Goin' Band Audition Material 2013

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T ABLE OF C ONTENTS 2 Check List 3 Letter from the Director 4 Medical Release & Band Fee Form* To be returned as soon as possible 5 Registration Guide 6 Music Audition Criteria 7 Visual Audition Criteria 8 Equipment Requests & Audition Music D ATES TO R EMEMBER June 30 – Information Form DUE July 13 – Mini Camp: Lubbock July 21 – Mini Camp: Central Texas July 28 – Mini Camp: Houston August 4 – Mini Camp: DFW August 17 – SUMMER BAND begins August 26 – First Day of Classes Website: goinband.org Facebook: Goin’ Band Nation Twitter: @TTUGoinBand Instagram: goinbandnation GOIN’ BAND from RAIDERLAND Audition Packet Alto Saxophone

Transcript of Goin' Band Audition Material 2013

Page 1: Goin' Band Audition Material 2013

 

TABLE OF CONTENTS

2 Check List 3 Letter from the Director 4 Medical Release & Band Fee Form*

To be returned as soon as possible

5 Registration Guide 6 Music Audition Criteria 7 Visual Audition Criteria 8 Equipment Requests & Audition Music

DATES TO REMEMBER June 30 – Information Form DUE July 13 – Mini Camp: Lubbock July 21 – Mini Camp: Central Texas July 28 – Mini Camp: Houston August 4 – Mini Camp: DFW August 17 – SUMMER BAND begins August 26 – First Day of Classes

Webs ite : goinband.org Facebook: Goin’ Band Nat ion Tw it ter : @TTUGoinBand Instagram : go inbandnat ion  

GOIN’ BAND from RAIDERLAND

Audition Packet

Alto Saxophone

08  Fall  

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AUDITION PACKET  

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CHECK LIST:  

PRINT AUDITION MATERIAL FILL OUT ONLINE MEMBERSHIP APPLICATION

Found  on  the  front  page  of  goinband.org MAIL IN MEDICAL RELEASE FORM & BAND FEE

Medical  Release  Form  attached  below.  The  band  fee  is  $165  ($100  for  uniform  cleaning  fee,  $50  for  social  dues  and  $15  for  spats).  Checks  should  be  paid  to  “Texas  Tech  University”    Return  to:  Texas  Tech  University,  Attn:  Debbie  Holt,  School  of  Music,  Box  42033,  Lubbock,  TX  79409      NOTE:  Full  refunds  will  be  made  available  if  you  do  not  make  the  band.  

SIGN-UP FOR A MINI-CAMP ON THE ONLINE MEMBERSHIP APPLICATION

Mini-­‐Camp:  Lubbock  at  Texas  Tech  University  on  Saturday,  July  13th  from  3-­‐5  PM  Mini-­‐Camp:  Central  Texas  at  James  Madison  HS  (San  Antonio)  on  Sunday  July  21st  from  1-­‐3  PM  Mini-­‐Camp:  Houston  at  Cypress  Ridge  HS  on  Sunday  July  28th  from  1-­‐3  PM  Mini-­‐Camp:  DFW  at  The  Westin  Stonebriar  (Frisco)  on  Sunday,  August  4th  from  1-­‐3PM  

REGISTER FOR GOIN’ BAND AT RED RAIDER ORIENTATION

Take  this  Registration  Helper  with  you  to  your  advisor.  Attached  below.  

PURCHASE OUR GAME DAY AND TRAVEL ATTIRE

Once  you  have  registered  for  the  class  and/or  filled  out  your  online  membership  application,  you  will  receive  a  link  to  the  website  where  you  can  purchase  the  following:  Under  Armour  Red  shirt,  Under  Armour  shorts,  GB  ball  cap,  MTX  black  marching  shoes,  gray  Goin’  Band  performance  shirt  and  the  Cold-­‐Weather  Uniform  (Hoodie  and  Sweats).  

 NOTE:  Full  refunds  will  be  made  available  if  you  do  not  make  the  band.  

