Hillsong UNITED Production Specs â€“ Rider

HILLSONGUNITED - Production Specs UNITED Youth Conference; Orlando

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Hillsong UNITED

Production Specs – Rider


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UNITED Production Personnel

1. Luke Webb Tour Manager 2. Stephen Pippett Production Manager 3. TBA Monitor Engineer 4. Daniel Silvester Front of House Audio Engineer 5. TBA Video Director and Producer 6. Ian Hendrick Lighting Director / Board Operator 7. TBA Backline Tech 8. Scott Leigertwood Programming Director


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Audio Specs Item Qty Model Required Notes

A FOH SPEAKER SYSTEM • Line source/arrays are preferred, flown to proper trim height and supplied with ‘fills’ for any coverage gaps • Must deliver a clean 116dB ‘C’ weighted at FOH mix position • Ensure system is entirely installed, tested and aligned prior to UNITED crew arrival • The sound system should be considered to be delivering ‘rock event’ SPL, not • Church/Worship SPL. • It should have ample ‘subs’ and generous headroom, otherwise it will likely be damaged.

1 1 Meyer Milo / 700HP subs

2 OR 1 V-Dosc/SB-218 subs

3 OR 1 d&b ‘J’ series with ‘J’ subs

4 OR 1 Adamson Y-10/ T-21 subs

Any substitutes must be approved by

UNITED

B - I FOH CONSOLE (Venues Larger than 8,000)

• Located centre of PA/Audience area, and, where applicable, neither on, nor under a balcony 1 1 Midas XL-4

2 OR 1 Midas Heritage 3000

B - II FOH OUTBOARD (Venues Larger than 8,000) 1 8 dbx 1066 2ch Compressors 2 3 Drawmer DS-201 2ch Gates

3 1 TC-2290 or D-TWO DDL (both T.C. Electronic)

4 1 Lexicon PCM 91 (digital reverb)

5 2 Yamaha SPX-990 (reverb/delay)

B - III FOH CONSOLE (Venues Less than 8,000) • Located centre of PA/Audience area, and, where applicable, neither on, nor under a balcony

1 1 Yamaha PM5D-RH Version 2.06

UNITED will load our data/mix settings

onsite, ensure firmware V 2.06 minimum

C FOH OTHER • Applicable to all venues

1 1 Stereo Mix Buss Graphic Equaliser. KT (Klark Tecknik), XTA , or BSS

2 1 Stereo Mix Buss Compressor. A1 Smart C2, or dbx-160SL

3 1 Pro CD Player

4 1 Pro CD Recorder

5 1 Talk to Stage SM-58s mic


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Item Qty Model Required Notes

D MONITOR CONSOLE • Always located at Stage Left with clear sightlines to entire stage area. • Allow adequate room around for our racks, record setup and guitar tech station.

1 1 Yamaha PM5D-RH Version 2.06

NO SUBSTITUTES, NO NON ‘RH’ MODELS

UNITED will load our data/mix settings onsite, ensure firmware V 2.06 minimum

E MONITOR SYSTEM 1 RF IEM system for selected Band Members UNITED to supply TX and RX units

Operates in the 626-662mhz range. UNITED to supply cabling to the PM5D-RH outputs

2 Hard-Wired IEM system for other Band Members UNITED to supply units. Please allow XLR cable runs for 3 stereo IEM mixes to the Drums, Bass, and Keys positions onstage.

3 6 Low Profile bi-amped monitors. D&b or L’acoustics, or Meyer

4 Sufficient Drive circuits to suit 5 1 Dual 18 inch sub with drive circuit

F BROADCAST AUDIO SYSTEM • We are doing a live Web Stream of the Conference so we will require a separate mix for this purpose. • Located in a separate mix room with sound insulation baffling and curtains etc...

1 1 Digidesign venue system with Protools HD system attached

So we can multitrack record the event

2 2 Genelec 1031A Studio Speakers

3 1 Professional Quality CD Recorder

4 6 Atmos microphones – MK 416’s Only for Broadcast Audio, not the line system. Placement to be determined based on venue survey

G MIC KIT • Ensure all RX units are frequency co-ordinated and tested prior to UNITED crew arrival. • ALWAYS allow spares

1 *See attached list*

2 4 Hand Held Wireless Radio Mics Mics See input patch for details

3 4 Tall boom mic stands with 3/8” thread for UNITED antennae


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Item Qty Model Required Notes

H INTERCOM SYSTEM 1 1 4 wire matrix system is preferred. Coms panels are to be located at

FOH Audio, Monitors, Broadcast Audio, Producer at FOH, Lighting FOH, Lighting Dimmers, Spot lights (standby only), Video Control x2,

2 6 Wireless Intercom beltpacks with headsets interfaced with the main coms system

Please supply batteries for entire event.

