Hammerhead Crane, Garden Island, Sydney · Hammerhead Crane, Garden Island, Sydney—Archival...

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Hammerhead Crane, Garden Island, Sydney Archival Recording Report—Stage One (Prior to Removal) Report prepared for Brookfield Johnson Controls on behalf of the Department of Defence October 2013

Transcript of Hammerhead Crane, Garden Island, Sydney · Hammerhead Crane, Garden Island, Sydney—Archival...

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Hammerhead Crane, Garden Island, Sydney Archival Recording Report—Stage One (Prior to Removal)

Report prepared for Brookfield Johnson Controls on behalf of the Department of Defence

October 2013

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Report Register

The following report register documents the development and issue of the report entitled Hammerhead

Crane, Garden Island, Sydney—Archival Recording Report—Stage One (Prior to Removal), undertaken

by Godden Mackay Logan Pty Ltd in accordance with its quality management system.

Job No. Issue No. Notes/Description Issue Date

13-0156 1 Draft Report for Brookfield Johnson Control review and comment 9 October 2013

13-0156 2 Final Report 16 October 2013

13-0156 3 Revised Final Report 30 October 2013

Quality Assurance

Godden Mackay Logan operates under a quality management system which has been certified as

complying with the Australian/New Zealand Standard for quality management systems AS/NZS ISO

9001:2008.

The report has been reviewed and approved for issue in accordance with the GML quality assurance

policy and procedures.

Project Manager: Julian Siu Project Director: Prof Richard Mackay, AM

Issue No. 3 Issue No. 3

Signature

Signature

Position: Consultant Position: Partner

Date: 30 October 2013 Date: 30 October 2013

Copyright and Moral Rights

Historical sources and reference material used in the preparation of this report are acknowledged and referenced at the end of each section and/or in figure captions. Reasonable effort has been made to identify, contact, acknowledge and obtain permission to use material from the relevant copyright owners.

In accordance with the contract terms for this project GML:

• vests copyright in all material produced by GML (but excluding pre-existing material and material in which copyright is held by a third party) in the client for this project (and the client’s successors in title);

• retains the right to use all the material produced by GML for this project for GML’s ongoing business and for professional presentations, academic papers or publications; and

• waives the Moral Rights of <both GML and the project team members> in this work, in accordance with the (Commonwealth) Copyright (Moral Rights) Amendment Act 2000.

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Hammerhead Crane, Garden Island, Sydney—Archival Recording Report—Stage One (Prior to Removal), October 2013

Contents Page

1.0 Introduction ............................................................................................................................................... 1

1.1 Background ............................................................................................................................................. 1

1.2 Suitably Qualified Experts ...................................................................................................................... 2

1.2.1 Godden Mackay Logan ................................................................................................................... 2

1.2.2 Hyperion Design .............................................................................................................................. 2

1.2.3 RPS Group ....................................................................................................................................... 3

1.3 Authors and Acknowledgements ........................................................................................................... 3

2.0 Vantage Points .......................................................................................................................................... 5

2.1 Identification ............................................................................................................................................ 5

2.2 Representation ........................................................................................................................................ 9

3.0 Photographic Archival Recording ....................................................................................................... 25

3.1 Methodology .......................................................................................................................................... 25

3.2 Equipment ............................................................................................................................................. 25

3.3 Deliverables ........................................................................................................................................... 26

3.4 Repository ............................................................................................................................................. 26

................................................................................................................................................................... 27

4.0 Three Dimensional Laser Scan ............................................................................................................ 67

4.1 Background. .......................................................................................................................................... 67

4.2 Workflow for Virtual Archival Recording .............................................................................................. 67

4.3 Equipment ............................................................................................................................................. 67

4.3.1 Field Equipment ............................................................................................................................. 67

4.3.2 Software ......................................................................................................................................... 68

4.4 Works Completed ................................................................................................................................. 68

4.4.1 Stage 1 ........................................................................................................................................... 68

4.5 Works to be Undertaken ...................................................................................................................... 68

4.5.1 Stage 2 ........................................................................................................................................... 68

4.6 Example Scan Images ......................................................................................................................... 68

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1.0 Introduction

Godden Mackay Logan Pty Ltd (GML) has been commissioned by Brookfield Johnson Controls

(BJC) on behalf of the Department of Defence (Defence) to provide heritage services relating to the Hammerhead Crane removal project, including undertaking the photographic archival recording for

the Hammerhead Crane prior to and during its removal.

