jif'ffi'.(!flT

D-1607 " P.T.O.

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39. A javali composer :

(A) Arunagirinatha

(C) Kshetrajna

40. Bhajana Invocation songs :

(A) Abhanga

(C) Todaya l\1angalam

(B) Dhannapuri Subbarayar

(D) Narayana Tirtha

(B) Dhruvapada

(D) Panchapadi

41. Viloma Gtapu Tala was introduced by:

"·

(A) Patnam Subramanya lyer

(C) Syama Sastr:i

l\1atch the following :

Ust- I

ＨｾＩ＠ Tyagaraja

ｾＩ＠ Muthuswami Dikshitar

(c) Syama Sastr:i

(d) Patnam Subramanya lyer

Code:

'"' (b) (c) (d)

(A) (ii) (iv) (iii)

"' ｾＩ＠ (iv) (ii) (i) (iii)

(C) (i) (lii) (ii) (lv)

(D) (iii) (i) (iv) (ri)

D-1607

(B) Tyagaraja

(D) Mysore Vasudevachar

Ust- II

(i) Venl<atesa

(ii) Tyagarajanuta

(iii) Syamakrishna

(iv) Guruguha

"

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39. 'l;<t" :.r:w'll" <¥"'-I<E7 ·

(A) <J'R"!I! M'rw.J

(C) it:q

40. W•Fl VfPil '7'1 ·

(A) <Jpiq

(C) dnvr<f::nq

41. fw-itq "111 ＼ｆｾ＠ "'' :'l'fif'l f<t-.:;:>r f<t"'.f!?

(A) ＢＱＢｾＧＱ＠ fl'Jt"-1"'-1 iJ'W-R

(C) 'f'Wf1 w<v:<t

"· f'lklf<.1f€W <t1 fW'lT'l <ttf:.p) ·

?"£<fr . I

ＨｾＩ＠ i'FTJTI (i)

ｾＩ＠ 'Ji"{Vf!qT cifuw (ii)

(c) 'P.f!'l w<v:<t (iii)

(d) ＢＱＢｾＧＱ＠ fl'Jt"-1"'-1 i5W-R (iv)

ｾＧ＠

'"' (b) (c) (d)

(A) (ii) (iv) (lii) (i)

ｾＩ＠ (iv) (ii)

"' (rii)

(Q (i) (lii) (ri) (lv)

(D) (iii) (i) (lv) (li)

D-1607

,.

(B) '<o/1;<:1" f1U:VP-R

(D) ＧｉｔｕＧＮｦＡｬＡ｣ｩ＾ｾ＠

(B) '..l}fi?:

(D) "f'i'f<:T

(B) i'FTJTI

(D) ifw Wf1t"wm<:

H

Ｔ＼ｴＢｾ＠

f'.jW<fJFjffi

'P.f!'l 'fo"""!

'}:"}IT

" P.T.O.

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"· l\1atch the following :

Ust- I Ust- II

ＨｾＩ＠ Audava (>) Vachaspati

ｾＩ＠ Shadava (ri) llitigaula

(c) Vakra (ill) l\1alayamarutam

(d) Sampurna (lv) Suddha Dhanyasi

Code:

'"' (b) (c) (d)

(A) (i) (li) (lii) (lv)

ｾＩ＠ (ill) (iv) (ii)

"' (C) (ii) (i) (lv) (ill)

(D) (iv) (ill) (ii) (i)

"· l\1atch the following ;

Ust- I Ust- II

ＨｾＩ＠ (i) G"ru

ｾＩ＠ i (ii) Laghu

(c) ' (ill) Pl"-(d) b (iv) Kakapadam

Code:

'"' (b) (c) (d)

(A) (ii) (ill) (iv)

"' ｾＩ＠ (i) (li) (lii) (lv)

(C) (iv) (i) (li) (ill)

(D) (ill) (iv) (i) (li)

D-1607 "

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"· f'fklf<.f<Wl <:P fW'lT'l <ttf:.p) ·

?'£<fr . I 'I"'· H

ＨｾＩ＠ .%;;<1 (>) 'f!<orf-'1f<1

ｾＩ＠ !fPF'I (ri) •• <:AF7'11

(c) If"'' (rii) W'T'.fo/f'WI

(d) <i"!"i (lv) 'fj::t; •p-rrnt

ｾＧ＠

'"' (b) (c) (d)

