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GRADUATE_PORTFOLIOBrandon M. ScottB.SCI.ARCH, M.ARCH.
RESUME/ CV
To attain a challenging position within the field of Architecture that utilizes my strong technical skills, my leadership qualities, innovative design capabilities, and current knowledge and educational background; this position will allow me to make a positive contribution to your organization and will lead to a lasting and influential relationship in the field of Architecture.
OBJECTIVE
(Adobe Suites: Photoshop, Illustrator, InDesign), Knowledge of Rhino, Sketchup, AutoCAD 2D Drafting, Revit 2010, Artlantis 3 Rendering, Laser and 3D Prototype Printer, Sketching, Oil painting, Photography, Graphic Design, Model building.
SKILLS
DigiLab Mentor, Birmingham City University (BIAD) Jan 2013 - May 2013Key Roles:• Researching efficient methods of executing detail 3D prototyping/ laser cutting. • Maintaining & operating the newly attained Architectural Digital Tools Laboratory and A0/A1 Cannon 9590 Plotters. • Mentor to undergrad/ graduate students in the procedures & bene-fits of laser cutting/ 3D Prototyping.
Architectural Designer, OBM International, Bermuda June 2010 – September 2012Key Roles:• Accountable for small design decisions on numerous projects over the course of the year.• Preparation of construction documents for planning submission. • Translating schematic sketches and concepts into AutoCAD 2D drafting. • Transferring Sketches/ 2D drawings into 3D models via Sketchup. Resulting in material experimentation, proportion considerations, product selection, and shadow studies.• Utilization of 3D models in creating flythrough animations via Artlantis 3.0, requested for client meetings. • Tasked as minute keeper for numerous design process meetings between all members of the project’s schematic design stage. (I.e. electri-cal, structural engineers, architects, & client).• Student Leader of the Institute of Bermuda Architects (Student Chapter) (IBA(S))
Intern, OBM International, Bermuda July 2008 – June 2010Key Roles:• Co-organizer of the 2009 Summer Architecture Student National Trust Survey Program.• Translating schematic sketches and concepts into AutoCAD 2D drafting on a number of projects. • Transferring Sketches/ 2D drawings into 3D models via Sketchup. Resulting in material experimentation, proportion considerations, product selection, and shadow studies.• Introducing and operating archive document scanning for future digital records. • Preparation and delivery of construction documents for planning submission.
Laborer, RMS Construction, Bermuda June 2006 – July 2008Key Roles:• Responsible for fundamental tasks around the site such as mortar/ concrete mixing, block and slat cutting, and cleaning.• Regarded as one of the hardest working laborer/ mason assistant in the organization.
EXPERIENCE
01
DigiLab Mentor, Birmingham City University (BIAD) Jan 2013 - May 2013Key Roles:• Researching efficient methods of executing detail 3D prototyping/ laser cutting. • Maintaining & operating the newly attained Architectural Digital Tools Laboratory and A0/A1 Cannon 9590 Plotters. • Mentor to undergrad/ graduate students in the procedures & bene-fits of laser cutting/ 3D Prototyping.
Architectural Designer, OBM International, Bermuda June 2010 – September 2012Key Roles:• Accountable for small design decisions on numerous projects over the course of the year.• Preparation of construction documents for planning submission. • Translating schematic sketches and concepts into AutoCAD 2D drafting. • Transferring Sketches/ 2D drawings into 3D models via Sketchup. Resulting in material experimentation, proportion considerations, product selection, and shadow studies.• Utilization of 3D models in creating flythrough animations via Artlantis 3.0, requested for client meetings. • Tasked as minute keeper for numerous design process meetings between all members of the project’s schematic design stage. (I.e. electri-cal, structural engineers, architects, & client).• Student Leader of the Institute of Bermuda Architects (Student Chapter) (IBA(S))
Intern, OBM International, Bermuda July 2008 – June 2010Key Roles:• Co-organizer of the 2009 Summer Architecture Student National Trust Survey Program.• Translating schematic sketches and concepts into AutoCAD 2D drafting on a number of projects. • Transferring Sketches/ 2D drawings into 3D models via Sketchup. Resulting in material experimentation, proportion considerations, product selection, and shadow studies.• Introducing and operating archive document scanning for future digital records. • Preparation and delivery of construction documents for planning submission.