This report has been prepared to provide evidence to the Department of Sustainability, Environment, Water, Populations and Communities (DSEWPaC) that an archival recording (in

accordance with condition 8(a) of the approval) has been undertaken prior to the commencement of

removal works. This report includes photographs of the Hammerhead Crane from surrounding

vantage points, photographic archival recording images of and on the crane, and a representative

selection of three dimensional laser scan images.

1.1 Background

In 2012, Defence commissioned Parsons Brinkerhoff and Brookfield Multiplex to prepare an EPBC

Act Referral for the removal of the Hammerhead Crane. Defence determined that the proposed

removal of the Hammerhead Crane was necessary to allow Garden Island to provide training and logistic support, maintenance facilities and berths for major current and future Royal Australian

Navy (RAN) ships home-ported in Sydney, as well as additional berths for other visiting RAN and

foreign warships.

On 15 June 2012, Defence submitted a Referral under Section 68 of the EPBC Act for the removal

of the Hammerhead Crane at Garden Island, FBE Sydney, New South Wales. On 12 July 2012, the

proposed action was determined to be a controlled action by DSEWPaC and as such was required

to be assessed by Preliminary Documentation (EPBC Decision 2012/6430).

On 17 July 2013, the Department of Defence (Defence) received approval from the Minister of

DSEWPaC to remove the Hammerhead Crane located at Fleet Base East, Garden Island, New

South Wales (EPBC 2012/6430).

A series of conditions of consent were stipulated with the approval. Condition 8 stated that:

8. The person taking the action must engage a suitably qualified expert to undertake an archival recording of

the Hammerhead Crane. The archival recording must:

a) provide an accurate record of the Hammerhead Crane as it exists prior to demolition;

b) provide an accurate record of the physical dismantling of the Hammerhead Crane;

c) record all elements or vantage points of the Hammerhead Crane, as identified in accordance with

condition 7(a) of this approval;

d) include (but not necessarily be limited to) photographic recordings, video recordings, and three

dimensional laser scans; and

e) be undertaken in accordance with the measures specified by the relevant NSW guidelines including,

‘How to Prepare Archival Records of Heritage Items’ (prepared by the NSW Heritage Office, 1998).

The archival material must be collated in both digital and physical format that is easy to view and handle, and

that ensures any photographs are unlikely to be damaged in the long term.

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Evidence that the archival recording under condition 8(a) of this approval has been undertaken must be

provided to the Department prior to the commencement of removal works.

Evidence that the archival recording required under condition 8(b) of this approval has been undertaken must

be provided to the Department within one month after having been undertaken.

An accurate record of the physical dismantling of the Hammerhead Crane (in accordance with

condition 8(b) will be undertaken by GML, Hyperion Design and RPS Group during the removal

process (estimated to occur in late 2013/2014). This will include photographic, time-lapse, video

and 3D capture. These will be collected in hardcopy and softcopy formats, and presented the

Archival Recording Report which will be provided to DSEWPaC within one month after having been undertaken.

GML, in collaboration with Hyperion Design, is undertaking photographic and video archival

recording in accordance with condition 8(d).

• The photographic and video archival recording will be undertaken and presented in

accordance with condition 8(e); ie in accordance with the NSW Heritage Council Guidelines – ‘How to Prepare Archival Records of Heritage Items’, and ‘Photographic Recording of Heritage Items Using Film or Digital Capture’ (as referenced in the Defence Heritage Toolkit,

Factsheet E: Archival Recording of Heritage Assets).

RPS Group will be undertaking the three dimensional laser scan of the Hammerhead Crane in

accordance with condition 8(d). GML has not been involved in the actual 3D scanning of the

Hammerhead Crane, however, GML will include the RPS Group output in the Archival Recording

Report.

1.2 Suitably Qualified Experts

1.2.1 Godden Mackay Logan

Godden Mackay Logan (GML) is a leading provider of advisory and research services in environmental heritage, planning, interpretation and archaeology. GML provide expert services that

facilitate the conservation management of all types of heritage. GML have been on the Defence

Environment and Heritage Panel (DEHP) since 2004.

GML has an extensive knowledge of the Hammerhead Crane having provided heritage assessments, expert reports, input into the EPBC Act Referral and specialist and strategic heritage

advice regarding the crane to Defence since 2000.

GML’s project team includes highly experienced heritage consultants with a depth of knowledge about the Hammerhead Crane and its industrial heritage significance and interpretation specialists

with extensive experience in interpretation planning and implementation.

1.2.2 Hyperion Design

Hyperion Design specialises in the archival photographic recording of heritage items, sites,

buildings, environments and moveable objects - including commercial, residential, and industrial

sites. Every archival photography report is completed in accordance with the NSW Heritage

Branch's guidelines.