3 1 Coms technician to setup and be onsite during the entire conference

I OTHER

• Ensure the Hillsong UNITED’s console’s and line systems are for our use only, no support artists to use please • Ensure a minimum of 2 hours is scheduled for UNITED sound checks

1 1 3 way, 48 line, transformer isolated split. Cable the ‘Direct” to FOH, Iso 1 to Mons, and Iso 2 to Broadcast Audio in a separate room.

2 30 9 volt batteries for Hard Wired IEM packs and Pedal Boards

We may not use all these, but required on standby

3 100 AA batteries for Wireless IEM packs We may not use all these, but required on standby

J CREW • Where applicable, supply local technicians with English language competency skills.

1 1 Dedicated FOH technician to oversee the PA system

2 1 Dedicated Monitor technician to oversee the system

3 1 Broadcast Audio Director to mix the audio feed for the Video Record and also for the Live Web Stream

Must have experience in mixing live music of this scale

4 1 Dedicated Broadcast Audio Record technician to oversee the system

5 1 Dedicated Stage technician to oversee the stage


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Audio Input Patch Line Input Mic/DI Stand FOH Insert Notes

1 Kick 52 Beta 52 Short Boom Gate

2 Kick 91 Beta 91 Gate

3 Snare Top SM-57 Short Boom Gate no clamps please 4 Snare Bottom SM-57 Short Boom Gate no clamps please 5 Snare 2 SM-57 Short Boom Gate top mic'd only 6 Hats E-914 Short Boom 7 Tom 1 E-904 Gate 8 Tom 2 E-904 Gate 9 Tom 3 E-904 Gate 10 Ride E-914 Short Boom under cymbal 11 OH-SR AKG 414 Tall Boom 12 OH-SL AKG 414 Tall Boom 13 Bass DI Active DI Comp 14 Bass Mic M-88/MD-421 Short Boom Comp 15 E Gtr SR 1 SM-57 Short Boom offstage of pair 16 E Gtr SR 2 SM-57 Short Boom onstage of pair 17 E Gtr SL 1 SM-57 Short Boom onstage of pair 18 E Gtr SL 2 SM-57 Short Boom offstage of pair 19 Keys L Active DI Comp 20 Keys R Active DI Comp 21 Click Active DI on drum riser 22 AcGtr 1 Active DI down stage centre 23 AcGtr 2 Active DI down stage centre 24 AcGtr 3 Active DI down stage centre 25 Lead 1 E-935 Tall Boom Comp our supply 26 Lead 2 E-935 Tall Boom Comp our supply 27 Lead 3 E-935 Tall Boom Comp our supply 28 BV 1 SKM-935 Comp our supply 29 BV 2 SKM-935 Comp our supply 30 BV Gtr E-935 Tall Boom Comp via A/B footswitch 31 Guest HH UR2-Beta58A Tall Boom Comp 32 M.C. 1 HH UR2-Beta58A Comp 33 M.C. 2 HH UR2-Beta58A Comp 34 Pastor Phil HH UR2-Beta58A 35 Pastor Brian HH SKM-5200/KK105 36 Pastor Brian H'set SK-50/E6 37 38 39 Ambience SL AKG 414 Tall Boom our supply, need strong mic stand

40 Ambience SR AKG 414 Tall Boom our supply, need strong mic stand

41 MD Talk E-935 (ch30) Tall Boom via A/B footswitch 42 Drum Talk SM-58 Tall Boom 48V required for our mute

43 Mon Talk E-835s at mons, our supply 44 FOH Talk E-835s at FOH, our supply 45 DVD L Active DI from Video control area

46 DVD R Active DI from Video control area

47 Room Mic (House - L) AT-4050 Tall Boom at FOH, to mons and rec only


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48 Room Mic (House - R) AT-4050 Tall Boom at FOH, to mons and rec only


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Monitors Patch - PM5D-RH Mix Output Device Note