Laborer, RMS Construction, Bermuda June 2006 – July 2008Key Roles:• Responsible for fundamental tasks around the site such as mortar/ concrete mixing, block and slat cutting, and cleaning.• Regarded as one of the hardest working laborer/ mason assistant in the organization.
Birmingham City University, Birmingham, UK Sept. 2011 – June 2013M.Arch – Master of Architecture (RIBA Part II) - CommendationModules: Speculations I & II (Istanbul Thesis trip), Thesis (grade 62%), Tectonics, Management, Practice, & Law, Architectural Theory, CoLab (Will Alsop Exhibition).
Ryerson University, Toronto, ON, Canada Sept. 2006 – June 2010 B.Sci. Arch. – Bachelors of Architectural Science. Modules: Structures, Theory I, II, & III, Construction Law, Architectural History, Digital Tools, Design Studio, Glass in Architecture.
Ontario College of Art and Design, Toronto, ON, Canada Sept. 2005 – June 2006 Studied Graphic Design prior to the pursuit of Architecture. Modules: Art History, 3D Modeling (Physical), Drawing the Line, Computer Graph-ics.
EDUCATION
• DigiLab Mentor 2013 – tasked in mentoring Architectural students on the processes necessary for 3D prototyping and laser cutting. • Leader of the IBA(S) (Institute of Bermuda Architects ‘Student chap-ter’)• Organizer of the 2012 IBA(S) Design Competition (Summer 2012). Responsible for marketing, contacting sponsors, inviting dignitaries, graph-ics, competition parameters, including site, scale, deliverables and dead-lines. Introducing and operating archive document scanning for future digital records. • Organizer of two IBA(S) student site trips to Waterloo House construction site, and The King Edwards Memorial Hospital site. (Summer 2012).
LEADERSHIP
2012 IBA Design Competition Awarded a monetary prize for 2nd place from the Institute of Bermuda Archi-tects (student Chapter).
2009 Ryerson University Wood Shelter Competition ‘Picnic shelter, ’ second place. Awarded a monetary prize for second place in the wood design competition for Ryerson University.
2008 Wood Works Competition ‘Picnic shelter marketing plan’, first place. Awarded a monetary prize for tying first place in the marketing plan for a wood picnic shelter for the Ontario Wood Works Competition.
2008 Ryerson University Wood Shelter Competition‘Picnic shelter’, first place. Awarded a monetary prize for first place in a wood design competition for Ryerson University. (This winning shelter was built on the Ryerson Campus.)
AWARDS & ACHIEVEMENTS
‘The Ministry of Freedom’ (Thesis Project), Istanbul, Turkey September 2012 – June 2013 • 6th year design Thesis project being located in Istanbul, Turkey required a design unit (Design Agents) trip allowing us to identify a viable scenario guiding our speculation of the future of Turkey, leading us in creat-ing a timeline which our projects could be based.
Will Alsop’s ‘Box of Delights’, ‘The Public’, West Bromwich, UK January 2012 – March 2012 • Privileged to work along side the world-renowned Architect, Will Alsop in composing and executing an exhibition located at ‘The Public’ in the town of West Bromwich, UK.
‘The Living Wall’, ‘The Public’, West Bromwich, UK March 2012 – June 2012 • Participated in a team effort with collaboration with the ‘The Public’ curator (Graham Peet) in designing, testing, and constructing an original installation piece to be exhibited.
NOTABLE PROJECTS
Photography, Videography, Video editing, Sketching, Model Building, Muay Thai, Music, Astronomy, History.