(A) (i) (li) (iii) (lv)

ｾＩ＠ (ill) (iv) (ii) (i)

(Q (ii) (i) (iv) (rii)

(D) (iv) (ill) (ii) (i)

"· f'fklf<.f<Wl <:P fW'lT'l <ttf:.p) ·

?'£<fr . I ＧｾＢＧ＠ H

ＨｾＩ＠ (i) '}' '

ｾＩ＠ b (ii) ''1"1

(c) ' (ill) '<yrq

(d) b (iv) <n<'F'f?"'{

ｾＧ＠

'"' (b) (c) (d)

(A) (ii) (ill) (lv) (i)

ｾＩ＠ (i) (li) (iii) (lv)

(Q (iv) (i) (ri) (rii)

(D) (ill) (iv) (i) (li)

D-1607 " P.T.O.

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"· l\1atch the following :

Ust- I Ust- II

ＨｾＩ＠ Tambura (i) Pegs

ｾＩ＠ Gottuvadyam (ii) Key

(c) Violin (ill) Sympathetic Strings

(d) Piano (iv) Finger Board

Code:

'"' (b) (c) (d)

(A) (ill) (ii) (i) (lv)

ｾＩ＠ (ii) (iv) (ill)

"' (C) (i) (lii) (iv) (ri)

(D) (iv) (i) (li) (iii)

46. Assertion and Rf<asordng ;

Assertion (A)

Reason (R)

(A) (A) bue (R) false

(C) (A) true (R) true

Tyagaraja wrote the Gita Govllida.

He wrote the Nowka Gtaritra.

(B) (A) false (R) false

(D) (A) false (R) true

4 7. Assertion and Rf<asordng ;

Assertion (A)

Reason (R)

The Yazh had many types.

There are no Yazh players today.

(A) (A)istrue(R)istrue

(C) (A) and (R) are false

D-1607

(B) (A) is false (R) is true

(D) (A) is true and (R) is false

"

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"· f'fklf<.f<Wl <:P fW'lT'l <ttf:.p) · ,.,. '

ＨｾＩ＠ (fqzy

ｾＩ＠ V<;msq

(c) 'fl'-lf<H

(d) f'p.f-'{;

ｾＧ＠

'"' (b)

(A) (ill) (ii)

ｾＩ＠ (ii) (iv)

(Q (i) (lii)

(D) (iv) (i)

OfiWi (A)

OfiR1lT (R)

""' H

(>) ＼ｗＧｾＧｩ＠

(ri) 1":.IT

(rii) ｭＺｾＺｾ＠ it <m:

(lv) N7<: q;_g

(c) (d)

"' (lv)

(lii) (i)

(lv) (li)

(ri) (rii)

(A) (A) n(:t ff .%;: (R) ::m 'if

(C) (A) ntT & .%;: (R) '11" ntT '&

ＧＭＱＱｾ＠ it ;;;t :I<EV (jt(l 'i\'1

(B) (A) ilfH (R) &1-'if ::nil 'if

(D) (A) ::nil'& ilfH (R) ntT '&

OfiWi (A)

OfiR1lT (R) <W:if '.f!;;! W??fo' f<l-s<!Fl 'ft'f (fl

(A) (A) n(:t'if(R) 'll"n(:t'if

(C) (A) ilfH (R) &1-'i'i: ::m 'if

D-1607

(B) (A) ::nil'& (R) ntT '&

(D) (A) ntT & (R) ::m '&

29 P.T.O.

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Sequencing type :

48. Write the correct sequeru:e of the following texts of their origin.

(A) Sarna Gana, Natya Sastra, Sangita Ratnakara, Ragavibodha

(B) Natya Sastra, Samaveda, Ragavibodha, Sangita Ratnakara

(C) Sangita Ratnakara, Natya Sastra, Ragavibodha, Sama Gana

(D) Ragavibodha, Sarna Gana, Natya Sastra, Sangita Ratnakara

49. Arrange the following in the order of 72 melakarta scheme.

(i) Natabhairavi

(ii) Dhenuka

(iii) Natakapriya

(iv) Ganamurthy

Code:

(A) (ii) (i) (lii) (lv)

ｾＩ＠ (iv) (ii) (iii) (>)

(C) (iii) (ii) (iv) (>)

(D) (i) (lii) (iv) (li)

