GOETSCHIUS - Essentials in Music History

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EGYPTIANS 7
VI. FIRST EXPERIMENTS IN THE ASSOCIATION OF
PARTS 43
VIIL Music OF THE PEOPLE. TROUBADOURS, MINSTRELS 61
IX. Music OF THE PEOPLE. MINNESINGERS
AND MEISTERSINGERS 68
FOLK SONGS,
INSTRUMENTS 79
EARLIEST SCHOOLS OF COUNTERPOINT . 88
XII.XI I , 98
c CONTENTS
ESSENTIALS IN
reproduc-
tion
upon
an
instrument,
of
that
which
is
vocally
ex-
pressed.
Instrumental
utterance
is
opposed
to
vocal,
precisely
as
physical
manifestations
are
consequent
upon
emotional
states,
and
the
nations
language
of
pas-
sion.
Richard
Wallaschek,
whose
Primitive
SCHOOL
(THEY
26 ESSENTIALS
tion received serious
CHAPTER VI
GUIDO'S SUCCESSORS
subjects;
for
they
were
not
trammelled
by
strict
ecclesiastic
62 ESSENTIALS
MUSIC OF
THE PEOPLE
in
producing
genu-
MUSIC OF
86 ESSENTIALS
RISE AND
RISE AND
RISE AND
PROGRESS OF
ARTISTIC MUSIC
folk-songs
of
the
people.
Then
came,
as
we
have
seen,
the
momentous
experiments
with
two
and
INFLUENCE OF
i io
ORLANDO DI
PIERLUIGI DA
both
sacred
and
popular
elements;
that
it
thus
brought
the
higher
phases
of
music
MUSIC OF
holy
order,
CHAPTER XVIII
ERA OF
ORATORIO IN
INDEPENDENT INSTRUMENTAL
i8o ESSENTIALS
drama.
206 ESSENTIALS
IN MUSIC
effect
OPERA IN
220 ESSENTIALS
marked as
222 ESSENTIALS
228 ESSENTIALS
OPERETTA IN
CHAPTER XXXI
FRANZ SCHUBERT
266 ESSENTIALS
gifted
writers,
partly
in
the
romantic
style
and
partly
ROMANTIC SCHOOL
In
1824
he
made
the
acquaintance
of
280 ESSENTIALS
286 ESSENTIALS
performs
in
it.
But
he
also
knew
that
music
Richard
Wagner,
but
his
contrasts
are
more
often
strik-
ing
than
wholly
pleasurable.
Strauss
is
apparently
sin-
cere
ESSENTIALS OF
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GOETSCHIUS - Essentials in Music History

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