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Kylie Hilton, and Hyperion Design, have been producing archival records for over thirteen years.

With a focus on the production of comprehensive records and a thorough approach to

documentation, Hyperion Design has established itself as a leader in this specialised field.

Examples of industrial archival recording include the crane at Cockatoo Island and at Goat Island

both on Sydney Harbour.

1.2.3 RPS Group

RPS Group is a global consulting firm providing services in environmental and water management,

heritage consultancy, surveying, urban design and planning, risk and project management. RPS

Group offers state of the art three dimensional terrestrial scanning, surveying, remote sensing and GIS modelling services.

The RPS team members are experts in their fields and have considerable experience in delivering

workable solutions for a range of clients and cultural heritage places throughout Australia and South East Asia.

With over 150 technical and professional surveyors, RPS Group’s past 3D scanning experience

includes Storey Bridge in Brisbane, Lake Victoria Weir in Mildura and the Brisbane Airport Link.

1.3 Authors and Acknowledgements

This report was prepared by Julian Siu, Consultant, GML. The report has been reviewed by Prof

Richard Mackay, AM, Partner of GML.

The photography for the vantage points were undertaken by Cecile Knowles, Graphic Consultant,

GML as part of the Heritage Impact Assessment (HIA) for the removal of the Hammerhead Crane

(dated October 2012).

The photography and compilation of the Stage 1 photographic catalogue was undertaken by Kylie

Hilton, Photographer and Grant Christian, Photographic Assistant, Hyperion Design.

The 3D laser scanning was undertaken by Cameron Miles, Nick McKelvey, Jennifer Colwell and

Ethan Bolstad from RPS Group.

GML acknowledges the assistance of the following people in undertaking the photographic archival recording:

• Steve Hardie, Protek Aust Pty Ltd;

• Adam Rapmund, Revolution Safety; and

• Esti Cogger, Project Manager- Defence, Brookfield Johnson Controls.

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2.0 Vantage Points

2.1 Identification

The following section incorporates material originally prepared by GML for the Heritage Impact

Assessment (HIA) for the removal of the Hammerhead Crane (dated October 2012). To meet the specified requirements for the 2012 Heritage Impact Assessment (which included a visual impact

assessment), the GML project team:

• determined public domain vantage points (shown in Figure 2.1—Vantage Points Map), which

were confirmed by Defence as suitable;

• undertook a site visit on 12 and 13 September 2012 to view and photograph the

Hammerhead Crane in its context;

• undertook photography from the harbour to access the key publically accessible locations

including from commuter and recreational watercraft routes and wharves;

• undertook photography from land-based vantage points which are publically accessible and

popular for tourists and visitors; and

• prepared a table with a photograph from each of the 26 vantage points, including a brief

explanation of the location and the view to the Hammerhead Crane.

Twenty-six vantage points were selected, in consultation with Defence, to illustrate the visual

catchment of the Hammerhead Crane from within and around Sydney Harbour.

The criteria used to select the most relevant vantage points included:

• quantity of observers and duration of observation generally by residents, local Sydney-siders,

tourists for site-seeing and other recreational user;

• visibility/visual prominence of the Hammerhead Crane (including skyline view, backdrop,

screening, etc); and

• accessibility to public land with harbour views and roads and the harbour (for ferry

commuters and leisure craft).

The position of these vantage points was then refined using a combination of topographic map

interpretation and exploration of the surrounding areas by car and on foot, to confirm the most

appropriate locations for photography.

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Figure 2.1 Vantage points used in the visual impact assessment (Source: Google Maps. Graphics: GML)

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2.2 Representation

Refer to the associated map, Figure 2.1, which indicates the location of the vantage points. The

vantage points were chosen because of their public accessibility both from the harbour (referred to as views from the ‘water level’) and from the land or harbour edge.

In the following, table there is a photograph of the Hammerhead Crane from the vantage points and

a description of the view to the Hammerhead Crane in order to make identification easier.

Note that views to the crane change depending on the time of day, weather conditions, and RAN

ships and commercial cruise ships berthed at the Fleet Base East precinct.

View A1—From the deck of the Sydney Harbour Bridge

Vantage Point

The view from this vantage point is taken from the middle of the pedestrian walkway on the Sydney Harbour Bridge.

Substantial numbers of tourists and locals access and view the city from this location. The main focus for viewers is usually the Sydney Opera House, CBD cityscape and the harbour.

