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Editorial

harasmivoluntad no tiene publicidadni puta falta que le hacedisfrutala

Rebelión en la granja (en inglés Animal Farm) (1945) es una novela satírica de George Orwell acerca de un grupo de animales en una gran-ja que expulsan a los humanos y crean un sistema de gobierno propio que aca-ba convirtiéndose en una tiranía brutal. Orwell, un socialista democrático y un miembro del Partido Laborista Indepen-diente por mucho años, fue un critico de Joseph Stalin. La novela fue escri-ta durante la segunda guerra mundial y, aunque fue publicada en 1945, no comenzó a ser conocida por el público hasta finales de los años 50. Rebelión en la granja constituye una sátira sobre la corrupción del socialismo soviético en los tiempos de Stalin.

Orwell satiriza el régimen zarista con el señor Jones y la monarquía con los humanos, posteriormente ironiza la re-volución rusa hasta el periodo del es-talinismo. Cronológicamente hablando, El “cerdo mayor” (Mayor), representa a Lenin pues él se cuestiona sobre la situación de su país y crea una doctri-na propia, el es el idealista; siguiendo lo que antes se planteó como la doc-trina socialista de Karl Marx; teniendo en cuenta además que la revolución se produce después de la muerte de Mayor y que este murió apaciblemen-te (Lenin murió antes de que la revo-lución rusa de 1917 se viera consuma-da). El señor Jones sería Nicolás II de Rusia. “Napoleón”, con sus medidas para administrar la granja (apropiadas de Snowball) que servirán para llevar a ésta a la prosperidad (aunque esta sólo

mejorará su propia situación y la de los demás cerdos), y su política de restric-ción de libertades, representa a Stalin.Snowball sería Trotsky, líder militar que posteriormente huye de la granja al ser violentamente perseguido por Na-poleón y cuya sola mención constituye un delito grave. Una vez establecido el poder de Napoleón, todo animal que se considerara peligroso sería ejecutado bajo la acusación de ser seguidor de Snowball. “Boxer”, el caballo, siempre convencido de trabajar más y traiciona-do por Napoleón a pesar de ello, repre-sentaría al proletariado o Stajanov. Las ovejas, analfabetas y acríticas con el régimen, personifican al campesinado. El cuervo Moses representa a la Igle-sia Ortodoxa, pues habla del cielo de los animales y recibe trato favorable de los humanos ya que cumple una labor de apaciguamiento al servicio del señor Jones. El burro “Benjamín” representa a la clase intelectual, quien es conscien-te de las manipulaciones de Napoleón pero no toma cartas en el asunto, limi-tándose a observar sin intervenir. Los perros representan la policía secreta y su brutalidad. En tanto que el cerdo Mí-nimus, el poeta, representa a Vladímir Mayakovski.

También muestra de una manera muy cruda la relación entre animales y seres humanos, dándole a los primeros una personalidad, y poniéndolos al mismo nivel intelectual y racional que el hom-bre, para así representar la brutalidad sufrida por ellos en la Granja.

LSD was first synthesized by Al-bert Hofmann in 1938 from er-got, a grain fungus that typica-lly grows on rye. The short form LSD comes from its early code name LSD-25, which is an ab-breviation for the German “Ly-sergsäure-diethylamid” followed by a sequential number.[3][4] LSD is sensitive to oxygen, ul-traviolet light, and chlorine, es-pecially in solution, though its potency may last for years if it is stored away from light and mois-ture at low temperature.

Physical reactions to LSD are highly variable and nonspecific. The following symptoms have been reported: uterine contrac-tions, hypothermia, fever, eleva-ted levels of blood sugar, goose bumps, increase in heart rate, jaw clenching, perspiration, pupil-dilation, saliva produc-tion, mucus production, slee-plessness, hyperreflexia, and tremors. Some users report a strong metallic taste for the du-ration of the effects. LSD users have reported numbness, weak-ness and nausea.

LSD is not considered addictive by the medical community.

LSD’s psychological effects (collo-quially called a “trip”) vary greatly from person to person, depending on factors such as previous expe-riences, state of mind and envi-ronment, as well as dose streng-th. They also vary from one trip to another, and even as time passes during a single trip. An LSD trip can have long-term psychoemotional effects; some users cite the LSD experience as causing significant changes in their personality and life perspective.

LSD causes expansion and an al-tered experience of senses, emo-tions, memories, time, and aware-ness for 6 to 14 hours, depending on dosage and tolerance. Generally beginning within thirty to ninety mi-nutes after ingestion, the user may experience anything from subtle changes in perception to overwhel-ming cognitive shifts. Changes in auditory and visual perception are typical.[31][33] Visual effects in-clude the illusion of movement of static surfaces (“walls breathing”), after image-like trails of moving ob-jects (“tracers”), the appearance of moving colored geometric patterns (especially with closed eyes), an intensification of colors and bright-ness (“sparkling”), new textures on objects, blurred vision, and sha-pe suggestibility. Users commonly report that the inanimate world appears to animate in an unexplai-ned way; for instance, objects that are static in three dimensions can seem to be moving relative to one or more additional spatial dimensions.