1 Drums L PSM-600 HW allow XLR cable run 2 Drums R PSM-600 HW allow XLR cable run 3 Bass L PSM-600 HW allow XLR cable run 4 Bass R PSM-600 HW allow XLR cable run 5 SR Gtr L EW-300IEM G2 6 SR Gtr R EW-300IEM G2 7 SL Gtr L EW-300IEM G2 8 SL Gtr R EW-300IEM G2 9 Keys L PSM-600 HW allow XLR cable run 10 Keys R PSM-600 HW allow XLR cable run 11 12 Drum Sub 1 x Dual 18" set on case directly off riser behind stool 13 BV 1 L EW-300IEM G2 14 BV 1 R EW-300IEM G2 15 BV 2 L EW-300IEM G2 16 BV 2 R EW-300IEM G2 17 Lead 1 L EW-300IEM G2 18 Lead 1 R EW-300IEM G2 19 Lead 2 L EW-300IEM G2 20 Lead 2 R EW-300IEM G2 21 Lead 3 L EW-300IEM G2 22 Lead 3 R EW-300IEM G2 23 FX bus internal

24 DStg Mons 6 x 12" biamp'd all mons from single send, spread evenly

Downstage

Cue L Cue L EW-300IEM G2 Y split into a PSM-600 HW also R Cue R EW-300IEM G2 Y split into a PSM-600 HW also

UNITED carry their own IEM systems, the RF elements operate in the 626-662, and 740-776 mhz range.

Kindly ensure these frequency bands are clear for trouble-free use. The PSM-600 hard-wired units require your supply of 2 x XLR (stereo) cable runs each.

Allow 4 x strong and sturdy 'tall-boom' mic stands for UNITED RF antennae, this is in addition to any other supplied.

Allow also 2 x strong and sturdy 'tall-boom' mic stands for the Ambience mic inputs, they have isolation filters mounted also.

Ensure that the PM5D is indeed an 'RH' model not just the PM5D. Ensure that the PM5D/RH is operating on minimum software ver. 2.06.

UNITED will download their 'mix' data onto the console once onsite. Save any data you wish to keep and initialize the board prior to UNITED’s arrival.


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PLEASE NOTE: this diagram is not correct. It just shows the rough stage layout. Correct version to follow….


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Backline Specs PLEASE NOTE: PLEASE ASK UNITED PRODUCTION MANAGER BEFORE YOU ORGANIZE ANY BACKLINE, AS UNITED MAY POSSIBLY BE TRAVELLING WITH THEIR OWN BACKLINE All equipment listed below is in order of preference, please supply exact models of selections, if first choice is not available use next available selection. All guitar amps are A / A-B class valve. Item Quantity Model Required Notes

A ELECTRIC GUITAR 1 (Stage Left)

• Please supply ONE amp from each list of 4 1 1 Matchless DC 30 OR 1 Mesa Boogie Lonestar 2x12 Combo / 1 Piece only

Not Rectifier OR 1 Orange AD-30 OR 1 Badcat BC-30 AND 2 1 Fender Twin Reverb Must be Fender Twin Reverb NOT

Fender Twin Amp (Preferably ’65 reissue)

OR 1 Fender Deville 2x12 Not Hotrod OR 1 Fender Deville 4x10 OR 1 Fender Bassman Combo

B ELECTRIC GUITAR 2 (Stage Right) • Please supply ONE amp of both these models

1 1 Vox AC-30 TBX Post ’96 UK made only 2 1 Fender Twin Reverb Must be Fender Twin Reverb NOT

Fender Twin Amp (Preferably ’65 reissue)

C BASS GUITAR

• Please supply ONE amp and cabinet from the list 1 1 ASHDOWN EVO 900 + 8x10 cabinet 2 1 ASHDOWN EVO 500 + 8x10 cabinet 3 1 AMPEG SVT Classic + 8x10 cabinet 4 1 AMPEG SVT II + 8x10 cabinet

D GUITARS

Misc 1 1 Multi Guitar Rack Holds 5 or more guitars 2 5 Single Guitar Stands


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Item Quantity Model Required Notes

E PIANO /KEYS

• Should there be a Hammond with a Leslie available at your venue, we would love to use it. • We will be bringing further keyboard racks, desktop modules, and computer that will also patch into the keyboard sub-mixer.

