Guitar Lovers Studies Funk Rhythm Guitar 5a.è. A. 7. 7th. ı ı. 0ä 0è .ä 0 0 0 . 0. D. 7/9....

25
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Transcript of Guitar Lovers Studies Funk Rhythm Guitar 5a.è. A. 7. 7th. ı ı. 0ä 0è .ä 0 0 0 . 0. D. 7/9....

  • Thomas Schilling

    edited by

    Guitar Lovers

    Theory, Tunings, Exercises

    S tud ies

    Demo Version Requires Adobe Reader or PDF Expert to play audio

    mailto:[email protected]://www.guitar.ch/en-us/www.guitar.chNotizThis is a demo version.Only the first few pages of each chapter can be viewed and printed.

  • Theory Note Location 4

    Modes + Scales 5

    Modes • Major Scale 6

    Modes • Minor Scale 7

    Modes • Harmonic Minor 8

    Modes • Melodic Minor 9

    Intervals • 0-11 Half Steps 10

    Intervals • 12-23 Half Steps 11

    Degrees • Two Voices 12

    Degrees • Three Voices 12

    Degrees • Four Voices 13

    Degrees • Five Voices 13

    Degrees • Six Voices 14

    Degrees • Seven Voices 14

    Chord Formula 15

    Writing Chord Progressions 16

    Rhythm Chart • Song Title 18

    Tunings Open A 20

    Open G 21

    Open E 22

    Open D 23

    Analysis 24

    Exercises Rhythm Basics 26

    Funky Rhythms 27

    Funk Rhythm Guitar 28

    Alternate Picking 32

    Finger Mathematics 34

    Note Location On Fretboard 35

    Open Chord Progressions 36

    Major Arpeggio 37

    Major 7th Arpeggio 38

    Major 9th Arpeggio 39

    Dominant 7th Arpeggio 40

    Dominant 9th Arpeggio 41

    Minor Arpeggio 42

    Minor Major 7th Arpeggio 43

    Minor 7th Arpeggio 44

    Minor 9th Arpeggio 45

    Minor 7b9th Arpeggio 46

    Diminished Arpeggio 47

    Minor 7b5th Arpeggio 48

    49

    50

    Table Of Contents

    Version 5.5

    All Rights Reserved

    Thomas Schilling © 2020

    www.guitar.ch

    Other Publications

    Page Index

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  • Theory

  • Note Location String By String

    4

  • Major

    I ionian 1 2 3 4 5 6 j7

    II dorian 1 2 m3 4 5 6 b7

    III phrygian 1 b2 m3 4 5 b6 b7

    IV lydian 1 2 3 #4 5 6 j7

    V mixolydian 1 2 3 4 5 6 b7

    VI aeolian 1 2 m3 4 5 b6 b7

    VII locrian 1 b2 m3 4 b5 b6 b7

    Natural Minor

    I aeolian 1 2 m3 4 5 b6 b7

    II locrian 1 b2 m3 4 b5 b6 b7

    bIII ionian 1 2 3 4 5 6 j7

    IV dorian 1 2 m3 4 5 6 b7

    V phrygian 1 b2 m3 4 5 b6 b7

    bVI lydian 1 2 3 #4 5 6 j7

    bVII mixolydian 1 2 3 4 5 6 b7

    Harmonic Minor

    I aeolian j7 1 2 m3 4 5 b6 j7

    II locrian j6 1 b2 m3 4 b5 6 b7

    bIII ionian #5 1 2 3 4 #5 6 j7

    IV dorian #4 1 2 m3 #4 5 6 b7

    V phrygian j3 1 b2 3 4 5 b6 b7

    bVI lydian #2 1 #2 3 #4 5 6 j7

    VII mixolydian #1 #1 2 3 4 5 6 b7

    Melodic Minor

    I ionian b3 1 2 m3 4 5 6 j7

    II dorian b2 1 b2 m3 4 5 6 b7

    bIII lydian #5 1 2 3 #4 #5 6 j7

    IV lydian b7 1 2 3 #4 5 6 b7

    V mixolydian b6 1 2 3 4 5 b6 b7

    VI aeolian b5 1 2 m3 4 b5 b6 b7

    VII super locrian b4 1 b2 m3 b4 b5 b6 b7

    (= altered 1 b9 #9 3 b5 #5 b7)