View to the Hammerhead Crane

The Hammerhead Crane can be seen above the tree canopy of Mrs Macquarie’s Chair and the Domain—between Farm Cove and Woolloomooloo Bay, and against the building skyline of Point Piper and Darling Point.

While the Hammerhead Crane, its form, structure and details of the steel truss boom and tower are moderately discernible, the focus of viewers’ attention is the Sydney Opera House.

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View A2—under the Sydney Harbour Bridge–image taken at water level

Vantage Point

The view to the Hammerhead Crane is taken at water level, under the Sydney Harbour Bridge.

This vantage point is accessed by ferry passengers travelling to/from Circular Quay, as well as other private and public water crafts.

Hammerhead Crane

The Hammerhead Crane is silhouetted against the sky. It can be seen clearly above the tree canopy of Mrs Macquarie’s Chair and the Domain.

The ‘hammerhead’ form and structure of the steel truss, boom and top of the tower are legible.

View B1—Dawes Point Park

Vantage Point

This vantage point is at the top of Dawes Point Park, under the southern end of Sydney Harbour Bridge. The view is obscured by mature fig trees.

This vantage point is publicly accessible and regularly populated for viewing fireworks and other events in Sydney Harbour.

View to the Hammerhead Crane

The Hammerhead Crane can be seen in some select views through the tree branches, and in the background between the Sydney Opera House and the Royal Botanic Gardens.

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View B2—Dawes Point Reserve– image taken at water level

Vantage Point

This vantage point is at water level, in Campbell’s Cove, between the Park Hyatt Hotel and the Overseas Passenger Terminal at Circular Quay West. The focus of the view is the Sydney Opera House.

This vantage point is accessible to ferry passengers travelling to/from Circular Quay, as well as other private and public water crafts.

A similar view is attainable from the publicly accessible waterfront promenade Circular Quay West–the Rocks.

It is an iconic view of the Sydney Opera House and is sought after by tourists. However, the Hammerhead Crane is generally not the focus of the viewers’ attention.

View to the Hammerhead Crane

The Hammerhead Crane can be seen in the background from this view, between the Sydney Opera House and the Royal Botanic Gardens, viewed against the sky.

The steel truss boom is discernible; however, the tower of the crane is obscured by the tree canopy at Mrs Macquarie’s Chair and the site shed at the Sydney Opera House (Note: this is a temporary site shed in the Sydney Opera House forecourt).

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View C—Sydney Opera House Forecourt

Vantage Point

This vantage point is at the top of the Sydney Opera House steps. The view includes the trees at Mrs Macquarie’s Chair, the waters of Farm Cove and some trees from the Royal Botanic Gardens.

The Sydney Opera House steps are publicly accessible and are often used for performances and events and by tourists to photograph the Sydney Opera House and the CBD. The focus of the view is dominated by Farm Cove and its surrounding landscape of the Royal Botanic Garden and the Domain.

View to the Hammerhead Crane

The steel truss boom of the Hammerhead Crane is visible against the sky, but the tower is obscured by the tree canopy of the Domain.

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View D—view from the Royal Botanic Gardens

Vantage Point

The view from this vantage point is from the Royal Botanic Gardens (Palace Gardens Precinct) adjacent to the Sydney Conservatorium of Music and easily accessible from Macquarie Street. The views of the Hammerhead Crane from the Gardens change throughout.

This site is publicly accessible and frequented by locals, tourists and visitors, plus students and staff from the Sydney Conservatorium of Music.

View to the Hammerhead Crane

The steel truss boom of the Hammerhead Crane is visible against the sky but the tower is obscured by trees from the Gardens.

View E—Farm Cove—image taken at water level

Vantage Point

The view from this vantage point is taken from the water in Farm Cove. A similar view is obtainable from the foreshore walk of the publicly accessible Royal Botanic Gardens.

The foreshore walk is used by locals, tourists and joggers. The view from this side of Farm Cove is of Mrs Macquarie’s Chair but also Garden Island.

View to the Hammerhead Crane

The steel truss boom of the Hammerhead Crane is visible against the sky but the tower is obscured by the tree canopy at Mrs Macquarie’s Chair.

The focus of this view is the tree canopy and the ships at Garden Island Fleet Base.

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View F—Mrs Macquarie’s Chair

Vantage Point

This vantage point is from the northern end of the Domain (Yurong Precinct), on the eastern side of Mrs Macquarie’s Chair.

The area is part of the Royal Botanic Gardens and Domain, is publicly accessible, and is frequented by locals, tourists, and visitors to the Art Gallery of NSW and Andrew (Boy) Charlton Pools.

