GRAAD 12 SENIOR CERTIFICATE...

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SENIOR CERTIFICATE EXAMINATION

ENGLISH HOME LANGUAGE P2

2015

MARKS: 80

TIME: 2½ hours

This question paper consists of 25 pages.

GRAAD 12

English Home Language/P2 2 DBE/2015 SCE


INSTRUCTIONS AND INFORMATION 1. Read this page carefully before you begin to answer the questions. 2. Do not attempt to read the entire question paper. Consult the table of contents

on page 4 and mark the numbers of the questions set on texts you have studied this year. Thereafter, read these questions and choose the ones you wish to answer.

3. This question paper consists of THREE sections:

SECTION A: Poetry (30 marks) SECTION B: Novel (25 marks) SECTION C: Drama (25 marks)

4. Answer FIVE questions in all: THREE in SECTION A, ONE in SECTION B

and ONE in SECTION C as follows:

SECTION A: POETRY

PRESCRIBED POETRY – Answer TWO questions. UNSEEN POETRY – COMPULSORY question. SECTION B: NOVEL Answer ONE question. SECTION C: DRAMA Answer ONE question.

5. CHOICE OF ANSWERS FOR SECTIONS B (NOVEL) AND C (DRAMA):

• Answer questions ONLY on the novel and the drama you have studied. • Answer ONE ESSAY QUESTION and ONE CONTEXTUAL QUESTION. If

you answer the essay question in SECTION B, you must answer the contextual question in SECTION C.

If you answer the contextual question in SECTION B, you must answer the essay question in SECTION C.

• Use the checklist to assist you.

6. LENGTH OF ANSWERS:

• The essay question on Poetry should be answered in about 250–300

words. • Essay questions on the Novel and Drama sections should be answered in

400–450 words. • The length of answers to contextual questions should be determined by

the mark allocation. Candidates should aim for conciseness and relevance.

7. Follow the instructions at the beginning of each section carefully. 8. Number your answers correctly according to the numbering system used in

this question paper.



9. Start EACH section on a NEW page. 10. Write neatly and legibly. 11. Suggested time management:

SECTION A: approximately 40 minutes SECTION B: approximately 55 minutes SECTION C: approximately 55 minutes



TABLE OF CONTENTS SECTION A: POETRY Prescribed Poetry: Answer ANY TWO questions. QUESTION NO. QUESTION PAGE NO. 1. Old Folks Laugh Essay question 6 2. Rugby League Game Contextual question 7 3. When to the sessions of sweet silent thought Contextual question 8 4. Autumn Contextual question 9

AND Unseen Poetry: COMPULSORY question. 5. African Lions Contextual question 10 SECTION B: NOVEL Answer ONE question.* 6. Animal Farm Essay question 11 7. Animal Farm Contextual question 11 8. Pride and Prejudice Essay question 14 9. Pride and Prejudice Contextual question 14 10. The Great Gatsby Essay question 17 11. The Great Gatsby Contextual question 17 SECTION C: DRAMA Answer ONE question.* 12. Othello Essay question 20 13. Othello Contextual question 20 14. The Crucible Essay question 23 15. The Crucible Contextual question 23 *NOTE: In SECTIONS B and C, answer ONE ESSAY and ONE CONTEXTUAL

question. You may not answer TWO essay or TWO contextual questions.



CHECKLIST Use this checklist to ensure that you have answered the correct number of questions.

SECTION QUESTION NUMBERS

NO. OF QUESTIONS ANSWERED

TICK

A: Poetry (Prescribed Poetry)

1–4

2

A: Poetry (Unseen Poem)

5

1

B: Novel (Essay or Contextual)

6–11

1

C: Drama (Essay or Contextual)

12–15

1

*NOTE: In SECTIONS B and C, ensure that you have answered ONE ESSAY and

ONE CONTEXTUAL question. You may not answer TWO essay or TWO contextual questions.



SECTION A: POETRY PRESCRIBED POETRY Answer any TWO of the following questions. QUESTION 1: POETRY – ESSAY QUESTION OLD FOLKS LAUGH – Maya Angelou They have spent their content of simpering, holding their lips this and that way, winding the lines between their brows. Old folks allow their bellies to jiggle like slow tambourines. The hollers rise up and spill over any way they want. When old folks laugh, they free the world. They turn slowly, slyly knowing the best and the worst of remembering. Saliva glistens in the corners of their mouths, their heads wobble on brittle necks, but their laps are filled with memories. When old folks laugh, they consider the promise of dear painless death, and generously forgive life for happening to them.

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20

25 Often, people think of old age as altogether unpleasant. However, this poem offers a fresh point of view. With close reference to imagery, diction and tone, critically discuss this statement. Your response should take the form of a well-constructed essay of 250–300 words (about ONE page).

[10]

OR



QUESTION 2: POETRY – CONTEXTUAL QUESTION RUGBY LEAGUE GAME – James Kirkup Sport is absurd, and sad. Those grown men. Just look, In those dreary long blue shorts, Those ringed stockings, Edwardian, Balding pates, and huge Fat knees that ought to be heroes'. Grappling, hooking, gallantly tackling – Is all this courage really necessary? – Taking their good clean fun So solemnly, they run each other down With earnest keenness, for the honour of Virility, the cap, the county side. Like great boys they roll each other, In the mud of public Saturdays, Groping their blind way back To noble youth, away from the bank, The wife, the pram, the spin drier, Back to the Spartan freedom of the field. Back, back to the days when boys Were men, still hopeful and untamed. That was then: a gay And golden age ago. Now in vain, domesticated, Men try to be boys again.

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20

2.1 How does the speaker demonstrate that 'sport is absurd, and sad' (line 1) in

the first stanza?

(2) 2.2 Account for the inclusion of the words, 'Just look' (line 2). (2) 2.3 Discuss the appropriateness of the reference to 'golden age' (line 22) in the

context of the poem.

(3) 2.4 Refer to lines 23–24: 'Now in vain … be boys again.'

Discuss how the tone in these lines reflects the speaker's attitude.

(3) [10]

OR



QUESTION 3: POETRY – CONTEXTUAL QUESTION WHEN TO THE SESSIONS OF SWEET SILENT THOUGHT (SONNET 30) – William Shakespeare When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste: Then can I drown an eye, unused to flow, For precious friends hid in death's dateless night, And weep afresh love's long since cancell'd woe, And moan the expense of many a vanish'd sight: Then can I grieve at grievances foregone, And heavily from woe to woe tell o'er The sad account of fore-bemoanèd moan, Which I new pay as if not paid before. But if the while I think on thee, dear friend, All losses are restored and sorrows end.

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10

3.1 What do the words, 'sessions of sweet silent thought' (line 1) indicate about

what the speaker is doing?

(2) 3.2 Explain what the expression, 'Then can I drown an eye' (line 5) suggests

about the speaker's feelings.

(2) 3.3 Refer to line 6: 'hid in death's dateless night'.

Discuss the appropriateness of this image in context.

(3)

3.4 This poem is a tribute to the power of friendship.

Do you agree with this statement? Motivate your response by referring to the tone of the rhyming couplet.

(3) [10]

OR



QUESTION 4: POETRY – CONTEXTUAL QUESTION AUTUMN – Roy Campbell I love to see, when leaves depart, The clear anatomy arrive, Winter, the paragon of art, That kills all forms of life and feeling Save what is pure and will survive. Already now the clanging chains Of geese are harnessed to the moon; Stripped are the great sun-clouding planes: And the dark pines, their own revealing, Let in the needles of the noon. Strained by the gale the olives whiten Like hoary wrestlers bent with toil And, with the vines, their branches lighten To brim our vats where summer lingers In the red froth and sun-gold oil. Soon on our hearth's reviving pyre Their rotted stems will crumble up: And like a ruby, panting fire, The grape will redden on your fingers Through the lit crystal of the cup.

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15

20 4.1 Account for the speaker's use of the words, 'clear anatomy' (line 2) to

describe autumn.

(2) 4.2 What do the sound effects in the expression, 'clanging chains' (line 6) suggest

about the geese?

(2) 4.3 Refer to line 12: 'Like hoary wrestlers bent with toil'.

Discuss the appropriateness of this image in context.

(3)

4.4 The poem shows how new life is generated through destruction.

Do you agree with this statement? Motivate your response by referring to the tone of the last stanza.

(3) [10]

AND



UNSEEN POETRY This is a COMPULSORY question. QUESTION 5: UNSEEN POETRY – CONTEXTUAL QUESTION AFRICAN LIONS – Olutayo K Osunsan At the sun's roar, African lions rise. Brave in their crude strides in a pride, They survey the land for what to eat. From the shoulder on an ancient rock Their manes dazzle in the morning's air, Their tails drag behind like princely robes. Kings lust the fear their presence command When their barrel eyes focus on a dwindling prey, The way the African lion's claws rip the ground below Pulling everything in the distance closer and closer. Warriors desire to be remembered by the lion's heart, Pounding on calm rage with such precise control That bursts out in seconds ending with blood. Their preys, not necessarily the weakest, But fate always has its peculiar ways.

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15

5.1 What impressions of the lions are created in stanzas 1 and 2? (2) 5.2 Account for the warriors' desire in stanza 4: 'Warriors desire to be

remembered by the lion's heart'.