    Half Step/Whole Step 1 b2 m3, 3 #4 5 6 b7

    (= 1 b9 #9, 3 #4 5 6 b7)

    Whole Step/Half Step 1 2 m3 4 b5, #5 6 j7

    Whole Tone 1 2 3 b5, #5 b7

    Diminished 1 m3 b5 bb7

    Augmented 1 3 #5

    Modes + Scales

    Interval Relationships

    5

  • 6

    Modes • Major Scale

    Ionian

    I1

    & .2

    .3

    .4

    .5

    .6

    .j7

    .1

    .

    Dorian

    II1

    & .2

    .m3

    .4

    .5

    .6

    .b7

    .1

    .

    Phrygian

    III1

    & .b2

    .m3

    .4

    .5

    .6

    .b7

    .1

    .

    Lydian

    IV1

    & .2

    .3

    .#4

    .5

    .6

    .j7

    .1

    .

    Mixolydian

    V1

    & .2

    .3

    .4

    .5

    .6

    .b7

    .1

    .

    Aeolian

    VI1

    & .2

    .m3

    .4

    .5

    .6

    .b7

    .1

    .

    Locrian

    VII1

    & .b2

    .m3

    .4

    .b5

    .6

    .b7

    .1

    .

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

  • Modes • Minor Scale

    7

    Aeolian

    I

    1

    & .2

    .m3

    .4

    .5

    .6

    .b7

    .1

    .

    Locrian

    II

    1

    & .b2

    .m3

    .4

    .b5

    .6

    .b7

    .1

    .

    Ionian

    bIII1

    & .2

    .3

    .4

    .5

    .6

    .j7

    .1

    .

    Dorian

    IV1

    & .2

    .m3

    .4

    .5

    .6

    .b7

    .1

    .

    Phrygian

    V1

    & .b2

    .m3

    .4

    .5

    .6

    .b7

    .1

    .

    Lydian

    bVI1

    & .2

    .3

    .#4

    .5

    .6

    .j7

    .1

    .

    Mixolydian

    bVII1

    & .2

    .3

    .4

    .5

    .6

    .b7

    .1

    .

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

    1

    ⁄2

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  • Tunings

  • Open A

    (E2, A2, E3, A3, C#4, E4)

    I II III IV V VI VII VIII IX X XI XII XIII XIV XV

    I II III IV V VI VII VIII IX X XI XII XIII XIV XV

    I II III IV V VI VII VIII IX X XI XII XIII XIV XV

    I II III IV V VI VII VIII IX X XI XII XIII XIV XV

    I II III IV V VI VII VIII IX X XI XII XIII XIV XV

    Position 1

    Position 2

    Position 3

    Position 4

    Position 5

    20

    1

    1

    m3

    m3

    3

    3

    3

    5

    5

    5

    5

    b7

    b7

    b7

    1

    1

    1

    m3

    m3

    3

    3

    5

    b7

    b7

    b7

    1

    1

    1

    3

    3

    5

    5

    b7

    1

    m3

    m3

    m3

    3

    3

    3

    5

    5

    b7

    b7

    1

    1

    m3 3

    5

    5

    5

    b7

    b7

  • Open G

    (D2, G2, D3, G3, B3, D4)

    I II III IV V VI VII VIII IX X XI XII XIII XIV XV

    I II III IV V VI VII VIII IX X XI XII XIII XIV XV

    I II III IV V VI VII VIII IX X XI XII XIII XIV XV

    I II III IV V VI VII VIII IX X XI XII XIII XIV XV

    I II III IV V VI VII VIII IX X XI XII XIII XIV XV

    Position 1

    Position 2

    Position 3

    Position 4

    Position 5

    21

    1

    1

    m3

    m3

    3

    3

    3

    5

    5

    5

    5

    b7

    b7

    b7

    1

    1

    1

    m3 3

    m3 3

    5

    b7

    b7

    b7

    1

    1

    1

    3

    3

    5

    5

    b7

    1

    m3

    m3

    m3

    3

    3

    3

    5

    5

    b7

    b7

    1

    1

    m3 3

    5

    5

    5

    b7

    b7

  • Open E

    (E2, B2, E3, G#3, B3, E4)