Views of the Hammerhead Crane and the northern extent of the Fleet Base are obtained through the overhanging tree branches along the cliff edge adjacent to Mrs Macquarie’s Road (the road runs the length of the Domain).

View to the Hammerhead Crane

The steel truss boom and tower of the Hammerhead Crane are clearly visible from this vantage point against the sky. This view is the closest the public can get to the crane without being on a boat. The sheer scale and detail of the steel structure is highly discernible.

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View G—Andrew (Boy) Charlton Pool

Vantage Point

This vantage point is the footpath adjacent to Andrew (Boy) Charlton Pool. A similar view is obtained from within the pool complex (pool and café). There are unobstructed views of the Hammerhead Crane and the Fleet Base.

The path is publicly accessible along Mrs Macquarie’s Road and in regular use. The pool is accessed by members only, while the café is publicly accessible.

View to the Hammerhead Crane

The steel truss boom and tower of the Hammerhead Crane are clearly visible from this vantage point against the sky. The sheer scale and detail of the steel structure is highly discernible.

View H—Woolloomooloo Finger Wharf—image taken at water level

Vantage Point

This vantage point is taken from the water level at the northern end of Woolloomooloo Finger Wharf. The focus of the view is the Hammerhead Crane, Woolloomooloo Bay and the Fleet Base Precinct.

The finger wharf is publicly accessible via the promenade but this view is also obtained by residents of the Woolloomooloo Finger Wharf.

View to the Hammerhead Crane

The steel truss boom and tower of the Hammerhead Crane is clearly visible from this vantage point against the sky. The sheer scale and detail of the steel structure is highly discernible.

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View I—Harry’s Café de Wheels, Woolloomooloo

Vantage Point

This vantage point is in front of Harry’s Café de Wheels. The focus of the view is the Hammerhead Crane and the ships in Woolloomooloo Bay docked at the Fleet Base.

This space is publicly accessible and frequented by patrons of Harry’s Café de Wheels, as well as tourists and locals.

Views to the Hammerhead Crane

The steel truss boom and tower of the Hammerhead Crane is clearly visible from this vantage point against the sky. The sheer scale and detail of the steel structure is discernible to the viewer.

View J—Wylde Street, Potts Point

Vantage Point

This vantage point is taken on Wylde Street, Potts Point, between the Garden Island Naval Base and HMAS Kuttabul.

The footpath is frequently used by Defence personnel who walk between the bases.

View to the Hammerhead Crane

There is limited opportunity (from publicly accessible locations) to see the Hammerhead Crane due to the prevalence of tall buildings and the steep topography.

The steel truss boom of the Hammerhead Crane is clearly visible from this vantage point above Bomera at 1 Wylde Street.

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View K—view from within the Commonwealth Heritage Listed ‘Garden Island Precinct’—Western Wharfage

Vantage Point

This vantage point is from the western wharfage area of the Garden Island precinct, looking south. This view is dynamic and changes with activities along FBE and of the docked RAN and commercial ships.

This vantage points is not publicly accessible and only accessed by Defence personnel and contractors.

View to this Hammerhead Crane

The steel truss boom and a portion of the tower of the Hammerhead Crane are clearly visible from this vantage point against the sky. The detail of the steel structure, its size and scale is easily discernible from this view.

View L—McKell Park, Darling Point—image taken at water level

Vantage Point

This vantage point is from the water-level in the vicinity of McKell Park, Darling Point.

McKell Park is a population location for wedding photographs and for tourists who access water-craft from the public wharf.

This view is available to ferry passengers waiting at the wharf and travelling on the Darling Point Wharf.

View to the Hammerhead Crane

The steel truss boom and a portion of the tower of the Hammerhead Crane are clearly visible from this vantage point against the sky.

The sheer size and scale of the Hammerhead Crane, compared to the scale of the Garden Island Precinct and other individual CHL buildings, is considerable.

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View M—Clark Island—image taken at water level

Vantage Point

This vantage point is from the wharf at Clark Island (at water level). A similar view is available from on Clark Island itself.

Clark Island is a popular National Parks destination for public recreational use and private functions.

View to the Hammerhead Crane

The steel truss boom and a portion of the tower of the Hammerhead Crane are visible from this vantage point as it contrasts with the CBD skyline. At this distance, the form is visible, rather than the detail of the crane.

View N—Rose Bay to Double Bay ferry path—image taken at water level

Vantage Point

This vantage points is from the ferry route—Rose Bay to Double Bay, near Bradley’s Head.