(2) 5.3 Refer to lines 9–10: 'The way the … closer and closer.'

Comment on the effectiveness of the imagery in these lines.

(3)

5.4 Critically discuss how the last stanza is a comment on the idea of life and

death.

(3) [10]

TOTAL SECTION A: 30



SECTION B: NOVEL Answer ONLY on the novel you have studied. ANIMAL FARM – GEORGE ORWELL

Answer EITHER QUESTION 6 (essay question) OR QUESTION 7 (contextual question). QUESTION 6: ANIMAL FARM – ESSAY QUESTION

Animal Farm is an exploration of the nature and effects of terror and propaganda. Critically discuss the above statement. Your response should take the form of a well-constructed essay of 400–450 words (2–2½ pages).

[25]

OR

QUESTION 7: ANIMAL FARM – CONTEXTUAL QUESTION Read the extracts below and then answer the questions that follow. EXTRACT A 'And shall I still be allowed to wear ribbons in my mane?' asked Mollie. 'Comrade,' said Snowball, 'those ribbons that you are so devoted to are the badge of slavery. Can you not understand that liberty is worth more than ribbons?' Mollie agreed, but she did not sound very convinced. The pigs had an even harder struggle to counteract the lies put about by Moses, the tame raven. Moses, who was Mr. Jones's especial pet, was a spy and a tale-bearer, but he was also a clever talker. He claimed to know the existence of a mysterious country called Sugarcandy Mountain, to which all animals went when they died. … Their most faithful disciples were the two cart-horses, Boxer and Clover. These two had great difficulty in thinking anything out for themselves, but having once accepted the pigs as their teachers, they absorbed everything that they were told, and passed it on to the other animals by simple arguments.

[Chapter 2]

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10

7.1 Refer to line 1: ' "And shall I still be allowed to wear ribbons in my mane?"

asked Mollie.' How do Mollie's concerns influence her later actions?

(3)



7.2 Refer to lines 2–3: ' "Comrade," said Snowball, … more than ribbons?" '

What does Snowball's response reveal about his attitude toward the rebellion?

(3)

7.3 Refer to lines 5–8: 'The pigs had … when they died.'

Explain why Napoleon later allows Moses, with his stories about Sugarcandy Mountain, back on the farm.

(3)

7.4 Refer to line 9: 'Their most faithful disciples were the two cart-horses, Boxer

and Clover.' Comment on the irony of Boxer's faithfulness to Animal Farm.

(3)

AND

EXTRACT B They had had a hard year, and after the sale of part of the hay and corn, the stores of food for the winter were none too plentiful, but the windmill compensated for everything. It was almost half built now. After the harvest there was a stretch of clear dry weather, and the animals toiled harder than ever, thinking it well worth while to plod to and fro all day with blocks of stone if by doing so they could raise the walls another foot. Boxer would even come out at nights and work for an hour or two on his own by the light of the harvest moon. In their spare moments the animals would walk round and round the half-finished mill, admiring the strength and perpendicularity of its walls and marvelling that they should ever have been able to build anything so imposing. Only old Benjamin refused to grow enthusiastic about the windmill, though, as usual, he would utter nothing beyond the cryptic remark that donkeys live a long time. November came, with raging south-west winds. Building had to stop because it was now too wet to mix the cement. Finally there came a night when the gale was so violent that the farm buildings rocked on their foundations and several tiles were blown off the roof of the barn. The hens woke up squawking with terror because they had all dreamed simultaneously of hearing a gun go off in the distance. In the morning the animals came out of their stalls to find that the flagstaff had blown down and an elm tree at the foot of the orchard had been plucked up like a radish. They had just noticed this when a cry of despair broke from every animal's throat. A terrible sight had met their eyes. The windmill was in ruins. ... 'Comrades, here and now I pronounce the death sentence upon Snowball. “Animal Hero, Second Class”, and half a bushel of apples to any animal who brings him to justice. A full bushel to anyone who captures him alive!'

[Chapter 6]

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7.5 Account for Napoleon's determination to have the windmill built even though

he initially rejects the plans.

(3)



7.6 Refer to lines 10–11: 'Only old Benjamin … a long time.'

How is Benjamin's attitude typical of him?

(3)

7.7 Refer to lines 21–23: 'Comrades, here and now … captures him alive!'

Comment on how these lines illustrate the corruption of Animalism.

(3)

7.8 Orwell's novel suggests that under certain circumstances, even admirable

qualities can contribute to injustice and suffering. By referring to the above extracts, discuss the validity of this statement.

(4) [25]

OR



PRIDE AND PREJUDICE – JANE AUSTEN Answer EITHER QUESTION 8 (essay question) OR QUESTION 9 (contextual question).

QUESTION 8: PRIDE AND PREJUDICE – ESSAY QUESTION Pride and Prejudice is an exploration of the pressure to conform to society's expectations. Critically discuss the above statement. Your response should take the form of a well-constructed essay of 400–450 words (2–2½ pages).

[25]

OR

QUESTION 9: PRIDE AND PREJUDICE – CONTEXTUAL QUESTION Read the extracts below and then answer the questions that follow. EXTRACT A The morrow produced no abatement of Mrs Bennet's ill humour or ill health. Mr Collins was also in the same state of angry pride. Elizabeth had hoped that his resentment might shorten his visit, but his plan did not appear in the least affected by it. He was always to have gone on Saturday, and to Saturday he still meant to stay. After breakfast, the girls walked to Meryton to inquire if Mr Wickham were returned, and to lament over his absence from the Netherfield ball. He joined them on their entering the town and attended them to their aunt's, where his regret and vexation, and the concern of everybody was well talked over.− To Elizabeth, however, he voluntarily acknowledged that the necessity of his absence had been self imposed. 'I found,' said he, 'as the time drew near, that I had better not meet Mr Darcy;− that to be in the same room, the same party with him for so many hours together, might be more than I could bear, and that scenes might arise unpleasant to more than myself.' She highly approved his forbearance, and they had leisure for a full discussion of it, and for all the commendation which they civilly bestowed on each other, as Wickham and another officer walked back with them to Longbourn, and during the walk, he particularly attended to her. His accompanying them was a double advantage; she felt all the compliment it offered to herself, and it was most acceptable as an occasion of introducing him to her father and mother.

[Chapter 21]

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15

9.1 Account for Mrs Bennet's 'ill humour or ill health' (line 1). (3) 9.2 Refer to lines 1–3: 'Mr Collins was ... affected by it.'

How is Mr Collins's reaction typical of him?

(3)



9.3 Refer to lines 10–12: ' "I found," said he ... more than myself." '

Explain the irony of Wickham's attitude toward Darcy in these lines.

(3)

9.4

Refer to lines 13–18: 'She highly approved … father and mother.' How is Elizabeth's behaviour toward Wickham inconsistent with her character?

(3)

AND

EXTRACT B Miss Bingley's congratulations to her brother, on his approaching marriage, were all that was affectionate and insincere. She wrote even to Jane on the occasion, to express her delight, and repeat all her former professions of regard. Jane was not deceived, but she was affected; and though feeling no reliance on her, could not help writing her a much kinder answer than she knew was deserved. The joy which Miss Darcy expressed on receiving similar information, was as sincere as her brother's in sending it. Four sides of paper were insufficient to contain all her delight, and all her earnest desire of being loved by her sister. Before any answer could arrive from Mr Collins, or any congratulations to Elizabeth, from his wife, the Longbourn family heard that the Collinses were come themselves to Lucas Lodge. The reason of this sudden removal was soon evident. Lady Catherine had been rendered so exceedingly angry by the contents of her nephew's letter, that Charlotte, really rejoicing in the match, was anxious to get away till the storm was blown over. At such a moment, the arrival of her friend was a sincere pleasure to Elizabeth, though in the course of their meetings she must sometimes think the pleasure dearly bought, when she saw Mr Darcy exposed to all the parading and obsequious civility of her husband. He bore it however with admirable calmness. He could even listen to Sir William Lucas, when he complimented him on carrying away the brightest jewel of the country, and expressed his hopes of their all meeting frequently at St. James's, with very decent composure. If he did shrug his shoulders, it was not till Sir William was out of sight.

[Chapter 37]

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9.5 Refer to lines 1–2: 'Miss Bingley's congratulations ... affectionate and

insincere.' Account for Miss Bingley's reaction to the approaching marriage.

(3)

9.6 Elsewhere in the novel, Mr Bennet and Mrs Bennet react differently to the

prospect of a marriage between Darcy and Elizabeth. Comment on the reasons for their different reactions.

(3)

9.7 'He bore it however with admirable calmness' (Line 17).

Drawing on your knowledge of the novel as a whole, discuss how Darcy's behaviour here is in contrast to his earlier conduct.

(3)



9.8 Refer to Lady Catherine's reaction in lines 11–12: 'Lady Catherine had ... her

nephew's letter'. Austen's society is characterised by class consciousness and snobbery. Using the above lines as a starting point, discuss the extent to which you agree with this statement.

(4) [25]

OR



THE GREAT GATSBY – F SCOTT FITZGERALD Answer EITHER QUESTION 10 (essay question) OR QUESTION 11 (contextual question). QUESTION 10: THE GREAT GATSBY – ESSAY QUESTION

The Great Gatsby is an exploration of the failure of the American Dream. Critically discuss the above statement. Your response should take the form of a well-constructed essay of 400–450 words (2–2½ pages).