50. Arrange the following janya Ragas in the order of their Parent Scales :

(i) Hamsadvani

(ii) Kambhoji

(iii) Bhairavi

(iv) l\1alahari

Code:

(A) (iv) (iii) (ii) (>)

ｾＩ＠ (i) (li) (lii) (lv)

(C) (ii) (iv) (i) (iii)

(D) (iii) (i) (ii) (lv)

D-1607 "

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ｾ＠ ｾ＠ -,jf; "IW'1 '

48. f'fklf<.1f<wr "flci'i ;;,'; p;lr,· rln it· "'"" il f<.1f<WJ: ·

"·

"·

(A) f'PFH. 'lfm:hlF<. fi::l"m:J'lf<t"<:. Ff<i<:i'1'1

(B) 'lfm:hlF<. f'PfiJ"<::. Ff<i<:i'rl. fi;:l"iHf'lf<t"{

(C) fi;:l"iHf'lf<t"<:. 'lfm:hlF< Ff<!<:i'rl. f.i'f<FH

(D) Ff<!<:i'rl. f.i'f<FH. 'lf<%WF1. fi;:l"iHf'lf<t"{

f'fklf<.1f<wr ;;,'; 72 ｩｬＢ｣ｾ［［Ｌﾷｦｦｩ＠ 'i'r:.r'lf ,_,.q il <f<WJ: ·

(i) 'f<:tl<:<!T

(ii) •)'}<t1

(iii) "W'.r

(iv) ::rr;qf,i

ｾＧ＠

(A) (ii) (i) (iii) (lv)

ｾＩ＠ (iv) (ii) (lii) (i)

(C) (iii) (ii) (lv) (i)

(D) (i) (lii) (lv) (li)

f'fklf<.1f<wr JT"'.fFli ;;,'; p;i:f,· ｫｲ｣ｾ［［Ｌﾷｦｦｩ＠ it· ,_,.q il <f<WJ: ·

(i) !1n•4f" • • •

(ii) <bit:.IT

(iii) "'* (iv) W'tVT

ｾＧ＠

(A) (iv) (iii) (ii) (i)

ｾＩ＠ (i) (li) (iii) (lv)

(C) (ii) (iv) (>) (rii)

(D) (iii) (i) (li) (lv)

D-1607 " P.T.O.

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PART- IV

RABINDRA SANGEET

26. Whlch is Rit!sodh (shortened) form of drama?

(A) Mukta dhara

(C) Rakta Karabi

(B) Saradotaav

(D) Visarjan

27. Rabindranath composed the song '0 Aamar deshar mati' when his age was :

(A) 15 years

(C) 45 years

(B) 35 years

(D) 75 years

28. The tuTif< of the song Ohe Jib ana Bhallabha is :

(A) Dhrupad

(C) Kirtan

(B) Baul

(D) Khayal

29. Identify the rag of the song Bahe NirantaraAnanta Anandadham :

(A) Nisasaq

(C) Bhirav

(B) Bilawal

(D) Ashawari

30. The songJage nath Jochana Rate is in Tal :

(A) Surphakta

(C) Dadra

(B) Kharva

(D) Dhamar

31. What is the last dance drama composed by Tagore ?

(A) Mayar Khela

(C) Chandalik

D-1607

(B) Kalmrigaya

(D) Chitrangada

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(A) 'J:ili 'Hl

(C) ;:u; <n:fq

(A) 15 'f'-1"

(C) 45 'f'-1"

(A) f'fW W€1

(C) ih:<l

(C) 1;11;1}

(A) 'f!'H ifE'f

(C) ＼ｯｗｾｊｊｬｦ＼Ｇｔ＼ｐ＠

D-1607

--rv --(B) 'ln:&ru;<l

(D) f;:p:;:.f'l

(B) 35 'f'-1"

(D) 75 'f'-1"

(B) ＼Ｚｦｩｅｾ＠

(D) W'-lH

(B) ｦｷ［ｹｷｾ＠

(D) iWTi'FHT

(D) 'HT<:

(B) <ETWF:'.f!

(D) f<orm'::;;;

P.T.O.