INTERESTS
16 Bowes Lane, Sandys, Bermuda MA01 Phone: +1 441 234 3096 Mobile: +1 441 531 0517 Fax: +441 234 3102 E-Mail: [email protected]
CONTACT
02
TRAVELS
What is Architecture? To me, Architecture is not just the drawing of lines on a sheet of paper, a perception commonly possessed by todays layman. A profession unmindful to most. Architecture, is the way we live, it creates and governs lives on a macro and micro level. From a single family dwelling to the masterplan of a major metropolis. It provides experiences, memories, and opportunities for all those who dwell in or around it.
VIEW
Pompeii, Italy Rome, Italy Vatican City, Italy
Geneva, SwitzerlandGranada, Spain
Venice, Italy
Montreal, CanadaParis, France Istanbul, Turkey
Tuscany, Italy Napoli, ItalyPisa, Italy
London, England
Montreal, Canada
Napoli, Italy
TABLE OF CONTENTSresume/cv travels artwork critical urbanism (year 5)
TABLE OF CONTENTS
01 03 07 09
critical urbanism (year 5) synergies (year 5) IBA stage competition tectonics (thesis) speculations (thesis)09 11 15 17 19
CRITICAL_URBAN MASTER PLANburton-on-trent
This page holds a collection of images of my groups masterplan model for the town of Burton-upon-Trent. the model is at a scale of 1:500, it was made using a CNC Router and the selection of material we felt best represented our overall scheme. The concept is based on the way hops grow naturally around a steak. The town was divided into five zones, each holding its own importants to the overall masterplan.
02
BLUELIGHT_CENTERburton-on-trent
progessional models
during the early stages of the year, we were given the task of developing a master-plan for the brewing capitol of the United Kingdom, Burton-up-on-trent. This master-plan was conceived after a series of site visits and experiential studies conducted on the population of the small town. Its major failures that we attempt-ed to address with our masterplan were; a major lack of identity. We addressed this by creating a homogone-ous building layout and type. no sense of place. once you arrive to the town, their are no visual stimulants that lead you to a particular direction. This was solved through implementing a grande green boulovard that cuts through the existing town and creates a visual focal point down to the river trent. along this green strip are shops, cafes, park entertainment, farmers markets, and the relocation of b u r t o n - u p o n - t r e n t college and library. these issues lead me to select the burton-up-on-trent railway station as my site to develop further as it is in major disrepair being called the uk’s worst railway station by the burton mail. the station and is currently being renovat-ed by network rail and has put a 700, 000 project in repairing it.
view from public space visual of holding cell view down east walkway
progessional models
exploded axo of buildingsecond floor plan
first floor plan
during the early stages of the year, we were given the task of developing a master-plan for the brewing capitol of the United Kingdom, Burton-up-on-trent. This master-plan was conceived after a series of site visits and experiential studies conducted on the population of the small town. Its major failures that we attempt-ed to address with our masterplan were; a major lack of identity. We addressed this by creating a homogone-ous building layout and type. no sense of place. once you arrive to the town, their are no visual stimulants that lead you to a particular direction. This was solved through implementing a grande green boulovard that cuts through the existing town and creates a visual focal point down to the river trent. along this green strip are shops, cafes, park entertainment, farmers markets, and the relocation of b u r t o n - u p o n - t r e n t college and library. these issues lead me to select the burton-up-on-trent railway station as my site to develop further as it is in major disrepair being called the uk’s worst railway station by the burton mail. the station and is currently being renovat-ed by network rail and has put a 700, 000 project in repairing it.
Following the selection of my program It became clear that all functions involved in an Emergency Service head quarters share a common field of work of either preseving, protecting, or reviving human life. This is why my design concept is entirely based on the human anatomy. Seen from my design process and development, the concept was taken from a literal stand point to a more theoretical and more practical approach to the requirements of the town. As this building acts as a gateway and a nerve center for burton-upon-trent and the National Forest its appear-ance portrays its role in the region. Accommodations were once stacked in a hiearchy resembling that of the human body. Then evolved to accomodate that of the publics connection to the actual services of the building.