This view is available for ferry commuters as well as people aboard ships coming into Sydney Harbour.

View to the Hammerhead Crane

The steel truss boom and a portion of the tower of the Hammerhead Crane are visible from this vantage point against the CBD skyline; however, due to the distance, it is difficult to distinguish the detail.

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View O—Shark Island—image taken at water level

Vantage Point

The view at this vantage point is taken on the water in the vicinity of Shark Island. A similar view is available from on Shark Island itself.

Shark Island is a popular National Parks destination for public recreational use and private functions.

This view is available for people aboard passenger ships arriving into Sydney Harbour.

View to the Hammerhead Crane

The Hammerhead Crane is visible from this vantage points against the CBD skyline At this distance, the form is visible, rather than the detail of the crane.

View P—Bradley’s Head, Mosman

Vantage Point

This vantage point is from Bradley’s Head Amphitheatre.

It is publicly accessible and frequented by locals and tourists.

View to the Hammerhead Crane

The Hammerhead Crane is visible from this vantage point against the CBD skyline.

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View Q—Taronga Zoo Wharf—image taken at water level

Vantage Point

This vantage point is at water level in the vicinity of Taronga Zoo Ferry Wharf. A similar view is available from the wharf itself and at certain locations within Taronga Zoo.

It is publicly accessible and frequented by locals and tourists.

View to the Hammerhead Crane

The Hammerhead Crane is visible from this vantage point against the CBD skyline.

View R—Cremorne Reserve—image taken at water level

Vantage Point

The view at this vantage point is taken on the water in the vicinity of Cremorne Reserve. A similar view is available from Cremorne Point and the ferry wharf.

It is publicly accessible.

View to the Hammerhead Crane

The steel tower and boom of the Hammerhead Crane are clearly visible from this vantage point against the backdrop of buildings in Potts Point and the sky. The detail of the steel structure, its size and scale is discernible.

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View S—Fort Denison—image taken at water level

Vantage Point

The view at this vantage point is taken on the water in the vicinity of Fort Denison. A similar view is available from Fort Denison itself.

Fort Denison is publicly accessible and often hosts private functions.

View to the Hammerhead Crane

The steel tower and boom of the Hammerhead Crane are clearly visible from this vantage point against the backdrop of buildings in Potts Point and the sky.

View T—Kurraba Point Reserve, Neutral Bay—image taken at water level

Vantage Point

The view at this vantage point is taken on the water in the vicinity of Kurraba Point Reserve, Neutral Bay. A similar view is available from Kurraba Point Reserve and the Kurraba Point Wharf.

This site is publicly accessible.

View to the Hammerhead Crane

The steel tower and boom of the Hammerhead Crane are clearly visible from this vantage point against the backdrop of buildings in Potts Point and the sky. The detail of the steel structure, its size and scale is discernible.

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View U – Kirribilli Wharf—image taken at water level

Vantage Point

The view at this vantage point is taken on the water in the vicinity of Kirribilli Wharf.

This site is publicly accessible.

View to the Hammerhead Crane

The steel tower and boom of the Hammerhead Crane are clearly visible from this vantage point against the backdrop of the sky. The detail of the steel structure, its size and scale is highly discernible.

View V—location of Admiralty House—image taken at water level

Vantage Point

The view at this vantage point is taken from water level in front of Admiralty House, Kirribilli. There are clear views to Garden Island, Mrs Macquarie’s Chair, Royal Botanic Gardens, Farm Cove, the Sydney Opera House, Circular Quay, the CBD and the Sydney Harbour Bridge.

This site is not publicly accessible, but is often hosts dignitaries and acts as a backdrop for publicity photographs.

View to the Hammerhead Crane

The steel tower and boom of the Hammerhead Crane are clearly visible from this vantage point against the backdrop of the sky. The detail of the steel structure, its size and scale is highly discernible.

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View W—Luna Park, Milsons Point—image taken at water level

Vantage Point

The view at this vantage point is taken on the water adjacent to Luna Park. The view includes the Sydney Harbour Bridge, the CBD, Sydney Opera House, and Darling Harbour and Pyrmont (to the west).

This site is publicly accessible.

View to the Hammerhead Crane

The steel tower and boom of the Hammerhead Crane are clearly visible from this vantage points silhouetted against the sky. It is difficult to distinguish the detail of the crane at this distance.

View X—Lavender Bay between Milsons Point and Blues Point—image taken at water level

Vantage Point

The view at this vantage point is taken on the water in Lavender Bay. It has views to the Sydney Harbour Bridge, the CBD, Sydney Opera House, and towards Darling Harbour and Pyrmont.