 

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AUDITION PACKET  

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Hello!    Thank  you  for  your  interest  in  auditioning  for  the  award  winning  Goin’  Band  from  Raiderland!  As  a  potential  member  of  Goin’  Band,  you  are  invited  to  share  in  the  “Foot  and  a  Half”  experience  that  is  guaranteed  to  each  member  that  earns  a  position  in  our  organization.  This  foot  and  a  half  of  prime  real  estate  is  a  reminder  of  our  commitment  to  music  and  our  appreciation  for  our  eighty-­‐eight  years  of  history.        Summer  Band  begins  Saturday,  August  17th  at  Noon  in  the  Student  Union  Building  (Red  Raider  Ballroom).  Auditions  are  Sunday,  August  18th.  We  do  NOT  limit  how  many  students  we  accept  into  the  program,  but  there  are  music  and  visual  expectations  associated  with  our  selection  process.  We  are  looking  for  students  that  are  actively  engaged  in  making  positive  contributions  to  Goin’  Band  musically,  physically  and  socially.      MUSIC  COMPONENT  Goin’  Band  serves  as  a  spirit  organization  and  a  university  course  so  the  musical  demands  of  our  ensemble  are  highly  valued.    We  want  you  to  be  successful  so  we  provide  several  opportunities  for  you  to  receive  instruction  from  our  student  leaders  and  graduate  assistants  before  your  audition.      

 (1) The  music  component  is  60%  of  your  overall  audition.  (2) Auditions  are  NOT  blind  and  either  a  School  of  Music  faculty  member  and/or  a  designated  graduate  student  

will  adjudicate  your  audition  using  a  box  system  (attached  below).  Our  section  leaders  will  give  small  and  large  sectionals  on  Saturday,  8/17.  

 Note:  If  you  are  interested  in  Court  Jesters,  our  indoor  athletic  band,  this  Goin’  Band  music  audition  will  serve  as  your  Court  Jester  audition.  

 VISUAL  COMPONENT  We  are  offering  four  optional  instructional  camps  this  summer  to  give  all  potential  members  an  opportunity  to  learn  our  marching  techniques  before  summer  band.  We  use  a  straight-­‐leg  technique  (with  a  soft/relaxed  knee  on  the  cross).  We  also  use  the  Tech  Step,  a  traditional  high  step,  for  our  pre-­‐game  show.      

(1) The  visual  component  is  40%  of  your  overall  audition.  (2) The  band  staff  and  graduate  assistants  will  do  all  visual  auditions.  You  will  do  a  multitude  of  marching  

fundamentals  that  typically  include  forward  march,  backwards  march  and  our  pre-­‐game  Tech  step  sequences.    

 INSTRUMENTS  We  will  check  out  Piccolos,  Tenor  Saxophones,  F  Marching  Horns  (not  Mellophones),  Trombones,  Baritones  and  Sousaphones  on  day  one  of  summer  band.  There  is  no  charge  for  these  instruments.    Audition  results  will  be  posted  no  later  than  two  hours  AFTER  all  have  auditioned  on  Sunday,  August  18th.  Once  you  have  earned  a  position  with  us,  you  have  committed  yourself  to  a  semester  to  entertain,  to  inspire  and  to  be  excellent.  We  look  forward  to  you  joining  our  team;  it  will  be  one  of  the  best  experiences  you  will  have  in  your  collegiate  career!    

Sincerely,    

 Duane  Hill  Director  of  Athletic  Bands  Associate  Director  of  Bands  

 

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Return  this  page  and  your  check  (made  payable  to  Texas  Tech  University)  to:  Texas  Tech  University,  Attn:  Debbie  Holt,  School  of  Music,  Box  42033,  Lubbock,  TX  79409  

 FULL  NAME:  ________________________________________   R#:  _____________________    BAND  FEES  Uniform  Cleaning  Fee   $100  Social  Dues       $50  Spats         $15     Indicate  size:  Medium  ____  Large  ____  X-­‐Large  ____  TOTAL       $165    NOTE:  Most  students  will  need  a  medium  or  a  large  depending  on  the  size  around  your  ankles.  Indicate  above.  ALL  students  will  need  NEW  spats  for  our  uniform.      MEDICAL  INFORMATION  &  LIABILITY  RELEASE  FORM  Although  we  take  every  precaution  to  contribute  to  the  health  and  well-­‐being  of  our  students,  it  is  ultimately  up  to  the  individual  student  to  be  in  charge  of  their  physical  health  and  well-­‐being  (ie:  eating  properly,  staying  hydrated  and  etc.).  With  this  understanding,  please  complete  the  following  Medical  Liability  Release:        I,  ________________________________________,  fully  accept  all  responsibility  and  assume                                              (please  print  full  name)  all  risk  for  my  participation  in  the  Marching  band  Program  at  Texas  Tech  University.    I  hereby  release  Texas  Tech  University,  its  officials,  faculty  and  staff,  or  agents  from  any  and  all  claims  or  actions  resulting  from  any  and  all  accidents,  illnesses  or  injuries  I  sustain  while  participating  in  any  or  all  phases  of  the  Texas  Tech  University  Goin’  band  from  Raiderland.  I  certify  that  I  am  eighteen  years  of  age  or  older  and  legally  responsible  for  my  actions.    A  copy  of  this  authorization  shall  be  considered  as  effective,  and  as  valid  as  the  original.    By  signing  and  submitting  this  form,  I  affirm  that  I  have  read,  understand  and  will  adhere  to  these  statements.    _______________________________   ______________  Student’s  Signature         Date    