[25]

OR QUESTION 11: THE GREAT GATSBY – CONTEXTUAL QUESTION Read the extracts below and then answer the questions that follow. EXTRACT A I lived at West Egg, the – well, the less fashionable of the two, though this is a most superficial tag to express the bizarre and not a little sinister contrast between them. My house was at the very tip of the egg, only fifty yards from the Sound, and squeezed between two huge places that rented for twelve or fifteen thousand a season. The one on my right was a colossal affair by any standard – it was a factual imitation of some Hôtel de Ville in Normandy, with a tower on one side, spanking new under a thin beard of raw ivy, and a marble swimming pool, and more than forty acres of lawn and garden. It was Gatsby's mansion. … Across the courtesy bay the white palaces of fashionable East Egg glittered along the water, and the history of the summer really begins on the evening I drove over there to have dinner with the Tom Buchanans. Daisy was my second cousin once removed, and I'd known Tom in college. And just after the war I spent two days with them in Chicago. … Why they came East I don't know. They had spent a year in France for no particular reason, and then drifted here and there unrestfully wherever people played polo and were rich together. This was a permanent move, said Daisy over the telephone, but I didn't believe it – I had no sight into Daisy's heart, but I felt that Tom would drift on forever seeking, a little wistfully, for the dramatic turbulence of some irrecoverable football game.

[Chapter 1]

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11.1 Account for Nick's calling West Egg the 'less fashionable' (line 1) of the two

eggs.

(3)



11.2 Explain the significance of the location of Gatsby's mansion across the bay

from East Egg.

(3) 11.3 Refer to lines 14–15: 'They had spent … and there unrestfully'.

Suggest how the words, 'drifted' and 'unrestfully' are appropriate when applied to Tom and Daisy.

(3)

11.4 Refer to line 17: 'I had no sight into Daisy's heart'.

By referring to your knowledge of the novel as a whole, discuss to what extent the choices made by Daisy are based on matters of the 'heart'.

(3)

AND

EXTRACT B 'By the way, Mr Gatsby, I understand you're an Oxford man.' 'Not exactly.' 'Oh, yes, I understand you went to Oxford.' … 'I told you I went there,' said Gatsby. 'I heard you, but I'd like to know when.' 'It was in nineteen-nineteen, I only stayed five months. That's why I can't really call myself an Oxford man.' Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. 'It was an opportunity they gave to some of the officers after the armistice,' he continued. 'We could go to any of the universities in England or France.' I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I'd experienced before. Daisy rose, smiling faintly, and went to the table. 'Open the whiskey, Tom,' she ordered, 'and I'll make you a mint julep. Then you won't seem so stupid to yourself. … Look at the mint!' 'Wait a minute,' snapped Tom, 'I want to ask Mr Gatsby one more question.' 'Go on,' Gatsby said politely.

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'What kind of a row are you trying to cause in my house anyhow?' They were out in the open at last and Gatsby was content. 'He isn't causing a row,' Daisy looked desperately from one to the other. 'You're causing a row. Please have a little self-control.' 'Self-control!' repeated Tom incredulously. 'I suppose the latest thing is to sit back and let Mr Nobody from Nowhere make love to your wife. Well, if that's the idea you can count me out. … Nowadays people begin by sneering at family life and family institutions, and next they'll throw everything overboard and have intermarriage between black and white.'

[Chapter 7]

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11.5 Refer to line 1: 'By the way … an Oxford man.'

Account for Tom's remark.

(3)

11.6 Refer to lines 12–13: 'I wanted to … I'd experienced before.'

Discuss how Nick's attitude towards Gatsby here contrasts with his views when he first arrives in New York.

(3)

11.7 Refer to lines 25–26: 'Nowadays people begin … and family institutions'.

Comment on the irony of Tom's statement in this line.

(3)

11.8 Refer to line 20: 'They were out in the open at last and Gatsby was content.'

Gatsby is under the impression that the exposure of his relationship with Daisy would indicate the achievement of his dream. Discuss the extent to which Gatsby's belief is valid.

(4) [25]

TOTAL SECTION B: 25

AND



SECTION C: DRAMA Answer ONLY on the play you have studied. OTHELLO – WILLIAM SHAKESPEARE

Answer EITHER QUESTION 12 (essay question) OR QUESTION 13 (contextual question). QUESTION 12: OTHELLO – ESSAY QUESTION

In Othello, Shakespeare portrays a situation in which individuals are destroyed as a consequence of deception and conspiracy. Critically discuss this statement. Your response should take the form of a well-constructed essay of 400–450 words (2–2½ pages).

[25]

OR

QUESTION 13: OTHELLO – CONTEXTUAL QUESTION Read the extracts below and then answer the questions that follow. EXTRACT A CASSIO Good ancient, you are welcome. (To Emilia) Welcome, mistress. Let it not gall your patience, good Iago, That I extend my manners. 'Tis my breeding That gives me this bold show of courtesy. He kisses Emilia IAGO Sir, would she give you so much of her lips As of her tongue she oft bestows on me, You'd have enough. DESDEMONA Alas, she has no speech. IAGO In faith, too much. I find it still when I have list to sleep. Marry, before your ladyship, I grant She puts her tongue a little in her heart And chides with thinking. EMILIA You have little cause to say so. IAGO Come on, come on. You are pictures out of doors, Bells in your parlours, wild-cats in your kitchens, Saints in your injuries, devils being offended, Players in your housewifery, and housewives in your beds.

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DESDEMONA O, fie upon thee, slanderer! IAGO Nay, it is true, or else I am a Turk– You rise to play and go to bed to work. EMILIA You shall not write my praise. IAGO No, let me not. DESDEMONA What wouldst thou write of me if thou shouldst praise me? IAGO O, gentle lady, do not put me to't. For I am nothing if not critical. DESDEMONA Come on, assay … There's one gone to the harbour? IAGO Ay, madam. DESDEMONA I am not merry, but I do beguile The thing I am by seeming otherwise. Come, how wouldst thou praise me?

[Act 2, Scene 1]

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25

30

13.1 Account for Desdemona's presence on the island of Cyprus. (3) 13.2 Refer to lines 3–4: 'I extend my manners ... show of courtesy.'

How is this statement typical of the kind of person Cassio is?

(3)

13.3 How does the tone in this extract set the scene for Iago's plot against Othello? (3)

AND

EXTRACT B OTHELLO 'Tis not to make me jealous To say my wife is fair, feeds well, loves company, Is free of speech, sings, plays and dances well. Where virtue is, these are more virtuous. Nor from mine own weak merits will I draw The smallest fear or doubt of her revolt, For she had eyes, and chose me. No, Iago, I'll see before I doubt; when I doubt, prove, And on the proof there is no more but this− Away at once with love or jealousy!

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10



IAGO I am glad of this, for now I shall have reason To show the love and duty that I bear you With franker spirit. Therefore, as I am bound Receive it from me. I speak not yet of proof. Look to your wife. Observe her well with Cassio. Wear your eye thus, not jealous, nor secure. I would not have your free and noble nature, Out of self-bounty, be abused. Look to't. I know our country disposition well. In Venice they do let God see the pranks They dare not show their husbands. Their best conscience Is not to leave't undone but keep't unknown. OTHELLO Dost thou say so? IAGO She did deceive her father marrying you, And when she seemed to shake and fear your looks, She loved them most.

[Act 3, Scene 3]

15 20 25

13.4 Refer to line 1: ' 'Tis not to make me jealous'.

Account for Iago's desire to make Othello jealous.

(3)

13.5 Refer to lines 1–7: ' 'Tis not to make ... and chose me.'

Discuss how Othello's attitude towards his relationship with Desdemona changes in the course of the play.

(3)

13.6 Discuss the irony in Othello's statement, 'I'll see before I doubt' (line 8). (3)

13.7 Refer to lines 15–16: 'Look to your ... jealous, nor secure.' If you were the director of a production of Othello, how would you instruct the actor to deliver these lines? Pay specific attention to body language and tone. Motivate your instructions.

(3)

13.8 Refer to EXTRACT A and EXTRACT B.

How is Iago's attitude towards women, as demonstrated in both extracts, a reflection of his essential nature?

(4) [25]

OR



THE CRUCIBLE – ARTHUR MILLER Answer EITHER QUESTION 14 (essay question) OR QUESTION 15 (contextual question).

QUESTION 14: THE CRUCIBLE – ESSAY QUESTION In The Crucible, Miller portrays a society whose misfortunes are caused by deception and conspiracy. Critically discuss this statement. Your response should take the form of a well-constructed essay of 400–450 words (2–2½ pages).