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32. The language of the lyrics of Rabindranath's Bhanusinher Padavali is :

(A) Hindi (B) Sanskrit

(C) Maithlli (D) Bengali

33. What string instrument is mainly used as accompaniment in Tag ore's music ?

(A) Sitar (B) Veena

(C) Esraj (D) Violin

34. The songJaya Tab a VichitraAnanda is composed in the rag :

(A) Alahia Bilawal (B) Bhirav

(C) Sarang (D) Ramkeli

35. Which song Tagore iru:luded in his Drama v;sarjan ?

(A) Ami Ek1a Gtalachi ye Bhabe (B) Pinakete Lage Tanl<ar

(C) Ami J\.farer Sagar (D) Tumi Dak Die Cho Kon Sakale

36. Rabindranath's Scmgit 0 Bhav is:

(A) A Poem (B) Song

(C) A Book (D) An Article

37. Rabindranath's fatherDebendranath Tagore gave his son a five hundred rupees cheque for his singing :

(A) Nayan Tomare Pay na Dekhite (B) Prathama Adi Taba Shakti

(C) Tumi Bins Ke Prabhu (D) Hrydaya Nandana Bone

D-1607

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(A)

(C)

(A) ft:WR

(C) pv:or

(A) <tf<1m

(C) f<Fll?:l

D-1607

ｾＩ＠

(D)

(B) <iirriT

(B) ih:<l

(D) ｷｲｩＺｴｦ｣ｾ＠

P.T.O.

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38. Identify the raga and tala of the song Sunno Hate Phiri Hey :

(A) Bibhas/Chowtal

(C) kaphi/Surfaktal

(B) Hemkhem/Tewra

(D) Behag/Dadra

39. The character Uttya is in the Rabindranath's daru:e drama:

(A) Shyama (B) Gtandalika

(C) Chitrangada (D) l\1ayarkhela

40. The famous essay 'The Origin and Function of Musk" is written by :

(A) C.F. Andrus (B) Ajit Kumar Gtakravarti

(C) Herbert Spencer (D) Rabindranath Tagore

41. Who wrote the song "V-imala Pmbhate Mili"?

(A) Debendranath Tagore

(C) jyotindranath Tagore

42. In which song Tagore use Taalpherta ?

(A) Modhu Gandhe Bhora

(C) Kabe Aami Bakir Holem

(B) Satyendranath Tagore

(D) Hemendranath Tagore

(B) ]l..funa more meghero sangi

(D) Gan Amar )aye Bheshe jay

43. Which Rag Rabindranath Tagore has not used in his composition?

(A) Aahir Bhairon

(C) Basanta

(B) Kamaj

(D) Bhupali

44. Who other than Tagore has written Patriotic songs in Bengal ?

(A) Kangalicharan Sen

(C) Satyendranath Tagore

D-1607

(B) Balendranath Tagore

(D) Soudamini Devi

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38. '?J>if i!ftf"inft t' ::1"11 <:n <:W <1 ilH ｗｉｔｾＥ＠ ·

(A) ｦＱＱｷｮ［ｗｭ｣ｾ＠

(C) ｩｴＢＡＧｆ｜ＧｪｦｬＡｗｊｩｦｘｗｾ＠

(A) t;\'_'q'F. 'q"§'Pl

(C) z:;:112: Vt:<v

(A) klf?'li'.J 't:l;;:

(C) ;:>.ff(T?'W.J 't:l;;:

(B) 'W'f.wf!f<t1

(D) 'fl'·H1f<'11

(B) .m':.r(l 'f'fl<: fFI;'fffi

(D) <:<lT?'W.J 't:l;;:

(B) f1i'l"?'li'.j 't:l;;:

(D) l:il"?'W.J 't:l;;:

'= ｾＧ＠ ｾ＠ "'"'""'' ＬＬｴＬ｟ｾＬＬ＠ !I h·'• :+« "h·m 1>? ,,,,.,,.,n, ｾﾷ＠ •''· ｾ＠ ..• ,,., Ｎｾｾ＠ .... ｾ＠ ＮｾＬＮ＠ o.

(A) <frl :::>) 'i'Rl

(C) <tTi":! il'lrqt mfz:;: z\'Efq

(A) if;:7'1l'<orH ii'l

(C) f1i'l"?'li'.j 't:l;;:

D-1607

(B) W'll:if

(D) '2"F-Tl"

(B) w)?'W.J 't:l;;:

(D) n>??wiT &<11"

P.T.O.

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45. Tagore's two songs are the National Anthem of two countries. Except India which is the other country ?

