gsfadfasfad

2
Planning the front cover image Agency Name Model Michael Knowles. Camera height/angle/distance Street-scapes, long range images. Location Construction sights, late night scenes, industrial areas, futuristic settings. Lighting/Macro/Flash Dark lighting, moody, foggy, night-photography, mellow, misty. Mise-en-scene (incl. props, costume) Streets, street-lamps, lampposts, benches, railings, industrial buildings, construction sights. Background Sky, city-scapes, buildings, late-night streets. Attempted connotation Dark, moody atmosphere. Ambience, mellowness, late-night tales- esque. Street lamp, misty, early hours, solidarity, silence of the night. Planned denotation It’s at night, early morning hours, nobody around, silence. Contingency (in case of model absence/weather) Purely atmospheric images in a Photoshop compilation with editing. Alternate angle N/A Thinking points: Rule of thirds, Dark background shots, night time.

description

fdsdsfsdfds dsfdsfdsf

Transcript of gsfadfasfad

Page 1: gsfadfasfad

Planning the front cover image

Agency Name

Model Michael Knowles.

Camera height/angle/distance Street-scapes, long range images.

Location Construction sights, late night scenes, industrial areas, futuristic settings.

Lighting/Macro/Flash Dark lighting, moody, foggy, night-photography, mellow, misty.

Mise-en-scene (incl. props, costume) Streets, street-lamps, lampposts, benches, railings, industrial buildings, construction sights.

Background Sky, city-scapes, buildings, late-night streets.

Attempted connotation Dark, moody atmosphere. Ambience, mellowness, late-night tales-esque. Street lamp, misty, early hours, solidarity, silence of the night.

Planned denotation It’s at night, early morning hours, nobody around, silence.

Contingency (in case of model absence/weather) Purely atmospheric images in a Photoshop compilation with editing.

Alternate angle N/A

Thinking points: Rule of thirds, Dark background shots, night time.

Comments: I am going to be mainly taking photos by chance rather than planning a specific model and scene. This will mean I get much more spontaneous images than will be much more specific and unique for my magazine cover. I will carry my camera around with me the majority of the time and be on the lookout for opportunities to take images to use in compositions on Photoshop as my magazine front cover.