[25]

OR

QUESTION 15: THE CRUCIBLE – CONTEXTUAL QUESTION Read the extracts below and then answer the questions that follow. EXTRACT A

PARRIS: ABIGAIL: PARRIS: ABIGAIL: PARRIS: ABIGAIL: PARRIS: MRS PUTNAM:

(to the point) Abigail, is there any other cause than you have told me, for your being discharged from Goody Proctor's service? I have heard it said, and I tell you as I heard it, that she comes so rarely to the church this year for she will not sit so close to something soiled. What signified that remark? She hates me, uncle, she must, for I would not be her slave. It's a bitter woman, a lying, cold, snivelling woman, and I will not work for such a woman! She may be. And yet it has troubled me that you are now seven month out of their house, and in all this time no other family has ever called for your service. They want slaves, not such as I. Let them send to Barbados for that. I will not black my face for any of them! (With ill-concealed resentment at him.) Do you begrudge my bed, uncle? No – no. (in a temper) My name is good in the village! I will not have it said my name is soiled! Goody Proctor is a gossiping liar! (Enter MRS ANN PUTNAM. She is a twisted soul of forty-five, a death-ridden woman, haunted by dreams.) (as soon as the door begins to open) No – no, I cannot have anyone. (He sees her, and a certain deference springs into him, although his worry remains.) Why, Goody Putnam, come in. (full of breath, shiny-eyed) It is a marvel. It is surely a stroke of hell upon you. [Act 1]

5

10

15

20

15.1 Account for Abigail's 'being discharged from Goody Proctor's service' (line 2). (3)



15.2 'They want slaves, not such as I' (Line 12).

Explain what these words reveal about Abigail's attitude towards her position in Salem.

(3)

15.3 Refer to line 17: Comment on the irony of Abigail's reference to Elizabeth as

'a gossiping liar'.

(3) 15.4 Refer to the stage directions in line 18: 'She is a twisted soul '.

Based on your knowledge of the play as a whole, comment on the description of Mrs Putnam as 'twisted'.

(3)

AND EXTRACT B

DANFORTH: PARRIS: DANFORTH: PROCTOR: DANFORTH: PROCTOR: PARRIS: PROCTOR: DANFORTH: PROCTOR: DANFORTH: PROCTOR: DANFORTH: PROCTOR:

Do you sport with me? You will sign your name or it is no confession, Mister! (His breast heaving with agonized breathing, PROCTOR now lays the paper down and signs his name.) Praise be to the Lord! PROCTOR has just finished signing when DANFORTH reaches for the paper. But PROCTOR snatches it up, and now a wild terror is rising in him, and a boundless anger. (perplexed, but politely extending his hand): If you please, sir. No. (as though Proctor did not understand): Mr Proctor, I must have – No, no. I have signed it. You have seen me. It is done! You have no need for this. Proctor, the village must have proof that – … You will not use me! I am no Sarah Good or Tituba, I am John Proctor! You will not use me! It is no part of salvation that you should use me! I do not wish to – I have three children – how may I teach them to walk like men in the world, and I sold my friends? You have not sold your friends – Beguile me not! I blacken all of them when this is nailed to the church the very day they hang for silence! Mr Proctor, I must have good and legal proof that you – You are the high court, your word is good enough! Tell them I confessed myself; say Proctor broke his knees and wept like a woman; say what you will, but my name cannot –

[Act 4]

5 10 15 20 25

15.6 Why does Proctor snatch up the confession (line 6)? (3)

15.5 Account for Danforth's 'agonized breathing' (line 2). (3)


Copyright reserved

15.7 Refer to lines 14–15: 'You will not … should use me!'

If you were the director of a production of The Crucible, how would you instruct the actor to deliver these lines? Pay particular attention to body language and tone. Motivate your instructions.

(3)

15. 8 Abigail (in EXTRACT A, line 16) and Proctor, (in EXTRACT B, line 25) make

reference to 'name'. Comment critically on these contrasting perceptions of 'name'.

(4) [25]

TOTAL SECTION C:

GRAND TOTAL: 25

80


SENIOR CERTIFICATE EXAMINATION

ENGLISH HOME LANGUAGE P2

2015

MEMORANDUM

MARKS: 80

This memorandum consists of 24 pages.

GRAAD 12

English Home Language/P2 2 DBE/2015 SCE – Memorandum


NOTE TO MARKERS • This marking memorandum is intended as a guide for markers. • The memorandum will be discussed with the marking panel before marking

commences at the marking centre. • Candidates' responses must be considered on their merits.

MARKING GUIDELINES • Wherever a candidate has answered more than the required number of questions,

mark only the first answer/response. (The candidate may not answer the essay and the contextualquestion on the same genre.)

• In SECTION A, if a candidate has answered all four questions on prescribed poems, mark only the first two.

• In SECTIONS B and C, if a candidate has answered two contextual or two essay questions, mark the first one and ignore the second. If a candidate has answered all six questions (novel) and/or all four questions (drama), mark only the first answer in each section, provided that one contextual and one essay have been answered.

• If a candidate gives two answers, the first of which is wrong and the next one correct, mark the first answer and ignore the next.

• If answers are incorrectly numbered, mark according to the memo. • If a spelling error affects the meaning, mark incorrect. If it does not affect the

meaning, mark correct. • Essay question: If the essay is shorter than the required word count, do not

penalise, because the candidate has already penalised himself/herself. If the essay is too long, consider and assess a maximum of 50 words beyond the required word count and ignore the rest of the essay. However, the conclusion must be considered.

• Contextual questions: If the candidate does not use inverted commas when asked to quote, do not penalise.

• Answers to contextual questions must be assessed holistically in the light of the discussion during the standardisation of the marking memorandum. Part marks should be awarded in proportion to the fullness of the response to each question.



SECTION A: POETRY QUESTION 1: PRESCRIBED POETRY – ESSAY

OLD FOLKS LAUGH – MAYA ANGELOU

• Use the following, among others points, as a guide to marking this question.

Responses might differ, depending on the candidate's sensitivity to and understanding of the poem.

• Refer to page 23 for the rubric to assess this question.

For the old folk described in this poem, old age is seen as a time of liberation – they are at peace with their lives and no longer care about society’s perceptions of them. (However, see final bullet below.) • The simile, ‘allow their bellies to jiggle like slow tambourines’ evokes a happy,

cheerful sound, suggesting their unrestrained enjoyment of life. • The image of ‘the hollers rise up and spill over’ suggests their laughter is like liquid

which overflows. Their laughter is loud and uninhibited, uttered without care. The image and diction create the impression of abundance and exuberance. Their laughter is unrepressed.

• The use of the words, ‘allow’ and ‘any way they want’ indicates that old folks ignore society’s conventions and choose how to live their lives.

• The imagery in ‘Free the world’ reflects how old folks’ acceptance of themselves influences others to relax; they are no longer judgemental of themselves and others.

• ‘Turn slowly and slyly’ suggests that old folk are calm and unhurried in their movements. This suggests that they are unperturbed by society’s expectations and are at peace with themselves. ‘Slowly’ acknowledges their physical limitations while also revealing old folks’ desire to see the impact their laughter has on those around them. ‘Slyly’ suggests a secretive and cunning defensive response to the act of remembering.

• While ‘glisten’ is used to describe another unpleasant physical deterioration related to ageing, its positive connotation of ‘sparkle’ reduces the unpleasantness normally associated with ‘saliva’.

• ‘Laps are filled with memories’ is a warm, comforting image, suggesting that old folk have a wealth of experience which they treasure.

• ‘Generously forgive’ suggests that old folk are gracious in their acceptance of their fate. They view death as a release from the troubles they have faced in life. ‘Generously’ and ‘forgive’ refer to admirable qualities which might influence the readers to change their perception of old folk.

• For the most part, the tone is admiring, affectionate and respectful. • Alternatively, the last four lines might be considered to be wholly or partly ironic and

‘dark’. The words, ‘happening/to them’ suggest that they have been overwhelmed by the events of their lives. All they can hope for is that death will be ‘painless’.

[10]



QUESTION 2: PRESCRIBED POETRY – CONTEXTUAL

RUGBY LEAGUE GAME – JAMES KIRKUP

2.1 The speaker refers to the ‘dreary’ shorts which make the men look outdated.

The reference to the ‘balding pates’ and ‘fat knees’ suggests that the players are too old and unfit not to look absurd. It is absurd and sad that the ‘grown men’ should open themselves to ridicule, since they have such an unrealistic image of themselves as heroes. [Any reference to ‘grown men’ to be marked on merit.] [Award 2 marks for any two relevant and distinct points.]

(2)

2.2 The words suggest familiarity. It is as though the speaker is engaged in a

conversation with the reader. The speaker invites the reader to concur with his view of the players. The words draw the reader in and make him/her part of the scene. The reader is able to visualise the scene. The reader feels that he/she is one of the spectators. The phrase indicates the speaker’s condescension/disapproval/mockery/disbelief. [Award 2 marks for any two relevant and distinct points.]

(2) 2.3 It refers to their youth, which they regard/remember/look back on with

nostalgia and exaggerated affection. They romanticise their youth as being an ideal time which is venerated. It provides them with a warm memory of a time when they were unburdened by responsibilities. They are unable to separate reality from the nostalgia. [Award 3 marks for any two ideas well discussed OR three ideas.]

(3)

2.4 The tone is satirical/mocking/ironic. Candidates might identify the tone as sadly

sympathetic. The use of ‘in vain’ and ‘try’ suggests that their attempt to recapture their youth is futile. He is derogatory about (or sympathetic toward) their attempt to recapture their past. The word, ‘domesticated’ conveys his mockery of or sympathy with them – they would like to see themselves as wild and untamed, but they are bound by domesticity. [Award 3 marks only if the candidate has referred to both tone and attitude.]