    I II III IV V VI VII VIII IX X XI XII XIII XIV XV

    I II III IV V VI VII VIII IX X XI XII XIII XIV XV

    I II III IV V VI VII VIII IX X XI XII XIII XIV XV

    I II III IV V VI VII VIII IX X XI XII XIII XIV XV

    I II III IV V VI VII VIII IX X XI XII XIII XIV XV

    Position 1

    Position 2

    Position 3

    Position 4

    Position 5

    22

    1

    1

    1

    m3

    m3

    m3

    3

    3

    3

    3

    5

    5

    5

    b7

    b7

    1

    1

    m3

    m3

    m3

    3

    3

    3

    5

    b7

    b7

    1

    1

    3

    3

    3

    5

    5

    5

    b7

    1

    m3

    m3

    3

    3

    5

    5

    5

    b7

    b7

    b7

    1

    1

    1

    m3 3

    5

    5

    b7

    b7

    b7

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  • Exercises

  • 1$ .è 0ä 0è 0ä . 0 0 0 . 0 0 0 . 0 0 0 $

    2$ 0è 0ä .è 0ä 0 0 . 0 0 0 . 0 0 0 . 0 $

    3$ 0è .ä 0è 0ä 0 . 0 0 0 . 0 0 0 . 0 0 $

    4$ 0è 0ä 0è .ä 0 0 0 . 0 0 0 . 0 0 0 . $

    5

    Combinations$ .è 0ä .è 0ä . 0 . 0 . 0 . 0 . 0 . 0 $

    6$ .è .ä 0è 0ä . . 0 0 . . 0 0 . . 0 0 $

    7$ .è 0ä 0è .ä . 0 0 . . 0 0 . . 0 0 . $

    8$ 0è .ä .è 0ä 0 . . 0 0 . . 0 0 . . 0 $

    9$ 0è 0ä .è .ä 0 0 . . 0 0 . . 0 0 . . $

    10$ 0è .ä 0è .ä 0 . 0 . 0 . 0 . 0 . 0 . $

    11$ .è .ä .è 0ä . . . 0 . . . 0 . . . 0 $

    12$ .è .ä 0è .ä . . 0 . . . 0 . . . 0 . $

    13$ .è 0ä .è .ä . 0 . . . 0 . . . 0 . . $

    14$ 0è .ä .è .ä 0 . . . 0 . . . 0 . . . $

    Combinations

    Rhythm Basics

    26

  • Funky Rhythms

    27

    1$ .è 0ä 0è .ä 0 0 0 0 . 0 0 . 0 0 0 0 . . 0 0 0 0 0 0 . . 0 0 0 0 0 0 $

    2$ 0è .ä 0è .ä 0 0 0 0 0 . 0 . 0 0 0 0 0 . . 0 0 0 0 0 0 . . 0 0 0 0 0 $

    3$ .è .ä .è .ä 0 . 0 . 0 0 0 0 0 0 0 . . . . 0 . . . 0 0 0 0 0 0 0 0 $

    4$ .è 0ä 0è .ä 0 0 . 0 0 0 0 0 . . 0 0 . 0 0 . 0 0 . 0 0 0 0 0 0 0 0 0 $

    5$ .è 0ä 0è .ä 0 0 0 . 0 . 0 0 0 0 0 0 0 . . . 0 . 0 . 0 0 0 0 0 0 0 0 $

    6$ .è 0ä .è 0ä 0 . 0 . 0 0 0 0 0 0 0 0 . 0 . 0 0 . 0 . 0 0 0 . . 0 0 0 $

    7$ .è 0ä 0è 0ä 0 0 0 0 0 0 . 0 0 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 $

    8$ 0è .ä 0è 0ä 0 0 0 0 0 . 0 0 0 0 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 . 0 0 $

    9$ 0è 0ä .è 0ä 0 0 0 0 0 0 . 0 0 0 0 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 . 0 $

