Harmony 4 Week 2 1701
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Transcript of Harmony 4 Week 2 1701
Harmony 4 WEEK 2
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• Harmony Project
• Ear Training Project
Harmony 3
Review
Harmony 3 Review
•Dominant function - categories •Primary •Secondary •Extended •Substitute
•Standard Deceptive Resolutions of V7
Harmony 4
Deceptive Resolution of Secondary Dominants
Deceptive Resolution of Secondary Dominants
• When a secondary dominant or a substitute secondary dominant does not resolve to an expected resolution, it is called deceptive resolution
• Deceptive resolution is used in jazz and other popular music styles to create little surprises
• There are four main ways in which deceptive resolution most commonly occurs
1. Secondary: Unexpected quality, expected root
• A secondary dominant can resolve down either a perfect 5th or a half step to an unexpected quality, but an expected root.
• ( ) shows deceptive resolution
• Use either a solid or broken arrow to indicate root motion
2. Secondary: Down 1/2 To Diatonically Related or Non-diatonic
• The secondary dominant resolves down a half step to a diatonically related or non-diatonic chord
• ( ) show’s deceptive resolution
• Broken arrow indicates actual resolution down a half step
3. Substitute: Down a P.5 To Diatonically Related or Non-Diatonic
• The substitute dominant resolves down a perfect 5th to a diatonically related or non-diatonic chord
• ( ) shows deceptive resolution
• Solid arrow show’s root motion down a perfect fifth
4. Unexpected Root Motion, Quality, Function
• Either the root motion, quality, function, or all three are different from the expected resolution
• ( ) shows deceptive resolution
The V7/II resolves deceptively up a half step, imitating the root motion of V7 to bVImaj7
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