(3) [10]




WHEN TO THE SESSIONS OF SWEET SILENT THOUGHT (SONNET 30) – WILLIAM SHAKESPEARE

3.1 The speaker is sitting in quiet contemplation. The word, ‘sweet’ indicates that

he enjoys recalling his memories. The time of reflection is pleasant. [Award 2 marks for any two relevant and distinct points.]

(2)

3.2 The speaker is overcome by his grief. He is crying incessantly. He

exaggerates the extent of his grief. The speaker gives his grief an unnecessary intensity. [Award 2 marks for any two relevant and distinct points.]

(2)

3.3 Death is compared to a night that never ends. The image indicates that death

is eternal and dark. The word, ‘hid’ suggests the finality of death and of never being reunited with his friends. [Award 3 marks for any two ideas well discussed OR three ideas.]

(3) 3.4 His tone is contented/hopeful. There is a sense of relief/optimism.

Despite all his sadness and the loss of his friends, the speaker realises that the friendship he has is more important than dwelling on past sorrows. He no longer feels desolate/deprived, but is able to move forward. [Award 3 marks only if the candidate has referred to both tone and the message/main idea of the rhyming couplet.]

(3) [10]




AUTUMN – ROY CAMPBELL

4.1 Autumn is the season during which the trees lose their leaves. The speaker

compares the structure of the trees with the skeleton of the human body. It suggests that the lack of leaves has exposed the clear outlines of the trees’ structures. [Award 2 marks for any two relevant and distinct points.]

(2) 4.2 The word, ‘clanging’ conveys the loudness/noisiness of the geese (1). The

sound is disturbing/intrusive/like chains being rattled together (1).

(2) 4.3 Because the trees are bent over by the wind, they resemble grappling, grey-

haired (‘hoary’) wrestlers. The image suggests that the trees are struggling to remain upright. It is appropriate because it indicates how difficult it is for the trees to withstand the force of the wind. Old wrestlers would be more likely to be bent over and struggling than young ones. [Award 3 marks for any two ideas well discussed OR three ideas.]

(3) 4.4 The tone in the last stanza is warm/comforting/contented/satisfied. The

‘rotted stems’ produce a warm, comforting fire. The harvested grapes are turned into wine that can be enjoyed in front of the fire. The transformation of the rotted stems into firewood and the production of wine from the picked grapes indicate the central idea that new life is generated and that the cycle of life is perpetuated. Out of death comes new life, like the phoenix rising from the ashes. [Award 3 marks only if the candidate has referred to both tone and the main idea of the final stanza.]

(3) [10]



UNSEEN POETRY: POETRY FROM AFRICA

QUESTION 5: UNSEEN POETRY – CONTEXTUAL

5.1 The speaker creates the impression that the lions are self-involved/

arrogant/savage. They are majestic animals and are the rulers of the plains. [Award 2 marks for any two distinct impressions.]

(2) 5.2 Warriors desire the courage of the lion so that they can be remembered for

their success/bravery on the battlefield. They wish to project an image of fearlessness. The warriors wish to emulate the lion’s effortless ability to dominate. [Award 2 marks for any two relevant and distinct points.]

(2)

5.3 The claws’ ripping the ground conveys the ferocity/viciousness of the lion as

it hunts. The swift movement of the lion creates the impression that distant objects are being pulled closer. The lion is so fast that it appears to be reining in its prey. These are ominous images since the lion is a fierce predator. [Award 3 marks for any two ideas well discussed OR three ideas.]

(3)

5.4 It is a false assumption that the weak are the most susceptible to falling prey

to the lion. The poet suggests that there is no way to determine who will be the lion’s prey. Everything is left in the hands of fate. One cannot predict who will fall victim to death or when that death will occur. The lion’s prey might be formidable/strong enough to challenge the lion, thus leaving it to fate to determine which animal survives. [Award 3 marks only if discussion includes a CRITICAL COMMENT on both line 14 and line 15.]

(3) [10]

TOTAL SECTION A: 30



SECTION B: NOVEL

QUESTION 6: ANIMAL FARM – ESSAY

• Here is the basis for answering this essay. Use the following as a guideline only.

However, also allow for answers that are different, original and show evidence of critical thought and interpretation.

• A range of examples may be used by the candidates to support their arguments. • Refer to page 24 for the rubric to assess this question.

A focus of the novel is on how terror and propaganda ensure the animals’ ignorance, passivity and oppression. • The affirmative value of propaganda is demonstrated by old Major’s dream of a

better future. He uses emotive language and the creation of a common enemy (man) to rally the animals to revolt.

• The destructiveness of propaganda is demonstrated by Squealer. He is compelling in his dissemination of misinformation. He uses deception to convince the animals that they are better off. Their docility is guaranteed and they remain subservient.

• Squealer’s propaganda establishes the pigs as an elite class while the other animals are subjected to further oppression. He justifies Napoleon’s tyranny.

• Squealer convinces the animals that they are united against a common enemy. The repetition of ‘Four legs good, two legs bad’ is in part a diversionary tactic that is used to drown out dissent.

• In order to curtail the spread of revolutionary ideals, Frederick and Pilkington use propaganda to vilify Animal Farm.

• After the revolution, Snowball and Napoleon send out flights of pigeons to spread the ideas of revolution.

• The promise of retirement, various rituals, Moses’ story of Sugarcandy Mountain: all contribute to the compliance of the animals.

• Threatening propaganda instils fear. Snowball and the humans are vilified so as to unite the animals in terror. Snowball is used as a bogeyman and scapegoat to divert focus from Napoleon’s true intentions.

• Through the use of the dogs, Napoleon terrorises the animals, ensuring their obedience. The confessions and later executions frighten the animals into submission.

• Boxer’s fate instils further terror. Aside from these two elements, there are other aspects to which candidates might refer: e.g. the participation of the masses in their own oppression; the saving grace of decent qualities; the use of satire; the essential similarity of despots, whatever their apparent ideologies. [Credit mixed responses.] [Credit valid alternative responses.] [All aspects of the question must be addressed in order to achieve more than 60%.]

[25]



QUESTION 7: ANIMAL FARM – CONTEXTUAL

7.1 Mollie is not prepared to give up luxury. She does not like hard work and she yearns for the more comfortable lifestyle enjoyed under Jones. She eventually betrays her comrades and runs away from Animal Farm. She is later seen wearing new ribbons and being pampered by a new owner. [Award 3 marks for any two ideas well discussed OR any three distinct ideas.]

(3)

7.2 He is devoted to the rebellion. He believes that all their dreams will be

realised. He is single-minded in his pursuit of the ideals of the revolution. He believes that sacrifices are essential to ensure the success of the rebellion. He is hostile to anything to do with human beings. [Award 3 marks for three distinct ideas.]

(3)

7.3 Moses’ stories of Sugarcandy Mountain are used by Napoleon as a means of

keeping the other animals passive and satisfied with their lives of privation. The stories convince the animals to endure their current hardships in the belief that a better life awaits them after death. This belief allows the pigs to take advantage of the animals’ labour, while keeping them meek and submissive. [Award 3 marks for three distinct ideas.]

(3)

7.4 Despite being a loyal and self-sacrificing comrade, Boxer finds himself sent to the knackers when he is injured and can no longer work for the pigs. Napoleon does not value or repay Boxer’s faithfulness; instead, he betrays him for a crate of whiskey. [Award 3 marks only if the irony is fully discussed.]

(3)

7.5 Napoleon initially rejects the windmill because it is Snowball’s idea. Because Snowball is a threat to his leadership, Napoleon does not want to give Snowball any credit. Napoleon uses the windmill to distract the animals from the harsh reality of life on Animal Farm. As long as they are working on a project they believe will improve the quality of their lives, they do not complain about their current conditions. The perception of Napoleon as a benevolent leader is also created. Napoleon wants to use the windmill for his own comfort and profit. [Award 3 marks only a discussion of Napoleon’s initial and later reasons.]

(3)



7.6 Benjamin is cynical/sceptical, assuming that life will continue to be a struggle. His apathy and emotional detachment keep him from being disappointed by the behaviour of Napoleon and the pigs. He comprehends the changes taking place on the farm but is unwilling to oppose the pigs. He is aware of the changes being made to the commandments but chooses to remain quiet for the sake of self-preservation. [Award 3 marks for any two ideas well discussed OR any three distinct ideas.]

(3)

7.7 The pronouncement of the death sentence goes against the commandment not to kill any animal. A lack of equality is demonstrated by giving an award in the ‘Second Class’. The animal responsible for the capture or death of Snowball will be rewarded with extra food. [Award 3 marks for three distinct ideas.]

(3)

7.8 The animals’ blind loyalty leads to their accepting what the pigs say and do.

Their naive sense of achievement allows them to be exploited. Snowball’s preoccupation with the success of the revolution helps to make him oblivious of Napoleon’s machinations. This leads to his expulsion, leaving the animals at the mercy of Napoleon. Boxer’s devotion to the cause and his hard work inspire the other animals to make the best of their plight and tolerate their suffering. Benjamin is perceptive and understands the true state of affairs, yet his cynicism and desire to survive effectively neutralise him. [Candidates must refer to both Extract A and Extract B; should they not, a maximum of 2 marks may be awarded.] [Award 4 marks for any three admirable qualities well discussed OR any four distinct ideas.]