 

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 REGISTRATION  HELPER  

Use  this  letter  as  a  guide  for  you  and  your  advisor  during  registration  for  classes  at  Red  Raider  Orientation.      

WOODWINDS,  BRASS,  PERCUSSION,  GUARD  AND  TWIRLERS  

   

 

PERCUSSION  Only    

Though  you  will  be  auditioning  during  summer  band  you  must  also  register  for  the  percussion  sectional  class.      

Percussion………MUEN  3103-­‐204  It  meets  MWF  11:00-­‐11:50  for  one  hour  credit  

 *If  you  do  not  make  the  band,  you  will  be  automatically  dropped  from  the  class  with  no  charge.  

Everyone  must  register  for  band:  Marching  Band  can  count  as  a  PE  requirement  or  a  Fine  Arts  elective  under  the  General  Education  Requirements.  Band  meets  every  day  regardless  of  the  number  of  credit  hours  you  choose.    

Rehearsals  are  MWF  12:00-­‐12:50  and  TTH  12:30-­‐1:50    There  are  four  options  for  enrollment:  1)  One  PE  credit………………………………………………………..MUEN  1103-­‐201  2)  One  Fine  Arts  credit………………………………………………MUEN  3103-­‐201  3)  One  PE  and  One  Fine  Arts  credit  at  the  same  time…..Both  above  courses  4)  Two  Fine  Arts  Credits…………………………………………….MUEN  3203-­‐201  

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MUSIC

AUDITION CRITERIA  

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-­‐  Performer  exhibits  the  best  possible  control  and  a  highly  developed  concept  of  tone  production.  -­‐  Breath  support  is  proper  and  always  maintained.  -­‐  Tonal  focus  is  rarely  lost  and  timbre  is  consistent  throughout  and  characteristic  of  the  best  WW/Brass  sound.  -­‐  Instrument  is  always  in  tune  and  when  pitch  inconsistencies  occur,  they  are  quickly  corrected.  -­‐  Performers  exhibit  a  consistent  and  mature  approach  to  articulation,  style  and  technique.  -­‐  Phrases  begin  and  end  appropriately  and  rhythmic  integrity  is  solid.  -­‐  Lapses  are  rare  and  minor  (concentration  appears  to  be  superior).

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-­‐  Performer  exhibits  good  control  of  most  aspects  of  proper  tone  production.  -­‐  Breath  support  and  characteristic  timbre  may  be  adversely  affected  in  extremes  of  range  and  volume,  but  generally  is  correct,  unimpaired  and        obliterated.  -­‐  The  majority  of  the  instruments  are  in  tune  and  tonal  focus  is  generally  accurate  and  characteristic  of  the  best  WW/Brass  sound.  -­‐  Performer  exhibits  excellent  control  of  articulation,  style  and  technique.    -­‐  Phrasing  and  rhythmic  integrity  is  mostly  accurate.    -­‐Lapses  are  infrequent,  generally  minor  and  rarely  interfere  with  the  success  of  the  performance.

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-­‐  Performers  demonstrate  a  good  fundamental  approach  to  proper  tone  production.  However  players  are  sometimes  taxed  beyond  their  ability  to  control  quality  and  timbre  at  extreme  levels  of  volume  and  range.  -­‐  Occasionally  a  lack  of  adequate  breath  support  results  in  inconsistent  timbre  and  characteristic  sounds.  -­‐  Some  individual  tuning  problems  are  audible.  -­‐  A  generally  good  approach  to  proper  articulation  style  and  technique  is  obvious,  but  inconsistent.  -­‐  Performer  exhibits  an  awareness  of  proper  phrasing,  although  anticipation,  hesitation  or  over-­‐extension  does  occur.    -­‐  Rhythmic  integrity  is  generally  good  although  at  times  incorrect.