This site is publicly accessible from the foreshore.

View to the Hammerhead Crane

The steel tower and boom of the Hammerhead Crane are clearly visible from this vantage points silhouetted against the sky. It is difficult to distinguish the detail of the crane at this distance.

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View Y—Blues Point Reserve

Vantage Point

The view at this vantage point is taken from the southern end of Blues Point Road, which has views to the Sydney Harbour Bridge, Sydney Opera House and CBD.

This site is publicly accessible for the foreshore of Blues Point Reserve.

View to the Hammerhead Crane

The Hammerhead Crane is obscured from view by the Sydney Opera House; however, further north, from Blues Point Reserve, the Hammerhead Crane becomes more legible.

View Z—Bradfield Park, Kirribilli

Vantage Point

The view at this vantage point is taken from the southern end of Bradfield Park. It has views to the Sydney Harbour Bridge, the CBD, Sydney Opera House, and towards Darling Point and Point Piper.

This site is publicly accessible from the foreshore of Bradfield Park.

View to the Hammerhead Crane

The steel truss boom of the Hammerhead Crane is clearly visible from this vantage point above the horizon and against the sky.

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3.0 Photographic Archival Recording

3.1 Methodology

The photographic archival recording was undertaken in accordance with the NSW Heritage Council Guidelines – ‘How to Prepare Archival Records of Heritage Items’ and ‘Photographic Recording of Heritage Items Using Film or Digital Capture’ (as referenced in the Defence Heritage Toolkit,

Factsheet E: Archival Recording of Heritage Assets). Only digital capture was undertaken. Film

capture was not undertaken.

The photographic archival recording is being undertaken in a staged approach:

• Stage 1 (Prior to Removal)—was undertaken in June and July 2013, prior to the

commencement of removal works;

• Stage 2 (During Removal)—will be undertaken in late 2013 and 2014 (to be confirmed); and

• Stage 3 (Post Removal)—will be undertaken in late 2014 (to be confirmed).

Kylie Hilton and Grant Christian undertook the photography for Stage 1 over several site visits

during June and July 2013.

The photography included contextual shots of the Hammerhead Crane from Garden Island and

from surrounding vantage points, and detailed shots of components of the crane. Generally the

shots included:

• contextual shots from Fleet Base East, Garden Island and surrounds (eg Woolloomooloo

Wharf and Mrs Macquaries Chair);

• ground level views up to and elevations of the crane;

• detail photographs of the crane (generally) via access directly onto the crane;

• detail photographs of components (such as jib, motor room machinery, slew houses and live

ring); and

• process photographs of the changing of the safety and catch platforms located under the jib

of the Hammerhead Crane.

3.2 Equipment

The photographs were captured using a medium format SLR digital capture. Below is a list of the

standard pieces of equipment used on this project. In some cases, only a selection of the items

listed were utilised, however, all were available if required.

• Cameras: Canon 7D Digital SLR (18.1 Megapixel), Canon 40D Digital SLR (10.2 Megapixel)

and Canon 20D Digital SLR (8.2 Megapixel).

• Lenses: 10mm, 50mm, 18mm-200mm, 20mm-35mm, 28-80mm, 70-300mm and Perspective

Correction.

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• Camera Accessories (as required): Tripod, Flash Units, Scale Rod, Filters (polarising etc) and

Cable and Remote Releases.

3.3 Deliverables

Photography in Stage 1 resulted in 313 photographs of the Hammerhead Crane being captured.

The photographic material is supplemented by a photographic catalogue containing a description of

each image taken and associated reference plans illustrating the position each image was taken

from.

The photographs and photographic catalogue have been compiled in a folder along with three CDs

containing the JPEG and Canon Raw Image (CR2) file format soft copies of the photographs.

Note: All digital images are printed to archival storage requirements as set out in the NSW Heritage

Branch guidelines. All papers and inks used in the folder are acid-free and use archival stable inks.

The deliverables for this stage of works (Stage 1) will also be collated with the deliverables for the following stages of works (Stage 2 and 3) to form part of the ‘Hammerhead Crane, Garden Island, Sydney—Archival Recording Report’.

3.4 Repository

At present, three sets of the Stage 1 folder have been produced. Further copies can be produced when the final repository requirements have been determined.

In accordance with condition 9 of the approval, the archival recording material will be made

available to the public (in perpetuity) at the Royal Australian Navy Heritage Centre on Garden Island and on the internet (location to be determined).