(4) [25]



QUESTION 8: PRIDE AND PREJUDICE – ESSAY




While people in general are conformists, the novel does demonstrate that there are characters who do not conform, either from the outset, or as the novel progresses. • In Jane Austen’s day, women of the privileged classes are governed by a strict

code of conduct. In the process of conforming, women generally use every opportunity to showcase themselves as marriageable material. This accounts for the attempts made by Mrs Bennet and like-minded mothers to secure the future of their daughters. It also explains why Charlotte accepts Mr Collins’s proposal.

• Lydia’s pursuit of the officers and Wickham illustrates the determination of a young woman to have fun but at the same time secure a marriage. Marriage is the ultimate sign of respectability in ‘good’ society.

• Elizabeth, an independent spirit, struggles to express her individuality in a conformist society. Elizabeth has inner strength and makes judgements based on her own values. She does not bow to social pressures – hence her refusal of Mr Collins’s proposal as well as Darcy’s initial offer of marriage.

• Elizabeth’s attitude toward the condescending Lady Catherine is further proof of her refusal to behave in a socially accepted way. She will not kow-tow to or respect Lady Catherine because of her position and wealth. She does not allow Lady Catherine to bully her into submission; instead, she speaks her mind.

• Mr Bennet, an independent thinker, constantly undermines his wife’s attempts to secure husbands for their daughters. He is hardly concerned about what is considered appropriate social behaviour, as demonstrated in his lax attitude towards Lydia’s behaviour.

• Initially, Darcy’s elevated status sees him maintain his distance at the Netherfield ball. This detachment is a consequence of his upbringing. As a consequence of his relationship with Elizabeth, his attitude changes.

• Because of his position as a vicar, Mr Collins is pressured into marriage by Lady Catherine.

• Despite her slightly elevated social position, Miss Bingley also needs to conform to society’s dictates, hence her pursuit of Darcy.

• Darcy pressures Bingley into giving up his pursuit of Jane in order to sustain the class hierarchy.

Aside from these two elements, there are other aspects to which candidates might refer: e.g. the importance of wealth, class and marriage; the position of women in society. [Accept valid alternative responses.]

[25]



QUESTION 9: PRIDE AND PREJUDICE – CONTEXTUAL

9.1 Mrs Bennet is in a bad mood because Elizabeth has refused a proposal of

marriage from Mr Collins. She has endeavoured to persuade Elizabeth to change her mind, but to no avail. After a lengthy discussion with Mr Collins, who has made clear his dissatisfaction, Mrs Bennet appears to have wilfully become ill because events have not proceeded according to her plan. [Award 3 marks for any two ideas well discussed OR any three distinct ideas.]

(3) 9.2 As a proud and vain man, Mr Collins feels slighted by Elizabeth’s refusal of

his proposal of marriage. His pomposity influences his decision to continue his stay as if nothing untoward has happened. If he were to change his plans, it would reflect poorly on him because it would portray him as a failure. Hence his determination to appear nonchalant. [Award 3 marks for any two ideas well discussed OR any three distinct ideas.]

(3)

9.3 Wickham maintains that Darcy’s presence is unbearable to him and the

consequences of their being together might be unpleasant, not only for himself, but for others as well. Yet it is Darcy who is responsible for getting him back on his feet later in the novel. Wickham receives ten thousand pounds from Darcy, who also purchases him a commission in the army. Ironically, Wickham gladly accepts all of this from a man with whom he cannot bear to be in the same room. Wickham attacks Darcy for being offensive, while Wickham has greatly offended Darcy and his family. [Award 3 marks only if the irony is well discussed.]

(3)

9.4

Elizabeth prides herself on her excellent ability to judge people. She is so flattered by Wickham’s attention that she readily believes everything he says about Darcy. She is obviously prejudiced against Darcy and for this reason is open to any criticism levelled against him, even if it is without proof. This is unlike her more usual pragmatic self. Furthermore, she is behaving rather impulsively when she thinks about introducing Wickham to her parents. [Award 3 marks for any two ideas well discussed OR any three distinct ideas.]

(3)

9.5 Miss Bingley’s congratulations are offered because it is expected that she

should be happy for her brother. She thus satisfies social conventions, but she is really very unhappy at the prospect of his marriage to Jane. She has always displayed a condescending attitude towards the Bennets because of their status and therefore considers the match rather unsuitable, given the Bennets’ position in society. Miss Bingley has also had designs on Darcy and is thus disappointed. [Award 3 marks for any two ideas well discussed OR any three distinct ideas.]

(3)



9.6 Mr Bennet is concerned because he is under the impression that Elizabeth

dislikes Darcy intensely. He is concerned for her well-being and happiness and encourages her to think carefully about the proposal. Mrs Bennet is delighted that Elizabeth will be elevated socially and become very wealthy. She is excited about the enhancement of her own status as a consequence of this union. [Award 3 marks only for a discussion of both characters’ reactions.]

(3)

9.7 At this point, Darcy is calm and accommodating of the behaviour of people

around him. He notes Mr Collins’s obsequious behaviour, yet remains gracious. He has learnt tolerance and how to be forebearing. Earlier he has made it a point to let everyone know how much he resents the fawning behaviour of those outside his class. Previously, he wanted no association with such people, choosing to remain aloof. However, he now remains respectful and open to Mr Lucas’s suggestions about the prospect of meeting at St. James’s. [Award 3 marks only for a discussion of Darcy’s current conduct and earlier behaviour.]

(3)

9.8 Agree. Lady Catherine cannot conceive of the possibility of a union between

Darcy and Elizabeth because of the substantial social divide between them. Lady Catherine is a strict advocate of maintaining rigid class structures and uses every opportunity to remind individuals of their positions in the social hierarchy. There are conventions governing classes meeting socially. The snobbish attitude of the Bingley sisters toward the Bennet family is a consequence of their supposed social superiority. Wickham has social aspirations. As an opportunist, Wickham is unscrupulous in his desire to bridge class divisions. Candidates may argue that Elizabeth is an exception. She is not intimidated by Lady Catherine’s superior status and does not exhibit snobbishness. As the novel progresses, Darcy comes to be an exception as a result of his relationship with Elizabeth. [A cogent ‘Disagree’ answer is unlikely. However, treat all responses on their merits.] [Candidates may provide a range of examples in support of their statements.] [Award 4 marks for any three points well discussed OR any four distinct ideas.]

(4) [25]



QUESTION 10: THE GREAT GATSBY – ESSAY

• Here is the basis for answering this essay. Use the following as a guideline only. However, also allow for answers that are different, original and show evidence of critical thought and interpretation.


• The early settlers saw America as the land of opportunity. It promised success,

regardless of birth or social standing. This dream is corrupted by the pursuit of wealth and pleasure, as well as a lack of moral substance.

• Gatsby emulates the early American settlers, desiring to rise above his lowly origins and to recreate himself as a member of the upper class through his own efforts.

• However, these ideals are eroded, firstly, by his acquaintance with Dan Cody, his role model and, finally, when his dream is shaped by his quest to win Daisy at any cost.

• Dan Cody and Meyer Wolfshiem exemplify the ugly reality of the American Dream. They have both achieved great success through corrupt means, and they are both Gatsby’s mentors.

• Gatsby’s obsessive desire to win Daisy means that he no longer cares how he acquires the wealth to impress her. He associates with known criminals and is involved in bootlegging.

• The failure of the American Dream is also emphasised when the novel reveals just how shallow and fickle those people are who epitomise the American Dream, like the Buchanans, who belong to the ‘old money’ class to which Gatsby aspires.

• George Wilson’s dream dies in the valley of ashes; the failure of his dream is manifested in his dreary physical appearance, the failure of his business and the discovery of his wife’s affair.

• Myrtle Wilson’s dream fails because her idea of success is limited to the pursuit of a man who will rescue her. Her desperation to escape her situation makes her a victim of her own greed. She sees the dream in terms of material and social success.

Aside from these two elements, there are other aspects to which candidates might refer: • The class distinctions leading to inequalities. • Gender discrimination which portrays women as either victims or as greedy,

shallow, dishonest. • The exploration of Nick’s disillusionment. • Gatsby’s reinvention of himself; his idealised version of Daisy; the hollowness of the

upper classes; the parties.

[Credit valid alternative responses.]

[25]



QUESTION 11: THE GREAT GATSBY – CONTEXTUAL

11.1 West Egg is inhabited by people who have recently acquired their wealth. They are not regarded as having the inherent social superiority of the East Eggers. They might tend to be ostentatious. The people of East Egg have inherited their wealth. As representatives of ‘old money’, they consider those who live in West Egg to be ‘less fashionable’. [Award 3 marks for any two ideas well discussed OR any three distinct ideas.]

(3)

11.2 The location of Gatsby’s mansion is linked to his dream of winning Daisy

Buchanan. He purchases the house in order to be close to Daisy and to facilitate her somehow attending one of his parties. It also indicates the great lengths to which Gatsby is prepared to go to acquire the wealth to be close to Daisy. Candidates might refer to the green light at the end of Daisy’s dock and its being a symbol of Gatsby’s aspiration to be reunited with Daisy. [Award 3 marks for any two ideas well discussed OR any three distinct ideas.]