(A) Pakistan

(C) Bhutan

(B) Nepal

(D) Bangladesh

46. Whlch is Rabindra' s Patriotic song of his early life ?

(A) A Bharate Rakho (B) Amor Deshar J\.fati

(C) Nishidin Barsha Rakhis (D) Bidhir Bandhan Katbe Tumi

47. The title of anthology of Rabindranath's congregation addresses is :

(A) J\.fanusher Dhanna (B) Abnakatha

(C) Shabutor Sankat (D) Santiruketan

48. Whlch Tag ore song is based on Baul ?

(A) Aamar Pl"aTif<r J\.fanush (B) Moha Viswe ]l..fuhakashe

(C) Valli To be Dhada Anonta (D) Pl"em Pl"ane Gane Gandho

49. Who appreciated first Tagore's poems of Gitanjali in England?

(A) C.F. Andrews (B) Rothanstain

(C) A Bake (D) Yeata

50. The Song "Aamar Pmner Pare Chale Gyelo" belongs to thematic category called :

(A) Puja (B) Vichitra

(C) Pl"ema (D) Swadesh

D-1607

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(A) i!Vo/<: :wlq 'lf''r-'

(CJ mnrr m m ·v;; ill:-'fn

(A) "!:.t

(C) ｾｱ＠

D-1607

(Bl <frm mil '!t1 "'.cy

(D) ｾＴ＠ wit q:>r :::>i';

(B) {;;;:m;;'l

(D) ;;lj<;n

(D) w?w

P.T.O.

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26. Beats in Gajjhampa:

(A) 11

PART- V

PERCUSSION INSTRUMENTS

(B) 13 (C) 15

27. "Durdur" falls under which class of instruments ?

(A) Tatvadya

(C) Sushirvadya

28. Khali is on which beat in Sawari Tal ?

(A) 7

(B) Ghanvadya

(D) Avanaddhvadya

(C) 9

29. Siddhar Khan was pioneer of which Gharana ?

(A) Dilli

(C) Ajrada

(B) Punjab

(D) Farukhabad

30. Dilawar Khan was artiste of which Talvadya ?

(A) Tabla (B) Pakhwaj (C) Dholak

31. Who mastered four major Baag of Tabla?

(A) Mulll1f< Khan

(C) Kale Khan

(B) Ahmad jan Thirkua

(D) Masit Khan

32. Arrange following ]l..fusicologists in chronological sequence :

(i) Sharangdev

(ii) Bharat

(iii) Bhatkhande

(iv) l\1atang

Codes ;

(A) (i) (li) (lii) (lv) ｾＩ＠ (ii) (>) (iv) (iii)

(C) (ii) (iv) (i) (iii) (D) (iv) (ii) (>) (iii)

D-1607 "

(D) 17

(D) 10

(D) Nakkara

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(A) 11

(A) wr ms (C) f1i'-H <iT£

(A) 7

(B) 13

29. fn.;,w wi f<w veA lt· <ifl'-WFE ﾷｾ＿＠

(A) f<:c;;:-TI

(C) <Jl:JPJW

(A) ITW'f

(A) 'J:i'! @i

(C) <f-F) @i

(i) w;fkq

(ii) "'" (iii) "liTW!f%

(iv) wt::

ｾＧ＠(A) (i) (li)

(C) (ii) (iv)

D-1607

(iii) (lv)

(>) (rii)

(C) 15 (D) 17

(B) '7'1 <iT£

(D) iJl?H;,;: <iT£

(C) 9 (D) 10

(B) Tfwq

(D) "F<."WF:ff?:

(D) 'lWHU

(B) ill:t"'f?: Jlf'l f'-!FfiW

(D) 'ff-,1(1" @i

ｾＩ＠ (ii) (i) (iv) (iii)

(D) (iv) (ii) (>) (iii)

" P.T.O.

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33. Who has written the book titled 'Tabla ka Udgam, Vikas Aur Vadanshailian"?