As this Emergency Service Headquarters sits as the gateway to the town of Burton as well as the National Forest, its role as a major nerve center or rather the heart of the region can be portrayed as just that. The form is to resemble the organic subjects in which its purpose is to preseve, protect, and revive burton-upon-trent inhabitants. welcome to the lifegate of burton-upon-trent.
FRONT STREET STAGE‘REDESIGNING BERMUDA’S PERFORMANCE SPACE’
STORAGE
1/16” = 1’-0”
SECTION
STAGE LEVEL
STAGE
STORAGE
DRESSING RM
FRONT STREET
WHEEL CHAIRRAMP
HAMILTON HARBOUR
STAIRS
STAIRS
STAIRS
STAIRS
STAIRS
STAIRS
HAMILTON HARBOUR
FLOOR PLAN AT GRADE
FLOOR PLAN AT SUBGRADE
1/16” = 1’-0”
1/16” = 1’-0”
FLOOR PLANS
FRONT STREET STAGE‘REDESIGNING BERMUDA’S PERFORMANCE SPACE’
NORTH ELEVATIONWEST ELEVATION1/16” = 1’-0” 1/16” = 1’-0”
DESIGN CONCEPT
the main idea of this design is to maintain a sense of simplicity in appearance, materiality, and maintenance, while still addressing the key issues of the existing stage.
the concept is that of a morphed cantenary arch that spans from the center of the stage on on either side to the sidewalk on the front street side to the edge of the stage on the other. This allows complete transparency, maintaining or rather creating a visual connec-tion to the hamilton harbour. The symetry of the design allows the performance to be viwed and enjoyed from a wider angle down front street, and by the mariners in the harbour, introducing a whole new way of utilizing the stage.
exterior concrete panel
kingspan insulation
stainless steel truss
stainless steel ‘L’ bracket
interior terracotta panel
TECTONICS (thesis)‘ministry of freedom’istanbul, turkey
The concept behind the cladding intricate pattern is in relation to the turkish rug. What determines a a turkish rugs value is predominently the time in which it took to make, the thread count, and occasionaly the region of the country in which it was made. This floral pattern which can be seen covering the majority of the building is that to resemble a high quality turkish rug, for this floral pattern is often found on high quality rugs with a thread count of 150 tpi and higher. This in turn suggests the importance of this building to the turkish nation and its position in the gover-ment and power of its people.
This pattern changes depending on its location throughout the program as spaces considered less important are given a more solid/ smooth appearance and treatment.
PART C - MODEL ATMOSPHERIC VISUAL
MATERIAL STUDY
exterior concrete panel
kingspan insulation
stainless steel truss
stainless steel ‘L’ bracket
interior terracotta panel
CONCEPT
PART A - CONSTRUCTION PROCESS PHOTOGRAPHYstep 1 . CNC machine for palster molds . step 2 . laser cutting floral turkish rug pattern for bottom of plaster molds . step 3 . asemble already cutout MDF plaster molds . step 4 . varnish molds to prevent plaster from adhearing to porous MDF . step 5 . prepare modlds for plaster pouring with clay to prevent leaks, and anchor bolt supports . step 6 . mix and pour plaster into molds . step 7 . remove mold from cured plaster . step 8 . size all tubular steel for truss . step 9 . angle and align steel to proper dimensions . step 10 . weld steel together . step 11. attatch plaster mold onto frame . step 12 . attach king span insulation . step 13 . build stand so model can stand up right..
PART B - PHYSICAL MODEL
PART B - PHYSICAL MODEL
THESIS PROJECT‘ministry of freedom’istanbul, turkey
With the newly incorporated Turkish Point System, aimed at evaluating “Turkishness” throughout the country, a governing body is generated in managing the success of this Article 301.1 amend-ment. With the speculation of an increase in anarchism and attempts at disrupting what can be considered a new form of segregation, this governing body is in requirement of a facility that will act as an authority head in enforcing, investigating, and awarding matters concerning “Turkishness”.