    10$ .è .ä .è .ä 0 . 0 . 0 0 0 0 . . 0 0 . 0 . 0 0 . 0 . 0 0 0 0 0 . 0 0 $

    11$ .è .ä 0è .ä 0 0 . . 0 . 0 0 . . 0 0 . . 0 . 0 0 . . 0 . 0 0 . 0 0 0 $

    12$ .è .ä .è .ä 0 . 0 . 0 0 0 . . . 0 0 . . . . 0 . 0 . 0 0 0 . . 0 0 0 $

    13$ 0è 0ä .è 0ä . 0 0 0 . . 0 . 0 0 . . 0 0 . 0 . 0 0 0 . . . . 0 0 0 . $

    14$ .è .ä 0è .ä 0 0 . . 0 0 0 0 . . 0 0 . . 0 . 0 0 . . 0 . 0 0 . 0 0 0 $

    .

  • Funk Rhythm Guitar1 of 4

    1a .èA

    7

    5thı ı0ä 0è .ä 0 0 0 0 .

    D7/9

    4thı0 0 . 0 0 0 0 .

    A7

    5thı ı. 0 0 0 0 0 0 .

    D7/9

    4thı. 0 0 0 0 0 0

    1b .èA

    7

    7thı ı0ä 0è .ä 0 0 0 0 .

    D7/9

    9thı0 0 . 0 0 0 0 .

    A7

    7thı ı. 0 0 0 0 0 0 .

    D7/9

    9thı. 0 0 0 0 0 0

    2a 0èA

    7

    10thı ı.ä 0è .ä 0 0 0 0 0

    D7/9

    11thı ı. 0 . 0 0 0 0 0

    A7

    10thı ı. . 0 0 0 0 0 0

    D7/9

    11thı ı. . 0 0 0 0 0

    2b 0èA

    7

    14thı ı.ä 0è .ä 0 0 0 0 0

    D7/9

    14thı. 0 . 0 0 0 0 0

    A7

    14thı ı. . 0 0 0 0 0 0

    D7/9

    14thı. . 0 0 0 0 0

    3a .èA

    7

    10thı ı.ä .è .ä 0 . 0 . 0

    D7/9

    9thı0 0 0 0 0 . 0 .

    A7

    10thı ı. . . 0 . . . 0

    D7/9

    9thı0 0 0 0 0 0 0

    3b .èA

    7

    7thı ı.ä .è .ä 0 . 0 . 0

    D7/9

    7thı0 0 0 0 0 . 0 .

    A7

    7thı ı. . . 0 . . . 0

    D7/9

    7thı0 0 0 0 0 0 0

    4a .èA

    7

    5thı ı0ä 0è .ä 0 0 . 0 0

    D7/9

    4thı0 0 0 . . 0 0 .

    A7

    5thı ı0 0 . 0 0 . 0 0

    D7/9

    4thı0 0 0 0 0 0 0

    4b .èA

    7ı ı0ä 0è .ä 0 0 . 0 0

    D7/9ı0 0 0 . . 0 0 .

    A7ı ı0 0 . 0 0 . 0 0

    D7/9ı0 0 0 0 0 0 0

    28

    Funk Rhythm Guitar

  • Funk Rhythm Guitar

    5a .èA

    7

    7thı ı0ä 0è .ä 0 0 0 . 0

    D7/9

    7thı ı. 0 0 0 0 0 0 0

    A7

    7thı ı. . . 0 . 0 . 0

    D7/9

    7thı ı0 0 0 0 0 0

    2 of 4

    0

    5b .èA

    7

    10thı ı0ä 0è .ä 0 0 0 . 0

    D7sus2

    9thı ı. 0 0 0 0 0 0 0

    A7

    10thı ı. . . 0 . 0 . 0

    D7sus2

    9thı ı0 0 0 0 0 0 0

    6a .èA

    7

    14thı ı0ä .è 0ä 0 . 0 . 0

    Dadd 9

    14thı ı0 0 0 0 0 0 0 .

    A7

    14thı ı0 . 0 0 . 0 . 0

    Dadd 9

    14thı ı0 0 . . 0 0 0

    6b .èA

    7

    10thı ı0ä .è 0ä 0 . 0 . 0

    D7/9

    11thı0 0 0 0 0 0 0 .

    A7

    10thı ı0 . 0 0 . 0 . 0

    D7/9

    11thı0 0 . . 0 0 0

    7a .èA

    7

    7thı ı0ä 0è 0ä 0 0 0 0 0

    D7sus2

    9thı ı0 . 0 0 0 0 0 .