(A) Aban E. Mistry

(C) Anuradha Pal

(B) Yogmaya Shukla

(D) Shobha Kudesia

34. Ustad Hazi Vilayat Ali established which of the following Gharanas ?

(A) Dilli (B) Punjab

(C) Banaras (D) Farukhabad

35. How many beats are there in Basant Tal ?

(A) 7 ｾＩ＠ ' (C) 11 (D) 13

36. In which year Samta Prasad (Gudai J\.faharaj) was awarded Padmabhushan ?

(A) 1972 (B) 1982 (C) 1992 (D) 1998

"· l\1atch the following :

ＨｾＩ＠ Karamtulla Khan (i) Farukhabad Gharana

ｾＩ＠ J\.fasit Khan (ii) Banaras

(c) Kishan l\1aharaj (iii) Punjab

(d) Alla Rakkha Khan (iv) Dilli

Code:

'"' (b) (c) (d)

(A) (ii) (iii) (iv)

"' ｾＩ＠ (i) (li) (lii) (lv)

(C) (iv) (iii) (ii)

"' (D) (i) (lv) (li) (iii)

D-1607 "

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"·

(A)

(A) f<:c;;:.TI

(C) <:['f!{f;

(A) 7

(A) 1972

ｩｬＢ＼ｾ＠ fw¥v4 ·

ＨｾＩ＠ <E"U'fi]:<:.''TI @i

ｾＩ＠ 'f{.,'Tir wi

(c) f<t'fFl 'f('PJ:if

(d) <5!<'<''11 <J!W! &i

ｾＧ＠

'"' (b) (c)

(A) (ii) (ill) (lv)

ｾＩ＠ (i) (li) (iii)

(Q (iv) (ill) (ii)

(D) (i) (lv) (ri)

D-1607

ｾＩ＠

(B) 'f:.rq

(D) "F<."W!<:ff?:

ｾＩ＠ ' (C) 11 (D) 13

(B) 1982 (C) 1992 (D) 1998

(i) 'F<f@l?:f?: 'AH!

(ii) <:r'P::n

(ill) 'f:.TF:l

(iv) f<:c;;:.TI

(d)

(i)

(lv)

(i)

(rii)

" P.T.O.

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"· l\1atch the following :

ＨｾＩ＠ Alia Rakkha Khan (i) Nay an

ｾＩ＠ Gudai l\1aharaj (ii) Kumar Lal

(c) Karamtulla Khan (ill) Zaldr Hussain

(d) Niklill Ghosh (iv) Sabir Khan

Code:

'"' (b) (c) (d)

(A) (ill) (ii) (iv)

"' ｾＩ＠ (ii) (ill) (iv)

"' (C) (i) (li) (lii) (lv)

(D) (iv) (ill) (ii) (i)

39. In Tabla/Pakhwaj SYAHI is made of what on PUDI ?

(A) Coal powder

(C) Iron ore powder

40. Number of J\.fargi Tals ;

(A) 3 ｾＩ＠ '

(B) Wood powder

(D) None of these

(C) 7

41. The meanllig of Layakari of Sawagun;

"·

(A) ' ' l\1atch the following ;

ＨｾＩ＠ Game Khan

ｾＩ＠ Zaldr Hus&rin

ｾＩ＠

(c) Sapan Chaudhari

(d) Sabir Khan

Code:

'"' (b) (c) (d)

(A) (i) (lii) (iv) (li)

ｾＩ＠ (ii) (i) (lv) (iii)

(C) (iv) (ill) (ii)

"' (D) (iv) (i) (li) (iii)

D-1607

(C) ' '

(i) Farukhabad Gharana

(ii) Lucknow Gharana

(ill) Punjab Gharana

(iv) Dilli Gharana

(D) '

(D) ' '

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"·

"·

"·

ｩｬＢ＼ｾ＠ fw¥v4 ·

ＨｾＩ＠ <5!<'<''11 <J!W! &i (i) 'PH

ｾＩ＠ ［ｾ［Ｚｴ＠ 'f(P}:if (ii) <prn: <'1H

(c) <E"U'fi]:<'<''TI @i (ill) :.nf<n: ｾＧｬ＠

(d) ｦＧｬｦｷ＼ｾ＠ ,_p_. (iv) nf<:r<: wi

ｾＧ＠

'"' (b) (c) (d)

(A) (ill) (ii) (lv) (i)

ｾＩ＠ (ii) (ill) (lv) (i)

(Q (i) (li) (iii) (lv)

(D) (iv) (ill) (ii) (i)

ij' ＧｦＺＧＧｾ＠N<'f /'<WFf:if 'PIT 'f{ V.f!tT JtTR; <:f'WT J?