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D -­‐  Performer  seldom  seems  aware  of  the  proper  fundamentals  required  to  produce  characteristic  tone  quality.  

-­‐  Insufficient  breath  support  exists  to  produce  clarity  of  sound  and  tonal  center.  -­‐  Pitch  and  quality  problems  are  clearly  audible  and  remain  uncorrected.  -­‐  Airflow  is  frequently  disturbed  during  articulated  passages  and  technical  passages  lack  control  and  uniformity.  -­‐  Performer  exhibits  problems  with  rhythmic  integrity  and  recover  from  lapses  in  timing  is  slow.

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-­‐  Performer  exhibits  little  training  or  control  in  the  proper  tone  quality,  center  or  focus.  -­‐  Breath  support  is  seldom  present  causing  most  phrases  to  be  unfinished.  -­‐  Little  evidence  of  tuning  exits.  -­‐  Improper  articulation  method  and  style  occurs  most  of  the  time,  which  distorts  air  flow  and  tone  production.  -­‐  Rhythmic  integrity  is  very  poor.  -­‐  Recovery  time  is  extensive.

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VISUAL AUDITION CRITERIA

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-­‐  Performer  displays  an  extremely  high  level  of  understanding  of  style,  poise,  method  and  roles.  -­‐    Recovery  is  accomplished  with  ease  and  speed.  -­‐  A  high  level  of  understanding  enhances  the  exercise.  -­‐  Performer  displays  an  achievement  of  the  most  sophisticated  responsibilities  in  areas  of  space,  line  and  time.  -­‐  There  is  superior  response  to  changes  in  space,  time  and  form.  -­‐  The  responsibilities  displayed  are  ongoing  with  little  time  to  effect  corrections,  which  are  handled  with  ease,  and  flaws  seldom  occur.  

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-­‐  Performers  display  a  generally  high  level  of  achievement.  Style  is  recognizable  but  not  well  developed.  -­‐  Style  is  not  totally  refined  although  evident.  -­‐  Variations  in  technical  control  are  usually  consistent  and  variations  in  techniques  are  at  times  infrequent  and  minor.  -­‐  Recovery  is  evident  and  quick.  -­‐The  understanding  of  roles  is  obvious  and  enhances  the  display  of  style.  -­‐  Performers  display  a  high  level  of  achievement  of  the  more  advance  responsibilities  in  areas  of  space  and  line.  -­‐  Timing  responsibilities  are  well  demonstrated  most  of  the  time.  -­‐  There  is  demonstration  of  strong  skills  in  changes  of  space.  -­‐  Corrections  when  necessary  are  made  with  relative  ease  and  flaws  are  infrequent  and  generally  minor.  

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-­‐  Performer  displays  a  moderate  level  of  achievement.  -­‐  Style  is  recognizable  but  not  well  developed.    -­‐  Variations  in  technical  control  are  usually  consistent  and  variations  are  infrequent  and  minor.    -­‐  The  understanding  of  roles  is  obvious  and  enhances  the  display  of  style.  -­‐  Performer  displays  moderate  or  average  level  responsibilities  in  space  and  line.  -­‐  Flaws  or  breaks  occur  most  often  when  responsibilities  of  a  greater  magnitude  are  required.  -­‐  Control  of  his/her  instrument  may  be  sporadic.  -­‐  Some  variation  may  occur  in  pulse/tempo  control.  -­‐  Recovery  from  breaks/flaws  is  sporadic  and  flaws  tend  to  be  of  a  larger  magnitude  for  longer  periods  of  time.  

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-­‐  Performer  occasionally  displays  an  achievement  of  the  basic  level  of  understanding  in  the  skills  required  to  demonstrate  style,  poise  and  technical  control.    -­‐  Recovery  is  slow.  -­‐  Performer  occasionally,  yet  inconsistently,  displays  signs  of  knowledge  of  basic  fundamentals  in  control  of  instrument,  form,  tempo  and  pulse.    -­‐  Many  timing  and  rhythm  problems  exist.  -­‐  Individual  has  some  awareness  of  responsibilities  of  space/line,  yet  many  breaks  and  flaws  exist.  -­‐  Performer  does  not  often  display  an  ability  to  make  a  correction  when  it  is  possible.  