(3)

11.3 The word, ‘drifted’ emphasises that Daisy and Tom are both shallow people who lack any purpose. Daisy is fickle and superficial. Tom, too, has no sense of purpose. ‘Unrestfully’ emphasises their lack of contentment, despite their vast wealth. Daisy finds her existence to be boring as she wonders what she will do with herself from one day to the next. This also points to their avoidance of the consequences of their actions. [Award 3 marks only for a reference to both ‘drifted’ and ‘unrestfully’, as well as to both characters.]

(3)

11.4 Five years previously, Daisy had fallen in love with Gatsby and had promised to wait for him while he went to Europe to fight in the war. However, when he did not return soon enough, she chose to marry Tom Buchanan instead as she was impressed by his wealth and status. When she is reunited with Gatsby and their relationship/love is rekindled, she promises Gatsby that she would leave Tom and marry him. However, when she is confronted with the reality of making a choice, she panics and chooses Tom once more, despite his unfaithfulness. Her choice in favour of Tom is partly prompted by Tom’s reminding her of tender moments in their relationship and of Gatsby’s criminality. She chooses the security and respectability that life with Tom offers, as opposed to living a life of possible disrepute and uncertainty with Gatsby. [Award 3 marks for any two ideas well discussed OR any three distinct ideas.]

(3)



11.5 Tom is suspicious of Gatsby and has investigated his background. In order to prove to Daisy that Gatsby is a fraud and therefore not worthy of her, Tom wants to expose Gatsby as someone who has been masquerading as coming from old money and having an Oxford education. [Award 3 marks for any two ideas well discussed OR any three distinct ideas.]

(3) 11.6 In this extract Nick admires Gatsby’s honesty and his polite and calm attitude

toward Tom, even though Tom is aggressive and provoking. When Nick meets Gatsby soon after arriving in New York, he is repelled by Gatsby’s flashiness and the vulgarity of his parties. He is also sceptical about Gatsby’s account of his background. Nick’s attitude toward Gatsby has been ambivalent, especially when there are clear indications of the latter’s criminal involvement. However, his faith in Gatsby is renewed when Gatsby provides a convincing account of his background. [Award 3 marks for any two ideas well discussed OR any three distinct ideas. The candidate must discuss the contrast in Nick’s attitude.]

(3)

11.7 Tom’s comment about Gatsby’s having no respect for family life and family institutions stems from the fact that he accuses Gatsby of having an affair with Daisy and of trying to break up their marriage. His statement is ironic because, although he is acting self-righteously here, he is the one who has shown no respect for family life, since he has indulged in numerous affairs from the onset of his marriage to Daisy. [Award 3 marks only if the irony is well discussed.]

(3) 11.8 Invalid.

Daisy becomes identified with Gatsby’s dream, so the achievement of Daisy embodies the achievement of everything to which he aspires. Even after she marries Tom, he endeavours to become wealthy enough to prove to her that he can care for her and provide the life to which she is accustomed. After Gatsby and Daisy reunite, Gatsby wants Daisy to confess their love to Tom and that she is leaving him for Gatsby. Gatsby is content because the culmination of his dream has apparently been achieved. He is confident that Daisy is his now. Gatsby is under the impression that the exposure of the truth of their relationship is enough to guarantee their happiness. However, the world is more complicated than the dreamer imagines because reality outweighs the ideal. [A cogent ‘Valid’ response is unlikely. However, treat all responses on their merits.] [Award 4 marks for any three points well discussed OR any four distinct ideas.]

(4) [25]

TOTAL SECTION B: 25



SECTION C: DRAMA QUESTION 12: OTHELLO – ESSAY • Here is the basis for answering this essay. Use the following as a guideline only.



Characters are damaged or destroyed because of their inability to perceive deception, as well as by Iago’s manipulations and fate/opportunity. However, candidates might choose to argue that some individuals are destroyed as a consequence of their own folly. • Iago plots to exact revenge on Othello and Cassio. He uses Roderigo, Emilia and

Desdemona in his deception, resulting in deaths and the destruction of reputations and camaraderie.

• Iago deceives people as to his true nature and intentions, thus ensuring that he is regarded as honest, loyal and trustworthy. Iago employs trickery in suggesting there is an affair between Desdemona and Cassio. His machinations are successful because he knows how people will react.

• Iago plots to use Othello’s potential for jealousy. Othello’s subsequent irrational behaviour ensures the success of Iago’s plans.

• Iago’s machiavellism exploits Othello’s trusting nature, bringing about his downfall. Iago manipulates Othello by playing on his insecurities.

• Othello and Iago conspire to murder Cassio and Desdemona. • Iago plays on the importance of reputation to Othello and Cassio. • Fate ensures that the action moves to Cyprus, aiding Iago’s intrigue. It is also due

to fate that Bianca arrives with the handkerchief while Iago is questioning Cassio as Othello watches; Desdemona drops the handkerchief where Emilia can find it.

• Misdeeds aside, characters' inherent qualities contribute to their own destruction: Roderigo's gullibility and improper desire; Emilia's desire to please lago, which blurs her moral sense.

• Desdemona has absolute faith in Iago. Her goodness and naivety ensure the success of Iago’s scheming. Ironically, he is finally responsible for the tragedy of Desdemona’s death.

• Desdemona and Emilia are also guilty of deception (both lie about the handkerchief), which contributes to their deaths.

• Cassio's weakness for alcohol ensures the destruction of his reputation and his dismissal from his position. Cassio's irresponsibility allows peer pressure to cause him to drink in spite of his poor head for alcohol. Moreover, he is the officer in charge of the watch and should be more responsible.

[Credit valid alternative responses.] [Both aspects of the question i.e. deception and conspiracy, must be addressed in order to receive more than 60%.]

[25]



QUESTION 13: OTHELLO – CONTEXTUAL

13.1 Desdemona has married Othello. Othello has been sent to Cyprus to defend

the island against the Turkish invasion. Desdemona has the permission of the Senate to accompany Othello. [Award 3 marks for three distinct ideas.]

(3)

13.2 Cassio is playing the elegant courtier. He indicates that Iago should not be

annoyed by his ‘manners’ as they are part of his upbringing. This is typical of Cassio’s behaviour as he is a well-born gentleman. He is gallant and well versed in the appropriate social etiquette of the time. He has social grace and charm. However, there is something foppish about his enjoyment of the role. His behaviour towards Emilia could be regarded as flirtatious, which would also be typical of Cassio as a womaniser. [Award 3 marks for three distinct ideas.]

(3)

13.3 Iago’s tone is sarcastic/sneering/critical/derogatory/disrespectful/cynical. Iago

convinces Othello that Desdemona is as vile as he sarcastically depicts all women as being and/or that Iago actually displays his true nature here and its cynical nastiness is in tune with his plot against Othello. [Identification of the general tone of the extract or another character’s tone if not related to Iago’s plot will not received more than 1 mark.] [Award 3 marks only if the candidate refers to tone and its connection to Iago’s plotting against Othello.]

(3)

13.4 Iago is envious of everything Othello embodies. He is jealous of Othello’s

successes and impressive qualities. Iago wants revenge on Othello for denying him the promotion he has desired. He also suspects that Othello has slept with Emilia. By making Othello jealous, Iago reduces Othello’s stature by exploiting a weakness. Othello’s jealousy clouds his ability to reason, thus making it easier for Iago to manipulate, damage or even destroy him. [Award 3 marks for three valid and distinct points.]

(3)

13.5 In these lines, the relationship is based on mutual respect and admiration.

Othello appreciates Desdemona’s virtues. He believes that Desdemona has fallen in love with him because of his inner qualities. Later, as a result of his insecurities and jealousy, Othello’s perception of their relationship changes to suspicion and doubt. He no longer trusts anything she says or does. He no longer sees her as pure, but as an adulteress. [Award 3 marks only if the candidate discusses the change in Othello’s attitude toward Desdemona.]

(3)



13.6 Othello claims to need proof of Desdemona’s infidelity before he believes

Iago’s claims. However, Othello soon becomes irrational and believes Desdemona to be untrue without any proof at all. He later regards the flimsy evidence of the handkerchief as ‘ocular proof’. It is ironic that while professing his belief in Desdemona’s virtues, he will easily be swayed to believe Iago. The irony of the ‘proof’ is that it is not proof. [Award 3 marks only if the irony is well discussed.]

(3)

13.7 Iago might put his hand on his heart/place his hand on Othello’s shoulder/look

into his eyes in an attempt to appear sincere. The words would be said quietly. His tone would be sinister/sincere/caring/warning to intimate that he has Othello’s best interests at heart and that there is some truth to his concerns. [The candidate’s response should be convincing in context.] [Award 3 marks only if the candidate refers to and motivates both body language and tone.]

(3)

13.8 Iago is disrespectful toward and has no regard for women. In Extract A, he is disparaging, suggesting that women talk too much, as well as being shrewd and deceptive. This cynical attitude is repeated in Extract B when he reminds Othello of Desdemona’s deception of her father by marrying Othello. He debases women and sees them as disloyal. Iago considers women to be possessions and he sexually objectifies them. Iago’s attitude is that all women are promiscuous and unfaithful by nature. Iago’s cynical and vicious attitude toward women is indicative of his general insecurity; he is hostile to anything that challenges his ego. [Candidates must refer to both Extract A and Extract B; should they not, a maximum of 2 marks may be awarded.] [Award 4 marks for any three points well discussed OR any four distinct ideas.]

