HDR Cameras

28
HDR Cameras Linear and non-linear Jari Löytömäki JAI Finland May, 2014

Transcript of HDR Cameras

Page 1: HDR Cameras

HDR CamerasLinear and non-linear

Jari Löytömäki

JAI Finland

May, 2014

Page 2: HDR Cameras

GLOBAL REACH…worldwide operational and commercial presence with distribution to more than 40 countries

Page 3: HDR Cameras

RESEARCH & DEVELOPMENTa unique blend of technologies & competencies

• Area scan and line scan camera technology.

• Analogue-to-digital circuit design.

• Software engineering.

• Image pre-processing techniques.

• High-speed interfaces.

• Optical knowledge.

• Imager and multi-imager technology.

CCD/CMOS

2CCD 3CCD 3CMOS 4CCD 4CMOS

Page 4: HDR Cameras

4

HDR IMAGING TECHNOLOGYIndustrial imaging – non-cooled imaging

High Dynamic Range Imaging (HDR)

Contents

• Large pixels

– Area

– Full well capacity

– Binning

• Multi-images

– Sequential

– Instantaneous

• CMOS multi-slope

Page 5: HDR Cameras

5

WHY HIGH DYNAMIC RANGE?

Imagers show limited dynamic range:

Page 6: HDR Cameras

6

WHY HIGH DYNAMICS RANGE?

Extended dynamic range:

Image fusion, multi-slope or perhapsa large pixel well with low noise.

Page 8: HDR Cameras

8

DYNAMIC RANGEDefinition

The imager dynamic range is given by

Nsat: The amount of electrons collected at pixel saturation level

Ndark: The pixel noise in electrons in dark

𝐷𝑅 = 20 logNsat

Ndark[𝑑𝐵]

Nsat

Ndark

Page 9: HDR Cameras

9

DYNAMIC RANGENon-cooled imagers

Dominating factors

• For low light

– Imager noise and readout noise dominates

– To improve optimize: QE, Pixel Area, Imager Noise, Readout Noise

• For bright light

– Photon and shot noise dominate

– To improve optimize: QE, FWC (Pixel Size)

Page 10: HDR Cameras

10

LARGE PIXELS

5 7 10 14 203.5

400196100492512

pixel size [ µm ]

pixel area [ µm² ]

• One readout amplifier per pixel

• Better response (sensitivity)

– Larger surface area collects more light with same lens F-number

• Larger pixel well capacity

Page 11: HDR Cameras

11

SWEEP SERIESSW-2000 key features

SW-2000

High sensitivity monochrome CMOS line scan camera:

• Based on custom CMOS sensor

• Resolution 2048 pixels

• Pixel size 20 µm x 20 µm

– 60 ke- (responsive mode)

– 360 ke- (high DR mode)

• Maximum line rate 80 klines@12 bit output

• Camera Link, CoaXPress or GigE interface

• Camera settings through interface or

Ethernet port

Page 12: HDR Cameras

12

TWO IMAGER MODESIncreasing the image contrast in low light scenes

HIGH DYNAMIC RANGE MODE

Quantum Well (60 ke-) Quantum Well (360 ke-)

100% black

100% white

255

8-bit depth

resolution

0

RESPONSIVE MODE

BETTER IMAGE CONTAST

IN LOW LIGHT SCENES

Page 13: HDR Cameras

13

TWO SENSOR OPERATION MODEIncreasing the image contrast for bright scenes

HIGH DYNAMIC RANGE MODE

Quantum Well (60 ke-) Quantum Well (360 ke-)

RESPONSIVE MODE

Noise level

Page 14: HDR Cameras

14

PIXEL BINNINGTrend is towards smaller pixels but…

HW binning

• Down to one readout AMP per binned pixel

• 2x2 binning: down to 1

2𝑥2readout noise

Digital binning

• One readout AMP per pixel

• 2x2 binning: down to 1

2𝑥2readout noise

JAI SPARK-5000 CMOS

Page 15: HDR Cameras

15

SPARK SERIESSP-5000 key features

Key features:

ALC - automatic level controlled exposure mode

Built-in LUT for gamma and other transformations

On-chip binning and multi-ROI functions

Selectable P-iris or 3-axis analog lens control standard

In-camera CMOS pattern corrections -> Better image quality

Auto-scaling A/D front-end -> Better control over light

4-channel analog gain section for individual Bayer color control -> Better color control

Color and Monochrome versions

Multiple interfaces -> More choices to fit application requirements

5 MP

2560 x 2048

Up to 250 FPS*

1” CMOS

5.0 µm pixels

Global shutter

*134 fps for PMCL

SP-5000

Page 16: HDR Cameras

16

MULTIPLE EXPOSURES

• HDR mode (high dynamic range) – by adjusting the exposure separately for two images it is

possible to resolve +16 bit by image fusion with good precision dependent on the brightness of

the object.