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ISSE

D

-­‐  Performer  displays  a  lack  of  understanding  of  the  technique,  body  carriage  and  poise.  -­‐  Performer  seems  generally  unaware  of  even  the  most  basic  responsibilities.  -­‐  Inexperience  and/or  improper  understanding  of  basics,  does  not  allow  the  performer  to  display  control  of  his/her  instrument,  form,  tempo  and  pulse.  -­‐  Serious  timing  and  rhythm  problems  exist.  -­‐  There  are  few  moments  lacking  flaws  most  of  which  are  serious  in  nature.  

Page 8: Goin' Band Audition Material 2013

PICCOLO-­‐Flip  folder  with  at  least  15  sheets*Piccolos  are  available  through  TTU

SECTION  LEADER  INFORMATIONTeresa  Jarinko,  SeniorMusic  Educa3on  &  Performanceteresa.jarinko@<u.edu

Xavier  Strickland,  SophomorePoli3cal  Sciencexavier.strickland@<u.edu

CLARINET-­‐Flip  folder  with  at  least  15  sheets-­‐Lyre

SECTION  LEADER  INFORMATIONBenjamin  Cook,  JuniorMusic  Educa3onbenjamin.cook@<u.edu

Jennifer  Bupp,  JuniorMusic  Educa3onjennifer.bupp@<u.edu

Lauren  Estrada,  JuniorManagement/Marke3nglauren.n.estrada@<u.edu

SAXOPHONE-­‐Flip  folder  with  at  least  15  sheets-­‐Lyre-­‐A  limited  number  of  Tenor  Saxes  are      available  through  TTU  on  8/17

SECTION  LEADER  INFORMATIONAndrew  Reinhart,  JuniorMusic  Educa3on,  Alto  Saxophoneandrew.reinhart@<u.edu

Max  McCord,  JuniorComputer  Engineeringmax.mccord@<u.edu

Maurice  Hernandez,  SophomoreMusic  Educa3on,  Alto  [email protected]

TRUMPET-­‐Flip  folder  with  at  least  15  sheets-­‐Bach  3C  mouthpiece  or  the  equivalent  

SECTION  LEADER  INFORMATIONMa<hew  Garrison,  SeniorMusic  Educa3onma<hew.garrison@<u.edu  Mark  Belding,  JuniorMusic  Educa3onmark.belding@<u.edu

Gregory  Alberts,  SeniorPre-­‐Med/Biologygreg.alberts@<u.edu

HORN/MELLOPHONE-­‐Flip  folder  with  at  least  15  sheets-­‐Music  Majors  will  be  on  the  Marching  Horn-­‐Non-­‐Music  Majors  will  be  on  the  Mellophone  *All  instruments  will  be  provided.

SECTION  LEADER  INFORMATIONChad  Hopkins,  SeniorMusic  Educa3onchad.hopkins@<u.edu

Katelyn  Losos,  SophomoreMusic  Educa3onkatelyn.losos@<u.edu

TROMBONE-­‐Flip  folder  with  at  least  15  sheets*All  trombones  will  be  provided

SECTION  LEADER  INFORMATIONRobert  Thomas,  SeniorMusic  Educa3onrobert.thomas@<u.edu

Joseph  McPherson,  SeniorMusic  Educa3onjoseph.mcpherson@<u.edu

BARITONE-­‐Flip  folder  with  at  least  15  sheets-­‐Schlike  51D  or  Black  Kelly  51D  (Large)*All  Baritones  will  be  provided

SECTION  LEADER  INFORMATIONZach  Davis,  SeniorMusic  Educa3onzach.davis@<u.edu

Tyler  Simon,  JuniorMusic  [email protected]

SOUSAPHONE-­‐Flip  folder  with  at  least  15  sheets-­‐Black  PlasYc  Kellyburg  mouthpiece  or      the  standard  equivalent.

SECTION  LEADER  INFORMATIONTrey  Hanis,  JuniorMusic  Educa3on  &  Performancetrey.hanis@<u.edu

Website: goinband.org Facebook: Goin’ Band Nation Twitter: @TTUGoinBand Instagram: goinbandnation

EQUIPMENT REQUESTS

Page 9: Goin' Band Audition Material 2013

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