1 1 Roland A90 88 weighted only 2 1 Korg Triton Extreme Non weighted only 3 1 Mackie 1202 VLZ Or similar model Mackie mixer 4 2 Ultimate Support APEX Plus stand With dual arms (2x short 2x long) 5 Sufficient All power / audio / midi leads and pedals to

suit

F - I DRUMS (Right handed player)

5 Piece Kit 1 1 Pearl Masters Kit

F -II DRUMS Sizes

1 1 22” Bass Drum Evans EQ1 Skin 2 1 14” x 6” Snare - Preferably Maple With CS dot Ambassador Skin 3 1 12” x 6” Snare - Auxiliary With stand 4 1 EXTRA snare; Brady 14”x6”, OR

Ludwig “Black Beauty” 14” x 6.5” OR Pearl “Reference series” (Maple) 14”x6”

5 1 each 12”, 14”, & 16” Toms Remo Weatherking Emperor skins F -III

DRUMS Cymbals • All Zildjian

1 3 Crash Cymbals 19” A Custom, 18” K Dark & 18” A Custom

2 1 Ride – 22” A Custom “Sweet Ride” or “A Medium” 3 1 set Hi Hats – 15” Zildjian “New Beat” or

Zildjian “K Heavy” F - IV DRUMS

Misc • Please supply appropriate stands for drums and cymbals. • No racks all toms and cymbals to be hanging from stands and clamps. • No drum screens of any kind, unless the stage is small enough to warrant the use of it.

1 1 Fan 2 1 Drum stool 3 1 Carpet for drum riser

G STAGING RISERS

• Please ensure that there is carpet covering the entire stage performance area including risers. 1 1 8’x8’ (2.4m x 2.4m) riser 2’ – 3’ high

(0.6m – 0.9m) For Drums – Upstage Left Please supply carpet for the top of the riser

2 1 8’x8’ (2.4m x 2.4m) riser 1’ – 2’ high (0.3m – 0.6m)

For Keys – Upstage Right Please supply carpet for the top of the riser


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Lighting Hillsong UNITED will be travelling with a lighting operator for your event. Please ensure that there is a Systems Engineer, who is familiar with your lighting rig, present at the venue at all times. House light control must be from the lighting desk, with the house light system able to be manually dimmed to a full blackout. House lights must be conventional tungsten/halogen fixtures – fluorescent or arc fixtures are not acceptable. A flat tungsten stage wash using Fresnel or PC fixtures must be provided. These lights should be colour-corrected with L203 (¼ CTB) gel. Stage lights must be focussed to allow each person on stage (3 x vox, 2 x guitar, drums, bass, keys) to be individually lit while keeping the rest of the stage in darkness. The entire stage must be evenly backlit with Fresnels corrected with L201 (full CTB). We will not require coloured front light. Lighting control should be located in close proximity to the FOH Audio Mix position, with a clear view to the stage. A single lighting desk should be used for both moving lights and conventional fixtures. Can you please look at replacing the 4 vertical trusses on the lighting plot, with 2 of 6m x 2m Martin LC LED Web or else Versatube strips (20 horizontal strips high – 10 per 1m frame). Both are to be ground supported one of either side of a 9’ heart which is placed upstage centre. They are to pixel mapped as one complete screen with a 3m (9’) space inbetween. The moving lights from the vertical trusses will be relocated not cancelled from the requirement if it goes to LED as the set design. For this design we will also require a Martin Maxedia Media Server to feed the input to the LED panelling.


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Lighting Specs


A OPEN WHITE STAGE WASH 1 10 2000W Fresnels / PCs with barndoors Colour corrected with L203 2 7 1200W Fresnels / PCs with barndoors Colour corrected with L201 3 9 1000W Selecon Pacific 12-28 Zoom Gel L202

B COLOURED STAGE WASH 1 Sufficient Colour Wash – Blue (L079) Par 64 NSP Lamp 2 Sufficient Colour Wash – Yellow (L015) Par 64 NSP Lamp 3 Sufficient Colour Wash – Teal (L116) Par 64 NSP Lamp 4 Sufficient Colour Wash – Red (L025) Par 64 NSP Lamp

C MOVING LIGHTS – PROFILES (No Non-CMY Fixtures) 1 20 Mac 700 2 OR 20 Mac 2000 Woodroffe 3 OR 20 VL2500

D MOVING LIGHTS - WASH 1 18 Mac 700 Wash 2 OR 18 Mac 2000 Wash 3 OR 18 Robe Colourwash 1200AT 4 OR 18 Mac 600NT