THESIS STATEMENT
32
29
2830
3122
12 2
2
3
45
6
7
8
910
1011
13 1212
14
1516
2120
1918
17
25
24
23
26
3334
35
36
37
27
Visual of the turkishness call center
16
1113
12
15
14
7
6
542
1
3
89
1O
1516
1417
1819
1213
1110
97
8
56
2
1
3
4
7
8
9
1011
45
2
1
6
1
234
5
6
138
9
1011
12
14
1516
17
7
BASEMENT FLOOR PLANscale: 1:200
FIRST FLOOR PLANscale: 1:200
GROUND FLOOR PLANscale: 1:200
SECOND FLOOR PLANscale: 1:200
THIRD FLOOR PLANscale: 1:200
ELEVATIONS
east elevation south elevation west elevation
1 cell2 showers3 kitchen4 security office5 armory6 main court room7 witness waiting room8 archieves9 judge’s chambers10 jury room11 seating area12 front foyer13 small courtroom14 female washroom15 male washroom16 meeting room17 suspects holding room
1 meeting room2 interview room3 plant room4 queue room5 viewing room6 custody office7 custody waiting rm8 evidence room9 loaading 10 debriefing room11 fingerprinting12 prep room13 admin office14 waiting area15 male washroom16 female washroom17 security room18 male washroom19 female washroom20 baggage storage21 security counter22 atrium23 mail room24 file room25 human resources26 call center27 accountants office28 female washroom29male washroom
30 plant room31 zone verification32 call center33 meeting room34 meeting room35 meeting room36 meeting room37 waiting area
1 prayer room2 storage 3 office4 criminal justice off.5 general admin.6 sun space7 assembly room8 male washroom9 female washroom10 library11 turkishness review board12 female washroom13 male washroom14 plant room15 alt sinif office16 olymayan office
1 prayerroom2 office3 office4 general admin5 male washroom6 female washroom7 storage8 office9 major incident room10 meeting room11 conference room12 turkishness advisor13 office14 varlik office15orta sinif
16 yuksek sinif17 male washroom18 female washroom19 plant room
1 board room2 general admin3 general admin4 crime investigation5 office6 rooftop terrace7 canteen8 front-of-house9 kitchen10 dry storage11 cold storage
As part of the design agents speculations part one we decided to divide the scenario into two opposing sides. That of the state and that of the people. The state speculated that in the years to come certain changes will occure. Changes that are said to be in the best interest of the people. From what has been in existence long before Erdogen was elected president Turkey was given an article 301 which states the following
1. A person who publicly denigrates Turkishness, the Republic or the Grand National Assembly of Turkey, shall be punishable by imprisonment of between six months and three years.
2. A person who publicly denigrates the Government of the Republic of Turkey, the judicial institutions of the State, the military or security organizations shall be punishable by imprisonment of between six months and two years.
3. In cases where denigration of Turkishness is committed by a Turkish citizen in another country the punishment shall be increased by one third. Expressions of thought intended to criticize shall not constitute a crime.We the state wish to enforce this article further and incorporating a Turkish point system where points can be accumulated in order for us to evaluate the level of turkishness any citizen has. During this new amendment to article 301 the points can be monitored online and can be accumulated by day to day Turkish acts such as purchasing good manufactured in Turkey.