(4) [25]



QUESTION 14: THE CRUCIBLE – ESSAY




Deception and conspiracy lie at the heart of Salem’s problems. Corruption leads to the near-destruction of that society. The obsession with witchcraft contributes to its misfortune. Characters employ deception to disguise their greed and hidden agendas. • Proctor and Abigail are deceptive in hiding their affair. This conspiracy, which

includes Elizabeth (she lies to save Proctor), allows Abigail to gain power in Salem. • Parris uses deceit to hide the girls’ activities. He is concerned with self-preservation.

He uses the trials to hide his deception and vindictiveness towards Proctor. Parris wants Hale to disprove witchcraft, but is happy to participate once he realises he stands to gain from the situation.

• Although Hale does not set out to deceive, he enjoys and in effect abuses his ‘expert’ status.

Conspiracy is used to take revenge and for personal gain/selfish reasons. • The Putnams are guilty of conspiracy: Mrs Putnam conspires with the girls to

discover the reason for the deaths of her children. The girls’ activities in the woods set the destruction in motion. Because of his greed for land, Mr Putnam conspires with his daughter.

• Abigail conspires against Elizabeth to win back Proctor. She casts the spell in the woods and plants the needle in the doll, leading to Elizabeth’s arrest.

• Abigail and the girls conspire to protect themselves from accusations of witchcraft and later to exact revenge and exercise power over those who have oppressed them.

• The girls’ machinations against Mary result in Mary’s accusing Proctor of being in league with the devil.

• People are helpless in the face of conspiracy. Those who try to expose the conspiracy and intrigue are faced with court officials who plot to maintain their power. Giles Corey exposes Putnam’s use of his daughter to accuse Jacobs, but is arrested for contempt of court and will die under torture. Danforth and Hathorne’s collusion is based on their need to maintain power and respect. They conspire to preserve the appearance of justice.

• To solidify their reputations, people accuse others of wrongdoing. [Candidates might argue that the girls are merely typical teenagers and that events are set in motion as a result of their fear of reprisal. Candidates might also refer to the paranoia and hysteria engendered by an extremist belief system.] [Both aspects of the question i.e. deception and conspiracy, must be addressed in order to receive more than 60%.]

[25]



QUESTION 15: THE CRUCIBLE – CONTEXTUAL

15.1 Abigail, a maid in the Proctor household, has had an affair with John Proctor.

The affair has been discovered by Elizabeth, who no longer wants Abigail in her household. [Award 3 marks for three distinct points.]

(3) 15.2 The word, ‘slave’ has connotations of the lowest status. Abigail’s use of the

word reveals that she despises being a servant and being under the control of others. She believes she deserves to be treated with greater respect and dignity and aspires to improve her standing. [Award 3 marks for any two ideas well discussed OR any three distinct ideas.]

(3) 15.3 Abigail lies constantly, yet she has the audacity to accuse the honest Elizabeth

of lying./Abigail pretends to be moral, yet she has had an affair with a married man and has kept this secret. It is ironic that someone as immoral as Abigail should accuse someone as morally upright as Elizabeth of being a liar. [Award 3 marks only if the irony is well discussed.]

(3)

15.4 Mrs Putnam has a bitter and warped personality because all but one of her

children have died in infancy. She is obsessed with blaming someone for their deaths. This has led to her instruction to her daughter to join the girls in casting spells in the wood. She is happy for an innocent Rebecca Nurse to be executed, as long as she has a scapegoat. She revels in and embraces the witchcraft rumours because they provide her with a supernatural explanation for her babies’ deaths. [Award 3 marks for any two ideas well discussed OR any three distinct ideas.]

(3) 15.5 Danforth has been very excited by the prospect of Proctor’s confession.

Because Proctor is respected in Salem, his confession will help to bring about an end to the trials as others will follow his lead and confess. This will let Danforth and the court officials off the hook. However, Proctor is reluctant to sign the confession, and Danforth is agitated because his plan will not succeed. [Award 3 marks for any two ideas well discussed OR any three distinct ideas.]

(3) 15.6 Proctor is ashamed of himself. He cannot bear the thought of his confession’s

being revealed. He has signed against his better judgment. He does not want everyone to see his confession. It goes against his nature to be dishonest. [Award 3 marks for any two ideas well discussed OR any three distinct ideas.]

(3)



15.7 Proctor would use an indignant/angry tone to convey his frustration/anger that

they wish to use him to persuade others to confess./He feels that they do not treat him with the respect that he deserves. Proctor might point at them/beat his chest/make a fist/hit the bench to convey his frustration/indignation/anger. [The candidate’s response should be convincing in context.] [Award 3 marks only if the candidate refers to and motivates both body language and tone.]

(3)

15.8 In Extract A, Abigail’s reference to her reputation is a way of avoiding further questioning. She believes her adamant insistence on her reputation will satisfy Parris. Abigail is lacking in integrity and will go to any lengths to save herself. Especially because she lacks integrity, it is important for her to sustain her reputation as a worthy person. In Extract B, Proctor’s reference to his name shows a genuine concern for his reputation. He is prepared to sacrifice his life so that he can die with dignity and leave a legacy of which his children can be proud. He also does not want to denigrate the memories of those who refuse to make a false confession. His attitude is indicative of his integrity. Abigail is prepared to lie her way out of a situation, while Proctor refuses to do so. [Candidates must refer to both Extract A and Extract B; should they not, a maximum of 2 marks may be awarded.] [The candidate must discuss the contrasting perceptions to be awarded 4 marks.] [Award 4 marks for any THREE points well discussed OR any four distinct ideas.]

(4) [25]

TOTAL SECTION C: 25

GRAND TOTAL: 80



SECTION A: Assessment rubric for literary essay: Poetry (10 marks) Criteria Exceptional

8-10 Skilful

6-7 Moderate

4-5 Elementary

2-3 Inadequate

0-1 CONTENT Interpretation of topic. Depth of argument, justification and grasp of text. 7 MARKS

-In-depth interpretation of topic -Range of striking arguments; extensively supported from poem -Excellent understanding of genre and poem

- Shows understanding and has interpreted topic well - Fairly detailed response -Sound arguments given, but not all of them as well motivated as they could be -Understanding of genre and poem

- Fair interpretation of topic - Some good points in support of topic - Some arguments supported, but evidence is not always convincing -Basic understanding of genre and poem

- Unsatisfactory interpretation of topic - Hardly any points in support of topic - Inadequate understanding of genre and poem

-No understanding of the topic -No reference to the poem -Learner has not come to grips with genre and poem

STRUCTURE AND LANGUAGE Structure, logical flow and presentation. Language, tone and style used in the essay 3 MARKS

-Coherent structure -Arguments well-structured and clearly developed

-Language, tone and style mature, impressive, correct

-Virtually error-free grammar, spelling and punctuation

-Clear structure and logical flow of argument -Flow of argument can be followed -Language, tone & style largely correct

-Some evidence of structure

- Essay lacks a well- structured flow of logic and coherence - Language errors minor; tone and style mostly appropriate

- Structure shows faulty planning

- Arguments not logically arranged

- Language errors evident

- Inappropriate tone & style

- Poorly structured -Serious language errors and incorrect style

MARK RANGE 8-10 6-7 4-5 2-3 0-1


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SECTION B AND C: Assessment rubric for literary essay – Novel and Drama: 25 Marks Criteria Exceptional

Skilful

Moderate

Elementary

Inadequate

CONTENT Interpretation of topic. Depth of argument, justification and grasp of text. 15 MARKS

12-15 9-11 6-8 4-5 0-3 - Outstanding response: 14-15 Excellent response: 12-13 - In-depth interpretation of topic - Range of striking arguments extensively supported from text - Excellent understanding of genre and text

- Shows understanding and has interpreted topic well - Fairly detailed response - Some sound arguments given, but not all of them as well motivated as they could be - Understanding of genre and text evident

- Mediocre interpretation of topic; not all aspects explored in detail - Some good points in support of topic - Some arguments supported, but evidence is not always convincing - Partial understanding of genre and text

- Scant interpretation of topic; hardly any aspects explored in detail - Few points in support of topic - Very little relevant argument - Little understanding of genre and text

- Very little understanding of the topic - Weak attempt to answer the question.

- Arguments not convincing

-Learner has not come to grips with genre or text

STRUCTURE AND LANGUAGE Structure, logical flow and presentation. Language, tone and style used in the essay 10 MARKS

8-10 6-7 4-5 2-3 0-1 -Coherent structure -Excellent introduction and conclusion

-Arguments well structured and clearly developed

-Language, tone and style mature, impressive, correct

-Clear structure & logical flow of argument

- Introduction & conclusion & other paragraphs coherently organised

- Logical flow of argument - Language, tone & style largely correct

-Some evidence of structure

-Logic and coherence apparent, but flawed

- Some language errors; tone & style mostly appropriate

- Paragraphing mostly correct

-Structure shows faulty planning.

-Arguments not logically arranged

-Language errors evident.

-Inappropriate tone & style

-Paragraphing faulty

-Lack of planned structure impedes flow of argument

-Language errors and incorrect style make this an unsuccessful piece of writing

- Inappropriate tone & style

- Paragraphing faulty

MARK RANGE 20-25 15-19 10-14 5-9 0-4

• There must not be more than two categories’ variation between the Structure and Language mark and the Content mark. • A creative response must be awarded 0 for content and 0 for language.

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