E HAZE / FOGG 1 2 Look Solutions “Unique” Hazer 2 2 JEM “ZR33 HiMass” Fogger Only required in outdoor

venues

F BLINDERS 1 10 Molefay 4-Lites Large venues please use 8-

Lites

G LIGHTING CONTROL DESK 1 1 GrandMA V5.8 software or higher 2 OR 2 MA Lights (must be 2 of not just 1) V5.8 software or higher 3 OR 1 Avo Pearl 2004/2008/Expert 4 OR 1 WholeHog III / Hog IPC

H HOUSE LIGHTS 1 Sufficient Manually dimmable tungsten/halogen No preset controllers please

I BACKDROP 1 1 Black drape No light coloured backdrops


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J CREW 1 Sufficient Lighting personnel to setup and packup the

event within the given time constraints

2 1 Lighting systems technician for the entire event

K LED SET DESIGN 1 2 Martin LC LED Web or VersaTube Frames of

dimensions; 6m wide x 2m high 2 separate screens pixel mapped to one input with 3m (9’) gap.

2 sufficient Ground support truss frame to suit LED design 3 1 Martin Maxedia Media server for input to LED 4 1 Folsom ImagePro HD for Down conversion to feed

into the Presentation Video Mixing System

L RIGGING 1 Sufficient Rigging for lamps, conventional and moving 2 4 Vertical Trusses Only if the LED design does not

happen


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Video Due to copyright laws, no portion of the night (music and/or preaching) may be photographed or video / audio recorded by those in attendance and it cannot be reproduced in any form. All camera tapes, masters and program mixes recorded by your TV department must be given to Hillsong UNITED at the end of the event. Detailed information about the worship night including the pre-service playback videos, on stage announcements, set up of projector / screens, recommended camera positions and directing style for the worship and the preaching will be emailed closer to the event date. The scale of this event is such that we require specialized video equipment to make the design happen and give us the flexibility that we require for the event. Please understand that we do not wish to be demanding but the specific model numbers and quantities as not there merely as a guide they are actually required for a particular purpose and therefore we may not be able to compromise on most of this video equipment list. Please let mw know what you can supply and we will work out what needs to be hired in for the event.


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Video Specs Item Quantity Model Required Notes

A SCREENS AND PROJECTORS 1 3 only 20,000 ansi lumen Projectors or greater Ground supported if space in venue

2 3 only 12’ x 20’ Rear Projection Screens (16:9 ratio)

3 screens 8’ above stage, all side by side – directly upstage centre

B CAMERAS 1 Minimum 4 3CCD Widescreen (16:9 ratio) Professional

or Broadcast camera chains with intercom and tally interfaces.

C CREW 1 Full Crew Director, Cam ops, Engineer,

Assistants etc

D VTR’s • Please provide all required tape stock for all VTR’s. • UNITED to take away all masters at completion of event

1 1 min OR

DVCam Record VTR For Program Record, no lyrics With Audio from Broadcast Mix

2 1 min Betacam SP Record VTR For Program Record, no lyrics With Audio from Broadcast Mix

3 1 DVD Recorder For Program Record, With Audio from Broadcast Mix

4 1 DVD Player Audio to go to FOH

E PORTABLE PRODUCTION UNIT 1 1 Camera Vision Mixing System Full SDI (digital video) system for

Program Camera cut,

1 1 2.5 or 3 ME Presentation Vision Mixing System (GVG Kalypso or equivalent)

Full SDI (digital video) system for SDI output to 3 separate Projectors

F PLAYBACK FACILITIES 1 1 Dataon WatchOut System;

With 4 x Folsom ImagePro HD scan converters,

Must have 6 servers, 4 for video, 1 for audio, and 1 production computer for programming. Video servers must have SDI input board, and DVI out to ImagePro’s.

G WORDS SUPERIMPOSED ON SCREENS 1 1 Desktop computer is required that has 3 x

VGA graphic card outputs with 3 x LCD monitors, along with a keyboard and mouse.

UNITED will supply the software to install on the computer for the lyrics. Please make sure this computer also has Microsoft PowerPoint

2 1 3 x Folsom ImagePro HD scan converters 1 for main screen words, 1 for


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for Graphics/Words on screen. foldback words, 1 for Powerpoint


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This shows the stage look from front on. It is not to scale, but gives an idea of what the set design will look like. More diagrams to follow….