Physical copies are to be provided to the following institutions in accordance with condition 9;

• the National Archives of Australia;

• a local library within the vicinity of the action (City of Sydney); and

• a state or national library within the vicinity of the action (NSW State Library).

It is also advisable that one set be provided to DSEWPaC, and that one set be retained by the client (ie Defence).

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4.0 Three Dimensional Laser Scan

This section is an extract from a ‘Work in Progress Update’ prepared by RPS Group dated 21

October 2013.

4.1 Background.

RPS Group was commissioned by Defence to provide the Three Dimensional (3D) Laser Scan of

the Hammerhead Crane located at the Garden Island Naval Base. The purpose of the 3D Laser

Scan is to provide Defence with an accurate, 3D model of the Hammerhead Crane that can be used initially as an historical record of the state of the crane at the time of the scan, and potentially for

future interpretation purposes.

Due to the nature of the crane itself and access restrictions to some areas of the crane, a two (2) stage approach to the capture was implemented:

• Stage 1 - captured the majority of the Hammerhead Crane as it stands including some of the

surrounding context; and

• Stage 2 - (yet to be undertaken) will capture elements that could not be accessed in Stage 1

due to Workplace Health and Safety restrictions or existing crane components prohibiting

clear vision and making scanning at that time not viable.

4.2 Workflow for Virtual Archival Recording

Stage 1 – Data Collection and Verification.

• Initial data capture of the crane in situ. This initial work captured the bulk of the data for the

crane, additional visits, during Stage 2, will be required to scan and capture information on

inaccessible areas.

Stage 2 – Data Processing

• Processing of the point-cloud data obtained to date. Where possible as much of the

scaffolding and non-original elements will be trimmed from the model.

Stage 3 – CAD Model Development

• Creation of a 3D CAD model of the crane.

4.3 Equipment

The first stage of 3D Laser Scanning (on site and for processing) was undertaken using the

equipment and software listed below.

4.3.1 Field Equipment

• Leica ScanStation P20:

− RIEGL VZ;

− NODAL Ninja;

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− Pentax K5 ii medium format Digital SLR; and

− Trimble S8 1” 1mm Total station.

4.3.2 Software

• Leica Geosystems HDS Cyclone;

• RIEGL Riscan PRO; and

• PTgui.

4.4 Works Completed

4.4.1 Stage 1

As of October 2013, Stage 1 has been completed; this comprised the capture of one hundred and nineteen (119) 3D scans, the placement of two hundred and fifty six (256) reference targets and the

capture of approximately nine hundred and fifty (950) images.

Additional items will require further scanning during the deconstruction phase of this project, the core areas are listed below.

• Roller system beneath the Slew ring;

• Slew Motor Room;

• Drivers Cabin; and

• Personnel hoist.

4.5 Works to be Undertaken

4.5.1 Stage 2

Access to the Hammerhead Crane is again required during the deconstruction phase in order to

undertake Stage 2 of the laser scanning.

The initial processing of the pointcloud has been completed. Progress images of this pointcloud can

be seen in this report.

RPS Group is currently producing a Leica Trueview product of scans captured to date. The CAD

model development (Stage 3) has begun however significant progress cannot be reported at this

point.

4.6 Example Scan Images

The following pages contain a representative collections of images to demonstrate the areas of the

Hammerhead Crane that were laser scanned in Stage 1 (ie a majority of the crane and

components), and the level of detail achieved at a contextual, macro and micro level.

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Figure 4.1 Hammerhead Crane in Context at Fleet Base East (Source: RPS Group, October 2013)

Figure 4.2 Eastern Elevation (Source: RPS Group, October 2013)

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Figure 4.3 Western Elevation (Source: RPS Group, October 2013)

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Figure 4.4 Southern Elevation (Source: RPS Group, October 2013)

Figure 4.5 Northern Elevation (Source: RPS Group, October 2013)

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Figure 4.6 Eastern view of Jib (Source: RPS Group, October 2013)

Figure 4.7 Western View of Jib (Source: RPS Group, October 2013)

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Figure 4.8 Top view. (Source: RPS Group, October 2013)

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Figure 4.9 Slew Ring East (Source: RPS Group, October 2013)

Figure 4.10 Slew Ring West (Source: RPS Group, October 2013)

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Figure 4.11 Sectional View of the Machine Room (Source: RPS Group, October 2013)

Figure 4.12 Hook Block & Trolley (Source: RPS Group, October 2013)

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Figure 4.13 Hook Block and Trolley Northern Elevation (Source: RPS Group, October 2013)