(A) <tT'-Ei <:P 'lU

(C) ;;;<il: dr& <:a 'lU

(A) 3

' (A) -'

ｩｬＢ＼ｾ＠ fw¥v4 ·

ＨｾＩ＠ '74 wi

ｾＩ＠ :.nfw<: "n" ' \\ '

(c) K'Fl W•vt

(d) nf<:r<: wi

ｾＧ＠

'"' (b) (c)

(A) (i) (lii) (lv)

ｾＩ＠ (ii) (i) (iv)

(Q (iv) (ill) (ii)

(D) (iv) (i) (ri)

(B) w;,·Jff <:a qu<:: (D) 'fl{FFl ij i1 if/ft 'lift

ｾＩ＠ ' (C) 7

d ' ｾＩ＠ - (Q -' '

"' 'r<Rm<:r<:: "!{FIT

(ri) <'TW'lif, '7<!'11

(rii) 'fJTF:f '7<!'11

(lv) k<'<''lt '7<!'11

(d)

(li) (rii)

(i) (rii)

D-1607 "

(D) '

' (D) -'

P.T.O.

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43. The author of the book "Bhartiya Sangeet Vadya":

(B) B.C. Dev (A) Acharya Vrihaspati

(C) Lalmani Mishra (D) Girish Chandra Srivastava

44. The author of the book "Talkosh":

(A) Harishchandra Srivastava

(C) Satish Chandra Srivastava

(B) Girishchandra Srivastava

(D) Lalji Srivastava

45. Which Tal is nonnally used in Tappa Gayaki ?

(A) Trital

(C) Tilwada

(B) Punjabi

(D) Deepchandi

46. jhoomra Tal is played with which of the following ?

(A) Dhrupad (B) Vilambit Khyal (C) Dhrut Khyal (D) Thumri

47. How many Beats are there in Ek Tal (Gtatashra jati) of Kamataka Tal Paddhati?

(A) 4 (C) 12 (D) 16

48. What is the fonn of Karnatak Tal "Aath Tal"?

(A) 1 (B) 10 (C) 101 (D) 1100

49. "Nana Panse" played which instrument?

(A) Pakhwaj (B) Tabla (C) Nakkara (D) Dholak

J\.faximum expansion of Peshkar is possible. 50. Assertion (A)

Reason (R) Because other 'Boles' can be used in addition to the 'Boles' used in original work.

(A) (A)istrue(R)isfalse

(C) (A) is true (R) is true

D-1607

(B) (A) is false (R) is true

(D) (A) is false (R) is false

-0 0 0-

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(A) <JVm'-i qzrmf<T

(C) <'VW!fhr fqa

44. "i!I!'Mi:;l " 'J:f.iFt" i't· <fW<t" <t1 '11'1 ·

(A) tf'<:'J+F?' Btm«T<:f

(C) nci:r<x'?' Btm«T<:f

(A) ｦｷｷｾ＠

(C) ｦ＼ｔ＼ｾｭｷ＠

(B) <:ftf.,T kq

(D) f::;:b! '<F?' hlq;gq

(B) f;:;:b!<or'?' hlq;gq

(D) <'lTW<lT Btm«T<:f

(B) Tf:.re:IT

(D) &l<or.cci

(B) fw.1fP:Iil W-IH

(A) ' ｾＩ＠ ' (C) " "· <t"'l\'2:<t" ｩｆｾＧ＠ iJ'\0 fflW <t1 W.f Vf<f'l 'if?

(A) ' ｾＩ＠ '" (C) '"' "· ""fFff ｾＢ＠ W.f q:.r;(l Ｇｾ＠ ?

(A) 'l@Ff:if (B) ilW'TI

"'rn<tn: <t1 n<ffoa· ｦｾＺｾｆｮＺＺ＠ f'h'<:f '&1

(D) "

(D) 1100

50. ftrur;; (A)

<l"'t (R) w.ff<t· 'n <:<x'lf il :I'!U: <:i'rd'i i't· iJ'Ifuf<: u: iJ'I"'.f <:i'rd'i "'' "T :rilr:: f<t"'.f :.r: n<t·m

'&1

(A) (A) ntt (R) rm

(C) (A) ntT (R) ntT

D-1607

(B) (A) rm (R) ntt

(D) (A) rm (R) FW

-0 0 0-

P.T.O.