    A7

    7thı ı0 0 0 . 0 0 0 .

    D7sus2

    9thı ı0 0 0 . 0 0 0

    7b .èA

    7

    5thı ı0ä 0è 0ä 0 0 0 0 0

    D7/9

    7thı ı0 . 0 0 0 0 0 .

    A7

    5thı ı0 0 0 . 0 0 0 .

    D7/9

    7thı ı0 0 0 . 0 0 0

    8a 0èA

    7

    6thı ı

    .ä 0è 0ä 0 0 0 0 0D

    7/9

    4thı ı. 0 0 0 0 0 0 0

    A7

    6thı ı

    . 0 0 0 . 0 0 0D

    7/9

    4thı ı. 0 0 0 . 0 0

    8b 0èA

    7

    2ndı ı

    .ä 0è 0ä 0 0 0 0 0D

    7sus2ı ı. 0 0 0 0 0 0 0

    A7

    2ndı ı

    . 0 0 0 . 0 0 0D

    7sus2ı ı. 0 0 0 . 0 0

    ı ı

    Funk Rhythm Guitar 29

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  • 37

    Major Arpeggio

  • 38

    Major 7th Arpeggio

  • Major 9th Arpeggio

    39

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  • 49

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  • 50

    Page Index

    1 Studies

    2 Table Of Contents

    3 Theory

    4 Note Location String By String

    5 Modes + Scales

    6 Modes • Major Scale

    7 Modes • Minor Scale

    8 Modes • Harmonic Minor Scale

    9 Modes • Melodic Minor Scale

    10 Intervals • 0–11 Half Steps

    11 Intervals • 12–23 Half Steps

    12 Degrees • Two Voices

    12 Degrees • Three Voices

    13 Degrees • Four Voices

    13 Degrees • Five Voices

    14 Degrees • Six Voices

    14 Degrees • Seven Voices

    15 Chord Formula

    16 Writing Chord Progressions

    18 Song Title

    19 Tunings

    20 Open A

    21 Open G

    22 Open E

    23 Open D

    24 Tunings • Analysis

    25 Exercises

    26 Rhythm Basics

    27 Funky Rhythms

    28 Funk Rhythm Guitar

    32 Alternate Picking

    34 Finger Mathematics

    35 Note Location On The Fretboard

    36 Open Chord Progressions

    37 Major Arpeggio

    38 Major 7th Arpeggio

    39 Major 9th Arpeggio

    40 Dominant 7th Arpeggio

    41 Dominant 9th Arpeggio

    42 Minor Arpeggio

    43 Minor Major 7th Arpeggio

    44 Minor 7th Arpeggio

    45 Minor 9th Arpeggio

    46 Minor 7b9th Arpeggio

    47 Diminished Arpeggio

    48 Minor 7b5th Arpeggio

    49 Other Publications

    50 Page Index

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    StudiesTable Of Contents

    TheoryNote Location String By StringModes + ScalesModes • Major ScaleModes • Minor ScaleFULL VERSION:Modes • Harmonic Minor ScaleModes • Melodic Minor ScaleIntervals • 0–11 Half StepsIntervals • 12–23 Half StepsDegrees • Two VoicesDegrees • Three VoicesDegrees • Four VoicesDegrees • Five VoicesDegrees • Six VoicesDegrees • Seven VoicesChord Formula Writing Chord ProgressionsSong Title

    TuningsOpen AOpen GOpen EFULL VERSION:Open DTunings • Analysis

    ExercisesRhythm BasicsFunky Rhythms Funk Rhythm GuitarFULL VERSION:Alternate PickingFinger MathematicsNote Location On The FretboardOpen Chord Progressions

    Major ArpeggioMajor 7th ArpeggioMajor 9th ArpeggioFULL VERSION:Dominant 7th ArpeggioDominant 9th ArpeggioMinor ArpeggioMinor Major 7th ArpeggioMinor 7th ArpeggioMinor 9th ArpeggioMinor 7b9th ArpeggioDiminished ArpeggioMinor 7b5th Arpeggio

    Other Publications Page Index