SCENARIO
PLANS
PEDESTRIAN FLOW VIEWS VEHICULAR FLOW BUILDING HEIGHTS EDGESLOWMEDHIGH
PERMIABLESEMI-PERMIABLE
SOLID
1 STOREY4 STOREY6 STOREY7 STOREY
600
600
600
800
800
800
1000
1000
1000
1200
1200
1200
1400
1400
1400
1600
1600
1600
APRIL
AUGUST
DECEMBER
SHADOW STUDY
SITE ANALYSIS
2
3
1
45
45
3
2
2
3
1
4
2
1
3
4
5
6
7
1
23
3
21
FOURTH FLOOR PLANscale: 1:200
FIFTH FLOOR PLANscale: 1:200
SIXTH FLOOR PLANscale: 1:200
SEVENTH FLOOR PLANscale: 1:200
EIGHTH FLOOR PLANscale: 1:200
EASTscale 1:250
west elevation north elevation
SOUTHscale 1:250
WESTscale 1:250
NORTHscale 1:250
1 prayer room2 comm. control dept.3 meeting room4 constables office5 directors office6 seating area7 meeting room
1 general admin2 audio/video surveillance dept.3 audio/video surveillance dept.4 male washroom5 female washroom
1 private dining area2 kitchen3 dry storage4 seating area
1 gymnasium2 male washroom3 female washroom
1 male change rm2 female washroom3 rec room
200,400
200,620
200,500
Jan Feb March April May June July Aug Sept Oct Nov Dec
200,480
200,460
200,440
200,420
200,380
200,600
200,580
200,560
200,540
200,520
200,580
200,560
200,640
200,360
200,340
200,320
+10
+3-5
-33 +4+7
+10+10
+10
+13
+11+23
MONTHS
POIN
TS
+10 points for riding public transportation every day of the month.
+13 points for purchasing Turkish products made and grown in Turkey.
+3 points for reporting a anti-turkey status on facebook.
+23 points for employing 10 Turkish workers at your firm.
-5 points for spiting in public
-33 points for participating in an anti-social media ban protest.
+4 points for holding the door open for a member of the AKP.
+7 points for purchasing Turkish products made and grown in Turkey.
+33 points for participating in an pro Article 301.1 campaign.
+10 points for purchasing a locally manufactured vehicle.
-3 points for not flying Turkish Airlines when leaving the country
-20 points for getting caught using the social network facebook.
ORTA SINIF
ALT SINIF
YUKSEK SINIF
A+ 500,000
300,000
200,000
0
-20,000
20,000
40,000
60,000
80,000
100,000
120,000
140,000
160,000
180,000
200,200
200,400
200,600
200,800
300,200
300,400
300,600
300,800
400,000
400,200
400,400
400,600
400,800
500,200
500,400
500,600
A
B
C
2012
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
2027
2028
2029
2030
2031
2032
2033
2034
2035
2040
2036
2037
2038
2039
2041
2042
2043
2044
2045
2046
2047
2048
2049
2050
2051
2052
2053
2054
2055
2056
2057
2058
2059
2060
2061
2062
2063
2064
2065
2066
2067
2068
2069
2070
2071
2072
2073
2074
2075
2076
2077
2082
2078
2079
2080
2081
2083
2084
2085
2086
YEARS
POIN
TS
VARLIK
OLMAYAN TÜRK
Administration - point system
Judicial Zone - Decisions of Turkishness
Enforcment Zone- Response to anti-turkish matters
ZONES301.1.1 [Turkish Reward System] to regulate what it is to be Turkish by reward-ing pro-turkish citizens. All ID cards must be on person at all times to maintain that rewards are correct.
The images to the right are visualizations of hos the state envisioned this point system being utilized. every citizen can access and monitor their turkisk points via the web. with certain points the citizen is given certain privledges and awards.
this point system can also be used to track anyone in the country.
ARTICLE 301.1
ONLINE
SUSPECT TRACKING
YEARLY EXAMPLE
section b-b
west facade visual public space landscaping visual
exterior visual
VISUALS
Since a carpet is more of a work of art, each design has a deeper meaning. A carpet is more likely to a poem; neither can tolerate any extra element which does not contribute to its wholeness and value.
Therefore, just like in a poem, each pattern of a carpet is like each verse of a poem.It is chosen for its beauty and motifs are carefully arranged to form rhymes of fascinat-ing Turkish Carpets. Motifs in Turkish rugs are a complete language.
Typically, higher knot counts are found in rugs with which have floral or curvilinear patterns. The higher knot count allows leaves, flowers and curvilinear patterns to be woven in a complex manner and the curves to be formed more elagance and beauty.
As the geometric shapes tend to have straight lines and angles, rugs with geometric patterns do not require many knots per square inch. Pattern type and desired design assigns the knot size. The knots size do not determine the quality of the oriental rug by itself!
DESIGN DRIVERS