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Venue Specs Item Quantity Model Required Notes

A SERVICE TIMES

• Please make sure that we do not start the worship nights later than 1930 and the curfew must be no earlier than 2230. This will ensure that Hillsong UNITED has a minimum of 2 ½ hour worship set, which will include the preaching.

B CONGREGATION • Please be aware that we welcome the congregation to come and worship in front of the stage. • We would prefer to have the floor as general admission with no seating

C END STAGE CURTAIN / BLACK OUT CURTAIN • If the venue is an arena, please make sure you provide an end stage curtain.

D BUS REQUIREMENTS

1 2 Parking spaces for 2 minimum tour buses Can be up to 3. Will advise when doing the advance

2 2 Shore Power for tour buses

E RESOURCE • Hillsong UNITED is to be the sole reseller of Hillsong Resource including Hillsong Church and Hillsong UNITED CD’s DVD’s, T-Shirts, etc.

1 2 Areas to setup stands to sell Resource

2 Sufficient Lighting for the sales areas

3 Sufficient Cash Float

F STAGING

1 1 Minimum size is 50’ wide x 35’ deep Height will vary depending on venue, no lower than 3’ and no higher than 6’ please.

2 If a festival Please provide rolling risers for the Drums and Keys risers.

G SECURITY

1 Sufficient Security venue staff to make sure the people in attendance are safe at all times.

2 Venues larger than

8,000

A crowd barrier in front of stage with a 4’ walkway

Also required for all outdoor events


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Hospitality Item Quantity Model Required Notes

A SIDE OF STAGE (Next to Monitor Desk) 1 48 Bottles of Room Temperature Water Not Evian please

2 10 Fresh hand towels

3 6 Cold Towels Wet and put in the freezer for a few hours would be appreciated

4 6 Cold Cans of Coke

5 sufficient Hot Water and Honey, cups and mixing spoons

B DRESSING ROOM 1 72 Bottles of Room Temperature Water Not Evian please

2 sufficient Hot Water and Honey, cups and mixing spoons

3 sufficient Cold Cans of Coke, Sprite, Dr Pepper and bottles of Assorted Juice

4 sufficient Assortment of Fruit

5 sufficient Light Refreshments Cheese & Crackers, Protein Bars, Muesli or Health Bars, Nuts etc

C HOTEL 1 6 per room

please Bottles of Room Temperature Water Not Evian please

2 A few pieces of fruit per room would also be amazing

D BUS STOCK (only on Bus tours, where applicable) Please provide the following to replenish the bus supplies

1 24 Bottles of Water Not Evian please

2 12 Cans of Coke

3 Misc Cereal, Milk, Fruit for Breakfast the following morning


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D VENUE FACILITIES 1 Free Wireless Internet Access in the

Production Office and all Dressing Rooms For both band and crew

2 2 Male and Female Shower Facilities and clean fresh Bath Towels

3 Sufficient Shower Toiletries Basic soap, shampoo etc.

4 4 Dressing rooms for Hillsong UNITED and Pastors

5 2 Production Office for Hillsong UNITED Team Close proximity to Dressing Rooms

E TRANSPORT 1 1 Vehicle to transport Production team to and

from the venue Usually maximum of 8 people

2 sufficient Vehicles to transport the Worship Team Up to 16 people

3 1 Vehicle to transport Hillsong Pastor

F MEAL HOSPITALITY 1

• Approximately 1 hour before the worship night we would appreciate a light meal provided at the venue. In order to prevent our team eating the same food every night at different host city, It is appreciate if you could follow the day by day dinner options below, If you could provide whatever meal is on the day of our worship night with you that would be great, just means we know we will get a variety throughout the tour. Please contact me if you have any further questions. • All meals to be served with Vegetables and Salad :-

• Monday – Pasta Dishes • Tuesday – Chicken & Steak Dishes • Wednesday – Variety of Indian Dishes • Thursday – Pasta Dishes • Friday – Variety of Thai Dishes • Saturday – Chicken & Steak Dishes • Sunday – Chicken & Fish Dishes

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We will need the following meals supplied at the venues for our Hillsong UNITED Team. Thursday Lunch & Dinner fro set up crew Friday Lunch and Dinner Saturday Lunch and Dinner As well as refreshments provided throughout the day.

Thank you very much for considering these hospitality requests.

Hillsong UNITED Production Specs â€“ Rider

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