Page 17: HDR Cameras

17

MULTIPLE EXPOSURESSingle imager

Two or more images shifted in time

– color or monochrome - with different

• Exposure (linear)

• Gain

• Lighting

Followed by image fusion

Sequentially recording requires static or semi-static object

Up to 10 settings in non-volatile memory

Page 18: HDR Cameras

• High speed CCD with excellent image quality.

• Low noise operation.

• Increased sensitivity and better NIR response.

• ALC (Auto Level Control) and P-iris control.

• Programmable 3-axis control for zoom, focus and iris.

• 8/10/12 –bit depth.

• 3 x 8 (24-bit) in-camera color interpolation. (@ 15 fps).

• Horizontal and vertical binning modes for enhanced sensitivity.

• HD-mode.

• Exposure from 1/100,000 to 8 seconds.

• LUT, gamma compensation, shading correction, blemish compensation and more.

• Common JAI SDK and Control Tool.

ELITE SERIESLowest noise and highest sensitivity

KEY FEATURES AT A GLANCE

Based on Sony ICX674

latest EXview HAD CCD II

Technology.

Color & Monochrome versions

2.8 MP

1920 x 1440

54.7 FPS

2/3” quad-tap CCD

EXview HAD II

EL-2800

18

Page 19: HDR Cameras

19

MULTIPLE EXPOSURESMulti-imager

Instantaneous recording - works with moving objects

Two images acquired simultaneously

- color or monochrome - with different

• Exposure (linear)

• Gain

Followed by image fusion

Prism

Page 20: HDR Cameras

20

MULTIPLE EXPOSURES2-CCD/CMOS prism

Visible 1 (transmission)Visible 2 (reflection)

Prism filter characteristics

Page 21: HDR Cameras

21

MULTIPLE EXPOSURE2-CCD camera

AD-132GE

• 2-CCD high dynamic range color camera

• Two Bayer color CCDs (1/3”) mounted on an optical prism

• 1296 x 966 active pixels per channel

• Choice of built-in image fusion or SDK post processing routines

to achieve nearly 120 dB dynamic range

• 31 fps operation for HDR

• Separate high-speed (62 fps) and high S/N modes also included

• GigE Vision/GenICam compliant with 8-bit, 10-bit, or 12-bit per channel output

• Programmable exposure from 11.49 µs to 31.761 ms in one-line increments

• Auto shutter from 1/31 to 1/366 s

• Analog video output for auto-iris lens control

• Programmable 25-in/14-out GPIO module

Page 22: HDR Cameras

22

CMOS HDR modeLinear response

Saturationlevel

Ou

tpu

t si

gnal

# of photons

Page 23: HDR Cameras

23

CMOS HDR modeLinear response

Saturationlevel

Ou

tpu

t si

gnal

# of photons

Page 24: HDR Cameras

24

CMOS HDR modePiecewise linear response – “multi slope mode”

Saturationlevel

# of photons

KneepointSlope 2

Ou

tpu

t si

gnal

Page 25: HDR Cameras

25

CMOS HDR modePiecewise linear response – “multi slope mode”

What about color?

Saturationlevel

# of photons

KneepointSlope 2

Ou

tpu

t si

gnal Kneepoint

Slope 3

Page 26: HDR Cameras

26

HDR FUNCTION*Increasing the dynamic range with multi slope

Original

scene

Exposure time is set so

pixels get enough light

to see details in the

darker areas of the

scene. In areas where

pixels are receiving

more light with risk of

pixel saturation, the

exposure time is

restricted with the

dual slope function.

Resulting

HDR image

SP-20000

*Monochrome only

Vlow

Vhigh

Vlevel-slope3

Vlevel-slope2

Pixel reset Pixel sample

Exposure 2nd kneepoint

Exposure 1st kneepoint

Total exposure time

Blue line

Represents a pixel

on which less light is falling.

Red line

Represents a pixel on which a

large amount of light is falling.

Red dotted line

Part of image with pixel saturation

if not corrected.

Page 27: HDR Cameras

27

SPARK SERIESSP-20000 key features

Key features:

8/10/12-bit output.

In-camera CMOS pattern corrections.

ALC - Automatic Level Controlledexposure mode.

Programmable LUT, gamma correction,flat field correction and blemish compensation

Single and multi-ROI functions.

On-chip HDR functionality

10 μs (1/100,000) to 8 seconds exposure control in 1 μs steps

Color and monochrome versions.

20 MP

5120 x 3840

30 FPS

41 mm CMOS

6.4 µm pixels

Global shutter

True CDS

SP-20000

Page 28: HDR Cameras

Jari Löytömäki

[email protected]

for seeing the possibilities

THANK YOU