The Thought Police (thinkpol in Newspeak) is the secret police of Oceania in George Orwell’s dysto-pian novel Nineteen Eighty-Four.

It is the job of the Thought Police to uncover and punish thoughtcrime and thought-criminals, using psychology and omnipresent surveillance from te-lescreens to find and eliminate members of society who were capable of the mere thought of challen-ging ruling authority.[1] The government attempts to control not only the speech and actions, but also the thoughts of its subjects, labeling unapproved thoughts with the term thoughtcrime, or, in News-peak, crimethink. It was the Thought Police that had arrested Winston and Julia. The Thought Po-lice operate a false resistance movement in order to lure in disloyal Party members, before arresting them. It is unknown, however, if a genuine resis-tance movement exists. The Thought Police also move among the Proles, spreading false rumors and marking down and eliminating any individual deemed capable of rebellion against the Party or Independent thought. All Party members live their lives under constant supervision of the Thought Po-lice. Every Party member has a Telescreen in his or her home, which the Thought Police uses to obser-ve every single action, and takes note of anything that hints of unorthodox opinions or an inner stru-ggle. When a Party member talks in their sleep, the words are carefully analyzed. The Thought Police also target and eliminate highly intelligent people, since they may come to realize how the Party is exploiting them. An example of this was of Syme, a developer of Newspeak, who, despite his fierce devotion to the Party, simply disappeared one day.

La co presentadora de ‘Sálvame’ rom-pe su silencio tras su operaciónBelén Esteban:

“Ya he hecho el amor con mi cara nueva”

Eufórica y feliz, así se ha mostrado Belén Esteban en sus primeras de-claraciones tras pasar por el quiró-fano. La presentadora asegura estar ansiosa por recuperar su estatus de co - presentadora en ‘Sálvame’ y mostrarnos a la Belén de siempre pero con la cara más guapa que nunca.

Les ha costado pero por fin lo han conseguido, Belén Esteban ha roto su silencio tras la operación a la que se ha sometido. La co - presentadora de ‘Sál-vame’ ha pasado por el quirófano para quitarse las bolsas de los ojos, recons-truirse la nariz y eliminar las arruguitas que tenía junto a los labios. Aún no sabemos cómo es su aspecto pero por sus palabras y su entusiasmo, intuimos que el resultado no podía haber sido mejor. La colaboradora está deseando volver a su programa “Tengo un mono que parece que estoy en Alcatraz aquí

The guilty undertaker sighs,The lonesome organ grinder cries,The silver saxophones say I should refuse you.The cracked bells and washed-out hornsBlow into my face with scorn,But it’s not that way,I wasn’t born to lose you.I want you, I want you,I want you so bad,Honey, I want you.

The drunken politician leapsUpon the street where mothers weepAnd the saviors who are fast asleep,They wait for you.And I wait for them to interruptMe drinkin’ from my broken cupAnd ask me toOpen up the gate for you.I want you, I want you,I want you so bad,Honey, I want you.

Now all my fathers, they’ve gone downTrue love they’ve been without it.But all their daughters put me down‘Cause I don’t think about it.

Well, I return to the Queen of SpadesAnd talk with my chambermaid.She knows that I’m not afraidTo look at her.She is good to meAnd there’s nothing she doesn’t see.She knows where I’d like to beBut it doesn’t matter. I want you, I want you,I want you so bad,Honey, I want you.

Now your dancing child with his Chinese suit,He spoke to me, I took his flute.No, I wasn’t very cute to him,Was I?But I did it, though, because he liedBecause he took you for a rideAnd because time was on his sideAnd because I . . . I want you, I want you,I want you so bad,Honey, I want you

After being marked by the Okhranka (the Tsar’s secret police) for his acti-vities, he became a full-time revolutio-nary and outlaw. He became one of the Bolsheviks’ chief operatives in the Caucasus, organizing paramilitaries, inciting strikes, spreading propagan-da and raising money through bank robberies, ransom kidnappings and extortion.

In the summer of 1906, Stalin ma-rried Ekaterina Svanidze, who later gave birth to Stalin’s first child, Yakov. Stalin temporarily resigned from the party over its ban on bank robberies, masterminded a large raid on a bank shipment resulting in the deaths of 40 people[8] and then fled to Baku, whe-re Ekaterina died of typhus. In Baku, Stalin organized Muslim Azeris and Persians in partisan activities, inclu-ding the murders of many “Black Hun-dreds” right-wing supporters of the Tsar, and conducted protection rac-kets, ransom kidnappings, counterfei-ting operations and robberies.

Stalin was captured and sent to Si-beria seven times, but escaped most of these exiles. After release from one such exile, in April 1912 in Saint Petersburg, Stalin created the news-paper Pravda from an existing party newspaper. He eventually adopted the name “Stalin”, from the Russian word for steel, which he used as an alias and pen name in his published works.